Michigan Books
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Love itReview Date: 2008-09-29

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Good memoriesReview Date: 2007-06-09

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YUMSReview Date: 2008-01-10


Profoundly movingReview Date: 2008-01-02
The Sacred Names

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Wonderful pictoral history Review Date: 2005-05-14

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A Special PleasureReview Date: 2006-07-29
The ten previously published stories are:
Marigolds and Mules
A Mess of Pork
The Washerwoman's Day
The Two Hunters
Blessed-Blessed
The First Ride
Fra Lippi and Me
The Hunter
Love?
Interruptions to School at Home
Author of Hunter's Horn, Mountain Path and other novels, and several historical works concerning Appalachia, Arnow was National Book Award winner in 1955. Although her most famous work, The Dollmaker, has enjoyed much success and was dramatized for television in 1984 with Jane Fonda playing Gertie Nevels, her works have been largely relegated to "regional" literature and subsequently her short stories, up until now, have been hard to find. So it is with special pleasure that we can now trace some of Arnow's evolving artistry and sociopolitical consciousness through these works she left behind.

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knowledgable and caring advice to optimize your college experienceReview Date: 2006-02-27

Acknowledging the intersections of race, class, and genderReview Date: 2000-04-06
In one of the book's strongest contributions to the ongoing conversation on race and feminism, Hurtado acknowledges the major factor separating white feminists from feminists of Color: their different relationships to white men. Hurtado concludes that white women's position (living in the same homes as white men) avails them to an "economic cushion," a term coined by Phyllis Marynick Palmer. Without trivializing the oppression of White women, Hurtado shows how White patriarchy subjects them through seduction (to propogate the race) while oppressing women of Color through rejection.
She makes another noteworthy contribution by considering Chicanas' decisions not to leave their sexist communities, explaining how women are subordinated within their own cultural groups through sexuality. She also advocates a means for theorizing about oppression and liberation that considers the privilege of the theorist, a feminist epistemology that would not separate the scholar from her/his findings but instead would require a "disrobing of self" not found in masculinist paradigms (p. 128).
Hurtado's suggests that, rather than exchange Eurocentric domination for Afrocentric domination, we consider the role of privilege as we create a "reflexive theory of subordination" that seeks "types of leadership models that lead to strategic action to accomplish particular goals" (p. 159). The key term here is reflexive. Hurtado wants each of us to consider our own biases, the baggage we each bring into our discussions of ineaquality. She acknowledges that some feminists have tried this approach, but adds that we need to encourage more of them to do so. Hurtado contends that we cannot question white power solidarity thoroughly until white people become racial whistle-blowers, fully exposing their privilege.
The Color of Privilege is a rare find: an insightful, well-written scholarly text that will interest both the activist and the academician.


Comparative Law at Its BestReview Date: 1999-01-24

Not your father's travel bookReview Date: 2004-03-31
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