Guides Books

Watch Video Here: http://www.amazon.com/review/R2S77U89YLNYUN The description from the book jacket is rather accurate and I'll quote it here:

-- Start quote --
In The Lord of the Rings Sketchbook Alan Lee reveals in pictures and in words how he created the beautiful watercolour paintings for the special centenary edition of The Lord of the Rings. These images would prove so powerful and evocative that they would eventually define the look of Peter Jackson's movie trilogy and would earn him a coveted Academy Award.

The book is filled with over 150 of his sketches and early conceptual pieces to show how the project progressed from idea to finished art. It also contains a selection of colour paintings reproduced in full-page glory, together with numerous examples of previously unseen conceptual art produced for the films and many new works drawn specially for this book.

The Lord of the Rings Sketchbook provides a fascinating insight into the imagination of the ma who painted Tolkien's vision, firstly onto the page and then in three dimensions on the cinema screen. It will also be of interest to many of the 100,000 people who have bought the illustrated The Lord of the Rings as well as for budding artists interested in unlocking the secrets of book illustration.
-- end quote --

Full coloured paintings are few actually. But this book has an amazing collection of pencil sketches. The chapters are sorted by places that appear in the book, in chronological order.

With the author's comments, it makes this book sort of a "Making of" book together with it being an "Art of" book. So that's really a plus.

It should interest concept and fantasy artists. Oh, and also Lord of the Rings fans.

There are more pictures on my blog. Just visit my Amazon profile for my blog's link.

The content of this book lent a great deal of inside information that Jackson used to form the characters of all LORD OF THE RINGS movies. I have collected all of the LOTR articles that I could find. This book made an excellant addition to my collection.

Alan Lee's book is magnificent. His sketches are so etheral. They captivate the reader. His discription of his experience on the sets of Lord Of The Rings is very enjoyable. A truly marvelous book.

A truly wonderful book to peruse through for those who practice pencil sketching. The artist is simply outstanding and his style is right up my alley. I flip through these pages for mere minutes and want to draw for days on end.

Alan Lee's work is amazing and to get some background information about his artwork is a treat. I wish the book was a little bigger and thicker.

This was a very good book. Travis is an excellent writer and his books make you want to come back for more.

This is one of Travis' best...This one held me captivated from beginning to end. I love the way Travis works in the characters of his earlier novels. He keeps the drama flowing with realistic tales that we can all relate to.

Travis Hunter's "A One Woman Man" book is a page-turner. Once you start reading you won't want to put it down. It is so good that when you read it you feel as if you are a part of the story watching everything that goes on. It deals with some of the most important issues today. Fatherhood, love, scandal, memories, and revenge are some of the topics just to name a few. I applaud Travis Hunter on this book because its a book I can relate to all to well. I give this novel 5 stars, it is one of the best novels I've read in months

First I have to admit that I hated the cover of this book fo sho! I almost didn't buy it because of it but I'm glad I did. So I guess it's true that you really shouldn't judge a book by its cover. I appreciate stories about black men who are trying to do the right thing and that was what Dallas Dupree was in A ONE WOMAN MAN. Not necessarily an all together brother, but he was all man and he took care of his daughter and didn't mistreat the ladies. I enjoyed reading Dallas' story, but as minor as her character was compared to that of her brother's, my favorite character was probably Carmen, Dallas' sister. She reminded me very much of my sister-in-law. The way the author molded Priest, Dallas' brother, was genius. I was completely surprised by him and the ending of the book. Overall I give this one 4.5 stars.

I did not enjoy this book as much as previous works from this author. The title didn't really seem to fit the actual content of the book and the ending was abrupt and quirky. In the end there seemed to be no real lesson or meaning to it all; so this is the kind of book that you read to fend off boredom or on a long airplane ride to keep you occupied

Plants of the Gods: Their Sacred, Healing, and Hallucinogenic Powers
by Richard Evans Schultes, Albert Hofmann, and Christian Rätsch

Publisher:Healing Arts Press/Inner Traditions

Year:2001 (revised and expanded edition)

ISBN:089281979-0

Categories:Book Reviews, Recommended Books

Reviewed by Jon Hanna, 6/26/2007

It may be a rare thing for a second edition of a book to warrant its own review, but such is definitely the case with the new edition of the Schultes' and Hofmann's 1979 classic Plants of the Gods. The updated version was produced as a German translation in 1998 by Christian Rätsch, and Healing Arts Press released the English translation of this in late 2001. It is a thing of beauty.

The primary and most dramatic improvement is the inclusion of numerous new photographs and art images. Although this second edition retains many of the same photos, it introduces a lot of new ones as well. In some cases, the item depicted-such as the statue of Shiva with Datura flowers in his hair (p. 11)-has been revisited with a higher-quality photo. Frequently, black and white images have been replaced with a similar image in stunning full-color. While this works superbly in most cases, there are a few situations-such as the replacement color photo of an aerial view of the Kuluene river (p. 24)-where the original black and white photo was much better. New psychedelic art is featured throughout from the likes of Pablo Amaringo, Walangari Karntawarra Jakamarra, Nana Nauwald, and Donna Torres. There are even some incredible watercolor paintings done by Christian Rätsch himself (think Codex Seraphinianus on acid)-where can we see more of his art!? A beautiful mural of an ayahuasca ceremony that graces a wall at the Cuzco Airport in Peru reminds us that some countries have a more enlightened attitude towards the use of psychoptic plants.

"Fourteen Major Hallucinogenic Plants" of the first edition has been altered to become "The Most Important Hallucinogenic Plants," and expanded to include new sections on Anadenanthera colubrina, ayahuasca analogs, Salvia divinorum, and Duboisia hopwoodii. There have been numerous expansions on the old chapters as well, including many additional species of the genera discussed. Six new plants have been added to the "Plant Lexicon," and this section has been vastly improved through the addition of color photographs. Previously, the majority of the plants described were depicted via illustrations, with only a few photo images; this situation is now reversed, with only a few illustrations. (It is a shame that there are any drawings remaining, although I suspect in some cases it might be hard to obtain photographs of the plants in question. Still, in other cases it should not have been difficult-photos of Banisteriopsis caapi, Lagochilus inebrians, Mandragora officinarum, Mimosa tenuiflora [= M. hostilis], Peucedanum japonicum, Scirpus atrovirens, Tabernanthe iboga, and Virola theiodora are all available via the web). The map of "Native Use of Major Hallucinogens" has been expanded to include Hyoscyamus sp., Duboisia sp., and A. colubrina, and the depicted range of Cannabis use has been increased.

Some problems that the original book had are, alas, retained or, in a few cases, exaggerated. The gutter of the book is too tight, causing one to crack the spine to get a full view; this was the case in the earlier edition as well. New layout glitches include shaded backgrounds for text boxes being placed too close to the edge of the text (in some cases touching it), and headlines that sit too close to the images. The problem of citing alkaloid contents as fixed numbers is still present (although in a few cases ranges are presented). Those with little knowledge on the subject might actually believe that all dried Trichocereus pachanoi plants have a 2% mescaline content, while this is actually the peak of the range that can be determined through a survey of the scant few published isolation analyses (which dips down to 0.33%, and even lower in published HPLC analysis), and may not be typical. In new cases when ranges are presented, such as the case with Mimosa tenuiflora root-bark said to contain 0.57 to 1.0% DMT, the information may not be correct. (M. tenuiflora has been reported to contain 0.31 to 0.57% DMT with specific analyses available in the literature of Gonçalves de Lima 1946 and Patcher et al. 1959, and there have been unsubstantiated counter-culture claims of 1% to 11%, see ER Vol. X, No. 3, 2001 and Ott 2001). Both the new and the old editions of this book are riddled with statements about alkaloid contents that are presented as if they were fixed amounts, when in reality alkaloid content can be highly variable.

Some new errors are introduced with this edition. Spelling mistakes are peppered throughout (they've misspelled author Hofmann's name on the back cover!), and awkward phrasings are not uncommon in those sections that were translated from German. In some cases, plants are presented as containing specific alkaloids that they do not have. For example, it is remarked that "The Turkey Red variety of the grass Phalaris arundinacea contains liberal amounts of DMT." This is in error, as this variety contains liberal amounts of 5-MeO-DMT, not DMT. Also, photographs of four cacti-Ariocarpus retusus, A. fissuratus, Astrophyton asterias, and Aztekium riterii-known in México as "peyote" are depicted, with the statement "They primarily contain the substance mescaline and other psychoactive alkaloids." This too is in error, as only A. riterii has been found to contain trace amounts of mescaline, and no mescaline has been found at all in the others. (It was interesting to see that Rätsch considers a heftier amount of mescaline, "0.5-0.8 gram" to be a dose, compared to the Shulgins' more conservative 200-400 mg dose listed in PIHKAL; I tend to agree with Rätsch.)

Any and all criticism of this book should be viewed as minor, as it is truly a marvelous work. Rätsch has taken a great book and made it better. Especially if you own the first edition, you owe it to yourself to pick up this revamp. It is visual delight, a joy to read cover-to-cover, and it will no doubt be revisited repeatedly for years to come.

This is a good starting point for working with Psychoactive Plants. It is however not quite as informative as the author's "The Encyclopedia of Psychoactive Plants: Ethnopharmacology and Its Applications". If you are interested in working with plants but are not sure then this is the book for you to get the real information you need to make a informed decision.

This is a good book on the topic of psychotropic plants, though I have to admit that I'm a little shocked that the opium poppy wasn't included. Oh well. There are enough books on that subject that I'm sure if you really want to study the "black smoke" you can find another book to read. It presents an interesting subject in an approachable, readable format. My one complaint is that parts of it read a little too New Age-y, which irks me. But that's the way I am. Aside from that one (rather small) problem, I would readily recommend this book to anyone looking for an all-in-one look at this branch of botany.

The authors Richard Schultes, director of the Botanical Museum at Harvard and Albert Hofmann, discoverer of LSD and former director of the Pharmaceutical-Chemical Research Lab in Basel, Switzerland, together have over fourteen years of research in field of botany, chemistry and ethnobotony. In their book the authors offer an ethnobological look at the sacred use of hallucinogenic plants and include: an introduction to hallucinogenic plants, a plant lexicon, overview of plant use chart, detailed section of fourteen major hallucinogenic plants, and concludes with an overview of the chemical structure of hallucinogens.
The plant lexicon includes ninety-one known and most common hallucinogenic plants with: a colored picture for each plant, botanical name, geographic location, hallucinogenic properties and a short description of the individual plant. Following the lexicon is a chart overview of each plant that includes: usage in history, context and purpose, preparation, chemical components and effects. Following the chart is a detailed account fourteen major hallucinogenic plants. "Most of these plants are or have been culturally and materially important...that they can not be overlooked "(81). The authors include: a descriptive history, gathering techniques, rituals, the chemical make-up of the plant, pictures of ceremonies, and artwork of "visions" by people.
Plants of the Gods is more than a research book, it is a guide to understanding the role hallucinogens play in various religious cultures using a scientific and anthropological approach.

This review is based on the 1992 publication:
Schultus, Richard E., and Albert Hofmann. Plants of the Gods: Their Sacred, Healing, and Hallucinogenic Powers. Rochester: Healing Arts Press, 1992.

If you're looking for information on how to prepare psychoactive plant medicine and, well quite frankly, how get high, this is not the book for you. However, if you'd like to gain more wisdom and insight into shamanistic practices around the world, this is a wonderful history that draws you into the mind of the shamin. I loved this book. It gave me new respect for the wisdom of those ancient people of whom we know so very little. I highly recommend this book for anyone interested in shamanism and herbalism. It offers insight into not HOW but WHY psychoactive plants are ingested. Plant medicine is afford the tremendous respect it so rightly deserves.

I've been through the book twice and know I will pick up even more on the third. The book is a very fast read with practical and easy to understand advice. He covers everything from rhyming and metaphors to just plain good writing advice - poetry and prose. His advice makes great use of modern poems so you can see what has been getting published in the last few years. He only touches passingly on specific forms such as sonnets, but gives several recommendations for folks that want to dig deeper into specific forms.

This book is for those of us that like poetry - but don't know much about it.

I continue to enjoy this book and have found it useful even though I am a published poet and author.

This book is the best I have seen for any beginning poet. Its simply a must have!!!!!!!!!!!!!!!

Ted Kooser has written a poetry manual for amateur and professional poets who are interested in improving their writing craft. His suggestions can be easily implemented. As a poet I've read many books on the writing craft but this one rates in my top three. There is more to writing poetry than to jot down the words the pretty Muse whispers in one's ear. For those serious about becoming better poets, this is the book for you.

This excellent no-nonsense book about writing poetry also manages to be inspirational. In clear and compassionate prose, Kooser addresses real issues that poets struggle with, such as the fine line that exists between gushing sentimentality and the resonant expression of real feelings, the subject of one of his 12 chapters.
Kooser provides wonderful examples to illustrate his points, giving us the pleasure of reading good poetry while we learn to write it. He also provides vivid images as metaphors for how writing works and how readers read, transforming glass bottomed boats and ham cubes into tools for crafting poetry.
Laced with humor, this book feels like a casual conversation that you want to return to again and again.

Competition is fierce and having the best marketing department or newest product is not good enough. All successful Sales professionals possess skills that set them apart from their competitors and effective writing should be at the top of their skill set. In her new book, Power Sales Writing, Sue provides the tools that will inspire the reader to develop or enhance their writing effectiveness and ultimately set them apart from the competition. Power Sales Writing has a prominent position on my bookshelf - a must read!

I must say I am little disappointed. I would not tell someone not to buy this book but I would not tell someone to buy it. The book does deliver what it says on the cover. I am not so sure how powerful it is. It is about writing style and how to make it better, easier and faster. I am still trying to decide if I learned anything from this book that is of great value. I am sure I will reference this book in the future and for $10.00; hay what the hell. I have bought computer books for ten times that amount that I hated. If you have difficulty writing and getting your ideas on to paper maybe this book is for you. It is short and it is very readable. I would classify this as an average book. And sorry Sue since my name is not on this I just pounded it out on the keyboard and let the letters fall where they may.

Share this book with everyone in your organization that has any sales contact and increase their their effectiveness. Sue cuts to the heart of good writting skills. Her book is easy to read and offers countless tips on letter writting, e-mails and better communication.

Sue is a nationally recognized speaker who captivates her audience with pithy observations, high energy and charm. She has successfully translated that into a terrific guide that will be helpful to new salespeople as well as pros. My favorite part is how she points out the pompous phrases that are often used instead of everyday common sense language.

With all of the advances the age of technology has brought us, there have also been a few setbacks. One of those setbacks comes in the form of a lack of professionalism in writing. The email era has all but eliminated professionalism in business communications. POWER SALES WRITING by Sue Hershkowitz-Coore seeks to restore some of that lost professionalism. What we have here, however, is not just about improving the level of professionalism in email, but is applicable to all realms of business writing.

The author begins by introducing four questions that are basic components of all business writing. The professional writer should always begin their prewriting with these four basic questions. Doing so will insure the writer always achieves the desired result. There is an incredible amount of information on such a wide variety of writing tips, such as proofing, when and how to use buffers, and legal culpability in business communications.

The book seems to be aimed at a general audience (anyone who conducts business communication) as well as a specific audience, (copywriters). The content here is beneficial for both audiences and, I believe, meets reader expectations of either group. The last half of the book does slant more towards the professional copywriter, but can still be applied to general business communications.

In the last half of the book we find direction on sales letters. Here, the focus is on such things as sales letter characteristics, the power of testimony and using stimuli words (visual, auditory and kinesthetic) to appeal to various learning styles.

The final section really helps the reader to challenge him or herself from writing habits found less than admirable. This is somewhat of a melding together and condensed version of Richard Bayan's "Words That Sell" and Strunk's "Elements of Style". Of particular note, I found on the final page of text, a technique I have used for years. That is making a list of the ten most important things learned from the book, picking a couple to focus on for a month, then moving to the next two. The problem here is, for me, it was difficult holding my list down to ten items.

This is a critical edition for professional copywriters. It is beneficial for all professionals who must use written communication. I found the book exceptionally well written. Hershkowitz-Coore's obvious skill as a writer makes the book very easy to comprehend.

I have recommended, to all my Reiki students, that they read and study Pamela Miles' excellent book! (I have included myself :-)

I own more than 80 Reiki books (e.g., Haberly, Petter, Gray, Rand, etc.) --but I regard this Reiki book, highly--amongst the "top 3". (The others: Bronwen & Frans Stiene: Reiki Sourcebook and Japanese Art of Reiki.)

Pamela Miles is a "purist" and I value her book because of its' honest, integrous and insightfull approach to Reiki!

With this outstanding reference work, everyone in the Reiki community has benefitted!

Pamela, I have you to thank (I mean this most sincerely) for my re-connection with SELF-Reiki! And, it has extended to my Reiki students, also!

I am a reiki teacher/master and give this book to my level I students as a reference guide. To me, Pamela's book captures the heart of reiki and reflects her deep understanding and practice of reiki. I also especially like the language she uses that speaks to my scientific nature (I hold two M.S. degrees) without detracting from the mystery that unfolds as you practice reiki on yourself and others. I highly recommend this book and suggest you check out Pamela's website. I also recommend the book "Practical Reiki" by Richard Ellis to my students because it is full of beautiful images and photographs.

As as a devoted student, and one who practices Reiki, I was initially impressed with the elegance, scope and reliability of this beautifully written book. It is absolutely authoritative, but reads in a very personal way. I literally have stacks of Reiki books that seemed compelling at first, but "Reiki: A Comprehensive Guide," has risen to the top and withstood the test of time. It is the only Reiki book that I refer to regularly on an ongoing basis. As my practice grows, I find new things to explore in this book, and I am always rewarded with solid and soulful insight and guidance.

Excellent book on Reiki. I just purchased in last week and have already recommended it to several clients of mine...a few of them western medical doctors. It demystifies the subject in a language anyone can follow and more importantly it will not turn off the most closed-minded reader.

One of the very best books on Reiki: what it is, how it works, how to use it

Pamela Miles, the author of "Reiki: A Comprehensive Guide" is founding president of the Institute for the Advancement of Complementary Therapies and has 35 years experience as a clinician, educator and lecturer in natural healing. She has been a student of meditation and yoga for 45 years. The author began practicing Reiki in 1986 and was initiated as a Reiki master in 1990. She has developed Reiki programs for implementation in prominent New York City hospitals, published numerous articles in peer-reviewed professional journals, and presented and taught Reiki at medical schools and conferences.

This is a thoughtful, informative, enlightening book, written in an engaging and conversational style, peppered with anecdotes, that let's its readers know that here the author is opening up her heart. It is a book that is useful to seasoned Reiki practitioners, the newly-minted Reiki practitioner and the individual for whom Reiki is a new experience as practitioner or as recipient. For anyone who is interested in bringing Reiki into their lives and are without a clue as to where and how to begin, "Reiki: A Comprehensive Guide" offers an excellent starting point.

The book is divided into fourteen very well-organized chapters, moving from a description of what Reiki is and what it does, its history, the components of Reiki training, and formulating a Reiki practice, to the last few sections devoted to the role of Reiki in integrative medicine and the science and research methodology underpinning that role.

The author deals fairly but squarely with the unhappy reality that much of what most of us were taught about the origins of Reiki from Hawayo Takata, who brought the practice to the West, was simply untrue: a useful myth, perhaps, but without historicity or any factual basis. Miles addresses this without hesitation, but always reminds us of what really matters: the unassailable fact that Reiki works. Even in the absence of an explanation as to how it works, in the absence of a clinically demonstrable therapeutic mechanism, it does what it says it does. While honoring and clarifying the history and traditions of her own Reiki lineage, Miles is respectful of and offers recognition to the many different styles of practice which have developed since the time when Hawayo Takata first brought Reiki out of Japan.

As a practitioner and teacher of Reiki and other healing modalities (I integrate Reiki and the Bach flower remedies into my practice of traditional Ayurveda), I am profoundly grateful to Pamela Miles for all she has done for both Reiki as well as for complimentary and integrative medicine. The author, considered to be one of the senior-most Reiki Masters now practicing, has forged a strong and graceful link between Eastern and Western medicine, and I hope that we see more of her writing in the near future.

Here, at long last, we have an insightful, straightforward and intelligent book appropriate for seasoned Reiki practitioners and medical professionals as well as individuals who are simply looking for objective explanations.

It's now over 6 years since this book came out and it still has a tremendous amount of relevance. I am rereading it again and stop by every now and then in hopes that a new edition will come out. I have all the other Zeldman books and they are all useful, but nothing approaches how much I learned from this book. It amazes me how much of the content is still applicable. Anyone who's been doing this since the book came out can make mental notes about what has changed. A proponent of CSS before it was practical (really), Jeffrey seems to have planned a long shelf life for this book.

If you're a graphic designer who is entering web development (which is a large segment), it's still a must read, but beware the 4.x browser version suggestions, and don't bother to try and support tables any more. It's not necessary, and it's bad form for oh, so many reasons. Everything else in the book is absolutely essential for the transition. Your best bet would be to read it and ask questions from someone who's been developing websites for a long time (and is open to web standards).

And if you've been building these things for a long time, it's still a great book to revisit at least yearly.

You can't really go wrong with a Zeldman book, imho, at least so far. If he writes something on knitting, I can't guarantee it...

This book gives a good overview of Web Design till 2001.
People who are interested in where the web is coming from will like this book. If your are looking for how web design is done today anno 2005 I would like to recommend Jeffrey Zeldman book "Designing with web standards".

Even though some of the content in this book is outdated (such is the nature of a book based on the internet, which evolves daily), it is still a mainstay in my collection. I would recommend this book to anyone even remotely interested in web design.

Jefferey Zeldman teaches basic, foundation building principles that you will use almost daily during your tenure as a web designer. If your looking for a book to hold you by the hand and teach you how to perform specific actions with step by step coding, this isn't your book. Instead, it touches upon ideas and methods. Zeldman covers topics from designing good navigation to fundamental steps in working with a potential client.

I gave this book 4 out of 5 stars. It would have received a perfect score if it wasn't for some outdated material. Purchase this book, it should be a part of any collection.

A thorough, comprehensive and usable book for people trying to migrate from traditional media into the (sometimes) scary world of new media.

Jeffrey Zeldman's unique voice permeates the entire book, holds your hand, and gently guides you through the ups & downs of working with the web. His examples are concise and to the point, his writing style (as always) humorous and friendly, and, most importantly, you get the feeling that he truly loves this medium, and would like nothing more than being able to help another person discover just what the fuss is all about.

Should be on the shelf of every designer - no matter what your level of experience is.

This book opened my eyes to issues such as accesibilty, css and xhtml, I now have a site that is fast to load and easy to update. I found this book to be an easy read,[ I am neither a graphic designer nor a trained web designer] I really like Zeldman's writng style and will use some of his points in my classes web design for photographers. The mix of code and ideas was great and for once I just read the book rather than being tempted into turning on my computer and starting work.

I gave this as a gift to someone who likes to read about the movies as much as he enjoys watching them. Because he has a collection of movie guides, this one caught my eye because it was different with a more unique take on film.

I have purchased other movie guides in the past but always end up getting the current Videohound. It's more concise than other books. Lots more information available. I love the catagory lists. Some of the catagory titles they think up are great! I would recommend this book for video lovers over any other that I've purchased.

i consider myself a movie buff, and this is my bible. this is the fourth edition of this book that i bought, and i will continue to buy one every year. it helps me to choose the movies i watch, and answers the questions that plague me. with the many options for reference (title, category, actor, director, composer, awards), i find this book very easy to use. not only does this book list actors, awards, directors, etc. a description of the film and a rating are included. i freaking love this book! 'nuff said.

The only short side is that it only produces info for on tape or DVD. Other than that it is a gem. When ever you don't remember an actors name, find the movie or the movie you remember them in and your there.

The bones critic of the film (ergo hound) is very good, a real persons review of the film.

Look for info by genre, title, actor or whatever.

This is a film buffs must and a great conversation starter!

What was Bogart's final film? What was Lizabeth Scott's first film? How many movies did Gregory Peck make? How many movies did Raoul Walsh direct? When did John Wayne die? And what was Vincente Minnelli's final film? Answers below! All this and considerably more movie information is included in the veritable encyclopedia "Golden Movie Retriever". There are fully 929 pages of movie synopses and ratings. Also included are indices on movie writers, cinematographers, composers and categories -how many Zorro movies are there? (13!). There are over 30 pages of major awards- and even a section on alternate titles! Apparently, "Summer Stock" may also called "If You Feel Like Singing"! It could easily take a lifetime to mine the nuggets here. The only possible weakness to GMR is the paper cover, which should be well worn very quickly. Answers to the questions above are: "The Harder They Fall" (1956); "The Strange Love of Martha Ivers" (1946); 49 (count `em!); 43; 1979 and "A Matter of Time" (1976). What's not to like? There is absolutely nothing for a movie fan to ponder here. Hit hat "Add to Cart" button now!

This book is fabulous and worth the price but the very very important details about computer based recording is BADLY dated and the publisher coould really revive the title and I would even rebuy it if they would update this info or at least provide an online update.

This book is great for people who are new to voice overs. It's a must buy if you want to set up your own studio.

I already had a working knowledge of how to record at home, but found I still had a few things to learn. Voice Actor's Guide to Home Recording is a valuable book whether you have experience recording at home, or you are just starting out. I guarantee you will benefit from owning this book and your home recordings will sound better and better!

This is an excellent guide and for all those noting it would be nice for an updated version I see that it is almost here and you can pre-order it now.

From the product description:
This new edition of this bestselling bible for voiceover home recording has been completely updated to cover all the exciting new technology and delivery options currently available.

http://www.amazon.com/Voice-Actors-Guide-Recording-Home/dp/159863433X/ref=pd_bbs_sr_3?ie=UTF8&s=books&qid=1223943559&sr=8-3

Man, I should have checked the dates on all the positive reviews of this book. Had I done so, I would have saved myself the purchase price.

3 years ago, when it was published, I'm sure this was a fabulous reference, however, it is now SO out of date as to render more than half the book almost useless. To the author's credit (and the book's ultimate downfall) he includes a high level of detail on things like computer hardware and software, microphones, and other studio technology, but in any techno-based treatise, one year is a long time and three years is an eternity. The very detail that would have been fabulous three years ago is totally irrelevant today.

I found myself skipping more than half the text of the book primarily because it was so out of date. Recommendations like a computer with a Pentium 4 processor with up to a 40GB hard drive and a minimum of 256MB of RAM were appropriate at the time of publishing (early 2005) but not now. Step by step instructions on how to use programs that have long since been upgraded (or even changed ownership) are of very little benefit in the year 2008. What I have in my hands is a 180 page book with maybe 80 pages of pertinent information.

Another example is in the area of ISDN connections. Again, the authors couldn't include programs like Source Connect or Audio TX, both VOIP type programs and neither of which require an ISDN line and associated hardware/software/expenses to function in this book because they had yet to be released, but I go back to my original statement that if a book is going to be technology-based then it is incumbent on the authors to keep it up to date. Harlan Hogan himself has written a very good discussion on Source Connect and Audio TX that can be found at the CommercialVoices.com web site where he discusses the place non-ISDN communication solutions currently occupy and where they will be in 5 years, and it's critical everyone understand this BEFORE making the substantial investment in ISDN.

I don't fault the authors because they wrote an exhaustive and definitive guide covering the subject at the time, but when one publishes a book like this, you need to make a concerted effort to keep the content up to date. I would think an eBook, with a living chapters would be more appropriate than a paper and ink volume like this. Harlan Hogan's web site is very helpful, and in fact, I learned MUCH more from his web site on the topic than I learned from his book.

My bad, like I said, for not checking the dates of the reviews and the date of publishing.

There is still some information in the book that is of general value regarding how to set up a home studio and get started in the business, but I feel there are other books out there that may be more complete and more importantly, more up to date on this score. On the positive side, the authors write in an enjoyable and humorous style which makes reading the book a positive experience.

This isn't a terrible book, but it could be a GREAT book if it were current.

I picked this book up hoping to write a cookbook, and I have to say that I love it overall. Dianne's style is lyrical, and she's got the friendly tone of a beloved mentor. It's a comprehensive guide, and while it covers any topics, if you want to delve into deeper detail on any one of them, you need to do more digging for further resources. This guide, though, is a great introduction and inspiration. Highly recommended.

In a profession without a road map, this book is essential. A skilled editor, Jacob's tone is at once motivating, demanding, and kind. In her chapter on recipe testing, she brings you into famed kitchens--i.e. those of Deborah Madison, Mark Bittman, and Alice Medrich--to show that recipe developing is both hard work and loads of fun, like food writing itself.

An inspiring food writing with a stack of gastronimic literature to read through over a long weekend, I had a goal of finishing at least two of three books that were sitting on my coffee table. The first one I chose was "Will Write for Food" by Dianne Jacob. A food writer who's been writing since 1978, Dianne also instructs and coaches individuals and groups on becoming successful food writers. As she mentions in her book, she used to tell students to go check out books at the library about food writing to gain perspective of the business outside of class. After students repeadedly came back to her stating there were no books out there on food writing, Dianne decided she'd be the one to write it. So I guess one could say this is the first book published on the nuts and bolts of becoming a successful, professional food writer. I found the book incredibly helpful, honest and no-nonsense. Dianne has a gift for mixing honesty (don't quite your day job right away) with pep talks (just keep writing, you'll get there). She delivers practical advice and covers topics from writing cookbooks to the art of restaurant reviewing, pitching food article ideas to magazine editors to writing memoirs, and getting ficiton and nonfiction pieces published. The book also features a number of exercises at the end of each chapter for readers to stretch their creative muscles, like brainstorming exercises that assist in developing magazine article topics, writing your own food recipe and researching food and book publishing markets. Finishing the book inspired me to march forward and capture all the ideas floating in my head onto paper to get them closer to being published pieces of work. This is a book I will refer back to regularly.

I have read many advice/guidance books on writing, and I truly found this book to have more practical and thorough information than all others I have read - and solely on the subject of food writing! The 'Interview Subjects,' 'Bibliography,' and 'Selected Web Sites' sections knocked my socks off. It is obvious that Dianne Jacob put a lot of time and effort into this book. I read it completely in just three days, and I will refer to it regularly for my food writing pursuits.

I stumbled upon Dianne's website while I was researching for my book proposal. I wasn't planning to write a cookbook but since I love food and this book is so unique, I got myself a copy anyway.

I'm pleasantly surprised! I've learnt a great deal about raising one's platform/profile before publishing a book, as well as the nuts & bolts of the publishing industry. This book is a MUST-HAVE for all aspiring cookbook writers!