South America Books

An excellent behind the scenes look at Cuba today. No better example of a failed yet still forced socialist state. This is not some itellectual dissection of the situation but a "person on the street" documentary. Must read for those who take democracy and free enterprise for granted and for those who even think Cuba is better now than in pre-revolution time.
As a Cuban born US citizen I applaude this book.

JAN. 12, 2001

I FOUND THIS BOOK VERY EASY TO READ. IT WAS AS IF I WAS READING PART OF MY STORY, MY LIFE. IT ANSWERED MANY QUESTIONS I HAVE HAD. IT ALSO ANSWERED THE WHY OF MANY FEELINGS I HAVE. THE LAST TIME I WAS IN CUBA WAS 1953, MUCH LONGER THAN HIM. I WOULD LOVE TO BE ABLE TO GO BACK AS HE DID. MY HUSBAND AND I WOULD LIKE TO SEE IF THIS YEAR WE CAN GO BACK. WE JUST ARE NOT SURE OF HOW SAFE IT WOULD BE. WE WOULD LIKE TO GO TO SANCTI SPIRITUS, LAS VILLA, VERY FAR FROM HAVANA. I FOUND IT TO BE GREAT READING. IT WAS TOLD IN A VERY CLEAR WAY. IT EXPLAINED MANY THINGS I DID NOT UNDERSTAND. THIS BOOK CAN BE READ BY CUBAN'S AND THOSE WHO ARE NOT CUBAN'S IT IS VERY INTERESTING FOR ALL. ALSO ONE CAN APPRECIATE ALL WE HAVE.

STILL WOULD OF LIKED MORE. I WOULD OF LIKED MORE PICTURES OF THINGS HE WROTE ABOUT. HIS SUMMER HOME, WOULD OF LIKED TO SEE OTHER PICTURES OF THE HOUSE. WOULD OF BEEN GREAT, FOR HIM TO HAVE BEEN ABLE TO MAKE HIS TRIP TO THE OTHER PROVINCES HAS HE HAD WANTED TO DO.

I ALSO WOULD LIKE TO KNOW IF THIS BOOK IS AVAILABLE IN SPANISH.

I WOULD LIKE TO THANK MR. MENDOZA FOR THIS BOOK. WISH HIM THE BEST, WILL BE LOOKING FOR OTHER WORK HE HAS DONE.

This book is amazing! Tony came and spoke to a class I was in at Ohio State University before this book was published. His story of returning to Cuba is unforgetable. The photographs in this book really capture the feelings Mr. Mendoza had I felt. The ability he has to capture the feelings of the Cubans and his own feelings in this book were wonderful. I highly recogmend it.

Like Tony I am a cuban american who left Cuba in the early 60s for political freedom to study in the States. I came from a successful middle class family and a history of political successes and upheaval. I have always wanted to go back to re-live my youth in Havana, Tarara y Santa Maria del Mar (like Tony in Varadero) where I spent the happiest time of my youth. I have known of the misery of our people because I kept in touch, however Tony has been able to portray that misery in his wonderful black and white pictures. His writtings and dialogues are very easy to read but with a real message for everyone to understand. This is a great book for those who will like an honest and unbias portray of the cuban situation today. Tony has let these people speak out their feelings (pro and against) for the world to judge. I envy Tony for having the opportunity to return. His book has made me very sad because we are limited in our ability to help them. I cried for the younger generation unable to better themselves. Only the beauty of our land and sea remains untouched. Someday our people will be free again to make their choices and Cuba will be a wonderful place to visit. I promised myself to be in the first plane to help rebuild it.

I,too,like Mr. Mendoza, was forced to leave Havana, Cuba, as a child because of my familys' political beliefs towards Castro. I was a child of 9 in 1967, when my parents and I uprooted ourselves from our beloved land because we had been politically betrayed by someone that a whole generation felt was to be their "savior" from the dictatorial regime of Batista. In the last few years I have started to rediscover my roots. I found this book extremely educating as to what to expect to see there, if you plan to "go home for a visit". It has convinced me that I must go home again even though it won't be the same as I remember as a child. This an easy to read book, with compelling sepia tinted pictures of scenes and people Mr. Mendoza came across throuhgout his travels. I highly recommend this book.

The literary world is indebted to Galeano for his
poetical honesty in articulately conveying the voice of suffering in the masses, in the few. In Century of the Wind, he speaks with fascinating brevity as he dances and intertwines the triumphs and failures of a resilient, albeit it haunted, century. Galeano's words become newspaper articles that come Alive, his charachters become colorful fragments of peace and war and love and politics, refusing to be silenced. He urges the reader to pay attention to the paradox of romancing a people whom have had chaos and horror thrust upon them. Cetury of the Wind is a pathway in which we can collectively examine the troublesome past of America and ask the next great question with some degree of vigor -- And where are we heading?

Eduardo Galeano is a thrilling writer! (And very quickly one must add that his translator Cedric Belfrage is also gifted!) CENTURY OF THE WIND is a kaleidoscopic history, very much appropriately influenced by the sociopolitical beliefs of the author, of the Americas - South and North, and in that order - from the turn of the century 1900 to the last entry in this book in 1986. Reading it is an experience in history, in the fantastical events that have sprouted everywhere in every venue in a century more filled with inventions and collisions and bright lights and devastations than any preceding it.

Galeano's style is journalistic (he began his rigorous and controversial career as a journalist and editor before turning to books), and in a most readable fashion he takes us through specific events in each of the years of the 1900s and reports and comments on such divers topics as Thomas Edison, Fidel Castro, the Panama Canal, vaccinations in Brazil, Buster Keaton, Charlie Chaplin, agrarian reform, wars, revolutions, Frida Kahlo, religion, Evita, Ernest Hemingway, dictators, the Beatles, fellow authors of South America - the list is endless.

Galeano can say more in a paragraph or two than most commentators or historians can in an entire book. This is tasty writing unearthing many concepts that have passed unknown to many of us. Reading this fascinating book raises more questions than a multitude of reading groups or college courses and it is a must for the libraries of those who love to be challenged while being entertained! Highly recommended. Grady Harp, May 06

"Each day of life is an unrepeatable chord of a music that laughs at death." So Eduardo Galeano tells us in this, the final book of his "Memory of Fire" trilogy. The culmination of his experiment in history writing, this volume tells the history of the Western Hemisphere's 20th century in a series of vignettes that range from beautifully poetic to brain-burningly horrifying, from the torture chambers of Latin America's right-wing dictators (too often brought to you courtesy of the USA) to a little town in Central America called Yoro where, from time to time, it rains fish. You will end this book weeping with rage and joy. (And I mean that literally. This book is quite a ride.)

Eduardo Galeano's "Century of the Wind" (1988) stands on its own merits as one of the finest cultural histories ever written. From Pinochet to Presley, the author chronicles the dark undercurrents of South and North America in a compelling, cross-cutting narrative. An indispensible book that belongs in every library.

This book was completely mesmerizing and beautiful in its portrait of human nature and the history of two continents. Galeano unfolds the story of the Americas in the 20th century with his magnificent story telling which makes the book difficult to put down or to forget. Each snipet tells of the experiences of various Americans from poor Indigeneous folk to the heads of state. I would recommend this book to anyone, but especially to people in the U.S. who should develop a better understanding of their sister countries to the south. Galeano is neither pessimist, nor optimist but rather chooses to reveal the naked reality of human experience and conduct from the most avaricious calousness to the most magnanimous heroism.

Best of Dr. Reed's books I have read. One can't put it down. If you love the South or hate it you must read this masterpiece.

Slowing down along all those back roads of the world that is the South is the only way to appreciate the unique outlook of the southern spirit where life and events are often taken with a grain of salt due to the fact that the important things were the same yesterday, and the day before, and all the days before that. Emotional health is probably the most valued commodity, and perhaps the most scrutinized quality of southern communities. In many cases, it is the most important development to watch and gauge since much of the south is far from the pyramids of power that are often created in locations like New York, Washington, D.C., Chicago or Los Angeles. It is eons away from foreign influences of Paris, London, Asia or Japan. The living is easy and the sun is hot requiring local dynamics to be the most valuable in terms of acceptance. It gives a new meaning to the idea of majority and minority but not necessarily confined to color. To know the south, time spent there is a must. Southerners appreciate the meaning of home grown and honor their own perspective on life, which sometimes isn't the same as it is in other parts of the country. Rebel yells have a different meaning than up north and don't always reflect the civil war years. It helps to understand Hank Williams, Jr. and some of the other country singers who have it in their blood. 1,0001 facts about the south can only help people appreciate this unique part of the country where life is meant to be savored, not swift. It is greatly aided by a partner of commensurable sentiments.

I had to buy this for a class I'm taking on "The Southern Identity." It was very entertaining and informative. I would recommend it.

It's about time someone compiled this valuable data concerning one of the country's most interesting areas. This book is great for Yankees AND Southerners alike. The most wonderful thing about this book is that you'll find out what some of those expressions, terms, and shibboleths mean--the ones you always heard but were afraid to ask about for fear of being labeled ignorant of your own culture! A must-have for anyone interested in the culture of America and especially the South. Highly recommend this book along with McCrae's BARK OF THE DOGWOOD--a fascinating read about Southern culture and what it means to be from the South.

This boook includes, well, a thousand interesting facts about the South. Being Southern myself, I never knew what was in a mint julep (along with 90% of the rest of the South). This is a book that you can pick up, flip to any page and just read. Everything is interesting, and you might learn something, too. Recommended!

If you want a book that doesn't try to teach you how to become a Marketing professional, but offers a tremendous number of ideas on how to think about improving your business this book is for you. Sam Decker has put together a very easy to read book that will get your Marketing creative juices flowing, even if you haven't ever studied marketing.

This book provides what most business and marketing books lack. It tells you HOW to incorporate real, practical, and useful ideas for marketing your business into your everyday operations. I have had this book since 1999 and I refer to it over and over again. Excellent book!

If you do not file 20 or even a few more or a whole lot of ideas to bring profit to your business with this book, you never will.
You will find strange and wonderful ways and places to advertise with the ideas in this book:

49 techiques for inproving sales
48 Marketing ideas using new technology
60 Inventive ways to outperform the competition
57 unique tactics for direct marketing and distribution
31 tips for creating effective collateral
33 strategies for building your customer base

And an Introduction by none other than Jay Conrad Levison, The Guerrilla Marketing Genius.

Buy it! Do it Now!

This is a great book to get you thinking about all the possibilities that are available to you. It was exactly what I was looking for. As a small business owner, I am always looking for more ideas.

This is BY FAR the best book I've read of marketing ideas. It contains not just the "ideas", but also actual case histories of the ideas and WHY they worked for that particular company. I have 4 solid pages of notes from this book of things I'd like to try....both for the home-based business I'm starting and for the marketing communications company I work for. Other books I've read (and there have been a lot) are too general and are not creative enough. There are dozens and dozens of ways to market, and this is the only book I've read that explores ideas that are off the beaten path (and work because of that). Examples: pay others in complimentary businesses a finder's fee to give you business; sponsor association site (offer discount to members); have defunct company's phone message refer customers to your business (with you paying balance of Yellow Pages fee in return). Just a sample of the simple but effective ideas found in this book.

If I could, I would thank Winonah LaDuke in person for writing such an important, informative and engaging book on the travesty that is the North American government's view of native land and those who inhabit it. The numerous tribes who make the land their home are forced to co-exist with the insensitive, selfish and literally toxic decisions made by government and corporations who dump tons upon tons of toxic pesticides in their water and on "abandoned" land. These lands are also subject to divebombings from military jets. These are illegal decibel levels that drive those within hearing range to points of mental instability, as well as potential hearing loss.

One of the most important quotes from this book that I remember (since I read this book a couple of years ago in a Native/African-American Women's Studies course) was from a Seminole leader who said, "Selling your land for a price is like selling a piece of your mother." [I paraphrase this.] I couldn't agree more. When I remember that quote, I think about all of the animals, vegetation and tribes (consisting of families and friends) who have lived off of the land of the United States, as well as Canada. How can one possibly put a price on something that can't truly be owned by anyone and is its own autonomous entity. Even if people have the illusion that they can occupy land as territory (because of treaties, as an example) does not mean that it is ever their to keep. LaDuke makes several strong examples of this in the book. We can't continue to pollute, abuse and neglect land without paying a price environmentally or in terms of human quality of life and mortaiity. I believe everyone should read this book, regardless of occupation, national origin or territorial location. We need to face the damage done before more of it goes unacknowledged. Thank you, Winonah.

Spoon-fed news by large media corps, few were aware that Winona LaDuke ran for the vice presidency under Ralph Nader in the 2000 elections. Even fewer know that she is also a Native American eco-philosopher with a critical perspective on the health and future prosperity of America. All Our Relations is particularly instructive, in that LaDuke surveys the entire American landscape (and by landscape, I am not merely referring to the political landscape), showing the deep connections that exist between local cultures, their environments, and the corporate-governmental giants that often compromise their health. Although LaDuke has specifically focused on Native American communities, the stories are engaging and instructive for Americans in general. Informative, powerful, and transformative, LaDuke here provides an antidote for our increasing alienation from the land and biota that sustain us. A must read for any conscious American.

ALL OUR RELATIONS by Indigenous Activist Winona LaDuke is a must read for everyone who cares about our earth. LaDuke presents the state of the environment focusing on several land, treaty rights and toxic exposure struggles on reservations across North America and in Hawaii. Since I met Winona when she was an economics student at Harvard, she has been at the heart of struggles and gains made by indigenous communities, always bringing a keen intellect, diligent research, unswerving commitment, and a broad vision of the whole circle to community and tribal issues.
Because I've known many of the people involved in the essential work LaDuke describes in ALL OUR RELATIONS, it was a personal pleasure to read this book and catch up with what Susannah Santos and her cousins are doing on the Columbia River, be updated on Luana Busby and Melani Trask and the Hawaiian indigenous movement and to get the inside details of the complex political fight Winona's son's father and his people are up aqainst at St. James Bay. But this book will fascinate anyone who cares about our earth, families and communities. It is one to read from end to end, then keep around to re-read again and again.
LaDuke calls the work these tribal communities do to protect their people and landbase from pollution and corporate greed, "soul-retrieval." It is work that we all need to do whatever our ethnic background, since as LaDuke's reportage on the presence of PCBs in mother's breastmilk in the Northeast attests, everyone is affected by what we are doing to the earth. Winona is a mother who has no illusions about how the choices we make as consumers affect the earth and our communities' health. What is most inpiring about LaDuke's writing and life is that she offers solutions. Each chapter not only outlines the problem, but it talks about solutions that are being implemented and suggests others that should be employed. Winona walks her talk. LaDuke has been a strong proponent of wind energy and has worked to engage major corporations like Ben & Jerry in developing wind energy projects on Indian Reservations in South Dakota. Native Harvest and White Earth Land Recovery Project have reclaimed White Earth land and developed sustainable reservation businesses that employ and train White Earth tribal members. Winona LaDuke would be a great President because she is the only public figure who has a sensible plan for economic self-sufficiency, the clarity to explain it to the American people, and the discipline and steadfastness to enact it.

Winona Laduke ran as vice president alongside Ralph Nader. It would be truly amazing if this woman had become our vice president (for many reasons). It is my hope that some day she will be our vice president (or president). Her views on the environment and its effect upon animals and people (particularly babies, children and pregnant/nursing mothers) are exactly how I feel. She expresses these views eloquently in these quotes by Lil'wat grandmother Loretta Pascal, "Where did you get your right to destroy these forests? How does your right supercede my rights? These are our forests, these are our ancestors."(p.5), by Ted Strong, "If this nation has a long way to go before all of our people are truly created equally without regard to race, religion, or national origin, it has even further to go before achieving anything that remotely resembles equal treatment for other creatures who called this land home before humans ever set foot upon it...."(p.5), and by Katsi Cook, "Why is it we must change our lives, our way of life, to accommodate the corporations, and they are allowed to continue without changing any of their behavior?"(p.12). Reading this book you will feel sorrow, and be inspired to action. Most of what was said in this book I already knew a little about, but through this book I understood the depth and complexity of all the factors. I can not recommend this book enough. She tells the truth of our world with a powerful clarity. She tells the stories of many Native American Tribes throughout North America (Canada and the United States, including a chapter on Hawaii). She ends the book with the optimism that it is possible for us to make change, but it is up to us.

To think this woman could be our Vice President today. Most people don't even know that Winona LaDuke ran for Vice President on Ralph Nader's ticket. An articulate and passionate writer, LaDuke presents an awareness of the plight of America unsurpassed by any other. She knows what's wrong. She knows what needs to be done. She knows who is doing the work, how and why. She presents her advocacy as human, heartfelt and real. I learned things about what is happening to this country that I would never have known otherwise. You certainly don't see it in the news, and you don't learn about it in school. We're in trouble, folks, and it's not too late to do something about it. With more power she could have made such a difference! But she continues to work on the issues, and it is so important that more people are aware of her work. Please, please, please read this book. It is the most important book you will read all year.

What a surprise and a delight this book is! The recipes have so far proved fool-proof and have pleased even the most jaded and widely-traveled of our friends. Far more than a cookbook, Argentina Cooks is a nice piece of travel writing. Ms. Brooks brings this country, which gets little press in the US, alive. As a person with an academic background in geography, I truly valued and enjoyed her descriptions of Argentina's regions and the ways that geography and culture have influenced each region's cuisine. She adds just enough info. to enhance the choice of recipes. The black & white illustrations are delightful. Color photos would have been nice, but her writing is so vivid and detailed that their lack takes nothing away. An unusual, useful book on many levels.

I'm a timid cook and hate to travel--but I bought this book. Go figure. I've tried several recipes and they've turned out great. Even though there are many recipes for meat dishes, if one doesn't eat meat, there is still a lot to choose from...side dishes, fruits, desserts. Good chicken and Fish dishes. Lots of very interesting information about the distinct regions of this land and about how their regional cuisine is influenced by indigenous and European traditions. Fascinating!

I am an Argentinian leaving in the United States, after reading this book I shall for ever be in debt to Ms Brooks.
The recipes are authentic, well researched and elegantly presented.
The traveling information is even better.
Please , Ms. Brooks do us honor, again.

I am so glad I chose to expand my culinary horizons via Argentina. It has been a delectable journey exploring a cuisine virtually unknown in the US. I also learned a great deal about Argentina itself. This is a wonderful cookbook for serious cooks--definitely not a coffee table decoration.

We returned from our first trip to Argentina about a year ago. Argentina is great. The food was truly one of the best finds. The food is great - fresh and not spicy. Not what most people from the US would expect. This book came to our attention soon after our return and we bought right away. It is quite a good book. We recognized some of our favorite dishes. For us it was a great find!

I like to travel and to observe the cities, landscapes, the plants and animals and the human inhabitants of the countries I go to. So does Levy-Strauss, and he is a fantastic observer, much more sharp-eyed than I could ever hope to be, and a highly entertaining writer. In this classic he talks about a wide range of observations from a number of corners of the world, but mainly about South America.
The book deals with Levi-Strauss' time as a teacher in Brazil and his trips into the South American hinterland; his escape from Nazi-occupied France; His later expeditions to visit remote tribes in the Amazon; and an assortment of observations about such diverse topics as the frustration of the traveler to never encounter the true, pristine state of a culture, the Indian caste system and the division of public and private space in different parts of the world. The book is full of fascinating anecdotes: My favorite one is how a native chief from observing Levy-Strauss grasped the social importance of writing, but not its role in information storage and transmission. He bluffed to impress his underlings and drew freshly invented line configurations on a paper. This leads Levy-Strauss to observe that from the invention of writing to its universal knowledge a few millennia passed, during which it did not serve to liberate the masses, but to control them. Such wide-ranging philosophical associations are frequent and were very enjoyable to me. The book is, however, definitely not only a collection of anecdotes, but in parts a very detailed description of the life of some of the native tribes he visited in the Amazon. Drawings of artifacts, patterns used in body-painting and photographs supplement the text. We are given both anthropological descriptions of the lifes of these peoples, their social organization, attitudes and material culture, as well as Levy-Strauss' personal experiences when living among them, sometimes his friendships with members of these tribes. Of course these people were strongly affected by the contact with European civilization, often to the worse. We also learn about these developments. There isn't really much direct explanation about his theoretical approaches to anthropology. This is the kind of book which made me wish that I could have been an expedition member of Levy-Strauss' team. Highly recommended.

I often review works which I have read long ago. Upon beginning to write about them I invariably discover how much time I gave to something which seemed so worthwhile at the time, and which I have almost completely forgotten. I then ordinarily do some catch- up learning about the book. And my review becomes an amalgalm of distant past and most recent present impression. And meanwhile the heart of the book is forever unknown to me and lost. And my review is only a minor tracing an impression both of the book itself and what of my mind knew when reading through it.
This certainly applies to my reading of this particular work, ,the one work of Levi- Strauss which I remember reading with any degree of real understanding and pleasure. His making of a life and career as an anthropologist which are a good part of the first part of the work interested me then.
The long travelogue and explorations into Amerindian society and mind, interested me less.
I understand though that the real voyage is into and along with the mind of Levi- Strauss itself, a mind much more complicated than I was ordinarily used to meeting and ingesting .
I do remember however the somewhat majestic tone, the tone of restrained sadness of quiet mourning which seemed to go through the work as Levi- Strauss met with worlds being lost and deterorating , in part through their meetings with the very kind of Western mind he himself exemplified. It is the mind destroying the object in the process of knowing it , as the Western explorers of these tribal societies transformed them out of their own natural state by meeting with them.
For Levi- Strauss and this I remember, the ' primitive mind' is not ' primitive at all' and may be in its linguistic complexity and social structure far more intricate than the ' civilized ' as it were sophisticated worlds we believe we live in.
I read this work as a way of being acquainted with a great mind, a mind which to my mind proved to be quite elusive and even distant.
But clearly the exploration made by Levi- Strauss of his own inner and external worlds is one which calls to the curious human mind and heart in its quest for understanding ' of the other'
Montaigne took a trip in the Brazilian jungle in the twentieth
century, looked in the mirror and saw the face of Levi- Strauss.

One way to gauge who's in among fashionable academics is to read the catalog for the "Writers and Readers' Documentary Comic Book" series. Sartre has an entry, and so does Derrida, and Lacan. Thirty years ago, you would have expected to find an entry in this index for Claude Levi-Strauss. No more. Translations of his principal works appear to persist in print, but the sales numbers are look low, and he seems almost to have disappeared from the trendy book reviews and such. This is perhaps a matter for at least idle curiosity: Levi-Strauss is surely no more abstruse than his magisterial contemporaries - but no less so; one is perfectly willing to be relieved the obligation of ever picking him up again.

With one exception. In style and temperament, Tristes Tropiques is so different from almost everything else Levi-Strauss wrote that it is hard to believe it is written by the same man. Oh, the primitive tribes are there, and a brief personal intellectual history, that offers a bow to Freud, and Bergeson, and Saussure. In my own copy, which I first read about 1980, I even have a pencilled notation "structuralism" - this at page 375 (Pocket Books edition, 1977). But there is almost none of the portentous vacuity that you had to cope with in the so-called "serious" works.

What you get instead is Levi Strauss the raconteur, full of travelers' tales. He dines on roasted parrot, flamed with whisky. The termites make the earth rumble. Virgins are made to spit in pots of corn, to provoke fermentation - but "as the delicious drink, at once nutritious and refreshing, was consumed that very evening, the process of fermentation was not very advanced." You almost expect the anthropophagi and the men whose heads grow beneath their shoulders, that you meet in the Voyages of Sir John Mandeville, Knight.

Laced through it all, you get a kind of austere sadness which is either (a) a tragic view of life; or (b) a kind of self-indulgent posturing, depending on your temperament for skepticism. "Every effort to understand," he says, "destroys the object studied in favor of another object of a different nature." Or: "Anthropology could with advantage be changed into 'entropology', as the name of the discipline concerned with the study of the highest manifestations of [a] process of disintegration."

Well, call me anything the like, they say, as long as you call me for dinner. It might even be an elaborate con. But so, for that matter, might the stories of Herodotus were you get the same mix of the eclectic and the tolerant, the surreal and the sly. Herodotus, we may note, is one of the first great works of Western literature. Let's hope that Levi-Strauss is not one of the last.

This is Levi-Strauss most readable book, and it is a fantastic introduction to the "why" behind his interest in structuralism. There are hints of the various methods and approaches that he uses in later works, but this book shows why he was to develop structuralism in later works. The writing is clever and eloquent, and various conclusions he made about cultural diversity address contemporary concerns in a highly articulate and responsible manner. Read this book before delving into the other writings of one of the 20th Century's most important anthropologists.

Tristes Tropiques, surely one of the great books of the twentieth century, is Levi-Strauss at his intoxicating, idea-overloaded best and an elegy for a world that colonialism and then globalisation have doen their rational best to annihilate.

Levi-Strauss, like most thinkers who come up with new ways of describing the world-- those who Richard Rorty calls "inventors of philosophical vocabularies"-- has of course been mis-read and his ideas mis-applied, as we see with the much-hyped "creation" and then "demise" of "structural anthropology." The real pleasure of this book, which mixes fascinating accounts of Levi-Strauss' travels in Brazil in the '30s with autobiography, and adds chapters on the Maya and ancient Hindu (Indian) civilisations, is in its sheer mass of artfully arranged detail and its endless, provocative play of ideas.

Levi-Strauss stays conversational, descriptive and straightforward, avoiding academic jargon and obscure references. He assumes you know the basics about people like Freud, Marx, Darwin and the Buddha, and then shows you a trip through largely non-industrial societies which unfolds from anthropological description into deep philosophical speculation on the meaning of society and life.

In Brazil, Levi-Strauss watches an illiterate but canny chieftain use his anthropological fieldnotes to intimidate his illiterate tribesmen subordinates, and speculates on the parallel origins of writing and slavery. In Matto Grosso, he meets a butcher fascinated with elephants, since "he could not imagine so much meat in one place." On the banks of the Amazon, a non-industrial tribe is dying, hypnotically lost in the symbolic intricacies of an ancient social system that makes its citizens inbreed. In India, Levi-Strauss watches Islam and Hinduism-- the "locker room" and "mother" religions-- wage symbolic and then real war post-Independence.

The book starts as anthropology, turns into philosophy, and ultimately becomes a critique of the West, driven by "reason" and technology to shake off what Levi-Strauss calls the "thick blanket of dreams" with which non-industrial civilisation arranges the Universe into Meaning, which remains for the industrialised world the greatest and unanswered question.

But Levi-Strauss does not idealise the primitive. His point is that through the study of those and that which are different, a kind of "ideal model" of society-- one which will never exist-- can be built in the imagination, and people can evaluate their world by reference to this community of mind.

This is a remarkable book-- easy to read, engrossing, and endlessly thought-provoking.

Wonderful story. It made me laugh & cry.
A must for cat lovers. Kiska the cat is a great
story teller and helps people see life from their cats
perspective. Shows people as Kiska says "that cats have feelings too."

Fun book. It's even more fun when I know the people and cats included in this wonderful story. I do recommend it to anyone. I do hope I get to see Kiska and her parents again- I miss you. Rain City Cats is also very fun. Looking forward to #3 and all that Pam writes. See ya...

WOW! What an amazing book! It make me giggle at times and other times I was reaching for the Kleenex box! I can't wait for Rain City Cats! I now understand why my cats did the crazy things they did. Kiska explains really well the ups and downs of life through her eyes. It is a great book for both kids and adults. And check out those pictures! Great job Naomi with the pictures. They really capture those precocious kitties! Kiska, thanks for your contribution to kid's literature. Meow!

I really liked the book. I plan on buying the second one. Kiska reminded me so much of my cat cuddles. my cat does all those things to his food if he doesn't like it. I also think Canica became a movie star cat. Because all cats have their own little thing that they do, in your case, Canica lifted his Paw. My cat will stick his tounge out when he is happy. Thank you for coming to my school. from, Robbie

I liked the book a lot, My favorite part was the last chapter. Even though we don't have a cat, Kiska reminded me of one of my neighbor's cats that looks almost exactly like her. I hope to see what happens to Kiska in her next book, and I plan on buying it too.Thanks for coming to our school! Angeline

Some books teach you something new. Some books have you look at things in a different light. This book does both. Before reading this expansive historical work, I viewed the 1863 New York riots as a reaction to the draft. This book shows that it was that and a lot more. Schecter's book analyzes the social-political situation in the United States at the time of the riots and shows how much racial relations and fears, and those who preyed on both, played a role.

This book teaches on so many levels. It serves as a 1) an complete account of the civil disturbance in New York City in 1863, 2) an overview of race relations in the United States during the Civil War and Reconstruction, and 3) a history of New York city in this pivotal time frame. It even includes a travel guide for New York, which includes all the sites related to the narrative. Well written and superbly researched, this book is a great precursor to Eric Foner's works on Reconstruction.

This is the best historical work I have read in the last few years.

Thank heavens for independent scholars!

Barnet Schecter is rapidly becoming one of the best chroniclers of New York's history. His previous book, "The Battle for New York: The City at the Heart of the American Revolution", was an eye-opening revelation at how this city was the true "heart" of our separation from England, and how we (and Boston, as well) were that country's main target for conquest in 1776. Utilizing the same narrative style of writing, Barnet Schecter tackles the week-long convulsion in New York City four score and seven years later.

"The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America" fills a void in most histories of the Civil War: the fighting that took place OFF the battlefields of Pennsylvania, Virginia, Maryland, etc. These were the wars that were waged in newspapers, city halls, and, ultimately, the streets of major cities across America. Mr. Schecter is careful to explain that the New York City draft riots were not the only anti-war, anti-emancipation riots during the Civil War. But it was the largest. It was the worst. (While most New York historians claim that around 100 people were killed during the riots, Mr. Schecter rightfully, I believe, puts the number at 500, at the very least.)

The actual riots occupy only the middle one hundred or so pages of the book. Mr. Schecter devotes an appropriate amount of time to examining the roots of the riots: the racism, the class animosities, the mistrust between Nativists and immigrants, and so on. In the weeks and months immediately before the cataclysm, we see battle lines being drawn: Greeley vs. Marble, Democrats vs. Republicans, poor whites vs. poor blacks; in fact, it seems like it was almost everyone vs. the beseiged African-American population. When the five days of rioting are discussed, the sense of prevailing confusion and chaos--the near anarchy--are as expertly conveyed as the awful scenes of violence. The final third of the book is, in many ways, more tragic than the uprising. It is here where Mr. Schecter discusses the aftermath of the riots over the next two decades. Basically, the reconstruction of America fails. The North and the South do not fully unify. The working class does not get the respect it deserves. (Instead, it is treated with more brutality and unfairness.) Worst of all, African-Americans are not truly emancipated. The enmity and violence visited upon them, because they are never addressed, just worsens. And why were they never addressed? Mr. Barnet just comes out and says it: because most people never really wanted to. Therefore, it would takes decades before America would heal or truly reconstruct.

"The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America" is a sobering book, true, but it holds our fascination. The details about the quirky politicians, newspapermen, observers and participants breathe life into people who have been dead for almost 150 years. The maps and generous sprinkling of illustrations help us see the people and places more clearly. This is a monumental book for which Barnet Schecter deserves our appreciation.

Also recommended: Iver Bernstein's "The New York Civil War Draft Riots". Although not written in a narrative style, it contains valuable information about the causes of the riots. For a fictional treatment, Peter Quinn's novel, "Banished Children of Eve" is the best I have ever read.

Schecter's book is a great read that clearly explains the New York City draft riots and the political and ethnic issues that simmered to the point where in July 1863 Irish immigrants protested and rebelled against what they saw as an unfair draft system that had been put in place allowing $300 commutation fees and a recent Emancipation Proclamation which caused them to fear the loss of their jobs to newly freed slaves coming from the south.
It's an excellent book about a rarely discussed topic in our nation's history.

This is a good book that seeks to help desanitize and demythologize American history. Racism is and always has been an American problem, and not relegated to one region, or for that matter, one race. I think a good book to read with this one is Tom DiLorenzo's brave THE REAL LINCOLN, now available in paperback. It does something to show Lincoln's virulent racism and should act as a supplement to THE DEVIL'S OWN WORK.

Barnet Schecter's magisterial study of the five day insurrection that erupted in New York City, "The Devil's Own Work: The Civil War Draft Riots and the Fight to Reconstruct America", is one of those historical accounts that illuminate more than just the times the work is set in. By providing a multilayered analysis to the issues that marked this breakdown of social order, and through a deft, perfect-pitch, use of basic sources, Mr. Schecter lets the contemporary voices of those living through these events and, at times, driving them, speak for themselves. The result is a tableau of compelling immediacy that is rarely seen in a historical study. Some of the expected characters are here: Lincoln, Seward and Lee, etc. but it is the less well-known characters of that era that permit the real force of the book to be felt. By knitting together and contrasting the recorded dialogue of the restive ferment of the slums of New York and Boston with the tense interchanges originating in the mahoganied board-rooms of these same cities Mr. Schecter recreates the social tensions of these turbulent times. With what seems to be an unerring sense of how the character of a subject will define for him the peculiar social reality that he may act in, we meet figures who by virtue of the author's skill and sympathy are never rendered as simple, one-dimensional heroes or villains. Landmark works in any field of study require that a sense of scope, sensitivity and balance be observed throughout the effort. But such traits alone cannot mark it as memorable. For this the electricity of personal exchanges in statehouses, boardrooms and back alleys must be captured in their raw force and then be woven in into a narrative that flows with seeming effortlessness, from it its own momentum. This is what Mr. Schecter has accomplished.

A nicely researched and insightful biography of Florence Lawrence, one of the most shadowy yet important figures of early cinema. Many things about Florence's life and career will perhaps always remain vague, but Kelly Brown gives a worthy account of America's "first movie star." It is refreshing to know that Flo is finally getting the recognition she deserves. This book is a must for the true film buff.

This slender volume is fascinating because it finally paints a well-researched picture of the long forgotten Florence Lawrence. I've always been fascinated by her after seeing publicity stills of her from the mid-1900s. She appeared to be warm, charismatic and fascinating. Her greatest tragedy is that none of her films have been shown in eighty years. I have one of her shorts, "Flo's Discipline" which only lasts about twelve minutes but it gives you a hint of how dazzling she was before the cameras. While her cohort, Mary Pickford, went onto a spectacular career that included mind-boggling salaries and a world-famous Hollywood castle, Pickfair, poor Lawrence was living in a small, hotel room, being paid a few dollars a week as an extra at MGM. Her life would make a wonderful movie--and a cautionary tale about the pitfalls of how fleeting fame is, and how fickle is the public when it comes to remaining faithful to the flavor of the month.

Florence Lawrence was an enigma I had always wanted to know about, having been interested in silent films for many years. Information on her was scarce, save for some still photographs in silent movie history books. Kelly Brown really did her homework, in what must have been a difficult task, digging up information about a star whose heyday was almost 90 years ago! Congratulations, Kelly, on a job well done! I can't recommend this book highly enough!

I always enjoy a good biography, especially those of the nearly forgotten silent screen stars. This biography of Florence Lawrence was well researched and had many wonderful photos. The author did a good job with the resources available. Most of the films and people involved in silents are gone now, so the job is doubly difficult. Although pricey, this biography is well worth reading.

Florence Lawrence was "big" before there were movie stars. She was the original "Biograph Girl" before Mary Pickford was given that name by movie fans. After losing her job at Biograph, she was hired by Carl Laemmle's IMP company (later Universal). As a publicity stunt, Laemmle started a rumor that she was dead. Then she made a personal appearance in St. Louis and was mobbed by fans.

Unfortunately she was pretty much out of work in five years. Poor managemet by her husband Harry, as well as a painful injury forced her into bit parts. She was still acting in very small parts into 1938, when she gave up on life and committed suicide.

Kelly Brown has done an incredible research job. Using Florence's surviving correspondence, as well as trade magazine artices and advertisements, she has reconstructed Florence's life. The book has many footnotes noting sources, and there is a very detailed filmography. Instead of a book full of dry facts, Ms. Brown keeps Florence's story interesting. If you are interested in early cinema, or even important women actresses, you should definitely read this book.