Software Books

Great book. Was recommended reading for a college class. Class or not, excellent book. A must read for all pilots.

It's a very good reading for flight enthusiast, simple yet complete; not so good for aviators or flight ground school. Only drawback: the cd is very poor, since its contents are little more than the book figures. A short index of turbine airplanes could be more up-to-date and more detailed.

Very informative book, a must have for any pilot transitioning from pistons to turbines. Each chapter gives precise details of what the airlines would ask you about systems etc...

If your looking for a good way to learn about turbines and advanced flight principles, this is the book!! It covers things ranging from a turbofan engine to pneumatic systems to flight controls to FMS systems! Great book to be pre-studying for that airline spot!

This is a great product and I highly recommend it for anyone that is transitioning to turbine equipment, weather it be turboprop or turbojet/turbofan. This easy-to-read book made it easy for me to understand the new equipment that I'll be transitioning into. I read this book right before i started ground-school for my type-rating and I was surprised at how much easier it was for me to grasp the material... The ASA version is the same as the hard-cover version which sells for $25-30 more and the material is the same... There is a cd included that is excellent because it has animated examples of the material in the book.

I really wish I had discovered this earlier! I received it yesterday and have already fell in love with the wide array of add-ins that are included on the cd. The book is a great tool to quickly identify the effect that I want. This is a must-have for anyone who has Photoshop Elements!

The book isn't worth much, but the plugins are great. The one click stuff is a great time saver for me, and it really does make things look more snappy without too much hassle. Well worth it for the CD full of plugins!

I love this book. I've already used alot of the layer styles already. Lots of examples. Tons of ideas.

I have had Photoshop Elements 2 for over a year, but until I got this book and CD ROM I had no idea just how creative I could be with the program. There were a lot of effects that I tried to apply to my art but did not quite get the results I desired. This book has helped me unleash my "creative genius". As graphic design student, I have found it to be the best investment I have made besides my computer components. You will find the book helpful, as well, to view the layer styles before applying them to your art. I had found at first that I spent a great deal of time applying and deleting styles and effects before finding the right one, and then I read the book (duh!). I found full-color samples of all the different presets contained on the disk scattered throughout the chapters. It is a small book, but it is very content-rich.

I had used Photoshop 7 in the graphic design lab at school , but I could not afford to buy it. This book and PSE 2 together cost less than $100, and I have no problem duplicating lessons and completing projects at home that are supposed to be done using PS 7.

When Adobe introduced Photoshop Elements it had a low-end program for newcomers to digital photography. It based the cut-down Elements program on its expensive and complex main Photoshop program. However, when you buy Elements you are actually installing quite a lot of the main program (even though no menu commands exist to use new features), and people have been finding ways to exploit the advanced features of Photoshop that Adobe thought would be too complex for Elements users.

Several web sites and two books supply software to advance the capabilities of Elements. One book lets you use some of the professional-level features of the main program, and the other provides some wild effects. That book is the One-Click Wow book I'm reviewing here (the other one is Richard Lynch's The Hidden Powers of Photoshop Elements).

Years ago I wrote a book on Photoshop version 3, and even without enhancements Photoshop Elements 3 is close to being equal to it. The effects in One-Click Wow can be done in several steps in the Main Photoshop program, and in fact that's how they're produced. Unfortunately the effects are of the "take it or leave it" variety - there's no way of altering them - but luckily Jack Davis has produced effects that will appeal to most people.

Because this is a "cheat" and not an officialy approved set of program extensions, you have to manually copy the extensions from the CD to your hard drive. If Elements is running you need to reboot, and then you'll find them listed in the menus for Layer Effects and other places.

One set of extensions work on photographs, and as well as those allowing you to change the appearance of the whole photograph there are other effects that let you add frames or edges. There's a whole series of effects that allows you to change a photograph so that it looks like a painting.

The major set of effects works on graphics and type. They'll change your designs and words to look like chrome or many kinds of natural materials, as well as plenty that look like neon signs. In fact there are several hundred effects, as well as extra brushes and patterns.

It's easiest to see this product not so much as a book, but more like a software add-on with an instruction manual that gives examples of almost every effect - in full color. There's even a multi-page tutorial in using the effects which should explain all you need to know about how to use them.

Davis has been producing the Photoshop Wow books of effects since the beginning of the main program, so the effects here will make a major difference to your pictures. What I've also noticed is the way Davis crops his pictures which is a tutorial in itself - he crops very tightly and you can see the improvement.

So if you can see a copy of this book before you buy it, take a look because what you see is what you're going to get. For most people it's a no-brainer buy, especially since even if you had the main Photoshop program you'd have to do numerous activities on your pictures to equal what you get here.

For the price, it's an amazing bargain for the extra powers you get. I have both this and The Hidden Power of Photoshop Elements, and the two of them make Elements a much more powerful and worthwhile program.

This fall I learned that Priscilla Maine was a distant cousin. In the course of getting to know her, I learned she was an author. Being curious about her work, I requested "Angels Unaware" as a Christmas gift. I sat down with my autographed copy and couldn't put it down! Priscilla's characters became so real to me that I began feeling what they felt. I found myself frustrated with the people for not accepting Rebecca, angry at the attitude about unmarried nurses (I am a nurse myself), and ready to strangle the haughty Reverend. Angels Unaware is a vacation for the soul. Share it with someone you love. As for me, I can't wait to read "Journey of the Eagle".

Priscilla Maine is a gifted writer who breathes life into her characters in this beautiful book. ANGELS UNAWARE provides escape from the here and now, whisking readers back to an earlier time. The hardships of the period are drawn in such detail that it makes one appreciate the convenience of running water and electricity. Having read this book, I eagerly anticipate Maine's next, which I have now purchased, JOURNEY OF THE EAGLE.

Angels Unaware is one of the best books I've read in a very long time. The characters are unforgetable, and the story is very interesting. Details from that time period add to the continuity of the story, and it is obvious that Priscilla Maine did a lot of research before writing this work. The theme of having faith in God is not lost; neither is it pounded in. Rather, it is woven into the fabric of this book. I look foreword to reading the next book by this author.

Angels Unaware, by Priscilla A. Maine, is a powerful, well-researched historical novel. The author's own spirituality shines through as she recounts the strength and determination required of a woman, alone, who takes her medical skills and strong religious beliefs to the hill country of southeastern Oklahoma. Rebecca Rice isn't satisfied to live out her life in the manner expected of a middle-aged widow in the 1890s. Much to her brother and sister's consternation, she ventures into the backwoods to serve people who have no access to adequate medical care or spiritual guidance. Rebecca relishes the challenges of her mission, eagerly casting away a way of life that leaves her "empty and unfulfilled." After several days of travel, she arrives at her new home--a dilapidated, vermin invested cabin. But making the cabin habitable is the easy part of Rebecca's new life. She encounters hill people resistant to her offer of service, people who harbor deep-seated prejudices and fears. For the first many months, Rebecca's only friends are a young woman who at first appears to be retarded; an old, gnome-like woman, accepted as a healer in the backwoods; and an orphaned wolf cub who becomes her constant companion and protector. She teams up with "Ole Woman" and accompanies the healer when she makes her rounds to families in the area. Although largely ignored by the hill people, Rebecca at last feels as though she is moving toward her goal of faith healing. Throughout this insightful book, Angels Unaware brings the reader to an understanding of the hardships endured in this isolated hill country where superstitions and ignorance often prevail making health improvements and spiritual development a slow, arduous process. I found myself aching with Rebecca's effort to help people so resistant to her faith healing and rejoicing with each hard-won acceptance. Angels Unaware weaves spirituality, medicine and the complex lives of hill people into an unforgettable story of grit and courage. I highly recommend this entertaining novel.

Mary E. Trimble Reviewer

"Angels Unaware," by Priscilla A. Maine takes its title from the Hebrews Biblical text 13:2 "Be not forgetful to entertain strangers: for thereby some have entertained angels unawares." The theme's in Maine's book serve this homily well, as her characters learn what it means to untangle old hates and prejudices in order to extend their gifts and create a community together.

"Angels Unaware" shows us lives of strength, courage, and grace laced with ingenuity and hardwork. Almost every character goes through convincing change throughout the course of the book--even the villain of the piece (you'll have to read to find out this surprise).

Priscilla Maine says, "My great-grandmothers came West with a wagon load of dreams. They birthed and buried their infants alone, plowed fields, outlived husbands, tragedies, and trumphs that inspire my writing." Those fore-mothers, reading over Maine's shoulder must surely be proud of how she continues their heritage.

--Janet Grace Riehl, author Sightlines: A Poet's Diary

This is a very comprehensive, and well-organized security assessment book for Software engineers. Yes, it has everything - all done well. If you are into security assessment and testing and live by it every day, you are still bound to learn a lot, to re-evaluate the things you know, and to genuinely improve your results. If you are a software engineer, it *will* help you build superior applications. If you are just an security enthusiast, you will genuinely enjoy the time spent with this book, and you will find this brick handy more often than previously imagined.

This book is absolutely amazing. The amount of detail they go into for so many subjects -- it's incredible. I particularly enjoyed the section on network protocols. I recommend this to any software engineer -- not just those in security specific positions.

Great job, and I hope to enjoy more material from these wonderful authors!

A must have. Being a security researcher for almost ten years now, and already a CISSP holder, there are times you believe you have seen most of the things, and you know the best of them. This book opens a new way of thinking, it's detailed and accurate and goes in depth on every subject.

A real must have.

Nicolas Krassas, CISSP

This book is The Bible for anyone in the security vulnerability research or security software engineering field. I haven't bought a book and studied it so much before ever. This is one book that will never be off my desk.

The authors of this book are some of the most respected in vulnerability research and theory, and have found many bugs that were years ahead of their time. As expected, they deliver on their prior reputation in this great and incredibly expansive book of knowledge and insight.

If you're tired of reading high-level theoretical books about "building security in" written by people who have no clue what a bug is or how to prevent them, this book is the ideal alternative.

For a hobbyist, it will guide you through practical methodologies about how bug hunting is done and teach you to think like a great vulnerability researcher.

For a developer, it will open your eyes to security oversights in most of the pieces of code you have ever written. Read hard, these bug classes affect the products you are shipping today.

For the security professional, this likely goes not only broader but deeper on lots of issues than you have ever looked, and far beyond any book I've seen. It can be used as page to page read, or a great reference. I personally use it all the time, and have definitely learnt from it. Great job guys!

P.S. Try and spot the 0day.

Like my title of the review reads, if you have computer science background and just starting with PERL, this is the book for you. It teaches PERL the way computer science people are taught programming languages like C, FORTRAN etc. Starts with basics and proceeds in systematic and logical way. It is an easy read and will get you up and running in less than 2 days.

I know several programming languages and wanted to use Perl on my website. Within days I was able to take existing scripts and modify them to use on my site. I was able to generate several program to help maintain the site within weeks. Great book!

This is the first and from what I found "ONLY" book for a novice. I have read numerous titles on Perl and was always left with basic questions. If you want to understand Perl, read this book.

I read Beginning Perl, 2nd Ed (BP2E) to gain some familiarity with Perl 5. I do not plan to really write anything in Perl, but I find myself using other people's code quite a bit! In those situations I would like to know how the code works. I also enjoy being able to make small changes if the code does not work as expected. Perl is basically everywhere, so it pays to understand it to some degree.

James Lee's book is excellent from start to finish. I found his explanations very clear and his writing style lively. He covered just about everything I hoped to read in a book of roughly 400 pages. The book is ideal for the self-educated since it contains exercises with answers in the back. I personally enjoyed learning more about regular expressions in Ch 7, since PCRE is an important part of several network security tools.

It is easy to take a good programming book for granted. I have started and stopped reading several other books written to teach programming because their style is terrible and the assumptions they make confuse the beginner. BP2E is always conscious of what the reader has already seen. The author makes it clear when a briefly mentioned topic will be more thoroughly explained later in the book. Plenty of technical authors could learn from this example.

Even if you plan to read the author's new book -- Beginning Perl 6 (or BP3E) -- you may want to read BP2E. Perl 5 will be with us for many more years, so it pays to understand the material in BP2E. (It's possible that BP3E could demonstrate Perl 5 and 6 syntax, but I doubt it.)

Beginning Perl is a great introduction and resource. It does assume the reader has some basic prior programming experience, but either way it is very logical and easy to follow. The book is well-organized so that you can easily find what you need. There are tips and shortcuts strategically placed throughout the book to help you along the way.

I bought this book very recently, having no prior experience with Perl. I had seen a couple of scripts that other people had written, but since I have minimal programming experience I could only somewhat figure out what they were intended for.

I read the first chapter of Beginning Perl (11 pages), and read bits and pieces of the second chapter (37 pages). Then I began writing my first Perl scripts, using the book primarily for reference. It makes a great reference tool because the index is very thorough and the examples are easy to understand without necessarily reading the entire book in order. About 3 hours ago I couldn't have told you what a subroutine was or how to create a hash, but now I have completed my first interactive program using subroutines, hashes, various types of loops, error-checking, etc. That would have taken me weeks to learn if I had not discovered this book.

I highly recommend this book to anyone interested in learning Perl.

This is an excellent book on debugging. Whether you're debugging mechanical systems, electrical circuits, or software, the methodology presented is extremely practical and systematic. The author presents nine debugging rules that can be applied to any problem. The text is well-written, engaging, and humorous. The author also included a wealth of war stories that are worth the price alone. Highly recommended.

This Book Demonstrates How you could debug SOMETHING systematically, from most important principle to least important principle.(All 9 As the Book name said.) The Examples covers software, hardware, electrical, mechanical debugging. It is just amusement to read the example. HIGHLY RECOMMENDED.

Quite liked it. I now have a game plan for approaching bugs in a nonrandom manner (including intermittent bugs):


Understand the System
- Read all related documentation
- Draw a system diagram and understand how things are connected
- Know the capabilities of your debugging tools


Make It Fail
- Start from a clean initial state
- Consider automating lengthy steps
- Make it fail in situ; don't waste time simulating the environment
- For intermittent bugs: list possible factors and try varying them one at a time; output a logfile and look for patterns


Quit Thinking and Look
- Watch it fail
- Use Remote Desktop / VNC
- Add logging and monitors
- Don't start thinking until you've limited the number of possible causes


Divide and Conquer
- Binary search
- Use test data with an easily identifiable pattern
- Start at the failure point and work backwards
- If you discover other bugs that may be related, fix them before continuing your search


Change One Thing at a Time
- Don't panic
- Back out changes that have no effect
- Compare the logfile with that of a good system
- Check earlier versions


Keep an Audit Trail
- Keep a detailed written log


Check the Plug
- D'oh!
- Have the components been properly initialized?


Get a Fresh View
- Try explaining the problem to someone (or something)
- Ask an expert: co-workers, the vendor, documentation, bug database, the web
- Report symptoms (including possibly unrelated observations), but not your theories


If You Didn't Fix It, It Ain't Fixed
- Fix the root cause
- Make the problem happen again by undoing your fix

I worked with Dave Agans for over 10 years and I can tell you first hand the man knows what he's talking about. From developing hand-held controllers in the late eighties to single-board OS/2-based videoconferencing products to software collaboration tools, we have debugged problems of every ilk. Whether the problem was an FPGA bug, a faulty component in a board, a race condition in a device driver or a dangling pointer in a DLL, Dave always approached the problem with his same set of debugging rules, and they never let him down. Read this book. It's engaging and fun to read. But more importantly it will make you a better debugger, whether you're debugging hardware, software or your lawnmower.

This book is absolutely indispensable for anyone working in any job where things occasionally work in an unexpected manner. It's concise, funny, well-written, and full of immensely useful tips on how to go about debugging problems.

One of the great things about this book is that it's generalistic in nature, not specific. Agans's decades of troubleshooting experience has given him great insight on how to go about debugging in all sorts of environments, so he lays out nine rules for approaching any problem:

Understand the System
Make it Fail
Quit Thinking and Look
Divide and Conquer
Change One Thing at a Time
Keep an Audit Trail
Check the Plug
Get a Fresh View
If You Didn't Fix It, It Ain't Fixed

[...]

Debugging isn't an art performed only by folks with some odd genetic disposition, it's a critical craft which can and must be learned. I was fortunate to have some good troubleshooters as mentors during my days working radar inflight in the Air Force, but I've fallen out of many of the good practices those folks beat^H^H^H^Hinstilled in me. Agans's book is helping me pull out of the thrash and churn mode of debugging.

This book's only 175 or so pages long and is well-worth adding to your library. Actually, substitute "a critical addition" for "well worth adding". I'm also going to make sure this book gets added to the professional development reading list I'm working on creating.

Mr. Baxley has an insightful perspective illustrated in his "Universal Model of a User Interface." He simplifies the process of moving from conceptual to concrete interface design by deconstructing applications into two separate layers. The top layer contains the structure, behavior & presentation & the bottom layer contains more granular aspects of the top three. By explaining the key factors in designing each of these layers he makes it easier to understand & integrate all the aspects critical to interface design. If you don't have time to read Rosenfeld & Morville's Information Architecture, be sure to read this book as he covers a lot of key IA issues too, though he prefers to call it the "organizational model" behind an application.

This book is tattered from referencing it and has many passages underlined. Unlike some usability books it is organized in a manner that moves you through the design problem space. It begins with setting definitions and examining the possible forces behind these projects. Then Baxley dives into the meat of the design process through a 3 layered approach. He covers all the bases - from the user point of view to navigation, Help systems, forms, layout and shows how it alI fits into the models within the layers. It is well written, making points clear without repetitive passages. I would recommend this book for beginners and old hands. It is a great book, written following the usability rules he is propounding.

A well-written and coherent overview of the web design process and the specific requirements of web application design.

Some of the useful features of this book are
- well-selected examples
- a description of the product development process
- an excellent description (with examples) of how to develop and use "personas"
- guidelines for when and how to use specific models of interaction in a product
- simple, bullet-pointed summary guidelines for solving interaction and display design problems
- case studies at the end which are evaluated using criteria the author has developed throughout the book

I am a designer working in this field and this is the guide I would recommend for exploring and understanding the practice of web-application design.

The back cover of the book states: "Most people involved in the design and specifications of Web applications, whether they're visual designers, engineers, or product marketers do not have a method for understanding or prioritizing design issues." I agree - however, I would add that those of us who are involved in usability testing / user research should also be added to the list. As a consultant working in the field of user research, I give my clients this book - the main reason being that it gives us a common vocabulary and way to think about how to conduct usability testing or user research at any stage of the Web development process. While not written to do so, the book actually provides a "template" for what needs to be tested / researched at each stage. This type of organized thinking can only help those of us in the trenches provide meaningful feedback. One request of the author - a sequel entitled "Applying the Principals of Making the Web Work to User Research" - (while not necessarily the best title - you get the idea!)

An impeccably-organized encyclopedia of web design.

If I had to base an entire web design class on a single book this would be the one. Bob Baxley's "Making the Web Work" is easily the most comprehensive manual for applying good design to create a great user experience on the web. This book has both breadth and depth-just look at the table of contents. Regardless of your level of web design proficiency you will find more than your money's worth of useful insight here (even if you have already read just about every other web design book!).

One thing I especially like about this book is that Bob doesn't provide a single solution for a design challenge, but takes time to present and evaluate (pro/con and why) several alternatives. He doesn't just feed you the "right" answers the way Jakob Nielsen does in his "Designing Web Usability." Bob's approach will help you gain a thorough understanding of the options and make informed design decisions.

The two case studies of Amazon and Ofoto included at the end of the book are the most comprehensive I have seen: they're about 30 pages each!

About the only gripe I have is that Bob takes the liberty of using lesser known versions of some terms without providing their more known synonyms. For example, while Lou Rosenfeld and Peter Morville have all but established the terms "ambiguous" and "exact" for the two types of classification schemes, Bob prefers to call them "subjective" and "objective," respectively, without providing the alternative terms. Similarly, "organization scheme" is replaced by "classification scheme", and "organization structure" with "model of association." My IA students have enough difficulty keeping one set of terms straight!

Overall, however, this one serious web design book. Highly recommended. Other books I liked: "Interface Design for Ecommerce Applications" by Paul Gokin (search for this one on the web), "Designing Web Site Interface Elements" by Eric Eaton, and "Submit Now: Designing Persuasive Websites" by Andrew Chak.

Technology affects art and the many changes in computer animation and effects means that the art world faces both new challenges and new innovations in 3D modeling. Surprisingly, Peter Ratner explains, the changes mean less technical challenges for artists with more ability to focus on creating art rather than deciphering computer systems - and the second edition of his Mastering 3D Animation is just the place to begin. Ratner is a professor of the topic at James Madison University - and the founder and head of the first computer animation program in Virginia, so his background lends particularly well to discussions. His paintings and computer graphics have received exhibition and acclaim - also a plus for artists seeking more than just a programmer's technical tips.

I thoroughly enjoyed this book, from its technical standpoint of working between the program and the supporting 3D theory/thought process that Mr. Ratner provides.

Finding that balance of an artist and technologist from where to launch one's vision and future visions of creativity starts with good knowledge. Ratner gives many facets of where to see this vision and tutorials to follow through with your own creative projects.

I commonly work with many high-end graphics programs, Lightwave 7.0 being my newest program on my plate. Peter Ratner's 3d book getting me from a begining user from just reading the index to a 3D artist ready to start the new facets of my own portfolio. Mastering 3D Animation helped quite a bit everything from the Modeling and subdivides to the theory/progress.

Joseph Arthur
Information Architects, Principal

Peter J. Ratner's second authoring effort, Mastering 3D Animation, is a 333-page softcover text that is a comprehensive, detailed and practical tutorial guide addressing nearly every aspect and segment of the 3D graphics genre. The book's 14 chapters-and accompanying follow-along CD for PC and Mac-speak to modeling (beginning and advanced), animation, special effects, lighting, surfacing techniques, facial animation, elements of action, figure movements and composition and cinematography. It's an exceptionally capable complement to Ratner's first book, 3-D Human Modeling and Animation. (Ratner currently is updating the latter text with a wholesale rewrite.)

Make no mistake: This is no cursory guide to constructing simple geometry, slapping on some stock textures, animating basic movements along spline paths and rendering to AVI while you're sipping on a latte, watching the Discovery Channel. A full-time professor in the 3D Computer Animation department of James Madison University and the program's founder, Ratner relies on the broad and substantial digital and conventional art experience that has rewarded him with artistic entries in more than 80 national and international juried exhibitions. Ratner is well-versed in most aspects of 3D art creation, choreography and cinematography. The results of his industry experience are a splendid collection of detailed and refined insights and experiences assimilated into a thorough tutorial guide. I have no doubt-as many experts agree-that Mastering 3D Animation is equipped to serve as a collegiate-level textbook for 3D computer animation curricula.

Spanning the many processes related to generating 3D digital art, Ratner illustrates his critical techniques with 658 black-and-white line drawings and grayscale screen captures. The images vary from basic and sketchy but illustrative black-only perspectives, steps and graphs to grayscale representations depicting character renderings, particle systems, height fields, geometric displacements, facial close-ups, rendered environments and more. Of particular interest to those having cinematography or traditional art backgrounds are the commentary, instructions and grayscale reproductions of painted and sketched art dating back multiple centuries.

Those attending to a more technical emphasis and interest are accommodated in every respect, however-minus superficial references to hardware specifications. Early on, Ratner clarifies his intentions in composing this text: "[The book's] purpose is not to create button pushers who can boast about megahertz, abundant RAM, big monitors and software with all kinds of bells and whistles. It is hoped that aspiring 3D artists will learn some valuable lessons from the great art geniuses that have preceded them." (Foreward/vii) Yes, Ratner does wane philosophical, at times, but his contemplative tendencies bring a refreshing and purist perspective to a field frequently inundated by overly technical meanderings and functionally pointless rambling. Thus, Ratner blends an in-depth artistic and technical knowledge with a practicality and philosophy altogether forming a well-rounded perspective-one catering to persons of various inclinations and backgrounds.

The companion CD contains 200-plus 3D models in a variety of formats: LightWave 3D's .lwo and .lws; Wavefront's .obj; Maya's .ml and the generic .dxf. Tutorial project files are archived in QuickTime (.mov) and JPEG (.jpg) formats, and Ratner also includes a Photoshop brush file (.abr) for creating "grime" textures.

As for the text's informational composition, chapters one and two explore the basics of 3D modeling-polygonal and spline-based (NURBS). Chapter 3 addresses basic 3D animation, while the fourth delves further into animation by considering the role of deformation tools: skeletons ("bones"); kinematics; lattice flexors, etc. In Chapter 5, Ratner explains special effects, including the use of spheres, particles, collision detection, voxels, fragments, displacement mapping and more. Part II of the text, Advanced 3D Modeling, begins with commentary about the human head's structure and composition, including muscles and bone. Ratner explains both the NURBS- and polygon- based methods for modeling the head. Special attention is allotted to features, such as the eyes, eyelids, eye sockets and ears. There's no lack of detail, here, and NURBS fans will experience a rare sensation-a feeling of belongingness.

The next two chapters, six and seven, are devoted to modeling the human figure. The latter stresses finishing-hair, eyelashes and clothing. Chapters 9 and 10 comprise Part III: Preparing for Animation. Lighting is the focus of Chapter 9, and Chapter 10-another that may appeal particularly to conventional artists-deals with surfacing techniques. The author goes beyond the typical texture map types-cylindrical, planar, spherical, cubic, etc.-and the use of photos to address alternative surfacing methods, such as transparency (alpha) and displacement maps. In short, Ratner extends well beyond the conventional surfacing methods most highly publicized, deeply exploring what might be categorized more aptly as upper-echelon trade tips than as common genre knowledge: creating sophisticated bump maps; using grayscale gradients in displacement; and more.

Part IV of the book, Character Animation Fundamentals, includes chapters 11-14: Expressing Emotion with Facial Animation (11); The Elements of Action (12); Movements of the Figure (13); Composition and Cinematography (14). Once again, the author uses an expansive knowledge of choreography and anatomy to help quantify how human emotions are exhibited: body posturing; eye wideness; lip contour; eyebrow position; even directional muscular pull. Each of these considerations can be projected in a 3D figure, and Ratner shows the reader how. "A muscle is composed of a bundle of fibers that work in mutual association to perform common duties," Ratner writes on Page 248. "... It is this combination of movements that results in the complicated harmony of the facial muscles."

The Elements of Action chapter confronts those issues pertinent to a convincing human portrayal by a mere collection of polygons or surfaced curved lines: timing; sound syncing; weight and recoil ("squash and stretch"); walk cycles and more. Chapter 13 addresses concerns complementary to those in the previous one, including body mass motion, pace and impact, equilibrium, action lines, rhythm and still more. The final score of this harmonized tutorial prose pursues line composition, spatial arrangement, blocking (proxy geometry) and all manner of photographic issues and techniques. The reader will learn practical cinematography terminology-camera techniques and movements, transitions, more-and the fundamental tenets of motion depiction utilized by artists centuries earlier.

Mastering 3D Animation is a wonderful book, full of useful information that you will refer to again and again. It covers many complicated issues in an easy-to-understand way so that beginners and advanced users alike can grasp the information. Definately a title that will remain in your library for years to come.

Although a nice book that goes into depth in areas that other modeling books haven't, the generalized, not-to-mention-one-specific-application approach the author has taken left me, a beginner, bewildered and drooling. Also, I think some of what isn't explained in detail was not explained purposely as it was difficult to put into words and considered common sense, which seems to be the case with several tutorials and books that I've read on modeling. I want to know things like: Once I have my splines slapped down in a front perspective, how do I push and pull them properly from other perspectives so they'll take shape, or When defining detail with polygons, how many should I tesselate, how can I manipulate them to look like a gradual bump for a muscle and not a sharp cornered cliff? To sum it up, the book was written for the more experienced and those who are very well aquainted with their software packages-I was expecting step-by-step modeling for newbies.

This book is a MAINSTAY in my reference library. Though I do only limited back-end development in the applications I work on, this is the first book I look for when I need to be pointed in the right direction. I highly recommend it!

I bought this book as a complete Oracle novice, transitioning from Microsoft T-SQL to PL/SQL. I was worried about the transition being difficult until I read this book.

It is one of those very rare books that presents advanced concepts in a context understandable by users of all experience levels. The author often throws in tips about Oracle PL/SQL quirks to watch out for, as well as some very applicable information about how Oracle works internally.

I've since become more comfortable with PL/SQL, and the book also serves as a great reference. I highly encourage you to read this book straight through.

I recommend this well-written book to anybody wanting to learn PL/SQL, as well as anyone needing a great reference.

Although the information was accurate and useful, I think the strength of this book was it's clear and logical presentation. It is easy to read and very helpful. For example, I needed to know how to dynamically build the "where" clause for select statements and his chapter on DBMS_SQL gave me the tools to accomplish my task at work.

This is definitely an excellent book. No one should rank it less than 5 stars just because it was published in 1996. Please do some research before talk. Actually, Scott Urman has wrote a book, "Oracle8 PL/SQL Programming", which was published in 1997. Buy this one if you want to learn PL/SQL 8.0.

Oracle 8 is out and in this book it only covers to Oracle 7. It is a very well written book. It is a valuable reference however it was published in 1996. Still looking for Oracle SQL Plus 8.0 AND the PL/SQL Programming. I hope the author steps up to the plate and updates his work.

Got here in a timely manner, looked good. If they do this all the time,
I'd buy from them again.

I needed to lay out a school newspaper in QuarkXPress, having never used Quark before. I bought the book on Friday and had made a newspaper by Sunday. This book is that effective. The chapter about learning Quark in 30 minutes is for real. Since that weekend, I have often referred back to this book; its other chapters have included everything I've needed.

Amazing. Someone actually knows how to put a manual together. Even the president of Quark suggests buying this book so that we can learn Quark Xpress. At first I was too frustrated with Quark (having come off Pagemaker 6.5), to learn it. Then I purchased this book and whammo, I'm now an expert. Can't figure out why Quark doesn't just put this manual in their product instead of the thick, overwhelmingly poor manual they supply.

Don,t get scary by the size of this book. Usually when you are looking at one of those monsters (909 pages) you know it's more like encyclopedia than useful manual. But this book is different. Information is systemized, instructions are clear. It's easy to reed and easy to follow. I didn't know anything about Quark Express. And I started from this book. I found everything and even more that I was looking for.

This book is one of the best I have run across for learning and using a piece of software. I needed to learn Quark quickly and after reading his "Learn QX in 30 minutes" chapter, I felt I had enough of a handle to get started on a project.

I am constantly referring to the book now as a reference.

Can't go wrong with this one.