Science Fiction Books

I HAVE READ JUST BOUT EVERY WINGMAN BOOK WRITTEN AND AFTER I ORDER THESE MY QUEST WILL BE COMPLETE. MACK MALONEY IS A TRUE AMERICAN AND HIS BOOKS PROVE IT. HIS BOOKS WILL MAKE YOUR IMAGINATION SOAR. THANKS MACK.

The whole Wingman series is great, but Sky Ghost and Return of the Sky Ghost really put a new twist into the story line. I am dying for the next installment to come out to find out how it ends!

maloneys books keep getting wearder and wearder. also hunter didnt show up in the book untell page 120. other than that it was great.

Read this book as fast as I read all the others. I'm trying to collect them all again after my parents threw out all my books. But as a fan to a good book, I'm continuing on reading and collecting. Still waiting for Hawk to make it back to the real world. Keep'em coming!!!!!

I STARTED THIS SERIES WHEN IT FIRST CAME OUT AND WAS HOOKED ON IT EVER SINCE.MACK MALONEY PUTS MOST AMERICAN'S VIEWS INTO HAWK HUNTER.AMERICAN' WANT TO MAKE SURE THAT AMERICA STAYS FREE, AND MY VIEW IS THIS"YOU CAN HAVE MY FLAG WHEN YOU PRY IT FROM MY COLD DEAD FINGERS"

"Iron men, of visage grim,
Do more than meets the viewer's eye.
You've left and left and found my tomb
And now your soul will die!"

These words struck fear into the hearts of players at Origins I. With them, they knew that they had entered the most devious of all the creations to emerge from the mind of E. Gary Gygax. As player after player lost his character to Acererak's tomb, the creator of AD&D looked on, I'm sure, with an evil grin.

Tomb of Horrors was the first module ever published by TSR. It set the bar high for all that would follow. It inspired people like Grmitooth to try to invent increasingly deadly traps. It made AD&D into a game of intellect and wits, not one of hacking and slashing. It is probably the most popular adventure of all time.

So who is the upstart, Bruce R. Cordell, who thinks he can write a sequel? Does he think he can do justice to the master, the father of all adventures, the Great Gygax? Does this sequel, Return to Tomb of Horrors, do anything more than insult the greatest of all dungeon crawls? Read on, you might be surprised.

To answer the question, we must look at Gygax's original intention. Was he trying to smite players everywhere? Was he trying to make them frightened and instill a feeling of hopelessness? Was he just being mean?

No. He had fallen into a trap many of us do. He had characters, Rob Kuntz's Robilar and Ernie Gygax's Tenser, who seemed to walk through whatever challenges he put before them. He needed something that would test them to their limits. Something that would teach them humility. He needed an adventure that not even they could defeat.

Alan Lucien gave him the idea. He locked himself in his writer's room and began to invent the deadliest adventure that ever was. This time, they'd know a challenge.

So what happened? Robilar sacrifice many orc retainers to get to the last tomb. There, he dumped the treasure into a bag of holding and amscrayed. Tenser manage to defeat Acererak himself, proving to Gygax that an ingenious player can negotiate any but the most arbitrary death traps.

Then he continued to carry it in his briefcase, pulling it out whenever a player claimed to have an unbeatable character. More often than not, they remembered things they had to do and quickly left the table as the other players looked down at their dead characters in horror.

The module then debuted at Origins I. It hit the shelves in 1978. The rest is history.

So now Cordell has written a sequel. How, you might ask yourself, can this box set pretend to be a sequel deadliest 12 pages in role playing history? Does this man actually think he can pull it off?

Let me assure you, gentle reader, he not only thinks he has, but he has.

The adventure starts years after treasure hunters spent their blood and souls in Acererak's final resting place. The place is all but forgotten by most, but as of late, and evil necromantic force has been reaching out of the Vast Swamp. The party begins examining the problem and comes across a name, "The Devourer."

This name leads them to the path of a man who sought the Devourer years before, a mage named Desatysso. As the party follows the long-cold trail of this mage, they discover that there is more to the Tomb than anyone has ever suspected.

You see, Acererak wanted to build a series of tests, to lead people toward a final great reward. Unfortunately, the knowledge of the true purpose of the Tomb was lost, and only Desatysso seems to have found it.

The test consists of three parts: a Tomb, a City and a Fortress. Evidently, crawling into the tomb and smashing Acererak's skull is not enough. He must be hunted to his conclusion and stopped in his dreaded apotheosis. Otherwise, his demonic minions will just keep rebuilding his tomb and adventurers will keep spending their souls there.

This dungeon is not for the weak of heart. It suggests that players not take their beloved characters in, and I wholeheartedly agree. The PK rate is extremely high.

I set up a party of fourteen characters, giving each player at least two. They then started the adventure. However, I couldn't see how they could have any guarantee of surviving the original Tomb (which is included in the boxed set), much less get far enough for me to produce an adequate review. I therefore began sending them dreams. Dreams of people who were not them, but they recognized as each other. They were going through this strange tomb, and they knew that all this had taken place years ago. Finally, at the end, they threw themselves against the demi-lich. The Paladin, who had died and failed his resurrection survival (a convenient accident, not a plot element), appeared and got them to vow to kill this force of evil, no matter what it took, no matter how many lives.

It was then that the players realized they were dreaming of a past life. They threw their might against Acererak and were soundly destroyed.

This plot device worked well. They had already played the Tomb by the time they got to it in present day, and were therefore able to get a full compliment of characters through it. It also gave them a sense of purpose that unified them with these characters they didn't know. It was a right proper epiphany, and feel free to use it when you buy this product yourself.

Anyway, this allowed them to progress beyond this most classic of Tombs, into a place where Orcus himself once walked, the city of Moil. This place has claimed four or five characters (though their pact is keeping Acererak from devouring their souls, so they can come back again in another 50 years, should the party fail).

I'll not give away any more of the plot. Buy this product, and you'll see.

I was not convinced I should give it this good of a review, however. You see, I have always loved the Tomb, and I was afraid I was biased. I therefore gave it to a friend who has never (in my memory) liked a TSR module. He gave this his grudging approval, unable to blow any holes in its plot.

A good product. The traps are as deadly as ever, but this adventure is surrounded by intricate plots and histories. There is so much going on here that the players will never even guess it all.

This is one of the things I love about this module. It is filled with information that the players will never know. They will never fully understand the history of the necromantic academy that has sprung up around the tomb. My players have figured out that the City of Moil worshiped Orcus, but they will never figure out that it was put to sleep because it turned to the worship of a God of Morning.

Most writers try to invent complicated and awkward ways of making sure that the players discover the core of all their intricate plans. Not Bruce R. Cordell. If he had James Bond in his clutches, when Bond asked what this was all about, he'd shrug and put a bullet in his head. It's enough that the GM knows, so that he can flush out details as needed. The players will never guess most of what's happened here.

My players have made me promise to tell all when it's done.

Anyway, this adventure tests players to their furthest. Not only have my players latched onto their characters, four of them have married now (the characters, that is), so that they can snatch some joy in the midst of all this horror. It takes a powerful setting to force people to start searching for affirmations of life.

So there it is. I'm rarely impressed with adventures anymore. I'm not forgiving enough. This module needs no forgiveness. Other than an abuse of absolutes ("nothing can save the character if happens"), I can find no criticism for this product. My players have been going through it for months now, and I have rarely had so much success.

So did they survive? I can hear the question in your minds.

The question should be "Will they survive?" The party has begun spending more time on roleplaying than problem solving. They lick their wounds and clutch each other in the night, whispering reassurances. The adventure continues at a slow, methodical pace, and has become a campaign unto itself. If they survive this, I don't think that can convince them to play other characters. I mean, when you've taken someone into the darkest of all pits, you develop a bond.

Too bad they'll all be dead by the time you read this.

Return to the Tomb of Horrors is a new boxed adventure module based on the old S1: Tomb of Horrors module from tournaments and 1st edition AD&D. The scenario is intended for four to eight characters from 13th to 16th level. Like the original Tomb by Gary Gygax, Cordell's Return is an intense deathtrap challenge even for experienced veterans of the game.

Set in Greyhawk but usable in any campaign, this adventure begins with mysterious villager disappearances and swarms of undead. Your party comes to investigate and becomes entangled in a web of deadly schemes. But what does this have to do with the original Tomb of Horrors? The one that's been dared by many, plundered by few, over the years? Well, it's still in business, and still merrily eating heroes. But if the original deathtrap dungeon was a satisfying meal, this new adventure, wrapped around the original module and set 20 years later, is a murderous banquet. This is the first dungeon adventure I've ever read where I actually felt sorry for the players, and I'm including the original Tomb in that. The new story enfolds the original dungeon crawl in a deadly blanket of new traps and additional story, creating a hideous multi-stage gauntlet for anyone seeking the final mystery at the end. Yes, you get to visit the Tomb itself again, but its significance has changed and deepened.

I have to agree with the author on the use of characters for this adventure: either the group ought to be specifically rolled up for this adventure, or, if the players' regular favorites are to be run through the scenario, tone the thing down, WAAAYYY down. There are sections in this beastly tome that can kill one character per page, and, as the party penetrates the deeper mysteries, the killer trap rate escalates to one or more per room. This makes a party of four-to-eight high-level PCs seem rather puny, and suggests a horde of henchmen, hirelings, and cannon fodder, preferably walking out in front.

Can someone familiar with the original Tomb play or enjoy this? Absolutely. In fact, I'd like to see a group of players, all either DMs who have run Tomb or players who went through it successfully, go through the Return to the Tomb of Horrors. Maybe they'd live long enough to get to the second half of the adventure. Maybe.

This boxed set is stuffed with goodies. There are nine maps and seven new monsters in a full-color maps and monsters book. The maps are very clear, with one exception: Map 3 is so darkly printed that the color-coding is very difficult to make out, but I believe that because of the restricted movement in those areas there should be little impact on play. An illustrated "module" of 160 pages, with appendices of new spells and magic items, includes many "old" spells relying on several other AD&D books (some out of print) but the author urges the DM to make appropriate substitutions when necessary. There is a facsimile of the original S1: Tomb of Horrors module, which is actually used in play. DMs will want to go through this and make detailed adjustments beforehand, since it is not written to 2nd edition AD&D standards. No problem for collectors worried about the value of your original copy: this is not an exact facsimile, as the illustration booklet is bound into the middle. A new illustration book holds scenes to be shown to the players at various points in the adventure, and because since there are two scenes on each page you might want keep a sheet of plain paper folded length-wise handy for covering the second illustration. Lastly, there are handouts for the players, consisting of an eight-page "journal" (in a very difficult font) and a double-sided color card, with special instructions for photocopying and preparation.

In playing this adventure DMs may want to keep in mind their particular players' temperament and game style: are they looking for a real, undiluted challenge, or are they going to be murderously upset by the DM making their PCs into elf flambe, dwarf kabobs, and Halfling hash in one evening? If there is serious risk of you becoming a DM pretzel, you might want to edit this severely and just integrate it into your regular campaign.

Return to the Tomb of Horrors is an excellent adventure in the old module style.

--Sharon Daugherty for Skirmisher Online Gaming Magazine

I've purchased dozens of probucts from this website, but this is the first time I've felt compelled to write a review.

Return To The Tomb of Horrors is a quality product from top to bottom. The boxed set includes many maps, illustrations, the original Tomb of Horrors, an expansion to the Tomb of Horrors story (the equivalent of 3 more adventures), and more.

I have not yet run this module, but have read all the contents, and plan to implement it as soon as possible. The story is well written, EXTREMELY original, and the many traps are truly inspiring. Despite the fact this boxed set is the equivalent of 4 normal length adventures, all of the encounters are unique and often ingenious. As I read the module, I found myself often wondering what the writers would think of next.

Note to GM's: This module is possibly the most deadly I've ever read. I would only recommend it for experienced players. Even then, expect casualties.

Although it is out of print and written for 2nd edition, i can't express enough what a high quality product this is. Even if you are running a 3rd edition campaign, this boxed set is definitely worth your picking up if you can find it. The conversion to the new rules might take a little effort on the DM's behalf, but the payoff is the most exciting, deadly, and awe-inspiring campaign ever put to paper. It wraps seamlessly around Gary Gygax's original Tomb of Horrors, and you even get the chance to go back and explore it again if you did so for the first time twenty years ago. My players have no clue what the Tomb really is, and i'm still keeping them in the dark until later. Like other reviewers have said though, be warned. The module is deadly, and about halfway through and all the way to the end, it can eat up PC's like candy. But far as quality, it has some of the best writing, the best traps, the best plot, and over sixty illustrations to mesmerize your players. Definitely try to check this one out, as its going into the history books.

Come on, people. Where do you get the crazy notion that a "killer" module is good? Are you so lame that you cannot create your own killer modules? It is pretty [dang] easy. And that is what TSR does here, it creates a killer module that makes little to no sense.

Everything starts good as a plot is well formed and progresses well for a little while. It gets even better when the party arrives at the environs of the old tomb. All right, ervything pretty [dang] cool thus far. Realistic, fun, and the players better think before they act rashly.

So you are thinking why 3 stars only? Well, the problem is it all goes downhill from there. Once the players leave the old Tomb the new area is just silly. It makes no sense that something this powerful would have ANY trouble with the PC's. Plus the traps are illogical and almost impossible to detect. By this time, roleplaying is long forgotten as players just push their characters from point to point and hope to make their saving rolls.

Still, it gets 3 stars for a good effort from TSR. But there certainly are better choices out there.

Finally, I am amazed so many D&D'ers are impressed with killer modules. Big ... deal. Give me something to excite the players' imagination. That is what role playing is supposed to be about.

Why buy Sasparilla? Well, the wording is lyrical and fun to read aloud, the pictures are clear, colorful and creative, and its fun to see what the Fink is doing! Both my girls giggle at every page, and even my 9 year old stops by to listen when this one comes out!
This was "our favourite book" in my review of it in 2001, and it still is! I started reading it to each of my daughters at 10 months. Now they are 9 and 4 and the little one still asks for it all the time. Both of them absolutely adored it.
This is the ONLY book they were both wild about from the start. And they are really different kids. If you have little girls, get it!

This was SUCH a cute book - really refreshing and fun to read. Great illustrations and a very catchy style. I bought it for my one-year-old neice and her mother put it on the mantle because the cover is so charming. Compliments to the twin authors and illustators!

Sassparilla is girl of my heart, a young dreamer who knows where to begin, at a very basic level, need; when I was a kid I had a shoe collection, glass, copper, bronze, ceramic, wood, even...the old woman who lived in a shoe.

Shoes are metaphors for dreams, and because Sassparilla dreams from the heart she not only transforms her present reality but starts a path, a path of life dreaming, attracting along the way, other magic, friends--in this case, a cool green one--laughter and joy personified.

Shirley Mozelle, Author: Zack's Alligator; Zack's Alligator Goes To School; and, The Pig is in the Pantry, The Cat is on the Shelf.

I'm a barefooter myself, but if Sassy made me some shoes, I'd wear them all the time. I hope my niece follows her (the authors' and Sassparilla's) imaginative lead in life.

I gave this book to my friend's growing daughter who adores SHOES! I've been told it's been read everyday for 3 weeks straight now! Ironically, the Fink is her favorite. Look out Teletubbies, and hang on to your red purse, Tinkie Winkie...here comes the Fink!

This book is a piece of art.Finished on the day my teacher gave it to me; she let me keep the book soon after.About dark arts and a desire to escape these arts,this book is extremly good and if you were to buy it you would not regret it.Thank you Ms.Frank!!!

When I was in fifth grade, my teacher read this to our class (early 80's). It had such an unusual storyline and setting. Krabbat must resist the evil goings-on in the mill while also trying to understand his place in it. I think I liked all the transformations and magic in this book, the theme of the battle between good and evil, his prophetic dreams and that love "won" in the end. I'm sorry to see it's out of print. It reads like a fairy tale, maybe owing to its German origins.

The Satanic Mill by Otfried Preussler is a great book to read. It is about a begger boy called Krabat who gets called to a mill in a dream. The mill is also a Black School. He met a female singer, and they both fell in love. Krabat wanted to leave the mill, but to do that the Singer (the book did not give her name) had to pick him out while he and all the other miller's men were in the form of ravens.
This book is very creepy, mysrerious, and unpredictable which, I think, is great. There are several things to focus on, so it doesn't get boring. It's very nervewracking, too. All in all, it is one of the best books I have ever read. I give it a five-star rating.

I bought this book in 1974 for 30p, purely because of the title. At the tender age of 11 I loved it. I have read it numerous times since then, the last being at the moment at the age of 40. I still can't put it down. Even though I know the story I find it enthralling, and it still keeps me on edge. I so wish they would make it into a film. Each of the 3 segments builds up to a great ending. You are really rivetted throughout. I cannot recommend it enough..it is my favourite book I have ever read. It's amazing how something costing 30p has given so much enjoyment over the years !!

I read this years ago, as a child and in Russian, and I still remember the feeling of genuine dread (and triumph) this story inspired. Even as I think of it now, I feel the hair rise on the back of my neck. The evil in the book does not chase after you--it waits for you to come to it, and invariably, you do. In that sense, the title THE SATANIC MILL is unfortunate--you expect the mill to be Satanic; in Russian translation, the book was called simply KRABAT (the main character's name), and you did not quite know what to expect.

The story begins as a young boy named Krabat, somewhere around present-day Eastern parts of Germany, falls asleep wandering, and dreams of ravens crowing. Their message is for him to go to the mill some miles away, to sign up as an apprentice. Which he does, of course, and soon learns that it is no regular mill. (Nor is it quite Satanic, actually--for it is not Satan who runs it). He may stay, or he may go; if he goes, he will learn magic from the Miller himself. Of course, he stays--and becomes one of the apprentices, who turn, at their Master's command, into black ravens. All peachy so far--until the cleverest (and the kindest) of all the apprentices dies an unnatural death--but not before having made his own coffin and dug his own grave.

In the (happy) end, of course, Krabat will have to choose between love and good and fairness--and magic. Between being a regular boy and a powerful Miller himself; but such a choice will not come to him easily--and he will have to fight for his life, and that of his love.

My favorite characters in the book were the idiot Yuro and the Great Pumphut, who gives the Miller a run for his money. The story is very creepy (or I think it would be for a 13-14 year old; I know it was for me), poignant and beautiful.

This book was very good. I liked just about all the characters in the book. Jenna the main character had a way of taking you off, i fealt realy bad for her in some parts of the story. The only thing that i dident quite like about the book was that after a "story" it then told you the truth behind it... It was sometimes a bit difficutlt to udnerstand or get through... But it was intersting... Now if only i can get a coppy of White Jenna to spur my minde a bit more....

I read the book about a year ago and still remember it in detail. A wonderful read!

This book was really cool. I liked the simpleness of it. I liked how she got to the point and didn't describe everylast detail. I also liked Pynt. She was my favorite character. She was mischivious, yet she had a loyal quality to her.

"Sister Light, Sister Dark" and its sequel, "White Jenna," hold places of honor on my bookshelves.

The story is about Jenna, a thrice-orphaned girl of the Dales (a fictional region) being raised by followers of Great Alta, the Goddess. These women--mostly unwanted daughters of local peasants--train for years to call up their "dark sisters." Jenna, who was born with completely white hair, may be the Anna foretold in prophecy.

Stuff happens.

Interspersed among the actual narrative chapters are ballads and myths of the Dales, as well as a pretentious contemporary historian's interpretation of the events of the story. Through his impeccable application of scientific method to historical research, he manages to get just about everything completely wrong. It's hilarious.

The third volume in this trilogy, "The One-Armed Queen," was a disappointment to me. While it was a good book in its own right, to me it didn't feel related to the other two--it worked on its own, but it was not part of the series. It concerns Jenna's one-armed adopted daughter Scillia, who seemed much less interesting than Jenna. Oh, well.

I highly recommend the first two books.

One of the best reprints produced by Starscape books has been the reissue of Jane Yolen's Alta trilogy, the first of which is "Sister Light, Sister Dark." While it takes awhile to get going, this unique and imaginative fantasy book introduces us to a fantasy story that's both familiar and innovative.

Jenna was orphaned three times: Her mother died in childbirth, the midwife died while taking her away, and the warrior woman who adopted her was also killed. She's taken in collectively by the follows of Great Alta, a benevolent goddess. They're somewhat Amazonian -- there are no men in their "hames," they are warriors, farmers, priestesses, and everything else that they need to be.

But Jenna is different from the rest. There's a prophecy that a white-haired child who lost three mothers is the Anna, a savior who will change everything. Events are set into motion when Jenna and her friend Pynt encounter teenage prince Carum in the woods, who is being hunted by a vicious warrior. Killing the warrior and saving Carum leads to destruction for Jenna's home and family...

Jane Yolen crafts a wonderful, believable place in the Dales. Not only is it very detailed and plausible-sounding, but she also sprinkles it with songs and historical studies. While the Alta series is often labelled "feminist fantasy," there's no preaching or two-dimensional male characters. Yolen simply shows us Jenna and Pynt operating on the same level as Carum, and leaves it at that.

Her writing is earthy and has plenty of detail without bogging itself down. The concept of "dark sisters" (sort of a nighttime-only spiritual twin) is an unusual and well-crafted one. The only problem is that it takes quite some time for the plot to get moving, and it's a jolt when it finally does; we go from no action to all-action in an instant.

Jenna is an excellent reluctant lead. Her mixed feelings (she both wants and doesn't want to be the Anna) are quite plausible, as are her strength and gutsiness. She's not some sort of supergirl; she cries, feels pain and loneliness like anyone else. Pynt is a good sidekick, with her mischievous attitude. And Carum is a strong counterpart (and romantic interest) to Jenna.

Since "Sister Light Sister Dark" ends on an unfinished note, readers will want to check out the second volume of the trilogy (also available from Starscape) "White Jenna." A unique epic fantasy.

I've always liked to read science fiction but for the most part you had to read through the tedious technical description of a whole new world. While I think it has always been worthwhile to stick with these books anyway, I can relate to young adults who - for that reason - don't.
This is exactly why The Softwire: Virus on Orbis 1 is the perfect book for reluctant readers. The story is fast paced, the characters draw you in and the new world PJ Haarsma created is complex and fascinating - but it doesn't overwhelm you and, more importantly, - the lack of overwhelming technical details leaves enough room for ones's own imagination and suspense. In fact, it does exactly the opposite: it leaves you wanting more, both of the story and this newly discovered world.
The book touches upon a variety of subjects like growing up, taking responsibility and standing up for one's ideas which make it both interesting for young adults and grown-ups.
With Christmas again not so far away (again), it's the perfect book to give away as a present!

The Softwire: Virus on Orbis 1

The Softwire: Virus on Orbis 1 is an excellent book. I thoroughly enjoyed it from start to finish. P.J. Haarsma is obviously a very talented writer, he manages to keep the reader enthralled throughout the novel. The Softwire is a brilliant story filled with original ideas and characters. I particularly liked the Keepers. With plenty of suspense, unanswered questions and mysteries I can't wait for the future installments. Turning the books into a movie series would be a great success as I am sure they will maintain the very high standards set by The Softwire: Virus on Orbis 1.
Jericho

I've never really been a fan of science fiction books. They all seemed to follow the same recipe. They all had the same heroes, saving the day at the last moment, telling us how life should be...That gets boring and predictable.I read The Softwire at the suggestion of some good friends, and I found an author who, through the creation of another world, created a bok that was fast paced without giving the reader too much information all at once making it hard to comprehend for the younger reader.

I'm not usually one to read science fiction but a good friend recommended PJ Harrsma's The Softwire- Virus on Orbis 1 to me so I thought I would give it a try. Boy am I glad I did. It's been quite a while since I enjoyed a book as much as I did this one.

The book centers on a group of children who were born on a spaceship and have spent all their lives traveling to the planets their parents were meant to work on. When they arrive on Orbis 1, the children quickly learn that they will be forced to work and will remain virtual slaves.

The main character, JT is a Softwire- a human being who can talk to and use a computer with his mind. Because of his gift, he is the suspect when the central computer of Orbis 1 begins to malfunction. He must prove his innocence and solve the mystery of the mechanical failures before time runs out.

The author strikes the perfect balance in describing JT's world without bogging the reader down with excess descriptions of the alien world. His deft touch allows the world to unfold in your imagination easily. The characters are rich and compelling and the story is fast paced and brings the reader along for a great ride as JT tries to prove his innocence and save Orbis 1 from the virus infecting it. There are lots of twists and turns and I found this book to be a fun read from start to finish. Can't wait for the next installment!

The Softwire: Virus on Orbis 1 revolves around an imaginative world of computers, fantasy creatures, kids banding together in crisis, and a boy struggling to find his purpose in life amid adversity. It includes themes of facing fears, importance of "family," kindness versus cruelty, self-reliance and the power of a positive attitude. What more can you ask for in a young adult reader?

The main character is immediately appealing. In JT, the author has found the voice for all children struggling to deal with self-consciousness towards their unique qualities. Most children can identify with this, but especially kids who face challenges. For this reason, the book has a strong drawing power for youngsters who have difficulty reading. Just like the "hero" in the book, they usually feel less worthy. Further enhancing the appeal for reluctant readers is the fact that there are no long, drawn-out descriptions to drag the story down. The book gives enough information to spark the imagination, but does not overdo it. Rather, the action moves along at a fast clip from the outset, building and building to the exciting and surprising ending.

The author has created Rings of Orbis, a free online videogame based on The Softwire book series, to grab the attention of those kids who would never pick up a book for recreation. Answers to questions in the game are found within the book, encouraging the players to read. What an innovative idea for improving literacy among children!

The Softwire: Virus on Orbis 1 is the perfect book to give kids who could benefit from a strong protagonist who overcomes adversity with grace and perseverance. And it's a fun read for adults as well.

You can't lose with Spectrum editions. They are all awesome and inspiring to anyone who loves art. Collect'em all and enjoy the art when ever your in the mood. I've browsed through each one several times and find something inspiring every time. Priceless...

I don't have the others nearby to judge from, but 14 seems thicker than previous installments. This one is paperback, and as usual, the color and print quality are good. Unfortunately, also as usual, cramming three or four pictures on a single page means that many are too small for you to really enjoy the details. Still, if you're a fan of fantasy and sci-fi art, I know of no better yearly collection of some of the best stuff out there.

I have purchased the last five issues of Spectrum and enjoyed this almost as much as Spectrum 12. I have just started puchasing the re-issued original issues and can say that Spectrum 1 may have fewer pages but still is well worth the money. I find myself looking online for the artists that impress me. I just wish there was more information supplied on the art shown. Overall, I would definitely recommend Spectrum 14.

This is my second purchase of spectrum books. 13 was the first one I brought. All I can say is this is one of the most stunning art books I have ever owned...that and after going through this one I may have to pick up all the other books. Every page is full of beautiful work from a wide arrange of different styles. I can't say how many times this book has saved me when It came down to me trying to complete a illustration. It constantly inspires me and makes me want to pick up a paintbrush or any drawing tool for that matter and create.

Spectrum deserves all the praise in the world for the great effort that they put into all these books. To top that off most standard art books like this go for itleast double the cost. Love these books!

Like Santa Claus, Spectrum only comes around once per year and is always highly anticipated. This annual collection of the world's best contemporary fantasy and Sci-fi art is always a favorite not only due to its sheer size and beautiful production, but also because of its diversity in scope. Spectrum presents the best art from the fields of books, comics, advertising, editorial, concept, and even sculpture into each year's volume.

As always, the book begins with a look at the year in review and the trends in contemporary fantasy art before getting into the opening category of advertising art and presenting the first of its gold and silver annual awards to the best in each category. This year's gold winner in the advertising category went to James Jean for his Retro-hip "Spacerace 2020" painting for Nike. This gorgeous pop-art piece is a tribute to Sci-Fi imagery of the `40s and `50s.

I'm not sure how they could have picked a winner in the book category as there are so many outstanding pieces. While Jon Foster's winning painting for Night Shade books was very good, Luis Royo's offering for his graphic novel, "Dark Labyrinth". Adam Hughes took home the Gold Award in the Comics category for his depiction of the sleek and sexy Scarlet Witch from Upper Deck. As a long-time comic book fan I love seeing the industry's artists getting their just due as the outstanding artists that they are. Other standouts included Gary Giannni's standout art from the Prince Valiant comic strip that is in the best tradition of Hal Foster, and Charles Vess/Mike Kaluta's work from the Vertigo Comics series "1001 Nights of Snowfall".

One of the categories I look forward to most each year is the dimensional chapter featuring the year's best sculptures and models and this year was certainly no disappointment. A. Brent Armstrongs mammoth 54" tall piece featuring King Kong atop the Empire State Building is simply breathtaking! The Alex Ross designed Superman resin sculpt by artist Karen Palinko features the distinctive look of Ross as Clark Kent rips open his shirt to reveal Superman's legendary logo. Shawn Nagle's "Tarzan and the Golden Lion" based on art by longtime Tarzan illustrator, J. Allen St. John, is another winner.

Spectrum never fails to deliver a little something for everyone's taste and Spectrum volume 14 may be the best edition yet. Grade A.

So far, I have found the Stargate Atlantis books to be far superior to the Stargate SG-1 books. Many of the SG-1 novels are obviously written by inexperienced authors, and are little more than legitimized fan-fiction. Mind you, I have only read two Atlantis novels thus far ("Rising" and "Reliquary"), but both of them have been of higher-than-average quality, while out of the eight-or-so SG-1 novels I've read, only one or two have been of equal quality. Regarding "Reliquary", I was completely unsurprised to find out that the author (Martha Wells) is an already-established writer with many published novels. It shows in this book.

She does an excellent job of creating atmosphere. The first half of the book reads like a suspense novel, with the tension growing as the team explores an abandoned Atlantean outpost. When they find an unexpected survivor, things seem to be explained . . . until everything starts to go wrong. It isn't a very long novel, but the plot is so well-paced that you don't notice the length, or lack thereof.

The characterizations are quite good. The dialogue, the actions and interactions of the characters, all of it is true to the show. She also does a good job with descriptions (lending to the atmosphere). I thoroughly enjoyed this book. If given the chance, I will certainly read all of this author's Stargate novels, and I intend to look into her other books as well.

As a writer, it is extremely difficult to turn off my inner critic when reading a series tie-in like this. Historically, such books are an experiment in mental torture with their inaccuracies, poor style/construction, sophomoric plots, cardboard original characters, et al. Honestly, I can't even walk by the Star Trek section of any bookstore without physically cringing. Knowing the process of tie-in publication, you would think the license owners of these shows would be FAR more selective when choosing who expands their universes upon the page.

Ms. Wells, on the other hand, stands out from the pack with this work. Talk about a blast of welcomed fresh air! The characterization was scarily accurate, the plot/storyline well conceived and laid out, and the dialog had me literally guffawing out loud (John's thought of group therapy with sock puppets completely slayed me!).

Several reviewers mention the SGA episode, "Conversion," which shares a similar plot contrivance with "Reliquary," though in the latter, Shepp has the misfortune of becoming a gray-skinned werewolf creature psychically in tune with Ancient technology--as opposed to becoming a two-legged eratus bug that likes to combine kissing with stick fighting. Long story to short, considering the length of time the publication process takes (2-3 years ordinarily), Ms. Wells likely wrote her first draft while Season 1 was still on the air.

Thanks to her amazing way of bringing the SGA characters to life, such things are irrelevant.

If I had one bone to pick, it would be the POV-shifting in so many scenes. That's one of those writing Ten Commandments that should never be broken. POV-shift is annoying, even jarring to the reader, and it screams amateur. But in this case, it's a small point when the strength of the story is taken as a whole.

Looking forward to seeing what "Entanglement" has to offer!

I'm a huge fan of the show Stargate:Atlantis for many different reasons, most of them have to do with character growth and interaction. I usually shy away from books based on favorite tv or movie themes since most cannot stand up to the reasons I like them to begin with, but I bought a couple of the Atlantis novels in order to have something to read when bored at my third shift job. The first time I picked up Reliquary to fill in some time was the moment I was lost to it. I couldn't put it down and had the book finished within 48 hours of picking it up. This book is a must for any Atlantis fan who loves the characters and their interaction. Ms. Wells KNOWS these characters and all I kept thinking while reading the story is "this author has to be a fan of the show". What a fantastic adventure with our favorite characters. I'm not sure I totally understand the entire plot with the bad guy's motives, but it honestly doesn't matter since the adventure alongside the characters was entertaining and fulfilling in itself. I hope to see more of Stargate:Atlantis titles from Martha Wells. Five Stars and Two Thumbs Up!!

I found the books really good, but the entire time they were messing with the months and moments in every single story. For example this one takes place about four months after the issue with the teams biggest human enemy the Genii and after they did battle with a crazed wraith on another planet a couple of weeks later. I mean if they want to make the books they should do them in the order that the tv series played in rather then going back and forth and tossing certain details that they never mentioned in the show. But all in all this was a really good story, I especially got a kick when they mentioned the details of sheppards first conversion before he went through it a second time in season 2. I recommend this to any who like the tv show.

I bought this book to read it in the airport while on a trip, It was a great book, kept me very entertained.
Love how well the author got the characters, got a few laughs on Rodneys comments and Sheppard's attitude.
I recommend it, is a short book, good jepardy.


Andrea

I am actually looking for a new one to read on the trip back.

I did not arrive in the SF Bay Area until 1977 and at 27 was past any interest in "substance' experimentation... but because the vibrations from the Sixties had such a powerful sustain in the SF/Berkley area, it was possible to feel that era. The musical groups were for the most part still around (with the exceptions of Janis, Jimi, and Jim); the media memories were still so powerful that selecting a given album of music was nearly time travel too.

This book is amazing. I have probably three copies of it, as well as one that was released prior to publication (bought at the Palo Alto used book store "KnowKnewBooks." My understanding is that Mason didn't live in the Bay Area ar the time but wrote about it after carefully detailed research and talking with people who had been There.

The result is amazing. Do not miss this one!

...While not the best book I've ever read, it is a good contribution to the alternate history genre. I do, however, find some fault with the closed time loop logic used as part of the plot line here.

I found the characterizations very real, but the historical name dropping (guest appearances by Janice Joplin and Bill Graham of Fillmore fame to name a few) a little annoying, but relevant nonetheless. I was a little older than some of the characters in the story during the time described and I felt that the characterizations were a true amalgam of the real Hippie movement of the time. Many genuine spiritual entrepreneurs were being replaced with monetary entrepreneurs by the late 1960's.

Chiron's message to the generations preceding him is also based on truth. It indeed will be a tragedy if we do not learn to use our technology to preserve our planet, not under domed preserves, but as a whole.

This is where I have some dissatisfaction with the book. If the story is to be a call for moral and ecological awareness, the message is not strong enough. The theme is found throughout the book, but is not brought out fully enough. The time travel tenets seem borrowed from an early Sci-Fi story, which I can't recall fully at the moment, and are not fully adhered to. I have a logical problem with someone being both a progenitor and an ancestor of themselves.

All in all, the story is a well written fine read and I recommend it to all who enjoy some mental exercise.

Teenage Susan Stein, aka Starbright, runs away from middle-class Midwestern suburbia and uses her savings to fly to San Francisco in the first days of summer, 1967. (Interestingly, I began reading this book a few days before the media began hyping the 40th anniversary of this strange fleeting season called the Summer of Love.) Beckoned by a postcard from her old friend Nance, now calling herself Penny Lane, she has traveled to the City by the Bay to escape her parents' constant bickering and to reconnect with her old friend. In one of the most uncannily accurate portrayals of an LSD experience, she is thrown into the ecstatically, erratically archetypal lifestyle of sex, drugs, and rock & roll. She also becomes pregnant. Starbright accidentally comes across Penny Lane only to find that the young girl is now cynical, bitter, and self-destructive. Her friend confesses that her life has been one of absolute hell, as she was regularly raped by her stepfather and ignored by her mother. Not being as well-off as Starbright, Penny has had to sleep her way across the US in order to get away from his advances, and resents the fact that her once-best friend has somehow escaped all this, and was even able to fly to San Francisco thanks to her rich daddy. Starbright watches Penny, who is still basically a child, descend further and further into the dark side of 1967--speed, prostitution, biker culture, and death.

Into this time of upheaval tachyports Chiron Cat's Eye in Draco, a young man from 500 years in the future. He has come back in time to the Summer of Love in order to find a mysterious young woman, known only through a few seconds of recovered video footage and a lot of probabilities. His job is to find this girl, protect her, and ensure that events unfold as they are supposed to, so that the existence of his future will be assured. The girl's name is not known to him; what is known is that she is pregnant, that her pregnancy is important to the future of humanity, and that demonic anti-matter forces from an alternate timeline are seeking to destroy her. As a time traveler capable of producing profound paradoxes, he is bound by an incredibly strict code of noninterference called the Grandfather Principle. He meets and befriends Starbright, whom he suspects is his mystery woman, and Ruby A. Maverick, the gorgeous 35-year old proprietor of an occult bookshop. Over the course of the novel, he reveals both the daunting shape of the future--sharing tales of overpopulation, ozone depletion, genetic mutations, and devolution--and Starbright's role, through her unborn daughter, in assisting humanity to survive the coming transitions. Alas, things are never as easy as they seem, especially when time travel and the (pardon the pun) embryonic women's reproductive freedom movement are involved, and so Chiron and Starbright have their work cut out for them.

This novel was a joy to read. Although I wasn't around for the Summer of Love (and so can't vouch for the book's veracity), the story conveys such a complex mixture of innocence, hope, joy, exuberance, ecstasy, revelation, chaos, despair, freefall, nihilism, and violence that I can't help but suspect its authenticity. It reveals the same multifaceted, ambiguous "60s" as the Love album *Forever Changes,* and that makes it seem straight from the source. As well, the use of regular references to newspaper clippings from *The Berkeley Barb* and *The Oracle,* sections from the *I-Ching,* and tidbits about environmental science rounded out this loving, and knowing, portrait of the Left Coast in `67. Finally, Starbright's regular references to Star Trek were a loving homage to that groundbreaking show; as I read the book, I realized how much that program, and the increased interest in SF that accompanied it, inspired the progressive and outlandish thinking of many young people at the time, including most likely the author herself.

(I don't understand why my previous review went uncredited but here goes)

I can agree with what has been written heretofore about this book. I think it's a great book. The level of character development is much higher than what we have come to expect in Scifi-Fantasy.

What I can add is that Lisa Mason has done a meticulous job of researching what the sixties were REALLY like, not the normal candy-coated version of them usually presented. To research this book Lisa Mason read 1967-68 back issues of the Berkley Barb and other Bay Area sixties publications. The "psychedelic" sixties were far different from the way they are normally portrayed, both in movies and books.

In 1967, one could go to the Fillmore and see The Doors, The Quicksiver Messenger Service, Big Brother and the Holding Company, The Mamas and the Papas, the Jefferson Airplane, The Greatful Dead, HP Lovecraft, legendary groups almost any night. Of the bands would just go set up in Golden Gate Park and give a free concert just because they felt like it! There was an assumption that this quality of music would last forever. There was a naive optimism about the future mixed with the omnipresent paranoia about the Man or the System. The wide open experimentation with drugs and life styles. The idea that anyone who dressed like you was your brother/sister. If you just had long hair, you were a member of a worldwide fraternity. "Summer of Love" shows the bright happy free side of the Summer of Love, but also the dark side of "free love". Someone with bell-bottomed pants and bare feet might hitchhike across the country to San Francisco with little or no money because a friend was there (somewhere) and a record said in the "Summer of Love", all you needed was a "Flower in Your Hair". There were individual & local acts of giving and charity: The Diggers, the Haight-Asbury Free Clinic, the Hashbury shop owner who gives Starbright a place to stay. These were mixed with the fundamentally unsupportable nature of the "Love" generation, soon to collapse at Altamont. "Love" Street (not Haight Street) was more and more filled with a tidal wave of pennyless, idealistic, escapist hippies looking for for a good time (free of parents, the war and responsibility), free drugs, free food, places to crash. And Cops and Narcs itching to bust them. Others hippies ready to steal from them. Character "Penny Lane" finds out the hard way about the darker side of life and the Summer of Love, "Starbright", who comes to find her, does better with the help of "Chiron Cat Eye in Draco". He is tackyported from the future to watch over her and has to be extra careful not to affect events which could redirect or diddle with the future. He brings a "knuckletop" computer with 3D holographic keyboard!

Ms Mason's love of San Francisco shines through her story so one can taste and feel "Haight Ashburg" local of the 60's. Walk thru Haight-Ashbury today, you can still almost feel vibes of the "Summer of Love". This is what it was really like.

One of the great sci-fi books ever written, but more than that, one of the most authentic historical novels ever written about 1967 (even if it does borrow a bit from the Terminator)! Starts a bit slow, but don't get confused. Persist.

Let's hope the publisher returns this gem to print SOON. Let us hope Ms Mason writes another book like this. What a great time the 40th anniversary of the Summer of Love would be for a reissue!

The funky rainbow cover of this book was what caught my eye at first, then the title began to resonate in my hippie soul. Summer of Love is about a runaway girl who calls herself Starbright who goes to the Haight-Asbury district during the summer of 1967, looking for her friend Penny Lane. She meets a time traveler from five hundred years in the future, who is looking for her as the key to resolving a rift which has occured.
The vivid texturing of the historical situation at the time alone makes this book well worth the read. I also recommend the Golden Nineties as a sequel to this great book.

Within the first few pages, the main character (and the reader) are swept up into a mysterious new world. There's intrigue and plot aplenty -- some of it pretty serious stuff -- but what makes the book particularly great for youngsters and adults alike is the sense of discovery. The book is an exploration, an adventure -- and with bits of magic, mystery, mythology and lore thrown in, "Through the Eyes of a Raptor" opens itself up to a rather broad audience.

The inevitable question -- "Wait, you said magic? Is this a Harry Potter ripoff?" -- is easily deflected. This goes both deeper and broader than the first Harry Potter book, but it's still evokes the same sense of discovery and awe.

This book was amazing! I thoroughly enjoyed reading it, and it inspired many thoughts and ideas for me. This is one of the books that is good for almost anyone: it has suspense, mystery, fantasy, myth and lore, adventure, discovery, and an outstanding plot. Even though it is fantastical, it was realistic in a way that it almost felt that everything in the book really could happen, and I could easily relate to the main character. I strongly suggest that everyone at least try reading this book, for there is so much in it that you will love!

Julie Hahnke has begun a new series of fun, imaginative books. My grand daughter and I finished this book and are begging for a sequel. Julie's descriptive text has the reader, young or old, wrapped up in the story and becoming the characters themselves.
The author has done her research for this book's setting and characters, encouraging learning and making it fun.

I am well over 13 *won't say how much over :-)* and enjoyed this tremendously, as well did my 21 year old daughter and 15 year old son.
You've got magic, mystery, drama and so much more in one book.
I've been an avid fan of Harry Potter and have been looking for a new series to sink my teeth into.
This is it!!!
Well written, great Scottish folklore *something I love, being a scot* with a very readable and enjoyable plot.
I met this author at the Highland Games in Brunswick, ME and purchased this book there from her, which she signed, and got a chance to talk with her. She was tremendous, as is her book.
Can't wait for the second part, hope it isn't too long in coming.
Only three in the series??? Definately need more!

It has been a long time since I last read a book from beginning to end without putting it down. I enjoyed Kelly, a real girl that is thrust into a new life with many surprises to come from unexpected places. It's fast paced, has great imagery, and intelligent mystery. Being of Celtic heritage it does bring you back and makes you believe there is more to come. When is the next book coming out? Thank you Julie Hahnke for adding this gem. Disney or someone should look at this as one of their next movies.