South America Books
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Used price: $8.99

Watercolor Island ExperienceReview Date: 2006-08-30
Especially recommended for school and community libraries.Review Date: 2002-03-30

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A Great Book!Review Date: 2002-09-27
You can tell that Peter loves his job of researching and writing. I highly recommend this book. I know that I am heading out to find more written by Peter!
Blessings,
Debbie
A kid's opinion. That's what really matters.Review Date: 2005-04-14

Used price: $13.94

The Mystic SymbolReview Date: 2007-12-03
teacher and linguist who has written many books of the subject as did Gloria Farley & Raymond Capt.
her favorites get the extra timeReview Date: 2007-09-18

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Gonzalez EchevarriaReview Date: 1998-06-19
Fascinating, yet occasionally maddening!Review Date: 2005-02-18
The insights themselves are worth careful consideration. Distancing himself from the traditional, chronological approach to Latin American narrative, and expressly by-passing a few "milestone works" that are perhaps less significant to the development of Latin American letters than is traditionally posited (e.g "Amalia", "Maria"), Gonzalez argues that the greatest shapers of Latin American narrative have been a few key works that in form and rhetoric embody the trends of the "hegemonic discourse" that dominated Latin America at different periods in the region's history. During the colonial era, Gonzalez argues, the predominant form of writing in the region was the legal document. Correspondingly, he argues, the salient literary texts of the period took on the forms, rhetoric and tones of legal discourse (e.g Bernal Diaz' "Historia Verdadera de La Conquista de Nueva Espana," El Inca Garcialaso's "Commentarios Reales,"). During the 19th Century--his so-called 2nd Conquest of Latin America--the "hegemonic discourse" was scientific observation; more specifically, the travel writings of Europeans and Americans who viewed Latin American flora, fauna, and customs through a scientific lense. Correspondingly, Gonzalez argues, the salient Latin American works of the period (e.g. Sarmiento's "Facundo," or Euclides da Cunha's "Os sertoes")seek to define phenomena in their respective societies while using the structures, form and rhetoric of the predominant scientific-travel writing. In the 20th Century, he argues, works are shaped by the concerns and observations made by anthropology and ethnography. Here he cites Gallego's "Dona Barbara" and Carpentier's "Los Pasos Perdidos", as well as Miguel Barnet's testimonial novels.
Gonzalez suggests that thematically Latin American narrative has consistantly sought the region's cultural legitimacy and ownership of a mythic origin, a source of Latin America's true identity. This search for a mythic origin has generally been conducted through the hegemonic discourses that he describes. Gonzalez illustrates his point through key modern works by Borges, Carpentier, and Garcia Marquez--works which he shows are entirely conscious of the shifts in hegemonic discourse and the search for origins/identity.
The work is generally a joy to read, and makes the lone, lay reader long for an animated discussion of Gonzalez' ideas around a seminar table. There are times, however, when the author lapses into the worst forms of academic obfuscation and post-modern excess, and when he does so he undermines the goodwill that his work engenders. A case in point-- in a discussion of Facundo, Gonzalez states: "What Sarmiento has found in his voyage of discovery and self-discovery is a present origin, one that speaks through him, hollowing out the voice of his scientific language. His authority will not be attained by it, but by the tragic sacrifice of his protagonist, which he re-enacts in the text. This tragic fusion is a reflection of the linear time introduced by the evolution of nature, which brings everything to an end, inexorably, so that it will be reborn in a different guise." This passage, while not representative of the whole book, is simply preposterous, wound as it is in obscurity and the solipsism of contemporary academic criticism. Passages such as this are particularly frustrating given that, in this instance, Sarmiento's "protagonist" is a historical figure, and the notion that Sarmiento is "reenacting" Facundo's fate is entirely a construction of the critic. Such analysis plays well in academia, but it is entirely removed from probable "authorial intent." [And yes, I acknowledge that the concept of "authorial intent" is now considered antiquated and naive in literary circles. But historians who have studied Facundo would be maddened by this passage.] In other works (i.e. "Celestina's Brood"), Gonzalez has argued that the Baroque is the most suitable mode for Latin American cultural expression. Perhaps in keeping with this conclusion, he himself occasionally engages in "gongorismo" that, while arguably culturally consistant, adds little to a sense of understanding.
Ultimately, however, these lapses are only intermittent, and they do not spoil the insightful treasures and the intellectual thrills that Gonzalez provides. This book is a joy.

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Magnificent Pictures and good text about Natural WondersReview Date: 1998-09-24
Photos are...Review Date: 2004-01-19


hoping for an update but still excellentReview Date: 2007-11-16
The New Key also has green ratings for lodging and the reasons for the differences in ratings are explained for each lodge or hotel evaluated.
When I visited Ecuador I found that this book had given an excellent overview of the places I was able to visit and had very accurate information. The only problem now as of this writing is that the book has not been updated. I would still highly recommend this but would use the internet to verify contact numbers of lodges and for any changes from the time of publication.
Best Guide to EcuadorReview Date: 2000-11-13

Used price: $17.47

The Truth About the Spanish HeritageReview Date: 2005-09-03
For those interested, read Carlos Alberto Montaner and Octavio Paz, one Cuban the other Mexican (1990 Nobel Prize winner for literature, actually poetry) for similar views from authors who are not enamored of the Anglo-American world.
A fascinating historical-comparative studyReview Date: 2001-08-03
The book is well written and meticulously documented.

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EXCELLENT ****Review Date: 2003-06-01
EXCELLENT ***Review Date: 2003-06-01

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Collectible price: $35.00

More Than Just MapsReview Date: 2000-03-29
Subjects matter includes the natural environment, history, population, urbanization, economy, agriculture, manufacturing, transportation, trade, politics, air quality, water resources, crime, health, education, arts, and recreation. I found these topics to be presented in an effective manner and certainly more enlightening than the statistical record one might imagine.
I also discovered, before I placed my order, that I was able to preview some of the book's illustrations at the UNC Charlotte Cartography Lab web site.
I would recommend this text not only to students, researchers and teachers, but anyone interested in a comprehensive and knowledgeable summary of the diverse state of North Carolina.
A definitive analysis of changes in North CarolinaReview Date: 2000-12-10
History, population, urbanization, and economy are transforming forces that molded North Carolina into what it is today. Each of these sections are clearly laid out so that the reader can make a critical analysis of the change and form an assessment of the coming changes that the future may bring.
Especially interesting are the sections that deal with quality of life in North Carolina. Crime, education, health care, water and air quality, cultural arts and outdoor recreation are profiled and supported by scores of maps, charts and diagrams. This is a book I would especially want in my possession if I was considering moving my family and business to this State. Highly Recommended.

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Recommended for students of American historyReview Date: 2001-10-14
Great Reading, Excellent and ScholarlyReview Date: 2001-06-14
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This enchanting introduction to island biodiversity allows children to visualize relationships between Caribbean creatures and with the water and sky--and to see how we, too, are one with each island.
This innovative design shares 36 original watercolors of island nature and accommodates forthcoming island-specific editions, personalized in the many languages of the Caribbean.