Authors Books

I had previously read some of these stories on Eskridge's website, after having become intrigued by her beautiful novel "Solitaire" when it first came out. That being said, even skimming the table of contents and realizing that there would be a bit of repetition in what I read gave me no pause while purchasing this book. So although I was prepared for a few of the stories, and reacted sort of in the same way you would when meeting an old friend that you hadn't seen in a while, what I was not prepared for was the impact of the stories as a collection. It's breathtaking.

The gender ambiguity that threads through the stories, particularly in the character of Mars but also subtly accented in the sexuality and qualities of Eskridge's other characters, was not, for me, the main focus. It evidences the author's skill in her prose, as well as an incredible openness about human potential. To me however, the book is about people, the way they become broken or mended, the way they become open or closed.

But "Dangerous Space" is not just about those places, geographic and symbolic, where we can become vulnerable. It's also about the thresholds that we need to cross, the moments that we need to share with other people to get there. Whether though love, or affection, or friendship, or lust, or just though a single moment of shared understanding, this is a set of stories filled with hope about the human capacity to connect. It is consistently delicately raw, and delightful.

Rarely have I been so amazed, so impressed, so flat-out blown away by a collection of short stories. Even among those few writers who are skilled at the form (John Varley and Connie Willis spring to mind for science-fiction readers), their short stories can't compare to their full-length novels. They may be enjoyable, interesting thought exercises, but short stories never seemed to carry the heft or the excitement that I knew an author was capable of.

Well, scratch all those assumptions when it comes to Kelley Eskridge. As much as I loved "Solitaire," her only novel to date (and let's work on that, can we?), "Dangerous Space" moves Eskridge into another level entirely, as far as I'm concerned. The stories in this collection span the spectrum, from contemporary fiction to classic sword-and-sorcery fantasy to hard sci-fi and speculative fiction. And yet, while in another author you might be frustrated by this flitting from one genre to another, Eskridge is so talented at whatever she sets her hand to that I found myself wondering what else she might be capable of.

Love, and the many maddening, variable, indefinable forms it takes, are major themes of Eskridge's work. That's what makes the character of Mars so wonderful. It might seem a gimmick to have such a gender-neutral recurring character - indeed, from a lesser writer, that's exactly what it would become. But Mars is more than an exercise. S/he challenges our very assumptions about gender, making us first obsess about his/her sex, and then gently showing us, by the end of each story, how silly and unimportant such concerns are. Man, woman - it doesn't matter, Mars is a force of nature, one of the most complex, complete, and fascinating characters I've ever had the pleasure to read. I wish we could get a Mars novel, but I suspect that Eskridge couldn't keep the secret for that long without it becoming awkward. For now, we have "And Salome Danced," "Eye of the Storm," and the title story "Dangerous Space."

Other stories address the irrepressible creativity of the human spirit (the Harrison Bergeron-like "Strings"); the nature of pain and our humanity (the heartbreaking "Alien Jane"); and the rarely-discussed price that must be paid to balance the scales when someone is offered a unique, even magical gift ("City Life"). Few of these stories have typical happy endings, and many of them are downright disturbing, in that delicious, claw-their-way-into-your-subconscious fashion. These are stories that will stick with you long after you put them down.

Ms. Eskridge, please, please don't make us wait another five years for your next offering!

Although I loved Dangerous Space as a whole, the character that appeared in 3 of the stories and who stood out for me the most was the gender ambiguous Mars. I have tried to put into words just how powerfully and interestingly I thought Mars was written below (there may however, be spoilers in this review, so please do not read on if you would rather wait to discover Mars for yourself).
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Mars And `Dangerous Space'.

"And Salome Danced"


This first Mars story did not fail to haul me in and intrigue me about Mars from the very beginning. Here, the character's voice strikes me as strong, vibrant and female, even though no allusion to gender is ever mentioned, apart from where concerned with the morphing of Salome. I am not sure if this is just me imposing my mental voice and liking of strong female voices on Mars or if it is something else about the character that does this.

Within this first Mars incarnation, the raw and magnetic dance of power and sexuality that (s)he has with Salome is almost like a duel for each other's soul. Salome strikes me as the ultimate emotional vampire, eager to manipulate one's concept of perception and self for the rich energy and life source that can be derived from the passion of desire, and yet - Mars, quite uniquely, where others (like Lucky) are confused, at every step of the way - seems to understand this hidden game and draw on the power of essence almost innately, no matter how much (s)he is both pulled towards and repelled by this attraction and the dangerous space it compels Mars to.

By the end of the account, I was almost mentally breathless with both wanting Mars to fight Salome's spell, and an intense curiosity to find out what would really happen if (s)he succumbed to this strong and seductive desire as well.

Throughout the 3 incarnations in this book, I love that Mars is so deeply connected to his/her centred feelings of emotion, desire, and overall, control. Mars is so *there*, so *present* - so assuredly themselves, and in "And Salome Danced", and other carnations within "Eye of the Storm", and "Dangerous Space", (s)he seems so wonderfully and finely tuned to that unique essence that gives Mars that deeper view of the world. (S)he is like a finely attuned musician, who can hear the beauty and patterns of the music of life, where the rest of us can only wonder. Beautiful.

Finally, in "And Salome Danced", even after the tumultuous dance, I got the sense that although Mars had his/her most inner desires and temptations are forcefully manipulated from the inside out, the fact that (s)he had the strength to hold onto her core seems to make Mars stronger.

By the end of this tale, one feels as if that sense of understanding of one's own dangerous space has been enhanced, tinged with a little bit of stark realisation, but also a sense of renewed understanding as well.



"Eye of the Storm"


In this second incarnation of Mars, again, the gender of the character remains unmentioned, leading to that subtle hint of ambiguity that lends to the richness of Mars character throughout. And here, this younger version of Mars is on the cusp of their lives - a difficult childhood, spent fighting for the right to be his/herself due to the unfortunate circumstance of his/her birth as the child of a war rape has left Mars both torn and saddened at the relationship with his/her mother, and also on the fringes of the village life that she has no choice but to exist in. From the start, Mars is both complex and beautiful, a product of her environment, but also a constantly evolving form, adapting and changing as life happens, and all along, forming a unique sense of self.

I love the way that Mars so wonderfully learns how to fight as the "Eye of the Storm", and how, because this is the only way (s)he has been taught how to truly feel desire, it becomes such an intricate, unusual and beautiful part of Mar's emotional make-up, that is the core of how (s)he relates to things/people, is able to teach others, and ultimately governs the way Mars survives.

Again, throughout, Mars is so finely tuned into the rhythms of nature and the patterns of life, that when later on (s)he is confronted by a different kind of magic with the prince's character (who is also refreshingly gender ambiguous until a little later in the story) and secret, magical dance , Mars knows innately how to deal with it, because at a very core level Mars understands where the prince is coming from. Stunningly beautiful in and of itself. With each incarnation I can't help but become a little more in love with Mars, and on a deeper, more personal level both understand and empathize with his/her unique take on things. It is so reassuring to see how complicated can also seem so beautiful too.



"Dangerous Space"


This is my favourite of the Mars incarnations. Reading this, again, felt like one was witnessing an exquisite dance of souls. Though for me, there were three souls involved in the dance this time. (1) Mars, the ultimate musical conductor, who at an innate level can understand, tune into, and harness the raw power of the band's music. (2) The band leader himself (Duncan), who is the tortured and complex channel of the raw talent of the music that drives him to create. And then, (3) music itself, which to me seems like an like an entity all of itself, a wild child - raw, demanding, powerful, inquisitive, driving and beautiful - almost like that perfect storm sailors speak of - all that wild energy that one can never quite tame, but can only hope to harness so one can get to the other side, and hopefully live. A wonderfully described and evolving element throughout, that seems to bend with, play and almost consume the key characters at times.

The connection that this raw power of music has between Mars and Duncan, is at the same time a lure, and a bane. They both know that for all the right reasons they must resist, for the good of the band, its members, and the music that is eventually half-tamed and produced. Yet at the same time, it is also that magical pull of raw musical energy that also manages to turn them both inside out. Mars is the focus for it, both a muse and an anchor that Duncan is tempted and inspired by. And for Mars, Duncan, with his raw channelling of this wild essence of himself through the music is something Mars is both fascinated and in love with. Mars' connection to the energy of this raw music and Mars' talent for mastering and tuning it to the public's ears is a wonderful thing to see.

Again, the writer makes reading/witnessing all of this such an effortlessly intricate and visual experience, that one feels one is a hidden and highly honoured observer in this beautiful dance.

The ending of this tale is thoroughly engaging, raw, passionate and organic, and something that definitely does not disappoint. In a way, this also mirrors the character of Mars, who throughout, remains a strong, evolving, magnetic and thoroughly intriguing entity. Again, I was quite captured with how, in each incarnation, Mars remains true to self, in that unique way that (s)he is tuned into the intricacies of life - forever observant, and wonderfully skilful in a most unusual way - and filled with an innate understanding of honour, the intertwining patterns of life - all painted in such an interesting way by the author, that reading about Mars is almost like experiencing a rather individual and intriguing piece of organic art.



Summary

All I can say is that I really loved the experience of 'Dangerous Space" - it was like having my mind and soul invited to an unusual, complicated, intriguing, fascinating and dangerous dance, that left me both awed and inspired. I don't think I have ever read anything that has been able to reach inside me and play my thoughts, perceptions and emotions in as much as this writing seems to have so effortlessly done, and in such a unique and intelligent way too.

The writing is very, very visual, and even reading on a crowed London train, at the height of morning rush hour and in the midst of commuting hell, I was effortlessly transported to another space - not always comfortable, but definitely always interesting, and always challengingly beautiful.
I was strangely saddened to have to put the book down afterwards (which very, very rarely happens with me). Vainly hoping for some more (very soon), but also feeling as if I had learnt something about the world and my own dangerous spaces too.

Kelley, thank-you.

This collection of stories gives more than reading pleasure, it gives a view into many places most people don't even think to look. Using various settings and characters Kelley Eskridge tells the story of people. Through these characters we are in their skin as Eskridge skillfully reaches into the feelings and motives of the stranger you are sharing a public space with or acquintainces who you can follow from limited knowledge to the most intimate of friends and lovers.

Using art in all it's forms makes it possible for the author to share insights through the eyes and feelings of her characters. In doing this the author shows her observational abilities to the nth degree. For me the most powerful of these arts was the music. I don't know if this author is also a musician but she really gets the scene, it's authentic. It's difficult to say in just a few words how smart this book is.

Greatness in writing is hard to achieve. But it's not as hard to recognize. Great writing reaches right through the page to you, so that you are no longer reading, you are experiencing the world the author has created. Most writers never touch it, or touch it only for a moment. So when you find an author who lives in that space, you are blessed. You see life in a different way, and you are never the same again.

Kelley Eskridge is such an author. Her new collection, Dangerous Space, proves it. Weeks after reading it, I find myself wondering, "What's Mars up to? How is it working out for him and ..." Then I stop. For a moment, I might have sent him an email, or picked up the phone. But the Net doesn't go where he lives, and the country code is nowhere listed. For a moment, reality hangs by a thread, and I might go over to that music bar, Lillie's Place in Seattle, and see him working the board for Noir, a band that just might be the next big thing...

In the title story, Noir does a song with the refrain, "The water is deep here, the ground is uncertain / It's dangerous space this far inside of me". You don't read it, you hear it. And your world expands to hold it...

Buy this book.

I found this collection of short stories to be amazingly gripping and enjoyable. Each of the stories were well written and kept my attention from start to finish. I've not been a fan of locked room mysteries, however, I must admit that Phil Mann's "Touch Of A Vanish'd Hand" not only kept my attention but spurred me to purchase more books in this specific genre. Joan Myers' "Copycat" was another personal favorite. I tip my hat to each of these authors as well as the three editors. Thank you for such a wonderful piece of modern literature.

Although I'm a voracious mystery fan, I tend to shy away from short stories as they never seem well developed enough. This anthology, however, has changed my mind. Each story is exceptionally well crafted with well defined characters, clever plot lines and lots of twists along the way. There is a mystery here to satisfy every taste and type. And there isn't a red herring in the bunch. Plaudits to the members of SinCLA - keep 'em coming!

The Los Angeles chapter of Sisters in Crime has released a captivating short story collection centering on what else: murder and mayhem. The twelve stories are fun to read as they vary in methods, means, and motives, but share a common background: the LA area and a common theme: of entertaining the reader. Characters run the gamut from the underbelly of society to the elite, but act as culprits dispensing murder. Though this is the "sisterhood", two of the collaborators are males, but the audience would not know gender if the stories were contributed anonymously because they are all strong entries.

Fans of murder and mystery anthologies will fully relish this collection. For the most part, the authors are just starting to become known, but in some cases, this reviewer has never previously read a work by a particular contributor. That error will be corrected as each writer holds up his or her end of the book, making for a wonderful reading experience.

Harriet Klausner

A Deadly Dozen is a compilation of short stories, naturally involving murders, written by the Sisters in Crime in Los Angeles, California. Featuring a deadly dozen stories from such authors as: Kris Neri, Cynthia Lawrence, Cory Newman, Lisa Seidman, and others, these stories provide a platform for these writers to dip their pens into stories with a twist. This group, which formed in 1986, led by Sara Paretsky, Sisters in Crime is now a respected national organization. The Los Angeles Chapter was formed by Phyllis Miller in 1989. In recent years, male writers have been welcomed into the organization. A Deadly Dozen is the second anthology published by this group.

The problem...and the thrill...of short stories is that the characters have to introduce themselves to the reader early and completely. The reader has to immediately descend into the world that the author has created, and be ready for a real jolt at the end. Kris Neri's chilling "Sentence Imposed" does just that:

"Call it fate, call it chance--either way, it'll change your life. Sometimes you just find yourself staring into a crowd, your gaze floating aimlessly over a sea of faces you won't remember the instant you look away--until one person's eyes seem to grab hold of yours and you make a connection. You can't explain it, but somehow your life and that stranger's become bound together. When I made that link, it was with a little girl."

Whatever the subject, these writers know how to pull no punches. "Wifely Duties" is a Hitchcockian tale of a wife who plots to kill her husband, and ends up as a victim herself. "Push Comes to Shove" is a wrestler's nightmare. "Fatal Tears" is a classic sibling rivalry piece. A Deadly Dozen exposure is like taking in several episodes of "Night Gallery," with cataloging students catching a murderer in "Miss Parker and the Cutter-Sanborn Tables."

Shelley Glodowski, Reviewer

A DEADLY DOZEN (TALES OF MURDER FROM LOS ANGELES ) is the third anthology following the 1997 DESSERTICIDE (DESSERTS TO DIE FOR ) and 1998 MURDER BY THIRTEEN.

The Los Angles chapter of Sisters in Crime has released a book of twelve short stories, based on murder and mayhem. I usually do not like to read short stories, but these stories were fully contained with well-crafted plots and well defined characters. My favorites were Wifely Duties, because every woman can identify with Lucy and her discontent with her marriage, but I would like to think that we would not go to the lengths that she did, and with such a startling conclusion. Cats and Jammer was another favorite, it's about a teen-age detective that finds a body and the suspects are many.

Stories included are: Sentience Imposed by Kris Neri Wifely Duties by Cory Newman Push Comes To Shove by Nathan Walpow Fatal Tears by Ekaterine Nikas Miss Parker and the Cutter Sanborn Tablets by Gay Tolti Kinman Driven To Kill by Jamie Wallace Touch Of A Vanish'd Hand by Phil Mann Ai Witness by Kate Tornton Over My Shoulder by Lisa Seidman The Cats And Jammer, by Gayle McGary Copy Cat by Joan Myers Midnight by Dorothy Rellas

This book is well worth the read.

Nate Liederbach's "Doing a Bit of Bleeding" is fearlessly direct, beautifully crafted, and an incredible example of storytelling at its finest. His stories take us on journeys seldom explored with such brutal honesty; rare is the talent that artfully and bravely addresses the whispered taboos of the human condition. His characters are flawed, truthful, and free. The settings flood with a history that defines each piece. Liederbach's envelope-testing style is everything but delicate; he wraps each piece together with barbed wire and squeezes. The stories in "Doing a Bit of Bleeding" comprise an uncommon sort of masterpiece, the details of which must not be overlooked in a swift read; rather, each piece should be savored individually, and revisited as part of an outstanding whole.

The power of this collection is in its details. The thought-provoking, shiver-inducing wounds of life are mined for all their humanity. Each character lives pain through the ink of every day language. It's the echo of a voice we all know, that emotional stutter of reflecting on our mistakes, of realizing our own weaknesses. Liederbrach accomplishes the difficult task of creating characters that are both fascinating and brutally real. In the end, you may not love them all, but you'll appreciate their vulnerability. Definitely a writer with great stories to come.

This is definately a collection worth owning, and I can only echo the praise already written about this book with two thumbs up. The characters draw you into their lives and you will run with them. The humor is subtle, dark at times. This book is filled with tender moments, realizations and people worth knowing. As I understand, this is Mr. Liederbach's first collection, but I definately hope to see more work from him in the future.

Reading Liederbach's work and you'll come face to face with fishermen and chicks who say one thing but mean another, Jesus-freaks and men freaked out by all the ways a heart can break. "Not Exactly a Parable" and "Moonbeams" are the collection's highlights.

Ugliness beneath the surface is brought wiggling to light in Nate Liederbach's short-story collection, "Doing a Bit of Bleeding," to be reconciled as something beautiful. Releasing the reel, Liederbach allows his audience freedom to jerk, swim, and rush head first into his subconscious pools, breathing natural dialogues of unsaid truths about life at the risk of being pulled under. In the same instance, he bleeds from the same hook, showing the world how Rainbows and dark German Browns exist in the same waters. After witnessing a child's wisdom, a sister's pain, a lover's anguish, a brother's mission, a husband's grief, and a fisherman's quest for answers, Liederbach releases his readers for the excitement of another catch and leaves his audience wondering whether he is the fish or the fisherman.

No two ways about it--I just loved this book. Every story is a gem, but best of all was the last and longest tale, Sing Fat and the Imperial Duchess of Woo. While the previous several stories all enchanted me, Sing Fat was really a tour de force of writing, with exotic characters and language specific to a time period. The words are evocative of powerful emotions and the characters just come right off the page into your reading room.

Steinbeck has mastered the literary genre of the short story, just as have two of his contemporaries, Annie Proulx and Jhumpa Lahiri. With the right screenwriter, the story of Sing Fat could be as successful a movie as Brokeback Mountain, adapted from Proulx's short story, or The Namesake, the movie adapted from Lahiri's brief novel by the same name. It's remarkable how easy it is to visualize Steinbeck's characters as his words and writing are that good. For anyone who likes short stories, or for anyone else for that matter, this is a great selection.

Ballantine isn't a small publishing house, but few would have bothered with a book of short stories.

Down To A Soundless Sea by Thomas Steinbeck, son of the California literary legend, John. A collection of seven (which must be a magic number) short stories, all of which takes place in Big Sur. A limited geography with unlimited stories to tell. Steinbeck is every bit the writer that his father was, and it was better that the son waited until he was absolutely ready before he tossed his fate upon the fickle tastes of the reading public. This book is a gem and like all good things, was worth the wait.

Being a life-long John Steinbeck fan, I began reading this book with the clear objective of "being gracious" and trying not to expect too much, since it might fall short of his father's talents. I was so pleasantly proven wrong! Thomas Steinbeck has NOT had to fall back on his family name to be successful. His writing can stand alone on its own merit. I love this book, and while I have already recommended it to friends and associates, I will not be getting rid of it by passing it on, as I often do. It's a "keeper" and I will read it again. Thomas Steinbeck can clearly turn a phrase, and it appears that he can do so naturally. He clearly possesses acute observational skills, and knows human personalities. His characters are full of life and are fully three-dimensional. One does not walk away from this book wondering "Why was this guy or that girl in the plot?" They all hold intrinsic and valuable places in the whole. Not only are these stories interesting and often entertaining, they hold social redeeming values. Thomas Steinbeck, with one book, has shown serious readers that a new kid is on the block, and is a force to be reckoned with. This book is a must read.

Just finished Thomas Steinbeck's book and did enjoy it very much. The characters are odd and varied and all seem perfectly real....I expect most are based on real people. Most of these stories, for this is a collection of (not too) short stories, are stories that were repeated around the Steinbeck dinner table when Thomas's dad, John, was still alive.
The writing style of some of these stories is quite formal, stiff almost at times, and yet they still seem to work. Although the writing is formalized it does have a beauty to it often, a lyrical quality, great selection of words.
In many ways this writing of the son of Steinbeck does remind me of the writing of the father, and certainly that's a good thing. I live on the Central Coast of California where most of these stories take place, and the history in these episodes is right on the money.
If I had one complaint, it would be the same one I've always had for John Steinbeck's writing too: both authors are perhaps overly fond of the tragic ending...which I find odd. I myself am a writer (Birthday Boy, Happy Hour, Safe Sex in the Garden, Allergy-Free Gardening, etc.) and I don't prentend to been even in the same league as John Steinbeck, but still: Every writer I ever met was first of all, dying to get published; then they were dying to make some good sales, to get good reviews, to make some money, to savor some fame. Few writers quite pull this off, but John Steinbeck did so and then some. He was a smash success at an early age and sold books like mad for most of his adult life. I would think his view of the world would be strongly positive, but the opposite seems to be the case. The red pony dies, the huge pearl ruins everything, the big guy accidentally kills the girl, the funny guy trips on a board and breaks his neck. Thomas Steinbeck gets into this tragedy groove too, certainly in the last story in the book, which is the best one too, the strongest,,,,but not to give away the ending.
I think, bottom line is this: it is a really good book, very interesting and well worth reading. The son writes darn well. Must be in his blood.

I thoroughly enjoyed Thomas Steinbeck's storytelling. Vivid images, superb words, lots of nice surprises. I plan to read several of these stories to my 12 year old son -- who I know will also enjoy. Should be recommended high school reading.

Bobby Salton knows she can't take her sadistic husband's abuse for another day. So at the beginning of the story, she takes her little daughter Penny when the monster isn't home and runs. Driving away in her half-working car, she finds refuge in a rambling house on the Connecticuit shore.

Hired as a live-in companion to Alma Ogilvie, Bobby helps the retired headmistress regain her independence.But Bobby's battered appearance also has a startling effect, especially on Eva Rule, Alma's niece, a successful author.

Three very different women grapple with dreams of haunted pasts, and yet form a tenuous bond. Just as they begin to look to to the future, the past catches up with them. Bobby's husband, for one thing, is still on the run looking everywhere for Bobby.

A very absorbing book and hard to put it down.

3 women...3 pasts...3 futures...what will happen to Bobby when Joe finds her? Or will Joe find her? Bobby and her daughter are being abused by Joe, Bobby's husband, they ran away to get away from the abuse. Bobby found a job as a "care-taker" and she nurses an old lady named Alma...who loves children. Alma's niece, Eva, is a writer and quite good...until she stopped writing about things she love...so in the end...will Bobby and Penny be able to stay away from Joe? Find out for yourself and read the book!

There's nothing superficial about the female characters in this book. Starting with the little girl, Penny, and moving to the eldest woman in the story, each unique character is described with increasing depth and detail. The same cannot be said for the depth of the male characters, but at least the good guys outnumber the bad. Be prepared for some VERY realistic perspectives on domestic abuse from every possible angle: the victims, the abuser, the children, and the friends.

I read this book in two days. It was well-written with execellent character development. I highly recommend it, but don't start it unless you have plenty of time to read, you won't want to put it down!

I really enjoyed reading this book from the first page to the last. Not only did it capture my attention immediately,but I connected with the characters as though they were my friends. I couldn't put it down!
I'm really tired of reading trivia. I don't feel justified in taking the time to read a book if I don't learn something. Charlotte Vale Allen set the stage in "Dreaming in Color" so we could identify the atrocities of abuse from the perspective of each character (including the child, Penny).
Kudos to the author. Not only did I learn something, but I will be more understanding of abused women in the future.

This book grabs you and sucks you in from the first page. By page 10, I couldn't put it down. Well written and entertaining, uniquely insightful about growing up male and Southern. I'd recommend this for anyone - my girlfriends loved it, my brother tried to steal it from me.

I never dreamed that I would grow to care for the redneck crew that inhabit the pages of Drive Like Hell. What captured me was Dallas Hudgens' ability to take me inside the heart and mind of an adolescent boy and to show me the humor and sensitivity that reside there. What had me rereading many of the pages was the sheer beauty of the author's words. He describes scenes with such richness and precision that he has you breathing the same air as the characters in his novel. And, as with all great reads, he has you lusting for a sequel!

All of the music references made this book so enjoyable. I picked up my son's copy, and I'm not sure which one of us liked it more. Anyone who's ever been a teenager living in the South (or anywhere for that matter) will identify with Luke Fulmer. Drive Like Hell is funny, suspenseful, and moving, and I can tell that Hudgens is one heck of a Southerner. He's the real thing--and he even manages to work Jack Nicklaus into the story.

Hudgens has spun a compelling tale about Luke, a 16-year-old Southern boy in the late 1970's who is about to have a series of life-shaping experiences. The reader gets to see Luke deal with scrapes with the law, his first girlfriend, his first experiences driving cars legally (and illegally), the minor and major-league drug deals, and coming to terms with his alcoholic mother and absent father. All of this is told with true Southern charm and a fantastic cast of characters--a likeable but gruff sheriff out for political gain, a zany foreign chef who made salad dressing with Paul Newman, a breezy petty thief who happens to be a charming girl, AA teetotalers, and my favorite off all, an unbalanced former professional football player who lives in the moment and has tons of cash to thrown at his mistakes.

I'm not a Southerner, but I was charmed by these just-to-the-side-of-the-law rednecks and car lovers. Let's hope Hudgens treats us to a second story about Luke's career as a bail bondsman.

This novel had me in laughing fits before the end of the first page. I am not an English professor, but I love to read the likes of Christopher Moore, Bill Fitzhugh, etc. Dallas Hudgens fits well with this group, the difference being that he uses the South as a backdrop instead of a punchline. I lived in Georgia for eight years, and this book has jarred loose a lot of memories for me. The comedy is nicely contrasted with raw aggression around every turn, and it is hard to put this book down. Even if you have nothing to do with the South, this is an interesting story with many suprises. The charachters are distinct and vivid, and not hard to remember. If you are from Atlanta or the surrounding area, you'll be able to smell some of the scenes from this book. I can't wait to see what this guy writes next.

You don't need to be of Italian descent or from Michigan to enjoy this delightful collection of short stories from new author Joe Borri. While Joe's a very talented graphic designer, he's even more adept with the written word, bringing to life a variety of entertaining characters and situations we all can identify with. Joe's easy, humorous style and straight-forward storytelling skill makes this book a very enjoyable read. If you like the crazy South Florida stories of Carl Hiaasen or the Margaritaville-inspired stories of Jimmy Buffett, as I do, give Joe's book a shot. You'll be glad you did!

I thought this book might be interesting because it was written by a Detroit Native and is about this city we live in and around. Little did I know that I would pick it up one night figuring I'd thumb through it and read the entire thing in one sitting!!
Eight Dogs Named Jack and 14 Other Stories from the Detroit Streets and Michigan Wilderness marks the writing debut of Michigan artist Joe Borri, who is employed at Skidmore Inc., a studio in Royal Oak, Mich. This collection of short stories is inspired by the East Side Detroit neighborhood where he grew up and its predominantly Italian denizens. It's very easy to read, and keeps you flipping the pages till you're done.
Some books I pick up, read a few chapters and put down, only to never finish them again. The coolest thing about this book is each chapter is its own story. Some of the chapters I really wanted to hear more about, maybe delve into them a little deeper, so I would keep reading the next chapter thinking it would lead into the story deeper, but it would just start another one and get me hooked into that new character.
Joe Borri has a great way of describing the scene. You can picture the street, you can feel the warm breeze blowing on your face, you neck tightens up when he talks about a certain fight, and you need to make another drink when he describes the beautiful ladies the Wiseguys try to work over.
Many of the stories are set in the gritty streets of Detroit, where wiseguys and wannabes walk a thin line between good and evil. Some of these characters work their way "up north," where their street smarts are tested against the immutable forces of nature and the country folk who try and do things a little differently.
The stories are blended together perfectly and this book would be great to bring along on that next flight. You can pick it up anywhere and start fresh. Or you can read it from cover to cover like I did, and finish off a bottle of Scotch while enjoying some of the best writing I've read in years!!

Pat Bonish
www.everymilesamemory.com

Expect the wonderfully unexpected when Goodfellas wannabes meet the Michigan Great Outdoors. With Eight Dogs Named Jack Borri demonstrates that he is a writer who possesses a rare combination of original vision, keen insight and an ability to combine humor and tragedy in striking ways. Many of the stories feature tough characters engaged in battles, physical and psychological, but Borri is not a one-trick pony. Several of my favorite stories in the collection feature characters who are wholly vulnerable and wholly real, and I found myself so engrossed in their struggles that I yearned for their salvation. Borri does not disappoint. Keep your eye on this writer.

This is a collection of short stories written by a native of East Detroit. The stories all take place in Michigan and are outstanding.

I loved this book! The short story format was perfect for this collection of stories from Detroit's east side and "Up North" Michigan. The hunting stories reminded me of tales my dad would tell from his hunting cabin, "The Hot Dog Lodge", and the stories of growing up on Detroit's east side took me back to a time when you could pick up a Vernors at the corner party store and walk into the hardware store and get any tool you needed to finish a job--on credit, no less.
Joe Borri paints a vivid picture with his words and I don't believe I have read a better debut. I cannot wait for more stories from this fresh, new writer.

G-Town's Finest is absolutely the greatest gangster book that i have ever read. It has a story line and a plot that will knock you off your feet. The ending is unreal and unexpected. It kept me interested and wanting to read more. I couldn't put this book down for nothing. It only took me 9 hours to finish it and I cried at the end. I recommend this book to all readers!
Keep up the wonderful work CeDee and I will support all that you do.
Thank you for the wonderful entertainment that I received from reading G-Town's Finest!

THIS BOOK INDEED WAS THE FIRST BOOK THAT MADE ME SHEAD A TEAR OF 2 OR 3..... BUT MY POINT IS THAT THIS BOOK WAS OFF THE WALL. I COULDN'T PUT IT DOWN AT ALL..... I RECOMMEND THIS BOOK TO EVERYONE IN THE URBAN FICTIONS GENRE.... PLEASE GO GET IT G-TOWN'S FINEST BOY I TELL YOU

...... PLEASE GO GET IT

... GOT ME ALL SPEECHLESS AND SH*T

G TOWN'S FINEST IS ONE OF THE BEST BOOKS YOU COULD EVER READ. I RECOMMEND IT TO ALL. IT WILL DEFINTALY CAPUTURE YOUR ATTENTION FROM BEGINING TO THE END FLAT OUT.THIS BOOK IS A MUST READ! ANYONE FROM THE HOOD OR OTHERS WILL FEEL THIS BOOK TILL THE VERY END.IF U LIKED COLDEST WINTER EVER,B MORE CAREFUL,TRU TO THE GAME,AND ALL THE OTHER FAST PACE BOOKS THEN YOU WILL LOVE G TOWN'S FINEST.

I really enjoyed the book. I couldn't put the book down.
I want to know where is G-Town Finest's money at???. MAYBE
this could be the next part II.

I have never been the type of person to read, but a friend of mine convinced me to read this book, and I did, and I loved it! Put it this way, I started the book on my lunch break from work. I took the rest of the day off just so I could go home and finish reading it. I needed to know what was going to happen next. The thing I liked the most was everything that I expected to happen, DIDN'T happen. It's not one of those books where you can predict the ending just by reading a few chapters. I don't want to go into any detail because I don't want to tell you too much, so I'll just end this by saying that the book is excellent, and you will enjoy it! I hope this review is helpful.

I had HICKSON do an open mic/book signing on May 22 and we sold out all his books! I love this guy! He is funny, great to work with and I look forward to bringing him back to do all twelve of our stores in New York, New Jersey and Philadelphia!!! If you don't know what HEAT is then you need to get burned by this F I R E!!! HICKSON keep doing what you do best...BURN THE LITERARY WORLD!!!

You got to have this book in your collection! Funny, but realistic.

BOLD AND COLORFUL. rhythmic and musical, HARD, HARSH, chill, easy, reflective, reverent, whatever the mood's intent, every word delivers an IMPACT, an impact that can be seen, heard, felt, tasted, smelled...but its bigger than that. Hickson is taking on illiteracy among inner-city youth. he's providing a platform for self-expression across media. I definitely recommend reading Ghettoheat!

I just finished reading Ghettoheat and I loved it! My favorite is "Niggativity", it's hot and it has a message. I'm also fond of "BabyWoman" and the series of events she encounters. Buy the book.

GhettoHeat is the most honest, graphic and realistic piece of literature that I have read in a while. I would like to first applaude Hickson for having the courage to step forward and be heard. Second, I want to thank him for his colorful words that were so inspiring. I look forward to reading more. {YES brothers do read}.

A truly awesome book for Catholics who would like to grow in their faith as an adult. It's easy to read, down to earth, and very practical and applicable to our everyday lives.

The book did help, as I just lost my wife of thirity one years and although I beleive in God I had a few questions about why. I agree with a lot of what the book says, but there are some parts that open the door to more questions.In the end I don't care what your religion is its all about FAITH!

The Gift of Faith was recommended to me by some friends in the Families of Nazareth movement. This book presents most of the core essentials of my faith. I believe that acceptance of the world as God made the world, acceptance of myself as God made me, and surrender to the will of the Lord are vital to living the way of Christ. Consistent with Christ's model, Dajczer provides not only very wise statements about faith, he also gives us wonderful illustrative examples from both scripture and the saints.

The Gift of Faith has three sections: the virtue of faith; the dynamism of faith; and the actualisation of faith. In virtue of faith we learn that God invites us to love Him, and faith leads to self-abandonment and reliance upon God. In dynamism we are invited to deepen our faith. We are told we can accept ourselves and consider our "happy faults". We learn to focus upon humor as a remedy to our self centeredness. In actualization we discover that the Holy Spirit wants to lead us in our journey of faith, and that the Blessed Mother teaches us the way to be open and adhere to the word of God.

What follows are several of the nuggets of wisdom in the book.

The fullness of faith is in love. Focus upon "now" as there is no past or future, only this moment, and the present brings love. Our "fear" of God hurts Him and hurts us. Fear prevents trust. I must know that God is love, that God loves me. Then I can trust Him. Be like a child, trust in God. When praying do not limit or judge the Lord, but believe in the wisdom and love of God and expect miracles.

We have a choice, attachment to things of this earth or to God. Dajczer talks of "inconceivable" faith, one which accepts death and trusts God enough to surrender to His will. This "inconceivable" faith is the faith that makes saints. The only way to true love and peace is "abandonment" of myself to God. When I believe I am strong, I lose focus upon God. It is through my weakness that I grow in trust and love of God. When I know I am weak and cannot control my life, I can abandon myself to the Lord. The key is not winning, but losing, not strength but weakness, not victory but surrender.

Knowing I am human, my mistakes can become "happy faults" if they help me believe in the mercy of God. I cannot know Christ until I know myself. I must know my sins, admit my faults, and realize that God accepts me as I am. I must learn to accept myself as Christ does, then I can learn to synchronize my thought with His thought.

The Gift of Faith is a great book. I recommend it for anyone wishing to grow in their faith.

I have been transformed by reading this book. It has helped me to see that grace comes in everything in life...that all things are from God, even the difficulties. It has helped me to rely only on God, and to see His grace through my daily struggles, failings and weaknesses.

Someone told me about this book when I was going through a hard time with believing. I'm not the kind to read cover-to-cover. Usually, I flip through the book, and see what catches my eye.
This book answered so many questions for me that I did not even know how to ask.