California Books

I enjoyed this book because I am a cancer survivor. Mr. Jordan also
discussed and gave an inside look into political events that happened
events over 2 decades ago, which I found to be interesting.

I read this book years ago and never forgot this brave uplifting man as he fought his battle with cancer. I am greatly saddened to hear of his passing today. His words will live on for anyone facing life's greatest challenges.

Hamilton Jordan tells of his inspiring victory over the deadly disease that affects us all in one way or another - cancer. He also tells the intriguing and compelling history of his brief tenure in the White House under Jimmy Carter as well as the inspiring story of his uncle, who fought racism in rural Georgia ahead of his time.

But above all, this book provided me with a shot in the arm while I was in the hospital for over a month with pneumonia. Feeling somewhat down, this book really lifted my spirits.
Jordan proves that a positive outlook and one deeply rooted in prayer and faith in God immensely helps those in dire medical circumstances. I am a walking monument and a true believer of the power of prayer and faith in God.

I highly recommend this book to everyone - whether you're sick or not. It is ineffably a book that leaves you with a warm fuzzy feeling after you put it down. A great gift to someone you love - including yourself.

I have several relatives with cancer,including my son who is a childhood leukemia surviver. I bought this book expecting to learn more about dealing with the diagnosis of the "Big C". I got that and much, much more.

This book is an inspiration for those touched by cancer, but also an inspiration to see how seemingly small decisions or details in life can a have huge impact. It also is an insider's view of what life in the Deep South was like in the mid-19th century.

Whether you read this book to better understand how to deal with cancer, how to face difficult circumstances in general, or how how a single person can make a huge difference in the lives of others, or just an interesting read you will not be disappointed.

Not many books kept me up past my bedtime but this ranks as one of them. Jordan is frank, lucid and at times funny but I would prefer if he elaborates on his tenure as chief of staff further. I'm sure the conversation he had with Carter in his old car campaining for this little known person then would interest a lot of people...well he left that part out.
This book is about hope and doing something about it.

As soon as I got Silent Battlefields, my teenage daughter took it from me. She is a history buff, and she thought this looked like a book she would enjoy. Actually, she loved it. The way the author brings together the son of holocaust survivors and the son of a former Hitler youth is well done, and really makes the reader think. Highly recommended.

Two unlikely friends realize that they have more in common with each other than most people would believe. Matthew Eisenstadt is the only son of two Holocaust survivors. His mother's parents had been murdered by the Nazis but her life had been spared by a young soldier who suddenly had second thoughts about what his role in the situation. His father had been the family's lone survivor of Treblinka.

Matthews's new friend, Thomas Kruger is the only son of a German couple. His mother had had Nazi sympathizer parents and his father had been one of Hitler's youth.

Both boys know almost nothing about their respective parents' life during the war. It is a subject that is just not broached. Yet both individuals feel that without knowing what really happened that they can't understand a piece of their own history, a piece of themselves.

Silent Battlefields craftfully illustrates both sides of survivor's guilt from the war. I was pleased that the different experiences actually had a great deal of similarities in the feelings and reactions after the fact. However, I really didn't like the direction that the book took in the last hundred pages or so. I felt that these events were out of sync with the rest of the story taking it in a whole different type of story.

Like all German teens when Hitler was in power, Selig Kruger was indoctrinated into the "Hitler Youth", a mandatory program to train and screen the country's next generation of German soldiers. While he enjoyed the comradeship and pagentry, he was disturbed by the blanket hatred of Jews and the violence directed toward them. On his first assignment in the German Army, he and two other soldiers were assigned to expose German families who were hiding Jews in their homes. In searching a home, he saw a terrified young Jewish girl hiding in a closet, but spared her life by keeping silent about her. Shortly thereafter, sickened by the reality of the violence he had been trained to inflict, he fled the scene, and had to kill the other two soldiers who would have shot him as a deserter.

Fast forward about 25 years, and Selig is a physician in a Philadelphia hospital, married to a German woman who knows his secret. Their son Thomas, whom they have not told about his father's past, strikes up a friendship with a young Jewish man, Matthew, whom he meets at a college discussion and reconcilation group about the Holocaust. Matthew invites Thomas home to have dinner with him and his parents, Nathan and Eva, who are both Holocaust survivors. Eva is stunned by a flash of recognition in meeting Thomas, who bears an erie resemblance to the German soldier who spared her life so many years before. The boys become very close, and Eva takes it upon herself to meet Selig. Their reconcilation is complicated by the appearance of a Nazi hunter, a former patient of psychologist Eva, who targets Selig due to his assumed atrocities committed while in the German army.

"Silent Battlefields" is a highly original, riveting, well-written and thought-provoking debut novel, one which not only raises significant issues about that period in history, but exposes how dangerous bigotry and blind hate can be in any context. I give it a full five stars out of five.

"Let he who is without sin, cast the first stone."

As it happens, Hugh Rosen, author of Silent Battlefields, A Novel, has written a wide-ranging novel that explores this ancient quotation from the New Testament, though it seems a contradiction. This book is set in our modern day and the protagonists are progeny of Germans and Jews who still suffer from the holocaust.

Rosen probably didn't set out to examine the concept from this quote; it turns out he did, though, and for the benefit of all who read it, I might add. For these readers are the lucky ones, the ones who will be exposed again--may in fact re-learn--the concept that as humans, we are all one.

What better time to come to a novel like this? Like Steven Spielberg did with Munich and George Clooney did with Good Night and Good Luck, Rosen has chosen to tackle a gigantic theme with a specific and heartfelt story. Would that his book finds the same kind of audience.

For, in this novel, there are no angels, no devils. Only hard-core people made of blood, bones and heart. Rosen updates the ancient themes of tolerance, acceptance and blame to a modern-day mystery with elements of horror that genre fans might find more edifying than their usual fare. By doing so, he makes subjects that some might avoid not only palatable but must-absolutely-must-reading.

Battlefields is a first novel from a newly minted MFA graduate. With small improvements in craft, Hugh Rosen will be one of our greats and, it is fervently hoped, one of our nation's most read. Hear, hear Rosen! Here's to a bestselling future!
----------------

Carolyn Howard-Johnson is the author of the award-winning books This is the Place and Harkening. Leora Krygier, author of the acclaimed When She Sleeps, says "these books paint us a picture of Utah, love, family and intolerance in beautiful strokes." The reviewer is also the author of THE FRUGAL BOOK PROMOTER: HOW TO DO WHAT YOUR PUBLISHER WON'T, USA Book News' pick for "Best Professional Book 2004, and a book of nostalgic, personal poetry, Tracings from Finishing Line Press. Her FRUGAL EDITOR: PUT YOU BEST BOOK FORWARD TO AVOID HUMILIATION AND ENSURE SUCCESS will be issued in spring of 2007.

Imposing cover graphics at once drew me to this novel, the story of Selig Kruger, one of Hitler's Youth, and Eva, the girl he saved. But this poignant tale captures more than just the scars and hopes of these two people, more than principle and duplicity; it weaves around their relationships and those of their offspring, each individual invariably affected by a gruesome past.

Silent Battlefields awakens a difficult history, from the Nazi youth to the Holocaust survivor, from the hapless victim to the deranged vigilante who seeks his own justice, and how all these lives interconnect to make the past, the present and the future. Each account is written judiciously, perceptively, sometimes with a daintiness that encapsulates emotion. Sometimes that fragility crumbles to jolt one into a raw harshness, the kind that invades spaces not ready to be filled. Doors open that would rather remain shut. Refined masks are suddenly uncloaked in elaborate, disturbing accounts: boy soldiers on grave missions; men defined by the numbers they killed; others shaped by the degree of suffering endured. Dialogue flows easy, at times somewhat philosophical.

A part of me wanted to gobble each haunting truth, each staggering concept, yet another piece of me felt drawn into a place I did not wish to explore, the findings too unsettling to visit. Parallels, contrasts - Hugh Rosen draws them well. As an author, he has a commanding flow that understands how to keep a story alive and curiosity aflame. Silent Battlefields, an iUniverse Editor's Choice, carries deep insight into the complexities of fear, relationships and conflicts. It peels like an onion into the innermost layers of each sentiment to cloister them in a work of fiction that redefines history.

What a powerful read!
Eugen M. Bacon,
Amazon Shorts Author, The Hybrid

I read this book when it was first published and was completely taken by it. I entered the US Naval Academy in 1968 (Class of 72)--my plebe year was 1968-1969 (I flunked out a year later, joined the Army, went to Vietnam, returned, finished college then joined the Marine Corps, retiring as a Colonel after 31 years total service). The events and characters in this book were so close to those I'd experienced (to include the setting--I was in 32nd Company, my company officer, Maj Stensland, MUST have been the model for Capt Lenahan) it completely blew me away. Most poignant for me is the part about training for jump school...I participated in that; reading the book was like reading a chapter of my own life. If you want to know what this little bit of history was all about; if you want to "taste" a snapshot of the times...being part of an institute demonized by anti-war sentiment knowing that upon graduation you were going to Vietnam (in my case, never coming to grips with what calculus had to do with fighting NVA) this is the book for you.

I bought this book based on the reviews posted on this website. I too, served for 10 years in the Navy. For some reason, I got very bored with the centralized theme: discipline at the USNA. I'll even admit that I started (and stopped) reading this book several times but I was determined to finish it (like Dean running the wall). The transformation of turning teenagers into military leaders is the purpose of the Academies but why does Webb beat you death with this point. I know there are other plots to the book but everything comes back to the discipline element. Webb's military career is well documented and he does a tremendous job bringing the reader into this environment. His character development in Sense of Honor is very strong. The plots are easy to follow. He satisfactorily brings each to conclusion at the end. I am giving it 3 stars because 1) I finished the book and 2) due to the over emphasizing of discipline. It would be kinda interesting if Webb had to choosen to follow up these characters. He did with Fogarty but what eventually happens to Dean might have made a great sequal. This is a good novel but not a real turner.

I wasn't there in the 60's, but I can tell you it was very accurate for 1985. The are still a few Fogartys running around there. I had a squad leader just like him. This is a very good read. Webb is underappreciated as a writer.

"A Sense of Honor" is classic Webb, and that's a good thing. For those readers unfamiliar with James Webb and his works, he graduated from the Naval Academy, went to Vietnam as a Marine Officer, and eventually used his experiences to write his most famous novel, "Fields of Fire". Both "Fields" and "Sense of Honor" have as central themes the warrior's distaste for the tyranny of guidelines and rules over common sense. Webb excells at creating choatic enviroments, where leadership breaks into difficult choices of judgement and morality, where there are no 'right' answers. In particular, I found 'Sense of Honor' great because of its simple contrast of characters. Fogerty is the poster-boy Annapolis First Classman, and consumate warrior. John Dean is the new 'plebe', subject to the whims of the First Classmen (think of a recruit in a Fraternity). Dean is about grades and class; jumping through whatever hoops he must to simply graduate and continue a civilian life. Fogerty pushes Dean, in the words of 'Sense of Honor', to be 'bigger than himself' - to be a leader sacrificing for his companions, rather than a civlian out for himself. This is all set during the Class of 1968, the summer of the Tet Offensive in Vietnam, in which Annapolis graduates fought, bled, and died. Sacrifice and death were by no means simple abstractions. Anyone interested in leadership, the military life, or simply a great drama would do well to buy this book. It is as relevent to current events as it was back when 'Sense of Honor' was written.

It's been 15 years since I read this book the first time as a Midshipman. While quite a bit has changed in my life since then, I am amazed at how quickly A Sense of Honor took me back to my youthful days at USNA. As I read Webb's story this time, I was amazed at how differently it affected me and how greatful I am for my own experiences and relationships I took from the Academy. They call Annapolis "the great conundrum" because while you are there, all you want to do is get away, but once you graduate, all you want to do is get back, and Webb's story helps to demonstrate why. While the particulars of the story will be more familiar to former Midshipmen, there are terrific lessons to be learned for everyone and I would recommend it without a doubt.

I liked this book well enough. I think Sunny was truly unfair to her mom. I would have stuck right by my moms side. I can see why Dawn got mad at Sunny. She is incredibly selfish and VERY boy-crazy. I liked the other California Diaries a lot better. Thats why i gave it 4 stars. P.S. Maggie is my favorite character.

I think this book was poorly written. It made Sunny seem selfish and stupid. She was incredibly rude to Dawn. Also, she was treating Dawn's house like her private hotel. Also, she acted terrrible to her mom. She could have been there for her mom, knowing she had cancer. Another thing is, Sunny had so many boyfriends in this 1 book and she only cared about what they looked like. Not there personality. All in all, this book was pretty good.

Read betwee the lines

Dr. merwin has stopped talking about good signs and her mother iws never getting better.

Sunny is a selfish, boy-crazed lunatic who doesn't realise that DAWN and MRS. WINSLOW and MR. WINSLOW NEED Sunny to HELP them. SURE she DOES have her OWN PROBLEMS, that's fine, but DON"t MESS EVERYBODY else UP, Sunny, and expect everyone to FORGIVE and FORGET the way Carol, Mrs. Bruen, and Dawn's dad did about the stew pot that YOU LEFT UNATTENDED while CAROL and an unborn BABY were in the house. SUNNY IS SELFISH, STUBBORN and CONCEITED. she doesn't realise that in this time of heartbreak and upset (her mother's illness) she is NOT the only person SUFFERING. Everyone NEEDS to PULL together and SUNNY IS NOT HELPING THIS by running away with loner 17-year olds and nearly burning people's houses down!
DAWN IS THE GREATEST FRIEND< a person always there to help. I can see why she doesn't understand SUnny - sunny is so oneminded and stubborn. Dawn is just TRYING to HELP sunny and bring her back to sanity, but SUNNY PUSHES EVERYONE AWAY aND is that DAwn's fault, i think not!

Sunny #6 was a good book; it was the book in which the fight between Dawn and Sunny REALLY begins; it showed both sides of Dawn and Sunny's personalities; good and bad.
Sunny is a troubled teen dealing with the fact that she may lose her mother to cancer; she has a lot of anger, pain, and sadness to deal with. She, unfortunately, solves her problems by, as Dawn pointed out, running away; and this isn't the greatest thing to do; although one aspect of it is good; you learn from your mistakes and work on solving your problems in a different way; so truly; Sunny is experimenting with how to deal with her pain and grief. This is what Dawn, Sunny's long-time best friend; doesn't see. She sees Sunny as being stubborn, selfish, a changed person; and a person who doesn't visit her mother at all.

I would just like to point out here that Ann M Martin; the author, has done a fantastic job of making us feel sympathetic towards Sunny in this book; so much, that by the next book, Dawn #7, we feel resentful towards Dawn. Great work, Ms Martin!

Anyway, back to the Dawn and Sunny Saga : Dawn is also experiencing grief, she has a close friend and 'second mother'in Mrs Winslow (Sunny's mother), and is just as saddened by Mrs. Winslow's illness as Sunny is. Dawn is also experiencing confusion as her stepmother, Carol, is carrying her father's baby. One interesting thing is this; Dawn visits Mrs. Winslow more often than Sunny does, but Sunny gets on a LOT better than Dawn with Carol. It's almost as if they had switched mothers; and this adds to the tension and rivalry between the two girls.

I think that there are a lot of aspects to this fight; really, i don't side with either Dawn or Sunny; i just try to understand their problems and what they're feeling; the way Ducky does with Sunny.

However, i do believe that Dawn could be more understanding; she could see that Sunny doesn't know how to act because of the situation she's in; Dawn could try to understand Sunny better and empathize, not criticise. Dawn doesn't seem to realise that when people are faced with a tough problem/situation, they don't always know how they'll act; after all, when it boils down to it, this is SUNNY's mother and SUNNY has the bigger problem; her mother is dying. And Dawn may feel equally saddened by this but; she has Carol and her mother in Stoneybrook. So Dawn doesn't TRULY know how Sunny feels...she just THINKS she does.

Sunny, in turn; could also be less stubborn; she definitely let her guard down when she went out to flirt with that guy, putting Carol and her unborn baby in danger, by leaving the stew pot unattended; Sunny was definitely pretty selfish when she did this; but one thing has come of it, Sunny realises her mistakes and apologises. But i do feel Dawn's confusion that Sunny, Mrs. Bruen, Dad and Carol are all sitting around having a friendly chat just hours after Sunny made that tremendous mistake; while Sunny seems to be 'off the hook'. I can also understand Dawn's annoyance that when Sunny makes a mistake, everyone blames it on the turmoil caused by her mother's illness; again, Sunny off the hook...

I do think that Sunny needs to see what a great friend she has in Ducky; after all, he always listens and understands and doesn't judge her by her actions. He's a terrific friend, but Sunny needs to be a good friend back to him. In the book, an example of this was when Ducky was majorly upset about his depressed friend Alex, and Sunny listened for about half a second, cut Ducky off, and started chatting about her upcoming date with another guy. She asks Ducky's fashion advice in the middle of Ducky explaining a serious problem! The ONE time Ducky needs desperate help, and asks Sunny for it, she won't listen. I have to admit that when you don't help a great buddy like Ducky, that's pretty low...

However, Dawn comes across as a patron saint, as Sunny describes; Dawn blocks Sunny's view of Mrs. Winslow and starts spouting 'lies' (as Sunny thinks), "You're looking so GREAT today, Mrs. Winslow, what can i do for you, Mrs. Winslow? Today's such a pretty day, you're looking better than ever, Mrs. Winslow! Come on, Sunny, let's get your mom some food, call the nurse, give her flowers..." I can definitely see how this could REALLY get on Sunny's nerves.

So as you can see there are two very different sides to this fight...keep reading all of the California Diaries to see how it goes! And, oh; by the way, Sunny Diary Two #6, 'Waiting. Watching. Crash." is a great book, definitely worth buying, and an important milestone in the Dawn and Sunny Fight: you can't miss it!

This boxed set was almost a steal it was such a price and quality! The works flowed with what can only be assumed near the original prose and was explained in great detail. Please do buy this item!

"The Iliad":
It is obvious that, as Santayana wrote in 1924, "Only the dead have seen the end of war" and, as elegantly shown in Fagles' translation of, "The Iliad", the tradition of military brutality coupled with the equally obvious fact that, "Iron has powers to draw a man to ruin" (Odyssey) are elements of the human condition; they exert a compelling attraction in their various forms and facets to humans of all stripes, but especially, perhaps, to poets, historians and novelists.

"The Iliad", as is known to any high school student, recounts the siege of Troy by the Achaens and the "rage of Achilles" directed both toward his putative ally and commander (Agamemnon) and to his enemy, Troy. The machinations of the gods underpin the tale, with the Judgement of Paris (arousing the ire of Hera, Queen of the Gods) as the motive force. There is gore galore in the epic poem and plenty of raw emotion, tellingly conveyed in the new English text. The extensive introductory remarks by Bernard Knox place the work in historical and literary context.

While this translation has been extolled by a pantheon of reviewers as the "climax" of the art, I still favor the E.V. Rieu (founder of Penguin Classics) prose version of 1946 of both this epic and "The Odyssey". Rieu's effort (acknowledged by the translator, but not considered on par with others) carries the reader in a more "Victorian" and perhaps fastidious fashion to the harrowing conclusion (Achilles triumph over Hector, killer of Patroclus). I am not able to compare the various versions with respect to the original; I only express my opinion as a lay reader.

"The Odyssey":
The "sequel" to "The Iliad", this recounts the eponymous saga of Odysseus (Ulysses) in his attempts to return home from the siege of Troy. It is truly an epic and is, like "The Iliad", one of the cornerstones of Western literature. Really, one cannot claim to be "educated" in Western civilization without a working knowledge of these two books. The claimant to the throne of "best book of the 20th Century" , James Joyce's, "Ulysses" simply cannot be fully appreciated nor understood without a knowledge of this work. As I wrote for, "The Iliad", the new Fagles translation is outstanding, but I again favor Rieu's version; a minority opinion.

In conclusion, these are magnificent works which deserve the recent attention the Fagles/Knox collaboration has engendered. "The Iliad" and "The Odyssey" should be read and appreciated in any translation, but these are probably the best. Both also prove that, "...fate takes hold and lays them out at last" (Athena to Telemachus, "Odyssey"). So also does hubris and the lure of revenge, because, like fate, the lust for revenge cannot be tricked.

Incidentally, the boxed set/deluxe edition is well worth owning, compared to the "trade" paperback edition.

I really am enjoying reading this book again. read it in uni and hated every bit of it; but this time around, with this version, i can really get into what is happening. the index and annotations in the back are great for those of us that are not experts on Homer.
The book itsself is really cool. i love how the pages are serrated. books are lightweight and not so big at to be a pain to carry in your bag. this is a solid purchase.

I love feeling pages in between my fingers and a new book always lifts my spirits. The boxed set is truly a collectible item.
The books by themselves are translated by award winning translator,
Robert Fagles.
The introduction takes the reader through the premise and the verse itself is very simple and simplifies the epic.
The reader wont get confused with the myriad of characters but instead the book sequentially unfolds the main characters and their importance to the legacy of Iliad and Odyssey.

The Iliad

With many books, translations are negligible, with two obvious exceptions, one is the Bible, and surprisingly the other is The Iliad.

For example:

"Rage--Goddess, sing the rage of Peleus' son Achilles,
Murderous, doomed, that cost the Achaeans countless losses,
hurling down to the House of Death so many souls,
great fighters' souls. But made their bodies carrion,
feasts for dogs and birds,
and the will of Zeus was moving towards its end.
Begin, Muse, when the two first broke and clashed,
Agamemnon lord of men and brilliant Achilles."
-Translated by Robert Fagles

"Sing, O Goddess, the anger of Achilles, son of Peleus, that brought countless ills upon the Achaeans. Many a brave soul did it send hurrying down to Hades, and many a heroes did it yield a prey to dogs and vultures for so were the counsels of Zeus fulfilled from the day on which the son of Atreus, king of men, and great Achilles first fell out with one another."
-Translated by Samuel Butler

Our story takes place in the ninth year of the ongoing war. We get some introduction to the first nine years but they are just a background to this tale of pride, sorrow and revenge. The story will also end abruptly before the end of the war.

We have the wide conflict between the Trojans and Achaeans over a matter of pride; the gods get to take sides and many times direct spears and shields.

Although the more focused conflict is the power struggle between two different types of power. That of Achilles, son of Peleus and the greatest individual warier and that of Agamemnon, lord of men, who's power comes form position.

We are treated to a blow by blow inside story as to what each is thinking and an unvarnished description of the perils of war.
=======================================================
The Odyssey
"I long to be homeward bound" Simon and Garfunkle

The Trojan War is over and one of our hero kings is lost. His son (Telemachus) travels to find any information about his father's fait. His wife (Penelope) must cunningly hold off suitors that are eating them out of house and home.

If he ever makes it home Odysseus will have to detect those servants loyal from those who are not. One absent king against rows of suitors; how will he give them their just deserts? We look to Bright Eyed Pallas Athena to help prophecy come true.

Interestingly all the tales of monsters and gods on the sea voyage was told by Odysseus. Notice that no on else survives to tell the tale. So we have to rely on Odysseus' word.

Many movies took sections of The Odyssey, and expanded them to make interesting stories those selves.

Not just the story but the way in which it is told will keep you up late at night reading.


Troy (Two-Disc Widescreen Edition)
The Archaeology of Heinrich Schliemann: An Annotated Bibliographic Handlist

A good film comes at you slowly, like a work of art, creeping into your soul through metaphors and meditation. That is how Suber's THE POWER OF FILM comes at you. Start anywhere and read a little or as much as you want, in small bites. Then stop and meditate on what you just read. Better yet, think of the film you're working on or just watched, and note in the wide margins what you now understand anew. A good scene in a good film should be watched time and again. Each page of this book is like a good scene. Underline it, mark it up -- and then, later, read it again, and add to your discovery of why film is so powerful.

Howard Suber is a legendary film educator at UCLA, and has taught dozens of courses on every aspect of filmmaking (except for animation). In The Power of Film, he commits his wisdom to paper, gathered over many decades of teaching.
The Power of Film is not a how-to book or theoretical treatise, however. Rather, it is a lexicon of movie storytelling concepts. The topics range from Accidents to Writing What You Know, and cover such things as the most important word in storytelling (it's `but'), the `real' American religion (individualism), the characteristics of the Hero (someone outside of society who sacrifices personal happiness and contentment for the greater good or goal) and whether happy endings are really mandatory. Suber also talks about genres (the essential characteristics of each), dramatic structure (some), and specific narrative tools such as the Macguffin. Throughout the book the emphasis is squarely on the mainstream American film, so you will be able to find many exceptions to the `rules' Suber mentions here, though `rules' isn't the right word. Rather, they are `insights' or concepts which work and have done so for ages, but which are just some of the possible narrative solutions to the problems cinematic storytelling poses.
This is a book to dip into, and which is intended to spark the imagination of the reader. Not all of the topics are equally enlightening, and I disagreed with the definition of the Crisis Point, but as an encyclopaedia of Hollywood storytelling it is currently without equal.

I found The Power of Film truly refreshing and unusually spiritual. Suber compiles years of teaching experience into a few hundred pages loaded with wisdom and wit. While not a believing man himself, his reverence for world scriptures and figures of faith who have changed the world, from Moses to Jesus to Gandhi, is rare in books on film.

Also, Suber's coinage of "Aristolatry" sure could have come in handy in film school (I went to USC, grad level), along with many of his paradigm-shattering concepts. I only had one professor who dared say that some films may have four acts -- I think he got fired!

The Power of Film is a great book that will take a prized place at the top of my list of books about filmmaking.

Howard Suber delivered a lecture to a large gathering in a theater in Kansas City this spring. What was striking about the experience was how Professor Suber turned this theater into a classroom and, by asking questions, made us active participants in a search for answers to the question: "What makes a film great?".

Suber's book, "The Power of Film", uses this same Socratic Method but the technique is necessarily different. Instead of asking questions, a writer can only pose riddles, and to this end Suber employees wit and irony to provoke careful and thoughtful reading of his concise dictionary like definitions.

The films Suber examines are American films. Without being jingoistic, he says that over the decades American films have been the most popular not only in the U.S. but all over the world. The American films he focuses on are those that have maintained their appeal ten years after they were released those, in other words, which have stood the test of time and remain perennial favorites.

The question he asks is: "What makes these films classics?"

Some of the answers are surprising. The notion, for example, that Hollywood films, to be popular, have to have a happy ending, Suber demonstrates is not true. Think of the Godfather films, Lawrence of Arabia, Chinatown. Even "It's a Wonderful Life" journeys through some very dark regions before emerging with a comic ending.

So why do people go to see these films? Suber suggests that going to the movies is akin to going to church, that what people need and want is to experience time honored rituals that put us in touch with our humanity.

As a practicing filmmaker, I have spent many hours over the years thinking about how to use the power of film to move an audience and I am always looking for help. Of the many available, I have culled a few "essential" books on film theory and aesthetics. Eisenstein's "Film Sense" and "Film Form" are two, Pudovkin's 'Film Technique and Film Acting", Mascelli's "Five C's of Cinematography" and a few others. Suber's "The Power of Film" has already taken its place with these.

Why? Because first of all, the book is packed with information and insight covering every subject about American film, literally from A to Z. Second, the insights are uncannily precise. A brief example: I don't like using flashbacks because I feel they are too easy but I find I must at times because they are sometimes necessary and I haven't been able to think of anything better. This is in Suber's definition of "Flasbacks":

"The reason flashbacks came back is that they are not merely
stylistic flourishes, like iris shots; they are necessary tools
that, so far, cannot be replaced by others."

The authority of this statement is reassuring, but notice the two words: "so far"; this tiny insertion leaves open the possibility and, indeed, ecourages the search for other ways.

How to transition to a flashback?

"The camera moves to a tight close up of a character's eyes, they
glaze over and we hear an echo chamber voice..."

I fear that every time I use this device that someone in the audience is going to yell out: "Visual cliche!". It never happens and I continue to use it because, as Professor Suber says: "no one has come up with anything substantially better.".

This is a sampling of some of what can be considered Suber's practical advise; but this book is very rich and has a broad range and covers everything from the technical to the philosophical.

The entry for "Tragedy" is three pages long but delivers a store of wisdom. One paragraph in this concise definition is about "impulsivity", and the final line reads:

"Impulsivity we see over and over again leads to tragedy."

The philosopher Martin Buber in his book "Good and Evil" devotes pages of discussion to the tendancy to impulsivity and how it is an aspect of evil. Suber's book is obviously a distillation of years of thinking and study not only about film but also about human nature.

The entries that make up this book are cross referenced. This cross referencing, like the use of wit and irony, is not only an practical aid, but also an encouragement to explore the connection of ideas.

Suber has carefully culled the essential ideas of what makes a film "great" and this selection reveals that the subject in Suber's mind has a unity, that it constitutes an aesthetic, an interlocking system of ideas. It is an indication of Howard Suber's wisdom as a teacher that he does not expound this system but only indicates it; and because this system must be discovered and recreated by every reader, it will always be new.

Getting the book and reading all of the blurbs on the cover written by film experts like Coppola and several successful Hollywood screenwriters, I was a bit concerned that perhaps I had purchased an insiders handbook, which might prove too esoteric for the casual reader. The 'power of the book' Prof. Suber has written, is his ability to take substantive information and make it enjoyable reading. The book is written in bite size stories, alphabetized by topic, each insightful and entertaining. I often sat down with the intent of a quick read of one or two articles and discovered I had read seven or eight. The topics are easy to digest, yet informative enough to go back and read several times.
Certainly as Bill Cosby used to say, "Be careful or you just might learn something". Film students and pros, no doubt already know about(and swear by)this book, this review is for the rest of us, those who just like films. The Power of Film would make a terrific gift for lovers of films of all ages and is certainly a must read for anyone with film career aspirations.

I truly enjoyed this book. It is somewhat parochial regarding the air force, but not awful about it. Some of the personal anecdotes were quite interesting, especially the description of the Saudi officers. I laughed out loud at the anecdote of "you are now leaving Saudi Arabia, please set your watches ahead 600 years".

This book assumes the reader has something of a military background, which isn't an issue to me but I can imagine some people struggling w/the story. If your interested in military history in the mideast, you can easily afford the day or two it will take to read this.

Boy, I certainly enjoyed this book. It really keeps you on the edge of your seat as you relive his experiences in Iraq and with GEN Schwarzkopf during the Gulf War.

With his unique first-hand experiences in Iraq and the Middle East and being fluent in Arabic, Col. Francona has certainly had a most exciting career. I'm sure he must still be an extremely valuable consultant to the Bush administration in Washington.

This is the best book I've read in quite some time!

He was right in the middle of the Iraq war with eyeball accounts of things that were happening. Great if you like behind the scenes info. Well written.

If you were an intelligence officer fluent in speaking Arabic and served in Iraq during its war with Iran and later as General Schwarzkopf's interpreter during Desert Shield and Desert Storm you would have a lot to tell that could not be found in American news reports--and Rick Francona does just that in Ally To Adversary.

This book takes you into Iraq, Saudi Arabia, and Kuwait, where you will come away with a better understanding of the political, military, and cultural mishmash of the region.

The book is full of revealing tidbits, such as:
--Government Control - In order to mail a letter outside of the country of Iraq, one must get government permission to buy postage stamps. A woman "sobbing quietly" told the author that she had a sister in the United States but could not correspond with her.
--Bunker Opulence - The Saudi king's bunker deep below the palace is itself an underground palace with kitchen, living areas and medical clinic, "opulent beyond description."
--Allies? - When the first Iraqi missiles hit Israeli soil, inside the coalition operations center every Saudi officer was on his feet applauding and cheering the attack.
--Monster Marines - The fighting ferocity of a small group of U.S. Marines surrounded and greatly outnumbered by Iraqi soldiers spread through the Iraqi army spawning wild perceptions about American marines. Among them: each marine had to have killed a member of his own family as a condition of entering the corps; and that marines practiced cannibalism on the bodies of their foes.

Find out why Iraq did not use chemical and biological weapons against the coalition forces.

At a time when many Americans want to understand Arab and Islamic influences and their effect on current events, Rick Francona's book is an excellent and enduring source.
As an Air Force intelligence officer, a Middle East veteran, and a fluent Arabic speaker, Rick had seen the Iraqis, first as an ally, and later as an adversary, as the title suggests. Early in the book he tells us about visiting Iraq during its long war with Iran. He visited areas of grinding combat around Al-Basrah and observed, as an ally, the army we would later face in the Persian Gulf War. His unique, first-hand observations would be invaluable later. He also entertains us with stories of life in Baghdad, once even escaping his Iraqi escort and conversing in Arabic with surprised ordinary Iraqis in the marketplace.
Later in the book, he gives us an insider's view as General Schwarzkopf's interpreter at the meeting at Safwan where Iraq was to receive surrender terms. Asked to translate instructions to the senior Iraqi representative, Rick tells us, "I translated the words into Arabic; the Iraqi interpreter, a brigadier who had spent several years living in Michigan, nodded to Sultan Hashim that my translation was correct." He ties many of his experiences together at a meeting later in the book when he finds himself facing an Iraqi major with whom he had worked during the Iran-Iraq war. "I was stunned to be now face-to-face with Majid Al-Hilawi, whom I had not seen since my last night in Baghdad at the end of the US-Iraq military relationship in 1988. I simply walked over to where Majid was sitting and offered my hand which he took warmly."
Rick Francona makes us feel like a personal witness to all these events. This is a great story from an observant eyewitness. It is all the more compelling because we saw the highlights on CNN and many of the observations will probably be relevant far into the future.

The most important thing that I gained by reading Janusz Bardach's book is that the will to survive is as important as food when it come to survival. More times that he imagined, he survived because he felt that he would, like he had a special angel or just more "good luck" than other people. It doesn't matter if it's true, it only matters that you believe it.

Luck is also helped by brashness and the will to succeed. His story about becoming a medical assistant, though he had absolutely no formal training, reminds me of Solsenitsyn's tale of how he survived the Gulag by lying about having training as a nuclear engineer. It's the ability to adapt that keeps you alive. Goebbels said that if you told a big enough lie enough times, people would begin to believe it. The only way to survive in the Gulag was to lie to yourself and everyone else.

Since so many of the NKVD were corrupt and brutal, the only way to survive in there world was to also appear to be corrupt. Stalin sent so many of the NKVD and those who worked for them to prison, that they were well cared for by their ex-comrades, because they knew they had a good chance of joining them. Who could survive better in a criminal state within a state then a criminal?

This is a story of hope without all the 'hearts and flowers'. It just the true story of what went on, warts and all (lots of warts).

This is one of the most unbelievable stories I've ever read. It's written with superb simplicity, making it a rapid and engrossing page turner. What a great gift Bardach has given us in writing this book about his horrific and heroic experiences. This is the best account of any world war 2 camp survivor, period. He clearly illustrates that the Soviet Union was about as horrible a place to be as Europe at the time. The book is as well written as the story is interesting. Fantastic. Thank you, Janusz!

I read this after reading The Unquiet Ghost: Russians Remember Stalin. This book may be bleak and shocking, but remember, the author survived! It is an amazing, gripping, shocking story about humanity. I loved it.

I can't really say anything that hasn't been mentioned already, and I think that it would be inappropriate to give away any of the plot.

This is simply the most fascinating story of survival of any that I have ever seen. It is incredible as well as inspiring. It teaches you to value your life, and the relationships that you have with the people you care about most. There were so many instances when he could have resigned to his fate and accepted death, but instead he kept going. Millions of people died in prison camps during the war, and unfortunately all of their stories cannot be told. But to understand what they had to go through in their fight for survival, nothing beats this book. Besides telling his story, it examines the history and psychology behind what happened to him. And overall I believe that it is a valuable read for anyone interested in Russian Gulags or prison camps in general during WW2.

Janusz Bardach, who became a plastic surgeon in Iowa City, Iowa in 1972, recounts his experiences in the Gulag in this bleak tale of survival reminiscent of Solzhenitsyn's The Gulag Archipelago. A secular Jewish man and supporter of Stalin and communism living in Poland In 1939, he and his family fear their future as Germany's military forces are set up along the border. He is eventually drafted into the Red Army, but when he inadvertently gets his new tank stuck in a river, he's arrested and given a sentence of 10 years of hard labor. He, like the other prisoners, spends most of his time working to meet ridiculously high work quotas, while in a constant state of starvation. He travels from camp to camp during his six years in captivity working in various work situations including a mine, the forest felling trees, and as a medical assistant working with tuberculosis patients (which he eventually contracts). Once he recovers, he's sent to work in a psych ward, where the main focus is exposing the "fakers," those trying to get out of work. His job is to inject them with a seizure-inducing drug, which he does reluctantly. With a little help from his one surviving family member, Polish army officer brother, he is eventually released and finds out the fate of his grandparents, parents, sister and girlfriend. They were all executed.

Mr. Henault's self-published novel is amazing due to the fact it seems to be selling rather well. Most large chain bookstores having nothing to do with self published works. This book has gone from hardbound to paperback (and vanity press publishing can be very expensive).

This is a romantic novel spanning the years infusing the iconic Connie Francis throughout. All of the chapter headings are a hit song title by Ms. Francis and deals with the subject matter at hand. It is obvious the author is a devoted fan of this legendary singer and she has played a very important part in his life (as she has in with many of her fans). Francis is one of few remaining singers still going strong. Although she records infrequently, she continues to perform before sell out audiences.

I have not read the entire book. I am not fond of romance novels. I have read excerpts and learned much from the many Connie web sites the novel is promoted on. A cynic could say the author is exploiting a famous personality, but it is quite obvious this is more a homage to Ms. Francis than the former statement.

I tip my hat to Mr. Henault. Self-publish is difficult to sell, and he has obviously succeeded.

Terry D. Robertson
author of FILL MY EYES

I first read of the novel from the Foxy 88.5 FM review of the Toronto Connie Francis Concert. I am a long time fan of Connie.I thought that any person who could write such a great review of the legendary singer must really appreciate her significance as the top selling female singer of all time.I decided I wanted to see what his novel says about her influence? The novel is not really about Connie, but her influence is enshrined within its plot. I would recommend the novel to all Connie Francis fans, all fans of the golden age of Rock and Roll and all romantics!

This novel of enduring love depicts an extradordinary day in Robert Mascaux's life; December 12, 1997! December is the month to read it! The romantic novel makes a great Christmas gift for anyone who appreciates receiving a love story, a story that reveals the influence of legendary entertainers, or stories that simply warm the heart. The last chapter describes a December wedding - everyone is invited! Thanks for a great read.

With Connie, With Love contains all the key ingredients of a good romance novel and lovers of the genre will feel this to be a good read.

Purchased a copy of the novel as a gift for a friend; but had to get my own copy to discover who these "bouquet sisters" and "manor residents" were and how the music of Connie Francis could be a theme of a novel. Normally I hate flashbacks, but they worked in this novel. Loved the major characters, fascinated by Trevor.I highly recommend the novel to anyone who enjoys a good plot and memorable characters.

This is Amalia' second book.....you should realy read the first one before you try yo read this one.They aren't very thick....so you can read them in about an hour.They are realy good books!

This is a great book. Maggie is still battling her eating disorder, and Amalia is trying to help her cope with it. The author really brings on strong points about anorexia and things that some may not know about. Amalia & Maggie's friendship reaches it's max. in this book, which is another reason why it is so good. Meanwhile, Amalia is also developing a romance with a certain new guy named Brendan. To find out what happens between the two, read this book and get ready to read it over again about 10 times, just because it's so good!

Amalia is my favourite CD person. She's cool, and this book wasexcellent. I hope the next books will mention Brendan, who sounds realsweet, and I hope Brendan will actually have a diary, although he porbably wont.

Maggie & Dawn are lucky to have Amalia for a friend! Even though Amalia is recovering from that awful relationship with James, she goes out of her way to help Maggie, who is showing symptoms of anorexia. I liked how she didn't give up until she found help for Maggie. The part where Maggie finally opens up to the therapist about her parents' problems & how they affected her is very moving.

This is a wonderful book about Amalia Vargas and all of the problems in her life. Her best friend, Maggie is suffering from anorexia, and Amalia is fighting to help her. Amalia (an 8th grader) is having some problems with a Junior in her school, James, who is stalking her. She finally finds love for a new kid in school, Brendan. This is an excellent book!