Image Books

Doug Garner really knows his history of this amusement park. His photos and artifacts
are amazing! A true believer in the joy of the amusement park! Highly recommend.
tons of photos!
Debra

This book was fantastic. It brought back so many memories of spending fun times in the 1960's at the Forest Park Highlands Amusement Park in St. Louis, Mo. I highley recommend it for anyone who was lucky enough to experience the rides at this great park.

What a delightful read! Doug Garner takes us on a nostalgic ride through Forest Park Highlands' by-gone days as page after page explodes with amusement park Americana. Doug's vivid descriptions and extraordinary photographs bring back the wonderfully delicious smell of cotton candy, french fries, and hot dogs; the piercing shrieks of pure joy; and the thrilling roar of the roller coasters which permeated the air on those memorable hot summer days in St. Louis. Amusement park aficionados everywhere will relive the excitement of yesteryear in this informative and entertaining depiction of the birth and death of one of America's great parks. Kudos to Doug Garner for this comprehensive tribute to St. Louis' most famous park!

A lot of us familiar with Doug Garner's expertise have been waiting for years and years for him to finally get to do the book he wanted to do on the Highlands. As expected, he's produced a simply terrific photo book packed with information and details only he would know and that rarity--captions which go beyond just describing the photos to bring them to life and offer rich background information. It's all done with style and verve and for dessert he throws in West End Heights, Suburban Garden, Westlake Park and Chain of Rocks Fun Fair. I have waited all my life to see photos of Suburban Garden, as I grew up a five minute walk from the place, or what little was left of it. Arcadia has come a long way from its early efforts and this book will sell big with anyone who loves St. Louis history, amusement parks, roller coasters or quality bookmaking. Congratulations, Doug!

Mr. Garner has captured a time and a place in America that tells an arresting story about this nation's ideas of play and fantasy...then he caps it off with a blazing inferno that fixes this park forever in St. Louis history. I love it. And is it just me, or are some of the photo captions downright sly?

User friendly, innovative, narrative guide, to an image that fits all types of woman. Thoughtfully presented in a way that allows woman to laugh, think, re-think and make positive changes. I love how she breaks down her chapters as well as her sub-titles and parts to her book. The steps, checklist, tips, (including the Do's), writing exercises, and the six images of woman are universal to all woman. It's like reading a friendly image encyclopedia of usable everyday information that can actually be implemented. This book wants me to want to feel and look good, and be better every day, and there's plenty good about that !!!

This book is absolutely fabulous "Darling". Chloe gave me very helpful tips on finding my authentic image. This book is not only the ultimate guide to help you with your wardrobe, hair style and makeup, it helps you connect with your inner beauty as well. Every women and girl should have this book in their collection. I look forward to seeing Chloe on the "Oprah Show".

I love this book. It fills in little details that make daily life and preparing for extraordinary events flow with laughter and ease. Chloe points out areas that give rise to anxiousness in many of us and simply states ways to approach each. I enjoyed the challenge of thinking through my lifestyle first - being honest about who I am and how I want to spend my time. Then the rest - hair, make-up, clothing choices, shoes, what I keep in my closet - they all make so much sense. It's easy reading, encouraging and truly helpful to women of all ages. I bought copies for my college-age daughters, my sisters and good friends. Enjoy!

From the first few pages of this book I knew I was going to be in for a treat. I love the way Chloe has written this book from the heart and shares her story and her knowledge to reach the heart of the reader. I feel as though I have just learnt a new language, the language of inner and outter beauty flowing as one. Getting ready Chloe Style is the perfect book for women who would like to know more about enhancing their natural beauty. Thank You Chloe Taylor Brown.

Jayne Mason (Australia)

It may at first seem strange that a male with no connection to the fashion industry would be reviewing a book primarily intended for women. The truth is that as an author, I am very interested in how other writers approach a subject. Plus, as both a personal development coach and a man, I have a keen interest in what makes women "tick".

Getting Ready Chloé-Style is well written with an easy style. It is difficult not to fall in love with Chloe's unique blend of friendly advice and frank candidness, delivered at a high mood level.

One thing that struck me is Cholé does not attempt to sell herself at all in the book, nor does she sell the fashion industry. Rather, she exposes it for what it primarily is, a business that needs to consistently make money.

The book is loaded with facts about many areas, from skin and body types, to how to dine formally. It is a veritable "gold mine" of information that seeks to improve literacy in an area that abounds with opinion and pre-conceived ideas.

Chloe's concept of the "Inner Beauty Being" stands out as a very workable approach to improving self esteem. She takes the basic premise that beauty stems from a person's view of themselves and expands on it. It is her observation that everyone has the potential for external beauty. This comes from own very real struggle with self-image which she overcame to become a high fashion model. Her contention is that anyone can build on their uniqueness and shine like a super model.

This is a wonderful book. The author has done her homework and her picks from the famous to the forgotten were excellent choices. If she couldn't confirm a rumor, rather than speculate, or worse yet, sensationalize, she plainly stated the answer would probably never be found.

I recommend this book for all lovers of the silent era. I only wish that Ms.Golden could do full length bios on these people.

Before I read Eve's books, I couldn't tell Buster Keaton from Michael Keaton. I kept confusing Anita Page and Doris Hill with Anita Hill. This woman knows more about Virgina Bradford than Bradford herself. Her book has opened my eyes to the wonderful genre that is The Silent Movie. Eve has taught me not to laugh at the name Richard Dix. She's explained that Charlie Chaplin doesn't wear that moustache and glasses because he's in the Witness Protection Program.

I could go on forever about this book, but I think I'll leave you all with a quote from my favorite silent movie: " ".

Eve Golden as always does her homework on her subjects, and then brings them to life wth insight and warmth. A great collection of Hollywood's known and lesser-known characters-- briskly written, it's a good read.

This book provides 4-5 page biographies of many silent film stars. Some are very familiar to film buffs such as Rudolph Valentino, the Talmadge Sisters, etc. but others are not as familiar such as Martha Mansfield, Milton Sills, etc. Golden's writing style is so easy to read and she has done a great deal of research. Many of the biographies left you wanting to read a great deal more about many of these people. I would recommend this for all silent film buffs!

This wonderful book contains 41 short (5-6 pages each) biographies of silent film actors and actresses. Some like Clara Bow, William Haines, and Rudolph Valentino have been covered more in-depth by other biographers. However, there is no other book that covers the life and careers of Marie Prevost, Milton Sills, Arthur Johnson, Clarine Seymour, Harrison Ford (not Indiana Jones), Pearl White, and Wallace Reid. Even famous personalities who just made a few film appearances like May Irwin and Ormer Locklear are covered. Many of these performers died before the silent era was even over, which is why they are virtually unknown today. These essays were originally written for CLASSIC IMAGES magazine, but have been updated for the book. Ms. Golden's bios are well researched and very easy to read. If you are interested in silent film performers, you will want this book!

If you enjoy a good wholesome story that you do not have to skip words or offensive scenes, then this is a good series for you. It takes you to a small town and introduces you to a range of folks who have real life experiences. God is a central part of thier lifes and they count on that.

I highly recommend this book and the entire series. Katherine Valentine
is a great writer. I am glad I found her.

sashley

Once again the characters in the fictional town of Dorsetville are faced with a host of challenges. Mrs. Norris leaves in a huff, leaving poor Father James without a housekeeper just as a new boarder shows up and Father Dennis is distracted by his new cooking show, The Fat Friar. Harry Clifford has finally asked Nellie Anderson to marry him, but things get a little rocky when the wedding invitations are lost by Deputy Hill.

But there are also hardships to get through like the loss of a baby, the need for forgiveness, and the hope for a miracle. Once again, Katherine Valentine skillfully tucks the message of God's undying faithfulness into the ordinary lives of this unforgetable host of characters.

Since the day I happened across her first book, A Miracle for St. Cecilia's in my local bookstore, I've been a huge fan of the writing of Katherine Valentine. With Grace Will Lead Me Home, her third installment in the beloved Dorsetville series, Ms. Valentine continues to build my love for this community of characters and their stories. Dorsetville has been likened to a Catholic Mitford, (made famous by author Jan Karon), but these wonderful novels transcend denominational lines and offer a tremendous message of hope and inspiration. Grace Will Lead Me Home will stand on its own merit if you haven't read A Miracle for St. Cecilia's or A Gathering of Angels. But if you love great fiction as much as I do, do yourself a favor and enjoy all three! Now I'm just anxious to see what will be going on around Dorsetville in #4! Lisa

This book begins with the final repairs to the Congregational Church that had been burned down by the Galligan twins in the previous novel. St. Cecilia's reaches out in many ways until the final work is all done.

Stephen Richter incarcerated for 8 years as an accessory to manslaughter was being released from prison. Father Casio called on Father James to see if he felt that Stephen could move in there to make a new start in life. Stephen was a very talented artist and had ambitions of pursuing that field. Father James welcomed him into his home and found Stephen a job right away helping Chester in his business.

Valerie Killbourne and her two twin daughters were new to Dorsetville. Linda and Leah both came down with an eye disease where their vision was rapidly deteriorating. They would both go blind eventually if they did not have the surgery to correct it which was over 100,00 each. Valerie who had no health insurance, was at a total loss of what to do. As she tells Father James her problem, he has the church come up with a plan to raise all the money needed for the surgery.

Lori Peterson is expecting a baby which she thought they could never have again due to her husband's recent cancer that had been cured. But as time moves on, it is a sad story as the pregnancy progresses. Lori was so angry that they had to bear yet another tragedy.

Mrs. Norris feels under-appreciated and decides to quit her housekeeping job at the rectory. This throws Father James and Father Dennis in limbo not knowing what to do for a housekeeper. They try a few others who do not do the job, and Father James is at his wits end unless he can talk Mrs. Norris into coming back which may not be possible.

Deputy Bromley gets quite sick for awhile in this book with a terrible virus that is going around town. And when Hill takes over, it is always a big disaster. When Hill took the cruiser out on a call to catch some robbers, he crashes the cruiser into Sam's very old faithful Plymouth Duster. Now Sam is without a car, as well as the people who depend on the car as well to haul them every place. So prayers are in order to find Sam a new vehicle.

The book is very hard to put down and I loved every minute of it. I am now looking forward to the next one A Wing and a Prayer.

In her third installment in the Dorsetville series, Katherine Valentine reunites us with her cast of colorful characters from A Miracle for St. Ceclia's & A Gathering of Angels. By now the characters feel like family. From the first page, you'll feel like you're returning home.

Ranging from light-hearted story lines, like the priests losing housekeeper Mrs. Norris, leaving them in a house of chaos, to some more serious subject matters, the novel remains cozy, charming & entertaining. If you're looking for a feel good book that has small town charm and lovable characters, this is the book for you.

I stumbled across this book about 6 years ago in a sales rack at Crown Books in Topanga Canyon, California. There were only three left, so I picked one up and paid about $11 for it. How I wish I had snatched all three, because it is now impossible to get and some dealers are asking a fortune for used versions (Ron offers the best price and his are new!). One of a kind posters, many that are different versions from the same film and sometimes foreign versions, are artfully arranged and beautifully reprinted throughout this book. The reader can enjoy the fabulous art again and again, as well as learn quite a bit about the history of film posters, lobby cards and one sheets. Ron's narrative about his love for collecting posters is a treat and he paints a great picture with words of what it was like when he and his friends started out collecting. I urge you to visit Ron's shop on Hollywood Blvd. for a look at some truly classic film posters if you just can't seem to find this great book. What can I say but, "Five Thumbs Up!" (And thanks, Ron, for sharing!)

I stumbled across this book about 6 years ago in a sales rackat Crown Books in Topanga Canyon, California. There were only threeleft, so I picked one up... How I wish I had snatched all three, because it is now impossible to get and some dealers are asking a fortune for used versions (Ron offers the best price and his are new!). One of a kind posters, many that are different versions from the same film and sometimes foreign versions, are artfully arranged and beautifully reprinted throughout this book. The reader can enjoy the fabulous art again and again, as well as learn quite a bit about the history of film posters, lobby cards and one sheets. Ron's narrative about his love for collecting posters is a treat and he paints a great picture with words of what it was like when he and his friends started out collecting. I urge you to visit Ron's shop on Hollywood Blvd. for a look at some truly classic film posters if you just can't seem to find this great book. What can I say but, "Five Thumbs Up!" (And thanks, Ron, for sharing!)

GRAVEN IMAGES is exactly what it claims to be, 235 pages of the best fantasy and science fiction film art you could possibly imagine and-- beyond! It features beautifully reproduced photos of everything from the common one sheet all the way up to six sheets (that were literally plastered on the sides of buildings to be viewed from car or train) and everything in between including half-sheets, inserts, and lobby cards. It also includes a glossary to define these terms for you in case you are unfamiliar with them. Best of all the items represented aren't simply the American publicity materials, oh no, collector Ron Borst who compiled the book has also chosen to add foreign material chiefly British, French, and Belgian though other countries are represented as well, and some of these posters are absoutely breath-taking.

The book starts with a 15 page forward by Borst (everything is always illustrated) aptly called "The Genesis of a Collector". Among other things Borst's hobby has lead to one of the best known memorabilia shops in Los Angeles. This is followed by the handy-dandy one page glossary, and then by a five page intoduction by the ubiquitous Stephen King that sets the tone for the book which of course is how publicity material, specifically theatrical posters sets up the audiences expectations for the film. It also contains 2 lists, one which is King's list of favorite horror movies as of 1992 and the other his list of favorite horror movie posters as of the same date. Looking at the list I'm assuming that he's referring to American one sheets.

MOVIES (alphabetically)
Alien
Burnt Offerings
The Changling
Curse of the Demond
Dawn of the Dead
Dementia 13
Evil Dead
Pet Semetary
Psycho
Texas Chain saw Massacre

ONE SHEETS
Child's Play2
Curse of the Demon
Earth vs the Flying Saucers
I Was a Teenage Frankenstein
I Was a Teenage Werewolf
Night of the Living Dead
Paper House
Rabid
The She Creature
Them!

The remainder of the book is divided into eras and each era is introduced by a different science fiction writer; The teens and twenties are handled by the late Robert Block author of PSYCHO, the thirties by Ray Bradybury, the fourties by Harlan Ellison, the fifties by Peter Straub, and the sixties by Clive Barker with an afterward entitled "Imagi-Movie Memories 1922--1968" being contributed by Forry Ackerman. Their anectdotes are all well and good,but the real reason to buy this book is the art, and art it is! So many of these images are so beautiful that it hurts to look at them.


The teens and twenties were the high point for this type of poster art in films, but soon it would end, a victim of mass production. Within a few years circus posters, cigar box labels and all the other forms of beautiful lithography of which these early posters were but a part would be gone forever, and by the 1980's almost all theatrical posters would be photographic in nature. Once you've seen the posters reproduced in this book you'll realise just how big a loss that really was. If you get a chance take a look at this gorgeous book--grab it! What you find within its pages will open your eye, especially the work for the silent films that were coming out of Germany such THE CABINET OF DR. CALIGARI and METROPOLIS for the art chosen to sell these films was every bit as exciting an innovative as the films were themselves.

My only criticism of the book is that I would have liked to have seen mention by name of all the artists who had produced these ephemeral masterpieces. I suspect though that the artists, like their work, were disposable. How sad.

THIS BOOK IS A JOY TO BEHOLD.SINCE THE FRONT JACKET ILLUSTRATION REPRODUCING THE ONE-SHEET POSTER FOR "MURDERS IN THE RUE MORGUE"(UNIVERSAL,1932),CREATED BY KAROLY GROSZ,UNIVERSAL'S OUTSTANDING POSTER DESIGNER ,TO THE MORE THAN 500 OF THE FINEST VINTAGE FILM POSTERS(AND RELATED MEMORABILIA)BELONGING TO THE PRIVATE COLLECTION OF RONALD V. BORST.MY PERSONAL HIGHLIGHTS:THE BRITISH TWENTY-FOUR-SHEET POSTER(PRESSBOOK)FOR THE GERMAN EXPRESSIONIST FILM "DAS CABINET DES DR.CALIGARI(U.S.TITLE:THE CABINET OF DR.CALIGARI),DECLA-BIOSCOP,1919;THE PRODUCTION DRAWINGS BY ART DIRECTOR ALBIN GRAU FOR F.W.MURNAU'S "NOSFERATU,EINE SYIMPHONIE DES GRAUENS"(U.S.TITLE:NOSFERATU,A SYMPHONY OF HORRORS"),PRANA-FILM(GERMANY),1922;THE TWO ONE-SHEET POSTERS FOR "THE PHANTOM OF THE OPERA"(UNIVERSAL,1925),AND THE ONE-SHEET FOR PAUL LENI'S "THE MAN WHO LAUGHS"(UNIVERSAL,1927);THE SIX-SHEET POSTER FOR BELA LUGOSI'S "WHITE ZOMBIE"(UNITED ARTISTS,1932);KARL FREUND'S "THE MUMMY"(UNIVERSAL,1932) ONE-SHEET POSTER;THE SENSATIONAL(IN ART-DECO STYLE)ONE- SHEET FOR THE BRITISH PRODUCTION OF H.G.WELLS "THINGS TO COME"(LONDON FILMS,1936);THE TWO MYSTERIOUS POSTERS,ONE ONE-SHEET AND ONE THREE-SHEET,FOR JAQUES TOURNEUR'S "CAT PEOPLE"(RKO,1942),REPRODUCING THE LOVELY FIGURE OF SIMONE SIMON;THE ORIGINAL BRITISH QUAD POSTER FOR EALING'S "DEAD OF NIGHT"(1945);THE DOZENS OF POSTERS FOR AMERICAN SCIENCE-FICTION FILMS OF THE 1950'S.ESPECIALLY THE REYNOLD BROWN'S(1917-1991) CREATIONS FOR UNIVERSAL'S FILMS:THE ONE-SHEET POSTERS FOR "CREATURE FROM THE BLACK LAGOON"(1954),"REVENGE OF THE CREATURE(1955),"TARANTULA"(1955),AND "THE CREATURE WALKS AMONG US"(1956).WE CAN ALSO ADMIRE HUNDREDS OF OTHER STARTLING FANTASTIC FILM POSTERS.HOW LUCKY MR. BORST IS!THE ESSAYS ARE VERY GOOD.MY FAVORITES:THE LATE ROBERT BLOCH'S "THE TEENS AND TWENTIES" AND "THE THIRTIES" BY RAY BRADBURY.BLOCH WAS A REAL CONNOISSEUR OF SILENT MOVIES,AND BRADBURY IS ALWAYS AMUSING.A GREAT AND BEAUTIFUL BOOK!

I have seen the collection in person and let me tell you that this book is phenomenal! . There is no book that comes close to this masterpiece. Ron still sells copies at his store in Hollywood. It is a must for any horror fan. From silent to the 70's it's all in there. There are even some items in his book that are 1 of a kind. Yes, the only specimens left on the planet earth. A feast for the eyes!

McCabe presents a Greece living now only in the hearts and minds of Yia Yias and Papous but never quite forgotten as this book proves masterfully through the fantastic photography. The reader walks through post-WWII Greece and experiences the simple wonders of the Greek people and land. This book is a journey not to be missed.

The photos in this book are in turn beautiful, warm, moving and joyful. In all of them, McCabe's love of Greece and all things Greek shines through. This book is awesome and wonderful. The reproductions are superb and the images evocative of a time in Greece when life was simpler than today. Find a comfortable chair, open the book, and enjoy the journey!

I have not seen such photography since Cartier Bresson's photos on everyday French life. It brings the people and land to life and presents a marvelous "record" what was and is about to partially disappear. It is a rare work of art. Peter Sichel

This is a spectacular book. Robert McCabe's intimate knowledge of Greece and its people informs the beautiful photographs that are presented in this record of a truly idyllic land. When I first received the book, I did something highly unusual for me: I sat down and went through the entire book, page by page. What a treat that experience was. I recommend this collection of photographs to anyone interested in Greece and to anyone who loves great photography.

Many of these collected black and white photographs, taken with a Rolleiflex in the 8 1/2 inch square format by the photographer during some of his many trips to Greece in the mid 1950's and 1960's, take one's breath away - arresting lansdcapes, portraits, and scenes of life as it was lived then, a vanished era, to quote the author. The pictures were made by someone who undoubtedly knows and loves the people and the country with a passion that shines through. McCabe is not a professional photographer, but rather the best kind of amateur, in the sense of comparing Olympic sports to professional sports. His work has a freshness and vitality that is more amazing considering that the pictures were taken over 40 years ago. The book recalls for me a trip I once made to the Greek Islands. During a night passage, our boat anchored off the coast of Delos, an uninhabited island (then) that is known as a sanctuary and the birthplace of some important Greek Gods and Goddesses. My memory of proximity to the aura of this sanctuary, the way it made me think about history, the ancient Greeks, was summoned back by McCabe's photographs in a way that made clear his understanding of the interconnectedness of people. His pictures make one think about how human intellectual history, our knowledge, began there, in Greece. Whether it is a picture from great height of an amphitheatre where Sophocles' plays were originally performed, or a glimpse of two young girls giggling over a shared secret, the effect of this book is to draw out a fascinating combination of history, landscape and human emotion.

No writer has done more to further Paris' reputation as an artistic Mecca than Ernest Hemingway. In this wonderful photographic exploration of the mythical city, the reader gets to take a sightseeing trip through the places only previously glimpsed in fiction. The World War II photos are particularly interesting as they exposed me to something I hadn't previously seen -- Hemingway in full army garb.

The author presents an excellent collection of photographs showing France in Hemingway's time and then today. A few modern photographs are contrasted against the past incarnations of the same places. Often the locations retain their quaint picturesque quality. The accompanying text is well written and informative. It does a workable job of presenting Hemingway, Piccasso, and Fitzgerald in the era that the photographs witness.

An interesting tidbit in the text was the fact that American "starving artists" during the Lost Generation years were hardly starving. Because the dollar to franc exchange rate was so advantageous, a full 3 course meal with wine could be had for the equivalent of $.20.

From Hemingway's early romantic days in the Lost Generation Paris of the 1920's, to his swashbuckling exploits in the French countryside and his liberation of the Paris Ritz Hotel during World War II, and to his troubled final years when he returned to Europe and France in a failed search for rejuvenation, it is clear that Hemingway truly loved France.

With "Hemingway's France: Images of the Lost Generation," it is clear that Winston Conrad loves France as well. Conrad traveled extensively in France to gather the material for this book, and his passion for France and Paris (and of course Hemingway) are evident on every page as he attempts to show the reader why this country and city left such a grand impression on the biggest star of 20th century literature.

Conrad writes a clear, thorough biography of Hemingway, with France serving as a common thread throughout, but the feature that makes this book stand out is the great number of rarely seen photos of Hemingway and friends. We see Hemingway demonstrating deep sea fishing gear in the late 1950's, we see him dressed in dapper travel attire as his driver prepares their car, we see him riding on the back of a sidecar motorcycle during World War II, we see him sitting on the windowsill of his Paris apartment in the late 1920's, we see him in a rocking chair with his infant son Bumby...and for the Hemingway fan who has seen it all, these "new" pictures are like seeing an old friend after a long time apart. Not only do we see him, but we are treated to views of Hemingway's France that give a clear and confirming image of all those wonderful settings that we find in Hemingway's books. Conrad, a photographer of obvious talent, shows us Hemingway's haunts as they appear today, and often contrasts his own beautiful color photos with the vintage black and white photos of the same haunts from Hemingway's day; it makes for an effective mix of nostalgia and immediacy.

Conrad divides the book into nine chapters, each focusing on a different part of the French experience that today would be hard to discuss without mentioning Hemingway's name: The Literary Scene in Paris, Cafes, Restaurants and Nightlife, The Artists, Sports, The South of France, World War II, Bullfights, The Feast Moves On. All are well written, but the chapters on Hemingway's early years in Paris and later, his experiences as a combination soldier/journalist during the second World War stand out.

A pleasant surprise comes in Chapter 4 ("The Artists") with the reprints of some of Gerald Murphy's paintings. Murphy, in most Hemingway and Fitzgerald biographies, always serves as a footnoted rich benefactor to the talented writers and painters in 1920's France. But he was also an accomplished painter, and Conrad shows us some of Murphy's wonderful paintings (particularly Cocktail), revealing a talent that if it were more widely known would certainly elevate him above his current footnote status.

The usual cast of characters show up as well, with F. Scott Fitzgerald in a starring role before his crack-up, and his wife Zelda revealing in many pictures a nervous look that foretells her later mental disintegration. But the true star of this book is France itself. Hemingway always had a knack for selecting interesting places to live and for making those places his own, but of all the places he lived, Paris seemed to be the one that affected him most. It was the city of his earliest successes, and it was the city he chose to write about in A Moveable Feast, when at the end of his life he couldn't write about anything else. In between it was a city and country he could always return to for comfort, inspiration and excitement.

Winston Conrad, in the final chapter, says "If Hemingway could come back to life for a day, he might very well elect to spend it in France." After reading this book it would be hard to argue that Hemingway would choose otherwise.

Owning this book is like owning a great piece of art, a priceless painting.

This is a book Hemingway would wish he had written himself.

Unlike so many books that have been published about this man in France in this era, this volume is evocative. All of the emotion associated with the people, places and things of that time in that place come through clearly, connecting to reader's hearts.

This book is literature, art. The great painting Conrad has created is one where all the subtle nuances are on the canvas. EH is not allowed to dwarf the other extraordinary characters like Gerald Murphy. Everyone is portrayed evenly. There is a fullness, a deeper appreciation of these people and that time than one finds in other books. The things that are familiar to the reader appear to be new because they are drawn in the actual context in which they originally existed. Conrad has not reconstructed Hemingway's France. He has found it and brought us into it. We are with Hemingway, Gertrude, Pablo et. al.

Hemingway beautifully remembered those people and that time in "A Moveable Feast," a favorite among devotees of Hemingway's work. To say Conrad's treatment is better than Hemingway's is a strong statement to make. It is a true statement.

The photographs are extraordinary but no more extraordinary than the prose that accompanies the pictures. This slim volume is, as said, like a large oil painting accurately depicting the scene, capturing the action and mood, and evoking emotion in those who view the art.

A book that will make you want to see Paris for the first time and check out the haunts of Hemingway, Fitzgerald and Piccasso. The book's narrative, photographs and illustrations, and use of quotations by Hemingway and his contemporaries, take the reader on a remarkably vivd tour of the writer's France.

France in the 1920s was home to some of the most groundbreakingly creative artists of the 20th century and included Pablo Picasso, George Braque, James Joyce, T.S. Eliot, Gertrude Stein, F. Scott Fitzgerald, Ezra Pound, Cole Porter, Sergei Diaghilev, Sinclair Lewis, and Ernest Hemingway. Indeed, it was in his major work, The Sun Also Rises, which epitomized Paris during the jazz era and became one of the most powerful forces in this expatriate art colony's vortex of talent and experimentation. In Hemingway's France: Images Of The Lost Generation, Winston Conrad augments his informative text with contemporary color photography and a large collection of vintage black/white photographs to beautifully illuminate Hemingway's life during those "lost generation" years, during World War II, and his subsequent visits to France in the 1950s. Hemingway's France is "must" reading for all Hemingway fans, and for the non-specialist general reader with an interest in the writings, paintings, and poetry created in those turbulent times by the now legendary personalities of yesteryear.

Adobe Illustrator is a highly regarded professional software for creating digital artwork. Over the years Illustrator's capabilities have been closely identified with print publishing, where the application's high quality precise vector line-art can be scaled up or down in size and not change its resolution. It turns out there's far more uses for Illustrator than just print work. Adobe has been steadily adding features in its last three versions that make Illustrator a very valuable tool for creating Web graphics.

"The Hidden Power of Illustrator CS: Web Graphics Techniques", by author Steve Kurth, focuses on many features that Adobe has bestowed to its latest version of Illustrator. What the book does very well is elaborate on important Web graphics features that Adobe sparingly describes in its Illustrator CS users manual, or omits all together.

Prior to reading "The Hidden Power of Illustrator CS: Web Graphics Techniques" I've been creating navigation buttons, banners, and most other Web page visual components in PhotoShop. If I've needed to slice a graphic or create a button roll-over effect, I have relied on PhotoShop's integrated companion ImageReady. Thanks to this book I'm now much better informed about what Illustrator CS can offer, and it's going to change the way I create Web graphics.

I wouldn't recommend this book for the person who hasn't spent some time using Adobe Illustrator. The author attempts to address many of the application's basic features in the first two chapters. However, it's not going to be adequate for beginners, although users already experienced with Macromedia FreeHand or CorelDraw may find these two chapters quite useful for understanding and adapting their acquired knowledge into effectively using Illustrator CS.

Chapter Three begins explaining what makes Illustrator CS such a great tool for creating Web graphics. The author, Steve Kurth, has more than 10 years experience as a graphics professional. His "how-to's" with Illustrator CS are peppered with explanations of time-saving techniques for increasing workflow productivity when creating Web graphics with Adobe Illustrator. This is particularly the case in chapters five and six "Preparing The Work Environment" and "Preparing Single Graphics".

In Chapter Eight, "Creating Complete Pages", Steve Kurth explains and shows (with sample screen shots) how an entire Web page can be an Illustrator graphic sliced into sections that lessen the apparent wait of screen loading for dial-up users. He also explains how links can be created with specific bits of HTML code embedded into Illustrator Web graphics. Additionally, there are good explanations and examples throughout the chapter explaining how important Cascading Style Sheets (CSS) embedded code can be for precise placement and alignment of graphics in a Web page (better than HTML code instructions), and for creating fancy functional items such as drop-down menus.

With Adobe having given Illustrator CS 3-D graphics creation abilities, the possibilities for making sophisticated Web animations are exciting. Chapter Nine provides some easy-to-follow examples that certainly fueled a number of animation ideas I will be trying. Sequential frames created in Illustrator layers can be exported as a series of GIF graphics, or they can be exported to Macromedia Flash, Adobe AfterEffects or LiveMotion to create quick-loading vector graphics animations.

Chapter Ten is devoted to explaining the features, advantages, and the hopes for the Scaled Vector Graphics (SVG) format. Similar to SWF Flash files, SVG is also a quick-loading vector format that displays well in Web browsers-as long as you have the free plug-in that must be downloaded from Adobe and installed. Unlike the proprietary Flash format, SVG is an open standard. The descriptions given of SVG makes it seem considerably more versatile for website designers than SWF. The Flash plug-in, however, was introduced well before SVG and now enjoys a much larger market share. SVG's ultimate success (and survival) may hinge on developers writing future versions of Web browsers that will natively display the SVG format the way they currently support JPEG, GIF, and PNG.

"The Hidden Power of Illustrator CS: Web Graphics Techniques" is a treasure of information. If you use Illustrator and have not moved up to CS (v. 11), the book will likely motivate an upgrade.

Tom Shackle is a freelance media professional and a member of the Alaskan Apple Users Group

I hardly ever buy books on software because they are all hard to read and follow. This book intrigued me because I am coming from an extensive print background trying to venture into web design. Who knew the program that I use on a daily basis had such web design power? This book is awesome, it's set up in a clear, easy to follow way and the author is extremely knowledgable in the ways of Illustrator. Pick up this book now!

This book was a real eye opener for me. I love Illustrator, and I've been using it for many years, but never realized it has such practical application for web design. Steve Kurth gives practical examples of ways to make your workflow more productive, and his technical expertise in Illustrator is unsurpassed.

Kurth presents a comprehensive training course in the efficient use of Illustrator and aspects that especially apply to web creation. The "Save for Web Reference" gave an excellent overview of file formats and optimizing for web.

Some features were new to me, such as exporting to CSS layers for creating motion animation and more complex design effects. Pixel dimensions when transferring art to GoLive and Dreamweaver was a very useful reference. I found the detailed color discussion most informative.

In the section on creating browser templates. Steve Kurth walks us through constructing an Illustrator template for creating a full web page, something I had never thought of doing before.

All in all, I would highly recommend this book to anyone interested in fully and efficiently using Illustrator to design for web. It will definitely increase your production knowledge.

The Hidden Power Of Illustrator CS Web Graphics Techniques by Illustrator CS software expert Steve Kurth is a "do-it-yourself" guidebook for tapping into the depths of Adobe Illustrator's graphics capabilities with respect to an effective and attractive website presentation. Express instructions, screenshots, tutorials for advanced web tools, instructions for building one's own page, and so much more utilizing Illustrator CS software fill the pages of this resourceful and easy-to-follow instructional from cover to cover.

I got this book even though I already know Illustrator. I am a print designer and I wanted to learn web stuff, too. There was plenty of that, and current stuff too. A lot of books on web graphics were written 4 years ago and a lot has changed. This book was up-todate and pertintent. It was complete and easy-to -read.

The part that came as a surprise is that I learned a lot I didn't know about Illustrator in general while reading it. I was surprised at that. I especially liked the animation section. A good book for any Illustrator user.

Copleston has done it again. I have read the first five volumes of this history and just finished the sixth. Though he is a Jesuit (of course a Catholic) his elucidating History, which, perhaps one may think to lean slightly in favor of the Catholic point of view in regards to Epistemology and Metaphysics, among other things, comes nowhere close. He balances his own beliefs, telling the reader at some points, I believe thus and thus, while concurrently maintaining his objective role as scholar and historian of Phiolosophy. He will often make statements like, "if it is in fact true," for instance, regarding the existence of God. Though his own beliefs are ultimatley positive in this respect, he does not forget that he is writing a history and does not sacrifice the beliefs of any given philosopher for his own.


This is just one example among many in this book, and I have done so purposely for the sake of brevity. I do not enjoy reading nine and ten paragraph reviews and rarely will do so. All that needs to be said of a product, with very rare exception, can be done so in three or four paragraphs at most.

If you are thinking of purchasing this product, think no more, but act. If you have read previous volumes from this author, you do not need me to tell you how wonderful this History has been...

Copleston's series, "The History of Philosophy", is quite possibly the best introduction to the history of philosophical thought that has ever been published and certainly the best currently in print.

You will be hard pressed to find a better collection of solid philosophical surveys in one place. The beauty of the series is that Copleston has clearly done his research on each period and each thinker of Western philosophy.

I cannot recommend this series any more highly. It is a must-have collection for anyone who is a scholar (professional or casual) of philosophy, theology or any of the arts.

If this isn't on your bookshelf, it should be!

This book is excellent overall. The author tackles some very
difficult philosophical issues that have been the subject
of much debate over the centuries. He explains how St.Thomas
gave philosophy its charter with important theological and
philosophical arguments. In essence, he argued that God is the
cause or reason for our existence. St. Thomas was a realist
in that he attempted to formulate his arguments through logic.

The early philisophic Christians drew hostility from pagans and theoretical atheists who decried the role of God in the affairs of man/persons.

The Gnosticists spoke of a duality between God and matter conceptually similar to Grecian arguments. St. Anselm sought to prove God's existence pointing to a perfection of creation through the greatness of the deity and wisdom-presumptively Divine wisdom.

Copleston's work is a comprehensive rendition of philosophy
over thousands of years. He tries to cover too much.
In so doing , the author brings a certain "unity" of the
work to the complex subject of philosophy. This concept of
unity is seen in the works of St. Augustine and St. Bonaventure.

St. Augustine was a great theologian and writer of foundational
Latin, literature and grammar. He developed a theory which
postulated that everything would evolve given the passage of
time in the famous "rationes seminales". The author explained
the development of the "university system" during the
Middle Ages. The university provided modern Europe with
grammar,logic,geometry, math, astronomy and other subjects
in the sciences and social sciences. Ibn Sina was a great
Moslem philosopher who lived around 1000 AD. He developed
logic, physics and higher mathematics into practical
applications. St. Bonaventure studied in a Franciscan order.
He perfected programs in philosophy and theology. In addition,
he attempted to unify the concept of man and matter.

This work will benefit historians, philosophers, logicians,
theologists and a wide constituency within Academia.

As with the other books in this series on Western Philosophy, Copleston provides an in-depth tour of the thoughts of the greater and lesser thinkers. Read Copleston only if you really want to explore the ideas that are presented here from Voltaire and others and their relationship to one another.

More than 200 pages of Copleston's Vol. 6 is devoted to the notoriously difficult writings of Immanuel Kant, in effect a book within the book. You will find there a detailed explication of what Kant wrote, what he was trying to accomplish, and why. The discussion is both scholarly and very readable.

Although I was only about 7 when I first saw the Beast play in Oct 1997, I absolutely fell in love with hockey at the Coliseum. I've been playing hockey ever since I was 5 and have been playing goalie ever since the age of 7. My favorite goalies were T-Mac and Founts, and when I saw this book for sale I just had to get it. Many of the generations in my family were Nighthawk fans, and I can't wait to share this awesome book with them.

This is a must have for anybody who loves hockey and misses NH hockey, particularly. The only thing that I didn't care about this book was that the newer pictures are in black and white, and there weren't many Beast/Senator photos, but its still an awesome image book. I hope that if these authors have any more Beast photos they will make another book exclusively about the Beast of New Haven. Absolutely an awesome job, great work to the publishers and I recieved it in the mail literally days later from my order. Awesome, awesome stuff, thank you so much for keeping my favorite hockey memories alive.

Enjoyed this very much. It not only provided a history of hockey in New Haven but it provided me great memories of what I saw growing up as well as my and my families involvement with the Nighthawks. My whole family and some hockey friends have a copy now.

Thank you all for the great support. We believe we put out a great book something for anyone who ever set foot in the New Haven Arena or the New Haven Veterans Memorial Coliseum. This book will bring back great memories and make them last forever

Having followed New Haven Hockey since the early 1970s, I was very pleased to find this book. It is very well done. It is loaded with photos, more than most sports books I have read. The history of hockey in New Haven is carefully laid out by the authors and their passion for the game shows in the accompanying text. What makes this book amazing is its incredible depth and the fact that it is the most complete book on a minor league hockey in any city ever done. I highly recommend this book to those with fond memories of hockey in New Haven, either of the New Haven Blades, Nighthawks , Beast or Knights and as a nice gift item for hockey coaches in the area. In my area this book already has incredible buzz with book signings and events in the news and many dedicated fans and hockey players supporting the effort. It is good to see that all that many of us remember has been documented for others to see.

This is the best book about Hockey that I have EVER read! I am a HUGE hockey fan and the author's did such an incredible job with this. I am excited about meeting the authors at the book signing on October 25th at Barnes and Noble in North Haven. Its about time someone captured the TRUE game of hockey! Heather you ROCK!! from your dedicated fans...