Cabinets Books

What I found interesting about this book is that is a history lesson in American business and early regulatory policies that shaped the landscape we see today. At the same time, it is a story of classic love and betrayal. I found the author doing a great job when the story focused on Mellon's marriage and the demise of such, but he tended to become a bit lost in the details when describing all of the political ups and downs. Overall, a fine book and great American story

Though I can not claim to be altogether objective about the subject matter in much of this great book, I must congratulate Cannadine for a masterful study of what has been an extremely closed subject for a long, long time - most of all in the Mellon's home town of Pittsburgh. The late Paul Mellon must be given a lot of credit for breaking with family tradition - first for allowing the book "Thomas Mellon And His Times" to see the light of public day and then to let it all hang out with Cannadine with regard to sources and family papers.

All of the business glories (one wonders at times if Andrew ever really enjoyed his successes), all of the personal agonies (it must have been excruciating on many levels), and much of the rancor between both Judge Thomas Mellon's as well as Andrew's detractors and adversaries are, for the first time, put into print for ALL of the public's perusal. It will be up to each individual reader to judge for themselves how they feel about this man and his father and family.

It came as no suprise to me when Cannadine named my great-great grandfather as being one of the "vexatious litigation" principles who Judge Mellon would only refer to as "A", "B", or "C" in his autobiography. Cannadine is specific about the bad blood between the Negleys and the Mellons after the "eugenic" match (his words) and Pittsburghers specifically will find much new insight here.

However, this long and comprehensive book never lets down as it explores all facets of the Mellon dynasty, how it was aquired (at times skirting legality and even morality), and he leaves very few stones unturned. What Cannadine might have missed was the fact that the rehabilitation of the Mellon name in Pittsburgh was undertaken by Andrew's nephew Richard K. Mellon (Richard Beatty Mellon's son) when "Renaissance I and II" which, along with the Allegheny Community Conference, cleaned up the city of Pittsburgh and made it livable again after over 150 years of take, take, and more take by men such as "A.W." and "R.B" among many others, including Andrew's buddy Henry Clay Frick.

The mystery of "M..." will, I feel, eventually be solved but as was mentioned in a previous review, even as good a sleuth as Cannadine could not hazard even a guess (though I'll bet he had a guess). Notice that she becomes "Mrs. M---" on pg 259. I hardly believe that such a man would be so indiscreet as to write an entree with such a clue, or such an admission of a possible affair - but this entree IS followed by perhaps the most emotional outburst of his heart, "CRUEL", in uppercase.

A flawed man, as are all men, and obviously a tortured one for much of his life, this book will give everyone the chance to weigh the evidence and decide for themselves the verdict which until now was impossible to consider to to lack of full factual disclosure. I found it fascinating the whole way from beginning to end. The source notes are a gem in and of themselves.
I would also recommend both books by father and son for a comprehensive look at all three men, and how wealth, acquisition, and the drive and pressures of both shaped them.
"Thomas Mellon And His Times"
"Reflections In A Silver Spoon"

If you like history you'll love this book, it's long and "gets long winded in history" but try stop reading I couldn't, if your over 55 you will really love it. I still don't know how I feel about Andrew, Dick and Thomas Mellon. I found myself loving this book excellent read.

You will savor this account of the tumultuous life of Andrew Mellon, an arrogant turn-of-the-last-century industrialist and millionaire. He was torn to tatters by a scandalous divorce and, later, by opposing politicians. However, he transcended those humiliations by establishing the lavish National Art Gallery just before he died. "Andy" Mellon's life (1855-1937) stretched across critical years when the U.S. was transformed from an appendage of Europe to a superpower. His work as treasury secretary was held in such esteem that the Republican Party considered running him for president. However, even given his role as head of the Treasury, Mellon could not curtail the 1920s margin-buying stock market mania that led to the 1929 crash and the Great Depression. He is mostly remembered for the National Art Gallery and for his sex-scandal divorce fight. David Cannadine offers a highly readable biography, which is very balanced though Mellon's son, Paul, commissioned it. However, some readers may decide to skim through the extensive coverage of the politicized "Tax Trial," and Andy's ordinary trade in minor art and small firms. We highly recommend this extraordinary saga.

Cannadine exceeded expectations on a number of fronts with this definitive biography of Andrew Mellon. It has everything you'd expect from a grade-A biography, laying out where Mellon's family came from (both physically and philosophically), how Mellon grew up, his rise, peak, eventual fall from grace, death and legacy. Not only that, but Cannadine does all of this exceedingly well, giving his reader a sense of the nuances and subtleties of Mellon's personality and life. If Cannadine had done nothing else, he'd still have written a five-star book.

This book goes beyond most rock-solid biographies that I've read in Cannadine's sensitivity to the larger meaning of the events in Mellon's life, his place in history and his impact even after his death. While this sensitivity is present throughout Cannadine's book, it really comes together in in his three-part epilogue, which you will absolutely not want to miss, it is the highlight of the book.

The first point Cannadine develops is that Mellon's life straddled the line between two different eras in American history. He shows how Mellon, without changing his behaviors, was perceived one way for much of his life, then a totally different way at the end of his life. Through his awareness of this point, Cannadine really demonstrates to the reader how radical the shift in sentiment was in America in the 1930s.

The second point Cannadine is aware of, as any successful biographer of a great historical figure must be, is the idea that Mellon was a human being with some great strengths and some great flaws. In my experience, people who have the strengths to accomplish the most often have corresponding weaknesses to go with them; Cannadine really makes this point clear in his epilogue, doing a "balance sheet" of positives and negatives of Mellon's character and accomplishments. I've never seen an author take even-handed analysis to a similar place, and it really helped bring together the books ideas at the end.

Finally, Cannadine captures a truth about life, society and politics that imbues the book with a sense of sadness. It becomes obvious that many (though certainly not all) of the good things that happen to Mellon happen out of chance. Similarly, when bad things happen to Mellon, most (again, not all... his divorce comes to mind as an obvious exception) of them are undeserved. Mellon dies near the low point of his public popularity, suffering primarily for sins he did not commit.

I highly recommend this book for lovers of biography and history, it is truly a step beyond a really good biography.

The Human Comedy is a saga of 92 novels that Balzac said was written by French society. Legend described him as the night-shirted social recorder working until dawn fueled by liters of coffee. Lost Illusions (1837-1843) is considered to be one of the best of the novels in the series in scope and structure. From the frenetic world of writers and booksellers in Paris to the grueling life of hard work and boredom in villages, Balzac traced the systematic destruction of illusions in his characters. No one could be trusted (friends, foes, or family) when the creative or inventive characters attempted to reach a goal. The flicker of hope and joy related to an artistic or business accomplishment was extinguished within days or hours. The enduring artists and producers were those who lived almost without hope, guided by a strict code of ethics protected only by their ability to keep their accomplishments secret. Ultimately, some of these survivors reached their goals. But by then, they no longer placed high value in them, much of the luster lost with their illusions. Lost Illusions set the standard for many of the wonderful French novels of the subsequent years of the 19th Century. The reader is immersed in French culture in a manner similar to the later writing of Gustav Flaubert.

Lost Illusions by Balzac is one of the most famous novels out of the ninety two he wrote in his lifetime and maybe also among a million his admirers have written in 175 years since his first novel was published.

Balzac choses Lucien as a romantic, good-looking dreamy poet. We are first thrust into his provincial life, with details about his ordinary life and extraordinary ambitions that he has no means of realizing. Except patronage by an older woman! She leads him to Paris, only to abandon him to fight his way into the high society. How Lucien rises and falls in the glamorous, amorous, corrupt and vicious life as a journalist in Paris is picturized through a narrative that is bathed in realism, and yet proceeds through both suspense and wit, in the spirit of the pace at which Balzac could conjure up such novels.

In the provinces, Lucien has a friend, David, who likewise is somewhat lacking in social and economic acumen, and is a hard working inventor. David own father ruins him by extracting an unreasonable price for the printing press that he leaves or sells to his own son. Crafty competitors take advantage of David's credulous character. David endures both provincial small mindedness and economic setbacks suffered to keep Lucien afloat. Balzac displays his knowledge of these disparate characters with remarkable attention to detail. He weaves an undercurrent, of what could have passes as a dissertation, on the art and science of paper making.

Balzac creates in his one book, a saga that unravels friendship, love, jealousy, lust, ambition, vanity, greed and absurdity that lurk in our beings and in our relationships. By using two main pillars, Lucien and David, Balzac erects a bridge into the two worlds of poetry and science. He shuns hint of any romance of either worlds, and shows how much character, how many hardships and set-backs, how much devotion and labor are required for a man to become a known poet or a scientist.

I am quoting an example from this translation (carried out by Katharine Prescott Wormeley):

"No one can be a great man cheaply," said d'Arthez in his gentle voice. "Genius waters her work with tears.Talent is a moral being which, like all other beings, is subject to the maladies of childhood. Society rejects undeveloped talent just as nature removes her feeble or deformed creations. Whoever wishes to rise above his fellows must be prepared to struggle, and not recoil at difficulty. A great writer is a martyr who does not die - that's the whole of it!"

Besides the two pillars, the book has an interesting array of characters. Actresses, society women, editors and publishers, lawyers, struggling writers, dandies - all appear with their human failings and foibles as part of a drama that unfolds with an enrapturing narrative. Be it history, economics, alchemy, or psychology, or any topic under the sun, Balzac ushers in his great knowledge, suspending and supporting the story with able and apt pointers, tresses and metaphors.

Balzac's Lost Illusions is undoubtedly a classic everyone can enjoy and must read at some point in their lives. Highly recommended.

I read this book during my latest visit to my favorite middle east country. I must admit that I didn't enjoy this book as much as others. I felt like it was slow to come around and I thought there was too much detail on (seemingly) unimportant things at times. I'm just a regular person, so that said if you are an accomplished reader you may love this, for neophytes such as myself, other titles are more likely to be properly enjoyed (see my reviews)...and keep me updated!

This is one of the best novels by Balzac, which is to say much, since he is still one of the best writers that have ever lived. Here, as in the rest of his work, the reader can appreciate Balzac's knowledge of worldly life, and especially the world of business, so alien to other writers. In this book he elaborates on the printing business as well as on journalism -vastly so-, back when it first began as a mercantilist activity. He contrasts the small life and intrigues of the province with the -no less petty but more gandiose- life and intrigues of the big city, Paris, and in particular of the faubourg Saint-Germain, the paradise of the Parisian jet-set.

David Sechard is a young man who inherits, at great cost, his cold and greedy father's printing business. Lucien Chardon (later "de Rubempre", after taking his impoversihed mother's more aristocratic last name) is his best friend. Both of them share a love for poetry, but it is Lucien who comes to shine as the young genius of province, the promise for whom it is worth it to sacrifice it all. Lucien gets the love of one Louise de Bargeton, the "queen of Angouleme", the most cultivated and refined woman in town. Louise promises to take Lucien to Paris, introduce him into the great society, and make him triumph as a poet. His family gives him all they can to get him started, and off he goes to Paris. But he happens to be arrogant, proud, and insecure, and soon he suffers the despise and insolence of aristocrats and other rich people. After what he believes to be an offense from Louise, he rejects her, earning her eternal hatred.

In the meantime, Lucien has been spending time with two very different circles of friends. The first is composed of a group of young intellectuals, hardworking guys sacrificing money and fun for the sake of science, art, and knowledge. They are there for him in times of need, and encourage him to keep up with his writing. The second group is a bunch of journalists, easy going but corrupt people who convince him to achieve quick fame and money. Lucien gets more and more trapped by this seemingly easy life, and after he conquers the love of the prettiest actress in Paris, his fate is decided. He achieves fame and fortune overnight, and so he jumps completely into the world of parties, frivolity and silly competition for status. At this point in the novel, Balzac introduces us to the sordid, decadent, and disgusting world of journalism understood as an unmerciful network of extortion and constant blackmailing. Lucien slides down that road, getting recognition and fame, oblivious to the growing net of envy that closes in around him every day.

What follows is the sad story of an unlikable character. Lucien has very little redeeming qualities about him, as opposed to some of his early friends, his young lover and his family. He is blind as blind can be, since his extreme selfishness builds a cloud in which he lives. He cares for nobody, except perhaps for the little Coralie, and he goes on leaving too many wounded bodies by the side of the road. Nevertheless, this character is the vehicle that allows Balzac to show us the real world out there. This writer never ever gives up to the temptation of sweetening things for the reader, he's brave and persists on his plan. Balzac is never a moralizing preacher, he is just a skillful painter of life as it is.

Here, as in the rest of his work, you will find characters who also appear in other novels, an ingenious device intended to give us a feeling of reality. This book is never boring and builds up tension rapidly, even for its length. It is an encompassing ride through all the fancies of youth gone wrong, as well as an unrelenting depiction of all the falseness and emptiness of high society. Much recommended.

I love Balzac. At his best he soars above the rest of French literature and here he is definitely at his finest. Easy to see why Proust thought him the best, at his best. Vautrin/Collyn is at his most sinister and attractive. If you haven't read Balzac before, this is the best to start with.

Used to listen to this on tape and wanted to replace it with cd so I could listen to it in the car. If you want to get a taste of life in 1660's London, this is it. The written diaries are also fascinating but fairly hard to read, so Kenneth Branagh helps us out here. Anyone interested in English history will be very pleased with this diary. If you don't yet know who Pepys is then, for sure, you need to buy this. I've listened to it at least twice over the years and alway hear something new with each listening. Highly recommended!

I chose to listen to this book because I felt I "should" be better acquainted with what can arguably be called the most famous diary in history. I looked upon it as a chore that would improve my mind.

I may have, indeed, improved my mind but it turned out to be no chore! What an absolute delight. I've read many historical novels that weren't half as exciting, funny and fascinating as this book. I kept having to remind myself that this man REALLY lived through all these things -- the plague, the great London fire, the machinations of the court.

Plus, his willingness to expose in frank (and sometimes bawdy) detail his personal life, health, sexual dalliances, etc., brought *him* as well as his times vividly to life.

I doubt if trying to read through the actual diary would be as much fun, but the editors' careful selection of entries culled out the best bits while never losing continuity.

And what more can I add to the praise of Branagh as narrator? The man is a phenomenal talent and shows it in this book. Never over-acting, he manages to convey a perfect tone (for instance, just the hint of a whisper at the more personal parts, as though Pepys was confiding in us).

All in all, this book convinced me that improving my mind doesn't HAVE to be tedious.

Of course it is not the complete Pepy's diary but is wonderful to listen to while on long drives. Kenneth Brannagh as the reader brings life into the English language of yesterday. I wonder if a movie is in the offing.

Samuel Pepys' Pepys' Diary is an outstanding classic which comes to life in audio cd format, narrated by Kenneth Branagh whose background in film and direction lend to a vivid narrative indeed. Pepys' classic has lasted centuries because it records in vivid descriptions the bygone world of 17th-century London life: this vivid written word in turn translates well into audio and brings a rich history to life.

I loved these tapes. I concur with the reviews that they are addictive - better for a long country ride than a harried rush hour. Then let Pepys (Branagh) be your witty and engrossing travel companion.

It obviously helps to be familar with the Restoration to enhance your enjoyment of these diaries; though many with even a general background will still find them entertaining. Highly recommended.

I'm setting up my first workshop. I bought Scott Landis' Workbench Book for guidance on building my workbench and this book for guidance on workshop tool storage. I found Landis' book extremely useful, but this one did not really have what I was looking for.

This book is called the Toolbox Book for a reason. While the subheading is "A Craftsman's Guide to Tool Chests, Cabinets, and Storage Systems," the focus of the book really is (often spectacular) handcrafted toolboxes. Only one chapter -- 14 pages -- is devoted to "Designing In-Shop Tool Storage," and much of that is about the generic design process (how to make a story stick, how to draw your design first, etc).

So if you're a novice like me looking for practical workshop tool storage ideas, I don't think this book is worth the money. I definitely didn't learn any more here than I have just browsing woodworking sites on the internet.

None of this is a knock on the book, really. It's a beautiful, well-written book that's gotten glowing reviews from other readers for a reason. But I think its audience may be more limited than the subheading, and some of the other reviews, might lead you to think.

Lots of pictures, ideas, descriptions and this book serves its purpose of giving me ideas on current and future projects.

Recommended

Tolpin is a refreshing change from the old bland how-to's that have been republished with outdated material year after year. This book is no exception. I love how the author takes you through the history and evolution of the toolbox. The color pictures are gorgeous.(Or maybe it's the toolboxes?) This is a must own for any tool lover. A great gift idea for that person you know with the messy shop!

I turn into a box-making junkie during the winter. Every time I see a chunk of wood I start resawing it in my mind thinking of neat things I could do with it. One of the side effects of this compulsion is that you accumulate a lot of odd tools that seem to meander all over the shop. Guaranteed not to be in the place they should be when you reach for them. After looking at the prices for good commercial tool chests it occurred to me that building one wouldn't be all that more expensive. Even if it took 400 hours of work rather than a quit drive to the nearest discount store.

A quick trip to the local woodworking store turned up several books on the subject, but one, Taunton's Toolbox Book, stood way out from the rest. Even though this is the one book that has not one detailed plan in it. It is, however, the most exhaustive study of toolbox making I've seen so far. Author Jim Toplin blends history and technique together to give you a real understanding of how the toolbox has developed and changed as woodworkers first came to the colonies, then adapted to the rising use of machinery, and finally then met the space age head on. It is carefully and clearly written, and a host of sketches makes up for the loss of detailed, paint-by-the-numbers plans.

In fact one of the things that Toplin makes abundantly clear is that you make a toolbox to hold YOUR tools. Too many of us buy a toolbox and then set about filling it with new widgets that we aren't even sure we will need. And this book is about assessing your needs, laying out the best way to meet those needs, and then building something that is often the showpiece of a woodworker's skills. One glance through the book and you will see many fine photographs of work that is both functional and beautiful. I wasn't kidding when I said a toobox can take 400 hours to make.

As usual, Taunton has made every effort to turn a how to book into something you would be proud to have on your coffee table. This is a very well made paperback with heavy, glossy paper, fine design and layout work, and well-written text. And a very accessible price for a massive amount of information.

I just received this book. Wow! Because of all the good reviews, I expected a good book. This is one beautiful book and is way above my expectations. I would have been satisfied if it only contained photographs and illustrations without the text, they are very clear. I have not purchased a book that has impressed me as much as this one, ever. I can only add my positive comments to the many reviewers before me. It is well worth your investment whether you just want to scan through a beautiful book or are a serious craftsman wanting to build fine furniture for your tools.

A must read for all new woodworkers before accumulating all the power tools they think they need.
More than a great instructional book; it is also a philosophy.

Some people just call it furniture - author and craftsman James Krenov, however, believes it be an art form. "The Fine Art of Cabinetmaking" is a guide to turn what's nothing more than storage space to some into a work of art that can be appreciated for something far more than just a place to put things. Going over everything readers need to make a masterpiece of a cabinet, such as wood quality, good hinges, and more, "The Fine Art of Cabinetmaking" leaves nothing to guesswork, making it highly recommended to any woodworking enthusiast and community library woodworking shelves.

Mr. Krenov's work speaks for itself. What is great about this book is he shares with us his feel for wood , and it's spirit. He is a wood fanatic. He is excited by its touch, look and feel. How long should I keep a piece of wood before I use it? Moisture content? Integrating the wood and the piece I am making?

Each persons experience of wood and woodworking is different. I have technical books, written well, and some poorly.

This could be called "Zen and the art of woodworking."

When I need inspiration I look to the masters. Mr. Kenov connects me to the wood.

I love all of Krenov's books. It's easy to find better books on tools or techniques but nowhere will you find books that breathe a love for wood and craft more than Krenov's (Nakashima's "The Soul of a Tree" comes closest.) I've read through each of his books several times and always pick up on something new. "The Fine Art of Cabinet Making" is a bit more advanced than his earlier works in that he covers coopered doors and frame-and-panel work but his philosophy is always evident. Krevnov's love for wood is infectious. After reading his books you find yourself `playing' more with wood. Wondering how things will work if you move this one way and that another. Instead of churning out furniture I instead start to think about the piece I want to make: what wood would look nice? What kind of pulls will fit? How will it sound when the door closes? Somehow all of this combines to make the journey (the making) as nice as the end product. Frankly I think most furniture makers will go broke trying to work like this unless you have a whole lot of cash behind you or can charge very expensively for your work. I really think, though, that these books should be on every woodworker's shelf.

James Krenov is one of woodworking's treasures - an acknowledged master craftsman who is open about both his aesthetics and his techniques. For many of us he is a role model who started out on a shoe string in Sweden and has gone on to create a whole style all his own. He is as devoted to teaching as he is to his work and has a gift for inspiration and straightforward exposition.

Unlike A Cabinet Maker's Notebook, The Fine Art of Cabinet Making spends most of its time talking about technique. The first 50 pages is a vast, rambling essay on wood and how to relate to it. His point, an important on, is that the process of selecting and using wood is every bit as important and any other creative process. If you pay attention you will get a deep dive into the way Krenov's designs come to be - a whole new level beyond buying some dimensioned lumber and whipping up a cabinet.

Then he introduces you to his workshop and tools. Krenov actually does use power tools, but sparingly. Many of us have been taught to value the clean, sharp edged work that a modern power woodshop can produce. Krenov is just the opposite, to him the marks of craftsmanship are part of the harmony of the work. Krenov makes his own planes, and spends a great deal of time explaining how to do the same yourself. I have to admit I'm quite happy with my Lie-Nielson's, but one has to admire the intensity of a man who wants everything 'just so.'

The remainder of the book covers details of Krenov's cabinetmaking, and it is here that you discover the extent of his quality. Whether it be dovetails, delicately curved doors, or cabinet backs, Krenov never settles for less than the best he can do. I admit to a few moments of extreme jealousy when he explains that he never clamps dovetail joints, but, as his discussion demonstrates, his attention to detail is such that he shouldn't have to use clamps. I just wonder how many years of practive it will take to accomplish the same thing.

For all that this is a technically focused book, it is also an inspiring one. A book that will have you eyeing potential lumber completely differently, and making yourself take the time to get things right.

I was living in Cambodia when I came across this book, following the recommendation of one of my English friends. I bought the book, opened it... and could no longer put it down! This book came as a complete eye-opener to me, on both how America had conducted its war across Indochina, but also on how Cambodia's history had/has been so intimately intermixed with Sihanouk's.

If you are into learning the backside of what we could all dub "official history", then this book's for you. You will no longer look at Kissinger, Nixon or Westmoreland with the same candid, obedient and servile eyes after reading it. Packed with previously unheard-of accounts, reports, testimonies, following a clean, highly intelligent argumentation methodology, Sideshow acts as a real bulldozer on the reader, repeatedly confronting him/her with loads of devastating illustrations of unsound decisions, hidden political actions, secret wars of influences etc. It is certainly one of the punchiest, journalism-based historical account I have ever read, whatever the subject.

It shed a completely new and intense light onto the poor -though touching- little country I was living in then, and forever changed the way I looked at politics, diplomacy and intelligence.

Shawcross gets into the minds of Kissinger and Nixon so well. His is a book to be read over and over again to see the working of the U.S. Government and how it can destroy a country. He talks about the 25 pound shark at the bottom of a swimming pool full of children -- and we understand how the USA's leaders destroyed a country. It is a lesson to be learned over and over again as we go about destroying other countries. This is one great read - worthy of the time it takes to understand it. A victory for the author over Mr. Kissinger.

This book has managed to live on, which is perhaps unfortunate - historically speaking, it's far more relevant to contemporary geopolitics than it should be.

In any case, SIDESHOW has managed to stand as one of the better books on Cambodia, and America's involvement in Cambodia (Elizabeth Becker's WHEN THE WAR WAS OVER is a must-read as well). One could debate Shawcross' perspectives, but his research is meticulous and has withstood many attacks, and his depiction of the machiavellian darkness that can creep into foreign policy is chilling and ruthless, and - for better of worse - makes for hypnotic reading, all the more frightening as it's drawn straight from history, research, the Freedom of Information act.

Now more than ever, this is essential reading.

-David Alston

On Junior Day, 2006, I would recommend SIDESHOW by William Shawcross. It contains information about the twentieth century that could be applied to situations that America faces in the world in 2006. The global superpower naturally thinks that everything will be resolved by the application of hyperpower, as Japan suffered a humiliating defeat at the end of World War II when it discovered that the United States was not just fighting a war against Japan, it would nuke their cities to bring about whatever result it wanted. When American troops openly invaded parts of Cambodia, Congress responded by imposing limits which were still in place on April 30, 1973:

"The justification for bombing Cambodia had been to protect Americans in Vietnam. Since October 1970 the Congress had included in every military appropriation bill a proviso expressly forbidding bombing in Cambodia except for that purpose. By the end of March 1973 there were no American troops left in Indochina. Still the bombing of Cambodia increased. The administration now based its case on Article 20 of the Paris Agreement. Rogers now claimed that American withdrawal from Vietnam did not affect the situation in Cambodia, and that Article 20 legalized the bombing `until such time as a ceasefire could be brought into effect.' " (p. 277).

One of the strange things about the invasion of Cambodia was that Nixon made an announcement on April 30, 1970 which attempted to keep all previous secret activities secret:

Ignoring Menu, Nixon began with the lie that the United States had "scrupulously respected" Cambodia's neutrality for the last five years and had not "moved against" the sanctuaries. This falsehood was repeated by Kissinger in his background briefings to the press. That same evening he told reporters that the Communists had been using Cambodia for five years but, "As long as Sihanouk was in power in Cambodia we had to weigh the benefits in long-range historical terms of Cambodian neutrality as against any temporary military advantages and we made no efforts during the first fifteen months of this administration to move against the sanctuary." The next day he said of Sihanouk's rule, "We had no incentive to change it. We made no effort to change it. We were surprised by the development. One reason why we showed such great restraint against the base areas was in order not to change this situation." (p. 146).
In his announcement of the invasion, Nixon stated that his action was taken "not for the purpose of expanding the war into Cambodia, but for the purpose of ending the war in Vietnam"; he would give aid to Cambodia, but only to enable it "to defend its neutrality and not for the purpose of making it an active belligerent on one side or the other." (p. 146).

Currently Iran has a militia of five million, and if Iran were to officially enter a war in Iraq as a result of bombings by Israel, as urged by Vice President Cheney, to remove Iran's nuclear capabilities, even if a bomb based on plans provided by the CIA wouldn't work, Iran has other ways it could strike back. Being subatomic is very much like Cambodia was in 1970, but we shall soon see what issues are about to be submitted to the UN security council, and if it helps or hurts. A blockade created by Iran so American supplies might have more trouble reaching Kuwait and Iraq; oil exports from the region could end; American dollars could fall; the interest on bonds could rise so high that the U.S. government couldn't balance a budget; and some of the world's banks might then be alarmed.

SIDESHOW by William Shawcross is the only book I have in which I can look up Lon Nil in the index. Lon Nil might well be Cambodia's forgotten man. His brother, Lon Nol, declared himself Chief of State as well as Prime Minister and Supreme Commander of the Armed Forces when he dissolved the Assembly in October 1971 and assumed emergency rule. (p. 229). In December 1971, an American psychiatrist in the U.S. Army found "his close associates indicate his mental faculties have deteriorated markedly as a result of his February 1971 stroke" (p. 208). On April 1, 1975, at the urging of his brother Lon Non, Lon Nol took half a million dollars and moved to Hawaii. (pp. 357-358). But for me, the best picture of events in Cambodia is the final page of Chapter 8, The Coup, in March 1970, when Lon Nol overthrew Sihanouk, using the hostility of the urban elite and military officers to Sihanouk to justify a power grab by a former Minister of Defense who "had been the principal scourge of the Vietnamese Communists while privately profiting from the thriving covert business that they brought through Sihanoukville." (p. 113). Sihanouk responded by forming a government recognized by Peking on May 5, 1970, shortly after the American invasion announced by Nixon. Sihanouk had flown from Moscow to China on March 18, 1970, but Lon Nil was still in Cambodia:

Rioting broke out in several provinces; opposition was strongest in the market town of Kompong Cham, Cambodia's second city, fifty miles northeast of Phnom Penh. After Sihanouk's radio broadcast, the town filled with peasants, fishermen and rice farmers from the neighborhood. The townspeople refused the government's orders to remove the Prince's portrait, and they burned down the house of the new governor whom Lon Nol had appointed. Demonstrators gathered in buses and trucks to march on Phnom Penh. They were halted by an army roadblock, and after that . . . About ninety people were killed or wounded. (pp. 126-127).

The most vivid display of anger against Lon Nol occurred, again in Kompong Cham, when peasants seized his brother Lon Nil, killed him and tore his liver from his stomach. The trophy was taken into a Chinese restaurant, where the owner was ordered to cook and slice it. Morsels were handed to everyone in the streets around. (p. 127).

Really bad decisions made by the Nixon administration toward Indochina and the Vietnam War are now fairly obvious. However, we must remember how difficult this type of investigation would have been back when Shawcross did his intensive research back in the late 70s. Here Shawcross builds a very hard-to-dismiss case against Nixon and Henry Kissinger, in terms of how their problematic military and diplomatic strategies at least indirectly led to the hideous destruction of Cambodia (in fact, one of Nixon's documented strategies was to make the Communists think he was a madman, assuming they'd get scared and give up).

During the earlier years of the war, Cambodia was a relatively tranquil nation that was trying to remain neutral. But the country was being used as a hideout by North Vietnamese soldiers, leading to bombing by the Americans. Here Shawcross shows how Nixon and Kissinger made use of political trickery and overhyped threats to keep the bombing going to an extent that was far more destructive than necessary. As a bonus, this book also documents the wire-tapping paranoia and unconstitutional shenanigans in the Nixon White House. Shawcross is especially tough on Kissinger, finding that he disregarded the integrity and safety of Cambodia (which he had only ever visited for four hours), in favor of short-term political advantages and unyielding ideology. The relentless bombing destabilized Cambodian society, leading indirectly to the hideous genocide and societal destruction enacted by the Khmer Rouge a few years later. It is difficult to argue with Shawcross' heavily researched conclusions, and the hellish wholesale collapse of Cambodia (of a type never before seen in modern history) becomes all the more poignant as a result.

Be sure to get an edition of this book from 1986 or after, in which Shawcross adds materials from the political firefight that the book ignited. Kissinger was obviously upset and went to great lengths, through articles written by his lackey Peter Rodman, to try and disprove Shawcross' assertions. If your copy of this book contains these articles, you'll be quite bemused by Rodman's evasive, dissembling, and downright condescending rebuttal attempts, which are easily shot down by Shawcross. This war of words in itself proves that Kissinger had, and always will have, a lot to answer for. [~doomsdayer520~]

I first saw this book at a resort we were staying at. I had to have it!! I have never seen a more amazing book. This book is something I believe everyone should own. It is a wonderful teaching tool for young children, an interesting study for adults, an artists dream to have each specimen right there in front of you, an interesting and colorful study of thousands of specimens of sea, land and sky. To think that these were drawings that occured way before the camera was even thought of. Once you see this, you won't believe you lived without it. Don't skimp on this one; buy the Jumbo book and enjoy. Don't forget to order a new coffee table to hold it! ( : You won't be disappointed...ever!! ( :

The book is more than I expected. It will be proudly display at my store Sol Interios. I know it will get lots of attention.

This is a beautiful book, but I've had to factor in the cost of a dictionary stand or console table to display it. It's giant! and it looked silly on my average-sized coffee table.

This book is an outstanding bargain. It is beautiful and breathtaking. I hadn't read the dimensions of the book before ordering and was really surprised when this 16 pound book arrived in its own cardboard case. The pictures are so gorgeous and some poster sized prints are included -- unfortunately, the images selected for the posters are not the most attractive of Seba's work. Before ordering, I had planned to cut out some of the prints for framing, but I can't bring myself to do that now --this book is just so amazing.

You have to see this book in person to really appreciate how beautiful it really is. Every single page is filled with excellent drawings of hundreds of animals, plants, seashells, etc. It is absolutly outstanding. Every book lover, or nature lover should add this book to their collection. The price seems expensive but when you see the book it will be the best 140 dollars you have spent in a long time.

I purchased Herrick Kimball's "Refacing Cabinets" book since it was the "bible" on how to reface your kitchen cabinets. I was not disappointed! I followed Mr. Kimball's instructions and the results were fantastic. My first refacing project looks great with few errors. Some references to materials need to be updated since the book is 10 years old. I did find equivalent substitutes.

I don't think I could have gotten the project done without this book. Organized in perfect order. Many, many techniques to make the job look great and save time making everything fit. I talked to some professional cabinet refacers and they weren't even aware some of the techniques used in this book that made the result look great.

However, one item that is missing is the technique for getting a clean cut between 2 pieces of veneer that touch each other. It's the same overlay technique that wallpaper hangers use. Other than that, this book has it all.

This book is focus on putting new veneer or laminated board on old cabinet, not what I was looking for as refacing the existing face with stain or new paint. Even on the subject of installing new cabinet face, it lacks the final finish (clear coat, stain)suggestion. The pictures are way dated and not inspiring. it's a good wood work book, but not very helpful if you want to evaluate different options to modernize your kitchen such as sanding and painting the existing panels.

The MUT (multi-use tool) is now available from Rockler, rather than fabricating your own.

Read the book, found it interesting and thorough, but have not tried a whole job using it.

I have however used some of the techniques in spot repairing fire damage, and the concepts I learned in the book were helpful.

I completed my refacing project in a few days after thoroughly
reading and following the instructions in this excellent book.
The MUT is an indispensable tool; I got mine at Rockler. This
book saved me a lot of money by doing the reface myself and not
paying someone to redo my kitchen. It's worth every penny!

I've been woodworking for a a little over a year and had read about Sam Maloof in articles here and there. A few months ago I got to visit the Sam Maloof foundation and I fell in love with the way he shapes his pieces of furniture. As part of the tour we got to sit on one of his rockers and not only do they look beautiful but they are amazingly comfortable. That's when I decided to buy this book to learn more about him and his art.
This book includes Sam Maloof's story from when he first began and his experience as he grew into his woodworking career. It is inspiring to read and to see how he persevered even though it was not easy at the beginning. The book is full of pictures of his work, more than was available at the Maloof foundation. It includes a high-level description of how he makes his famous rockers too.

As you most likely know, Sam Maloof is an icon in the world of woodworking. This book does a great job of both highlighting his many creations as well as to tell the story of the man who would define an entire style and change the face of fine furniture. Written by Sam himself, the book gives you an insight into his genius and humility that you can't get anywhere else other than from the man. And it's clear he had creative input into the design of the book itself, as it's beautifully illustrated and elegantly laid out. I'm relatively new to woodworking and the brilliance of Sam Maloof, but I'm so glad I'm able to have discovered him while we're still blessed with his presence on the earth. Get this book.

IF YOU ARE INTO WOOD OR WOODWORKING AS MUCH AS I AM, OR EVEN IF IF YOU ARE ONLY INTO READING ABOUT GREAT ARTISTS/CRAFTSMEN, THIS BOOK IS A MUST FOR YOU !! IT DETAILS WITH GREAT CLARITY SAM'S LIFE & WORK THROUGH BOTH PHOTOS & REMARKABLE WRITING. I FOUND IT INFORMATIVE & INSIGHTFUL!! DO NOT PASS UP THE OPPORTUNITY TO OWN THIS BOOK !!!

BILL

Sam Maloof is a world treasure. His book reflects his passion and skill as a master. Sam's book is not written in a pompous manor but in a matter of fact point of view. Sam shares his life with us and puts it on paper. I have had the opportunity to meet Mr. Maloof and his lovely and gracious wife, Alfreda before her passing. Sam's love and passion for his craft is second only to his devotion to God and his love for his beautiful wife. His book reflects that in a way that is educational, thought provoking and simple. His warm and friendly demeanor in person is very evident in this book! Sam beleives there are no secrets in woodworking. He shares his finish and techniques in this book, although this is NOT a "how to" book. Reading this book, you will learn something about philosophy, Spirituality and some woodworking along the way.

Keith Kidd Vice-President Cerritos Student's Woodworking Association (CSWA)

I bought this book when I was a student of woodworking/cabinetmaking in college, after hearing and seeing and studing some of Mr.Maloof's work in class. I found his command and respect for his craft, and the material that he works with to be second to none. His work is a insperation in it's self but once you find out the story behind this unbeliveable man it is all the more fasanating. his simple thoughts and down to earth style are a insperation to all. after reading this book I was amazed and inspired by this man and will remember and re-read this book may times.he will always be a insperation to myself and all woodworkers for years to come

I read this book over ten years, ago, while at university. It is impressive how much more detail and and information it contains than the TV series. I liked the BBC show, but it's hard to watch these days because everyone just looks so 1970s. The book however is timeless and, although it's all just a joke, it's truly an amazing source of unique insights into the workings of the British parliamentary system and the pressures and processes which influence it.

This is a book that I have read atleast 20 times since I bought it back in 1995 - I would suggest looking for a hardcover version since the wear and tear has taken its toll on my precious copy - its now held together with gaffers tape ...

anyhoo - this is probably the best political satire ever - and even though it was written back in the 80's it is more than relevant today in the day of the infamous spin cycle and the sparing between the Bush Admin and the press (not taking sides here)

Hey even Margaret Thatcher was a big fan as it truely represented how things worked, albeit in a very smartly funny and incisive way .... she even WROTE a skit along with her press sec that was PERFORMED by MT, Sir Humpy and Jim .... here is a link for more details

http://www.yes-minister.com/thatcherscript.htm

BUY this book and preserve it - I fear the day when copies of this book are no longer available in print form

if you like your humor understated and your wit dry (droll as humphrey would no doubt say), this book will be the best you have ever read. and it will stay that way.

the british civil service had a unique characteristic - it was not directly under the control of the political masters. this gave rise to a very interesting situation where the civil service and her majesty's servants were working towards entirely opposite ends. to the civil servant, imaginative and bold were the worst criticisms. change in any form was looked down upon - as we say here - "if it aint broke, dont fix it". the politicians (especially those new in office like hacker who weren't cynical enough not to care one way or the other) often came to office with lofty ideals of revolutionizing society and being the forefathers of a better tomorrow.

behind the curtain of civility, they (the civil servants and politicians) fought battle after battle. the art of realpolitik meant entirely diffent things to both sides. many of the battles went to the civil servants (Lord Humphrey being among the shrewdest) but at times Hacker (James Hacker - first minister and later Prime Minister) prevailed with his low cunning and fast realization that not everything was what it looked like.

each chapter is a revelation - the next time you read the news, you will see it in an entire different perspective after reading this book. action and motive are so far removed as to make the connection entirely unimaginable and the amount of time spent trying to do nothing seems at times appalling.

if slapstick is your cup of tea, stay away from this book. the humor is often less in what is said than in how it is said. the laughs never end. i have read this book 5 times now. the first time, you enjoy the humor for what it is. the second time, you start enjoying the situations, the broader picture, the political moves,and the sheer genius of humphrey. the third time you see how the characters develop. by the fourth time, it's like you're on crack. you cant explain it - you know what is going to happen next, you know the exact words. you still have to read it again. and again. and again.

Sir Humphrey Appleby, Sir Bernard Wooley, and Rt Honorable James Hacker... this is simply the most outstanding work of humorous fiction that lampoons the British civil service and politicians alike.

Based on the diaries of the minister, the series has been converted to a wonderful teleseries, where the casting has been done by someone who truly loves the book and has imbibed the characters so completely, that on later readings of the book, the television characters appear to the mind.

The book is a series of short stories, which expose the careful interplay between the British civil service and the British politicians, the role played by media, the foriegn office, the various departments etc. It is a wonderful set of stories, where the English is truly masterful!! I remember reading each story with a pencil and dictionary while writing the GRE many years ago,... this and its sequel, yes prime minister, are books which should receive their space in your cabinet.

I dont know why this says - Limited availability, these books are easily procured in India where they are being printed.

It is not uncommon for writers of britcoms to supplement a successful television series with a text-based adaptation, and such is indeed what writers Jonathan Lynn and Antony Jay have done with Yes Minister (and its sequel, Yes Prime Minister). It is uncommon, however, to find such a good one.

Every bit as erudite and witty as the series upon which it is based, The Complete Yes Minister (originally published in 1984 and subtitled The Diaries of a Cabinet Minister), is ostensibly by the Right Hon. James Hacker MP (with Lynn and Jay serving merely as humble editors!). The year is 2019--and no this is NOT science fiction! Although Hacker kept a daily diary of his experiences and opinions whilst in office in the 1980s, the subsequent passage of time has resulted in the expiration of the Thirty-Year Rule. What this means is that the editors (who are writing from Hacker College, Oxford, by the way!) now conveniently have access to (and are able to publish) copies of all the memos and minutes written by Sir Humphrey Appleby (amongst others)--copies of which are included in the book, thereby providing us with a perspective other than Hacker's rather narrow (and, at least initially, innocent) one.

The book commences (as one would expect!) with the "Editors' Note." Lynn and Jay elaborate on the problems they encountered in editing the Diaries and how these were dealt with. Nevertheless, they admit it falls to us ultimately to decide for ourselves whether Hacker's account represents: "(a) what happened, (b) what he believed happened, (c) what he would like to have happened, (d) what he wanted others to believe happened, or (e) what he wanted others to believe that he believed happened"! The editors also include a note of thanks to Sir Humphrey (whose last days were spent in St. Dympna's Hospital for the Elderly Deranged!) for information gleaned from conversations which were held with him "before the advancing years, without in any way impairing his verbal fluency, disengaged the operation of his mind from the content of his speech."

The Diaries themselves are divided into twenty-one chapters (one chapter per episode) with 20 to 30 pages each (there are 514 pages in all). Of course there is dialogue (from Hacker's recollection), but the Diaries comprise so much more. The inclusion of copies of memos, letters, interviews, newspaper clippings, entries from Sir Humphrey's own diary, not to mention the recollections of Sir Bernard Woolley (from conversations with the editors) make for a far more dynamic, fun book than if the writers had merely presented us with the series' scripts. The format also allows for so much of Hacker's thoughts to be included--much of which we as viewers were never privy to. Finally, the Diaries are liberally annotated by the editors with helpful, humorously phrased bits of background information often pertaining to government workings or terminology--bits that are additional to the television series.

Of course, it is being a fan of the television series and having watched it with such enjoyment that makes this book (a UK publication) such a gem as we picture Hacker, Sir Humphrey, etc., in our mind's eye. But it is so creatively written, with all the original wit (and more), that it's a superb book in its own right--one which I'd recommend to anyone looking for an intelligent, hilariously witty, pun-filled book--one that also happens to offer a wealth of insight into the inner workings of the parliamentary system of government. For those, however, for whom this richly witty, intelligent series is a favourite, this book (together with it's sequel) really is a must-have, and I recommend it every bit as highly as the superb series upon which it is based!