News and Reviews Books

These books are charming, clever and fun to read. My 7 year-old niece loves them.

The Jenny Linsky books are so delightful it is surprising that they have not been picked up and ruined by some savvy merchandising conglomerate. This one focuses on Sinbad and the Duke, two stray cats in New York City who are suspicious of but intrigued by the the "civilized" members of the Cat Club. Each cat in the series is given a distinct personality and, although the books were written some time ago, the stories are not at all dated. We first introduced our daughter to them when she was in kindergarten, and she still enjoys them as a 10-year-old tween. Highly recommended.

This was a great family read-aloud book for our cat-loving preschooler. We borrowed it from the library, and liked it so much we bought it. It's a classic that will last us many years!
The story follows two scrappy stray cats ("tramps" who are feral by choice) who balk at making friends with a quite civilized club of pet cats. The irreverent tramps at first resent the Cat Club rules (hilariously calling the club's decorous president "The Old Windbag"), but gradually see the up side of playing by the rules. The language is quaint and charming, and the story is spunky and readable.

This arrived in good shape and in good time. I appreciate it all.

The novel, Cassandra at the Wedding (first published in 1962), starts out simply enough; the first-person narrator, Cassandra Edwards, tells us that the spring semester has ended at Berkeley, California, where she is writing an M.A. thesis on the contemporary French novel; and she's packing a bag to drive to her parents' ranch near Tipton to attend her sister Judith's marriage to a truly lovable man. Not only is Cassandra a budding scholar, she's a talented pianist, and competitive swimmer, and she loves her sister more than anyone--even more than her sister's fiancee--so Cassie thinks. For this is the point: Cassie cannot bear to part with her nearly identical twin sister and will do almost anything to stop their wedding. As Cassie lets us deeper into her thought processes, the reader will find that--as learned and cultured as she is--Cassie isn't aware of the effects she has on others and on herself: Cassie is often cynical, passive aggressive, and wantonly perverse in her refusal to "get it," i.e., to love and let love. Her insolence towards the people she says she loves is an astonishing dismissal of their emotional lives. The fact that Dorothy Dodds Baker makes it easy for us to see Cassie without Cassie seeing herself is testament to the author's mastery of irony and understatement. Without a doubt Baker has created a character who is both infuriating and heroic. In fact, it's Cassie's youth and intelligence that makes her inability to let her sister go such a riveting contemporary drama. Also of note: The NYRB book cover is an appropriate painting by David Park; Deborah Eisenberg's "Afterward" is informative.

You're a twin --- so close to your sister that she moved across the country.

Now she's getting married to a man you've never met and cutting the cord for good.

And you're her only bridesmaid.

In the universe we now inhabit --- the urban chickscape of "Sex and the City" --- Cassandra Edwards would have a posse of smart-talking, Chardonnay-swilling pals to help her through this overwrought moment. They'd gab for hours about her choice of a bridesmaid's dress. They'd speculate about the groom's endowment. And they'd tease Cassandra for her ambivalence about catching the bouquet.

"Cassandra at the Wedding" is a stunning rebuke to that shallow-as-glass sensibility.

More to the point, it's a smart, stylish, disturbing novel --- a book much too good to languish at an Amazon.com ranking of 1,000,000.

But then, Dorothy Baker is not exactly a household name. Young Man with a Horn --- her fictionalized account of the doomed jazz great Bix Beiderbecke --- was published in 1938. It's pure pleasure; I've read it a dozen times since discovering it as a kid. I thought it was her only novel until a Butler reader tipped me to "Cassandra at the Wedding", the last of what turn out to be Baker's three novels.

Like "Young Man with a Horn," this novel begins effortlessly: "I told them I could be free by the twenty-first, and that I'd come home the twenty-second." That makes Cassandra seem chatty and friendly. Well, it doesn't take long for her bitchy side to surface. Example: Her twin's beloved is John Thomas Finch. Cassandra's comment: "Where'd she meet him --- Birdland?"

Soon we see that Cassandra is an inventory of neurosis. She's writing a thesis about French writers rather than be a writer --- her mother wrote plays and novels --- but she's stumbling even in her academic writing. Her biggest issue, naturally, is her twin. She's just obsessed. And with every detail of their lives. She was, she notes, born "two ounces heavier and eleven minutes older than the one named Judith."

As children, they lived on the Northern California ranch where Judith will be married. They came right home after school: "We didn't need people." Now, even though separated, they're so in tune with one another that they have both bought the same dress to wear at the wedding.

To Cassandra, that's one more metaphor for all that's wrong about Judith's wedding --- one more reason she must stop it. She explains this to us at great length, and some readers, wading through these pages, will think this book is just talk talk talk. It's not. Baker is doing something far more subtle and accomplished --- she's presenting a close account of an unraveling personality.

On the wedding day, there's an event. No spoilers here, but it's not the wedding, and it is a shocker. And it leads to more. And, in the end, you feel you've come to know some people at least as complex as you are and as twisted as some people you know.

Oh, there's a twitch I've failed to mention. "With men I feel like a bird in the clutch of a cat, terrified, caught in a nightmare of confinement, wanting nothing but to get free and take a shower," Cassandra tells us. Translation: She's gay. Context: "Cassandra" was published in 1962, so at no point is this ever made explicit. But you can read the entire book without being aware of her sexuality. For me, that's the mark of good writing.

This book mostly covers the area of 7th and 8th grade math cirriculms in New York. Though it helps you to review, the book covers some materials, but not all you need to know for the test. Some 8th grade materials are not covered thorughout the book. The practice test gives examples of how the actual test will be. It gives alot of details of how to solve multiple choice questions,and short and long responses. If you're serious about getting a Level 4 on the 8th grade math test you should buy this book.

Let me tell you if you are an eight grader you must get this book. This book helped me more than any teacher. if you want to get a good grad on the 8th grade assement test this is the book for you.

My students started using this book and they've really gotten the hang of this new question style. The review sections are very comprehensive and the test-taking strategies described and explained in the book are very good. I plan on using future additions of this book and have already budgeted it in for next year. It will help you if you need it.

Reading Dime-Store Alchemy is a fine way to get to know Joseph Cornell's work (and of course Charles Simic's). Simic uses a writing style which pieces together different elements of Cornell's favorite authors and poets, beautifully reflecting the montage operation created by Cornell himself. As Simic ambiguously reveals aspects of Cornell's life in New York City, the reader finds him/herself on the same search for an understanding of beauty that the artist spent his entire life investigating. Don't miss it!

Then you will love this book of short essays and responses to Joseph Cornell's work by our Poet Laureate. It's amll and without a dustjacket, quite elegant and easy to take with you to read when you find yourself with a few spare minutes.

This elegant book reminded me of "Einstien's Dreams." The book is about the genius of imagination. Cornell's provincial life gave him the opportunity to observe his world closely and let it expand into his art. The writing by the poet Simic is a piece of art in itself.

One imagines John G. Morris as the sort of grandfather with a thousand amazing stories, whom everyone in the family has asked to write a book for years and who finally sets about the task.

As a sequence of compelling snapshots, Morris selects and arranges his tales into a layout that explores unresolved questions, ambivalences, regrets, hopes, thrills, and humor.

For anyone interested in photojournalism, as a profession, its personalities - the lives, loves, and losses of those standing on the other side of the camera while celebrities splash across the pages - this book is an excellent starting place. His 'editor's eye' view of the profession turns the camera back upon the photographers, telling tales behind pictures generally left untold. By disclosing the various photographic negatives, he discloses a positively fascinating image of the origins of modern imagemaking.

I just finished reading this novel and I must admitt it is one of the best novels I have read this year. It really is an exciting travel through the 20th century, through the eyes of a man who's carreer made him involved with major political and social events. I would say this is a must to anyone interested in photography and journalism, and a recommended for anyone with a heartbeat. I really loved this book.

This is a well-written rolicking ride through the last century and the history of photojournalism in the American media. It has an index that reads like the Who's Who of the century with anecdotes and insights galore on the movers and shakers of photojournalism and history. I enjoyed every word and I recommend it highly.

This translation of four plays by Euripedes is brilliant, clean and clear, without pretension. It offers the direct gaze of an Athenian at human emotion and human fate, which is considered a matter of luck more than character. For the Athenians matters of state and import are rooted in the family, where everything begins.

I've owned copies of Euripides all my life and never got around to reading them, but when Grief Lessons came across my desk last week, I was compelled to read straight through it. The title alone speaks of Carson's special talent for reaching the heart of the matter. Grief Lessons. The layout of her character's dialogue, too, flows back and forth along the margins of the page so that your eye moves easily down the text. The characters speak simply, without flourishes, without annoying Victorian poetic touches. Grief Lessons opens up Euripides to you so clearly that you can hear the characters weeping and shouting at each other on the stage of your mind. At the same time, so simple is Carson's translation that her words have an open ended flexibility that let you imagine them being pitched almost any way. Is Admetus a typical egocentric or an oaf? I'd always felt sorry for Hippolytus, cursed unfairly by his father. Now I'd like to curse him myself. I've never seen pomposity in a youth so clearly shown in a play. Moreover, Euripides lived at the end of Greece's golden age. His cynicism of the gods and heroes plays very appropriately on the stage of today.

There is so much blood letting in these plays I would hate to be the stage manager. What a clean up after every performance.
Seriously folks...
The plays are spellbinding. The insights into what motivates human beings are brilliant. I enjoyed reading these plays 10 times more than I ever thought I would. I read the review inThe New Yorker and thought I'd take a chance. (I don't normally read the classics)
I gave it to my wife who loved the plays as well.
Great job.

When you think of chroniclers of love, life and American society during the Gilded Age, you automatically think of Henry James and Edith Wharton.

But while W.D. Howells never quite reached their levels of prominence, his similar works are full of quiet introspection and evocative, vivid prose reminiscent of Wharton at her best. And "Indian Summer" is one of his better works -- a lush, colorful exploration of 19th-century Florence, and a love triangle of Americans who are taking a prolonged vacation there.

After a disastrous career loss, Theodore Colville is vacationing in Florence, and promptly begins a massive midlife crisis. But he perks up after encountering Lina Bowen, a widowed ex-flame of his who is also staying in Florence with her young daughter Effie. And at a party that evening, Lina introduces him to the young, vivacious Imogene Graham.

Soon Colville is squiring Effie and Imogene around Florence, and even taking all three women out to the carnival. Naturally, Imogene develops a crush on the kind, cynical Colville -- but her innocent liking alarms Lina, who still is carrying a flame for him, and Imogene's well-intentioned errors tie her in society's web. Noow Colville must decide what he wants most, and which woman truly loves him.

At heart, "Indian Summer" is basically an exploration of a love triangle between an older man, a slightly younger woman, and a girl young enough to be his daughter. That's a delicate situation at the best of times, but this was also the Gilded Age -- codes of conduct were strict, and feelings were expressed in a dance of words and gestures rather than outward displays.

But to frame the story, Howells creates an elaborate portrait of how wealthy Americans lived and saw Europe. In between parties and meditative conversations, there are vivid looks at the Florence of the time -- he fills it with dusty chapels, quiet hostels, walks in the rain, meditations in cafes, gorgeous old buildings and a wildly indulgent carnival full of masked flirtations.

And all this is painted with a lush, detailed style that walks the fine line between sensuality and propriety. Like Imogene, it's full of passion and beauty, but not enough to get swept away. But also through the book is a sense of autumnal regret about youth's passage and the question of what happens after that.

Most of that midlife crisis angst comes from Colville, who has just suffered a public humiliation and had to sell the paper he once ran. So unsurprisingly he's a bit depressed, and ends up being inadvertently torn between the affections of two women -- one is his equal in every way, and the other makes him feel old, yet he likes her youthful vibrancy. Lina is a fairly solid character, but Imogene's naive delight in Florence and in an older man's friendship is excellent.

"Indian Summer" in Florence is apparently a pretty nice time to be there, unless you are locked in a love triangle of manners and hidden feelings. A lushly-written look back to a much more complicated time.

This excellent novel by Howells is a May-December love story. Middle-aged Theodore Colville falls in love with young and pretty Imogene Graham. The relationship borders on the ridiculous, but it's only when Imogene falls for a younger man that Colville calls it all off. One wonders what took him so long. The dialogue, especially when Colville is involved, crackles with wit. This is Howells's own favorite of his novels. It is extremely entertaining, one of Howells's very best books, and one of the best novels on the American bookshelf, regardless of time period.

An American middle-aged man returns to Florence, Italy - the scene of a heartbreaking romance twenty years earlier. There he meets an old friend from those days, her daughter, and her twenty year old female protege. Slowly a surprising romantic relationship develops; but is it really what both people want? Great dialogue, wonderful character development, and a happy ending.

Four stories are contained in each of the five volumes of this set. The text appears with beautifully detailed colorful pictures. These books will hold a young child's interest, whether used at home or school.

This set of Bible Story books is the best I have ever seen. The pictures are wonderful. The books have stories that are not as commonly found in most children's Bible story books, such as Joash the Boy King and The Borrowed Ax. I had this set of books as a child and I am trying to find a complete set for my own children. I highly recommend this set of books!

I loved these books as a kid, and my kids love them as well. They have lifelike full-spread illustrations and simple language.

Be aware when you are buying that there were two versions published, a 10-volume set with two stories per book published in the 60's, and a 5-volume set with four stories per book published in 1977. Both sets contain the same 20 stories. But if you're putting together your own set, you should be aware which version you are getting.

My daughter had a 26 over and over in act- needed a 29 to get a half scholarchip to the college of her dreams- in a couple days of studying the Kaplan act essential review she raised her score to the 29 and got her scholarship in one try

we recommend to anywone

I am a high school instructor who has worked with gifted and college-prep students for fifteen years. Preparing for the ACT is a major concern for most college-bound, high school juniors & seniors.

I have presented extensive ACT workshops to students over the years and have used numerous ACT prep and self-help books. THIS IS BY FAR THE BEST BOOK THAT I HAVE EVER OFFERED TO STUDENTS!

The book is small, concise, and loaded with great information:

a.) Each of the 4 parts of the ACT is broken down into understandable objectives,

b.) Specific types of questions that consistently appear on every ACT are revealed,

c.) Uniquely helpful strategies are presented for each section (along with examples that appear as typcal ACT questions).

This book proves that "GOOD THINGS REALLY DO COME IN SMALL PACKAGES!"

Like many high school students, my daughter carries a back pack that is almost as big as she is. This little book gets more use than the bigger ACT book we bought because she carries it around with her and actually uses it. Good idea!

It's good to see that John Glassco's hilarious if not always reliable memoir of his youthful exploits in Paris is back in print. From what I gather, this edition includes an introduction that comments on the fictitiousness of some events described in the book and its real date of composition. (I'll give you a clue: it's later than you think.) So I would like to exhort everyone and anyone with an appetite for stories about the good old days in Paris, when James Joyce, Ernest Hemingway and Gertrude Stein roamed freely, to pick up this book and enjoy themselves.

However, you should bear in mind that around 25 per cent of it is fiction. Also, if you really want to know who's who, you are better off with the 1995 OUP edition with notes by Michael Gnarowski. This contains a good introduction and reveals the real identity of many thinly veiled characters in an appendix. (Djuna Barnes' lover Thelma Wood is renamed Emily Pine - you get the idea.) But if you are less detective minded than me, I guess this new edition will do just fine.

For further reading, I warmly recommend Being Geniuses Together by the very outspoken Robert McAlmon, with later material interpolated by Kay Boyle, yet another unreliable narrator. Both of these memoirs are infinitely more entertaining than Stein's The Autobiography of Alice B. Toklas or Hemingway's maudlin A Moveable Feast. The last of these was hailed as a return to form, but I believe it contains much material that was actually written *earlier* than you'd think. Quite the opposite of Glassco in that respect!

It was 1927; John Glassco was 17 when he left Montreal to go to Paris with the intention of becoming a famous writer. He kept a journal of his life there for the next five years. He was convinced he was a genius who would one day produce a masterpiece. The irony is that the masterpiece turned out to be these memoirs edited and published when he was 59.

John Glassco writes about the Paris arts scene of the 1920s, telling the story of an artist as a young man. It's not always true, but it is always fun, as fiction and autobiography blend to create a good read. Has all the sex, boozing and pathos that was typical of 1920s Paris as its been memorialized in literature, whether that's a good thing or not is for you to decide.