Reviews Books

If you enjoy That Girl you will enjoy reading this book. It has the making of the show and lists all the shows in order. It is interesting to see which tv unknows were guest stars on this show. It also tells you who got to say That Girl in each show. It talks about the show came about. It is a nice companion to have along with the DVD set.

I have to say I was very impressed with this book wonderfully written and assembled by Stephen Cole. It was recommended by a friend and I was pleasantly surprised with the care that was put into what should be called the "Official" book on THAT GIRL. This is perhaps the BEST book written on a classic television sitcom! There is something here for everyone. If you are even slightly interested in reading about the series and Marlo Thomas, I suggest you pick it up. Well done Stephen!

I remember watching Marlo Thomas's entertaining sit-com in the late 60s and early 70s and thoroughly enjoying the trials and tribulations of a young struggling actress trying to make it big in the big apple. Being re-acquainted with this delightful series via cable has made it all the more enjoybale and pertinent in the themes explored and in the witty, challenging and humorous encounters an independent woman can face. Stephen Cole has added enormously to an appreciation of this ground breaking show through great research (interviews with Thomas and the writers) as well as providing an episode-by-episode guide to what made each show so special. You will find in this book references to the time, the fashion and the special chemistry between the leads in what is one of my all time favourite television shows...Thanks, Stephen for the love that shines through every page.

While many observers debate the origins of feminism on television, I believe that "That Girl" was the FIRST show of its kind; to portray a single career woman defying convention and starting out on her own. Strip away the humour from this show and you see the predecessor of many of the supposed ground breaking feminist tv shows of the 60's and 70's!

Mr Cole has done an OUTSTANDING job in assembling the history of this show and while recognising the show's clever scripting and acting, draws attention to the groundbreaking issues it tackled for its time. Selected quotes from Gloria Steinman and from Marlo Thomas herself verify the credibilty of his research.

Having said that, don't let me make you think this book is necessarily a feminist manisfesto for the new millenium. It's a funny, clever and insightful companion for anyone who ever loved the show and I found myself laughing out loud as I fondly remembered moments in a show that I grew up with but have never forgotten! Well done to the author: his love of the show and its characters comes through on every page!

Well worth a read!!!

Before Mary had bad parties, before Lucy Carmicheal and Viv had their screw-ball adventures, before Janet and Chrissy stood up to Jack. And before Blanche, Rose, Dorothy and Sophia toughed it out through old age and countless dates; there was "That Girl."

Lovable Ann Marie, her nerdy yet very strong (he always seems to be punching other guys out on a count of a misunderstanding) boy friend Donald, and her worried parents are all characters in "That Girl". Ann is a girl, living on her own in NYC for the very first time. She is a struggling actress who is smart, talented, witty and determined...yet she still manages to have the poise and serenity of Samantha Stevens (when all is well on Morning Glory circle, of course).

"That" is where "this" book comes in, it was very informative in all aspects of the history of "That Girl". It went into such detail as original names of characters and original actors..etc. Marlo Thomas really seems to be a true rolemodel, she was strong, independent, and still managed to keep her poise. The actors/producers were interviewed honestly and well. A true monument to the history of TV, and one of its most ground-breaking shows.

I am a BIG fan of Ludwig von Mises. I am aware of what his great contributions are to the science of Economics. All free-market believers are indebted to him for his work. That is precisely why I bought a copy of his Theory of Money and Credit.

I found it VERY DIFFICULT to read, even with a dictionary in hand. So much so that I never finished it. And this even though I have read Rothbard's classic "America's Great Depression" twice.

Admittedly, von Mises wrote the original in German (I think), and translating technical material from another language may be quite difficult.

I give von Mises 5 stars for his Theory, (which really isn't a theory, but FACT). But I must subtract one star for it's lack of readability.

--George Stancliffe

Von Mises' "The Theory of Money and Credit" is a great work in theoretical economics. Its key insight is that money has an influence on the real economy.

Monetary financing of deficits leads to inflation, but this inflation is never proportional, that is variations in the money supply produce variations in relative prices and therefore have distributional consequences.

MV = PT is an identity. The 'V' reflects the money demand of individuals for whom a $ has a subjective value. What happens to PT is dependent on who how the new money will ripple through the economic system. Every change in the amount of money is different. Apart from subjective factors the velocity of circulation will depend on trends in population growth, the division of labour and financial innovation all of these tending to accelerate it over time.

A key price in any economy is the real interest rate. Within a stable monetary framework these would reflect time preference and the (perceived) profitability of investments. By artificially reducing the rate of interest investment booms are provoked by making longer processes of production seem more profitable than they are and when finally because of a intolerantly high rate of inflation the monetary growth is halted a sharp recession occurs, in which firms go bust and the some investments are liquidated. Hence business cycles.

In essence it a manifesto for sound-money which in Mises' view amounts to adopting the gold standard. Inflationary deficit finance is dishonest and arbitrary on people's incomes and should be replaced by explicit taxation.

The late great Murray Rothbard described Ludwig von Mises's _The Theory of Money and Credit_ as the best book on money ever written. And so it is.

It is probably best known as the volume which first set out the distinctive Austrian theory of the trade cycle. For that alone, it deserves a place on the bookshelf of everyone who cares about such things (and more people should).

But there's much more to it than that. This volume sets out a complete and groundbreaking theory of money itself: what it is, where it comes from, what it means to speak of its "value," the differences between commodity money and fiat money, the demand for money and what it has to do with banking, and -- crucially -- the jiggery-pokery that becomes possible when the State starts messing around with unsound monetary policy.

This edition also includes a section on "Monetary Reconstruction" written in 1952 (and first included in the 1953 Yale University Press edition).

Plus there's a foreword by Murray Rothbard. And, finally, it's another beautifully crafted volume from the Liberty Fund, practically a steal at the price posted above. You'd have a hard time buying most such books _used_ at this price.

So what are you waiting for? Throw your Samuelson and Keynes in the trash and pick up a book of _real_ economics.

Murray Newton Rothbard has been quoted as saying this book is THE best book ever written on Money & Credit. So having found Rothbard's writings to be outstanding in their own right, I moved on to this Mises classic!

The first thing to note is that this book was first published in 1912 and in German, and although the translation has been accomplished superbly, the style of writing has somewhat of an antequated feel to it; not quite the same free flowing prose you get with Rothbard. Once you get into the feel of it though, this in no way detracts from your understanding of the theory presented.

It has an excellent new Foreward by Rothbard himself, extensive footnoting and index and is hardbound beautifully by the Liberty Fund Press, with dust jacket. There is also a nice Appendix: On The Classification of Monetary Theories, that is very useful and informative.

The book itself is divided into four main Parts:
Part One: The Nature of Money.
Part Two: The Value of Money.
Part Three: Money and Banking.
Part Four: Monetary Reconstruction.(This part was added in 1952).

For me the book really took on a story of two halves. In the first half of the book, Parts 1 & 2, the bulk of the theory is really laid out. It can be slow going as it is extremely in depth but I highly recommend you stick with it as this pays off in the second half of the book!

In Part 3 Mises really starts putting flesh onto the theory when we get into Money & Banking proper with discussion of demand for money, credit, fiduciary paper, rate of interest etc. But towards the end in Chapters 19 & 20 things get MUCH more interesting as equilibrium rates and interest are discussed in detail and he finally talks about gold, the gold standard and banking freedom.

Part 4 is where my heart lies. Here we have the discussion of the principles of sound money versus contemporary currency systems. There's then an excellent discourse on the Return to Sound Money, ie the Classical Gold Standard.

The second half of this wonderful book certainly flowed better for me, but that may also be just because I am more of an investment manager/trader and less of an economist! You feel like you have had Mises teaching you in fine detail and that he has left no stone unturned in your understanding. Mises doesn't read as easily as the prose of Rothbard but that does not detract from the excellence of the material. Superb!

It really IS a truly outstanding work and if not the best book ever written on the subject, it surely has to be at the very least, one of the very best, and as such is certainly a "must-read"!!!

This wonderful, beautifully bound, classic is an absolute "steal" at $20. I still cannot believe it is sold for so little. My recommendation is to buy it while it is still available in this beautiful hardbound edition!

Enjoy!

The Theory of Money and Credit is the foundation of modern Austrian Economics. The central contribution of this book is its application of marginal utility theory to money. Mises takes a micro-analytic approach to money that differs from the Hume-Fischer-Friedman Quantity Theory significantly. Of course there is some truth in the Quantity Theory. The Quantity Theory also teaches some lessons against inflation.

Mises set the groundwork for Austrian Business Cycle theory, as later developed by Hayek and Garrison. Both the Quantity Theory and the Mises-Hayek theory of trade cycles point to the same root cause: inflation. However, the Mises-Hayek theory explains trade cycles in terms of intertemporal dis-coordination. Hayek owes his Nobel Prize the groundbreaking work of Mises.

The Theory of Money and Credit also served as the basis for the calculation critique of socialism. Mises began to see the significance of monetary calculation in this book. The Austrian theories of the trade cycle and monetary calculation are the two main lines of modern Austrian research. These were the two critical debates of the Interwar Years. Also, Mises formulated his `Regression Theorem' in this book. Without this book, the modern Austrian paradigm would differ beyond recognition. Anyone who wants to learn Austrian economics should read this book.

A fantastic book about the fastest growing area of DVD releases at the moment, TV series! With breakdowns of cast and guides to the best episodes and releases I only hope enough credit goes to the website [...] who helped TV Guide put this book together!

Fantastic resource for anyone who likes watching reruns and is interested in contemporary tv culture. There are loads of forgotten facts in this book for all the classic tv shows and new ones for current programs. This is an inheritently readable book that belongs next to everyone's tv!

The descriptions of the shows are priceless--they brought back so many memories! And the guide covers a lot of shows that are new or still running, like 24 and ER. I'm not even a serious DVD collector, but the book gives great trivia about all my favorite shows (when they aired, what the names of the original stars were, which episodes went down in TV history). This book is really a history of TV in America, and it covers so many different categories that it really does solve the gift problem for just about everyone on my Christmas list. They won't be able to read just one or two of the listings; once they start in, the trivia will have them hooked. It's organized like a reference book, but It reads like an entertainment magazine.

If you are a tv junkie like me, this book is a blast. It's a handy offline reference to all the shows now available on DVD, and it's filled with lots of trivia and lists. Be ready to shop because the book will make you want to buy even more DVDs for your home library...

This book isn't perfect (I'd rather have more pictures of DVD set covers than old TV Guide covers, for instance, and the descriptions are a bit dry in places), but it IS cool to have a handy-dandy reference like this to use when you can't get online to look up the info. Good to take to the store or keep next to the TV. And if you read the fine print, you'll see that this book was made with the help of data from TVshowsonDVD.com, which is the best place I've seen online for that sort of info. Cool 'dat, and maybe for the next edition of the book TV Guide will work more with that website's staff to talk more about what's new, what's not out (any hints as to why), and what's expected to come soon. You know, show more of the TV-DVD enthusiast in this book...there's a lot of us out here!

The story begins with the murder of Lagayle Zimmerman, she is found in her vehicle with a shiny necklace hanging from the rearview mirror. Kenny Elliot is a detective in Tulsa, Oklahoma and is on the investigation of the murder of Lagayle. Kenny remembers a time back in Porter where a similar necklace hung from the mirror, where the bodies of his friends were found. He also remembers being a suspect in their murders, but the murders were ruled as murder/suicide, however, Kenny never believed this to be true. The reason Kenny was suspect in their murders is the night before the murders there had been an altercation between he and his friends, and Kenny was known to have a temper. Now with this new murder of Lagayle, Kenny is faced with the past and to finding the answers in order to find the true killer of this murder as well as his friends murders from years ago.

The characters are well developed and believable. It has an intricate plot, the story is full of detail, with twist and turns, and is loaded with surprises.

This is a must read for mystery fans. I highly recommend this book, not only is it a page turner, but will keep you guessing.

Quality Book Reviews gives Twisted Perception 5 stars.

Twisted is right. Twisted perceptions, twisted plots and twisted people abound in this novel. Avey kept me guessing until the end with one final megaTwist. When's the next one going to be released?

Bob Avey hits the ground running with his solo debut into the mystery-suspense genre. Twisted Perception is filled with brilliantly written characters that are as believable as they are entertaining.

Kenny Elliot had a tumultuous childhood, growing up in the small town of Porter, Oklahoma. Never knowing his father and with little guidance from his troubled mother, Kenny found a friend and mentor in Sheriff Charlie Johnson. When the mutilated bodies of his friends, Johnnie Boy and Marcia Barnes are found, in a car, with Kenny's class ring swinging on a necklace from the rear-view mirror, suspicion and town gossip pointed to the hot tempered teen. The case was officially closed when the deaths were classified a murder-suicide. However, doubts persisted within the community about Kenny's involvement. Unable to shake the suspicions and unsure of the findings himself, he took Sheriff Johnson's advice and left town, with no intentions of ever returning.

Nine years have passed, and Kenny Elliot is working for the Tulsa, Oklahoma Police Department. When Lagayle Zimmerman's murdered body is discovered in her car, it's the shiny necklace dangling from the rear-view mirror that catapults the detective into the spot light. As the clues mount, the crooked finger of blame seems to be aiming once again at Kenny. Plagued by nightmares and haunted by unanswered questions, he finally realized it was impossible to escape the past. Risking everything, including his own sanity, he returns to Porter determined to uncover the truth that would stop the killings, find justice for his murdered friends and clear both his name and conscientious.

Fast paced and realistic, Twisted Perception is a character driven novel, laced with intricate plot lines that could easily be part of the hushed history of any small town in America. With clinical precision, Avey has delivered a suspense filled mystery that reaches far beyond surface entertainment, to expose the deep, often hidden psychological scars left on the souls of child abuse survivors. Avey indulges Kenny's ruminations about the old traumas that fuel his nightmares, successfully using his personal history to propel the story, instead of swallowing it whole. The palpable tension in the novel is heightened with each chapter as Avey takes the reader on a full-circle journey, reminding everyone, no matter how far or fast, you can't outrun your past.

Happy Reading!
RJ xx
3Rs

Kenny Elliot is a detective in Tulsa, Oklahoma. Kenny hails from the small town of Porter, Oklahoma. Kenny grew up poor. He didn't know his father and his mother's problems led her to an early grave. In spite of his background Kenny was a football star in his hometown. The police chief helped him through some of his rough times as a young man growing up.

Now Kenny is faced with the investigation of the murder of Lagayle Zimmerman. Lagaye is discovered in her vehicle, which contains a shiny necklace hanging from the rearview mirror. Kenny mind transports him back to Porter where a similar necklace hung from the mirror of a Mustang containing the bodies of his friends, Jonathan
Alexander and Marcia Barnes. Kenny was even a suspect in these two murders. The murders were ruled as a murder and suicide but Kenny never believed this.

Now years later Lagayle's death brings back memories and he travels back through his past to find the answers to the nightmares he has had for years and to reveal the true killer behind the murders of the past and the murders now happening in his city of Tulsa.

Kenny not only learns the identity of the true murderer but many secrets from his past are also revealed. This is a book that I very highly recommend. I will look forward to reading the next Bob Avey book.

Twisted Perception begins with the murder of Lagayle Zimmerman. Tulsa Police Detective, Kenny Elliott is put in charge of the case. But when he gets to the crime scene it is almost too much for him as it blends with his nightmares. Lagayle Zimmerman is found dead in her car with her necklace hanging from the rear view mirror. When Kenny was a teenager in Porter, Oklahoma, his best friend Johnnie and his girlfriend were found dead in Johnnie's car with Kenny's class ring on a chain hanging from the rear view mirror.

Kenny was the only suspect in their deaths as they had a huge fight that night in front of a crowd and Kenny was also known for getting in trouble and having a temper. However, their deaths were ruled a murder suicide so Kenny was never charged and urged to leave town by the sheriff who liked him and his football coach. But now Kenny must go back to Porter to uncover old secrets to try to solve the murders occurring in Tulsa as the body count continues to rise and Kenny is looking more and more guilty.

This was a wonderful book full of twists and turns and lots of surprises. Bob Avey did a wonderful job with his character Kenny Elliott. I would highly recommend this book as it was quite the page turner.

This is an excellent review book, whether you want an overall review to "brush up", or whether you need to focus on some specific problem areas. The focus is on grammar, but with a medium-small vocabulary base, you will successfully use it to build common vocabulary, as the exercises are focused on everyday events. I did every exercise in the book and then bought the Spanish version!

This is a great French review book. It is a very useful reference for anyone trying to better their French. It includes easy to follow grammar lessons along with corresponding activities. Answers are provided in the back of the book so you can easily check your work. Anyone trying to really keep up with the language needs a great handbook, I recommend The Ultimate French Review for this purpose.

This is one of the best french grammar books I've seen. It is outlined beautifully and easy to comprehend. It describes things in the simplest of terms, therefore making it easy to understand.

I tutor a high school student and I had her buy it. We usually teach the grammar from this book, not her class french book. The CD is superb. The exercises are great. It allows one to practice constantly. It definitely helps.

I love this book. I recommend this to someone who is just starting out and the accomplished speaker.

The Ultimate French Review is the single best book I know for learning and reviewing basic principles of French grammar. It uses multiple and increasingly complex illustrations, and comes with a series of well presented CD's with French speakers. For those who have had some initial training in the language, this volume is the next logical step.

I cannot rave enough about this book. First, it is extremely engaging and well-organized for a French grammar book. It is geared toward the Intermediate student (as, for example, the lesson instructions are in French). However, if you are an advanced beginner looking for a challenge, don't shy away. There are tons of exercises to reinforce your learning, including a CD with a diagnostic test and other learning tools (including some auditory dialogues). If you are looking for an excellent grammar book to supplement your auditory learning, I highly recommend this one!

I have read many books on this topic, and this is the most thorough (BY FAR!!) and definitely the most interesting. It tackles the subject from a million different angles, and I couldn't breeze through it in an evening (like I can with most books).

Five stars!

I thought this book was so much fun and quite handy!

I especially thought the pop quiz section was a lot of fun. I've already played with my girlfriends. And I love the "chick flick" recommendations...I would have thought I had seen all "chick flick" films, but boy was I wrong! I better get my butt to Blockbuster....Happy renting Gals!

i think the best part about this book is that it has movies for everyone cuz usually it's just like for people who are older and stuff. why don't more books have stuff for people who aren't like a million years old and things that's why this book is cool because it has movies for people who like weren't born in the 70's. what's up? this book rocks.

Word on the street is that "The Ultimate Guide to Chick Flicks" is a worthy companion to Ms. Adelman's other critically acclaimed books. I was very pleased to have this exhaustively rearched book handy when looking for movies to add to Netflix. I will not have to suffer through another bad Ashley Judd film...thank you Kim!

What's a chick flick? If I have to explain, this book is NOT for you. Most women know intuitively what they think makes a "chick flick," but after reading this Guide, they will understand what elements make up the best chick flicks; the ones we gush to girlfriends, "You have just got to see!"

American's movie sweetheart (someone women will love as much as men do) today is Julia Roberts, with Meg Ryan and Sandra Bullock close behind. Can we think of Meg Ryan without remembering the scene in "When Sally Met Harry." We ALL wanted what she was having.

Did you join millions of women who bought a polka-dot dress after seeing a bad girl become a fashion plate in "Pretty Woman"? You get the idea. We buy into these heroines, what they wear and how they treat men (and are treated by men).

I loved these subtitles under How to Create the Perfects Romance.
1. Create a sympathetic heroine.
2. Offer up a love-worthy hero (we know, the Tom Hanks type).
3. Don't forget the best friend.
4. Something is wrong with the heroine type.
5. They meet.
6. Toss in impediment to the romance.
7. They dance.
8. Memorable moment (like Angela Bassett torching her wandering husband's car in "Waiting to Exhale." You go girl!).
9. The hero employs the three magic words.
10. Achieve the ultimate happy (or unhappy ending).

I highly recommend this book as fodder for girlfriend conversation over a fudge brownie sundae. It made me check out my video (yes, video) supply. There I found almost every one of the often-watched movies mentioned in the book. Am I into chick flicks, or what?

This book is so informative and not a drag to read. It's helpful to nursing students of all levels; high schoolers thinking about nursing school, those in nursing school now and new graduates.

Dr. Chandler pulls it all together! As a practicing advanced practice nurse and educator, prospective students often ask what I need to do to gain entry into a nursing program. I no longer need to worry that I forgot to provide all the important details. Now, I refer them to this publication as it provides them with excellent advice and helpful hints. Moreover, they have a ready reference when they begin to pull information together for the application process and that all-important essay.

Dr. Chandler's book is a wonderful tool for prospective nursing students. With a wealth of information about the nursing profession, insider tips on the admissions process (including suggestions on how to make your application stand out!), and interesting anecdotes from nursing students and practicing nurses, it is a MUST read for anyone interested in nursing.

Nursing is a fascinating career that requires many competencies, and even though I have maintained an interest in the profession for some time now, I learned a great deal after reading this book. Dr. Chandler's examination of the nursing roles/functions provides a good synopsis of the skills and responsibilities required and utilized daily in the profession.

Personally, it has been difficult for me to relate my own skills and personal strengths directly to the profession because I lack work-related experience in the healthcare field. There is one entire chapter in the book dedicated to self-assessment, and as Dr. Chandler reveals, you must have a strong understanding of yourself in order to be an attractive, outstanding and successful nursing candidate.

This book is an eye-opener on how to write an essay. In the past, I just pick up my pen and write and probably read through once or twice. This book shows the importance of making drafts, reading through a couple of times and even reading it to somebody. I usually take for granted the reference/letters of recommendation aspect of my application . Now I know better. I applied to a couple of nursing schools and was unsuccessful in getting in. The essay, and reference part of the book, contributed immensely towards getting me into my current nursing program and particularly prepared me for what lies ahead in my nursing career. I strongly recommend that prospective applicants read this book before applying to any nursing program and other related programs.

Bola

This is a great guide for ANYONE considering nursing as a first career, second career or those continuing their nursing education! A dozen or more former students give real world advice, testimony and share their experiences breaking the ice for readers with important questions.

At the end of each chapter readers are invited to reflect on the content, their own ideas about nursing, and to "rehearse" their ideas and scripts for exploring this profession.

I highly recommend this book to high school guidance counselors, college admission counselors and continuing education directors!

If your 'bag' is classic horror films of the thirties and forties, especially Universal films, this book is a must-have. To many baby boomers that saw these movies when they were released for television in the fifties, this book will bring back a lot of memories. The book is great, but like all McFarland books, it is pricey. But for the true fan (which is short for fanatic) the price won't matter!

An amazing source of information for anyone who ever stayed up watching the late late show on a Saturday night. I am truly impressed at the thorough research that went into this book; many factoids which have escaped even the most die-hard of fans will be brought to light. I commend McFarland Press for providing fans of such an "un-hip" genre with consistently fine sources of in-depth information, especially keeping in mind that with each passing year the facts directly from those who were there are getting more and more difficult to find. This book probably does not hold a lot of interest for anyone who does not hold a special place in their heart for the studios' genre work prior to buying the book, and the authors do tend to often drift into becoming overly opinionated and putting much too much thought into subject matter that was never intended to be overanalyzed. Nonetheless, this is still an extremely fun read for any fan.

This book has it all for the serious student of classic horror films. Choose from a wide selection of bios, cast lists, plot summaries, anectdotes and more compiled by these mavens of the genre, Messrs. Brunas and Weaver. Thrill as they explore the nooks and crannies of the House That Universal Built. This comprehensive work is obviously the result of exhaustive hands-on research and deserves an honored spot in every true horror fan's library.

If your 'bag' is classic horror films of the thirties and forties, especially Universal films, this book is a must-have. To many baby boomers that saw these movies when they were released for television in the fifties, this book will bring back a lot of memories. The book is great, but like all McFarland books, it is pricey. But for the true fan (which is short for fanatic) the price won't matter!

The classic horror films of the 30's and 40's have never been as popular as they are today. Baby Boomers who grew up watching the old Shock Theater packages in the 50's and 60's hold a tremendous fondness for the films that terrified them as children. The Boris Karloff Frankenstein and Bela Lugosi Dracula are still the most recognized images of those two classic monsters...so much so that their families had to move to legally trademark their images to protect them.

The Universal horror films are the subject of Universal Horrors, the second edition of this outstanding book by noted classic film historian Tom Weaver and Michael & John Brunas. Throughout the massive 608 page hardcover, the authors cover each one of the 85 horror films made by Universal from 1931 - 1946. Just do the math...that's an average of about seven pages spent on each film during this period. This is no mere listing of actors with a one-page synopsis. Rather this is a definitive guide to these 85 films with complete cast and credits, detailed storyline synopses, production history, behind-the-scenes information, critical analysis, period reviews, and commentary by cast and crewmembers. Most of the comments come from the voluminous numbers of reviews that Weaver has conducted over the years.

The films are listed chronologically beginning with Dracula in 1931 and ending with The Brute Man in 1946. It even includes the Spanish version of Dracula which was filmed on the same set as the original at the very same time! White The Lugosi version was shot during the day, the Spanish crew took over at night. In many ways, the Spanish version outshines the Tod Browning directed original.

One of my guilty favorites of the Universal Classic film era is 1932's Murder in the Rue Morgue, presenting Lugosi in truly one of his most sadistic and macabre roles. This film ended up being the bone that both Lugosi and Director Robert Florey received for NOT getting their respective parts in Frankenstein, which instead went to Karloff and Director James Whale. This rather film features Lugosi as Dr. Mirakle, who injects the blood of an ape into women he captures. When the experiments fail, he dumps the women into a river. It's a highly underrated film and one of Lugosi's best roles.

Weaver and partners don't give a short shrift to lesser-known films. While the most popular films do get more coverage, even the least well-known of the Universal Horrors gets several pages devoted to it...and there are a number of lesser known films. Unfortunately a number of these are not on DVD or even VHS for that matter meaning that the entry in this book is probably the closest you'll get to the film without actually seeing it.

Many of these lesser-known films are not true horror but often murder mysteries with horror trappings such as "old dark house-style" films. These films include Secret of the Blue Room, Secret of the Chateau, The House of Fear, and The Black Doll. The appendix goes on to list several dozen more films that were borderline exclusions...close, but just not making the cut to receive a full write-up for various reasons. Actually it's somewhat difficult to figure out while some of these were left out of the main listing since many are quite similar in plot and tone.
This book is simply fabulous. Everything that Weaver does is always meticulously researched and extraordinarily entertaining. This is THE Bible to fans of Universal's classic horror films, and one of the finest film reference books I've ever read.


REVIEWED BY TIM JANSON

After reading Cortazar's The Winners (1960), I've decided that what makes a novel a classic is that the author writes about the worst of human behavior in a style that assumes every reader is a genius. This novel called on me to use all of my perceptions and knowledge as a person, as a reader.

By now, you will have learned that this novel is about a group of people who win a lottery and the prize is an ocean voyage, and that once settled onboard, several of the passengers behave badly, and the ship's crew is such--well, I won't give it away--that the voyage comes to an end only three days after it began. You will also have read from other reviewers or the publisher's notes that the character Persio has clairvoyant abilities; in a way, Persio is the higher consciousness of the novel; his thoughts lead the reader into self-examination (or not). For me, this novel was not a simple, summer read--but don't let me stop you.

The Winners is highly metaphorical: is the ship life itself? I think so. But the writing is more beautiful than life: many of the characters have the most sensitive, humane, and literate conversations, like Claudia and Paula, or Paula and Carlos. Surely, if this novel is Argentina, then people from Buenos Aires are living among the gods of culture and human potential. In that regard, this novel is hardly the Argentina I've heard about: breathtaking landscape, and women and men who love culture, but every now and then a dictator who murders people. The ship's crew is secretive and cunning like that. Read and see.

Appropriately, there is a sinister feeling about this novel from page one; something terrible impending, something beneath the surface of these polished people. I was totally fascinated, intrigued by many of the "characters": Claudia Lewbaum and Gabriel Medrano, Raul Costa, Carlos Lopez and Paula Lavalle, and Don Galo and Dr. Restelli, and the unforgettable Felipe Trejo, the 16-ish student, passionate for life, but without parental guidance, "lured" into the depths of the ships lower cabins where the crew seem alien and unpredictable. What a textual voyage--one in which the characters had to learn so much about themselves!

Cortazar places his characters in categories I've found people all fit--one or the other--like it or not--we are each either a duck or an eagle. Ducks follow of course and eagles set new paths. Ducks may have easier less lonely lives. Unless of course they inherit wealth and power--in which case they must be very confused and inflict chaos on the less entitled. Eagles succeed in endeavors against all odds and are therefore resented by those they seek to please. None of us has an easy time co-existing with others. No one wants to admit this of course! This book encourages reflection that may have social value, but it doesn't offer much in the way of a hopeful outcome for the social redemption of mankind--at least not in this generation. Therein lies its depth. We must expect less from our companions in life. We're all horrifyingly flawed. Somehow we must find the path to honesty and forgiveness. The book--?--I couldn't put it down. Now I can't get it out of my mind. If you want to live in denial don't read it.

I enjoyed "The Winners" though at times I found it a bit "heady". Its a novel that requires you keeping track as you go along. It took me while to figure out the setting, and what was happening (which means Cortazar did his job). There's so much symbolism and historical significance in his writing. I highly recommend the short stories collection "Blow Up" if you liked "The Winners."

What to say about this sardonic book that won't sound like an essay from the journal of the Modern Language Association? Yes, it's liminal. Yes, it's Lacanian. Yes, it's an existential comedy. Oy! Poor Julio Cortazar put himself in the sites of all the scholars of pretentious post-modern interpretation - just check out the amazon list of articles and books designed to take the fun out of reading him - and it's just about spoiled his reputation. But The Winners is a wild ride, my friends, an outrageously entertaining book in which a whole zoo of oddball Argentinians wind up together on an ark of satire.

There's an old tradition of books depicting a "ship of fools", from Erasmus to Sebastian Brant to Katherine Porter to Cortazar, and I suspect Erasmus had a classical model. They're all fun; I've never read a ship-of-fools book I didn't like, though I wouldn't mind NOT being a passenger on that ship myself. Reading The Winners reminded me strongly of Herman Melville's most experimental novel, The Confidence Man. None of the critics, so far as I've noticed, draw any connection between Cortazar and Melville. Heads up, PhD grubs! There's a thesis topic for you! Likewise, lovers of reading just for its own sake! I'm giving you two recommendations: The Winners & The Confidence Man. In the climate of the upcoming American elections, books about bunko and deception are bound to be comforting.

I read and enjoy Cortazar in the same way I enjoy Luis Bunuel films, in fact I think Bunuel could have made a wonderful film of THE WINNERS. Like Bunuel, Cortazar finds the things we accept as normal to be quite absurd but also like Bunuel he has a certain affection for those he makes fun of. All those on board the Malcolm are guilty of some sort of petty prejudice or limited world view but they all mingle and tolerate one another to a point. When things go absurdly wrong the lottery winners begin to wonder what it is they've actually won. Cortazar is an existential comic. A book which succeeds because it never forgets that despite our differences we are all bound together by our not knowing exactly what is going. With a little help from Cortazar we can see that knowing is just a pretense.
Perhaps the novel like Camus Plague is a parable with many possible levels of meaning. Not the least of which is the political level. After all Cortazar left Argentina under Peron to live and write in exile.

I'm midway through Susan Casey's book, "Women Invent!" and I just love it. It's very inspiring to read these tales of how many cool and practical inventions were brought to us by women. The book has loads of info. and a great, accessible writing style that doesn't talk down to the reader. As a smart adult, I found myself really enjoying it--and my husband's been reading it too, and really loving it. It's definitely not just for kids, although kids would find it super-inspiring. Honestly, I wish I'd been exposed to this material as a student myself. It would have given me a lot more vision for how women have contributed to society in a field (science and things mechanical) which we don't traditionally associate with women's accomplishments. Great book; I hope there'll be others by the same author.

Susan Casey's book "Women Invent!" is a lively parade of women and girls who solved problems and shared those solutions. Besides the stories behind many inventions, the book explains the process of patenting an invention and includes a dandy resource guide. I found the book to be entertaining reading as well as inspirational, causing me to think about ways to make life easier and to wonder if I have an invention to share. Best of all, I enjoyed reading "Women Invent!" Although aimed a young readers, it kept me turning pages. It is great to know the stories of so many inventions. Ordinary objects have come to life. I'll never look at a paper bag or a baby backpack the same way again.

When I was a girl the age this book was written for -- between ages 9 and 12 -- I devoured every book that existed about the lives of curious girls and powerful women...and then re-read them, because it seemed there were no more than five interesting females in all of history. Where was WOMEN INVENT! then? Susan Casey lets young girls know that women have been asking important questions and inventing revolutionary solutions for centuries! And not just a handful, but a multitude. Thank you, Ms. Casey, for broadening the minds of today's children AND their parents. Thank you for introducing and re-introducing these fascinating stories to a new generation of inventors.

This book "Women Invent!" was one of the best books I have read. I'm an avid reader of any book I can get my hands on but this book was exceptional. It is factual yet very interesting. It is written very well and keeps your attention focused. As soon as I read it I felt like going out and inventing something on my own.

I bought this book for my daughters, because I like them to read about strong women. However, I ended up reading Women Invent! myself and enjoyed it very much! My daughters also enjoyed the book and it has gotten the both of them interested in inventing things themselves. This would be an excellent book to give to any young girls and it's one that teachers ought to use frequently. A very good book!