Horror Books

Is it "imposter" or "impostor"--that's the question that nagged me while I read The Three Imposters. Which spelling is correct, and which is the imposter/or? The lexicographers need to come down hard on this issue!

That aside, The Three Imposters is a black diamond of a little dark fantasy, told in hypnotic descriptive prose. The book is structured as a series of stories within a frame story, much like the Decameron or Canterbury Tales, only the frame story has its own plot and is the most interesting of all in The Three Imposters. The sub-stories range from the strange to the macabre, to the frankly paranormal, each entertaining in its own right, besides what it contributes to the whole. Moreover, Machen's style glitters with curious flights of thought and characterizations, wellnigh as entertaining as the story itself.

What struck me most of all about The Three Imposters is how panoramically influencial this short book is, as if it were the whole nine muses of twentieth century literature! The Maltese Falcon owes an obvious debt to the Gold Tiberius. I think that the Novel of the Dark Valley is a clear precursor to the Trial, and obviously, Lovecraft derived his entire schtick from the Adventure of the Lost Brother. Machen himself must have been influenced by Dr. Jekyll and Mr. Hyde, published about 10 years earlier, but Machen amplifies the original, rather than narrowing it.

Altogether, The Three Imposters is well worth the 150 pages or so of reading time. Dyson and Phillipps are my new literary heroes! I would recommend this Chaosium edition, which includes these several other quality Machen works and sells for nearly the same price as other editions.

First of all, a warning; do NOT read the introduction to Machen by S. T. Joshi strangely placed in the front of the book before you read the stories. The otherwise excellent introduction contains spoilers to all the stories, something I thankfully noticed at an early time. Being part of my effort to "branch out" beyond H. P. Lovecraft, I purchased all the three books by Arthur Machen that has been published by Chaosium. The tales within turned out to be excellent, and I quickly saw why HPL praised Machen so highly. Even though parts of the tales no longer appear as "shocking" as they once did, with their horror being centred on "sex and pagans", they still have a mild discomfort to offer, and the final tale of the book is, as we shall see, quite the masterpiece.

The first tale is "The Great God Pan", a very good tale, but as I've said; time has not been kind to this. A naked God in the forest don't exactly scare or shock people these days, at least not in the way that Machen intended. Although, it should be noted that I'm not the type of "conventional Christian" that Machen had in mind as his audience when he wrote it. The tale details an experiment gone "wrong", where a young girl sees and interacts with the ancient heathen god Pan. The result pops out nine months later, and several horrific incidents spawn from this. A fine tale, but a bit dated.

The second tale is much more to my taste, "The Inmost Light" (and for fans of the marvellous English musical group Current 93, I assume this is where Tibet got his title), also a taste centred around an experiment, where an occultist attempt to capture the essence of the body, "The Inmost Light", in a gem. A wonderful tale with an eerie feeling throughout.

The third tale is "The Shining Pyramid", a tale about the well-known "Little people", and one of the two best tales in the book. It unfolds somewhat like a detective novel, where two men find strange clues to uncanny activities in connection to the disappearance of a young woman in the Welsh countryside. The protagonists suspect the hands of the pre-Aryan inhabitants of Europe, and the tale is an effective weird tale, with Machen's wonderful prose really showing its best side.

The final tale, or I should say "tales", is the title story, "The Three Impostors", which is a strange creation of interlocking tales many in number. The tale is about a young man in London, a wannabe writer, who through random encounters with a few people hears several tales that all contain a few common elements; "a young man with large spectacles" and some weird and horrific incidents involving this young man. But alas all is not as it appears to be, and we are brought to several places in the search for this man, and what it all means is not revealed before the final phrases, where the real evil is revealed. This tale is among the best work I've read in the genre, and it really gives you the creeps at various parts, some of it being simply excellent.

Highly recommended!

This review is only about the title story, or rather, short novel. It is a circular story, as it ends where it begins. Characters have multiple identities and strange coincidences abound. It is a macabre joke, a foundational book of the cosmic horror a la Lovecraft and his Ctulhu mysteries. It is also a peak of the late Victorian era and much more. What makes it more than a genre story is the poetic quality of its literature. There are paragraphs that would make little perfect prose poems.

Along several months, or years, Dyson and Phillips meet different persons, who have in common the search for a shy and nervous young man with a little black moustache and big spectacles. Each one of these persons tells his or her story in inserted chilling tales, full of the imagery that would later become cliche. This is no cheap horror: it has a great sense of humor, it is not about axe-grinding nor about phantoms and exorcisms. It is pure cosmic horror, the horror of hidden forces and obscure memories of a remote past. It is a horror of strange gatherings and incognoscible conspiracies. The inserted stories are often compiled independently of their contextual frame: "The novel of the Dark Valley" is an adventure in the loneliness of the Rocky Mountains, with a pre-Kafkian touch that makes you go pale. "The novel of the Black Seal" happens in the Welsh wilderness, with a mad scientist and beings from the past. "The novel of the Iron Maiden" includes a collectionist of instruments of torture. "The novel of the White Powder" is about a substance that transforms humans into something indefinible and horrific. Finally, ""The story of the Spectacled Young Man" closes the circle and "explains" everything.

Like a good Englishman, Machen is a master of the understatement. More than showing, he insinuates to let the readers feel for themselves all the weight of the horror of the world, the mysteries that haunt us, and the strangeness of this life. Little surprise, then, that this was one of Jorge Luis Borges's favorite books, since much of his beloved subjects are here: ancient and undecipherable languages; stories lost in time; mirror games; equivocal identities; implacable gods; and somber mansions. Much recommended.

Other reviews are longer and more in-depth. This is meant as a quickie.

The title story is the heavy-hitter of this collection; it ties several shorter stories together under one title. The other stories are much shorter but have their twists and turns as well.

The language is not as dry as one might expect from stories written a century ago.

Worth four stars out of five.

As the title says, I found this collection so intriguing that I will be buying the next volume (The White People and other Tales). The only work that I had previously known by Arthur Machen was "The Great God Pan", which has shown up in so many anthologies that I am thoroughly sick of it, although it is a good read the first few times through. "The Inmost Light" was quite disturbing to me in terms of plumbing the depravity of the human soul. "The Shining Pyramid" was a good supernatural detective story, in my opinion, although the intuitive leaps made by the protagonist would have made Fox Mulder proud. This clearly inspired quite a few of Robert Howard's stories.

Clearly, the crown jewel of this collection is "The Three Imposters." The deeper I got into this novel, the more engrossed I became. It is made up of 14 short stories, each of which is part of an overarching storyline that involves the protagonist, a golden coin, a man with spectacles, and 3 people who are not who they say they are. Each successive short story drew me in further. Some of the best reading I have done in years!

Good luck in finding the original titled novel anywhere. Copies are hard to come by in any condition. Mine is "The Literary Guild of America," 1942. Hard Cover. The dust jacket has a picture of a house and a tree over looking a cliff to the see. At first I thought it was taken from the scene in the movie by the same name. However that is the description in the book. There is even an edition that was made for the troops during the war. And not any cheaper is the Bantam Books, 1947 Paperback.

Unless you collect screen plays, be careful as the play is also out in book form.

I first saw the movie (1944) that is good in its own right. Staring Ray Milland and Ruth Hussey. You know it will be different but which one is better. In this case they are quite different and both just as good in different ways.

Roderick Fitzgerald and his sister Pamela are in search of a house and find one with some beach front. After negotiation the price they move in and may have found more then the bargain. Read about there unique way of coping with the situation.

The story is refreshing. However the real worth of the book is the writing style of Dorothy Macardle. I was not prepared with my English to English conversion books. She also writes in the time of the time and uses terms local to the England of the 40's If you like this story then she also wrote "The Unforeseen" equally as good.

I will stay away from describing the plot, since that was done well by other reviews posted here. This is a wonderful book, especially if you enjoy British-style country house mysteries, spiced with the supernatural. The writing is superb. Ms. Macardle expertly draws you into the situation with characters that resonate and sparkle with life.

This book will not satisfy horror fans who are looking for an 'in your face' type of scare. Rather, the haunting unfolds very gradually, subtly, and is therefore all the more realistic.

If you are a fan of the classic Ray Milland film that was made from this book (The Uninvited, 1944) you are sure to enjoy the novel. Being novel length, the book has more characters than the film did, and also expands on some of the main character's histories and motivations. The Paramount film was a very faithful adaptation of the 'feel' of this novel...it was just necessarily compressed in length, and given a somewhat trite Hollywood closing that ties all the male/female relationships up a little too neatly (this does not happen in the novel).

Curiously, some scenes and even dialogue of the film are literally lifted word-for-word from this novel. The scene in the Tabacco shop, after the Fitzgerald's first purchase the house, comes to mind as the most perfect example.

It is a shame Dorothy Macardle produced so little fiction during her lifetime. I have heard she wrote a handful of short ghost stories but I've yet to track them down.

On a final note: if you enjoy the writing of Barbara Michaels you will love The Uninvited. I was first tipped off to the existance of this vintage novel through a narrative 'aside' which recommended reading The Uninvited in one of the Barbara Michaels books! (I'm not sure which of her novels mentions The Uninvited as a great book, but it might be Shattered Silk).

After writing a review for the movie version in which I recommended that viewers read the book as well, I was disappointed to come here and find that the book is so hard to find that it's making the asking price (understandably) very high. My own hardback copy I ordered some years back, and I also have an old dog-eared, falling apart paperback copy that my mother had (it was one of her favorites also). I have seen it a few times in the past in large and small used book stores, and it's definitely worth a search. Much more atmospheric than the movie, in my opinion (none of the comic relief that Ray Milland brought to the character), and there were so many good side characters that were left out of the movie. In the book Roddy (rather than "Rick") is a theater critic and hopeful author rather than a composer, and a play that he is writing may be relevant to the ghost story. There is a sort of sequel that was written by the same author, "The Unforeseen." While there are other characters and the mystery is not as interesting in the latter, it does let you know what happened to the main characters in "The Uninvited" after that book ended.

This is a wonderful timeless story by Dorothy Macardle. I own a hard back copy of this and try to read it at least once every couple of years. There is a light and breezy feel to this book and it would be the perfect summer read if you are tired of the run-of-the-mill.

Roderick and his sister Pamela leave the hustle and bustle of modern London looking for that perfect house on the English coast. What they find is the beautiful Cliff End overlooking the sea. From their first meeting with the sweet and lovely young Stella Meredith, whose grandfather owns the house, we know there is a larger mystery here. This is a good novel that slowly unfolds as we learn of Stella's mother Mary, and the beautiful Spanish girl Carmel who was seduced by Stella's father.

Who is the appiration that appears at the top of the stairway and why does the sickening cold always precede it? Why are there moans of anguish coming from the room that used to be the nursery? What is the real mystery of Mary's death? What about that Mimosa scent that comes with the moaning? And why do things get more stirred up every time young Stella is there? Roderick has fallen for the sweet Stella just as the reader has and both must find out.

What makes this such an excellent read is that it treats this as a straightforward story of ordinary people thrown into extraordinary circumstances, slowly unfolding as Roderick and Pamela attempt to solve this maddening riddle to an otherwise wonderful house they don't want to leave.

Both the mystery and ghost story all takes place in an entertaining day-to-day life in the English countryside kind of way, with a growing romance inching its way towards the center. Go out to your garden or your patio, pour yourself a big glass of iced tea, and enjoy something truly origional. This is a great light summer read and inspired the finest film of its kind ever made in The Uninvited, starring Ray Milland the lovely Gail Russell. You don't want to miss either.

Good luck in finding the original titled novel anywhere. Copies are hard to come by in any condition. Mine is "The Literary Guild of America," 1942. Hard Cover. The dust jacket has a picture of a house and a tree over looking a cliff to the see. At first I thought it was taken from the scene in the movie by the same name. However that is the description in the book. There is even an edition that was made for the troops during the war. And not any cheaper is the Bantam Books, 1947 Paperback.

Unless you collect screen plays, be careful as the play is also out in book form.

I first saw the movie (1944) that is good in its own right. Staring Ray Milland and Ruth Hussey. You know it will be different but which one is better. In this case they are quite different and both just as good in different ways.

Roderick Fitzgerald and his sister Pamela are in search of a house and find one with some beach front. After negotiation the price they move in and may have found more then the bargain.

The story is refreshing. However the real worth of the book is the writing style of Dorothy Macardle. I was not prepared with my English to English conversion books. She also writes in the time of the time and uses terms local to the England of the 40's If you like this story then she also wrote "The Unforeseen" equally as good.

I have an inexplicable attraction to the Modern Library hardbacks. Inevitably, if a Modern Library hardback version of some book that I want exists, I'll end up buying it. I really don't know why. Anyway, case and point: Edgar Allan Poe.

The benefits of this edition are evident:

a) All the short stories--yes, even the uproariously funny ones that most paperbacks leave out, as well as Poe's bizarre "hoaxes" and inexplicably contrived "articles" that don't really pass very well as stories

b) All the poems--including poetry written in childhood as well as posthumously discovered

c) ...and a couple of essays--most importantly, "The Rationale of Verse."


However, the book still lacks most of Poe's criticism and other essays. I suggest you purchase Dover's little paperback _Edgar Allan Poe: Literary Theory and Criticism_ (kind of a "Greatest Hits" collection of Poe's critical work which, in reality, spans over 1500 pages) to complete your library. There you will find the great classic "The Philosophy of Composition" accompanied by dozens of ingenius (and at times ascerbic) reviews of books you may know from elsewhere. It's an invaluable resource.


Moreover, the same Modern Library problems afflict this edition--thus, herein lies another reason I cannot explain why I must keep on buying and reading Modern Library hardbacks:

A) There is no textual or intertextual editing, nor are there any critical footnotes. Moreover, there is no critical introduction by a Poe scholar. This bytes.

B) There is no margin room. There never is in a Modern Library hardback. This gets really annoying when you're reading "The Fall of the House of Usher," and you're trying to tie together pieces of evidence (all part of Poe's perfect conceived "totality" of content) to form a of cohesive, critical interpretation of the story with about a centimeter of margin room in which to write! Your handwriting will quickly show itself illegible, and your hand mercilessly cramped.

C) Modern Library hardbacks are customarily printed on cheap (although smooth and aesthetically pleasing) paper. Thus, when you write in your book, the ink is very likely to bleed over onto the converse page. Also quite annoying.


However, however, however--I must not forget that the goal of Modern Library is not to print the best book possible, but the best _affordable_ book possible. And at $18.00, this 1000 page hardback is hard to beat.

So, if you have the money, do actually buy _the best_ edition: the Library of America edition. ISBN 0940450186. It's over 1400 pages, is printed on paper that will last forever, and is edited by a prominent Poe scholar--but it's almost $40.00!


But, more importantly for those of us on budgets: This edition is in direct competition with both the DoubleDay and Castle editions of Poe's collected stories and poems. Under no circumstances would I recommend the other two editions due to their typesettings. I know that may sound ridiculous, but a humane typesetting has a lot to do with the pleasure and utility that a book can and will proffer its reader. The print on the other two editions is inordinately overloaded (too much packed on each page) and serves to burden the eyes. For sooth, the Modern Library version is packed too--but it's a huge improvement on the other two editions.

If you've got $40, get the Library of America edition. If you've only got $20, get this one.

I've always had a liking for Edgar Allan Poe, with his tales of horror, mystery and suspense, done in the atmospheric prose of a master writer. Since I live close enough, I've even made some trips to his gravesite, a place that is always surrounded by a sense of sadness.

Poe was a tormented genius who died young, under mysterious circumstances, and at the time of his death he wasn't deservingly popular. Certainly his work was not cute romances for the masses -- he explored the darkness of the human heart, love, satire, and the earliest whodunnit stories. And "Complete Stories and Poems of Edgar Allan Poe" brings together all of his poetry and writings in one book.

Poe's fiction writings include short stories and novellas, which tend to be rather weird -- a treasure-hunt and a golden insect, a ship caught in a whirlpool, a hypnotized man talks about the universe, and stories of despair, madness, and occasionally beauty. There is also his trilogy of Monsieur C. Auguste Dupin stories, which were the first to feature a brilliant detective solving an impossible crime.

Most people know about "The Raven" (which even has the Baltimore Ravens named after it) but Poe actually wrote a lot of poetry, most of which readers never heard of. Sometimes dark, or whimsical, or even both. "By a route obscure and lonely/Haunted by ill angels only/Where an Eidolon, named NIGHT/On a black throne reigns upright..."

And, of course, the horror. This is what Poe is best known for, including such well-known stories as "The Fall Of The House Of Usher." But there are also lesser-known gems -- tales of a plague invading a party, being buried alive, a portrait that siphoned the life out of its subject, and a nightly visit to an Italian crypt leading to madness.

Don't read "Complete Stories and Poems" all at once. It's too intense. It's better to soak it in a little at a time, so that you can get a better feel for the different kinds of writing that Poe did, and how he excelled at pretty much everything he put down on paper. Most great writers can't boast of that much.

Poe's writing is what makes even his least story or poem come alive -- he brought a gothic, misty vibrancy to his stories, and could make his quiet dialogue seem utterly chilling (" "I have no name in the regions which I inhabit. I was mortal, but am fiend..."). It's not hard to see why he was an influence on authors such as Fyodor Dostoevsky, Oscar Wilde, Arthur Conan Doyle and Franz Kafka.

"Complete Stories and Poems of Edgar Allan Poe" is a must-have for anyone with an appreciation for great literature and beautiful, dark writing.

Poe is one of the world's finest writers and this collection of stories is what he's all about. This book contains the best of his tales, with many others for you to explore on your own. It has his poems and short stores. Its contents is very close to being unabridged except, for it missing a few poems and stories that aren't very good anyway.

Poe's tales contain all the excitement of a novel, in around 10 pages. I recommend this collection because it offers hours of enjoyment. The only thing you might need is a large vocabulary because he tends to have an advanced word choice. Get this book and have fun!

'Horror,' as it is broadly understood, is defined by two essential elements: the active presence of decay, some 'abnormal' manifestation of nature, or a combination of both.

One hundred and fifty-seven years after his early death, Edgar Allan Poe (1809-1849), who made horror the dominant theme of his creative work, remains the American master of the weird tale. Poe's work has had enormous worldwide influence: French poet Charles Baudelaire was an early champion and translator, Poe's 'William Wilson' (1839) haunts the pages of Oscar Wilde's The Picture of Dorian Gray (1890), and several stories look presciently ahead to work of Sigmund Freud and Carl Jung.

The Collected Tales and Poems of Edgar Allen Poe (1992), which also includes humorous pieces ('The Devil in the Belfry' is a hilarious tribute to the father of American literature, Washington Irving), detective fiction (Irving's 1838 story-cycle 'The Money-Diggers' stirs fluidly beneath 'The Gold Bug'), and early examples of what would come to be known as science fiction, brings together most of the author's important work.

Two general narrator (or protagonist/character) types emerge. The first is meticulously rational, calm, and 'objective'--like Dupin, the amateur sleuth who coolly solves the mystery of 'The Murders in the Rue Morgue.' The second, best represented by Roderick Usher in 'The Fall of the House of Usher,' is psychically haunted, deeply subjective, acutely sensitive in every pore, and barely able to repress the hysteria--at best--simmering just beneath the surface of his consciousness.

Both general types are isolated and obsessive in their own way--the first perhaps imagines he has found salvation by holding the world at a kind of hard cerebral remove, while the second surrenders his will in increments and sinks obliquely into emotional, spiritual, psychic, and physical fragmentation. The second type (found in 'The Fall of the House of Usher,' 'Berenice,' 'The Black Cat,' 'The Pit and the Pendulum,' and 'William Wilson,' among others) dominates and defines Poe's work.

Poe occasionally offers readers a combination of both types, as in 'The Imp of the Perverse,' in which the narrator, after a lengthy, meditative, and 'objective' discourse on the self-destructive aspects of human nature, briefly tells his own story: compelled to commit a pointless murder, he then finds himself equally compelled to publicly confess it.

Fatalism and perdition are key characteristics of the author's work: death may await everyone, but, in Poe, death impatiently reaches forward into men's lives, sickening, exhausting, and corrupting them, thus hastening fragile humanity's end. Poe's protagonists are once healthy, now dire, everymen surrounded on every side by hostile, malevolent, and destructive forces which dominate every plateau, division, and category of existence that man has methodically--and rather naively--mapped out. Human instinct proves to be 'red in tooth and claw'; the senses betray; the mind collapses; the borders and boundaries of civilization are violently breached; the natural world reveals a harsh, predatory, and incomprehensible face; physical laws prove unreliable; loving relationships sicken and fester; all agents of stability prove false and slip away.

Most of Poe's work suggests that there is no escape for anyone (--"dead to the World, to Heaven, and to Hope!"), and, as several of the tales underscore, including 'The Fall of the House of Usher' and 'Ms. Found in a Bottle,' even the cessation of life may bring no solace for some. However, reprieves are possible: the narrator barbarically tortured by the Spanish Inquisition is freed by the arriving French army at the conclusion of 'The Pit and the Pendulum,' the sailor who experiences 'A Descent Into the Maelstrom' survives to tell of his ordeal, and the vengeful dwarves in 'Hop Frog' apparently escape at that story's conclusion.

Remarkably, because of the skill with which he illustrates his view of man's utter lack of genuine choice or ability for self-determination, Poe manages to make most of his characters likeably human, despite their illnesses, eccentricities, and perversions. Though the tales team with toxic bloodlines, incestuous relationships, premature burials, rioting lunatics, marauding plagues, 'tormenting' doppelgangers, parasitic spirits of the dead, animated corpses, "ghoul-haunted woodlands," and a fair variety of additional supernatural tableaus, Poe remains is a remarkably rational, balanced, and economic storyteller, since the ultimate horror lies not in the external threat, but in the narrator's realization that what he is experiencing is the genuine nature of life itself.

Poe's tales suggest that, if all of mankind lives within a perpetually collapsing, cannibalizing universe, the most one can hope for is that, in the present, it is collapsing on someone else.

Poe is one of the best horror writers ever to have lived. I have read all of his works. Some of his best stories are The Fall of the House of Usher, The Masque of Red Death, The Black Cat, The Cask of Amontaiado, The Pit and the Pendelum, and The Tell-Tale Heart. His great poems include-The Raven and The Bells. Poe is a fantastic author, and his creepy tales of the dark side of life should be read over and over.

This is a great book that adds to the dvd. I enjoy watching the dvds;however, the books are a true insight to understand all that goes on in the Death Note Series.

This story just keeps getting better and better! What more twists and turns can the author come up with? I'm an adult and I love this Manga. It is a page turner and keeps me on the edge of my seat. What will two Kiras do to ruin the world? Oh my god!

This is an amazing book! And probably even better was the person/company I bought it from. The item arrived fast and on time as promised in great condition.

Light and L off to uni.


The situation gets more complicated as Light is starting university, and at the opening ceremony he is to speak at, he finds he has a co-speaker, who whispers to him that he is actually L!

The cat and mouse game between them continues, and Light's father having a heart attack and the discovery of a new 'Kira' and Death Note do no make anything more straightforward. All the deviousness in this serious can certainly make your head hurt.

This is one of the most original manga ever written. Read other reviewers for great plot summaries. If you are reading these reviews your question must be, "Is this something I want to read?" Death Note, unlike a great deal of manga, you have to read. It has wonderful artwork, some of the best I have ever seen. But, the art does not carry the story, the words carry this story. In volume 1, Light finds the Death Note, and at first it seems like killing all criminals is a good idea. But, by volume 2, you begin to see what the power of the Death Note is doing to Light. Volume 3, introduces a new character to the story that complicates the story line, but in a good way. If this series was a movie it would be considered "film noir". It is dark, with many plot twists, microscopic viewing of the line between good and evil, and how that line can be twisted to suit the person doing the twisting. This manga is a thinking manga. After you finish each volume, you will find yourself thinking about it, worrying over some of the plots like a dog with a bone. think, think, think. Enjoy!

This is a very black, dark book. This is not a book for kids, nor is it a book for people who haven't read anything by Ellison previously. Harlan Ellison is one of those rare writers that can finish a story so powerfully, that you'll feel like you've been literally stabbed in the heart. Like many of Ellison's short story collections, he deals with a specific theme. In this book, he writes short stories about gods, in all their myriad shapes and forms. Gods of machines, pain, rocks, speed, revenge, among others. Of the 19 stories in this collection, let me tell you what I consider to be the best. THE WHIMPER OF WHIPPED DOGS: Ellison's award-winning retelling of the Kitty Genovese incident. Never heard of Kitty Genovese? Don't worry, after reading this chilling tale, you'll make sure you remember. BASILISK: A traitor to his country comes home and finds that he is not welcome. A little confusing at first, but you'll soon get the hang of it. PRETTY MAGGIE MONEYEYES: Don't let the strange title deceive you. This is Ellison in TOP form. Ever wondered what gods reside at the casinos and what they have in mind. It's not PRETTY, I can assure you. ERNEST AND THE MACHINE GOD: An easy-to-visualize story about a girl in a car-accident and her meetings at a gas station. ADRIFT OFF THE ISLETS OF LANGERHANS . . . : Another award-winning story about a man trying to find the geographical location of his soul. THE DEATHBIRD: Still another award-winner. This one is Ellison's retelling of Genesis. This story has a very innovative structure to it. You'll see what I mean, when you buy this book.

While I typically associate Harlan Ellison with Science Fiction, I'm somewhat hesitant to call all of these stories SciFi... they are more like Twilight Zone episodes. They are 19 short stories that involve individuals getting caught up in all sorts of fantastic situations. While there is a general underlying theme of the stories involving "Gods", I found that the main uniting feature was the fantastic nature of the stories.

Some sample reviews from the collection:

ALONG THE SCENIC ROUTE(1969)***** - Ellison published this tale of "Road Rage" way back in the late 60's. It is definately a classic, and one of the more SciFi-esque stories from this collection. Richard K. Morgan recently tried to do a modern "Road Rage" novel, MARKET FORCES(2005)***, which takes ideas from ALONG THE SCENIC ROUTE, but ultimately falls flat.

O YE OF LITTLE FAITH(1968)**** - A young man of no faith in any god, is accompanying his mid-30's girlfriend back from a quick Tijuana abortion, in this pre-Roe vs. Wade world (Roe vs. Wade was decided in late 1973), and finds himself transported to a world populated by gods nobody believes in any longer.

PRETTY MAGGIE MONEYEYES(1967)*** - A sad story of two people's fateful encounter via a Slot Machine in a Las Vegas Casino. One is a pretty poor girl, who turns to prostitution to claw her way from the ghetto to Beverly Hills; the other is a long-time Vegas loser, who is down to his last dollar, and who's luck is about to change, but is it for the better?

CORPSE(1972)**** - A Latin American Studies professor from Columbia University, a man of some faith in Christianity, begins to see the emergence of a new type of god - the Automobile God, but ultimately fails to realize the inevitability and make the transition to the new faith.

SHATTERED LIKE A GLASS GOBLIN(1969)***** - A Marine, recently back from Vietnam, enters and becomes consumed by the varied pesonalities and drugs in a 60's "Party House"... reminds me of an old house my recently graduated high school buddies rented in San Diego, CA in the 70's (and which was slated to be razed along with the adjacent drive-in theater, to make way for a new shopping center). Like O YE OF LITTLE FAITH, this story is notable for the snapshot it gives of a Beatle's White Album-era America. Indeed, having just said that, I just realized that the title of this story SHATTERED LIKE A GLASS GOBLIN(1969), seems to be a play on the title of the Beatle's White Album song LOOKING THROUGH A GLASS ONION(1968).

This book has recently been republished by the SFBC in December 2005, as part of the third set of books in the SFBC 50th Anniversary Collection.

Harlan presents some stellar stories here about what modern gods might be like in what one would call a pessimistic, cynical outlook. He moves through such milieus as sci-fi, high fantasy and even urban fantasy through this book.

The best stories are very hard-hitting and emotionally affecting. These include The Whimper of Whipped Dogs, a retelling of the Kitty Genovese episode about the alleged god of New York City, The Basilisk, where the most terrifying aspect of the story is how a small town treats a returning POW and Pretty Maggie Moneyeyes where a manipulative woman continues to manipulate even after death. There are some other good stories, such as the road rage tale, though not as emotionally hard-hitting.

The problems in several of the stories stem from an abundance of cleverness. Rather than letting the story take the forefront, Harlan chooses to favor style over substance in an attempt to showcase his virtuoisity in the various methods of writing. This lessened some of his stories for me. He is most successful doing this in the titular tale, The Deathbird, but it was still distracting even there.

A very good collection though, despite the flaws. It is unapologetic and uncomprimising demanding you take the stories on their own terms.

For those fans of Ellison, you will not be disappointed, for those of you not familiar with Ellison, this one will have you hitting the used book stores in a vain hope of finding more fodder for your mind. (Don't bother looking, I already hit every book store myself.) Reading this book is like seeing Mohammed Ali box or Stevie Ray Vaughn play the guitar, you get the feeling of seeing the best at his best. Every story in this collection is a gem, some more than others. "The Whimpering of Whipped Dogs" is a classic in and of itself. "The Deathbird" is the most amazing story ever created by a fantasy writer and I say this with no hyperbole. Go out and get this book . . . NOW! It will change the way you view the world and yourself. Other books make this promise, Deathbird Stories is the only book I've ever read that actually delivers.

I read this book because, in the acknowledgements his wonderful novel "American Gods," neil gaiman said this book burned itself into the back of brain when he was still young enough for something like that to happen.

Well, how can you resist an endorsement like that? So, I raced up to the nearest library that had this book (an hour or so away, I'll have you know) and checked it out. And befoul these modern gods if it didn't blow my mind. At least, parts of it did.

Most of the stories - "the Whimper of Whipped Dogs," "Shattered Like a Glass Goblin," "Basilisk," and "Ernest and the Machine God," just to name a few - are really brilliant. They will twist your mind around like only certain versions of certain myths can. They will smack your conciousness around until you think there really are gods in the engine of your car and that traitors really are the high priests of Aries. They will, as Niel Gaiman says, burn themselves into the back of your brain.

Others, however, are not so brilliant. A few simply repeated ideas put forth in other, better stories. Some were simply not as interesting as the others, and some were both uninteresting and sordid. But please note that "some" could and should be read as "one, two at the outside." The majority are amazing.

On the whole, however, this is a wonderful book. I am shocked and dismayed to find that it it unavailable. I think anybody who is into mythology should read this book, just for some of the ideas expressed in it. So should anyone who read "American Gods" and thought it was cool, too. They should have a good time pointing to certain stories and saying, "Neil Gaiman lifted that, that and that." I recommend this book highly. Even with the few faulty tales herein, it is definately worth the time.

I have been collecting all of Poppy Z. Brite's work for a few years now. She is a great artist, and this book was wonderful.

This collection of short stories is an excellent introduction to this author's many talents. There's no sameness here. The stories are well crafted and tight. She has an uncanny ability to shift gears seamlessly keeping your interest and absorbtion factor high. She knows how to tell a story with style. Buy it. You won't regret it at all.

well short stories that is. This is a truly fine little book. The writing is lean and precise and fits well with her new series of books. This was my first encounter with her alter ego Doc Brite and I found him to be a wonderful character. It was also good to see Rickey and G-man and the additional Stubbs family story was excellant.

Here's hoping that Ms. Brite will give us many more of these shorts to enjoy.

I bought this collection because I am a Rickey and G-Man completist, and I was anxious to read "Bayou De La Mere" and "A Season In Heck." Of course both stories turned out to be excellent little windows into other aspects of the ever-growing Liquor milieu (particularly "A Season In Heck," which is a little more tangental as it deals with the travails of a young inexperienced Liquor cook), but fortunately this book also introduced me to Doc Brite, Brite's maverick foodie medical examiner alter-ego. With all these stories, Brite (the author) manages both to write great food porn and give lively insight into the intricate workings of New Orleans society and culture. Brite is, simply, a terrific writer.

In her first new collection in a couple of years, Poppy Z. Brites "The Devil you Know" focuses many of its stories in and around her beloved New Orleans and often travels in the restaurant world (her husband is a chef). Less gothic than her previous works, one might even consider "The Devil You Know" somewhat whimsical in certain spots. She certainly is prone to using humor and irony more so than in the past. But don't think that Brite has lost her edge. While she continues to explore new avenues she can still hit you right between the head although she does so with a skillful, subtle hand in this collection of 13 stories.

Several of the tales feature Poppy's alter ego, Coroner Dr. Brite such as the black humor tale "Marisol" about a restaurant critic who writes an unflattering review of a restaurant and then promptly disappears as the chef introduces his newest dish. The "Ocean" brazenly shows the high cost of fame in a story about a dysfunctional, drug addicted rock band, being fed upon by their fans.

"System Freeze" seems a bit out of place with the other stories in the book, being as much a Sci-fi story as anything else. After a fatal fall from a mountain during a climb, a woman finds she's been given a second chance at life by the mysterious Agent Fine, as long as she completes the new AI program that she is working on. The story is supposed to be a Matrix-esque type tale and is short but effective

"Burn Baby Burn" will have people thinking of Stephen King's "Firestarter" with its tragic tale of pyrokinetic Liz Sherman (of Hellboy fame) and the destruction she causes to friends and family...not to mention her entire neighborhood when her powers go out of control. Liz finds her only place of comfort and safety is at the governments Bureau of Paranormal Research---with the other freaks.

My favorite story was "Lantern Marsh" as it evoked the feelings of youth when our own little worlds and suburbs were filled with mystery and enchantment. We firmly believed that the big old house down on the corner was home to a mad scientist. Set again in the Deep South, three young friends frequent a local swamp where odd lights are seen to float and dance about. Noel especially us drawn to the area over and over, even after he's warned to stay out by the man who owns part of the land it rests on. Years later, Noel returns home from college to find that Mr. Prudhomme now owns all of the land and plans to fill in the swamp for development. Noel knows he'll have to do something drastic to save the swamp, and whatever it is that lives there.

This diverse collection of short tales shows Poppy's development and comfort with various forms and settings as well as her enormous skill as a storyteller. A must have for her fans and a great place to start for new Brite readers!

Reviewed by Tim Janson

Fluke tells the tale of an abandoned dog named Fluke that has past life memories of being a man, a man that was evidently murdered. Fluke then goes on an odyssey to find his home, his family, and his killer. Getting there alternates between funny and frightening. Herbert shows genuine skill as a fantasist here and I wish it was a talent that he tried explore more often, as this is his best novel.

This book is a delightful and wondrous tale told by a writer who is best known by his forays into the Horror Genre.Author James Hebert abandons his usual ghosts and scares and takes the reader on a marvellous journey through the eyes of a dog , Fluke who was once a man in a previous life. In this book we see Fluke trying desperately to regain his life as a man as he goes on a journey to find his Human Family.Read this book and then give it to your children to read as it is a enchanting story for young and old.

This is a surprise. With Herbert, you usually got a gore-fest, and when I started reading this book about a man who finds himself in a dog's body, I imagined there would be lurid descriptions of dogs ripping apart other living things, probably humans. Far from it. This book is as cleverly written and as skilfully told as anything by Richard Matheson or Jonathan Aycliffe, and I do not make such comparisons lightly. `Fluke' describes the dog's (told in the first person-or should that be in the first dog?) quest to discover his previous humanness. It is a journey both of discovery and self-awareness. Herbert vividly describes what it (probably) feels like to be a dog, capturing the world of smells and canine desires; and the lingering sense of his previous humanity that propels him to discover who he was before he became a dog. The ending is moving without being sentimental. An unusual and satisfying book and one that I can fully recommend.

This book is as beautiful, moving, riveting, and profound as its film version, and explains further the concept of reincarnation. A man returns to life on Earth as a dog...trying desperately to adjust to his new life, he is constantly beset by confusing flashbacks to his former life as a man. Why is he one of the few who remember? And should he go back home to find his human family? These questions and more are answered in "Fluke."

I've read this book many times and still find it fascinating; it's written simply but beautifully, in language anyone can appreciate fully. The author obviously has a vivid mind and understands how the world looks through a dog's eyes; or perhaps he has been a dog in past lives. I know that I have. I highly recommend this lovely, exciting adventure.

It was a dog's life for Fluke the puppy until the images that had been haunting his canine mind came into sharp focus - he wasn't supposed to be a dog, he was actually a MAN! How had he ended up in this furry body? What of his wife, his child? What of HIM? Soon, though, the truth came - he the man had died, and had been reincartnated as a dog. And the visions hinted that he had been murdered! This begins a quest as Fluke sets out to his old town, determined to deliver out justice to whoever murdered him...An excellent book and a personal favorite of mine. But the best part of all was Fluke. He remained at all times a dog, even though he had human intelligence and memories, rather than some bizarre mix of human and animal that all too many books have. Fluke's friend Rumbo is also an enjoyable character, even if he did have a passion for crime. One of the best, well-written and beautiful stories I have ever read.

Starting with Fire Sanctuary, through Fires of Nuala and Hidden Fires, all of which I love and still have, onto this series, which leaves poor Ally with quite a way to go, I have followed KEK. She moves ve---rrrr------rrrrr----y slowly. Her stuff is so good, but it is hard to get new stuff when none is being written. I noticed that she has a new chapbook out, but that will just whet our appetites for more. Is it publishing problems? I am getting tired of publishers not advertizing their authors, then dropping them for low sales, especially when it is my favorite authors. Obviously, KEK is one of them and I hope she comes out with sequels to this series and even Nuala. We are hungry for more!

i've been waiting patiently, but please please please take time off from massage and web design to write a sequel to night calls and kindred rites!!! alfreda is a fabulous heroine and i want to know what happens to her during her time with cory. does she go east to visit her townie cousins? do she and shaw get married? EEK! please please please...pretty please? in other words - for those who haven't read these two books, they rock the casbah!

I'VE HAD THIS BOOK SINCE IT WAS FIRST PUBLISHED, AND I'VE READ IT AT LEAST ELEVEN TIMES SINCE THEN, EVEN THOUGH I KNOW THE OUT COME, AND WHAT HAPPENS NEXT, IT STILL THRILLS ME, I THINK THE ART OF BEING A GOOD WRITTER IS THE ABILITY TO HOLD READERS ATTENTION NO MATTER HOW MANY TIMES A BOOK HAS BEEN READ AND MAKE THEM BEG FOR MORE. I'M BEGGING PLEASE WRITE MORE.

This is a great follow-up to the first novel (Night Calls). The pace set in the first book doesn't slacken, the characters feel right, the story is gripping, and the writing is so smooth as to be nearly invisible, like you're floating along in the story rather than translating words on a page into mental images. I picked it up one evening before dinnertime, and neglected to eat dinner and stayed up past my bedtime in order to finish it. I can't wait for the next book.

I almost passed on this sequel to the earlier, excellent 'Night Calls.' The cheesy cover art (a Native American looking woman a la Harlequin) gives the impression that this novel contains fantasy of the lowest order. The strength of the first book persuaded me to continue with this next installment, and I'm glad I did.
The continuing development of Ally Sorenson in the Scandinavian/herbal/mystic arts of the 'Gift' picks up beautifully where 'Night Calls' left off. Allie personifies the best attributes of the American frontier - practicality, curiosity, and courage. The language of this novel softly blankets the reader in the feeling that Ally's world is a little off from ours, but never in a distracting way. The fantasy elements are organic to the character development, and neither feels forced. While it's not strictly necessary to understand the story, I strongly recommend reading 'Night Calls' first as an introduction to Ally's world; her growth into adulthood will be more meaningful.

I read this book when I was about 8 years old (I always read at a higher level) and this book had such an impact on me that I still remember it. The Locker was so horrifing and the characters were so real, I couldn't put it down and I read it multiple times. I'm now 23 years old and I'm ordering this book so I can enjoy the thrills again and again. A must have for any library.

i just finished reading this book, and just had 2 tell someone how good it was. it was a bit slow, but the ending was so good. u never see it coming! richie tankersly cusick is my favorite author, ive bought almost all her books, and im making it my goal 2 read them all by the end of the year. her books r so good, i recommend them to older ages though, maybe 12 at the least because it can be bloody @ sometimes. very very good book :)

oh my god, i'm 12 years old and this was one of my favorite books RTC wrote and it was GRADE A+ TYLER WAS SOOOO SWEET hahaha i wasn't really surprised at the ending though sorta... i did a book report on this book and got an A+ defenate reading book, read this book, you won't be mad

The Locker was great! It is the only one of her books that I've read that was written in first person. It makes you more invovled in the book and more involved with the characters. Cusick creates excellent, believeable characters.

This book is in one word amazing! I have always found richie the best author out there and this book explains to me again why. She is the only person who knows how to scare you like hell. She makes it seems so real that you feel like, you yourself are the main character and you are living the situation yourself and that is frightening. Especially the bit in the kitchen of Suellens house was so frightening I felt chills go down my spine, I was there I was in that kitchen and I felt the fear the main character felt. Richie has this incredible way of describing things, describing it so real that sometimes you've got to stop reading. This book was amazing!

Lovable book! Easy to read but makes you think of your own life, silly little things and big questions of meanings. Just loved it, and will read it thousand times more.

This is a beautiful book about overcoming the differences between us and learning to live together. The book is set in Moominvalley. The Moomintrolls are away when their very different friends come to visit. Moominmama and Moominpapa figure mainly as inspiration for the other characters as they learn to get along with each other.

I fear that this is sounding preachy. The genius of Ms. Jansson is that she never preaches. Read the book, you'll see what I mean - it's lovely!

Tove Jansson was a Swedish-speaking Finnish writer and illustrator who wrote many childrens books including the famous Moomin series. Here, the setting is Moominvalley which is basically the natural beauty and pristineness of Finland, populated by Moomins (who look like little hippos which stand upright and are fluffy) and a host of other weird and wonderful creatures. The action is mainly centred around the family with Moominpappa, Moominmamma and Moomintroll the kid. They set a tone for the whole series as Tove infused them and their whole universe with experiences of her own family which seem to have been a very bohemian, artistic, tolerant and warm lot. This makes the books great reading for kids from an early age as they invoke a wonderful sense of fun and silliness as well as acceptance and openmindedness.

One thing I remember from reading these as a kid is that the plot didn't really matter. In some books, it's hard to say exactly what happens. Rather, it is the atmosphere that I found the most important. In this book, the Moomins have gone away leading the other characters to miss them. Combined with the autumn feel in Moominvalley, the book has a melancholy feel and focuses on the side characters and their strengths and insecurities.

A great series overall, filled with imagination, surrealism, fun and warmth.

Well, this piece of Moomin anthology is a more serious one. I read it first when I was 10 in my home Poland, and did not like it much. It is not so full of joy, energy and adventures as the "Summer" or "Valley". Since that time though, I have read it at least 10 more times, love it, and highly recommend to all maturer Moomin-lovers.
It is a bit melancholic, played not in a G-major notation, rather e-minor, maybe even with a flat... November mists, wet forests, grey seas, you will remember it forever!

"November" is both intensely passionate and cold: it focuses on the empty spaces of the Moominfamily, and those who wanted the Moomins to fill the emptiness of their own souls.

The Moominfamily represents happiness, everything that is good about childhood, summers, or functional families: generous, nonjudgmental, forgiving, carefree. Their absence inspires horrific nostalgia (especially if you have read the previous books)-- and indeed the author follows the emotions of the characters as they struggle with their own emotions, personalities, and less-than-perfect relationships with each other. It sounds grueling, but the souls of these characters are described absolutely empathically, touching the heart of the reader like dream music. The story is about greyness, but the experience of reading it was one of the most colourful, memorable and healing experiences of childhood.

The plot idea of people becoming free from their dependence on happiness is utter genius-- it shows great hope for humanity that we finally have somebody expressing this idea more succinctly than our ancient texts. It's also extremely comforting when we're dealing with our own grieving or nostalgia, or with the tough issues of gaining inner freedom.

Tove's treatment in "November" of the concepts of emotion, memory, longing, love, freedom, purpose, relationships, joy, and death are brilliant, haunting, tender... a nourishing story when we find ourselves at an Ending and our inner landscape surprises us with its breadth.