South America Books

I really love this book, and I use it in many of my classes. It gives a lot practical infomation about ancient Mayan times in a fun way for kids to enjoy!

Mario's Mayan Journey is a great book. It has a very realistic story and terrific pictures. I read it just a few weeks before going to the Mayan ruins.

For some reason, the impression this book description gives is that it only covers the Indian raids on the road ranches along the Little Blue River in August 1864. It certainly does that in exhaustive detail. But it covers SO much more. It basically covers ALL the Indian raid activity in Nebraska in the 1860-67 time frame including all along the Platte Valley as far as Julesburg. Biographies of all the major players are here too, no easy task considering most were simple pioneers that left a tough trail to follow.

The comprehensivness of this tome is incredible. The book is richly sourced and the footnotes highly informative. Maps are excellent, although throwing in one additional map showing all the rivers of Nebraska would have been nice.

This is a book so packed full of information that it needs to be read twice, because there's too much to digest the first time around.

Mr. Becher, my sincere congratulations. You've done a marvelous job. This was obviously a labor of love. Hard to believe this is your first book.

I have been a "student" of the Indian raids along the Little Blue in Nebraska in 1864 and have written and lectured on the subject for the past 9 years. Even my own publication falls way short of this new book. The history of the raids has needed someone to present it using no frills, no embellishments - just hard, cold facts supported by good documentation. The author has done just that and with the flair of a storyteller, the fascinating account of the events leading to and after the conflict is flawlessly unveiled in the book. The real heart of this book though is in Part II, presented in a nearly blow by blow "you are there" view of each of the attacks on stage stations and road ranches by Cheyenne and Sioux warriors. No other accounts have told this story with the thorough and painstaking examination given it by the writer. Drawing upon a vast body of military records, manuscripts, government publications, newspapers, periodicals, books, and other documentation, he has sifted meticulously through half-truths, outright untruths, shaded truths, and filled in with factual material where none was available or had been omitted in previous accounts. The remarkable research has resulted in a work that sheds a new and delightfully comprehensive light upon this period of American history.

For those who know (or wish to learn about) the whys and wherefores of the white-Indian relations from the time of the colonists and through the final conflict at Wounded Knee in 1890, it is put into perspective with this work. The book is divided into four parts, followed with an epilogue and appendices. Part I gives an overview of the development of white-Indian relations and interactions, presided over by government intervention from the 1600s up to the 1860s and the eve of the raid or massacre along the Little Blue. Unfolded in Part II is an amazingly accurate and detailed description of each day of the raid and immediate aftermath taking place from August 7th through August 19th. Beginning on the 7th, Cheyenne and Sioux warriors attacked numerous road ranches along the Little Blue and vast amounts of property and goods were destroyed. Commerce and travel along the route west from Missouri and Kansas through Nebraska and Colorado came to a halt. Hundreds of people were affected, many lost their lives, several women and children were captured and held hostage - some for as long at nine months.

Part III describes the panic and some levelheaded preparation and fortification of their homes by people living in the outlying areas of the actual raids. Accounting of press coverage given to the events, military campaigns to seek out and punish the Indians is given by the author before chapters on the captives and their unplanned for journey against their will.

For those interested in the ordeal and aftermath of the captivity of those mentioned, the book is a goldmine of information. Of the known captives (Lucinda, Isabelle and Willie Eubank, Ambrose Asher, Laura Roper, Nancy Morton, Daniel Marble) all survived and were released to military authorities. All returned home to relatives except Daniel Marble and Isabelle Eubank, who lived for only a short time after reaching Denver where they were brought by Major Edward W. Wynkoop, the commander at Fort Lyon in Colorado Territory. Nancy Morton was held 6 months and finally reached Fort Laramie in Wyoming, as did Lucinda and Willie Eubank who were brought there by their captors in May of 1865. For those interested in the history of the Sand Creek Massacre and Black Kettle's role in the events of 1864, it may be a surprise to learn that he was one of those greatly responsible for negotiating the release of the captives to Major Wynkoop near Hackberry Creek in western Kansas in September of 1864. Colonel Chivington and the First Colorado Volunteers ultimately attacked him and his fellow tribesmen in late November 1864.

Part IV of the book describes the aftereffects of the raids with concluding stories about many of the individuals who had lived in the valley of the Little Blue as well as others who impacted the story. Summation is given the Lemmon, Roper, Martin, Eubank, Morton, Emery, Mudge, Comstock, Baker, Artist, Gilbert, Hunt, Palmer, Bainter, Uhlig, Metcalf, Morrow, McDonald, Gilman and Marble families. What became of those military and governmental officials like Colonel Summers, Generals Samuel Curtis and Robert Mitchell, John Evans, and John Milton Chivington is discussed. A concluding chapter describes one former captive's return to the site of her capture that had occurred 64 years before.

Appendix A lists the known casualties of the raid, including those killed, mortally wounded, wounded and captured. This list is incredibly valuable for those trying to make sense of all the names and dates. Appendix B is a list of the military troop dispositions of company units and commanding officers. The photographs and illustrations are fine and their clarity is very good. Although a few typos crop up here and there in the text and one map on page 174 erroneously lists Nuckotte County instead of Nuckolls County, there is nothing about the book that needs much improvement. I loved the book and learned a lot from it that even I, after nearly 10 years of studying this topic, did not know.

No bookshelf of individuals interested in American west history should be without this awesome piece of research and easy to read style of writing. I highly recommend the book and give it my highest endorsement.

This book is one of the best books done on Maya art. Hundreds of well-done photographs. Looking at the photos in this book was the first time that it finally sunk in that Maya art is on par with the art of any of what is considered the "best" art from around the world. The articles interspersed with the art are interesting too. Well worth the money.

This important, lavishly produced book will more than satisfy all, including scholars, students and collectors, as well as the casual reader. The highly descriptive/photographic catalog of the comprehensive '98-'99 Palazzo Grassi exhibition (514 artifacts listed on 142 pages of 696 total) is worth the price by itself. The photography is absolutely superb, making this a fun book to just browse through. With more than 20 scholarly articles covering all aspects of the most current knowledge on the MAYA, this is the definitive "Must Have" book on this most amazing culture. Easily worth double or triple Amazon's price.

I recommend this book because it is a thrilling kindadventure. I didn't want to put it down, as it was an excitingbook.The greatest thing is that I'am doing a book report on this book. The ages I recommend are 8yrs and above.I'm in fourth grade and I'm 10 years old.

I recommend this book because it is a thrilling kind adventure. I didn't want to put it down, as it was an exciting book.The greatest thing is that I'am doing a book report on this book. The ages I recommend are 8yrs and above.I'm in fourth grade and I'm 10 years old.

I came across this book at Barnes and Noble's. Peaked my interest since I spent most of my life growing up in Hog Alley. Lots of interesting old pictures and explanations of names found in Metairie.

Very well put together compilation of information, pictures, maps and so very much more. Cathy Campanella put an extraordinary amount of time and talent into this one. A "must have" for any Merairieite or New Orleans history buff!

I agree with the reviewer above - John Brown is one of those figures that noone really understands so a full length work with sources and analysis of Brown's writings like this has been a long time coming. I teach a class on the coming of the Civil War and my students have already been taught, like most Americans, that John Brown was at best a well-meaning madman. But this book shows the various John Browns of history and myth, so that, whether you agree with the actions of Brown, you will at least understand them better and see him as a complex and human individual. The Harvard authors have a sense for biography and history, and do convincing close readings of John Brown's own writings. Fascinating sources and great prose by the authors, good analysis of art a bonus. It's a good story and told well. I have some criticisms of the politics behind the book but this doesn't detract too much from the overall quality.

This book reads very well and covers all of John Brown's life and death, then also the huge range of responses to him and his career. The connections that Zoe Trodd and John Stauffer make between John Brown and Timothy Mcveigh is provocative. No one who buys this book will be disappointed.

This is a book of photographs of the interiors of Churches in Mexico, and their shrines and alters, and saints which adorn them.

Porter's photographs capture a religious grace which is direct, simple, beautiful, and moving. Seeing these pictures gives an outsider into a window on a world in which life may be difficult, but heart and faith are celebrated and strong.

Contiene una amplia colección de fotografías que muestran la gran variedad y riqueza arquitectónica de las iglesias de México, algunas de las cuales son poco conocidas, y que en cierta medida deben su esplendor al sincretismo cultural hispano-indígena. Las fotografías fueron tomadas alrededor de 1956, por el excelente fotógrafo, sobre todo de paisajes, Eliot Porter (quién abandonó la fotografía por la medicina).

It contains a large colection of photos that shows the great variety and arquitectonic richness of Mexican churches, some of them are not well know, and their splendor is in certain way product of the cultural hispano-indian sincretism. The photos were taken around 1956 by the excelent photographer, landscape specialist, Eliot Porter (who quit medicine for photography).

I am always skeptical about books written on Mexico by foreigners. However, Michael Hogan who has lived in the country for more than a decade is a careful, although often critical and sometimes humorous, observer. He also has an obvious love and affinity for the Mexican character and writes about it accurately and well. The book contains observations on the effect of globalization on the Mexican economy, a night at a Mexican concert with the Tigres del Norte, a revolution in Chiapas, a university riot,a meeting with Fidel Castro when he comes to Guadalajara, as well as more tranquil moments riding in the forests or hiking the mountains.
The book is far better than any tour guides I have read, especially of the Guadalajara area, both with its descriptions of the people and the flora and fauna. It is an expatriate equivalent to the Labyrinth of Solitude by Octavio Paz, who by the way, is an inspiring presence in several of the essays.
For someone visiting Mexico for the first time, this is a valuable handbook. For someone who has chosen Mexican as their adopted country it provides clear evidence that it was a correct choice. For all Mexicans living outside the country, and for those who have visited and not yet returned, it clearly evokes the love and the longing that so many have for this land south of the border. Hogan writes lovingly of the person and the poetry of Richard Shelton here as well. For those, like myself, who are enarmored by the Tucson poet, it is a refreshing visit to an old friend who also has strong conenctions to Mexico. All in all, a wonderful read. Hogan has an accesible style with occasional flashes of brilliance and a quiet but poignant wit.

This is Dr. Michael Hogan's latest book, a collection of essays written over the past decade while the author has lived and taught in Guadalajara, Mexico. This is quite possibly his best book, displaying a wide range of topics and an incredible maturity and intelligence that only comes when one's perspectives have been expanded. In one essay, "Letter to a Troubled Student," he deals with the Zapatista uprising of Chiapas, Mexico, telling his student that it is not scary that a group of Indians are taking on the Mexican government, but that, in any war, the truth is always the first victim. To him, and to a lot of us, that is truly scary. Through this essay, marked for its open-mindedness and its intelligence, Hogan is able to explain how his fears transcend the egocentric level, acheiving a greater understanding and universality.
This is the modus operandi for the rest of the book, which is a collection of essays written in Mexico over a period of the past ten years. They relate the expatriate experience, but they differ from other expatriate books because these essays are observations told through the eyes of a person who is committed to the lifelong quest of knowledge, a person who is committed to learning about his surroundings. All the essays are examples of a deep thought process, and one gets the realization that the author is just as much the teacher as he is the student.
One of the best examples of this, and also one of the defining elements of the book itself is the obvious influence that Mexican Poet Octavio Paz had and still has on Hogan's life. Paz's presence is everywhere in the book; the musicality of his poetry helping Hogan the young boy overcome his stuttering problem, the incisive nature of his essays helping Hogan the teacher in teaching the Odyssey to his ninth graders, the profound depth of his social critiques helping Hogan the human being understand humanity and the Mexican better.
This book is a deep, insightful study into the psychology of the expatriate. In my opinion it is a peer to that other great book about the human condition, "The Labyrinth of Solitude." It is also the only expatriate book that is fully able to document the reasons why a person chooses to leave his home country. It interacts with the reader on many levels, displaying intelligence, while appealing to the poets, the teachers, the scholars, the human beings in all of us. It also displays a deep love for a country that is not the native land for the author, nor for many expatriates. And it is this love that makes the book, and the essays within so compelling. I am reminded at this point, while searching for the place to end my review, of some lyrics from the song "Atlanta" by the Stone Temple Pilots.

"Visions of Mexico seduce me,
It goes to my head so carefully."

Wow. The photos of this book are really great. As the wife of a Mexican, we had to have a book of photos from Mexico - to reminisce and to see places that we haven't yet visited. We searched for the perfect book - and this is it. All color photos, artistically captured, exclusively of the countryside are in this book. All of the major regions of Mexico are featured. If you haven't been to Mexico, this is a preview to the wonders that await you, and if you are missing Mexico, then this will bring a smile to your face.

Mexico: A higher vision, is a book for all people. Whether or not you have been to Mexico the photographs alone are astonishing. The book portrays a beautiful country giving writen details about different sections of the country along with some historical facts and myths. For those who have been there it is a sweet reminder of the culture. From the past to the present. It gives photos of the old and the new and how they mix together. Definately a must have.

This book is a great read for young readers and adults. The characters and story are well developed in magical realism. Meg brings you in to the world of 12-year-old Milagros and communicates ageless lessons through adventure. Truly a literary gem.

In "Milagros," younger readers get the same mix of great characters and page turning plot that adults expect. The character of Milagros is very relatable as an introspective young girl and a trickster. She anchors this adventure which is written in beautiful detail. It's the kind of story that expands the imagination and slips in lessons about dealing with loss, and understanding what's really important in life. With this book, author Meg Medina, has hit a homerun her first time at the plate. My nieces will get a present for Christmas that I know they'll like.