Caribbean Books

As funky, ferocious, and fun as any big beat coming out a sound system in downtown Kingston on a summer night, this book brings Jamaican dancehall to life with some scintillating prose 'riddims'. A sensitive and vivid writer and a longtime student of all things Jamaican, Stolzoff goes everywhere, knows everyone, and brings it all together in the best book on popular culture that I have read in years. A must-read for anyone interested in contemporary music, African-American studies, or the Caribbean. Kudos also to the publisher for creating a beautifully designed book, with many superb photos from Stolzoff's camera. This book will be a classic for many years to come.

Randy Lewis Assistant Professor of American Studies University of Science and Arts of Oklahoma

As a lover of the creative, colorful and very controversial culture known as Jamaican dancehall, I received this book ecstatically, but I wasn't quite sure of what to expect. I mean, this is a world that changes so rapidly that any attempts to document it have felt outdated even before their ink dried. I thought Stolzoff would play it safe and keep his approach as superficial as possible-a nice coffee table book perhaps, filled with eye-pleasing full-color pix of scantily-dressed dancehall queens, posturing dapper dons, maybe even the occasional text paragraph with amusing tidbits like, "Whatever happened to Wayne 'Sleng Teng' Smith?" Instead, I found a meticulously researched study packed with so much detail that several times I had to "wheel back and come again" (re-read pages) in order to digest it all.

Of course, this isn't the first piece of writing to cast a critical eye on dancehall; but past discussions (helmed mostly by staunch roots reggae apologists who make no bones about expressing their view of the subject as an anti-musical ebola responsible for devouring the innards of upright, "real" reggae as exemplified by the likes of Bob Marley, Peter Tosh and Burning Spear), irrespective of whether they have been pro- or anti-dancehall, have all revolved to varying degrees around the old dancehall "reggae" vs. "traditional" reggae issue.

Stolzoff distinguishes himself from the pack by sidestepping that stumbling block altogether: In (what I think is) a revolutionary move, he posits ALL Jamaican music, in essence, as dancehall-from the creolized drum and fiddle music of 18th century slave frolics to the thundering amplified bass blaring from contemporary Kingston sound systems. In short, he sees dancehall not as a distinct genre of music, but as an interactive method of experiencing music that might be specifically Jamaican.

Stolzoff's an anthropologist, not a rock critic, so rather than examining the music in isolation, he reconstructs the world that is dancehall's context, starting from the beginning with the sound systems, the cornerstone of the Jamaican music world.( Stolzoff scores a major coup by including extensive interviews with sound system pioneers like Hedley Jones, who provide a lot of insight into the Jamaican music experience prior to the birth of the local music industry-all other books on reggae up until this time have summed the whole era up in a sentence or two). Upon that foundation, Stolzoff layers the various social and ideological trends that have shaped the dancehall: rude boys, Rastafar-I, fashion, technology... You come to see that as chaotic as the dancehall universe appears to be, it is a well-ordered cosmology where everything has its place: sexuality, piety, violence, flamboyance, humility... They can all co-exist.

What I really, really love is the "career trajectory" Stolzoff maps out from his observation of the dancehall field. Using many of the aspiring and established dancehall stars he befriended, Stolzoff illustrates the stages of a career as a performer in the dancehall economy-which is an actual economy that employs millions of Jamaicans in various capacities.

I think this is definitely an important book and a complete must-read not only for fans of Jamaican music, but for anybody interested in the way that music and culture intersect with the daily lives of its participants.

This is an excellant book, written by a genuinely knowledgeable scholar of dancehall music and Jamaican popular culture. Dr. Stolzoff has done an incredible amount of research for this book and puts it altogether with Wake The Town. A must for all reggae and dancehall afficionados. This book will be a classic for a long time.

I would like to commend Mr. Stolzoff for an in depth and enjoyable study of dancehall reggae. Being a dancehall fan for some time now, it's wonderful to see the music and culture being taken seriously. Ready first hand accounts of artists like the great Tenor Saw was an unexpected and exciting part of the book. Mr. Stolzoff goes indept as he discusses the origins of dancehall back to Africa right up to today with the top artists like Buju Banton, Bounty Killer, Beenie Man, Sizzla, etc etc. As Ricky Trooper says in the begining of the book, if you haven't been to the dancehall before, you wouldn't understand it, dancehall it something that you have to experience. Great reading!

This book is too incredible to believe. For those of us who are into dancehall, when we are in the midst of it, study and academia seem so far away. I never thought it was something that someone could record on paper and carry the true vibes of the whole thing. Stolzoff has not only captured the vibes of the dancehall itself, but also the vibes of life for the dancehall community, the economy, and the realities of Jamaica today. For anyone who ever wanted to get away from the tourist fakeries of what you think Jamaica and reggae music are all about, this book is for you. Of course there is nothing like the true experience of the dancehall itself, but outside of that, this book is the next best thing. Buy this book, you won't regret it. Even most of us Jamaicans, can learn a thing or two from it. And for my anthropologists out there, this book is the most gripping, meaningful ethnography since Bourgois' "In Search of Respect : Selling Crack in El Barrio".

How JFK kept sane we will never know , obviously the JCS wanted to send us all into god knows where but you can bet they would have been safe in their hideaway . Seems to me , like Churchill had his mission in life , there at the right time , then so JFK was put in charge for his ability to change the thinking.

Sheldon M. Stern's aptly chosen title recalls that wonderful science fiction film of the 1950s, "The Day the Earth Stood Still." It is good to have that echo in mind as you look back upon the Cuban Missile Crisis of October 1962. Mid-century Hollywood reminds us of what the Cold War was like and Mr. Stern's book expresses what nearly happened. Aside from age and place of birth - I wish an aversion to war was a presidential requirement. President John Fitzgerald Kennedy had it. He had been to war and in his heart he did not wish to start another.

This is a great book for History Students and we should all be students of our history. While it is a condensation it seems more like an explosive compression of "Averting the Final Failure" (2003), which I have reviewed earlier -- describing it as, "a chilling, provocative page turner." So is this book and there are fewer pages to turn; this would have gratified me in my student days. If you would like more information, thoughts and opinion please turn to my earlier review.

Sheldon Stern has presented a harrowing study of one of the most dangerous events in World History - The Cuban Missile Crisis. In his book, The Week the World Stood Still: Inside the Secret Cuban Missile Crisis, we are presented with an event whose story line reads like it was written by a Robert Ludlum-like mystery writer, this story, however, was frighteningly true history. With the careful, thoughtful, and thorough research that is Mr. Stern's trademark, the reader is presented with the complete inside story of that fateful week. This is a must read for, not only students, but adults as well. Kudos!

Sheldon Stern takes us right into perhaps the most important decision-making in U.S. history. This account has been scrupulously put together from the primary sources, including the taped deliberations. Kennedy no longer emerges as a simplistic "cold warrior" but as a statesman whose value has even been enhanced by subsequent events. This is about as definitive account as we are likely to get, and is essentially reading for anyone who wants to be informed about those days of crisis.

Herbert S. Parmet

The Cuban missile crisis was the most dangerous moment of the Cold War and has received numerous analysis in other titles and articles. What makes Sheldon M. Stern's The Week The World Stood Still: Inside The Secret Cuban Missile Crisis different is its focus on a narrative written for students and general readers. The author's own transcriptions of the secretly recorded ExComm meetings serves as a foundation for an analysis which captures the striking moments of tension behind the scenes. The newest addition to the "Stanford Nuclear Age Series", The Week The World Stood Still is an impressive work of scholarship that is also highly recommended for non-specialist general readers with an interest in the history of the Cold War era.

I enjoyed this book. It was an absorbing, eye-opening look into the world of the ballet written by an insider - a young, intense and highly intelligent young woman, a dancer with the NYC Ballet, who exposes life in this elite and unique world.

I really enjoyed this book. It gave a wonderful glimpse into the real world of professional dancing. Miss Bentley told this story with beautiful language, her words flowed like water. I found it wonderful to know what it was like to live the life of a dancer, to know the struggles and the victories, the fantasies and the realities. I recommend this book for all who love dance and for anyone interested in show business or simply anyone who enjoys a good read.

With "Winter Season," Toni Bentley allows her audience to see a real picture of the incredibly tough, demanding and creative world of professional ballet. We see George Balanchine at the end of the career, and such greats as Suzanne Farrell and Peter Martins. The incredible, difficult, almost insane demands put on the dancers are clearly drawn, as is Ms. Bentley's love for her art. Especially evocative is her struggle with reconciling art with her demanding profession.

Often, artistic memoirs focus on the superstars, the Tallchiefs and Nureyevs, for instance. The view from the corps de ballet is all the more interesting for being so rare. This book is beautiful, wry, humorous and exquisitely-written. I wish Ms. Bentley had written several other volumes.

Winter Season: A Dancer's Journal is the exquisite chronicle of a ballet dancer's experiences with the New York City Ballet. The dancer, Toni Bentley, claims a certain naivetee, but I don't believe it's innocent ignorance as much as it is simple yearning for experiences she rarely has.

She has a delicate flair for words, and her prose couldn't be any less lovely than her pliees and tondus.

Dancing with a world-famous ballet company is gruelling. The dancers are overworked, underfed, and have little understanding of how the "real world" works, yet it would seem they like it that way. Ballet companies thusly have much in common with military outfits: soldiers and dancers work brutally hard, but have their concerns looked after by the higher-ups. Balanchine is the dancers' general.

With the incredibly long hours and the accompanying mental and physical exhaustion, how did Toni get the time to write this book?

She writes,

"We are hairless. We have no leg hairs, no pubic hair, no armpit hair, no facial hair, no neck hair and only a solid little lump at the top of our heads. Any sign of stubble must be closely watched out for and removed.

"That is not all. We don't eat food, we eat music. We need artistic sustenance only. Emotional, inspiring sustenance. Al our physical energy is the overflow of spiritual feelings. We live on faith, belief, love, inspiration, vitamins and Tab."

Toni eventually does break free of the NYC Ballet machine, but she's drawn inexorably back. After all, as she says, "We live only to dance. If living were not an essential prerequisite, we would abstain."

This is a beautifully written very open look at the world of a professional dancer. The difficulties and joys of life in a world class ballet company are clearly and thoughtfully laid out by Bentley. The pride she had for her place in NYCB, and the sadness of standing in the background while others danced in the spotlight in front of her. But ultimately we are allowed to see the great joy finds in her dancing, and the struggle and work it took to get her there, as well as the struggle and hard work it took to keep her there. Overall I thought that Bentley was very candid and very honest about her life in NYCB. Every dance student planning a life as a professional dancer should read this book.

Carnival is one of the defining events of the Haitian year, and nowhere is it celebrated with more verve than in the seaside town of Jacmel. The Haitian-American novelist Edwidge Danticat never had the opportunity to attend carnival. Thus, as an adult, she returns to Haiti, to Jacmel, to experience what she missed in childhoood. This book is an account of Danticat's trip back. This is a travel essay, but at the same time, it's so much more. After the dance is a travel narrative, a memoir, and a history, of Haiti and of the carnival. A beautifully-written homage to the carnival, the book spins out in multiple directions, telling stories, and full of descriptive imagery. This is quite a short book, and given all of the things the book tries to do, it doesn't do any of them completely. Instead, we get snatches and tidbits of histories and memories, and the book is a pleasure to read. Danticat uses Carnival and its activities as metaphors to discuss larger events and issues in her own and Haiti's past and present. This is a book one should read to get a taste of Haiti. It's not necessarily comprehensive, but it paints a brillaint picture.

It's always refreshing to read about the Caribbean, especially when it involves carnival and when the recount is being done by such a great writer. I must say that at times I felt like screaming that this woman really does not know how to let loose and really enjoy carnival. Just imagine if she were in Trinidad instead playing j'ouvert, and doing carnival for 2 days straight!! Nevertheless, I liked the fact that she paid careful attention to detail and incorporated much historical content into the novel.

Until this short, entertaining book, part memoir and part travelogue, I'd never read much of anything positive about Haiti. Years of political strife and the Duvalier dictatorships have certainly taken its toll on this densely populated third of Hispaniola (the rest is the Dominican Republic), but apparently Haiti is ready for tourists again and there's much to attact us there. Carnival, those jubilant and reckless days before Lent, would be a grand time to go. Like similar celebrations in Rio, Venice, and New Orleans, this a festival of the bizarre and the ridiculously sublime. Danticat is a fine writer and portrays her native country and countrymen with clarity and passion. This is part of Crown Journeys, a very promising new series of travel essays, written by some of our finest contemporary authors. Educating and entertaining; makes you want to book passage on the next flight or ship.

You are given a challenge that harkens back to your childhood ---return to carnival and write about it. You think about the consequences, and perhaps second guess yourself for allowing someone to even suggest going back to deal with the demons that sent you packing in the first place. Such is the case that the author contemplates in this installment of The Crown Journeys, a new series that has authors writing about different places around the world after traveling them on foot.

While acquiescing and taking the walk that spawned this book, Edwidge Danticat doesn't disappoint. In recent years she has fast become a media darling and one of Haiti's rising stars in literature. Here she shares with her readers a poignant and compelling view of the Jacmel Carnival, one of the Caribbean's major carnivals --- rivaled with and compared only to Rio and Trinidad. She gives insight and deep-rooted analogies of historic content, exploration of the land in and around her hometown of Jacmel, and the traditions of the people themselves as a true native would tell it.

The old adage of "there's no place like home" will always have a sense of purpose when coming back, and relative to the aforementioned, Ms Danticat gives the readers something to digest. Along the way she visits a cemetery and reveals what she thinks of them: �I have always enjoyed cemeteries. Altars for the living as well as resting places for the dead they are entryways, I think to any town or city�the best places to become acquainted with the tastes of the inhabitants, both present and gone�.

She also references Jacmel�s uneven history via the landmarks she remembered as a child; gives a detailed explanation of how the masks and costumes play a major role based on age-old fables; and revisits the hills and rainforests with stories supporting political drama(s) relative thereof. The customs, social life, and other ménage of experiences associated with carnival represents an expressive attitude that inspires the people of this proud nation a reason to shun struggle, forget present troubles and escape to the wild hedonistic, but sexual suggestive party that bring out carnal knowledge at its best.

The one thing that got my interest early on in this narrative is the fact that she was scared off from celebrating the rituals associated with this celebration by a family member. How she has dealt with it over the years --- and the decision to face this challenge is worthy reading. In the process she�s able to rediscover herself and shed inhibitions in embracing this festive time. Witness the reckless abandon as she describes the freedom she now can express without remorse. I feel that readers will feel as mesmerized as I was --- and feel as if you were there too.

--- Reviewed by Alvin C. Romer

"After the Dance" by Edwidge Danticat, is a celebration of the beauty, history and power of African culture in the diaspora of Haiti. Edwidge Danticat's writings stand on the shoulders of great writers such as Zora Neal Hurston, Langston Hughes and Walter Mosley. "After the Dance" champions the day to day experiences, joys, and challenges of people of African ancestry as they celebrate Carnival in Haiti. By accurately telling their story in "After the Danice", Edwidge Danticat paints a multi-sided portait of a community in transition, and as with any great writer, the truth she speaks about one community , informs our understanding of all communities. "After the Dance" is an excellent work by an excellent writer...

Many, many striking visual images of the painter's work and thorough and fascinating text. Highly recommended.

This book is beautifully produced in every way. If you can imagine poetry translated into a visual language, Arreguin's paintings are that... and more! Surely Arreguin is one of the NW's greatest living artists. This book is a truly wonderful introduction to his work.

Alfredo Arreguin's paintings are spectacular. Arreguin is one of the most important and awe-inspiring artists of the age. This book does an excellent job of detailing his life and art, as well as duplicating the intense colors of his canvasses. I cannot recommend this book enough. It would be a delight on the coffee table or as a gift.

If you want intense color, intricate patterns and a forever drifting, shifting visual experience, then this book is the Intro to Arreguin for you! There is a color plate on most pages and the text is in English and Spanish in side-by side columns.

This book is so low-priced because 1) the publishers found donors to underwrite this first edition 2) Arreguin is not making a dime in royalties off this book.

If you don't know Arreguin's work yet, just type "Alfredo Arreguin" into your browser's search box and you will get several relevant hits.

Try it, you'll like it!

I bought five copies: four copies for gifts, and one copy for me.

The story of Arreguin's childhood and family turmoil will add some optimism and empathy for troubled children of divorced parents, I hope.

chris matzen
Bremerton, WA 98312

I'd list this up there with Halberstam's The Teammates, Brashler's Josh Gibson biography, and Kahn's Boys Of Summer as one of the great baseball books.
Toot's love of the game and deft prose is elegantly interwoven with the history of this one groundbreaking player.

Its surprising how a very good book can receive so little publicity.
We always refer to Jackie Robinson when talking about racial prejudices, but we never stop to think what early Latino players suffered.
Peter Toote has done an impressive job documenting Armando Marsans' career in the Major Leagues, describing his intelligent and agressive style to play the game.
We can read how Marsans became one of the iconic scapegoats that the Major Leagues used to expand its monopolistic tentacles against the Federal League. Take a look on Judge Kenesaw Mountain Landis' role to protect the Major Leagues.
Perhaps, one of the disadvantages that I find in this book is the little research that the author does about Marsans' career in Cuba.
American authors must realize that language is not a barrier anymore as there are many Latin experts that speak English and can give a big help to complete a research project.
Anyway, I give 5 stars. I really liked it.

If he were playing today, Armando Marsans would be a household name. Until this remarkable book, Marsans' name survived only in boxscores, in the occasional mention in the sports pages, and in the memories of those few surviving fans who remember seeing him play. Through his in-depth research, Toot manages to rescue the player from obscurity and bring his story to life.

Toot's book is also an interesting sociological study of our country's first hispanic celebrity's struggle for acceptance. Further, it provides an eye-opening picture of the early days of baseball, when players played year-round, when sharp metal spikes threatened devastating injury with every slide, and when there was still the prospect of multiple professional leagues in the US.

...then you have to read this book. Toot is that rare breed of writer who can weave together an impressive array of details and facts into a compelling story. This is a great baseball tale with larger-and-lower-than-life characters, nail-biting games, and interesting off-the-field background. It's also an important book about the integration of hispanics into baseball--their experience and the reaction from the American baseball community. In this day and age of hispanics playing such an integral role in baseball, it's more important than ever to understand where they got their start.

This is a truly amazing trip through the minds of the ancient Maya who wrote in an elegant and complex system. Michael Coe clarifies and demystifies the beautiful texts on all forms of media; ceramic, stone, shell etc. But best of all, Justin Kerr's photographs are a thrilling excursion into the realms of an exotic society. This partnership of scholars enables the reader to sit back and explore the depths of the beauty and intellectual achievements of an ancient culture. Frankly, I was blown away!

Sumptuous, a true visual feast, Michael Coe's foray into the world of the Maya artist reveals the talents and personalities of the Maya scribes. Lushly illustrated by Justin Kerr, the world's foremost photographer of Precolumbian art, this coffeetable-style book looks at what scholars understand about the individuals who created the Maya's sculptural and painted repertoir. Coe brings his knowledge of hieroglyphic writing to bear on this previously little-known subject, revealing the names and titles of Maya artists and other significant facts. Following in the tradition of his best-selling BREAKING THE MAYA CODE, which describes the scholarly-community's halting attempts at decipherment, Coe relies heavily on cutting-edge breakthroughs in reading Maya script. But more than this, he demonstrates an ecellent knowledge of art history and archaeology, setting forth quite a rich array of information. A fine book by one of the great Precolumbian scholars of all time, amply supplemented with line drawings and an effective design strategy.

Many calligraphic traditions, such as Egyptian, East Asian, Islamic, and Western European, have been long studied and are generally well understood. However, much less attention has been given to Mayan calligraphy (from the South Americas). This magnificent book seeks to rectify the imbalance with an insightful, well written account of not only the meaning of Mayan calligraphy, but also its remarkable aesthetics.

The Mayans seem to have written on everything: seashells, jaguar skins, walls, rocks, wood, pottery, dishes, vases, caves, etc. The book beautifully reproduces and deciphers these writings, many for the first time. The world that emerges is neither Eastern nor Western, spiritual yet at the same time profoundly secular.

The Maya lowlands were known as "The Land of the Red and the Black," because their books were written with red and black pigments. Reproductions of some of their finest books are included here, though tragically, many of their books were destroyed.

The Mayans still have a lot to teach us. This book offers the curious reader an essential foundation for understanding a brilliant, often neglected civilization.

This is an amazingly beautiful book both visually and because of the way the articles accompanying these glorious pictures illuminate our understanding of the role of the scribe in the Mayan culture and how they worked. The images provided are simply exquisite and well chosen. It is impossible for me to flip to a page and not learn or see something new even after owning this book and looking at it for several years. There is just so much here that even as your eyes become familiar with it, you begin to see more deeply into it.

The authors show us how the writing developed, matured, and how the scribal tradition passed away. They also show us how western scholars tried to deal with this writing before the great decipherment happened in the second half of the twentieth century.

Yes, this can make a gorgeous coffee table book and can spark much discussion, but unlike books found on such tables, this one deserves to be read closely and multiple times. It is a book I treasure deeply.

The quality of the book is very good and what is nice as well is that it contains the preface by Juan Valera who wrote it for the second edition of the book.

Yo quisiera saber mucho mas de lo que dicen la palabras escritas
por el Maestro Dario en ese ensallo de (Azul)titulado "A una Estrella". Mi conocimiento literario en el idioma Espanol es muy
limitado y desafortunadamente no me codeo con gente que tengan
la menor idea de lo que estoy hablando. Yo tengo varias preguntas
acerca de este "Ensallo" del maestro Dario, por ejemplo unas de mis
preguntas es: Cuando el maestro Dario se dirige "A una Estrella"...es en realidad que el se esta dirigiendo a una mujer
cual cuyo amor es inalcansable?...tengo otras muchas mas preguntas pero quisiera que alguien erudito en la materia me
contactara. Gracias, Benjamin

"Azul" es una obra con la que facilmente podemos definir que tipo de escritor fue el célebre Rubén Darío. En este libro encontramos una puerta que nos hace ver mucho mas allá de lo que generalmente el ojo capta. Nos hace reconocer las realidades de nuestra sociedad y abrir la jaula en nuestra cabeza para que nuestros pensamientos vuelen...

Me gustaría encontrar las palabras exactas para definir este libro, pero no las tengo. La verdad, es que este es uno de esos pocos libros que de definen por si mismos. Es un pasaje a un mundo oculto, lejos de nuestras persepciones, además de ser uno de los mas dignos ejemplos de literatura hispanoamericana.

Muy bien, compren el libro y vean que tengo razón.

This book offers an excellent and easy to read portrayal of the history of those factors which influence the cultural and political develpoment of the Bahamas. It is a must read for all Bahamians and persons with connections and roots in the Bahamas. I recomend that anyone who is interested in migrating to or doing business in the Bahamas read this book. As a Bahamian abroad, I strongly recomend that all Bahamians (particularly youmg Bahamians)coming abroad to study have a copy of this book as a part of their reading materials. Additionally, Bahamian parents should ensure that every child in their homes have a copy of this book. I do hope that the Bahamian government deemit necessary to place copies of this book in every school in the Bahamas.

"This literary mastrepiece by Donald McCartney should be a must read for secondary and tertiary level learners. Indeed it ought to be on the shelf of every Bahamian Educational Institution and home. When the question is asked of generations of Bahamians yet unborn "what meanest these stones?" They need only read this book and gain a wealth of knowledge at the flip of its pages. The distinguished author has delineated an all-inclusive description of our political history and way of life. As it has been often said, "to know where we are going we must first know where we came from." He has certainly started us on this journey."
Doswell C. Coakley, Ph.D., FCICA, President and CEL of JTR & Associates Limited and former Deputy Director and Director of Bahamas Immigration.

The essays, "Who We Are" and "A Brief Political History of the Bahamas..." are eccellent productions by Donald M. McCartney, Esq. The writre's treatment of Bahamian Culture, and Bahamian history from 1942 onwards are filled with seimple truth and are easy to digest. I expect that this book will be widely read and reffered to in conversation with Bahamians and non-Bahamians alike. It would be particularly interesting to Bahamian students."
Sir Albert Miller, President and CEO of Modalena Company Limited and former President and Co-Chairman of the Grand Bahama Port Authority Group of Companies

This book is simply written and is accurate in its treatment of the materials. it is a must read for Bahamians who want to know how the history of their country has impacted their lives. it ia a book for the lettered and the unlettered. It is reader friendly and provides information for non-Bahamians who would wish to get to know about the Bahamas and its people. I will put a copy of this book in the hands of all my children and grandchildren.

This is an excellent text and touching text which adequately captures the essence of Barbados past present and its future in the global economy. As a Bajan I was impressed that in the choice of topics as opposed to the usual postcard presentation. Well and tastefully done.

The photography in this book is beautiful, and the text is well written. Rather than buing this before your next trip to Barbados, I'd recommend a simple travel guide instead. You may want to buy this book later for your coffee table for when you are feeling nostalgic for the warm air and white beaches.

Having travelled to Barbados many times over the past twenty years (and I lived there for a time as well), I have to say this is the finest and most complete "coffee-table" book on the island that I have ever seen. It is large-format, filled with superb color photographs (including a number of aerial shots, as well as some archival photographs of Barbados in the mid-20th century). The text gives you a concise, intelligent overview of the island's history. I've given a number of copies to friends who love the island. The jacket blurb says the author was once a Peace Corps Volunteer, and it shows ... this is a real in-depth portrait, not just "post-cardy" superficial coverage. I have several other books on Barbados, but this one is in a class by itself.

Extraordinary photography, combined with intelligent, concise, even poetic text. I am English, but I have lived in Boston for many years. Barbados is perhaps my favorite island in the Caribbean--"Little England" as it is known. This book captures Barbados as I have seen no other book do ... perhaps because it focuses on the small things: flowers, the black-belly sheep, the young schoolgirl gazing deep into the camera ... The picture captions are concise, but packed with information; the author chooses and rations his words carefully! There's also, for those who want it, a complete text which conveys the history of the island. A small quibble: there's no information about hotels, restaurants, etc. However, this is not a guidebook, but rather a coffee-table "documentary" book, and in that department it is to my mind incomparable.