New York Books

This book was published the year I married....I received SIX copies as shower gifts! It was a sign....I was destined to use this cookbook forever. And, so far,that has been the case.
I have found very few recipes to disappoint and many to thrill. The steamed lobster with ginger and scallions is always amazing-especially with lobster fresh off the boat. Singer's stuffed lobster is excellent, though not for the squeemish as you need to kill the bugs before you cook them. Jerry Giorgio's stuffed mussels are also a crowd pleaser.
A friend recently cooked Chicken Adobo for our book club and everyone took the recipe home. Katherine Hepburn's Brownies are delicious and a perfect end to every picnic. And where else was I to look when assigned to make matzoh ball soup for my daughter's kindergarten class?
If you love to cook, you will love this cookbook.

Molly O'Neill's New York Cookbook is a celebration of the New York Food world. She is the food columnist for The New York Times Magazine and spent five years working on this amazing book. The first recipe I tried was "Katie's Café au Lait Cheesecake with a Mocha Crust." The ingredients looked delicious with cinnamon and chocolate wafers for the crust and a rum and coffee flavored filling. I made it for Easter and everyone was very impressed.

Since the author is a food columnist I knew she would be selecting winning recipes and so I felt confident enough to make the recipe for a big occasion without even trying it out at least one time for myself. I was very pleased with the results and can recommend the recipe to you for any occasion.

Whether you are interested in trying lots of new recipes or you just enjoy reading cookbooks, the New York Cookbook has so much to offer. Page after page of delicious information mingle with the even more delicious recipes. Some of the fun recipes include:

New York Penicillin - a chicken soup made by Aunt Marie Stacey. This stock/soup is then used in a variety of recipes and is very easy to make.

Irish Soda Bread - Make two loaves of bread in no time at all.

Simple Fresh Tomato Sauce - The perfect sauce for pasta made with fresh tomatoes, onions, garlic, oregano and a little brown sugar.

Shrimp Fried Rice
Shish Kebabs
Meat Loaf
Rosemary Chicken
Chicken Paprikas
Pan-Fried Sole
Yoko's Japanese Salad Dressing
Marrakesh Carrots

Some of the sweet treats include: "Coney Island Fudge" made with cream and semisweet chocolate, "Zoe Morsette's Oatmeal Macaroons," "Aunt Olga's Cardamom Cake," and "Katharine Hepburn's Brownies." If you love ice cream, you may want to try out the recipe for Hot Fudge Sauce and Butterscotch Sauce.

A few of the highlights in this book include:

Food Walks - Wander through food markets
A Few Essential Ingredients in Italian Cooking
Manhattan Clam Chowder
In Search of New York Steak
A Trip Down Menu Lane
Festivals

The New York Cookbook is an extremely well-researched feast that will satisfy the cerebral appetite as well as please your family and friends when you try out the delicious recipes. These recipes have been created by some of the best cooks in New York and you can use them with confidence, knowing you are making something wonderful for dinner or dessert. This cookbook was a wonderful gift from a friend who loves visiting New York and I already have plans to buy copies for friends and relatives. This is a highly collectible cookbook with recipes you will look forward to making year after year.

~The Rebecca Review

As a native New Yorker, I consider this a classic ... wonderful anecdotes and recipes from a vast array of people who live in the city. Molly's affection for the city is evident (her brother, Paul, played for the Yankees), and her knowledge of both food and the city makes this cookbook a gem.

This book has the best spaghetti sauce recipe --my husband and I loved it--it was a way to bring NY cooking to Hawaii since there are not many good italian restaurants out here like in NY, which I miss. On the downside, not all recipes were good. For ex, I did not like the Madison Square burgers nor did I like the Pad Thai noodles (I tried recipes from Keo or Cooking light for Pad Thai which were better). I will try some more recipes from this book and hopefully will have better luck.

Cooks Magazine recommended this cookbook as being very authentic. I bought it because of their review. They were absolutely right. The recipes are original/authentic New York complete with history and original photos. It's a great read even if you never make any of the recipes.
I highly recommend this book.

I grew up on the south side of Chicago during the 80s and had many friends who were "taggers" and got up every chance they got. They had spray-cans, hollowed-out deodorant sticks somehow replaced with ink, fat markers, Griffin, and who knows what else. Though I myself wasnt a graffiti artist or writer or tagger, this book is a great ride down memory lane for those of us who grew up on the streets. For those of us of a certain age, this book, "Subway Art", along with movies like Breakin' I AND II, Beat Street, original hip-hop and old school house music were all of a specific time and place. This book will make you want to break out the Pumas with the fat laces, bring out the tile and start back-spinnin', but it is also one of the the earliest, most definitive and detailed books on graffiti ever.

Wow, this book just took me back to my days in the Bronx and the 2 line.
All the greats are in this one..Doing those T and B's and hitting the yards, and dodging the DT's Now those were the great days of the BRONX.
Long live
MIKE170..TAV 1..ALE..AJAX..SUPER SEX..BLADE..COMET..FUZZ..POPEYE..
MIKE 170....

I started doing graff back in the late 90's; I was 14 at the time and to be honest with you; like all great writers we were all toy's at one time but has time went by and we got better with our skills, we all have read this book at one time or another. On with the book review.
This book is just simply AMAZING...you have old school pieces from the Godfather of Graffiti: SEEN, BLADE (which he has painted 5,000 trains during the golden age of the MTA in NYC; since I saw the graffiti scene on the trains at the tender age of six and seven in NYC, I was simply amazed at that age on how people could sneak in at night and do this with spray-paint but I digress), LADY PINK, and the list goes on. If your just starting out in graffit, this is a great book on to connect letters, bubble letter's, block's, and some old school color schemes, though I would not call it the Bible of Graffiti, it is pretty darn close to it. Check it out.

This classic book, along with "Broken Windows: Graffiti NYC" is all you need to know about NYC graff. Anyone up needs both of these books. Knowledge is king!

Subway Art. What can I say? This, Style Wars, Beat Street, Break Dance... they all had their influence on me (& a whole generation) back in the day.

Hip Hop isn't what it used to be, though. Most of what we hear these days is mixed up with R'n'B, commercialised, repackaged and shipped for your dissatisfaction. If you ask me... when it comes to Hip Hop, stick with the old school.

I was brought up in Melbourne, Australia, and did quite a bit of graffiti there during the 1980s. Melbourne had plenty of weird & wonderful characters who were into graff back then. The vast majority have gone their separate ways. But there's always the rare psycho who's still bombing (I'm not referring to the younger generation - but to old school dudes who are still around). There's also those who got into graphic art and made a career for themselves out of graff.

I recommend checking out some of the original Vaughn Bode cartoons for yourself through a simple Google search.

Additional to this, I recommend Getting Up: Subway Graffitti in New York" by Craig Castleman. It has some pictures of trains and so on, but it is more for the reader. A copy was stolen from a local library near me - go figure.

And if you're ever in NYC... Check out the Hall of Fame. It's located on the corner of 106th Street and Park Avenue.

A friend of mine from the Bronx told me about this book, and I'm glad she did. This if a beautifully written story that gets at the truth of both the time and the heart. The Bronx is a place that seems mythic and all too real to me and this writer keeps both of those images alive.

I loved this book. It gave a shape to Pearson's life and let me understand that there is a shape to all of our lives. It's just up to us to find the meaning that is there for us notice.

For me Dreaming of Columbus read more like a novel than a memoir. I mean that as a compliment to the writer. The story had the feel of fiction to it, as if you could see inside the characters lives and enter the story for a while. I loved it.

Michael Pearson has the right idea, but the ideas that are gathered into the book are a little disjointed and fractured. If he could smooth out the stories so that blend one into the other, the entire book would read better.
On the positive note, Dreaming of Columbus would definitely stir memories of the neighborhood for those growing up in that part of New York. He does have some descriptive stories of people, places and landmarks in the book that are entertainingly delightful.
If you are a Bronx native, I would recommend this book so you can remember things you may never see again.

Despite the images of sea voyages inspired by its title, Dreaming of Columbus is not the story of a young man spending his salad days in exotic, foreign settings. Instead, Michael Pearson takes the road less traveled and keeps his story closer to home. The reader looking for journeys will not be disappointed, however, in the imaginative way the Pearson uses literature to break away from the confines of the Bronx and the unpredictable, bourbon induced, violent outbursts produce by his father's rage to live. Although Pearson engages in excessive epigraph dropping, the means by which literature provides an avenue for escape adds a universal element to his narrative from which we call all learn something about the art of bridge building.

I own/buy a lot of cook books but this is still my number one favorite!

This cookbook is an updated version of and replaces the New York Times Cookbook that I lost in the post-Hurricane Katrina flooding in New Orleans. It feels like a replacement for an old friend with the recipes I most enjoyed still there plus some additional ones.

This is the one greatest cookbook I have ever owned. There is nothing in it that doesn't come out perfectly! I had lost my copy in moving, and purchased it again. Try the Cod Provencal, even you hate anchovies!

Several years ago, I went on a cleaning spree and ditched my falling apart copy of the New York Times Cookbook. What a mistake! It is the most wonderful cookbook I've ever used. Unfortunately, I couldn't recall the title (hard to believe), and have been without this gem for too long. Thanks to the Amazon "Look Inside," I was able to read the index and identify my old friend. I can't wait to try the Madras Chicken Curry and Kung Pao Shrimp with Cashews again. Try this book for yourself - you'll want to hold on to this one!

This book is full of recipes that aren't difficult to make.

I own more than 300 cookbooks, and this one is used all the time by me.

There are NO PHOTOS, which is fine by me. I don't need photos to cook.

Every single thing I have made from this book comes out AMAZINGLY good.

NYT also made an international cookbook. The two together are a lovely gift....such a practical book.

Best photography book about we human beings covering pictures about love, marriage,birth,childhood, growing up, work, getting along, war, and old age.
It is truly well done and my favourite for myself and to give as a gift to someone you care about, who is interested in humanity.

Great book! I grew up with it, and rediscovered it just now. Wonderful!!

This is my favorite book. I purchased it when I was 18, and loved black and white photography. I am now 65, and still see the same basic beauty in the photographs. It's not about the 1950's, or showing American culture. It shows how universal and similiar all people of all races and cultures are. It shows young children playing, people falling in love, weddings, births, hard work, wars, death, grieving, and even hope from various people and countries from our planet Earth. One family. One people. This is a collection of love, not about a specific time, or place, or our differences. This is a book that shows our skin colors, clothes, and countries may change; but we are all the same.

I am so glad Family of Man is still available. I would also suggest that in conjunction with this book, you offer Family of Women, and Family of Children.

I first found this book at Foyle's in London, about 35 years ago, and it struck me. Since then, I bought five copies of the Family of Man, but no one remained in my home, because ever I felt the need to give this book to someone I loved or trusted.
What is making this book so precious to me?
First the idea itself of collecting pictures from the whole world (remember, when Steichen launched his project, the Cold War and the related hysteria was at its peak). This to demonstrate that all the human beings have to pass through the same events in their life: birth, growth, education, emotions, work, love, children, reflection, death. This apparently trivial concept leads to a conclusion by far less trivial: we all do belong to one family, our species, the humans (by the way, this thinking had not so great success in the past, nor the present seems to be more benevolent).
The Family of Man is exactly the visual demonstration of such a concept, by comparing the same events as viewed from different geographic and cultural perspectives, by means of photos from renowned or unknown photographers (of course, the pictures from the US are prevailing in numbers for logistics and statistical reasons: it was by far more simple for an US photographer to even simply receive the news of the Steichen project than for a photographer in Rwanda or in the USSR).
Steichen and his assistants made an impressive selection, shortlisting 503 pictures from the over 2 million they received. By the way, Steichen was a photographer, and his selection also considered the aesthetic side of the question: most of the pictures selected simply are wonderful.
The result is this book. I think no one on this planet can miss it, because The Family of Man is representative of a large part of our culture and on our very nature.
To give an example, in my opinion this book is at the same emotional and rational level as Homer's Odyssey, Dante's Divine Comedy, Melville's Moby Dick, primo Levi's If this is a Man, or the ancient Greek lyrics, to quote some comparisons.
I hope it will continue to be published; we, the humans, desperately need it.

Michael Shapiro does a superb job not only of capturing the excitement of the Brooklyn Dodgers' last pennant-winning season but also of explaining just what the Dodgers meant to so many Brooklynites. Set against the background of the Walter O'Malley-Robert Moses negotiations that would determine the fate of the Dodgers, Shapiro provides logical proof that it was not O'Malley's intention to move the ballclub but that Moses kept making a fool of him to the point where remaining in Brooklyn would have been rather humiliating for O'Malley.

Though never elected to any office, Robert Moses was the most powerful official in New York City in the late 1950s. His power was further enhanced by the fact that the Mayor at that time, Robert F. Wagner Jr. was both lazy and indifferent, and would not have gone far in politics except for the fact that his namesake father was a very popular U.S. senator. If O'Malley was going to get the land and permits to build a new ballpark, he was going to have to go through Moses and Moses couldn't have cared less as to what became of the Dodgers.

O'Malley tired desperately to be taken seriously by Moses and the NYC politicians to where he even had the Dodgers play seven "home" games in Jersey City in 1956. In the end, the Dodgers moved to Los Angeles, not because O'Malley plotted to take them there but because L.A. politicians eagerly and actively courted O'Malley to move to their city while their New York counterparts, especially Moses, gave him the brush-off.

O'Malley wanted to build a ballpark at the junction of Flatbush and Atlantic Avenues, where multiple subway lines and the Long Island Railroad converge. Moses at first wanted O'Malley to build a ballpark in a hard-to-reach part of Bedford-Stuyvesant and later proposed having the city build a ballpark on the site of what is now Shea Stadium. Anyone familiar with Brooklyn knows that if you're riding the subway, it's easier to get to Yankee Stadium from Brooklyn than to go out to Flushing Meadows, where Shea Stadium is.

In any case Los Angeles made O'malley an offer he couldn't refuse--300 acres in the heart of the city, where multiple freeways converge. New York officials made no effort to compete as Brooklyn didn't count for much in their eyes. When the Mets were created a few years later there was no question in their minds that they should represent New York and use the orange "NY" logo formerly used by the New York Giants, rather than the Brooklyn Dodgers' "B."

50 years have now passed since the Dodgers moved, and Walter O'Malley has been elected to the Baseball Hall of Fame. The ballpark he built and paid for (which opened in 1962) remains one of the most beautiful and popular in major league baseball. Shea Stadium, on the other hand, built by Robert Moses with taxpayers' money and opened in 1964, will soon be torn down. What is more, New Jersey Nets owner Bruce Ratner is currently trying to arrange to move his NBA basketball team to that same junction in Brooklyn that O'Malley originally wanted.

Michael Shapiro is an excellent writer and his book is highly recommended!

This book probably doesn't get the sales or the attention it deserves, because the title and the cover make it look as if it's intended just for baseball junkies. But it's far more than that. In just 332 pages, Shapiro tells four stories:

1. The story of the National League pennant race in 1956.
2. The story of why the Dodgers (and therefore the Giants as well) decided to move to California in 1958.
3. The social, demographic, and economic changes that Brooklyn (and, by extension, much of urban America) experienced in the post-World War II era.
4. Thumbnail sketches of the personal lives of the core players in the Brooklyn Dodger lineup from 1947 through 1956.

None of these four themes is given short shrift. Furthermore, Shapiro has organized this book beautifully. He seems to have done a perfect job in choosing exactly where to break the narrative of the Dodgers' wins and losses, and insert a section about the changing character of a neighborhood in Brooklyn.

Not only that, but Shapiro's writing is superb. Here is his account of the last pitch of the last Dodger game of the regular season - a game they had to win in order to clinch the championship, with Dodger Don Bessent pitching to Pittsburgh's Hank Foiles:

*****
Don Bessent went into his windup. The last thing he thought before releasing the ball was, he later said, "Tight, keep it tight."

Hank Foiles swung. The next thing he heard was the thud of the ball in Roy Campanella's mitt.
*****

You don't have to be a baseball fan to enjoy this book. You just have to enjoy good writing and a wonderful story, wonderfully told.

I have long been interested in the old Brooklyn Dodgers, having read multiple books on the subject. This is among the best. First of all, it is an excellent read. There is plenty of baseball included in its pages, and the Dodgers teams of the 50s were always interesting. But I learned much more than I expected from this book about the politics that led to the team's move to California. It's too bad the franchise couldn't have remained in Brooklyn, but the reasons they left were different than I would have imagined. The book also paints the picture of a post-World War II New York that was rapidly changing. As a lover of baseball, history and baseball history, I thoroughly enjoyed this book.

Wow. First let me say that I'm not a Brooklyn resident or a Dodger fan and picked this book up without knowing anything about it. The book turned out to be one of the best baseball books I've read in quite some time.

I was drawn into the book immediately. It is clear in the Prologue that Shapiro is a very good writer and that the book is as much about the fifties and Brooklyn as it is about a pennant race. The book is enjoyable on both fronts.

Shapiro does a great job of weaving a portrait of the changes going on in Brooklyn in the mid-fifties and giving younger readers a good idea of what it was like to grow up in that era. It is clear that Shapiro has done quite a bit of research and I think the reader really gets a good look into the personalities of the players and other characters in the story.

Any fan of baseball history will do himself a favor in buying this book. It truly deserves more acclaim than it has received.

THE LAST GOOD SEASON, by Michael Shapiro, earns itself a provisional rating of FIVE STARS in my mind, based primarily on the quality of the writing (which is uniformly excellent) and the depth of the research (which, within limits, is exhaustive). Yet the book deserves, like Roger Maris' "61*", to be only a qualified ***(**) success.

Much of that qualification comes from Shapiro's heavily touted and slanted thesis that Dodgers owner Walter O'Malley was not responsible for the Dodgers' departure from Brooklyn in 1957, after Robert Moses refused to build a replacement for the aging Ebbets Field.

Shapiro's grasp of the facts regarding Brooklyn is somewhat fuzzy. He says, "Jews went to Midwood [High School], poor blacks to Jefferson." Yet in the Dodger era, Brownsville was predominantly (70%) Jewish. It was not until later that Brownsville became a black neighborhood. Shapiro waxes rhapsodic about Midwood (his childhood home?) but slights the rest of Brooklyn. He admits that by the time he became aware of the Dodgers they were gone. Ironically enough, even while granting O'Malley absolution in absentia he makes and supports every argument as to why the man did not deserve it.

Shapiro blames, among other things, "white flight" for the Dodgers' relocation, but then argues that fans come in all colors. It's as if, in pardoning O'Malley, he is trying to convince us of something he really doesn't believe himself.

According to Shapiro, "Robert Moses is the bad guy in this story." This is an incredibly strong statement, particularly since Shapiro admits in many places that O'Malley was mendacious, that he was arrogant, that his plans for a new Buckminster Fuller-styled stadium seemed, at best, to be for public consumption only (O'Malley stole the scale model from the actual designer, Billy Kleinsasser, and used it without permission or recompense at public events), that he dealt with player and staff salaries in increments of hundreds and thousands of dollars not hundreds OF thousands of dollars (i.e., star pitcher Preacher Roe claims his highest Dodger salary was a paltry $28,000.00 in 1955), that he did not understand the "Little People" who were Dodger fans, that he once (as a youngster) traded a stack of Dodger baseball cards for one Giants' Christy Mathewson, that he fined employees who mentioned Branch Rickey's name in his presence, and, in short, that he was not really a fan of the team he owned.

Shapiro wants to paint horns on Robert Moses' head, and in some sense they do belong there, but not necessarily in the sense that Shapiro would prefer. Like the Master Builders of Ancient Egypt he had virtually unlimited power in his sphere. The ironically-named Moses was a man with a vision for New York, and he set about creating that vision of shining, rising buildings (such as Lincoln Center), vast bridges (the Throgs Neck, the Whitestone, The Triborough, and the frighteningly huge Verrazano are all his), and endless parkways (as a sampling, the Cross Island, the Belt, the Northern State, the Southern State, the Meadowbrook and the Wantagh) linking New York City and its expanding suburbs in a net of urban development. Yet this visionary had pathological flaws. Monomaniacal in his sphere, he had no compunction about unilaterally razing hundreds of city blocks, evicting tens of thousands, and altering the neighborhoods and neighborhood patterns of New York without a thought. Such changes brought other, unanticipated changes---the "through" expressways of The Bronx relegated it to a kind of backwater status accelerating its descent into slum conditions, and Moses' chopping up of neighborhoods in Brooklyn balkanized the Borough into a patchwork of disconnected rich and poor enclaves. Moses was more successful on sparsely-settled Long Island and in Westchester, where his road network created rather than changed demographic patterns.

When these two prima donnas met head-to-head, they treated each other with barely-concealed contempt. Although Moses was at first favorably disposed to a new stadium in downtown Brooklyn, this agreement soured within days. Without access to O'Malley's papers (which he was refused by the O'Malley family), the reason for this sudden souring is unknown, and ripe for speculation. Moses pressed, at first, for a new stadium in Bedford-Stuyvesant, a declining neighborhood; O'Malley refused. Moses promised him a new stadium in Flushing Meadow, Queens (the future Shea); again, O'Malley refused, declaring that the team was to remain in Brooklyn---he countered with an offer to build in Brooklyn, on the site of a ramshackle meat market. Moses refused to condemn the property (a first for him).

This bickering was never about questions of civic-mindedness, fan appreciation, nor humanitarianism. This was strictly a personal issue between the two men that affected millions of people.

While this was going on, the 1956 Dodgers struggled successfully through their World Champion season. Shapiro's snapshot of the team is far more detailed than his portrait of the politics, and is a joy to read. Shapiro is at his best as he describes the dynamic tensions that existed between the various Dodgers, the great negotiator of personalities, Pee Wee Reese, and their fanbase. It is clear that Ebbets Field was no longer a suitable home, at least without major modifications. Parking was very poor, a serious concern in the emerging era of the suburban commuter fan; the stadium itself needed to be revamped, the plumbing fixed, the seating rearranged. Still, Ebbets Field was only 45 years old, and was a solid structure, despite its flaws.

If O'Malley was indeed "desperate to stay in Brooklyn" as Shapiro posits, then why weren't his efforts directed toward staying? Why was he engaged in a stalemated battle of wills with Moses over a new stadium? Perhaps O'Malley simply wasn't "desperate" enough. Certainly, Yankee Stadium and Fenway Park still stand in less than desirable locations, but they draw dedicated fans nonetheless. Had O'Malley spent a part of his considerable fortune buying up some surrounding properties and building a parking complex, and then incrementally improved Ebbets Field with better seating and new amenities, the Dodger fanbase would have continued to travel to Flatbush.

O'Malley did not do this. He wanted land, and a lot of it, on the cheap---had Moses condemned the meat market, O'Malley would have bought the property for pennies on the dollar, a very attractive possibility to a man who squeezed a penny hard enough to put a permanent wave in Lincoln's beard. Los Angeles offered him that and he jumped, literally across a continent, to get it, taking his team about as far from Brooklyn as it was possible to go in his desperation to stay. Yet, if he'd REALLY wanted to stay, Flushing Meadow beckoned. And despite the fact that Flushing is not Brooklyn, the New York football Giants play in New Jersey's Meadowlands and still remain a New York team (the O'Malley-inspired move of the baseball Giants from Manhattan to San Francisco is another issue). In 1957, many of Brooklyn's fans were Long Island transplants, and more would be as time passed. Queens, while not the best of all possible worlds, would have been a convenient waypoint for fans from the old and new neighborhoods.

For that matter, had either O'Malley or Moses given a damn about Brooklyn, they would have cooperated in building a new stadium and reinvigorating Brooklyn. Neither cared to.

"Walter O'Malley was not a bad man. He was devoted to his wife and his children loved him," Shapiro points out. That's nice to know. But O'Malley was also an S.O.B. in business. The two are not mutually exclusive. "Only a sentimental man," Shapiro writes, "would have stayed." Maybe so. But the Dodgers and the Dodger fanbase needed a sentimental man, they needed a fellow fan, they needed a man who loved the team and who loved Brooklyn. What they had was Walter O'Malley, who saw the team merely as a moneymaking concern. O'Malley's actions speak for themselves, regardless of Shapiro's revisionism. And if O'Malley was "not unique" among team owners but merely "so obvious" about his profit motives, the blame is still his for eroding the spirit of The Game, and beginning the slide to where we are today in baseball with its overly mobile nonentity franchises, bloated payrolls, stars on steroids, cupidity and stupidity, and fan disinterest.

In the face of necessity, sentiment oft-times does not serve. But in circumstances of choice, such as faced by the Dodgers, sentiment can be a hedge against callousness.

What O'Malley (and Moses) failed to grasp is that a ball team is more than an agglomeration of men in uniform standing around in an open field. He (they) failed to grasp that a baseball game is more than just nine innings and a cold toting of runs, hits, and errors. It is a conversation at a water cooler, a friendly argument over lunch, an invitation to meet at the ballpark on Saturday afternoon for dogs and beer and a chance to see The Duke of Flatbush. It is a sense of neighborliness, a sense of pride, and was---still is---an important part of Brooklyn's special identity.

As Roger Kahn says in The Boys of Summer, "In the best of all possible worlds the Dodgers would be in Brooklyn and Los Angeles would have the Mets."

That's as it should have been.

I recently took a trip to NYC and I got this and a few other maps in advance to get to know the layout of the land. This is an excellent, detailed close-up map. It would be especially helpful for those who are moving to NYC or are there on a long trip.

If your new to visiting New York or you have been there before, this is great to have on you. I found a copy at my local library, wanted one for my trip, no one else had any in stock. Needed it in a week and Amazon delivered in two days. This is a great book, it has everything you need.

In this city, knowing EXACTLY where you're going is valuable because we are on foot most of the time: it's important to be able to plan what subway and/or bus combination it will take to get to a destination without extra walking/trudging about the city aimlessly.

Having every single major building number marked on this street atlas is also helpful as I am not the type that does the "formulas" found in the tourists' books to determine cross streets based on building numbers.

I have lived in NYC over 5 years and am astounded by the value this little book has. Buy it so you know where you're going in NYC!

I purchased this earlier this year, just prior to my trip to New York City.
It was really handy, especially considering it's size.
It's really easy to read, and it makes using the subway simple.

The street numbering is also very handy.

I bought this weeks before my vacation in NYC and it helped in my planning - AND it was invaluable during my stay. The bus maps were highly useful (tourists: take the buses, it's a great way to get from point a to point b) and having the building called out is great. The varying levels of detail are also great. I can't say enough good things about this book. Also, everyone I have shown this book to (both tourists and native New Yorkers) loves it.

The Golden Milestone uncovers the most amazing facts about Italian and Italian-American accomplishments. It is a very unique book that covers just about every subject. Great stuff and fun to read. We also used the book's "Italy Travel Guide" that is included as a supplement for our trip to Italy this year. Read this book and pass it on. It is refreshing to read the positive things instead of stereo-types that the media usually servers up about Italian-Americans. Thank you Mr. Esposito for writing this book.

This thoroughly researched, masterfully written, and fascinating book is truly an encyclopedia of accomplishments from Roman times right up to the 21st century. The book lists countless fascinating facts from Roman, Renaissance, modern Italy, and Italian Americans. It also lists 19 Nobel Prize winners. A great review of somewhat forgotten information about Italian heritage, that is assembled and at your finger tips for reference. A refreshing change from the negative stereotypes offered by shows like "The Sopranos."
Read this book and give it as a gift.

This book is a great review of significant Italian and Italian-American accomplishments since the beginning of time! It is full of information that you may already know in the back of your mind, but the book clarifies it and recognizes the individuals instrumental in the contribution. The author inserts a little of his own humorous antidotes along the way. All in all it is a very interesting book. It would be good for students of any age to learn an overall view of the subject matter. Any reader should be both amazed and entertained!

There is no way to describe the amount of in-depth research on so many interesting subjects in this book. Well written, researched and organized. I got it as a birthday gift and couldn't put it down. It's mind-boggling how anyone could have done so much in-depth research. Amazing stuff that wont disappoint any reader interested in the origins of inventions, artifacts, conventions, foods and traditions, as well as biographies of many famous entertainers and sports personalities. For me, the book's chapters on architecture and American government alone make the book worth the price. Read it and share it. Something for everyone in your family to explore and discover.

Book Description (from Amazon's Editorial Reviews section)
This highly acclaimed and uniquely comprehensive book offers readers over 2500 years of Italian and Italian-American accomplishments. The book's 22 chapters cover every subject: art, architecture, music, fashion, science, law, culinary arts, economics, medicine, automobiles, the entertainment industry, sports, and much more. The author's ability to blend facts, with some humor and personal anecdotes makes this book a joy to read. The book covers the wonders of ancient Rome, Renaissance Italy, as well as modern contributions and Nobel Prize winners. The book is illustrated and contains an astonishing collection of inventions and accomplishments. For example, Italians invented the piano, violin, opera, ballet, battery, telescope, radio, and telephone in NYC years before Alexander Bell. Discover how Enrico Fermi ushered in the atomic age, and how Italian sculptors carved the Lincoln memorial in Washington D.C. Explore the chapter on Literature to uncover the origins of many famous fairy tales (Cinderella, Snow White, Pinocchio, etc.). In the chapter on American Government, the author quotes John F. Kennedy who wrote in his book, "A Nation of Immigrants" that the great American principle, "all men are created equal," originated with an Italian physician, Philip Maezzi, who was a personal friend and neighbor of Thomas Jefferson. Also, learn about many other distinguished personalities: NYC Mayors, the former Chairman & CEO of the New York Stock Exchange, the President of the European Union, and the Director of the European Space Agency. The Golden Milestone has thousands of notable entries and fascinating facts. Critics agree. It is a must for anyone's library.

This book also includes a unique `Italy Travel Guide' supplement that combines history and attractions for over twenty cities and locations in Italy. A great virtual tour!

Superbly researched, detailed, and precise. In 22 chapters the author proves his points. He sometimes got overly preachy, but with all the negative stereotyping of Italian-Americans by many in Hollywood and the media I can sympathize. It is one of the most organized books I've ever had the pleasure of reading. From the Roman Republic to the present, Italian contributions to Civilization are described. It also contains a unique travel supplement and some funny personal stories. Anyone who is a history buff should read it, every possible field is covered.

The author writes of her father's decent into Alzheimer's Disease (being more
and more child like in his progression of the disease and her young son growing up from a toddler to young boyhood..the opposite ends of the spectrum. A very moving book. I may reread this one.

In September 2004's Australian Reader's Digest, the story "The Unlikely Gift" had me in tears. It moved me so much that I searched out and ordered the book it was taken from - "The House on Beartown Road". I had been mourning the
death of a favourite and much loved friend who died from the ravages of a similar brain disease (vascular dementia). Although her body died recently, the soul and the entity that I loved which made her who she was, was taken from me many years ago when the diagnosis was made and the slow but inevitable slide began.

My friend Kath, whom I met in 1980, taught me joy and sharing, she took me into her family as if I was one of her own. As I am of a different background, she taught me to enjoy roast dinners and chocolate ripple cakes. She was a favourite auntie, a surrogate mother and most of all, a best friend. In the later years, I have been unable to be in her presence,
as I couldn't reconcile the angry, violent person as being the same caring friend I had known. She was diagnosed in her 60's which is much too early and didn't allow her to enjoy her twilight years with those she loved and who loved her.

Elizabeth Cohen's book is a beautiful and simply told homage to the reality of family life and in my opinion, a must read.

Few books have brought me to tears. This one did. The author writes in a matter-of-fact way about the heart-wrenching disease of Alheimer's, its impact to her life, and the lives of those around her. I didn't want the book to end. It is a quick read. Great book.

What a wonderful book. I have noticed that many who review this book are intimately involved in Alzheimers, be they professional or private care-givers. I don't have anyone in my immediate family with Alzheimers, but I read this as a potential gift to a friend who does. I am grateful that I was motivated to read this lovely, loving account of a disease and the way if effects those who are near it. The author and her family serve as reminders that love comes in all forms, and may be asked of you at the most inconvient moments. Don't wait until you have Alzheimers in your family to read this book. So much gentle learning to be done, so much joy to be given, so many miles we go, travellers through life.

I found "The House on Beartown Road" shelved in our local library (Pound Ridge, NY) under Mental Health/Alzheimer's. I don't know who decides these things, but this wonderful memoir ought to be prominently placed along with other contemporary memoirs. Elizabeth Cohen is a fine writer and she deserves recognition for this generous tribute to her 80-year-old father, Sandy, to her daughter -- one year old Ava, and to new-found neighbors on Beartown Road and to friends in the Binghamton, NY, community. Sandy and Ava of these are at opposite ends of the verbal spectrum, one forgetting language and the other learning. Elizabeth Cohen herself is there in the middle, somehow trying to work full time as a reporter, managing day care for the two people who depend on her, figuring out how to survive the winter in one of the nation's true snow-belts, and keeping her own sanity as a harrassed single mother.My own mother is 97 with Alzheimer's and I have a one-year old granddaughter, so this book is close to the bone in many ways. I tell everybody about it. I use it in the memoir course I teach. I want to keep it to survive as a classic memoir and as a year-long account by an un-self-pitying caregiver. Elinore Standard Pound Ridge, NY

Can you imagine my surprise when I encountered this book on Amazon.com!

I am 18 years old and I read "Mufaro's Beautiful Daughters" in elementary school and I was enamored with the story then! And I still am. This "African Cinderella" is sure to resonate with young girls and make them curious about Africa.

It is the story of an African King who has two beautiful daughters, only one of them, Manyara, is mean, nasty, and "haughty" (this book is where I learned that word!) while Nyasha is sweet, compassionate and kind. When their father learns that a ruler of another kingdom is to take a wife, he decides that both of his beautiful daughters should go. However, Manyara arrogantly leaves alone to get there before her sister, ever so certain that she will be chosen.

On the way both her and her sister encounter a series of tasks and through these, their true characters are tested.

Other than a great story, the illustration is absolutely beautiful! They are artwork unto themselves. Love this book! I can't wait to purchase this for the little girls in my life! Or, i just may buy it to reminisce!

Wonderful book about Manyara and Nyasha, daughters of an African King. This books shows that beauty comes from within. Manyara is a selfish sister and wants nothing more than to be queen and she will stop at nothing to be it. Nyasha is kind and loving and only wants to be happy. She sees the beauty in nature and people. A king from the neighboring town is searching for a wife and immediately Manyara wants to be queen. Manyara gets up early and sneaks to the village of the King but she is met by a little boy who wants food, and a elderly woman whom she is told to be kind too. She doesnt give the boy food and is verbally mean to the old woman. Nyasha goes through the forest and finds the same people but this time she gives food to the little boy. She is met by a woman who points the way to the city and she is kind to her and gives her sunflower seeds. As they approach the city, Manyara runs out and crying saying that she saw a snake with 5 heads and was telling her how rotten of a person she is. Nyasha is brave and walks in only to a find a simple snake for whom she was friends with. He tells her that he is the king and the elderly woman and little boy in the forest. He then asks her to be his queen because she is the most beautiful and kindhearted of them all.

The illustrations are breathtaking. The story emphasizes the true ugliness of getting to the top no matter what, while at the same time showing the beauty of compassion, empathy, and taking the time to make true connections with others and embracing their essence. These are values that we must instill within our children. I read this story to my own beautiful daughters over and over and it opens the door for deep discussions about the nature of their special bond as sisters and the need to not face one another as competitors, but as lifetime companions and support for one another.

This book is about these two sisters Manyara and Nyasha father of Mufaro. Manyara is the rude sister. Nyasha is the warm loving sister. One of them would be getting married to a king and the other will be their servant. Manyara well she wanted to get a jump start on things so when she was going to find the king she seen a boy (that was in need for food) that she refused to give food to, then she came apon a old lady she didn't listen to, she also met up with some trees that laughed at her and she laughed back at, and last she came upon a guy with his head in his arm.
So if you really think people that are rude won't get far and their rudeness will just catch up with them later as they go threw life. This book has inspired me to be a better person in many ways. This book is an amazing book it not only expresses the persons outside feelings but it expresses the persons inside feelings.

This story is based on an African tale that is similar in nature to Cinderella. In this story a man named Mufaro had two beautiful daughters, one named Manyara, and one named Nyasha. Manyara is rude to Nyasha, who just calmly bears it. When a call comes saying the Great King wants a wife, Mufaro plans to take his daughters to the palace the next day. Manyara decides to leave in the night to make she is chosen to be Queen. During the journey she is rude to a number of people, who turn out to be the King himself, shape-shifted into those forms as well as the form of a garden snake well-known to Nyasha. When Nyasha passes the next day, she is kind where her sister was rude. Needless to say the King picks Nyasha, and they live happily.

The story is told well, and the language used is wonderful, though not quite as wonderful as the illustrations. They almost look more life-like than photographs. The way lighting is used is amazing, and they are just stunning pictures. Everything about this book is wonderful, with nothing to detract from it.

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