Europe Books

This is an OK read for those wanting to know who wanted Hitler killed. Obviously, Stalin, the British government, German generals, and other assorted opposition personnel wanted to kill the dictator. Some of them were simply stalkers as with the case of the Swiss theology student. Others were more professional as with the carpenter who made the woodwork on a pillar in the beer hall. All would have done a service to humanity if they knocked off Hitler. I learned a lot about the efforts of German generals plans and the other plots that are only briefly talked about in the history of World War Two. Hitler was a very secure target with minimal exposure to the public. A person who plotted the assassination would obviously have to know Hitler in order to kill him. Most of those who knew him, feared him, and did not have the guts to bring themselves to sacrifice themselves in order to kill him.

This is a nice read about efforts to kill Hitler. All the various plots and plans are neatly summarized for the reader to learn how people planned to kill Hitler.

If you're an armchair historian on World War II,then this is an excellent account of Hitler's obscure rise to ultimate power.This is a fascinating look at all the secret saboteurs against the furiose fuhrer.If you're intrigued by the history surrounding the Hitler topic,you'll be spellbound by this book.I never realized the various plots ,inside and outside his inner court,that were being hatched around him.Some will argue it was fated that he would survive.Many would agree it was just bad luck.I still find myself asking if Hitler wanted to destroy Germany on purpose,in revenge for being an 'oddball outcast'.Hitler was seen as a backwood peasant,and not of Viennese artistic quality.Many 'Hitler Histories' claim he was a 'house-painter'.This was not true.He was a failed baukunstler student,that later painted postcards for tourists.Himmler is often listed as just a 'chicken-farmer's geek',when he in fact had technical training at an argicultural institute,as well.The sagacious Himmler was aware of Hitler's ill-gotten birth,ab ovo,and probably felt he was better off as the 'propaganda-direktor'.Rather than the Nazi party's leader.Himmler saw the potential marriage between Hitler and his niece ,Gisella Rubel,as another generation of 'genetic-trouble' for the Fuhrer and an image-problem for the party.It was not discussed in this book,yet it can be speculated ,that Himmler's SS had Rubel killed and Himmler then instructed a 'suicide-scene' staged.Hitler believed fully that 'in-breeding' was preserving of the Aryan race,when in fact it was creating genetic dead-ends for extinction of the human race.At any rate,the various Allied countries valiently tried to eradicate the polemic dictator from his post.This engaging book gives the agentry accounts of the agent-provocateurs involved.From his egregious wanderings into the beer-hall rants then onto his fusty bunker of despair.This is a gripping book about the assassins of change,who failed to curtail the actions of a desperate madman,whose demagoguery bedeviled an entire nation into ruin for a generation.

Well written, readable account of the major plots and attempts to kill Hitler over the course of his political ascension to his final self demise. Impressive telling from young Georg Elser's early attempt to kill Hitler in 1939 with an ingenious self made bomb that exploded on time but after Hitler prematurely left the podium to his military enemies the British who initially found the task undesirable. The telling of these grand and individual plots parallels the rise and fall of the Third Reich. The detail is quite refreshing discussing how initially vulnerable to assassination Hitler was partially due to his grandiose perception that he was supernaturally protected from death. Aside from external and internal plots within the military, the author explains in impressive detail how the various heroic undergrounds were successful in killing numerous Nazis while suffering great and shocking reprisals for their success particularly in Poland and Czechoslovakia. An ultimate example is the Czechs pulling off a major assassination with the killing of Heydrich. Impressive is the author's documentation of the various anti-Hitler networks involving such prominent military men such as Wilhelm Canaris and Hans Oster who both suffer once exposed. The highlight of the book of course is the great attempt that almost kills Hitler, the bomb planted by war hero Stauffenberg in the Rastenburg map room. The author also tells why the assassination failed that is an interesting and new revelation. Another interested party is Hitler's favorite architect and armories coordinator, Albert Speer, who the author recognizes as potentially self serving at Nuremberg but the author also recognized Speers' desire not to have Germany destroyed as Hitler wished at the end. The book also includes an excellent collection of photographs of the collaborators and other fascinating photos such as Goring inspecting the destroyed map room to a startling picture of the extraordinary intense gaze of British Colonel Noel Mason-McFarland during a pre-war German military review. Mason-McFarland emphatically stated before the war that a sniper could easily dispatch Hitler and save Europe.

Although I was aware of some attempts on Hitler's life, I did not know that there were so many and from so many different sources - both within Hitler's entourage as well as far away from it. The author has provided well-researched and reasoned renderings of a subset of these attempts - the most fascinating and surprising ones. But in addition to discussing these various attempts in detail, the author has also presented much valuable information on the background history and evolving politics of Germany from the end of World War I to the end of World War II. The brutality of the Nazi regime is also amply discussed. As expected, particular attention has been paid to the instigation, structure and evolution of Hitler's security organization. The book's writing style is clear, friendly, authoritative and very engaging. It should be most relished by history buffs that have a penchant for the Second World War.

Roger Moorehouse's "Killing Hitler" is a tragic chronicle of the alarmingly few individuals and groups in Nazi Germany who saw early on (or too late) that their "leader" was a mass murdering psychopath and acted accordingly--to no avail.

Though their bravery is commendable, one cannot help feel terrible anger and frustration as one gets into the thick of Moorhouse's feverish narrative. At long last, one has to ask, why didn't someone in the Wehrmacht simply get on good terms with Hitler, stand next to him, and ignite a live grenade? Suffice to say that any evaluation of posterity is just that, and only a slight percentage of those still living have had the experience of living in a ferocious totalitarian state like the Germany of 1933-45.

Perhaps the most impressive of the would-be assassins is Maurice Bavaud, a young idealist with deep roots in Christendom who, in 1939, waited for Hitler to show up at his annual "Beer Hall Putsch" celebration (where the equally courageous Georg Elser would plant a bomb which missed only because of a chance early departure by the dictator) took a pistol, and was foiled because of a group of German civilians. This was not the first time Bauvaud would make such a naked, furious attempt on the Fuhrer's life. Captured and guillotined in 1941, Bavaud stated baldly that whether Germans would accept it or not, he had been acting not only in their interest but the interest of all humanity. Only Col. Claus Von Stauffenberg's already well publicized attempt rivals that kind of courage.

The Warsaw Uprising of 1944 is given an impressive, if limited, recounting here: the PHM (Polish Home Army) managed to kill 9,000 SS soldiers and, through the utlitization of suicide bombers and guerilla attacks, eliminate a few important members of the Third Reich. The RAF's bungled, halfhearted attempts to bomb Hitler's HQ in East Prussia really didn't need mention here.

How desperate some former Wehrmacht soldiers were for Hitler's death is given heart pounding illustration here, in history's first suicide bomber, Rudolf-Chriastoph Von Gersdorff. Having served as an unofficial emissary for Henning Von Tresckow, a lifelong opponent of the Nazi regime and a key figure in the July 20th attempt, agreed to an act of utter self-sacrifice in order to get rid of Hitler: "At this point it became clear to me that an attack was only possible if I were to carry the explosives about my person, and blow myself up as close to Hitler as was possible."
Lining his uniform with "clam mines" obtained from a fellow officer (Col. Brandt, who knew nothing of the attempt, and who ironically would be the man to move the briefcase bomb away from Hitler on July 20th), he armed the mines with a trigger that would give him exactly ten minutes in which to approach his target and "kiss the sky". Hitler was, at the time, speaking in a German museum--originally Gersdorff was to approach him while the speech was being made and stand beside him.

Hitler cut the speech, was intended to be thirty minutes, to two minutes, and despite Gersdorff having already activated the device--with 5 minutes left--his attempts to stay near Hitler were in vain. Hitler may have noticed that Gersdorff was unusually "eager to talk" and the demonic instinct of self preservation kicked in: in any case, he said goodbye very quickly. Gersdorff then ran to the restroom and defused the bomb with trembling hands.

Moorhouse gets downright unethical--probably desperate for material, but still--including Albert Speer in this book. Speer was Hitler's devoted architect from the beginning of the war to the end and was much a brainwashed Nazi as Himmler, Goerring or Goebbels; he was just charismatic and knew how to BS the judges at Nuremburg. He lied about his knowledge of the atrocities and the Allies, not having evidence ofhis full knowledge which would emerge years later, bought it. Aside from a few scholars who have an unhealthy fascination with him, the general consensus is that he should have been dangling at the end of a rope with all the rest. The only reason he had even a passing thought about assassinating a man he otherwise had nearly homoerotic feelings for was the destruction of Germany. And that's all it was, a passing thought. It should probably be removed from the book.

What's really terrific about this book is the way that it sets the story of Van Meegeren's forgeries within the personal biography of the forger and the history of the period. In fact, I'm starting to think that this is the way that art should always be looked at, because I suddenly saw these fake Vermeers in a completely new light. I've heard people ask how anyone could have been fooled by these pictures, but through really simple side-by-side comparisons, the author makes it totally clear that the paintings really looked like the pictures that people of the time saw around them. So Van Meegeren's early forgeries (which look a LOT like real Vermeers) also resemble movie posters from the 1930s, and his late forgeries (like the famous one he sold to Hermann Goering) resemble Nazi propaganda pictures.

As a side note, I also just want to say how impressed I was with the way that the author clearly did a huge amount of research, but made the book a really engrossing one to read. None of that academic stuff that you find in a lot of books about art. But at the same time, treating the subject in a very serious way. And it's a very serious topic. Van Meegeren held truly despicable fascist beliefs, and his forgeries expressed them.

I found the book totally eye-opening. I definitely recommend it!

I like mysteries, intrigue, politics, and history. I picked up The Man Who Made Vermeers because it was one of the best sellers in my local bookstore. One of the salespeople told me that customers who read crime fiction had been buying it, and I can really see why. The book presents an excellent understanding of Han van Meegeren, the Dutch artist who sold a fake Vermeer to Hermann Goering during World War II.

It turns out that Van Meegeren was a fascinating figure--much more interesting than I would have thought. Because Van Meegeren had fooled Hermann Goering, he became a hero in the Netherlands after the war and he presented himself as kind of a patriot. But it appears that swindling Goering was more or less an accident. Van Meegeren didn't have an axe to grind with Goering. In fact, he had been an admirer of Hitler and fascism since the movement began, and had even painted work on commission for the German occupying forces.

What you really get to see here is the criminal mind at work. While other books about Van Meegeren have taken his story at face value and presented him as a hero, Lopez convinced me that this man was no hero at all. The book offers real insight into the psychology of a fundamentally duplicitous individual who capitalized on one of the darkest moments in world history...

Nicely told, and the story's completely new to me. Gives very nice historical background details and good observations and comments on paintings. Excellent historical photos illustrating the text. Fun book.

I like to read widely in non-fiction, especially in art history and history, but I'm no expert; so I often consult the reviews of other readers. In that spirit, I want to recommend this book I recently finished.

The Man Who Made Vermeers tells the story of an ingenious art forger working in Holland prior to, during and just after World War II. I bought this book because I enjoy reading historical biographies, particularly of "unknown" people living during times of momentous upheaval.

Van Meegeren's life is fascinating and the author of the book gives his readers keen insight on the artist-forger's motivation, mindset and aesthetic savviness. But, reading this book has left me with not only with an interesting biography to consider but also with a far greater appreciation for the political context of life in 1930's-1940's Europe.

For me, it's Lopez's ideas about how forgeries generate their own appeal to their contemporary audiences and how an individual's political ideology pervades his actions and words, regardless of what might seem to be an apolitical activity - painting forgeries for money. The author's analysis provides a lot of meaty food for thought about politics and societies more generally and I look forward to any other books Lopez might write.

Finally, I want to add that the author's congenial writing style made this book a genuine pleasure to read, so even if you aren't sure you are interested in Dutch art history, you will definitely enjoy the experience of reading this book - and come away wiser for it.

Jonathan Lopez presents an insightful look at the mind of Han van Meegeren, as explores his Nazi sympathies, manipulative tendencies, and general deceitfulness. Lopez seamlessly weaves the story of Nazi rule in the Netherlands, and the tale of World War II, into van Meegeren's biography. While Lopez's work is certainly scholarly, I did not find it to be "above my head" (as an individual without a strong background on Vermeer and Dutch painting in general) nor, frankly, was it "dumbed down" for uneducated readers. In short, I highly recommend this book; it is a page turner from beginning to end!

Continuing tale of the Cambridge-educated English Officer living the hell of warfare on the Western Front: replete with adoring batman, blustering colonel Blimps, out of control colonials (Australians and Canadians), journeys to England on home leave to meet misinformed civilians. Sasson has a style that waxes between light and lyrical, cynical and dark and starkly realistic. It is reminiscent of Graves but less dark than Blunden.

This is a tale of the human mind (an upper crust mind) that makes the journey from old world to that of the lost generation -- but Sassoon never loses himself. It shows that the mind-set was already there capable of dissecting and throwing away the old world view tradition. With capable honesty Sassoon relates the contradictions in life, army and mind set of the pre-war generation. He still takes advantage of the liesure of the educated class; his batman pours his tea, he still sees the colonials as slightly quaint and backwards (especially the Australians), still finds refuge among his educated Cambridge intellectuals -- this is no tale of class struggle.

This book can read as part of his trilogy lifestyle or on its own. It has many haunting vignettes and is perhaps one of the top 5 WWI memoirs. Highly recommended.

Siegfreid Sassoon's wonderful war memoir is thinly disguised as the story of George Sherston. Based solely on Sassoon's life in the trenches of WWI, it recounts the horror and scale of carnage that occurred. More importantly it shows the emotionally scars that the survivors carried with them as a result of exposure.

Sherston (Sassoon) was a rather spoiled and pampered young upper class Englishman. The war changed all that. Confronted with death, destruction and idiotic leadership from the High Command you sense the inner turmoil of Sherston.

Relieved when he is not involved with the fighting he is driven by guilt over the loss of the soldiers in his battalion. Consequently when his platoon is on the line he takes great risks in reconaissance of the German positions.

The effects of non-stop total war, stupid leadership and the complete contrast between England and the trenches (only a few hundred miles apart) is staggering to Sassoon. Sassoon becomes anti-war and considers becoming an objector, but his obvious connection to his comrades and loyalty to them wins out in the end. He hates the war but won't abandon his comrades in the field.

This is a great war memoir written by a poet who survived and was changed for life by his experiences in it.

Terrific book that sounded a bit autobiographical. Sassoon, of course, was a war hero on the battle of the Somme, decorated twice for bravery.

The book reads lyrically and is convey's nicely the daily life of soldiers moving back and forth from the front fighting trenches to the rear area of the battle field. He also does a great job portraying the strangeness and inner conflict of being back in British society (while recovering from illness) with people who know nothing of the war or its cost to the participants.

A Brit's version of "All Quiet ..."

While perhaps best known for his poetry written during WWI, Siegfried Sassoon was a very talented wordsmith in general, a trait that is demonstrated in his second semi-fictionalized autobiography, "Memoirs of an Infantry Officer". Sassoon chose to fictionalize his accounts of his life, an odd technique that allows him to distance himself from these experiences as he intimately describes the raw emotion and response behind them. In his three memoirs he is George Sherston, a thinly veiled version of himself, who thinnly veils the real-life characters he encountered during these times.

Readers are automatically flung into Sassoon's war experience, from the disjointed and fantastical training, to the brutal reality of life in the trenches. Sassoon describes these experiences in vivid detail, the sheer misery of trench warfare, the almost callous attitude toward the dead on both sides, and the surreal life led by those back home. Sassoon, nicknamed "Mad Jack" for his stubborness and seemingly sheer lunacy at times, was awfully lucky during his battle campaigns. He was wounded a few times, always sent back home to England to recuperate, and almost happy to return to the war.

However, after one session as an invalid, Sassoon begins to recognize that the war may not be all it's cracked up to be, that those in power are not telling the truth about their war aims, and that he may just be a lowly pawn in a game he doesn't want to play. Towards the end of his narrative, Sassoon tells of his decision to speak out against the war, even if it meant being court martialed. This act, filtered with courage and fear, is achingly portrayed as an act both necessary and questionable: as Sassoon places himself in danger, he questions his true beliefs in the matter. This account ends just as Sassoon enters the hospital in Scotland, avoiding court martial with a diagnosis of shell shock, 'lucky' as usual.

"Memoirs of an Infantry Officer" is a vividly descriptive account of life in the trenches during WWI. Sassoon is a gifted storyteller, who can make even the direst settings come to life. He offers a unique insight into the soldier poets who first questioned whether or not war was such a noble and glorious pursuit and if the sacrifice of lives was worth the price in the end. While a little slow at times, the last quarter of the narrative which details Sassoon's questioning of the war, is a brilliantly written firsthand look at how a too little celebrated writer finally found his voice.

Siegfried Sassons' "Memoirs of an Infantry Officer" is a first-hand account of life at the front line during World War 1. This is not a just a historical document or diary however. Sassoon writes via an alter-ego called George. In real life, Sassoon was an infantry officer who fought at the front, but eventually grew suspicious of the reasons for the continuation of World War 1, and as such became a dissenter. This book may be fiction, but it is based on fact and it gives an impressive account of what life must have been like in those trenches, nearly a hundred years ago. Sassoon's incredible ability with words paints a much more vivid picture than any war movie will ever provide.

George was a middle-class officer who had the luxury of a university education and was an avid reader of classic English literature. He juxtaposes the themes and ideas in this romantic poetry with the realities of life at the front to great effect. Although a tad repetitive in it's ideas (perhaps to get the point across clearly), this book is rewarding and still relevant this whole century later. As one character in the book says, "In war-time the word patriotism means suppression of truth" .

As with some other reviewers, I was also baffled at some parts of the book.

*SPOILERS:Do Not Read Unless You Have Finished the Book*

For example, the part when she went off and made friends with her superior Baronet (I don't think it's spelt right), and then as their friendship progressed he became her protector and great friend. What confused me a lot was why the title of the book was dedicated to him. He was her Bonny Light Horseman. I suppose in a way it could be used interchangeably for her as she is also light and bonny and a horseman in this series. However it was clear that the title was meant for him, so was this book in dedication for this departed friend? It would be odd as Jacky has had a lot of adventures and has lost a lot of dear friends.
Another thing that just boggled my mind...her love affair with Jean Paul. She had so many other little flings here and there...the one with Randall (which was pretty dam steamy if I do say so myself) and alll those other ones too. I just sat there, four hours after reading the book and, still now, wondering why out of all the men she has ever met and kissed, did she finally lose her emotional faithfulness to Jaimy over to Jean Paul? I mean Jaimy has always always been The One for Jacky, despite whatever happened. You read about her kissing him and that, but this is really and truly the first time her emotions have ever been swayed by any other guy.
And then I realized maybe it was because Jean Paul was the only other man who was able to see Jaimy at a very vulnerable time and fully commit to her and love her for it. I suppose being tied to a chair and being tortured can also be incredibly vulnerable (if you don't remember that's where she and Randall have that steamy scene). Randall seemed to have respected and envied Jacky a lot, but I don't think he was ready to love her. He was more of an admirer. Oh and I just remembered...Jared was also there to hold her as she laid in a dark, wasteland of a prison...screaming out from nightmares. So what gives? If I were Jacky, I would've picked Jared pfft. :T. I guess Jared was more of a big brother and friend? They had too much past history? That one miffs me.
There also aren't a lot of things that can knock Jacky down. Threatening her life is one thing, threatening her family, friends, and everything else she holds important...that is a completely different story. So there she was as a threatened spy and sort of hooker and there this french dude was. Young love with Jaimy versus new and mature love with Oolala Jean Paul.
And if Jacky was like any other girl, after having learning her boyfriend Jaimy has given himself to another girl...I think that's enough to sway a little of her own feelings for him. I suppose this is just the point where their relationship is developing/maturing.

In the end, she never doubted that Jaimy was still The One for her. She also never doubted that she also now shared a piece of herself with Jean Paul. Oh yeah and when Jean Paul thanked her for letting him love her and that marriage for him was possible because he now knew what love was, and when even though they were to part, he would remember those days spent in the Paris cafe...that good bye just broke my own heart.

There were a lot of things I didn't understand in this book, but maybe it's because I need to read it twice or maybe even three times. I like to think that it's because as Jacky and the characters are maturing, so is the book. But no matter what happens, I will be the loyal reader that I am and follow the series to the end , because I'm very sure the author is capable enough :D. Thank you L.A. Meyer!

Once again, Meyer's delivers a masterpiece in MY BONNY LIGHT HORSEMAN. If it's even possible, Jacky finds herself in even more action-packed trouble in the newest BLOODY JACK book of the series, which left me on the edge of my seat throughout the entire novel. I particularly loved the new characters and setting that Meyer's introduced to us in the newest adventures of Jacky Faber, where I could see exactly what was going on throughout the novel. He left me being able to picture parts of Europe that I one day want to visit myself, and I got to know so many new characters so well, and revisit some of my favorites from previous books.

I would recommend this book to anyone that loves to read a good action-packed, adventurous book that also enjoys learning about history. This is a must read for the entire family. Go out and buy it today!

Wonderful, exciting, funny series for teens and adults as well. The whole Bloody Jack series is wonderful! Sure hope there is more coming.

I absolutely loved this book! It flowed perfectly with the rest of the series and it was a really good plot. Jacky is brilliant as ever and attests herself as the leader she is. She has grown beautifully as a character. The supporting cast is fantastic and we see the return of some of our favorite old friends. My only complaint is that it wasn't long enough. Can't wait for the next one.

I finished reading MY BONNY LIGHT HORSEMAN, the sixth book in the "Bloody Jack" series, a few weeks ago and am just now getting around to commenting on it. The other reviewers here have basically written about the plot and characters, so I won't repeat what has already been said.

In this tale of the further adventures and misadventures of our dear Miss Jacky, she finds herself again at the mercy of the Royal Navy's Intelligence Department. She is to be sent to spy on the Grand Army of Napoleon in France. Posing as Mademoiselle Jacqueline Ophelia Bouvier (Jacqui O.? H'mmm That sounds familiar for some reason.) a dancer/seductress/spy with Madame Pelletier's troupe "Les Petites Gamines" in Paris, and then as a Cadet courier with Napoleon's Grand Army in France and Germany, charged with training a squad of raw enlistees knicknamed "The Clodhoppers," since they are all clumsy farmboys. She again involves herself in many dangers and narrow escapes...all exciting and great fun. Jacqui/Jacky still dreams about her true love Jaimy Fletcher back in London, but is also interested in a handsome young French officer named Jean-Paul de Valdon. One reviewer here was disappointed that Jacky was being unfaithful to Jaimy. Au contraire...Jacky was just being herself, a young lady who happens to like the company of handsome young men who are attracted to her. She was and always will be a fun-loving flirt. But, as always, she retains her virtue and deep love for Jaimy.

I've already given away some of the story and will leave it up to the reader of this excellent novel to enjoy the whole book for himself. This is a wonderful novel in a marvelous series and I recommend it highly. Vive Jacky! Vive L. A. Meyer!

This wonderful book is as powerful as it is wonderful and it is as applicable to today and to all wars as it is wonderful and powerful. This book has deep insights as to how war is really fought, how huge bureaucracies are ugly blunt instruments of war, how occupied people cope, survive and live, and how naive well intentioned souls are awakened in the ugly reality of it all. This is a book for life.

I group this book with Eric Newby's "Love and War in the Appenines" for unsentimental and direct views of the corrupting power of war that use Italy as examples. Liberation seems such a romantic idea that one can hardly resist it, and yet here we can easily read and understand that true liberation takes a lot more than military objectives and shouting in congress.

Lewis's eye was remarkable in one so young. I hope that both these books have found their way to the library at West Point. It is perhaps too much to ask that they should be read anywhere inside the beltway.

Can a foreign military "successfully" occupy another country? Where can we look for historical lessons to our clusterf**k in Iraq. What are our boys reading in West Point? Is there large scale prostitution and venereal disease..Are there markets openly selling stolen U.S. military items.. Where are ordinary Iraqi's getting $ to survive with their economy is shambles? Lots of questions.

Naples 44 is a beautifully crafted account of allied occupation in Naples. Norman Lewis describes, with his usual gentle irony, the unique lifestyle of Neapolitans and how they survive abject poverty.
He has an eye for the absurd whilst retaining his compassionate love of humanity.

When I was younger I knew an Italian-American veteran who spent time in Naples at roughly the time covered by this book. His stories while entertaining always seemed a bit exagerated to me. Now, after reading Norman Lewis' account of those days I owe my long departed friend an apology for having doubted him.
This is a remarkable account from a gifted observer. Lewis as a British intelligence officer assigned to the Area occupied by American forces immediately following the expulsion of the Germans was in a unique position to observe many aspects of the struggles and adaptations of the locals under these extraordianry conditions. The ingenuity and superstition of the Italian people is displayed from a point of view that is neutral in it's judgements while sparing the reader nothing of the darker side of the stuggle to survive at the same time.
As somone who has read extensively about WWII I was surprised this one got by me for so long. I stumbled on it while browsing Amazon and highly recommend it to anyone interested in the War ,Italy or just a good entertaining read.

This was a very well-crafted and informative book, which I would recommend reading to those who haven't yet. For those who have, and who enjoyed it like I did, I would recommend Tent Life in Siberia: An Incredible Account of Siberian Adventure, Travel, and Survival, which George Kennan's account of his travels around eastern Siberia on dogs and reindeer sleds.

The Other Side of Russia is part travel narrative, part social history, part memoir, part food writing. All these parts come together to make a terrific book.

Sharon Hudgins and her husband Tom spent a year and a half in post-Soviet Siberia teaching business management for the University of Maryland's overseas program. As peripatetic ex-patriates, they were familiar with unfamiliarity. But they were still not prepared for what Siberia had to offer them.

Join Sharon and Tom as they picnic with the Russian Mafiya, try to teach in an educational system that discourages questions and independent thinking, and ponder why a herd of horses is tangled in downtown rush hour traffic.

In "Absurdistan" it is just one perplexing thing after another. The electricity and water in their poorly-constructed apartment building work only intermittently. But in spite of such challenges, they make friends and entertain regularly. Cultural differences mean that the same friends who swoon over delicacies such as wafer-thin horse liver slices rolled with layers of horse fat, are unable to enjoy a Hudgins Tex-Mex feast.

Hudgins's previous work as a food and travel writer are evident here, and I wouldn't be surprised to learn that she writes fiction as well. The narrative is effortless and the stories she tells are by turns engaging and frightening.

In The Other Side Of Russia, author Sharon Hudgins takes the reader along on her Trains-Siberian Railroad adventure through Siberia and the Russian Far East, an area that was closed off to Westerners (and most Russians) prior to 1990s and the collapse of the old Soviet Union. Here the reader will be treated to a unique travelogue that will take them from the frozen surface of Lake Baikal, to feast with native Siberian Buryats, the food markets and "high-rise villages" of Vladivostok and Irkutsk, Christmas celebrations, New Year's banquets, Easter dinners, and Siberian festivals. The Other Side Of Russia dispels the myths and misconceptions about the Asian part of Russia which extends across eight time zones between the Ural Mountains and the Pacific Ocean. Offering a window of observation into this land of harsh winters, vast uninhabited spaces, friendly people, strange cuisines, and thriving modern cities, The Other Side Of Russia is a welcome, informative, and highly entertaining read which is especially commended to the attention of armchair travelers and students of Russian culture and history.

The Other Side of Russia emerged from Barbara Hudgins experience of living in Siberia for a year and a half, from 1993 to 1994. Working as the onsite program coordinator for the University of Maryland University College in Siberia and the Russian Far East, she worked and lived in Vladivostok and Irkutsk.

Hudgins book is the first book about Siberia I'd come across written by someone who spent extensive time in Siberia. This gives her a depth of understanding that adds a lot to her memoir.

The structure of her memoir is unusual. She's divided the book into two sections. The chapters in part one focus on place - Irkutsk, Vladivostok, Lake Baikal, etc. - and the chapters in the second part focus on aspects of life and culture in Siberia - housing, education, food and festivals. Hudgins supplemented her first-hand experience with extensive research. This offers readers an in-depth source of information about many aspects of Siberian place and life.

What's lost in this non-chronological format is Hudgin's own adaptations and reactions over her time in Siberia. She does insert some feelings and personality, but the focus is on the topic, rather than on her personal experience or characters who change and develop over the period.

Hudgins seems to have thrown herself into Siberia with a remarkably open mind. She expertly captures the small details of Siberian life and renders vivid pictures of feasts shared with Russian friends. For those who have been to Siberia, this book will take you back there. For those planning on going, The Other Side of Russia provides a great overview of the life and culture.

In THE OTHER SIDE OF RUSSIA, the University of Maryland University College has established a joint undergraduate degree program in business management with the Far Eastern State University in Vladivostok and the State University in Irkutsk. In the summer of 1993, author Sharon Hudgins and her husband, Tom, packed off to Siberia and the Russian Far East to serve as teachers in this cooperative venture, while the former was also Maryland's on-site program coordinator in both cities. This book chronicles their experiences from their arrival until their departure in December 1994.

Whether she's describing the immensity of pristine Lake Baikal, the problematic living conditions in their high-rise apartment, local customs and food of the Buryat people, the vagaries and perils of shopping for household necessities, maddening water and electricity outages, local festivals, the growing pains of a free-market economy, the university students' learning ethic, or the conviviality and generosity of their Russian friends, Hudgins has a keen eye for small details, as when describing an open air market:

"An Uzbek woman ... sold raisins and nuts in small paper cones made out of official forms from the Irkutsk Municipal Water Department ... In one part of the market, a pretty teenage girl, wearing a garish, flower-printed dress and a thousand-yard stare, held a handful of peacock feathers and sipped a can of Dr Pepper, while in another section two older women, both drunk, tried to punch each other out in a fist fight."

I haven't been so engaged by a travel essay about Russia since Hedrick Smith's 1976 bestseller, THE RUSSIANS. My only criticism is the relative lack of photographs - only a couple at most per chapter. Luckily, Sharon's poetic prose paints pictures almost as effective as snapshots, as this from her vantage point on the Trans-Siberian Railroad:

"A profusion of wildflowers carpeted the meadows, like an Impressionist painting exuberantly expanding beyond the limits of canvas and frame: undulating shades of yellow, gold, and blue, maroon and magenta, soft pink and pristine white, the pale purple globes of wild onions gone to seed, thousands of red-orange tiger lilies, whole fields of dark purple Siberian irises, and occasionally a single red poppy or two, like a stubborn symbol of politics past. Outside Chita a small lake glistened under the midnight moon."

For me, a travel narrative is all it can be if it makes me want to go there myself. THE OTHER SIDE OF RUSSIA accomplishes that. Well, maybe for just a brief visit, perhaps, because I certainly wouldn't want to live there.

This book was very touching. It was also funny and made me laugh out loud at the things that two ninteen year old girls did. Although it was set in the 1920's and I could not catch every person to which they referred, I still got the point of the book and enjoyed it immensely. I would definitely recommend this book to other teenagers and older because this book was one of the best books I ever read. The things they did I would never have done and the people they met were werid, yet I felt that without being able to relate very much to the book made it all the more interesting to read. I hope this book is read by others so they can all laugh as much as I did.

This book was very touching. It was also funny and made me laugh out loud at the things that two ninteen year old girls did. Although it was set in the 1920's and I could not catch every person to which they referred, I still got the point of the book and enjoyed it immensely. I would definitely recommend this book to other teenagers and older because this book was one of the best books I ever read. The things they did I would never have done and the people they met were werid, yet I felt that without being able to relate very much to the book made it all the more interesting to read. I hope this book is read by others so they can all laugh as much as I did.

I've never read the entire book (I'm working on it!) but just excerpts from my eighth grade lit. book, but what I've seen of it is FUNNY! Cornelia Skinner and Emily Kimbrough get into such hilarious circumstances! This is one of the few books I've laughed aloud with!

If you enjoyed Gentlemen Prefer Blondes, but thought the heroines slightly too worldly, you may be delighted by this autobiographical account of two relatively naive girls off for their first continental jaunt.

It's a delightful, charming little book about their misunderstandings and misadventures, and certainly introduced me to historical ladies' undergarments in an unforgettable manner!

There are sequels (like "Forty Plus and Fancy Free") if you find you particularly liked this one, but the first is the best, as sadly firsts so often are. This is a funny little treasure of a book.

Note: a 3 star ranking from me is actually pretty good; I reserve 4 stars for tremendously good works, and 5 only for the rare few that are or ought to be classic; unfortunately most books published are 2 or less.

Cornelia Otis skinner is the real comedienne of this pair of authors and injects a lot more humor into this book, as opposed to most of Kimbrough's solo works. You cannot imagine two more naive college girls traveling about Europe in the 1920's. It was a simpler time, and today has great appeal to one's nostalgic side. If you get a chance to pick up a used copy, do so!

Excellent! Great images.

(Although much of the text is very technical and concerned with small and trivial details.)

This book explain a little about Rembrandt technique and some details in his paints. You can understand how could he painted so beutiful arts. But you won't be Rembrandt reading this book. Only the technique is not sufficient to be a master!
But, if you are a Rembrandt fan, you have to read this book!

This book is generous with loads of quality pictures of the masters work and an equal amount of text for the reader of history and the technical , a good buy certainly worth the money , I really enjoyed this and I suggest it to any one with even just a passing interest in Rembrandt and an insight into how he produced his work , they actually found some of his dna in his paintings (i bet that makes you curious). This and the other book " Rembrandt's Eyes by Simon Schama" is another beauty possibly a bit better than this one Schama's book spend the first half talking a about Peter Paul Rubens and the dreams Rembrandt had of being his equal , both are great companions to each other I recommend them together.

There isn't much more I can say, which hasn't already been said to reveal the great merits of this book. However I think the sheer quantity of 5 star ratings speaks volumes. This book is essential for any academic or personal study of Rembrandt, especially so for a painter as I am. On top of all the incredible detailed scientific analysis, the text is written very clearly and is even a pleasure to read. Above all, the detail shots of his paint surface, are breath taking and most instructive for any painter. They utilized different levels of magnification to reveal his work from the entirety of the picture down to the microscopic level. This book has revolutionized my studio practice!

Richard T Scott
Joelle-Scott Gallery

This book is not easy to evaluate, at a first sight is a very irregular book, amazing in many passages but extremely boring in many others, a whole chapter dedicated to the canvas support !?, with a great mass of technical information about thread density and weave, I think it is too much, a very important Rembrandt's trick like "glazing and sweeping" (that it is supossed he created this technique) is just overviewed when it is perhaps one of the constituents for the most amazing passages in many of his paintings.
My conclusion is that despite of Rembrandt's Project and a lot of scholars studying his masterpieces is very, but very little what we know. How he commited his works is an enigma like in Vermeer's case, so there are a lot of books about them but very little valuable information

Rick Steves is a total nut job wacko (I met him once in one of his recommended hotels in Paris!), but this is hands down the greatest travel advise I can possibly imagine. The Rick Steves style of travel is not for everyone (my mother-in-law for example) but by using the advise in this book, most people should have a fabulous European vacation.

This book is filled with great advise to successfully plan and enjoy a trip to Europe without the fuss of an organized bus tour. Meet locals, enjoy great food, and stay at charming little hotels on a suprisingly inexpensive budget.

This is a must read for anyone who is even thinking about traveling overseas independently. Going to Europe independently (either solo, as a couple, or small group) is by far the best way to see Europe in all its pretentious, snobbish, dirty, crowded, smokey, rude, elitist, and hyprocritical, yet beautiful, fun, friendly, historic, great-tasting, exciting, and romantic charm.

**NOTE** This not a travel guide with suggested hotels, restaurants, etc. but rather a travel skills handbooks; how to find a hotel room, make your way around a European train station, or order a meal at a "No English spoken" restaurant. His series of guide books dedicated to individual countries are also worth checking out has yet to steer us wrong on three trips around Europe.

I love this book. What else it there to say. I refer to this book ALL THE TIME. I was living in the UK and planned a few trips to the continent, and this book was invaluable. From desitnation suggestions, to places to stay, as well as advice, and little secret tidbits. I love it. Anyone traveling to Europe needs to buy a copy of this book!

I have used Rick Steves' books for over 6 years in varying capacities, and if you read them with the idea in mind that he is first and foremost a teacher, you can get more out of these books. They are definitely helpful to those who find travel abroad intimidating at first, and after giving it a go, will follow his travel pedagogy and break out on their own path, looking for their own back doors. While he does 'reveal' some well-known (to Europeans) 'back doors', they are places that do offer a different aspect of Europe than the popular destinations.

I bought this book in preparation for my first trip to Europe last summer. Two of us were going to be traveling around Europe for approximately three weeks.

We're students so we were clearly on a budget but not incredibly limited.

This book was a God send! I used it to structure my budget, itinerary, everything. While I can't discount the help of online resources (particularly http://www.guideforeurope.com) I couldn't have planned the trip without this book.

I recommend this book to people planning a first trip to Europe or a first independent trip to Europe. Now as a caveat I think you should use parts of this book but not treat it like a Bible. It's a starting point and then the rest of up to you - but as a starting point it is fantastic!

In addition to this book I highly recommend Rick Steves Best of Europe book. His entire series is just fantastic -- if you use these books your trip will turn out incredible and you'll be a pro at planning!

I must admit, Rick Steves knows what he's talking about when it comes to travelling through Europe. I backpacked through four countries in Western Europe this summer and I followed much of the advice contained within this book in my preparation and travels. I encountered no problems in my travels, but it still felt good to be better prepared than not. As far as the back door adventures . . . well I didn't get to any of them. I stayed in the large cities and the "touristy" spots of Europe, but the information and advice within this book is beneficial to anyone, regardless of where they're going. The only thing I didn't do that Steves recommended is to leave the book in the hostel for the next traveler. I'm going to keep this book and use it the next time I prepare to fly off to Europe for awhile.

Any book that tells you how to say "May i give you a back massage" and "I dont have any diseases" in three different languages is definatly worth buying it. Also it has the basics and maybe the more useful phrases like "where is the bathroom" "check please" and the like.

I bought this book because of the reviews I read and it lived up to the hype. It came in handy in both routine and emergency situations - particularly when I had left my passport, money and credit cards on a train in Italy and had to communicate to the stationmaster in Genoa!

This is one of my best purchases in Amazon, it's amazing how good is this book. It's very practical for any traveler around the world, it has detailed content in subjects like: what to tell to italian men if they are bothering you (and as a woman... this can become very handy!) or everything you need to say in a medical emergency or how to enjoy the food in a restaurant (because you can understand now the menu). I really recommend this book if you are looking for a better experience in your trips or if you are learning a foreign language (like me). Greetings from Mexico. Nayeli

This books is great. It has many handy phrases that make traveling in Europe easier. Contrary to what most people believe, not everyone in other countries speak English. If you are the adventurous type and like to explore on your own, knowing some phrases to navigate the area is really useful.

I purchased additional copies of this book for a few friends that were traveling as well.

This book is full of practical advice and essential information that kept me from making some mistakes on our vacation this summer. Though I probably won't return to Europe for a few years, this book will stay in my bookshelves for future reference. I have always enjoyed Rick Steves' travel shows because of his down-to-earth, straight-forward style. The book follows that pattern perfectly. I highly recommend this book to any European travel novice.