North America Books

A nicely researched and insightful biography of Florence Lawrence, one of the most shadowy yet important figures of early cinema. Many things about Florence's life and career will perhaps always remain vague, but Kelly Brown gives a worthy account of America's "first movie star." It is refreshing to know that Flo is finally getting the recognition she deserves. This book is a must for the true film buff.

This slender volume is fascinating because it finally paints a well-researched picture of the long forgotten Florence Lawrence. I've always been fascinated by her after seeing publicity stills of her from the mid-1900s. She appeared to be warm, charismatic and fascinating. Her greatest tragedy is that none of her films have been shown in eighty years. I have one of her shorts, "Flo's Discipline" which only lasts about twelve minutes but it gives you a hint of how dazzling she was before the cameras. While her cohort, Mary Pickford, went onto a spectacular career that included mind-boggling salaries and a world-famous Hollywood castle, Pickfair, poor Lawrence was living in a small, hotel room, being paid a few dollars a week as an extra at MGM. Her life would make a wonderful movie--and a cautionary tale about the pitfalls of how fleeting fame is, and how fickle is the public when it comes to remaining faithful to the flavor of the month.

Florence Lawrence was an enigma I had always wanted to know about, having been interested in silent films for many years. Information on her was scarce, save for some still photographs in silent movie history books. Kelly Brown really did her homework, in what must have been a difficult task, digging up information about a star whose heyday was almost 90 years ago! Congratulations, Kelly, on a job well done! I can't recommend this book highly enough!

I always enjoy a good biography, especially those of the nearly forgotten silent screen stars. This biography of Florence Lawrence was well researched and had many wonderful photos. The author did a good job with the resources available. Most of the films and people involved in silents are gone now, so the job is doubly difficult. Although pricey, this biography is well worth reading.

Florence Lawrence was "big" before there were movie stars. She was the original "Biograph Girl" before Mary Pickford was given that name by movie fans. After losing her job at Biograph, she was hired by Carl Laemmle's IMP company (later Universal). As a publicity stunt, Laemmle started a rumor that she was dead. Then she made a personal appearance in St. Louis and was mobbed by fans.

Unfortunately she was pretty much out of work in five years. Poor managemet by her husband Harry, as well as a painful injury forced her into bit parts. She was still acting in very small parts into 1938, when she gave up on life and committed suicide.

Kelly Brown has done an incredible research job. Using Florence's surviving correspondence, as well as trade magazine artices and advertisements, she has reconstructed Florence's life. The book has many footnotes noting sources, and there is a very detailed filmography. Instead of a book full of dry facts, Ms. Brown keeps Florence's story interesting. If you are interested in early cinema, or even important women actresses, you should definitely read this book.

This book is beautifully illustrated and very helpful. I have shared ideas from this with friends and family.

Have you ever wondered why front yards in North America consist mainly of lawn? Is there a law that demands this? The writer starts by briefly reviewing the history of our love/hate affair with the front lawn and pointing out how costly they are in labour, water and poisonous chemicals.

The writer then explains how she changed her ordinary, lawn-filled front yard into a garden, working around the objections of her husband. From there she explains the groundwork that must be undertaken when a plain front yard is changed into a garden. Most of the remaining chapters discuss different types of gardens - cottage gardens, minimalist gardens, small city gardens and so on. The writer presents each topic and then introduces gardeners who have developed variations on this theme. The final chapter "Overcoming Obstacles" shows how gardeners have coped with dry soil, steep gardens, a garden that must incorporate a fire hydrant or a power pole and so on. There is a reasonable resource list at the end.

This is a very useful book for people who are tired of the front lawn but don't know quite what else to do with the space. The approach is relaxed and personal and has examples of gardens from Ontario to Texas. The advice is practical, the illustrations are relevant and show the gardens at different seasons. The writer knows her topic thoroughly and has given us a very readable and attractive garden book.

Liz Primeau has written an inspiring guide that can help you transform that bland patch of lawn between street and house into a rich landscape. Front Yard Gardens tells the stories in words and beautiful photographs of dozens of front gardens in various styles. The gardeners behind these wonderful front yards have coped with budget and space constraints, although most have dedicated considerable time and energy to their projects. Almost all of the gardens are Canadian, a plus for those of us who live in colder zones: many books about front yards emphasize styles that can only be achieved in milder areas like Southern California, where gardens remain lush year-round. Ms. Primeau's book is refreshing because it deals with the strategic and emotional challenges of introducing a front garden into a neighborhood where front lawns are the norm. The book also discusses the evolution of these gardens over time, encouraging the reader to simply start somewhere and implicitly acknowledging that for an enthusiastic gardener, the garden is never "done." Liz Primeau has given us a terrific book, although she has omitted photos of front gardens in winter and as part of streetscapes.

So many gardening books focus on the high-end gardens of a few wealthy people. This book is practical, whimsical, and full of photographs and stories about real front-yard gardens. The owners have to contend with problems like streetlights, copycat neighbors, variances, etc., and many of them are redesigning and planting on a budget. This focus makes the book truly inspiring as well as useful. A great investment in getting rid of your boring lawn!

I love this book. Two years ago I was inspired by this book to rid my yard of lawn. I had a designer design a cottage style garden for my front and back yard. It took my kids 2 months to dig up all the grass and then we started working on the design. We were novice gardners, so along with this book and about 12 others we have completed our yard.
My neighbors who are lawn lovers, have been very interested in our progress.
We wave and smile at everyone who pass as we work in the yard, and this seemed to ease some of the neighbors anxiety about our odd doings.
The kids are now 18, 15, 13, 12, and 6, so seeing the whole family working together has been a big plus.
So far we are still the only family in our subdivision with no lawn, but We get nice comments,and see more people gardening.
I am asthmatic so no lawn mower fumes are great, and this is a great "green " project for the whole family, and the kids are so proud of themselves, and the positive feedback they get.
This is a very expensive investment in time and plants but worth it.

If you are not a Robert Utley fan you soon will be. This second in a two volume series, Utley shows once again why he is the king of frontier US history. This is an excellent piece of scholarship and writing.

Recounting the final, massive push by the Regular Army to subdue the American Indians, this volume covers the 25 years after the Civil War when control of the Plaines was wrested from the Indians, from the first skirmishes with the Sioux over the Bozeman Trail to the final defeat and subjugation in 1880.

Proud of the Unites States Army and is accomplishments while simultaneously sympathetic toward the Indians, Utley traces the campaign directed by Major General William Tecumseh Sherman. The result is a very evenhanded account resting comfortably between the "the barbaric band of butchers depicted in the humanitarian literature of the nineteenth century and the atonement literature of the twentieth." The people we meet are simply a group of ordinary men doing the very best they could under remarkably trying circumstances that were often under equipped and ill supplied.

A great deal has been written about the United States Army during the Civil War. But tales of the postwar army can be just as thrilling as stories from the war, though this portion of military history is, sadly, often overlooked. Robert Utley attempts to correct this oversight in this excellent book, which deals with the nature, structure, and activity of the portion of the army engaged on the frontier from immediately after the Civil War until Wounded Knee. Arranged in an order that is easy to follow and is logical if not always strictly chronological, each major military operation against the Native Americans is handled with skill and sufficient detail. The result is a fascinating look at the army as a whole.

The main value of this book lies in the fact that it provides an outstanding overview of military operations as a whole (as opposed to books that treat just one battle or campaign). The work fills in many holes that will undoubtedly exist for anyone who has studied a part of the Indian Wars, and who would like to have a more general overview available to them. Anyone who has studied the Little Bighorn, for example, will find in this book a wealth of information that will explain in great detail many of the factors that led up to that action and also many of its ramifications. This book is essential to any study of Western history, especially military history.

Robert M. Utley offers the sequel to his _Frontiersmen in Blue: The United States Army and the Indian 1848-1865_. In this second installment, Utley attempts to eradicate the myth of the frontier Army as blazing a path of glory westward that has been portrayed in Hollywood movies. Rather, he argues the frontier regular Army was only one of several contributing factors to the subjugation of the Native Americans. Other determinants such as westward expansion by waves of immigrants, and professional buffalo hunters attributed as much, if not more, to the Indian demise as did the soldiers. In a sense, Utley offers the antithesis to Dee Brown's _Bury My Heart at Wounded Knee_. The author highlights the Army's role as a frontier police force carrying out civilian policy that lacked cohesive strategy against the Native Americans. Utley begins with a general survey of the United States Army in the post-Civil War years. The author outlines the relationship between the War Department, its near autonomous bureaus, Congress, and the Executive Branch, with brief discussions into the tenures of Generals Ulysses S. Grant, William T. Sherman, command-staff functions, and logistics. Chapters on weapons & equipment, and outpost life round out the first half of the book. Utley remains objective and unsympathetic at times to Blue Coat and Indian alike. For example, in his discussion of General George Armstrong Custer's defeat at the Little Big Horn, Utley, a noted Custer scholar, blames the boy general for the debacle. The author cites several reasons for the defeat of the 7th Cavalry. On the surrender of Geronimo in 1886, Utley credits both Generals George Crook and General Nelson Miles equally for their improvisations in overcoming logistical hardships in the harsh Sierra Madre Mountains. Acknowledging that the elimination of the Chiricahua Apache from Arizona was the prerequisite for re-establishing peace to the area, Utley does not sympathize with Geronimo's plight. It was only after the removal of the Chiricahuas, hostile and neutral alike, argues Utley, that peace was finally brought to the Southwest. In the final episode of the Indian wars: Wounded Knee, Utley engages in mere semantics. The author depicts Wounded Knee as a "tragedy" not a "massacre," the term generally preferred by the Indians. Utley feels the idiom inappropriate because "massacre," points to "deliberate and indiscriminate slaughter" which, he feels this occurrence was not. Utley believes, the soldiers tried to restrain from firing on women and children, however, in the melee, hitting innocent non-combatants was unavoidable. In the chapter titled "The Problem of Doctrine," Utley sees the Indian wars of the late nineteenth century through lensesmirroring the war in Vietnam (this book was first published in 1973). Utley observes the U.S. Army applied conventional tactics in an unconventional war. He illustrates how hostile Indians were oftentimes indistinguishable from peaceful reservation Indians. The hostiles utilized guerrilla tactics-hit and run raids and disappeared into the night. By day, the warrior factions would easily blend back into the general Indian population. If this be the case, it can be argued that the United States military had learned nothing from its own history. Robert M.Utley, often seen on the History Channel, and preeminent military historian of the period, has once again consulted a vast array of archival material. His evidence is equally balanced between primary and secondary sources, with endnotes after every chapter. The author consults an impressive collection of Government documents including a detailed list of Congressional and Senate papers in an impressive bibliography. Generous, easy to read maps, and a peppering of period photographs make this an essential addition to any library.

Utley does an excellent job of showing what post-Civil War Indian fighters faced. First was the transition from the Union Army fighting Confederates to the U.S. Army fighting Indians.

Utley documents how that work was made much harder by the cheapness of the War Department and Congress. Downsizing the Army drastically to save money wasn't enough. Congress stuck most the infantry with leftover muzzleloaders rather than repeaters, meaning that their Indian foes usually (Winchester-armed themselves) could bring superior firepower to bear.

Meanwhile, the frontier Army had to go through the twists and turns of War Department, or Interior Department, twists and turns on Indian dealings, and in different high-level officers having different approaches not just to Indian fighting but to Indian truce and treaty negotiations.

Meanwhile, the grunt work, as typical, was to be done by the infantryman, not the cavalryman.

Read the whole story of his struggle to do his job in this book.

This is a good book about the US Army, Indians and the early west after the civil war. It follows events and gives points of view that are not clouded by the normal politics or attitudes. It is a clear account with facts, the probable intentions based on facts, and the actions. It allows the reader to get a good sense of the period and actions. The book gives enough detail to back up the facts but does not go overboard. This is a good start at studying the time period and the US Army at the time. Being into history, it was highly informative. It is a great book for those who want to read about the period but not get heavily into research. It goes deeper than just a brief summary but I think it gives just enough to allow understanding. It is easy to read and flows from chapter to chapter.

Until very recently, there were no large press picture books about contemporary Native children written by Indian authors. For this reason, Jingle Dancer is particularly notable. The story of Jenna, a member of the Muscogee (Creek) Nation living with her family in Oklahoma, is written by a Native author. Rather than focusing exclusively on Jenna's Indian identity, however, the book presents Jenna as an average American kid, living in suburbia, who calls on her Native sensibilities and her broad community of supportive females to overcome a problem as she tries to put together her regalia for the Jingle Dance. Readers who are not familiar with the customs presented here will learn much, but above all, they will learn that Indian children are alive, well, and living rich lives amongst them, a lesson infrequently taught, and rarely so pleasantly. Rich, bright, cheerful watercolor illustrations by husband-and-wife team Cornelius Van Wright and Ying-Hwa Hu enhance the presentation and bring Jenna to life. A significantly informative Author's Note and Glossary make the book even more effective.

What? No teepees or war paint? Bravo! Cynthia Leitich Smith's JINGLE DANCER is a refreshing story about a Muscogee-Ojibway girl wanting to participate in a powwow by performing a traditional dance. This contemporary picture book story is free of the stereotypes sometimes associated with Native American tales, and instead shows Jenna watching her grandma dance on a video tape, visiting a friend in a new duplex in the community, and talking with her lawyer aunt. The reader is also introduced to information about a traditional story, game, foods, and dance. Smith's lyrical narrative and captivating story makes this a perfect read-a-loud -- as my five-year-old daughter will attest to. As an Asian-American, I'm always thrilled to see contemporary stories with multicultural characters shown in real and positive ways.

Beautiful illustrations by Cornelius Van Wright and Ying-Hwa Hu!

Cynthia Leitich Smith's, JINGLE DANCER, is a delightful book. Ms. Smith weaves a lovely story of the strong female ties in Native Ameicans matriarchal societies. Smith celebrates the loving, sharing spirit of friends and families. The passages of Jenna dancing through her day from dawn to moonlight are pure poetry. Cornelius Van Wright's and Ying-Hwa Hu's bright lively illustration are a perfect match. Cynthia Leitich Smith's writing is to be applauded as a great addition to the world of children's books.

Watching her own grandmother dance the traditional jingledance,Jenna hopes to carry on the proud tradition.

In order to makeher own dress "sing," however, Jenna will need four rows of jingles. There isn't enough time before the next powwow to mail- order the tin beads, but Jenna doesn't loose faith. A Muskogee Creek story about a bat that she is told by her Great Aunt Sis shows that no one is too little to make a difference.

Rising sunlight reached through a window pane and flashed against... what was it, hanging in Aunt Sis's bedroom? Jingles on a dress too long quiet. "May I borrow enough jingles to make a row? Jenna asked, not wanting to take so many that Aunt Sis's dress would lose its voice. "You may," Aunt Sis answered, rubbing her calves. "My legs don't work so good anymore. Will you dance for me?" "I will," said Jenna with a kiss on Aunt Sis's cheek. Now Jenna's dress needed three more rows.

With the assistance of those in her community who cannot dance at the powwow, Jenna finds enough spare jingles to make her dress sing. With patience and practice, her hope is fulfilled.

In JINGLE DANCER, Cynthia Leitich Smith honors the tradition of jingle dancing, a ritual of the Muscogee (Creek) Nation, which has been celebrated for generations. Jenna is a delightful, ambitious child with great pride---a wonderful heroine for this picture book story. Not only does the author capture the feel of Native American heritage through the exposition and resolution of the story, but she adds to the mood by using the position of the sun in the sky to describe the passing of time within it. The author's note at the end of this picture book provides the fascinating background to this custom.

Cornelius Van Wright and Ying-Hwa Hu's brilliant watercolor illustrations are the perfect medium in which to bring this endearing Native American story to life.

A reading of JINGLE DANCER is sure to inspire a jingle in the reader's heart.

Writers Moon reViews (WritersMoon@aol.com) P.O. Box 182, Nesconset, NY 11767-0182 Copyright (c) 2000 Lynne Remick LynnRemick@aol.com) Reprinted with permission from Lynne Remick and Fantasy, Folklore & Fairytales