Caribbean Books
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A great speech a great moment in historyReview Date: 2006-03-07
What makes Cuba differentReview Date: 2005-12-20
Some lump Cuba's government in with the wide assortment of progressive or populist regimes that have come and gone over the years. What makes Cuba different? Why has it been able to stand up to the U.S. so successfully? How has it been able to provide such an unmatched record of solidarity and service in behalf of oppressed peoples? The answer is to be found in this speech by Fidel Castro. Cuba had a socialist revolution and does not rely on capitalist methods.It does not rely on wealth, greed, corruption or cronyism to get things done. Cuba relies on the understanding and dedication of its workers and farmers. To take a current example, in Cuba, the government is able to mobilize its population and make sure that no one suffers or dies in a hurricane. Contrast this with the U.S. where capitalist methods are followed, leaving workers in New Orleans or Miami in the midst of an unending social disaster. In this speech, Castro outlines that it will not rest on its laurels or allow any of the corruption that marked the Stalinist regimes of the USSR. In the last part of this speech, Fidel provides a wonderful explanation of the Cuba-Angola victory over South African apartheid in 1988. Once again, Cuba mobilized its workers and farmers, sending tens of thousands of troops, saving Angola from conques,t and proving that apartheid was not invincible. This inspiring little book truly explains what makes Cuba different.


A revoluton coming in the USA? Does Cuba lead the way?Review Date: 2004-07-05
Barnes extends the Cuba experience to lay out a program for working people in the 21 Century accurately evaluating Bush and Gore as the same poison. He provides real a real program against both liberal and conservative probusiness politics. What I love about this book is the stream of history: the fighters of Cuba, the students and Black activists who defended the revolution, and going forward to fight for socialist in this world in the 21st Century
While this book may be listed as unavailable on Amazon from time to time, it is now always available on Amazon Marketplace seller Pathfinder's z-shop that you can find by clicking on new and used on the top of the page.
¿ Es posible hacer una revolución en los Estados Unidos ?Review Date: 2003-01-20

An especially appropriate addition to academic and community library International Studies reference collectionsReview Date: 2008-01-05
More details from the authorReview Date: 2007-10-27
This comprehensive reference/text book of almost 600 pages seeks to present the many diverse characteristics of Cuba (music and dance, literature, cinema, revolutionary politics, Cuban exile politics, sugar/tobacco/rum, U.S. policy, history of the Spanish conquest and African slavery, and state socialist economics), as a complex but integrated whole - without trying to over-simplify or trivialize any of these characteristics.
Moreover, this ambitious work is written by an author who has a broad expertise in a wide array of contemporary Cuban reality having traveled to the island more than a dozen times since 1997. As such, the book benefits from direct, first-hand knowledge of the everyday struggles and engaging, endearing characteristics of the Cuban people (both on the island and in exile).
This exposure and sensitivity allows the author to provide the reader with sympathetic, dignified, but critical-minded portrayals of both committed revolutionaries and ardent counter-revolutionaries, refusing to choose sides between those Cubans who left and those who have remained in their homeland.
The book also includes a critical assessment of U.S. policy toward Cuba since the beginnings of the 19th century with John Quincy Adams' "ripe fruit" policy, up to the imposition of the Platt Amendment on the newly independent Cuban nation in 1902, culminating with the U.S. embargo (1960 - Eisenhower/Kennedy) and its hardening into the Helms-Burton Act (1996 - Clinton) and the measures of the Commission for Assistance to a Free Cuba (2003 - Bush).
CONTENTS: Cuba: A Global Studies Handbook provides an overview of Cuban historical, political, economic, and socio-cultural development from the pre-Columbian period to the present day with an emphasis on the twentieth and twenty-first centuries.
The book contains four narrative chapters on (1) geography and history, (2) economics and development, (3) institutions, and (4) culture and society - each with its own bibliography.
This is followed by a reference section that provides fresh, detailed information on key historical events, important people, Cuban Spanish, etiquette (national habits and traditions, cuisine, and holidays), and leading institutions and organizations both in Cuba and abroad.
The book ends with an annotated bibliography that lists some of the most helpful resources used in preparing this volume (including books, newspapers, periodicals, films and documentaries, and websites).
Interspersed throughout the text are more than forty of the author's own photographs taken in Cuba since 1997, a timeline of Cuban history, a chart tracing the development of Cuban popular music, and a "discography" or listeners guide to some of Cuba's best music.
In sum, the book tells a critical yet sympathetic tale of Cuba's history and development, aimed at appealing especially to curious observers who want to add some historical weight and socio-cultural depth to what they already know about the island.
While the book is titled, Cuba: A Global Studies Handbook, it could well be subtitled, "Cuba: The Country that Dreamed It Was a Continent." That is, the island of Cuba has long had a political, strategic, and cultural importance that belied by its relatively small size, meager natural resource base, and scant population. Why is Cuba so BIG? Read this book to find out.
About the author: Ted A. Henken is an assistant professor of Black and Hispanic Studies and Sociology/Anthropology at Baruch College, City University of New York. He received a Ph.D. in Latin American Studies from the Stone Center for Latin American Studies, Tulane University, 2002. Dr. Henken has traveled to Cuba on numerous occasions since 1997 to lead educational exchanges for Tulane University's Cuban/Caribbean Studies Institute and the CubaNola Collective, to attend academic conferences, and to conduct research. His work on Cuba has appeared in the journals Cuban Studies, Encuentro de la cultura cubana, Latin American Research Review, Latino Studies, and Cuba in Transition. He is a member of the board of directors of the Association for the Study of the Cuban Economy (ASCE).

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Excellent Photography and Insight into Cuba!Review Date: 2002-11-01
The Essays are an unexpected extra in a book of this nature that make the work a multi-dimensional experience. It appeals to those interested in both Photography and Cuba. I highly recommend it!
Beauty, spirit & mysteryReview Date: 2002-10-30

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Beautiful music to share with a babyReview Date: 2002-02-01
Passing on a Rich HeritageReview Date: 2001-06-21
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excelent read, very serious treatmentReview Date: 2000-07-09
LUIS MENDEZ crazzyteacher@hotmail.com
excellent read, very serious treatmenReview Date: 1999-09-19
LUIS MENDEZ

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Best Book on Haiti's Recent HistoryReview Date: 2008-04-02
The best book sofar to understand Haiti's recent HistoryReview Date: 2008-08-30
complex events that have shaped Haiti's last 20 years of political ups and downs. The book is honnest and well written. Hallward tried to go beyond partisan politics. After reading this book it is easy to understand why Aristide failed Haiti a second time.

Excellent Disaster Book, Fascinating StoryReview Date: 2000-11-18
Story of a Political as Well as Natural DisasterReview Date: 2001-05-27

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Ciudad TrujilloReview Date: 2008-04-25
Dead Man in Paradise is one of the best books I have ever read in my lifeReview Date: 2005-12-06
The thing that blew me away most was that I could feel him struggle with a foreign language in a different country. I have lived overseas as well, and his writing took me right back to the feeling of pressure inside my head, as I tried to understand. As the book progresses, the pressure diminishes. Truly spectacular writing.
I tried to take it slow, to savour the book, but I finally gave up and tore through it in a day and a half. I am going to reread it this winter.


future poet laureateReview Date: 2007-06-19
López gives lyric vignettes a sly sideReview Date: 2006-11-25
This year, the winner is Manuel Paul López of the border town of El Centro, Calif., for his debut collection, "Death of a Mexican and Other Poems" ($16 paperback).
And no wonder: López surprises and moves the reader with poems that are filled with great humor and playful imagery. All the while, he displays a deep understanding of our never-ending quest for self-invention.
López offers a prologue with "The Poet and the Tía," which sets the tone for the collection:
That boy of yours, Consuelo,
he sure is sensitive.
What's wrong with him?
Every time he leaves the house
he comes back wet:
puddles on the floor,
clothes a sopping mess,
tosiendo como un burro enfermo.
We live in a desert for godsakes!
How does he get so wet?
Where does he find
such sad-looking rain?
Many of the pieces that follow are prose poems, mini-stories with protagonists, no matter how silly and self-absorbed, fighting to assert themselves culturally, artistically and emotionally.
In "Mi Cantito," the teenage narrator suffers taunts from his peers because he cannot speak Spanish as well as they do. Even his family is embarrassed by this boy's tongue-tied attempts to articulate the simplest of Spanish phrases:
My nana used to massage my sluggish tongue with warm hands,
thumbing, pulling, wringing out the Spanish.
It was the antidote, she'd say, for Parkinson's, cancer, and
Tío Chuy's twelve-pack-a-day drinking problem.
López fearlessly plays with poetic form to tell his stories. For example, "Tres Generaciónes" begins with a section called "Discography of a Brown Boy" that delineates the music that made the narrator's heart sing: Abbey Road / Thriller / Bach / José Alfredo Jiménez / Marvin Gaye / Stevie Wonder / José Feliciano.
The poem's next section, "An Incomplete Chronology," covers the period of 1975 to 2002, and is a lament for his grandmother's ill health. Unable to relieve her suffering, he turns to the work of the late author of the classic "The Iceworker Sings and Other Poems" (Bilingual Press): I read Andrés Montoya's poems as if / his words from the other side could somehow soothe her pain like the nopal she used on my / childhood knee-scrape. From art comes comfort and maybe even healing.
López possesses an uncanny ability to create absurd characters who, nonetheless, invite us to share and even sympathize with their angst. In "Go, Nijinsky, Go," the narrator introduces us to his Tío Rally, a temperamental choreographer whose wife has abandoned him and their daughter, Lola. Tío Rally focuses on shaping Lola into a true dancer, an artist, frantically training both her body and mind:
'Así, así, así!' Tío spit out, as he rehearsed with his daughter, his movements a moving origami of limbs.
And again, the late Andrés Montoya offers solace, a sense of hope. Tío Rally writes a letter to the poet, first singing his praises (buttering him up, one might surmise), and then offering a little postscript revealing his true purpose: "Please pass on to God that Lola needs an extra lift in the second act."
"Death of a Mexican" is filled with sly humor and comes at the reader with a lyrical intensity usually not seen in debut collections. No doubt it is a book that Montoya, López's muse, would have joyously welcomed.
[This review first appeared in the El Paso Times.]
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Fidel emphasizes all of this has been a result of the struggle against the narrow selfish outlook that Capitalism breeds. Fidel's message is really aimed at the discussions that led to the breakup of official Stalinism in the USSR and Eastern Europe. While some use this great opening for free political discussion and mass involvement to fall back to capitalism, Cuba's example and this speech by Castro shows the way forward is to socialism!