Alcoholism Books
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A must have for cliniciansReview Date: 2007-12-21
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A Collection of International Writings on SpiritualityReview Date: 2004-07-07

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The Healing Journey for Adult Children of AlcoholicsReview Date: 2005-09-16
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Mike D. brings his healing prayer seminar to print.Review Date: 1999-04-23

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Could not put it downReview Date: 2005-08-10
I thought it was an excellent book! Even though the family wasnt a real family I knew, I still felt bad. I am really greatful for my parents because they really care about me.

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The best book in this field to dateReview Date: 1998-11-25
The Hollywood alcoholism films analyzed span the period 1932-1990. Its start is not arbitrarily chosen as it marks both the death throes of Prohibition and the ascendance of Hays Code production constraints on Hollywood depictions. This typifies, as Denzin sees it, deep-rooted ambivalence and contradictions in American attitudes to alcohol. From the repeal of Prohibition through to the 1960s, the `Lost Generation' of alcoholic writers-turned-Hollywood-screenwriters influenced cinema representations. The leitmotif of hard drinking in their literary works has been written about extensively(see `The White Logic: Alcoholism and Gender in American Modernist Fiction' John W Crowley 1994), yet contemporaneous film fictions are less well addressed. Denzin's `Shot by Shot' redresses the balance by meticulous scrutiny of movies as film texts per se. Through solid scholarship and thorough research, he maps the trajectory of the genre from anti-alcohol through AA influenced illness concept to contemporary dysfunctional family theory.
The section on the `double standards' in representations of female screen alcoholics is astutely handled, as is the Lacanian based section `The Cracked Mirror and the Alcoholic Self'. The most compelling argument Denzin has however lies in the insistence on the legitimacy of an `alcoholism genre' in cinema. The common strategy of attributing cinema texts to genres other than alcoholism ( e.g. `Harvey' and `Arthur' as light comedy, `Lady Sings the Blues' as biopic) operates as a form of denial, and parallels the lived experience of alcoholics and their families. Indeed Denzin cites the use of Hollywood alcoholism films in re-hab treatment centres - used to facilitate the individual's rupture of denial, and their own self-attribution as alcoholic. If anything, Denzin could have developed this a little further through differentiation in both lived experiences and representations of ruptured denial - the slow dawning of identification as well as the epiphanic moment of realization.
Denzin's examples are well chosen and justified: redemption narratives, popular fictions and film biography. One wonders what Denzin would make of some of the cinema releases since the book's publication. Redemption and recovery certainly do not figure in such films as `Leaving Las Vegas' (1995) or the explosively powerful British film `Nil by Mouth' (1997). . Non-American cinema is sadly outside the scope of Denzin's book - and one of the best British interdisciplinary books, `Images of Alcoholism' (British Film Institute 1979) is now out-of-print. The shift of focus from the cultural studies mainstays of age/race/class/gender to wider representations of `attribute' will no doubt ensure that others will follow Denzin's lead in re-evaluating the alcoholism film genre.
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Positive and informative bookReview Date: 2004-03-27

Ground Breaking TreatmentReview Date: 2007-01-10

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Let the author tell you what it's aboutReview Date: 1998-07-09


Good BookReview Date: 2000-02-02
Related Subjects: Support Groups Online Meetings Spiritual Connections Resources
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A great read-a true must have.