North Carolina Books

Doris Betts has written a group of stories peopled with all of us. Faced with their own "ordinariness," and their recognition of what they could be if only they knew how to get there from here, Doris Betts' characters charm us and break our hearts. Ms. Betts has done it again; she does it every time. Brava!

I highly recommend this book to any wildflower enthusiasts in the region. A great addition to anyone's reference library.

At the risk of terrible understatement, it's pretty clear that the Southern Agrarians did not have a huge impact on the political climate of their era (primarily the 1930s). While their political success was small, however, the ripples of their intellectual impact continue to be felt today. And so while parts of this book, one of the most articulate presentations of the agrarian position, are somewhat dated, there's still a lot of value for modern readers.

The book got off to a slow start for me. Davidson's presentation of the theory and history of American regionalism, in a section titled "The Nation We Are," is important, but much of it summarizes, or reacts to, the work of historians and sociologists now even more obscure than the Agrarians themselves (Frederick Jackson Turner being a notable exception). While Davidson makes important points about the endogenous or organic nature of regions, regional characteristics, and regional loyalties -- in distinction to the imposed, artificial, and largely arbitrary nature of political divisions like counties or states -- his focus on the social science of the 1930s is not a terrifically compelling read today.

Once we get past that first section, though, things are much more rewarding. This is particularly true of the second section, titled "Immovable Bodies and Irresistible Forces," which focuses on defining the characteristics of various American regions and the people who live there. I especially enjoyed "Still Rebels, Still Yankees," which contrasts Brother Jonathan of Yankeetown, Vermont, with Cousin Roderick of Rebelville, Georgia. "The Two Old Wests," an exploration of how frontier, geographic, and cultural influences blended, with very different results, in the Old Southwest (Tennessee, Alabama, Mississippi, and later Texas) and Old Northwest (Ohio, Michigan, Illinois, and other parts of the modern Midwest), was fascinating. And "The Great Plains," a précis of Walter Prescott Webb's important book of the same title with Davidson's own expanded commentary, extends the analysis to the foothills of the Rockies. As a Seattle resident, I would have liked to have seen Davidson carry his discussion all the way to the Pacific coast. I can't complain about what he did do, though.

Entertaining and valuable as all this is, the most useful section for modern students of politics and regionalism might be the chapter titled "Expedients vs. Principles -- Cross-Purposes in the South." Davidson here makes a number of important, and still timely, points, including illustrating how attacks on the "backward" South are frequently Trojan horses for the imposition of another, usually Northeastern, political or social agenda. The author also argues, contra those who say the Constitution and federalist system are outdated because "the Founders couldn't foresee" the nature of modern society, that indeed, Jefferson and his contemporaries did foresee the coming of large-scale industrialism and the destructive effects it would have on agrarian society.

Reading Davidson today, one can't help but wonder whether things are much worse, or perhaps a little better, than during his day. One the one hand, monopoly industrialism has in many ways yielded to "the new economy" driven by high technology. On the other hand, American culture seems more monolithic than ever, thanks to mass media and popular culture that are far more pervasive and homogenizing than in the '30s. Are there any discernable differences between the twenty-first century great-grandchildren of Brother Jonathan and Cousin Roderick? It's a question worth investigating, and Davidson's insights are as valuable and provocative today as they were nearly 70 years ago.

Remember visiting your grandmother's house, smelling homemade biscuits and sweet potato casserole? Ever wonder how she made all of that cooking seem so easy? With Aunt Mag's Recipe Book you'll learn how to make country classics easily. I bought it and especially recommend the Molasses Cookies recipe--
a must-have to preserve the history of country Carolina cooking.

This book is amazing and has wonderful information. This book is one of the best I have read in a long time, it provided me plenty of information. This book is entertaining and informing. I would reccommend this book for anyone doing a research paper or for anyone in particular wanting to read a really good book.

Michael Hardy has given us an excellent look at the people who helped to shape Avery County, North Carolina. His compilation of historical photographs with well written descriptions is a "must have" for anyone who has Western North Carolina roots, or who enjoys learning more about Appalachian culture.

Anyone living in the Southeast (Alabama, Georgia, North Carolina, South Carolina and Tennessee) will find this travel book to be a practical and useful tool. The author, Eleanor Berman, pairs seasonal activities and local attractions with various locales. For me, this opened my eyes to the many enjoyable short trips my family and I can take without going too far from home. The book contains telephone numbers, driving directions and suggestions for accommodations and restaurants that I likely would never have discovered on my own. My family and I have stayed in several of the book's recommended bed and breakfasts and have been delighted. I keep this book handy to refer to for travel ideas. I reccommend it highly as a thorough and "user friendly" guide to travel in the Southeast.

Fran's book is a wonderful, down-home recollection of what life was like growing up during the Depression. You will feel like you've been sitting on the front porch with her, listening to her stories. She depicts rural mountain life without sappiness or silliness... it's just a good read.

Such a voice. I wonder why this is not yet a movie! and i am not just saying this because one of the characters in the book is modeled after me. I would not do that! Art does not immitate life, in this case, it is the other way round. A most excellent read, if you happen to like the English language and enjoy rolling it around in your head. and Perhaps on your tongue.
My character is the half blind Negro cat, by the way.

I have a love/hate relationship with the books of Sheila Moses. No. Wait. Let me correct that. More of a love/severe dislike relationship. Which is to say that when she wrote, The Legend of Buddy Bush I loved it. Anachronistic yellow telephone and all. But then she followed it up with The Return of Buddy Bush and I didn't like where she'd taken the novel. In both of those books a Ms. Pattie Mae is the protagonist, telling the tale of her Uncle Buddy's trials (both literal and figurative). By the end of "Return", though, I found I seriously didn't like my narrator anymore. She did not appeal. But remembering how much I liked "Legend", when I picked up the third in Moses's series, I had high hopes. Hopes that were never disappointed. In "The Baptism" we have ourselves an entirely new narrator, a new set of circumstances, and a great little story that deserves a lot more serious attention than it has so far received.

"I figure I have six days to sin all I want to. Luke got six days too, if he will go along with the plan." Twin Leon knows the drill. You turn twelve and suddenly you're expected to give up all the fun stuff that goes along with being a kid. Part of that? Getting baptized and sinning no more. Well he knows the deal and he knows he doesn't want any part of it. Sure, it's his Ma's intention to get him on the "morning bench" where he'll be accepted and baptized, but that doesn't fit in with Leon's plans. Plus he has a lot to deal with these days. His older brother (who he's dubbed "Joe Nasty") is a sneak who doesn't do any work. His stepfather ("Filthy Frank") is a no good cheat and gambler. His twin brother Luke ("Twin Luke") is some kind of Mr. Perfect. And his mom is constantly on his case about being good this week and not sinning. In the course of eight days, Leon will get into trouble, fight the elements, escape from work, get pulled away from fun, and witness the breaking apart and coming together of his remarkably strong family. Set in rural North Carolina during the 1940s, this novel explores big themes with a small intricate little novel.

If there's one thing Sheila Moses does well it's write characters with minds entirely of their own. The kids in her books are so headstrong and smart that it's a wonder that even their author is able to wrangle them into place from scene to scene. In Twin Leon you have such a great kid. Anyone who can say right at the start that if baptizing means not sinning then they just won't get baptized is going to be fun to watch. But when Leon catalogs his sins you can see that they aren't all lighthearted Dennis-the-Menace-type romps. He lies, and steals extra cookies, and beats up kids cause they're white, and calls his older brother Joe Nasty because he doesn't bathe regularly. Moses slips in the serious with the silly so skillfully you might miss it if you blinked. At the same time, she asks big questions couched in the mind of a twelve-year-old boy.

Leon's slow change over the course of a week from unapologetic sinner to baptismal hopeful happens over a brief span of time but never feels false or hurried. Really, it's amazing that Moses is able to pack in as much as she does. There's Leon's story regarding the baptism, and his various pranks and problems. Then there's the story of Buddy Bush on the side. There's also the story of Leon's mom and her husband Filthy Frank and how she has to stand up to her abusive new husband. And THEN there's a story in there regarding the family and how they're not too distantly related to a local white family because of their long dead patriarch's philandering during slave times. All this and the story is fast-paced, punchy, and consistently engaging.

It's a shorter book than its predecessors. Standing at a mere slip of 144 pages, it's amazing that Moses is able to pack in as much thoughtful commentary as she has. It's an exercise in watching an author get right to the heart of a concept without extra frills and furbelows. That isn't to say that she doesn't punch up the language in all the right parts. Twin Luke, the kiss-up, sometimes agrees with his mom, "like he was going to eat the shoes right off her feet." The sun coming out behind the rain is what happens when "the devil is beating his wife." Older brother Joe Nasty hearing about the crimes of his stepfather gets angry and, "All the man in Joe Nasty just rise up like the water down in the river right after a big rain." And Twin Leon is prone to saying things that just sound good when you read them aloud. "She know that God know I don't want to get baptized in the name of the Father, the Son, and nobody else. I just want to go home and shoot marbles."

Now Ms. Moses hasn't entirely grasped the concept of the stand alone novel yet. As such, she's placed this book in a kind of award jeopardy by including an ending that, not to give anything away, places undue importance on the books that preceded "The Baptism". This book does hearken back to the other "Buddy Bush" books she's written, but for the most part you really don't need to have read them to enjoy this story. Unfortunately, the last moment in the book falls a bit flat. It doesn't ruin the story or anything, but it's a distracting coda in an otherwise forthright novel.

Altogether, this is a keeper. Some people might try to convince you that due to some of the serious themes that come up, this is a young adult novel. Personally, I do not agree. It's got all the kid-appeal and excitement an eight to twelve-year-old would want, but is also packed full of thoughts and ideas that make it perfect for book discussion. A great addition and quite possibly Moses's best work yet.