New York Books

The Never War was better than the first two in the series put together. This book was much more realistic than the first two.

The Never War (Pendragon Series #3) This book came as part of a box set containing the first 3 books in the series. They are quality paper backs. They will probably stand up to a lot of re-reads. I had been in search of a series to fill in the void left from the conclusion of the Harry Potter series. I have found that D. J. MacHale's series about time travel by a teenager and his friends to be an excellent transition from Harry Potter. I am currently finishing up book 8 in the series. I have purchased 7 of the books from Amazon and will buy books 8 and 9 when they come out in paper back. I would highly recommend this series to fans of Harry Potter. Trust me, you won't be disappointed and you will love the adventure.

The Never War is the third book in the Pendragon series. I thought this book was amazing this book I think was the best of all of the pendragons. This book brings back the characters Mark, Courtney, Spader, and Bobby and a new traveler Gunny. This book brings you back into 1937 on first earth. At the start of world war two and ends with a big ending that may shock you.
I would totally recommend this book because it envolve your own world and it makes you brush up on your history. This book is definitely the greatest sci-fi I have read. The Never War is a book that you never want to stop reading it keeps you on the edge of your seat through out the whole story and this book always has you thinking of what could happen next.

This is a really interesting book for probably one reason: the historical fiction.
This book takes you to First Earth, where life is eternally 40 yeaers behind our Second Earth. The plot of this story is where Saint Dane is trying to alter things that have already happened to cause chaos throughout Halla. This is about the Hindenburg. Saint Dane offers Bobby a chance to save the Hindenburg from crashing but what will happen if he doesn't?
This is book is chalk full of good historical fiction. I liked it, A LOT!

D. J. MacHale wrote for television for years before turning his attention to novels. He created ARE YOU AFRAID OF THE DARK?, a long-running series on Nickelodeon in the United States, but it also showed in Canada on YTV and Cinar.

For the last few years, he's been writing the adventures of Bobby Pendragon, a boy who's destined - hopefully - to save the world. Several worlds, actually. Bobby is a Traveler, one of those who have the power to "flume" from world to world. He's brought into the adventure by his Uncle Press. As Bobby was growing up, Uncle Press also took Bobby scuba diving, mountain climbing, to martial arts, driving, and several other things that gave him skills he needs to survive against enemies he encounters. All during that time, Uncle Press was training Bobby to be a Traveler.

Bobby's greatest foe is a villain called Saint Dane. Saint Dane has the ability to change his appearance at will and constantly hides in different worlds while working his nefarious plans.

THE NEVER WAR is the third book in this exciting series. In it, Bobby travels to First Earth, which takes place in the year 1937. The gangster era isn't new by any means, and I was slightly let down when I discovered I wasn't being taken to a new world. I especially loved Cloral, the world Bobby went to in the second book, THE LOST CITY OF FAAR, and I look forward to returning there hopefully in one of the later books.

Still, I'm older than the average Pendragon reader. The 1930s and the Hindenburg are familiar to me through several other books I've read as well as history I've researched.

For all the familiarity with the time period, though, MacHale tells a fascinating and fast-paced tale. Bobby and his new best friend Spader land in the 1930s while pursuing Saint Dane. They're immediately met by machine-gun toting thugs that try to kill them. Bobby figures out how to escape and gets Spader out as well. Spader is way out of his depth because he's never seen anything as "technologically advanced" as the 1930s.

One of the best things about the Pendragon books is that Bobby usually gets to save the day in a down-to-earth manner. He doesn't have any really special skills or powers that help him. At this point, he's fourteen years old and can do what most kids that age can. This makes the series more believable in some ways, and I think it draws the Pendragon audience in a little closer.

MacHale's sense of timing and pacing is excellent. The story moves quickly, and I got a real sense of urgency throughout the book as Bobby tries to figure out what Saint Dane is really doing. Many of the chapters end up on cliffhangers that will draw you rapidly into the next chapter. The dialogue is fantastic and sounds real.

One of the other facets of the series that I really enjoy is Bobby's friendship with Mark Dimond and Courtney Chetwynde. The closeness they share, even through Bobby's journals, feels real.

MacHale also mixes in adult heroes with his young champion. Vincent "Gunny" Van Dyke was an excellent grown Traveler in this novel. He was kind and gentle, and guided Bobby and Spader throughout the adventure.

I did miss the world-building in this novel, but I know MacHale gets back to it in later volumes of the series. But for kids who haven't researched the 1930s much, this should be a fun book and on equal footing with fans of Artemis Fowl and Alex Rider.

Setting the Table by Danny Meyer provides lots of value for business leaders. I ranked this book five stars based on the value alone. The reader should be apprised that the book is written as a memoir of Mr. Meyer's experience in the restaurant business.

As a business leader you should study excellence in your industry and outside of your industry and there are numerous take-aways in Setting the Table that can be applied to any business. Here are ten excellent points I took away from Mr. Meyer's book.

1. The Excellence Reflex - "A natural reaction to fix something that isn't right, or to improve something that could be better." The excellent reflex is a natural reaction that some people have and cannot be taught. Meyer trains his leaders how hire those that have it.

2. Employees can be categorized as Overwhelmers, Whelmers, and Underwhelmers. It is easy to identify Underwhelmers and get rid of them. The most dangerous employees are the Whelmers because "they infuse an organization and its staff with mediocrity...and send a dangerous message to your staff and guests that "average" is acceptable."

3. Coaching is correcting with dignity.

4. You obtain valuable leadership skills while managing volunteers. It requires you to consistently motivate employees beyond their earnings.

5. Create a sense of "shared ownership" with your customers by taking an interest in them and making them feel important. They will view you as a partner instead of a provider.

6. ABCD - Always Be Collecting Dots. You should aggressively collect lots of little information about your customer (dots) as they interact with your product or service. Then make the connection between the dots as a mechanism to improve your product or service to all customers.

7. Customers may love your product or service but the relationship that they have with you or your employees is what builds loyalty. Therefore you should take every opportunity to exceed expectations to create a lasting relationship.

8. Enlightened Hospitality - "We would define our successes and our failures in terms of the degree to which we had championed, first, one another and then our guests, community, suppliers and investors." This is an extremely powerful concept and is rooted in the integrity theme Meyer has throughout the book. You can't expect employees that don't treat each other with respect, who can't be hospitable with one another to then turn around and treat the customer with respect and high levels of hospitality a customer deserves. Poor relationships internal to the organization migrate to poor relationships external to the organization. Ultimately being last on the list benefits the investor by long term organizational success.

9. Judge your staff on 51 percent emotional job performance and 49 percent technical job performance. You can always teach technical while emotional is much harder if not impossible to develop. Lack of emotional job performance skills destroys teams and alienates customers.

10. "The road to success is paved with mistakes well handled" and "the worst mistake is not to figure out some way to end up in a better place after having made a mistake."

The ten points above are obviously more powerful in the context of the book when illustrated with Mr. Meyer's stories and experiences.


Dr. James T. Brown PMP PE CSP
Author, The Handbook of Program Management

Danny Meyer is now one of my new heroes. I'm at a point where I will be opening a new restaurant in the coming year and I plan to buy a copy of Setting the Table for all of my employees and all of my investors. I can't wait to have the time to visit all his restaurants one by one. This book or cd should be required listening or reading for anyone going into the restaurant business. Thanks for stocking this amazing informative book.
All the best,
Danny Quinn

The restaurant business begins with a vision well founded on food knowledge. Having had great and many good meals helps. But the lessons of this book are many: the best is his order of priorities....first the employees, then the customers, then the suppliers and last the investors. Brilliant.

One of the best business books I've ever read. Danny really "gets it" as far as treating his employees and customers like family and VERY important people. THIS is why he is so successful with the top restaurants in NYC. A MUST read for anyone in sales or who deals with customers and employees on a daily basis

A great book that describes how to create customers for life, with "enlightened hospitality", creating an outstanding customer experience, based on a dialog with the customer. As he puts it "picking up the rocks" (to find the info) and "connecting the dots", a process that could and should be copied for every business.

His passion for food comes across the written page, its contagious.
I'm not a wine drinker but his passion made me want to give it a try.

I never been to one of his restaurants but I now see a trip to New York to visit his restaurants.

Highly recommended not only for restaurateurs, but for every business that has contact with customers.

If you are interested in photography and in making excellent photographs whether digital or traditional film its important to read Ansel Adams. He did the photography and the development of film and the printing and his photographs of the landscape especially known for photographing Yosemite are exquisitely perfect in black and white. In this book that is part of a series of 3 he gave us everything we need to make great photographs. Why would someone who is a digital photographer read this book? Its to understand the basics the foundation of photography. This book is The Negative and in digital photography what you get is the negative and the print together and you want to understand what you have and what you can do make that photograph or that negative in black and white photography what you want it to be what you visualized when you saw the image in real life.
The book The Negative is sometimes difficult to follow cause he was truly a Master and most of us are not so just keep reading to get whats of value to you as a reader and a photographer
This book The Negative is part of a three book series includes
The Camera
Basic Techniques of Photography that has revised edition from his student John Schaeffer
Read all these books if you are committed to excellence in your photography
JG

I am new to large format photography. This book is extremly informative and focuses just on negative construction, manipulation and b&w processing. An excellent and timeless resource! Excellent for all formats!

If film shooting is interesting to you (and you should; I'm 26 and grew up with cameras, then I move to digital, and recentlly, I discovered the wonders of a darkroom and BW prints) then this book is a MUST Well, the whole series)!!! there aren't enough words to emphasize my feelings over the 3 books of Ansel Adams (camera, negative & print)

If you don't believe me, then please take a deep look at Ansel's master BW work... that should convince you!!!

Concisely written in Adams' own scholarly style, "The Negative" is a valuable resource for photographers learning the foundation of technically correct (as opposed to generally good) base exposure in a variety of scenes, both pedestrian and those that are more conflicting. One must, however, consider that more than 4 decades have passed since the techniques were founded and the technology described can be viewed, in many cases, with a quaint tug at nostalgia. Today's evaluative and matrix metering systems, programmed along the Zone System, do a remarkable job where once exposure was tedious and error prone, and this is where learning the Zone System to competently handle difficult scenes is a useful addition to a photographer's "book of tricks". But despite the clarity of explanation and steps, Adams' Zone System remains a complex, intertwining system to understand (theory) and apply (field application); it never was and never will be a five-minute task. For B&W fine art photographers, "The Negative" holds a timeless reference quality with many techniques remaining the solid benchmarks for fine art production. In summary, a tremendously good read and a most valuable addition to any learned photographer's library.

The Negative (Ansel Adams Photography, Book 2)

Ansel Adams was a master of photography but not the most exciting storyteller , in my opinion.

This book is one that you should read as part of a complete education in photography, but there are some long sections in it. The parts of the book explaining Adams' zone system are very worthwhile and great stuff. Much of the rest of the book is only interesting if you are shooting film (not digital), as it deals specifically with darkroom processing.

Read about the zone system here or somewhere else, but learn it. If you are a film photog, read this whole book. For digital shooters, you might want to read only the sections of interest.

I liked the Singapore Grip, but the Siege of Krishnapur stunned me. It was wry, light and devastatingly apt at developing each character. He took no prisoners as the clueless denizens of the Raj came to realize, or not, the depth of their ignorance and folly. Loved it.

The Indian mutiny of 1857 sees the cantoment of Krishnapur besieged by sepoys. For three months Mr Hopkins (the collector) galvanises the British community in resisting the onslaught...
This book is superbly written and often reminds one of the style of George Elliot. It is both witty and profound and wonderfully researched and charactorized.Like the best of Elliot,Farrell uses his narrative to inform on other topics-the great cholera debate;the Great Exhibition at the Crystal Palace- and questions the basis of what culture actually lends to civilisation.
Books like this just don't get written these days.

This 1973 Booker Prize winner explores British India through a microcosm: colonials and their loyal natives under assault by bombardment, starvation, cholera during the 1857 mutiny. It has both an old-fashioned flavor in its editorial asides by the omniscient and urbane narrator, and a modern wryness in its detached observations about the Anglo-Indian attitudes towards what they perceived as their civilizing mission. Less famous than E. M. Forster's "A Passage to India," nevertheless it may-- for its rousing battle scenes full of a "carnal barricade;" carrion dogs; ingenious uses for electro-metal plated heads of Keats, the Bard, and Voltaire; and more artillery-fueled mayhem-- excite readers more. If you've been wanting a philosophical reflection on Victorian progress, secularism vs. faith, imperial expansion vs. native resistance, and how medicine gradually advances over superstition: all these topics integrate entertainingly and instructively into a novel that also recalls a near-contemporary, John Fowles' "The French Lieutenant's Woman."

Farrell's distinction in delineating the Age of Doubt from Forster before him, Fowles next to him, and Michel Faber's fine novel "The Crimson Petal and the White" after him? While all these are favorite novels of mine, the Anglo-Irish Farrell manages to offer a sympathetic first-person indirect narration that reflects his near-countryman, Joyce. Farrell plays the reactions of the Collector, the main character here, against the atheistic and bitter (if often mordantly funny) Magistrate, the dueling doctors Dunstaple and McNab, a woefully earnest Padre, and the poetaster aesthete, Fleury. All these, as in more somnolent novels of ideas, speak their set-pieces intelligently. The difference: Farrell enlivens their thoughts. It's as if Thomas Love Peacock moved his Romantic-era figures into the colonial dust of faraway India and left dreamers, lovesick swains, practical company men, and an array of capable and hapless womenfolk to survive amidst plagues and grapeshot.

Examples abound of the verve of much of this intricate, yet direct fictional exposure of ideals as they blunder under fire. "But the Collector admired pretty women and could not feel hostile to them for very long. If they were pretty he swiftly found other virtues in them which he would not have noticed had they been ugly." (27) Fleury finds by mid-century that the sensitive type of male's out of style with the young ladies: "The effect, or lack of it, that you have on the opposite sex is important because it tells you whether or not you are in touch with the spirit of the times, of which the opposite sex is invariably the custodian." (33)

An amazing episode recounts how Fleury and a young native scion, Hari, clash over the advantages of inventions. Hari speaks in a fluent Indian English, struggling to articulate his love of the wares of such emporia as the Great Exhibition of 1851 at London's Crystal Palace, a theme that underlies the conversations of many of the British men in the novel. Fleury insists that the railroad will only bring to India what it brought to Britain: soulless bustle. Hari counters that easing labor, manufacturing food, or taking a daguerrotype is progress, and as worthy of praise as Plato. A flustered Fleury must tell Hari that he's not been able to find a bride yet: "Hari's brow puckered at this, for it was evident that Fleury was impeded from choosing a bride by being unable to find one suited to some special requirements of his own, beyond the usual ones of birth and dowry ...but what these might possibly be he had not the faintest idea; in this matter Hari's incomprehension was shared by Fleury's own relations in Norfolk and Devon." (78)

Mutual incomprehension dominates. As the novel goes on, the native revolt spreads. The local treasury's looted by traitorous sepoys: "They wore 'dhotis' instead of uniforms and carried heavy, oddly-shaped burdens on their shoulders and around their necks; they had broached a cart-load of silver rupees and filled the legs of their breeches. Now it seemed that they were staggering away with heavy, trunkless men on their shoulders." (127) As this excerpt illustrates, Farrell favors the point-of-view of the besieged as they peer out upon an unrecognizable realm they no longer rule. For, soon the British and their retinue must retreat to first the Residency and then the redoubt of the Banqueting Hall. What had graced their plush exile as stuffed owls, divans, leather books, busts of intellectuals, and heaps of correspondence bound in red tape all serve as sandbags and barricades and improvised canisters to stuff cannons against the enemy.

Most of the book takes place within the makeshift fortress. The attack comes memorably: "the rim of darkness beneath the horizon began to sparkle like a firework and immediately the air about them began to sing and howl with flying metal and chips of masonry ... then in a wave came the sound. Daubs of orange hopped at regular intervals from one end of the darkness to the other. Suddenly, a shrapnel shell landed on the corner of the verandah and all was chaos." (144)

The remainder of the story needs to be encountered directly. The tone darkens as inexorably the inhabitants of the Residency find themselves diminished by hunger, disease, and death by many kinds of assailants. I think that the register of the prose alters, and there may be too much anonymity given the cast of supporting characters; the central cast already introduced seem to live and talk in a vacuum as the plot continues, although Farrell may deliberately dampen the mood to reflect the bitter or desperate reactions of those under constant terror of sudden or lingering death. I do think Hari deserved more follow-through, and the novel does suffer slightly from an uneven focus on characters who are introduced and then forgotten about for long stretches as the siege grinds on. Also, the closing pages seem to depart with a whimper more than a bang, after the long march to the climax.

Still, despite uneven stretches, it towers above most any fiction these recent decades. It's quite an achievement, this submersion into the mental and physical despair of those about to die. When you emerge along with those who endure to find the approach of the Gilbert & Sullivanish "Relief of Krishnapur," you may hardly recognize the bedraggled survivors as those who started the novel a few months before, some who had then arrived in India so lightheartedly and naively.

P.S.: I agree with other reviewers: Lucy and the cockchafer infestation stands out as one of the most remarkable scenes I've ever found. It's Ch. 22. "The Hill Station" follows two characters here, Dr. McNab and Miriam, after they marry; this sequel was incomplete at the author's early death by drowning off the Irish coast in 1979.

Paul Scott wrote in his RAJ QUARTET that it was in India during the last days of the Raj that the British came to the end of themselves as they were. In this superb Booker Prize-winning novel written concurrently with the QUARTET (and which casts a similar cold eye towards the British imperial ambitions in India), J. G. Farrell shows how the Raj itself was formed and how it already carried within it in embryo the seeds of the destruction for the entire Empire. The novel takes place in a city in Northeastern India during 1857, the year of the Great Sepoy Rebellion: the British stationed in Krishnapur hear vague rumors of what they will call "The Mutiny" from faraway towns but are mostly unwilling to take them seriously. The ensuing siege they endure carries on for months as they wait for help to relieve them; though slowly forced to an absolute subsistence level--and then to even less--, they refuse to relinquish the habits of social conditioning that have made them already who they are. Social snobbery, physical modesty, gender segregation: all remain firmly ensconced even as their physical conditions start deteriorating so greatly they start dying in large numbers.

The novel's subject would seem to suggest that the novel would make for almost unbearable reading. Oddly, it does not, because the characters of the novel (who are almost entirely British) maintain such a droll and uncomprehending attitude towards their conditions, no matter how desperate things seem. Thus, since Farrell focalizes his narrative mostly through their thoughts, everything seems unreal throughout the entire siege and not quite so nightmarish as it might have been had he used a more distanced third-person narrator. The work is in part a parody of old-fashioned "Mutiny novels," so you should know that the ending is very much in keeping with those kinds of novels (which proliferated throughout the Empire during the latter half of the nineteenth century); characteristically, however, Farrell puts his own intelligent spin on things, so even if the ending you had been expecting does occur it doesn't in the way you had expected. This is the second, and perhaps most famous, of the three superb works of Farrell's "Empire" trilogy which beautifully illustrates the conditions of Empire described in another nearly coeval work, Jan Morris's famous PAX BRITTANICA trilogy. It's exciting, amusing, intelligent, and greatly worth reading.

This is an excellent novel about the Sepoy Mutiny in India in 1857. The focus of the story is the siege of the British Civil Service enclave at Krishanpur (historically this was the siege of Lucknow). A group of Sepoy soldiers was given new rifle cartridges that were wrapped in greased paper, and the paper was removed by biting it off with one's teeth. The word spread was that this grease was animal grease, which was an insult to religion. The sepoys mutinied, killed their superior British officers, and started marauding across India.

Hearing about the mutiny the (tax) Collector in Krishnapur had ramparts built around the British buildings in Krishnapur. Shortly afterwards the Sepoys attacked in waver after wave for a period of several months. Surprisingly author Farrell describes the sufferings of those besieged with a good deal of humor, humor that pricks holes in the pompous beliefs and attitudes of 19th century British colonizers. We bring them progress, a superior civilization, yet they turn on us marvels the Collector. The condescension doesn't stop with the Indians. At one point the Collector speaks to the British women in the enclave, and silently thinks that in reality women are really useless creatures. It is the men of the world that shoulder the responsibility of getting things done. The padre runs around telling everyone that God is punishing them for their sinful behavior. A new school and an old school doctor constantly disagree over medical treatment. In perhaps the funniest scene of the book the old doctor contracts cholera, and instructs his aides to cover him with mustard plasters. The young doctor, who is aware that cholera victims die from dehydration, initiates a saline IV every time the old doc sinks into a coma. The IV brings him around, and he immediately pulls out the IV and insists on getting his mustard plasters, following which he soon sinks back into a coma. Back goes the IV and the doc becomes conscious again. This cycle goes on and on and becomes hysterically funny.

The British thought they were doing wonderful things for the Indians, but the harsh reality of it is they were creating harsh lives for their colonial subjects. The sepoys, for example, were paid near starvation wages. This is an important novel about the misguided philosophy behind imperialism. Perhaps there is a lesson here for us Americans. Should we really be focused on bringing our way of life to other countries?

I have been known to complain that five star reviews are given out way too freely. In this case, however, five stars may not be enough. In fact, I am surprised that some reviewers ONLY gave this book four stars, but to each his own. Other reviews have already very eloquently praised this book, so I will not repeat them, except to confirm they are on target. The book is 716 pages, and I only wish it were longer. If you enjoy great writing, great storytelling, great (and real!) characters I could not imagine a better choice than Up In The Old Hotel. It also transports us to a different time and place in America, one that existed before I grew up, but one that this book almost makes you long for. If you do not read this book, all I can say is, it is your loss.

Mitchell, a well-known reporter, has filled a role in history that will always be remembered and loved by those who lived the life he wrote about.

The people in his stories are unique and have qualities some would find interesting. His writing is very descriptive and he captures countless details not understood or seen by the casual passerby. You can easily place yourself as a fly on the wall soaking in your surroundings.

If you read Up in the Old Hotel with literary merit in mind, then you will be in for a good dose of excellent writing by a standard of yesteryear. If you are looking for people who fit outside the box, you will surely find them. If you are looking for a glimpse of the past, then be prepared to journey back with a fine guide who didn't miss a thing.

There will be many of the older generation that will remember, with clarity, when Mitchell's writings first appeared and the impact they made. It is to this group that I recommend Up in the Old Hotel.

Though a brilliant writer, I was not drawn to his stories. For me they lacked the "snap, crackle, and pop" of today's aggressive writing style. If New York had been my home over the years, then I would have found a deeper appreciation and understanding for those who made up Mitchell's fine work.

Armchair Interviews says: From a man who knew how to observe and then put it down on paper.

Joseph Mitchell, a fine writer for The New Yorker magazine, put together a wonderful grouping of short stories during his many years of searching out the people and interesting places in New York City which was his beat for many years. I highly recommend this book to those who enjoy a good story about ordinary people, or one of an interesting landmark s such as McSorley's Bar and the people who frquented it during the 1920's and 1930's. It has been at the same location since 1854 and is still there today. My favorites are the first story, The Old House At Home (about Mcsorley's) and Mr. Hunter's Grave, towards the end of the book. Many others are excellent and bring out the heart of the city and its people. To me it brought back New York as it was then with kids "roasting mickies" as I did as a child in New York. G. H. Owens

A book that covers the nooks and crannies of lower Manhattan. Oddball characters are brought to full
bloom under the author's pen. He knew how to listen! Towards the back some great essays on
growing up along the Carolina coast.

Are you going to visit "the City"? Have you been to NYC (and loved it)? Up in the Old Hotel was written before most of us were born but still delivers the savory secrets of this great metropolis. Characters abound who could only exist in NY. Meet them before you go. And be sure to eat a slice of Ray's pizza on Sixth Ave. and 11th Street!

Just one read of Peter Miller's book, "Author! Screenwriter!" will broaden your horizen of writing possibilities. Don't just think screenplay, but consider formating that same story idea into a novel as well. And when you consider the odds, 100,000 to 200,000 books published per year, as compared to only some 1,000 stories produced for all of the Network Television, Motion Picture, Cable and DVD industries, Mr. Miller argues an interesting point. With over 30 years experience managing and producing writers, he gives insights into the industry that few others have even touched upon.

Definitely worth any writer's time and money. But regardless of one's writing goals, this book gives that big push every writer needs to encourage perfection and perseverance.

If you're serious about realizing your potential as a writer, this is the book you buy. Having successfully managed hundreds of books, Peter Miller truly is "The Literary Lion", and Author! Screenwriter! has left a huge impact on me as a professional writer.

Need an inside guide on how to write the perfect proposal or understand the delicacies of contracts? He's got you covered. Or maybe you really would like to take a look at some sample inquiries, be inspired by some success stories, have a better understanding of the do's and don'ts in a profession where millions of writers compete for the interest of professionals in the industry. Trust me, if you read this book it will never be far from your hands. Buy Author! Screenwriter! and you'll go back again and again to Mr. Miller's wellspring of experience and insight.

If you're like me, you want to be armed with the truth as a writer, and Peter Miller delivers. Read it, cloak your talent in its wisdom, and move forward. You'll agree that it's more than a book.

It may well be the key to your future.

The book is a must-have for a writer's bookshelf. But a companion DVD is also available with practical and pointed interviews that is well-worth seeking out.

Peter Miller's Author!Screenwriter! is direct and to the point, so I shall be also. This beautifully organized exposition provided me with more insight into the Book and Film industry than I have found in any other source. I could write much more, applauding the great chapters on the mysteries of film deals and the most helpful examples of project proposals in many genres -- but the bottom line is simple Author!Screenwriter! is definitive, the most helpful book on the subject.

I purchased Peter Miller's book at the recommendation of a colleague who knew I was in the process of writing a book proposal. Peter's book and DVD provide the reader/viewer with such clarity and direction. Peter provides wisdom and insights for the experienced and the novice writer in how to maneuver their way through the challenges, obstacles, politics and subtelties of the publishing industry. By the time you are finished reading his book and viewing his DVD you have a very clear picture of what lies ahead - no rose colored glasses, advice for the dedicated writer; you are clearer than you ever imagined you could be about what lies ahead. Buy this book if you are serious about our writing career.

In spare, poetic and very beautiful dialect, old and grumpy Guernsey misanthrope, Ebenezer Le Page, recounts the story of his life; a tale of disillusionment, loss and remarkable resiliance.

Edwards makes Le Page a Guernseyan "Everyman." Le Page represents an embattled folk community: colonized by the French, occupied by the Germans and finally overrun by English tourists.

Like the butler, Stevens, in *The Remains of the Day,* Le Page has an epiphany that transforms him. But while Stevens' epiphany is of the rather subtle dry sherry variety, Le Page's knocks you flat like a good shot of white lightening, poteen or whatever it is that Guernsey people drink when they want to see God.

*The Book of Ebenezer Le Page* is about a small miracle of the human spirit in the face of war, poverty and souless consumerism.

One of the best books I have read in a long time...The universality of Ebenezer is wonderful. It brings the reader back to another time and place. I highly recommend this book.

It's been more than twenty-five years since I read The Book of Ebenezer LePage, lured to it by the story of John Fowles's involvement in seeing it published. Having just finished The Story of Edgar Sawtelle, my brother and I were comparing notes on the novel we both enjoyed so much when I commented that, in some strange way, the story reminded me of Ebenezer LePage. Thinking still about that extraordinary book, I checked here at amazon to see if it was still in print.
In reading the long list of capsulized reviews, I found the following and laughed out loud: "The Book of Ebenezer Le Page, by G. B. Edwards, is an oddity and a great literary wonder, written in the beautiful French patios of Guernsey, . . . ." --Archipelago. Of course, the book may have been written on a patio, though I've no idea how the reviewer would know. What I do know, however, is that the subtle language of the Channel Islands--English, with some French added creatively--is known as a "patois," and the use of that patois in the book's dialogue is but a small part of the charm that wafts through the book's pages. I've long considered it to be one of the finest novels I've read.

What can I add to the almost unanimous chorus of praise and rave reviews? Not much. But this is such an exceptional yet so inexplicably little-known book that I feel obliged to join the chorus.

THE BOOK OF EBENEZER LE PAGE reminds me, as unlikely as this particular combination may sound, of both Thomas Hardy and Mark Twain. Indeed, for a rough approximation of the narrator Ebenezer Le Page and his personality and humor, imagine that Sam Clemens had been born in 1890 on the Channel Island of Guernsey, lived there his entire life, and then nearing 90 set down the story of his life and his world. Although not as cosmopolitan as Sam Clemens, Ebenezer Le Page is every bit as independent a free-thinker, as open-minded, as cantankerous, as wise, and as ruthlessly disdainful of cant, self-righteousness, and those who better themselves at the expense of others. And almost as funny.

For all its greatness, THE BOOK OF EBENEZER LE PAGE is not a page-turner that you are likely to devour in one fell swoop. It took me two weeks to read it. But each time I returned to it, I was eager to do so. It is not unlike an idiosyncratically crusty grandfather telling tales from his life after dinner; as much as one loves to listen to him every evening for an hour or two, one is not prepared to listen to him day in and day out, to the exclusion of everything else.

This novel is sui generis. It also is, in my experience, the greatest novel by a "single-work author." (It far surpasses John Kennedy Toole's "A Confederacy of Dunces.") But it should not be regarded solely as some sort of curiosity. It is a great work of literature, and it merits far wider recognition and a far wider readership.

This is a book for good readers only. And for good readers who enter the book at the right time when they are willing to invest the effort to get far enough into the story to care about it. There is much to complain about. It is a first person narrative written by a person who is not always likeable about other people who are not always likeable and who are often two dimensional. It is written in an idiosyncratic style that reflects both the education level and patois of the narrator. The setting is limited, obscure and unfamiliar to most readers. Somehow those very complaints gradually reverse themselves to become the strengths of the book. The author asks a lot from the reader because you have to plow through a lot of words and page after page until you become aware of the reversal. You become very interested in the narrator's life story, the vast cast of characters continues to increase with every page but they seem more human and not so irritating, the writing style becomes familiar and essential to the story as the narrator's personality and a reflection of the richness of the setting. This is a long book full of a long life story and many small stories. The small stories are some of the most memorable, particularly during the time of occupation. Some of the little stores are entertaining, like the two pigs and some are tragic, like the story of the young prisoner. I found myself more caught up in the little stories than in the larger tragedy of Raymond and Horace. My recommendation is to skip the introduction by John Fowles which is long and unnecessary and save your endurance to see if you can get far enough into the book to reach the point where you stop having to work at reading and want to pick it up. It is brilliant, even as it is astounding that a publisher read enough of it to make the decision to publish it.

I have spent some time in NYC before but had always been with a city resident and hadn't ever needed a guide. But when the opportunity came about for my husband and I to spend a long weekend there, I absolutely took it. I love the city (in small doses, couldn't ever live there), but hadn't ever had a chance to do any touristy stuff. So I read some reviews and picked up this guide.

I spent a few days reading over it, and after my trip, I would say it's a great guide if you don't know what you want to do, or how to structure your days, because it has very specific suggestions for stuff like that. It has a section for each part of the city, at the end of which is a run down on a sample day one could spend in that neighborhood.

But as far as a comprehensive while-you're-there guide? I wish I had gotten Not For Tourists. This was a great planner, and had street and subway maps that were incredibly useful, but when you're looking for a bookstore nearby to kill an hour? Nada. Also, because of the setup of the book (chock full of Top Ten lists, duh), it jumps around a lot. One museum is mentioned in four different places, and vital information is only on one of those pages, but from the index there's no way to tell which one of those pages has something important like the hours of the place, for example, so you have to check every page.

Again, great for planning, less great for a carry-along for your trip.

Great subway map! Just don't forget to read the signs in the subway, some trains only run certain days/times. AND if I remember correctly PATH is not really in the book.

I've used this guide several times on trips to NY and it is absolutely terrific. Pocketable, beautifully illustrated, wonderfully organized. We went to two of the restaurants recommended and were totally pleased. Very easy to use and filled with useful information. Will add a lot to a visit.

For those traveling to New York City this is an essential guide to bring with you. The restaurant recommendations are top notch. The maps are detailed and a pocket subway guide is always helpful. Whether you are going in for a week or a weekend this is the guide you want to carry with you when you are out and about. You may want to use another guide if you are going in for a longer period of time for planning purposes but again this is the one you want to carry with you when you are in the city.

I visited NYC for the first time a few weeks ago. I took only three books about this city with me: this guide, the "Lonely planet NYC Guide", and "The Metropolitan Museum of Art Guide". Truth to be told, this guide is probably the only one I couldn't have done without.

"Top 10 New York" is an extremely useful small guide that doesn't have as much information as the "Lonely planet NYC Guide", but that has the essentials, and excellent fold out maps in color that are more easily understandable than those of other guides. I would like to highlight the fact that even though I am very absent minded, I could easily find my way in NYC thanks to those maps. And if I can, everybody will be able to do that!

From my point of view, this guide is ideal for those tourists that don't have a lot of time, and want to see as much as possible during their visit to NYC (specifically Manhattan), if possible without a tourist guide. "Top 10 New York" points out quite a few places you simply must go to in the city, but also tells you about different neighbourhoods, and their history. There are many photos in color that help you to decide what you want to do, and historic data that allows you to learn about this city.

Moreover, most visitors will find the insider tips for tourists helpful, and the planned walks and itineraries a good option. Other useful sections in this guide are, for example, "Best shopping districts", "Best hotels for every budget" (I found my hotel through Internet, though), "Best restaurants in each area" and "Most fun places for children". What is more, "Top 10 New York" is almost pocket-sized, so you can carry it with you everywhere, even if your purse is tiny (not my case!), or if you have bought too many things and your handbag is rather heavy (yes, that often happens to me).

All in all, I am very happy I bought this guide, and I strongly recommend it to you :)

Belen Alcat

I've read other books by this author and liked them, especially "The Bear Went Over the Mountain." Perhaps I didn't read the emailed Amazon promo carefully enough because I had no idea that this book was written 35 years ago. It is a story of a druggie living in NYC in the '60s. Although I was part of that culture, I really didn't know anyone as deeply into weed as this character so it was hard to relate. Was the story supposed to be happy, funny, or just sad? It was hard to tell. And how DID the chorus get all those fans?

There has been a lot of counterculture literature since the rise of the Beat Generation in the 50s. Much of it fails to measure up to the standard of Kerouac, Ginsberg or Burroughs. There are some writers who have managed to rise up to the occasion with classic or near classic works. Terry Southern would be one that comes to mind. Another writer who has produced some fine works is William Kotzwinkle. Before, "E.T. The Extra-terrestial", Kotzwinkle was noted for producing counterculture literature. One of his most famous works is the 1974 novel "The Fan Man".

This novel chronicles the sleazy misadventures of the self absorbed hippie Horse Badorties. He is typical low life East Village for that time period, man. He knows the score and will always find the door for a quick out. He avoids things like rent and pays for commodities with rubber checks. Surely this is a time piece cause many of his ideals wouldn't fly in today's climate.

The title is derived from his continued attempts to be a salesman of small battery powered fans. He consistently uses them and tries to sell them in any store or business he enters into. It is all part of his grand scheme. He even envisions utilizing the fans in his Love Concert that will be presented at St Nancy's Church. (I am wondering if this is meant to be the famous St. Mark's Church in the East Village which conducted poetry readings for decades.)

Kotzwinkle endeavors to capture the thought process and speech pattern of an East Village post hippie lowbrow. In this, he is very successful. The narrative moves along in a hazy stream of consciousness. Horse Badorties is a slob who is no stranger to the herbal pleasures of Mother Nature. The novel begins with Horse waking up in his filthy pad. Kotzwinkle is very descriptive in detailing the encrusted, greasy condition of this pad. It would probably not be too appealing to squeamish stomachs. I found myself thinking, "Man, and I thought I was a slob." Horse Badorties is not only from another era, he seems to be from another universe.

Badorties is full of big ideas and cons. He doesn't pay the rent and destroys the pad with his junk and filth. He is trying to conduct a love concert which will feature a chorus of 15 year old girls, most of whom, he tries to bed down. He has music sheets which he claims is church music from hundreds of years ago. Suspension of disbelief is required to take seriously anything Horse Badorties says.

The narrative is written in the first person, and we get a lot of "mans" sprinkled throughout the text, man. Like, man, after awhile, it can get pretty unnerving, man. In this respect, it is similar to a novel like Huck Finn where Twain attempts to capture the slang and accents of 19th Century Missouri. Kotzwinkle is very successful in this endeavor. He manages to tap into that vein of consciousness from Badorties viewpoint. This can be frustrating to the reader. If you consider how annoying it can be to listen to a person who overuses the word man in their speech, man, well, it can be just as annoying reading this text. Some readers would probably get lost in trying to follow the narrative. You almost have to try to put yourself in Badorties shoes. That is not a pleasant proposition. Kotzwinkle is very successful in capturing this stream of consciousness.

My impression is that this book is meant more as an adieu to the hippie era and the summer of love mentality that the 60s rock exuded. This is really about the crash, man. This is when people began to drop out without tuning in or turning on. In reading the book, I get the sense that I am listening to the voice of a man whose time has passed. He is left to wallow, in his own words, in putrified wretchedness. There must have been quite a few real life people like Badorties populating the East Village during those years. Perhaps there still are a few dinosaurs and relics there today. All in all, this is a very amusing, entertaining and irreverent book, one that will certainly make you laugh. Yes, it's a fun book. Pick up a copy! Along with this novel I'd also like to recommend another East Village novel called The Losers' Club (Complete Restored Edition) by Richard Perez.

This classic captures both the sense of the drugged-out sixties--when the prevalent youth drugs were less dangerous and addictive--and the quirky character who is the narrator. It's kind of a literary Cheech and Ching, being off the wall in the same pothead way. But funnier, I think. Though I should say that his too light treatment of rape at one point brought me up short. At any rate, except for that rather awful glitch, this is one of the funniest books you'll ever read, if you like pothead humor. Sadly, Kotzwinkle never reached the same level of hilarity again.
I Think, Therefore Who Am I?

I read this book at the age of 12! It somehow made it onto a shelf of the St Rose of Lima school library in suburban Toronto. I read it cover to cover and for a short time it was cooler than porn for a few boys on the school hockey team. I returned it without mentioning it's subject matter to anyone in a authority. It could still be there. Maybe somebody was pulling pranks, or maybe Miss Heitzner, the soon to retire librarian was more progressive than she was ever given credit for! It's been a long time, 28 years or so, but I always remembered Horse and his anticts. In particular his getting laid and the school bus scam. Let's say it made an impression.

I read this book in my youth, and try and read it every couple of years. I rank it right up there with a confederacy of dunces, another classic. horse and ignatius are two of my favorite characters to come from the world of fiction. I came of age in the late 60's and early 70's, being a former hippie [ now my politics are just to the right of atilla the hun ] this book captures that era perfectly.

Like the mood swings of its central characters, this book took me to giddy highs and pensive lows. Wimmer takes you on a great ride with fellow travelers you come to care about as they search for love and their place in the world.

Dick Wimmer gives us a world and a set of characters vibrant with life and humanity. Seamus Boyne is as endearing as Joyce Cary's Gully Jimson and twice as irrepressible. This book is a sleeper. Why doesn't everybody know about it?
--Doug Ramsey

Wimmer's look at life,love,and laugher is not to be missed.He touches on every aspect of all that life has to offer,and along the way leaves the reader rolling in the aisles.You get so caught up in his unique characters,that you forget about the mad romp this gem of a book takes you on. Drop whatever you're reading now and do yourself a favor, pick up The Irish Wine Trilogy, you will not disappointed. More than any other novelist in recent memory, Wimmer gives us a story that makes us glad to be alive. You will laugh out loud, over, and over, again. Bravo, Mr. Wimmer. You are a treasure.

Irish Wine, by Dick Wimmer, is a stunningly lyrical, achingly funny trilogy that presents some of the brightest, yet most flawed, characters I've encountered. Wimmer portrays the Artist, in various incarnations--the frustrated, the famous, the obsessive, the unrecognized, the paralyzed. These characterizations are poignant, yet completely irreverent. As a result, Wimmer creates an unexpected literary delight: fast-paced poetry that you can't put down.
What an accomplishment!
As an added bonus, no male writer I've ever read, has written better about sex from a woman's point of view, than Wimmer. Bravo!

Dick Wimmer's beautiful, high-energy writing took me on an adventure filled with all of the things that make life delicious: love, joy, passion, risk and lots of laugh out loud humor. I found myself adoring the larger than life painter,Seamus Boyne, from the beginning of the first novel and growing to love him more and more as his passion fueled the craziest of situations. His love for his estranged daughter, Tory, was deeply moving and provided terrific emotional glue for the wonderful zaniness found in the second novel. The third novel was very different, but equally rich and satisfying - a story about moving through fear to claim one's joy. Wimmer's style is completely unexpected and utterly enjoyable. I loved it!