Characters Books

Sharan Newman's To Wear the White Cloak pulled me in and held my attention through the story so well that, when it ended, I wanted more. She portrayed a realistic family living in France in the time of the Crusades, with all their problems, and how they related to one another, in a way that my modern mind could embrace; yet the setting and events were authentic to the historical period. I remembered and mused over the characters' words and thoughts long after I closed the book.

This book is quite different than the previous books in this series. For one thing, it's actually quite humourous and although there is a murder, it happens sometime before the book actually begins. The dead body of what appears to be a knight of the crusade is found by Catherine and Edgar in their Paris home after they've been away for a year. The scandal from that, as well as a lot of rumours that are going around Paris about them causes them to set out to find first who the knight was, and then to determine who killed him. This book is peopled by a lot of characters, and that can be confusing, and there is a lot of unrelated action going on, so it gets a bit disjointed at times, but it is funny, and that is very different for a Catherine LeVendeur mystery. Ms. Newman's research is still very extensive, and her two main characters are just as likeable, so not a bad addition to this series.

After reading this book, I am dying to get the next in the series on my nightstand. Sharan Newman's books are so engaging in their plots, well-crafted subplots, and details of medieval life that you almost hate to finish one. Her works are intelligently written and addictively interesting. Four stars, no question.

I couldn't wait for this latest installment of Sharan Newman's series featuring the clever and clumsy Catherine and her stalwart spouse Edgar, set in the 1140's, this time back in Paris. Just as with her previous novels, I was more than satisfied. I discovered Catherine and Edgar in "Cursed in the Blood" just after our return from Scotland and the north of England this summer, visiting castles of our ancestors dating from the 11th and 12th centuries, primarily. Newman has such a thorough grounding in the history of the time and yet she has the ability to bring her characters to life. I raced through all of her previous novels in the series, except for the next to last one--on order!--just prior to this one, "To Wear the White Cloak". In this latest story, Catherine and Edgar were shocked upon their return from what seems to have been a dangerous and difficult journey to Germany to find a very dead (and moldy!) Knight of the Temple locked inside her father's home. The well-educated twosome have to counter the suspicion that quickly falls on their family, as before, by solving the murder themselves. This is accomplished while they deal with the everyday issues of raising their family in health and safety, establishing themselves financially, and even struggling with moral issue of birth control. You will do yourself a favor if you begin reading Newman's books--go back and read the others--if you have an appreciation for this time period and for an excellent mystery. (Note to fans of Ellis Peters: finally, someone to (almost) fill her shoes)

Newman just kepts improving with age. How she manages to come up with all these new settings, people, and situations is beyond me. Each book can stand on it's own, but I'm happy to have read them all in order to allow me to see how each character in the story has changed and matured.
I hope this series never ends!

I used this book for a recent Special Needs training I facilitated at South Carolina University in Sumter, SC. The Preschool teachers loved it because it got over and sealed the point I was trying to make. "Don't change the child, change the environment in which the child is in." It gave them a more open mind of how to adapt their classrooms for the children in which they serve.

We have had this book for years and I just purchased it for my daughter's Kindergarten classroom, it is such a fun book, I love the illustrations and it is one that I can read again and again and still enjoy it.

The book was received in good condition and in a timely manner. I would recommend this site to others.

We simply adore Winnie the Witch at our house... by we I mean me (38), my husband (44), and our 2 and a half year old daughter. The humor appeals to every age, as do the fantastic illustrations. I recently ordered the three story collection and was not disappointed. Take a chance on Winnie.

This is, I think very much more for a child from 2-4 than anything else. The language is simple as are the concepts. It is very good humoured and beautifully illustrated. This is a book my 2 and 4 year old love to look at.

There are quite complicated illustrations of Winnies house which is a large castle - it is all in black. The problem is that Winnie's cat is also black, she can see the cat when its eyes are open, but when they are closed she keeps tripping over it - so she changes the colour of the cat.

It is a simple story, just a couple of plot elements, a little bit of problem solving and a happy ending (as you would expect) It is a nice book for discussing how to solve problems with children - (for instance what would you do if you kept tripping over the cat? what colour would you like best here? and so on) Its a nice book for opening up dialogue, and also for leading into art and creativity.

It is also a nice book just to read - and it is a favourite with my two at bed time right now. I think the cat is the most appealing thing in it, which is well drawn and a bit leggy, the illustrations remind a lot of Ronald Searle/Quentin Blake style.

I see there are more books in this series and I am keen to get hold of them for the girls before they grow out of them

Work can be exceptionally frustrating; heavy workload, changing priorities and responsibilities, demanding customers, fickle bosses, co-workers that don't do their fair share of the work, not to mention the constant fear of getting laid off. Ms. Hubbard's book gives the reader a different way of looking at things. You are empowered to be a hero (instead of a victim) and make a difference despite the difficulties. You learn to see the difficulties "as an exercise for the hero". This way of looking at things will most likely make you a more effective employee and happier person.

Take this book on your next vacation or retreat, read it and mark the parts that speak to you. You'll return home refreshed, with a new sense of purpose. And if you have a major life decision to make, don't do anything until you have read this book. It is first aid for the soul.

"Work as a Heroic Journey: Using the Workplace to Evolve Your Character and Consciousness " presents a fresh and unique view of today's workplace. Dr. Hubbard has researched subject thoroughly and brings together many points of view in an easy to understand writing style.

This is a must read for those of use that are curious about our own heroic journey. The final chapters guides the reader through an evaluation their work place and where they are in their own heroic journey.

Marion Moss Hubbard has created a valuable framework
in which change, confusion, frustration and success can all be viewed as a cycle of growth within an organization.
A very helpful tool for both individuals and organizations!

Americans spend much of their waking time at work and yet rarely consider the opportunities for personal growth that work presents. Dr. Hubbard suggests that we see work as an avenue for character development by acting as the hero, rather than the victim, of our work circumstances. Drawing from mythology as well as her personal experience as a trainer, consultant, supervisor, and employee, Dr. Hubbard guides the reader through the ten stages of the heroic workplace journey. This book is concise and readable and contains questions and exercises that help bring the message alive for readers. Work as a Heroic Journey contains valuable lessons for anyone on the spiritual path.

Caroline Graham is a wonderful author and makes the English countryside come to life. Or death as it is for someone in all her books. She's a great read!

I love the books by Caroline Graham. I like all the books on which the Midsomer Murder series are based.

I am a big fan of Caroline Graham, and I love her characters - Barnaby and Troy. This book has a pretty good puzzle. Some of the characters were quite well drawn, but I found the book faintly depressing. I wonder if the whole side bar with Brian was really necessary to the story? I found that part of the book quite distasteful actually. There comes a time when storylines like that one can be thought of as sensationalizing since they do not really add to the story. But other than that I enjoyed this book. The dust jacket says that Caroline Graham shows humour and pathos in her stories, and I think that is really true. Barnaby is a really appealing main character, and I want to continue to read in order to get to know him better.

Caroline Graham has never let me down. I'd put this book right up alongside "The Killings at Badgers Drift" as the best of a brilliant series. A reviewer thinks the loathsome Brian got too much print, but I loved every word of it. I've known men like him and I just knew he was going to get his in the end, and what a beautiful ending it is. It's hard to recommend one Graham mystery over another but don't miss this one.

I have loved Caroline Graham's books for some time now and I think this is her best. The characters are expertly drawn; Graham has a way of making you feel as if you are in amongst them and yet watching from a safe distance. The roller coaster ending was a complete surprise to me and I highly recommend this book to mystery readers.

Carrington is a genius in making and then teaching us to make, really ALIVE dollhouse dolls full of character. His instructions on those faces are incredible and you'll find yourself looking in the mirror checking out your own cheekbones, or frown marks, or whether or not your nose is straight. With this book, you can make dollhouse dolls with real personalities, from sweet young things to floozies, from old farmers to babies. Excellent book. Highly recommended.

Very funny and wonderfully written. I would recommend this book to people who do any thing in art or sculpting. Mr. Carrington, makes you look at people in a new light. And you learn a lot at getting the "perfect character" face for your small people. The only thing I could have wished for in this book, was a few more real pictures of the model in progress. Other than that, I couldn't have asked for a better book.

I have tried to get into Jamie's classes on a couple of occasions only to have them fill up before I could sign up...I was thrilled when he came out with this book. I also just purchased his videos to accompany the book. He has updated some of his techniques--but not drastically. You will not be disappointed in anything you learn from this book.

A clear, beautifully illustrated-(both photos and drawings) how-to-book on the fascinating subject of making character figures to people your doll-house,diorama,room setting,etc..Extremely well written by the charmingly wry and witty(as only the English can be) James Carrington

1/12 Scale Character Figures for the Dolls' House
by James Carrington exceeded my expectations. It has everything! I'm inspired to try Carrington's methods.
The illustrations are great and the photos are beautiful. I recommend this book to anyone interested in making their oun art dolls, or even those who are just curious as to how these beautiful dolls are created.

"The Affirmative Action Hoax" opened my eyes to important aspects of affirmative action with almost every page. This book is not only extremely informative but also riveting. Once you start, it's difficult to put down. Mr. Farron takes apart famous books that try to defend affirmative action and systematically exposes them as hypocritical propaganda. Thanks to this monumental work, the only excuse for supporting institutional racial discrimination is willful ignorance.

Professor Farron's book is packed with real-life examples and official policies of how 'Affirmative Action'- or as it is called, cloaked in it's new moniker, 'Diversity'- has had discriminatory effects on people like me who happen not to be 'a person of color'. His clear descriptive quote on Diversity and its subsequent effect is so full of self evident truth that the quote alone is worth buying AND reading the whole book:

"Diversity is the most insidious and pernicious of all defenses of discrimination. The other justifications assume that discrimination is a necessary evil, a temporary expedient that is needed to produce a society in which race and ethnicity are irrelevant. Diversity assumes that discrimination is an unqualified good and that it should be perpetual."

I recommend this book to all, even 'people of color'- whatever that may mean!

A book of this quality and undoubted importance to society should be on the front page of the New York Times Book Review. Its author should be appearing on Meet the Press. Yet, I only heard of it through internet resources. The mainstream media's censorship of truth that doesn't portray women and minorities as victim is monolithic and to society's great detriment. Read this book.

Somewhere in Prof. Farina's book is a line running something like, "Most Americans know what affirmative action is, and most are against it. But very few understand how serious and deep-seated this problem is."

I am privileged to have read his monographs on institutionalized prejudice throughout the world, and on 20th century holocausts. I therefore expected the best from this book, but it turned out to far exceed my expectations.

As I do, Farron considers interracial animosity the world's greatest problem.

I have read quite a bit about the negative aspects of affirmative action policy, but this book goes into far more detail, and is far more convincing about the conspiracy of deceit, false innuendo, and misinformation put out by legislators, the media, and the universities.

I disagree with Prof. Farron as to the innate nature of the inferior IQs of nonwhite populations, and will send a 79-page word processor text file of my own theoretical and empirical reasons for doing so. I blame the schools, especially the first three years,and will send my unpublished manuscript as a free email attachment to anyone requestion one from me by email.

Farron is right that the only real way to achieve racial balance in schools and the work force would be with an outright quota system, even though this is impossible politically and constitutionally.

However, affirmative action is a horrible blight on a country, like ours, that is trying to sell "truth, justice, and the American" way to a world that is decreasingly impressed by our technological and manufacturing prowess.

This book is a must for anyone, of any race or political persuasion, who truly believes our grandchildren should be judged by the content of their characters rather than by the color of their skin.

The Affirmative Action Hoax: Diversity, The Importance Of Character And Other Lies by academician Steven Farron is an unapologetic, no-holds barred indictment of affirmative action especially in university admission, and also the less widely publicized practices of affirmative grading and graduation. Vehement in its denouncements, The Affirmative Action Hoax is unafraid to label defenses of affirmative action as "shameless frauds" and "blatant lies"; it declares, in unambiguous terms, that affirmative action is a blatant form of discrimination against white people and Asian people, and that if racial discrimination must be enacted then by far the most efficient and fair means is through quotas. Debunking the non-academic admissions criteria of "diversity", "importance of character", etc. often used to defend anti-white affirmative action by revealing that the same concepts were first introduced to discriminate in favor of white students who could not compete with the children of Jewish immigrants, The Affirmative Action Hoax is sharp-tongued yet serious minded in its call to reexamine a facet of university admissions policies all too easily taken for granted.

If you love Lt.Ellen Ripley and actress Sigourney Weaver? - you must read this book!

In the span of the twenty-five years since the release of the first Alien film in 1979, much has changes in the American culture and society and the film industry. It would be easy to write a relatively standard work analyzing the four films in the series that include Lt. Ellen Ripley (Sigourney Weaver). Other than those interested scholars and, perhaps, fans engrossed with those films, such a book would be rather dull. But Gallardo C. and Smith have produced a far different, far more unexpected and powerful work. This is done through an elegant and insightful organization of the work. Each of the four major chapters deals with one of the four films (Alien, Aliens, Alien3, Alien: Resurrection). Nicely written personal forward, introduction and a conclusion surround these, but it is these four chapters that are the meat of the text.
At first glance a potential reader may imagine that these four chapters have little to do with each other, as each deals with a different film. What is so wonderful about this organization is that Gallardo C. and Smith are able to actually accomplish two things with their text. The first is a surprisingly well researched and detailed close-reading of each of the films. But the second, which would likely not be possible in any other format, is a tracing of those cultural shifts of the last twenty-five years. When the first film was released in 1979 the United States was on a cusp both culturally and politically. Second Wave feminism was reaching a crest of cultural importance, the rise of the Republican Right was beginning to be noticed, and one small decision to change a protagonist from male to female was surprising in many ways. This was a female hero that did not scream and run to her protecting male. Gallardo C. and Smith do not pull punches, though, and while they praise Alan Ladd Jr. (then the head of 20th Century Fox) for casually suggesting the change, they also point out that he gathered together secretaries from the Fox offices to view Sigourney Weaver's screen test because in the late 1970s there simply were not female executives in the film industry.
With the emergence of the Reagan-era, the defeat of the E.R.A. (Equal Rights Amendment) film in the United States changed as well. The new heroes of film in the 1980s became muscled "hard men" and Gallardo C. and Smith spend much time discussing the changes made to the character of Ripley by James Cameron as a reaction to this change. The two most general critical replies made about these first two Alien films has been that the first suggested a new type of female hero, while the second was one of two things (or perhaps a bit of both): Either it is a film about reifying the nuclear unit (in the form of Ripley as mother, Newt, a young girl as daughter, and Hicks, a marine, as father), or it is a metaphorical Vietnam film.
Gallardo C. and Smith have it both ways, emphasizing the polyphony of the texts, and the fact that multiple readings are not necessarily false readings. They become more critical of the final two films featuring Lt. Riply, but in a carefully respectful way. Blamed for the lackluster reception of the third film are mostly studio problems that led the film to essentially be the "merged" versions of two competing scripts within the studio - and that with far too little "development" time. Of the fourth they note that the film undermines much of what came before it because of the underlying ironic and postmodern nature of Alien: Resurrection.
Gallardo C. and Smith claim early that they do not intend to write a "theory book" for such a book is beyond the scope of what they intend. Any while they have not, in another way they have written a "theory book" of a certain time. The organization of their volume is such that the intellectual history (the changes in theoretical perspectives from 1979 and after) can quite easily be fished from their text. The transition from Second Wave to post-feminism (or Third Wave, or whatever term you prefer) is there. The transition of the Modernist heroes of the 1970s to the muscle-bound Sylvester and Arnold-like character of the Reagan-era (which were ironic, but few seemed to notice) to the postmodern pastiche and irony are all just under the surface, waiting to be considered.
That "just beneath the surface" level allows Alien Woman to work very nicely as both a film studies work on its topic, and as, literally, an intellectual history of one of the more profound times for change in the academy in some time. The character of Ripley has always been on that embodied a certain amount of "sex trouble," but by placing the films in their own times, Gallardo C. and Smith manage to analyze with being over critical. This isn't the type of criticism too often found in the academy, the kind I like to call "claiming Napoleon was a bad general because he never called for air support." This is the kind of critical examination that allows theoretical perspectives to exist, but doesn't think an analysis of Ulysses should spend fifty pages discussing Foucault and five with the actual text. So, when the authors make their claim that this is not a "theory book" what they seem to really mean is, "we are theoretically informed, but are dealing with our texts, not polysyllabic jargon. And it is all the better for it (this from someone who likes theory, too!).
Gallardo C. and Smith have produced a work that is developed, complex, insightful, and still maintains a readability that was so accomplished I almost felt jealous. It is a suitable for collections at colleges and universities with film programs, film studies programs, English programs that emphasize cultural studies, American studies programs, and popular culture programs. I would recommend it for upper level undergraduates, scholars of culture, feminism or speculative fiction in all its form.
I just published my first book (do not worry, I wont name drop it here!) and upon publication I approached the large dry eraser board in my office and wrote down all the possible "next book" projects I could think of and, among these was a book on the Alien films. It turns out that Ximena Gallardo C. and C. Jason Smith have already written it, and I'm scholar enough to know the did a better job than I would have. Alien Woman has my highest recommendation.

About a two weeks ago, my husband bought this book, and we have been notified that it will be on its way soon. I'm saying this because for some reason Amazon delayed the delivery, and if it happens to you, it's worth the wait. I know it's worth it because I borrowed a colleague's copy.

But to the review: Having watched the first three movies only once when they were released in theaters, I found that ALIEN WOMAN helped me remember many, many scenes I had forgotten. I believe that this is one of the book's strengths: the authors deal with the movies in their entirety, as opposed to dealing just with selected scenes that "prove" their points and ignoring the rest.

Another strength is how easy and fun this book is to read! No cumbersome quotes, no "academese" to muddle through-a book as entertaining as the movies, and even more exciting sometimes. Where else will you find an academic text that describes Ripley's spacing of the Alien Queen as "bitch-slapping the Alien into space"?

ALIEN WOMAN does have an agenda. It centers on Ripley more than the monster, and it does reveal how hard it is for actresses to find a role different from "babe," "mom," and "old lady" (and I'm old enough to remember what few roles women had before ALIEN was released). It is the book's contention that Ripley manages to escape this mold, and so, that she's a somewhat unique female hero in sci-fi cinema-and more than just a dragon slayer.

All in all, ALIEN WOMAN was good enough to make me want a copy of my own, and to make me rent ALIEN RESURRECTION, which appeared to be too violent and silly in the ads for me to care about watching it before I read this book.

Alien Woman is one of those books that works to find the proper context for an aesthetic product. Gallardo and Smith read the Alien films in the context of gender theory and feminism (and the way gender theory and feminism fit into the very different cultural moments of the films: 1979, 1986, 1992, 1998). For them, the films unevenly chart such themes as the primacy of the body, the breakdown of the rationalist-humanist white male subject, the fear of woman and the feminine, the identification of the monstrous and horrific with the feminine and with sexuality, and the emergence of philosophical post-humanism as an alternative to Renaissance humanism. Though they do not put it in these terms they essentially track the consequences of a Hegelian-style equation: the split "Man vs. Alien" is merely the reflection of a split within category "Man (human)" itself, "Man vs. Woman." In other words, the fight between Man and Alien is really the gender trouble within humanity itself.

The authors have an admirable sense of focus: outside of an introduction and an afterword, the book devotes one chapter to each film analysis: no novel or comic book spin-offs, no video games, no parodies, no fan-fiction. Gallardo and Smith know these films backwards, forwards and sideways. Heavy theory is relegated to the footnotes (making the whole thing easy to read), but their knowledge of Freud, Jung, Foucault, and Butler shows in the pages. And for several years Gallardo and Smith have chaired the science fiction section of one of the largest academic popular culture conferences in the world: Alien Woman is particularly strengthened by their almost encyclopedic knowledge of science fiction movies good and bad; the reader benefits from their sitting through these often awful films (Ice Pirates, anyone?), and connecting them to the Alien series. The book also hits every substantial piece of Alien criticism: future scholars will start reading about the films here, and then follow the bibliography.

Gallardo & Smith have written a work that *will be* one of *the* most important books ever for scholars AND fans of the Aliens series of films. This serious and thought-provoking, clearly-written work is immanently readable at the same time as it is insightful and rigorously scholarly. It will promote greater academic understanding of science-fiction and feminism (together and as discrete studies) and those who read it will want to own it, reference it, and read it for sheer pleasure again and again.

The study examines the entire story arc of four movies that made us gasp and wonder, and made us re-examine science fiction not only as more than just "bug eyed monsters against the good GUYS" but also as reflections of the historical era from which each film arose. This seriously well-researched and well documented work traces the history of the movie's compelling images, (for example, giving us "ah ha" moments about the inspiration for the films' artwork, facts that I know I never knew about the reason for the Aliens' form). It gives us intricate close-readings of each film, examining scene after scene with insight and depth, and helps us understand the metaphors of Corporate space and humanity in a post-human era.

One of my favorite parts is the close-reading of Ripley's suicidal leap in Aliens 3, and I had to gloat as Gallardo & Smith reveal the background meanings and imagery of her strongly compelling act of grasping the newborn alien bursting from her chest. I was delighted when I realized that my own feelings watching the film for the first time were right (I knew it!) and had that comfortable feeling you get when having a great conversation with people who share your passion for interesting works of cultural significance.

Never a "publish or perish," jargon-laden ivory-tower read, this work is compelling and fun, at the same time that it contributes important scholarship to a pivotal science fiction franchise and science fiction studies in general. If you are a fan of the series, but not an academic, you will still love this book, and learn something new and worthwhile about your favorite sci-fi. If you are an academic looking for rigorous critical interpretation, you will also find what you are looking for.

A must read for fans, scholars, and anyone interested in the "post-human" subject and Ripley's compelling character. Plus, a heck of a lot of fun and hard to put down.

Yep this book pretty much gives you a take on what would happen if genius detective Sherlock Holmes were instead genius cat burglar Justice Raffles. Raffles commits high collar petty theft for fun and profit. He steals jewelry etc and uses his connections as a gentleman to sniff out new opportunities. At one point as he describes the many middle men involved in reselling a piece of stolen jewelry as he explains to Bunny how crime doesn't pay - financially anyway. Often he steals something just because of the challenge involved in stealing it, which leads to interesting and varied stories for us to read. Bunny is his unwitting and later witting accomplice. He narrates the stories, as a sort of Watson to Raffles' Holmes.

These were very charming stories. If you like Sherlock Holmes and other victorian fiction then you will probably like these.

Yep this book pretty much gives you a take on what would happen if genius detective Sherlock Holmes were instead genius cat burglar Justice Raffles. Raffles commits high collar petty theft for fun and profit. He steals jewelry etc and uses his connections as a gentleman to sniff out new opportunities. At one point as he describes the many middle men involved in reselling a piece of stolen jewelry as he explains to Bunny how crime doesn't pay - financially anyway. Often he steals something just because of the challenge involved in stealing it, which leads to interesting and varied stories for us to read. Bunny is his unwitting and later witting accomplice. He narrates the stories, as a sort of Watson to Raffles' Holmes.

These were very charming stories. If you like Sherlock Holmes and other victorian fiction then you will probably like these.

Yep this book pretty much gives you a take on what would happen if genius detective Sherlock Holmes were instead genius cat burglar Justice Raffles. Raffles commits high collar petty theft for fun and profit. He steals jewelry etc and uses his connections as a gentleman to sniff out new opportunities. At one point as he describes the many middle men involved in reselling a piece of stolen jewelry as he explains to Bunny how crime doesn't pay - financially anyway. Often he steals something just because of the challenge involved in stealing it, which leads to interesting and varied stories for us to read. Bunny is his unwitting and later witting accomplice. He narrates the stories, as a sort of Watson to Raffles' Holmes.

These were very charming stories. If you like Sherlock Holmes and other victorian fiction then you will probably like these.

Yep this book pretty much gives you a take on what would happen if genius detective Sherlock Holmes were instead genius cat burglar Justice Raffles. Raffles commits high collar petty theft for fun and profit. He steals jewelry etc and uses his connections as a gentleman to sniff out new opportunities. At one point as he describes the many middle men involved in reselling a piece of stolen jewelry as he explains to Bunny how crime doesn't pay - financially anyway. Often he steals something just because of the challenge involved in stealing it, which leads to interesting and varied stories for us to read. Bunny is his unwitting and later witting accomplice. He narrates the stoires, as a sort of Watson to Raffles' Holmes.

These were very charming stoires. If you like Sherlock Holmes and other victorian fiction then you will probably like these.

I haven't read this particular ebook version and have no idea how good it's quality is. You can download the text for free at Gutenburg Project.

Yep this book pretty much gives you a take on what would happen if genius detective Sherlock Holmes were instead genius cat burglar Justice Raffles. Raffles commits high collar petty theft for fun and profit. He steals jewelry etc and uses his connections as a gentleman to sniff out new opportunities. At one point as he describes the many middle men involved in reselling a piece of stolen jewelry as he explains to Bunny how crime doesn't pay - financially anyway. Often he steals something just because of the challenge involved in stealing it, which leads to interesting and varied stories for us to read. Bunny is his unwitting and later witting accomplice. He narrates the stories, as a sort of Watson to Raffles' Holmes.

These were very charming stories. If you like Sherlock Holmes and other victorian fiction then you will probably like these.

This is a great detailed book featuring many of the beloved American Character dolls! It has helped me tremendously with my doll collection.

Very nice book & lots of information i have been looking for these past few years.

A most comprehensive and well-researched book! Having contributed to the Tressy section of the book (look for pics from my collection!), I must say that this guide is a must have for Tressy collectors as well as for those who collect other American character dolls.

You can order an autographed copy directly from Judith by going to: www.americancharacterdolls.com

You cannot buy an autographed copy through Amazon.

Judith Izen has written another wonderful book! For collectors of American Character dolls, it's a book that needs to be on your bookshelf. It's well written and researched with great photographs. We can only hope that Ms. Izen will continue to share her love and knowledge of dolls with more books.

My niece is into dancing and reading books, so the Angelina Ballerina series if perfect for her. I chose to give her this book for Christmas because it fit the holiday theme.

I really loved this book. It was my very first book I got. Of course I got it because my name is Angelina. When I was little I used to think the book was actually about me! I own the first publication of this book and noticed that in the original one I've got it says "Santa Clause" and in the new one that my little cousin has it says "Father Christmas". I don't understand the change. Although I still recommend this book for any little girl who loves to dance, or who's name is Angelina!

I came across Angelina's books a while ago. ...Great book, speaks to the kids for real

Young Angelina Ballerina couldn't be more upset when she spots old Mr. Bell sitting all by his lonesome at Christmastime, looking like a sad puppy. Mr. Bell used to be the jovial postman in town, who brought gifts and cards to everyone during the holidays, and played the town Santa Claus for all of the little mouselings. Angelina, full of Christmas spirit, decides that it is up to her to make Mr. Bell's season bright. So, with the help of her young cousin Henry, as well as her father, Angelina bundles up some cookies and cakes to bring to Mr. Bell. But when they arrive, Henry is too concerned about Christmas Eve, and whether or not he will have the chance to see Santa Claus in the flesh, to notice the joy that twinkles in Mr. Bell's eyes at the prospect of visitors and good, old-fashioned holiday cheer. When Henry learns that Santa Claus comes in the middle of the night, and that he won't get to speak to the illustrious Saint Nick, he bursts out in tears. That is, until he learns that there's a live Santa Claus living amongst them all, right here in town, and that his presence will not only bring a smile to young Henry's face, but fill old Mr. Bell with the joy of the holiday, as well.

ANGELINA BALLERINA can be called nothing less than a children's icon. Her presence in numerous glorious children's books, and now in her own TV show make her more and more well-known, while her lovable, kind heart grows bigger by the day. Katharine Holabird works wonders with a pen, as she tells the tales of the young, ballet-loving mouseling who has big dreams, accompanied by an even bigger heart; while the gorgeous, full-color illustrations by Helen Craig bring each and every Angelina "tail" to life. ANGELINA'S CHRISTMAS is a charming addition to the mouseling library, and a wonderful holiday classic for all!

Erika Sorocco

This beautifully illustrated tale gives the reader a warm feeling when a retired postal worker, who is alone in the world, is visited by Angelina and invited to appear as Father Christmas at the school Christmas show. The community appreciates his contribution and he is invited to the school show every year. This is a wonderful reminder to us all that the elderly should not only be cherished, but that they still have much to offer to the community.