New York Books

One doesn't usually expect to find oneself laughing when reading a book of criticism written by an academic, much less a book on Shakespeare. But Burt's book is frequently just that, funny to the point of making me laugh out loud. Burt has a refreshingly off-beat sense of humor, and the materials he has discovered--such as an adult movie version of Hamlet--aer themselves often hilarious as well, though not always intentionally so. But far from being just a laugh riot, the book is also a serious, critically sophisticated analysis of Shakespeare's fate incontemporary mass media, where much of hte lnagugae is cut or confined to well-known quotations. Burt's final chapter on films about teaching Shakespeare is quite moving, and Burt has the courage to raise difficult questions without pretending he is able to answer them. He is right to think that the questions are more important than the answers. Burt is to be congratulated for writing his book in a clear and engaging prose style without sacrificing the complexity of his thought.

In his wonderful and fascinating book Unspeakable ShaXXXspeares, Richard Burt, the leading scholar of Shakespeare and film studies, pioneers research into the manifold ways Shakespeare enters into American popular culture. Concentrating mostly on film but attending as well to television sit-coms, Burt offers penetrating insight into everything from mainstream adaptations of Shakespeare to "low" spin-offs in which Shakespeare's language almost entirely disappears. Burt explores both what film and mass media have done to Shakespeare and also what Shakespeare enables our culture to do trhough film and other electronic media. Readers intersted in this book will be happy to know that Burt has since edited a related collection entitled Shakespeare After Mass Media and has co-edited Shakespeare, the Movie II.

One of the many strengths of Burt's truly excellent book is that it not only discusses Shakespeare adaptations but uses Shakespeare, or of ShaXXXspeares, to discuss post-war American popular culture. Burt's theory of the loser as critic has ramifications for all criticism, not just Shakespeare. This is a profound, original, and engaging book.

I happened to be doing research for my thesis on Shakespeare in the university library and, while looking for other books, I was intrigued by the three XXXs in the title of Burt's book on the shelf, so I pulled it off and looked through it. What a daring work of cultural criticism! When I saw the chapters on Shakespeare porn, I marvelled both at the courage of the man to write such a book and how at the publisher who took it on. Of course, I check it out and read it. I especially was drawn to the chapter on action films and Burt's point that while the films cannibalize others, no one in the films ever eats; the characters are anorexic. The book is full of similarly wonderful insights. I am a cinephile, and very much appreciated Burt's quite hip approach to ShaXXXspeare. Now, it's back to those other, rather staid books of Shakespeare criticism, I was orginally looking for.

Whatever you think about Shakespeare, it is impossible not to agree with the points Burt makes in this book. His analysis is right on the money and you will never be able to look at Shakespearean movies or literature in the same way. A fantastic book and a must read.

Thought it would have more written by Frank McCourt. Even though, I still appreciate great photographs, especially having to do with 9/11.

For New York City firefighters, "September 11, 2001" is a reminder of the dark, hollow place that their brothers once filled. 341 firefighters lost in a single day -- half the total number lost in all the years prior to that date. This volume of photographs eloquently memorializes the lost by recording the images of the firehouses from which they served their community. The images, taken not long after 9/11, show the firehouses bedecked by mounds of flowers, photos of the lost, images of the things they left behind and banners proclaiming to never forget.

Even without the sense of loss, the book would have been fascinating. The firehouses are in all shapes, sizes and ages, from tiny, one-engine 19th-century brick filigreed music boxes to post-modern buildings that could be anything -- college student center, post office or shopping center. But the reminders of that day of darkness are what give the images an emotional punch -- oversized American flags fluttering in afternoon breezes; the list of names snaking across the bottom of the pages; the empty boots and racks of empty coats that grimly recall our minds to those who will no longer return.

"Brothers" contains some text -- short and eloquent testimonials written by former Mayor Giuliani, novelist Frank McCourt, satirist Tony Hendra and others. But these are deliberately placed second to the images that remind us of the brave men who face fire every day, advancing into an elemental reality that our very nature prompts us to flee, men who on an obscenely-blue-skied day in 2001, courageously entered towers from which they would never return.

A beautiful, near-wordless and moving elegy to the human American spirit that no enemy can destroy.

Simple and to the point, yet poingint and touching, this book shows like no other how the world's greatest fire department dealt with the aftermath of tragedy.

Outstanding It shows the amazing grief and resolve of New York and its firefighters. It is is visual history of the Sept.11 attacks and their aftermath

As you are reading though the tribute to the fallen, you see thenamesof each of the lost Firefighters scrolled across the bottom of the pages. Each page left me more and more with a sense of loss. I did not lose anyone that fateful day, yet, we all lost. The words you read are quite moving, the pictures mean more than the words and poems. Yet i am most moved by the names of those precious and brave firefighters name across the pages from the front cover to the back cover.

Wodehouse is perhaps the best antidote I know for depression. His novels are literally unreal, for Bertie inhabits a world of leisure, servants, and privilege, an Edenic world where even the threat of pain, suffering, and mortality have no place, and Jeeves is always there as a deus ex machina. But ultimately we return to Wodehouse (again and again!) because of the language--quite simply, the man cannot write a bad sentence.

I am a big P.G. Wodehouse fan. This series of books is especially fun as each book is easily read and enjoyed. The print size is perfect. Great nighttime reading to relieve the stresses of the modern world.

What can I say that hasn't already been said about the inimitable P.G. Wodehouse???

Carry On, Jeeves is a great starter book for those who are intimidated with the amount of J&W books available (or rather, don't know where to begin). The first story in this book is about the first day Bertie Wooster met his personal gentleman (or valet, if you prefer), Jeeves. The stories easily stand on their own; with the exception of characters being mentioned or being part of the plot, the book is not a novel you have to read front to back. Consider it a literary sitcom, where new scenarios and conflicts arise with each story you read.

My favourite bit about reading Carry On, Jeeves was the last story of the book, where it takes a refreshing twist and is narrated by Mr. Jeeves rather than Bertie Wooster. It was great reading from Jeeves's perspective.

Lots of chuckles throughout and a few hardy laughs. Overall a perfect read.

Carry On, Jeeves is another classic from P.G. Wodehouse. It follows in the same kind of humorous hiliarious vein of his other books that involve Berty Wooster and his Man Servant Jeeves. This is a book that should not be missed. In fact,
all of P.G. Wodehouse's books involving Jeeves and Berty Wooster
should be thoroughly enjoyed by every one.

This volume of ten stories originally hails from 1925. I read them in the 1999- 2000 Penguin paperback edition. While many readers like the covers by Ionicus on earlier Penguin paperbacks, these recent editions with covers by David Hitch are my favorites. They are very well done, reasonably priced and just the right size, which is to say, perfect for the novice or seasoned Wodehouse reader. The stories are also among the absolute tops in the Wooster/ Jeeves canon, and give the back stories that Bertie meditatively refers to in so many of the later books.

As Richard Usborne notes in his invaluable guide, Plum Sauce, five of these stories appeared earlier in My Man Jeeves (1919). Two of the stories there told by Reggie Pepper are here transformed into Bertie's ruminations. Carry On Jeeves was the next collection following the ten stories in The Inimitable Jeeves (1923), and Wodehouse was on a roll. Here's Bertie's first engagement to Florence Craye, and his first encounter with her younger brother, Edwin, the Boy Scout, who rapidly renders unsafe house and home. Enter Biffy and Bingo Little, later fixtures in the Wooster ouvre. Here also Bertie pens his oft- mentioned "piece" for his "good aunt" Dahlia Travers, and her struggling paper, Milady's Boudoir. The last story in this collection is somewhat questionably narrated by Jeeves, but Wodehouse fortunately reverted to telling tales in first person Bertie in the later shorts. Some of these tales also found their way into the Jeeves and Wooster TV shows with even more riotous results. All in all, a capital collection.

I could not put the book down.....fast reading and great stories and lots of humor.....one heck of a story teller....

As a Red Sox fan, I was ready to read this and get whacked in the face with the hubris usually shown by anything Yankee. I was surprised by the balance shown. Marty Appel knows more about baseball than a lot of people running the game now. He was born about 30 years too late as people like Epsteil, Beane and Riccardi get to run ballclubs, while Mr. Appel 30 years ago had to come up through the ranks with Steinbrenner's Yankees no less. Mr. Appel also wrote an excellent biography on one of the first superstarts of baseball back in the 1800's--King Kelly. I recommend both books highly.

Marty Appel served in the Bronx Bombers' public-relations office for nearly nine years, and was the PR director during the tumultuous early George Steinbrenner years (from 1974 to 1977). Appel's "Now Pitching For the Yankees" recalls the turmoil of that period -- and Appel's ability to function under pressure --with wit, a keen eye for detail and sensitivity.

None of the long hours Appel spent at the ballpark, the turmoil he witnessed, or the high-pressure tactics of owner Steinbrenner have dimmed his appreciation for his colleagues and bosses. It comes through in the pages of this warm, often touching memoir.

The boldface names are there -- including Steinbrenner, Mickey Mantle, Billy Martin, Joe DiMaggio and Reggie Jackson -- along with less-famous but pivotal Yankee characters like clubhouse man Pete Sheehy, team execs Michael Burke and Gabe Paul, and Appel's mentor in public relations, Bob Fishel. (It even mentions the writers: Appel's anecdote about one scribe's losing battle with bladder control in Boston is priceless.)

Appel also reflects on his vibrant post-Yankees career, including a bittersweet period with the Atlanta Olympics and a still-thriving stint as a baseball author (subjects include early baseball star King Kelly, former Commissioner Bowie Kuhn and former Yankee captain Thurman Munson).

"Now Pitching for the Yankees" is a good find for anyone who loves baseball, cherishes its history and appreciates the people behind the scenes who make it happen.

Only if you really know your New York sports would you realize that Marty Appel's in a much more unique position to write a tell-all book about the 1970s Yankees than many other athletes. During his progression over 10 years from Yankees' fan-mail gopher during the Horace Clarke years, to PR director during the 1976 World Series, Appel had once-in-a-lifetime encounters (with the likes of Joe DiMaggio, Mickey Mantle, Mike Burke, Gabe Paul, George Steinbrenner and ... Oscar Gamble) every single day.

"Now Pitching...", finally out in paperback, shows Appel's origins as a Yankees fan when everyone else was rooting for the Brooklyn Dodgers, and how he turned his love for the game into a career (when everyone else was watching the NFL). Most of the book covers the Yankees from 1968 to 1976, Appel's reign. Although many of the stories are familiar to baseball readers from what seems like 100 other books, only Appel is giving you the inside view. Nowhere else will you get such insider detail about Oscar Gamble's infamous haircut, Sparky Lyle's theme music, or George Steinbrenner's management style.

The book flags a little -- only a little -- when Appel leaves the Yankees and makes his mark in other ventures, such as team tennis and local NYC broadcasting. The most interesting part focusses on Appel's brief fish-out-of-water turn with the 1996 Atlanta Olympics organizers.

Marty Appel's been a very lucky guy -- who else gets to be friends with both Mickey Mantle and Billie Jean King? "Now Pitching for the Yankees" is several cuts above your standard baseball autobiography.

Posted 5:49 p.m., December 12, 2001 - Bruce M.
If I may add another book to the list. The best baseball book that I've read this calendar year is Marty Appel's Now Pitching for the Yankees. Marty worked in the Yankees' public relations department from 1968 to 1977, and shares loads of funny and insightful stories about the CBS Yankees and the Yankees of the Steinbrenner Era. The book is well-written, flows smoothly, and strikes me as honest without "hatcheting" people in and around baseball. I'd recommend the book to both Yankee and non-Yankee fans.

I love this book! It is a can't put down sort of book. I only wish I could have a vet like him. Wow can't imagine the vet making house calls...and I would have put mine in the bathroom with the door closed until he arrived (or else he would have found mine under the bed or some place) Funny stories on places some of his patients actually hid it is a cute very good read. Highly recommend

I hated to get to the last page of this book because I had become so very fond of the author. Some people might not like him. Some might say he seemed at times arrogant or haughty. He might have laughed at the accusation and even agreed as he did not consider himself to be charming. But most of us are charmed, none the less. I am an animal lover, but I would recommend this book to anyone who enjoys making the acquantances of strong characters who are a just little bit different. And what would he say of us? Likely that all of his reviewers are normal, but some are more normal than others. Myself included.

With a bit of pathos mixed in (the Missing Cat)

I would have LOVED to make those rounds with him!!

Dr Camuti was a doctor with a caring Heart and Soul and had a special bond with those animals he loved and cared for.

A wonderful book!!

I had heard about Louis J. Camuti through my membership in the Cornell Feline Health Center. This story about Dr. Camuti's experiences as a NYC vet providing house calls for his feline patients is thoroughly engaging. The stories have a timeless appeal to those of us who are 'owned' by our cats.

A vet who specializes in house calls for cats from the 1940's through the 80's writes in a witting and engaging way, telling charming stories about the cats (and people) he treated over the years. A pleasant read.

TREASURE E. BLUE DOES IT AGAIN.I'VE READ ALL HIS BOOKS AND EVERY ONE OF THEM HAS BEEN TRUE FIRE.THIS IS ONE OF THE FINEST.TRUE LOVE ALL THE WAY THEY LOVED EACH SO MUCH THEY WAS READY 2 DIE 2-GETHER.NOW THAT'S REAL LOVE!!!!U JUST HAVE 2 READ THIS ONE 4 YOURSELF.IT'S SMOKING!!!!

I first only chose this book because of the author!!!! Treasure E. Blue has done it again. Keyshia & Clyde was a very fast pace realistic love story. Perfect example of a woman down for man & vice versa.

THIS WAS A GREAT READ! Keyshia really did ride for Clyde! Treasure E. Blue is a great writer. I knew this was going to be a hit. Can't wait for the next book.

Take a lot of the grit and grind from the streets, two kids down on their luck, the desire to survive, and scoop in a lot of love and two ride or die folks and there you have the ingredients for the story Keyshia and Clyde.

Treasure Blue pens a novel that only Treasure can pen. This book, covers everything. All of your emotions will definitely be touched. This is my favorite of all of Treasure's five star books. This book just had that extra element...and amongst the trails and tribulations...love does exist and prevail.

I would like to highly recommend this Hood Love Story as Keyshia proves that she is a ride or die chick for her Clyde. Don't sleep for Mr. Blue has done what he does best....wrote a story that will keep the reader on the edge of their seat...anticipating what will happen next.

This is one of the best reads of this year. A tremendous read. Kudos to this author and his publishing company, for recognizing talent!

This was my first book by Treasure E. Blue and I have to say I have a new author to add to my list. Loved this book. Keyshia and Clyde both was brought up doing wrong. Keyshia was sent to Harlem by her mom due to the pastor getting her pregnant and her mom thought that would be be right to send her off. Clyde grow up anger at her dad for shooting his mom leaving her in a zombie like state. Keisha had to live and take care on her own by sleeping with all kinds of men to get by. Clyde had to robby to make ends meet. But, Keisha and Clyde hooking up for all the right reasons. But, it paid off.
Book was funny and sad all at once. But, was a good book overall. Have to get more books by Mr. Blue.:)

The Saturdays by Elizabeth Enright was first published in 1941, and though it was written many years ago, is as delightful now as it was then. It's a story about a family who loves each other, works hard and strives to do the right thing. How refreshing!

Mona (13), Rush (12), Miranda (10 ½), who is known as Randy, and Oliver (6) live in New Your City in a brownstone that is rather shabby, but has many floors and fits their lifestyle perfectly. The Melendy children's mother died, but their father and Cuffy, the beloved housekeeper, provide the love, attention and care the children need.

Each of the children has dreams and desires for their futures. Their interests are varied and they each are independent and inquisitive about life and their surroundings.

But while the Melendy children find life generally interesting, Saturdays can sometimes be just plain boring. The children form a club they call the Independent Saturday Afternoon Adventure Club (I.S.A.A.C.). All of the children agree to pool their allowances and each child takes a Saturday with all the money to do something by themselves that they really want to do.

The Saturdays are exciting, not just because of the activities they choose, but because of the people they meet and the stories they hear. Well, Oliver does make one Saturday particularly memorable, but you'll have to read the book to learn about his adventure.

In the day of the novels that glamorize the worst society has to offer, The Saturdays is delightfully refreshing.

Armchair Interviews says: Read the series and enjoy!

This book is different in a good way. It is about 4 children who decide to put there allowences to a good use. Every Saturday the add up there allowence and one of the children gets to do any thing that they will always remember.
By,
Girl With A Plan

I had doubts for this book because it didn't sound very interesting but my Mom wanted me to read it so I did-I loved it. It's original and imaginative and above all easy to read for hours without getting bored. It's original and fun like the story of Mrs. Olifount being kidnapped by jypsies, or Isaac the dog saving the family from suffocating. It's a wonderful book I can't wait to read the sequils.

When I was nine years old I picked up a copy of Elizabeth Enright's "The Melendy Family" on sale for 25 cents at my school Christmas fair, donated by some eighth-grader who evidently felt she had "outgrown" it. I wonder, does anybody ever outgrow the Melendys? "The Melendy Family" was a three-in-one volume comprising "The Saturdays", "The Four Story Mistake", and "Then There were Five". Alas, "The Melendy Family" is no longer in print, but fifty years later, I still have my copy, read to shreds, patched and repatched with scotch tape, a book to be treasured forever and never thrown away. Fortunately, the books making up "The Melendy Family" have been reissued as individual volumes available to enchant yet another generation of young readers.

"The Saturdays", the first volume in the series, introduces us to the four Melendy children: Mona, age 13, Rush, age 12, Randy, who is ten-and-a-half, and Oliver, age 6. Each is given a distinct personality and Enright modeled them on children she had known in her own life, her own children or childhood friends. The result is four fictional characters so totally believable that for years after the books were published, Enright continued to get letters from readers wondering if the Melendys were "real".

The Melendy children's mother is deceased, but they are raised by a devoted, caring father and Cuffy, their beloved housekeeper, who stands in as nurse, cook, substitute mother, grandmother, and aunt, and generally rules the roost. The children are funny, refreshing and unspoiled. Mona has aspirations of being a famous actress and already at thirteen can recite "yards and yards of Shakespeare at the drop of a hat." Rush is the next to the oldest, a musical prodigy with a penchant for getting into and out of trouble. Randy at ten-and-a-half (the half is very important at that age) is an endearing mixture of grace and klutziness, a talented dancer and artist who keeps falling over her own feet when it comes to manual labor. And six-year-old Oliver is the baby of the family, placid and calm, very much his own person, as his story shows.

The story opens on a rainy Saturday which finds Randy and Rush monumentally bored with nothing to do. Randy wants to see a some French paintings. Rush wants to go to the opera. Mona wants to see a play. But in the early 1940s (the approximate time in which the story is set is revealed in the opening pages when Enright tells us that the long scars on the linoleum floor were made by Rush trying out a pair of ice skates on Christmas afternoon, 1939), fifty cents a week allowance was standard, and there wasn't a whole lot you could do with that. Randy has a brainstorm. Let's start a club, she says, and pool our allowances together each week so one of us can spend them on something we've always wanted to do. This idea is adopted enthusiastically by all the children (Oliver wants to contribute his ten cents, too), and thus the Independent Saturday Afternoon Adventure Club (ISAAC) is born.

Each following chapter describes an adventure that takes place on each child's Saturday. Randy goes to see an exhibition of French paintings, runs into an old family acquaintance, Mrs. Oliphant, and is treated to tea at the Plaza while she hears a delightful story of the time Mrs. Oliphant was kidnapped by gypsies during her childhood.

Rush goes to the opera, walks home in a snowstorm, and finds a lost puppy that becomes the family's devoted friend and companion from that day on.

Mona, tired of her long braids, goes to a beauty parlor and treats herself to a haircut and a manicure. The resulting uproar by her father and Cuffy seems a trifle overdone, but as Father later admits, it's hard for parents to realize that their children are growing up.

And Oliver, keeping his own counsel, sneaks out of the house when his Saturday comes and goes to the circus all by himself. An even greater adventure occurs when he is given a ride back home by a mounted policeman on a horse, after he gets lost leaving Madison Square Garden.

After Oliver's adventure the kids decide to spend their Saturdays as a group, but that doesn't stop them from having mishaps such as Randy falling overboard from a boat in Central Park, the family almost suffocating from coal gas when Rush forgets to shut the furnace door, and the storeroom catching fire. It all comes to an exciting conclusion when Mrs. Oliphant invites the children to spend the summer in her lighthouse in Long Island.

"The Saturdays" takes us back to a simpler time and to adventures that probably couldn't happen today (no parent in his right mind would allow a ten year old to go to a museum alone in the New York City nowadays), but kids are still kids, and the Melendys seem so real they could be anyone we knew when we were children, or wish we had known. The time frame may help children understand what a dollar could purchase back then (a wash, set and manicure, or admission to a museum with change to spare). The whole series is a gem for every child and every generation. I still marvel at the priceless find I picked up off a bookshelf at random fifty years ago for only twenty-five cents. It's paid me back a zillion-fold ever since.

Judy Lind

I wanted to respond to the reviews below that thought it was either implausible or dated for children aged 10-13 to wander around New York by themselves. I grew up in New York (in Manhattan, across the park from the Melendys) in the late 1980s. I turned 13, just Mona's age, in 1990. I started walking home from school alone in fourth grade (when I was nine, a year younger than Randy). Like Mr. Melendy and Cuffy, my parents' major worry was that I was careful crossing the street. (Reasonably enough, they feared that drivers would not be able to see a small child.) Many of my friends from elementary school walked or took the bus to school alone at the same age. By twelve (Rush's age), I was allowed to take the subway to visit friends from junior high school, and they took the subway to visit me. By fourteen our teachers assumed that we were competent to find the Metropolitan Museum of Art on our own for projects. None of these people were neglectful, and none of them were "horrified" at the idea of pre-adolescents wandering around the city alone. This was in the supposed "bad old days" when crime was theoretically much higher than it is now, and none of us ever suffered any accident. (Although a group of friends and I got lost coming back from the theater in eighth grade, and were pretty embarrassed that we looked like tourists.)

Anyone familiar with the geography of New York City knows that the Melendy children stay within a fairly small geographic area in THE SATURDAYS, and that the areas where most of their adventures take place are some of the richest and safest in the city. Most sensible New York parents would allow their children to wander there on Saturday afternoons with no more concern than the appropriate ones that Mr. Melendy shows. (Be careful of traffic, don't talk to strangers, and don't get lost.)

Ironically, this ties in with the review that says that Enright did not take enough "risks" with the book, by having her characters get kidnapped by gypsies or run away from home. The fact is, she wrote a fairly realistic description of the childhood of the middle and upper-middle classes of New York City....kids who come into CONTACT with a relatively diverse group of people who have had a variety of experiences, but who actually live in a fairly safe, and sheltered world.

As a New York City kid, I was thrilled to read a book that reflected MY real life experience, as opposed to yet another story about kids who lived in houses with back yards and rode a school bus, and generally had no relationship to my real life. I still love THE SATURDAYS for its loving description of a New York that has in some ways remained startingly the same, even though parts of it have disappeared (no more two way traffic on Fifth Avenue, and no double decker buses!). As other reviews have said, The Saturdays is a charming, well-written book for kids, that can also be enjoyed by adults. It's also one of the few accurate and positive stories about growing up in a great city. I would recommend it for all ages.

I was on top of the World Trade Center about 3 years before they came down. I first found this book in the mall, I sat down and started looking through it and it made me cry. I enjoyed looking at it then I looked at the price tag and decided it was just to much right now. When I got home later I decided I would check it out on Amazon and found it for about half price. I could have bought it for less but I didn't want a used one and I was thrilled that I could get it for the price I did. I ordered it and received it a few days later. I have enjoyed reading it and looking at the pictures.
I am married to a soldier, and it just helps you remember why we are still at war.

I bought this book for my dad for Christmas. He is a history nut and thought he would enjoy it. The pictures were phenomonial and eerie. He has not put it down yet. It was definately the best present he received this year. Amazon was half of what the bookstore in the mall wanted. Would definately purchase from them again.

Aftermath: World Trade Center Archive
Book received in perfect sealed condition,would use this seller again in a heartbeat

Meyerowitz his taken a step out of his usual repetoire in making these remarkable photographs. He has provided us with a devastating and incredibly imporant record of all that transpired in the Aftermath of the 9/11 tragedy. We have been staurated with images of the event itself; what we see here is the heroic and painstaking recovery work that followed.

I first saw photographs from this collection at the Museum of Modern Art in Salzburg, Austria. Anyone who entered the gallery was immediately struck by a panorama of ground zero on one wall, each emitting an audible gasp, then standing before it for several minutes in silence. Meyerowitz is an extremely gifted photgrapher, and I recommend other of his collections for viewing. Cape Light: Color Photographs by Joel Meyerowitz, Tuscany: Inside the Light: Inside the Light (Photography). The "Aftermath" collection is the only archive of the activities following 9/11 at ground zero, and it is quite moving. Meyerowitz had access to many vantage points to capture for posterity the many facets of ground zero and this tragic event in our history. Viewing these photos takes time and thought, as Meyerowitz has also included brief descriptions and stories about each photograph. You will be struck by many emotions, sadness, anger, shock, and awe. But, there is an eeriness and a beauty, as well as hope in these photographs, inspired by the photographer's exquisite eye for detail, composition, lines, faces, and light. Photographers, professional and amateur alike, will deeply appreciate and learn from these aspects. Anyone to whom I have shown this book has been as immensely moved as I, from the UPS driver who delivered the package, to my father, a refugee of WWII, who still cannot speak easily of the events of 9/11. This book is highly recommended as an addition for one's library.

This book was published the year I married....I received SIX copies as shower gifts! It was a sign....I was destined to use this cookbook forever. And, so far,that has been the case.
I have found very few recipes to disappoint and many to thrill. The steamed lobster with ginger and scallions is always amazing-especially with lobster fresh off the boat. Singer's stuffed lobster is excellent, though not for the squeemish as you need to kill the bugs before you cook them. Jerry Giorgio's stuffed mussels are also a crowd pleaser.
A friend recently cooked Chicken Adobo for our book club and everyone took the recipe home. Katherine Hepburn's Brownies are delicious and a perfect end to every picnic. And where else was I to look when assigned to make matzoh ball soup for my daughter's kindergarten class?
If you love to cook, you will love this cookbook.

As a native New Yorker, I consider this a classic ... wonderful anecdotes and recipes from a vast array of people who live in the city. Molly's affection for the city is evident (her brother, Paul, played for the Yankees), and her knowledge of both food and the city makes this cookbook a gem.

Molly O'Neill's New York Cookbook is a celebration of the New York Food world. She is the food columnist for The New York Times Magazine and spent five years working on this amazing book. The first recipe I tried was "Katie's Café au Lait Cheesecake with a Mocha Crust." The ingredients looked delicious with cinnamon and chocolate wafers for the crust and a rum and coffee flavored filling. I made it for Easter and everyone was very impressed.

Since the author is a food columnist I knew she would be selecting winning recipes and so I felt confident enough to make the recipe for a big occasion without even trying it out at least one time for myself. I was very pleased with the results and can recommend the recipe to you for any occasion.

Whether you are interested in trying lots of new recipes or you just enjoy reading cookbooks, the New York Cookbook has so much to offer. Page after page of delicious information mingle with the even more delicious recipes. Some of the fun recipes include:

New York Penicillin - a chicken soup made by Aunt Marie Stacey. This stock/soup is then used in a variety of recipes and is very easy to make.

Irish Soda Bread - Make two loaves of bread in no time at all.

Simple Fresh Tomato Sauce - The perfect sauce for pasta made with fresh tomatoes, onions, garlic, oregano and a little brown sugar.

Shrimp Fried Rice
Shish Kebabs
Meat Loaf
Rosemary Chicken
Chicken Paprikas
Pan-Fried Sole
Yoko's Japanese Salad Dressing
Marrakesh Carrots

Some of the sweet treats include: "Coney Island Fudge" made with cream and semisweet chocolate, "Zoe Morsette's Oatmeal Macaroons," "Aunt Olga's Cardamom Cake," and "Katharine Hepburn's Brownies." If you love ice cream, you may want to try out the recipe for Hot Fudge Sauce and Butterscotch Sauce.

A few of the highlights in this book include:

Food Walks - Wander through food markets
A Few Essential Ingredients in Italian Cooking
Manhattan Clam Chowder
In Search of New York Steak
A Trip Down Menu Lane
Festivals

The New York Cookbook is an extremely well-researched feast that will satisfy the cerebral appetite as well as please your family and friends when you try out the delicious recipes. These recipes have been created by some of the best cooks in New York and you can use them with confidence, knowing you are making something wonderful for dinner or dessert. This cookbook was a wonderful gift from a friend who loves visiting New York and I already have plans to buy copies for friends and relatives. This is a highly collectible cookbook with recipes you will look forward to making year after year.

~The Rebecca Review

This book has the best spaghetti sauce recipe --my husband and I loved it--it was a way to bring NY cooking to Hawaii since there are not many good italian restaurants out here like in NY, which I miss. On the downside, not all recipes were good. For ex, I did not like the Madison Square burgers nor did I like the Pad Thai noodles (I tried recipes from Keo or Cooking light for Pad Thai which were better). I will try some more recipes from this book and hopefully will have better luck.

Cooks Magazine recommended this cookbook as being very authentic. I bought it because of their review. They were absolutely right. The recipes are original/authentic New York complete with history and original photos. It's a great read even if you never make any of the recipes.
I highly recommend this book.

I grew up on the south side of Chicago during the 80s and had many friends who were "taggers" and got up every chance they got. They had spray-cans, hollowed-out deodorant sticks somehow replaced with ink, fat markers, Griffin, and who knows what else. Though I myself wasnt a graffiti artist or writer or tagger, this book is a great ride down memory lane for those of us who grew up on the streets. For those of us of a certain age, this book, "Subway Art", along with movies like Breakin' I AND II, Beat Street, original hip-hop and old school house music were all of a specific time and place. This book will make you want to break out the Pumas with the fat laces, bring out the tile and start back-spinnin', but it is also one of the the earliest, most definitive and detailed books on graffiti ever.

Wow, this book just took me back to my days in the Bronx and the 2 line.
All the greats are in this one..Doing those T and B's and hitting the yards, and dodging the DT's Now those were the great days of the BRONX.
Long live
MIKE170..TAV 1..ALE..AJAX..SUPER SEX..BLADE..COMET..FUZZ..POPEYE..
MIKE 170....

I started doing graff back in the late 90's; I was 14 at the time and to be honest with you; like all great writers we were all toy's at one time but has time went by and we got better with our skills, we all have read this book at one time or another. On with the book review.
This book is just simply AMAZING...you have old school pieces from the Godfather of Graffiti: SEEN, BLADE (which he has painted 5,000 trains during the golden age of the MTA in NYC; since I saw the graffiti scene on the trains at the tender age of six and seven in NYC, I was simply amazed at that age on how people could sneak in at night and do this with spray-paint but I digress), LADY PINK, and the list goes on. If your just starting out in graffit, this is a great book on to connect letters, bubble letter's, block's, and some old school color schemes, though I would not call it the Bible of Graffiti, it is pretty darn close to it. Check it out.

This classic book, along with "Broken Windows: Graffiti NYC" is all you need to know about NYC graff. Anyone up needs both of these books. Knowledge is king!

Subway Art. What can I say? This, Style Wars, Beat Street, Break Dance... they all had their influence on me (& a whole generation) back in the day.

Hip Hop isn't what it used to be, though. Most of what we hear these days is mixed up with R'n'B, commercialised, repackaged and shipped for your dissatisfaction. If you ask me... when it comes to Hip Hop, stick with the old school.

I was brought up in Melbourne, Australia, and did quite a bit of graffiti there during the 1980s. Melbourne had plenty of weird & wonderful characters who were into graff back then. The vast majority have gone their separate ways. But there's always the rare psycho who's still bombing (I'm not referring to the younger generation - but to old school dudes who are still around). There's also those who got into graphic art and made a career for themselves out of graff.

I recommend checking out some of the original Vaughn Bode cartoons for yourself through a simple Google search.

Additional to this, I recommend Getting Up: Subway Graffitti in New York" by Craig Castleman. It has some pictures of trains and so on, but it is more for the reader. A copy was stolen from a local library near me - go figure.

And if you're ever in NYC... Check out the Hall of Fame. It's located on the corner of 106th Street and Park Avenue.