Titles Books

This is a great book to read. As soon as I started reading this book and could not stop. When I was reading THE TEDDY BEAR HABIT it felt like a movie and if I stopped reading, I missed the whole book. I also read the sequel called RICH AND FAMOUS and it was also good. I think that THE TEDDY BEAR HABIT is better because it has a new character and a new plot. This book is funny and sad. Once again you should definetly read this book-and it's sequel!!!!

George Stable has a problem. George is twelve and still needs his teddy bear to make him not nervous when he sings. George wants to become a rock starbut on his journey he discovers a problem. There's a case of stolen jewels. I really liked this book because it was like a roller coaster. There were some really good parts and some really bad parts. You can't tell what happens around the corner! I would recommend this book to people who like teddy bears. I can't wait to get the sequal.

This is my favorite book from childhood.
George Stable is an amazing character. He is introspective and self-depricatory, creative and extremely perceptive. Somehow Collier makes his character believable despite George's young age.
I love the humor in the book; the crazed bohemian artist of a father, the strange world inhabited by child performers and their dreadful parents, and criminals who can never seem to do anything right.
The illustrations by Lee Lorenz are wonderful. Mr. Lorenz was a cartoonist for the New Yorker AND had graduated from my high school. I decided to use an excerpt from the book as my Senior Year Book quote.

Back when I was in grammar school (I'm 45 now), my teacher asked me what I would like to read. I had friends who liked Tom Swift and Nancy Drew but I did not have a preference nor a love of reading. She handed me this book and said I would like it. She was absolutely right. I was so wrapped up in it that I read it over one weekend and asked if I could borrow it again. I read the book three times and was hooked. It was the first time that I was able to "see" the story as I was reading.

Within a few months I was devouring every book I could get my hands on and have every since. Seeing this entry made me very nostalgic. A great, great book for getting your kids to read.

I had this book (1973 edition illustrated by L. Lorenz) as a child and recently dragged it out to read to my 9-year-old son at bedtime. He typically prefers nonfiction (yes, we read that too), but I thought he might like this one. He's loving it! I've had to explain a few things -- like the late 60's slang sprinkled through, and why live TV was such a big deal, and George's dad's obsession with Jackson Pollack -- but he gets it, and we've had some great discussions about popular culture, modern art, self-confidence, placebos, and what makes a family. We are both amused by George's frequent exaggerations, like "Pop would have me drawn and quartered on Mondays, Wednesdays, and Fridays, and tortured on opposite days." And then, of course, there's the gripping story of George's run-in with jewel thieves. Will he get out of this alive? Will the teddy? Will George ever become a winner? Of course -- and so is this book.

Eugene O'Neill is definitely one of the greatest playwrights of all time. I saw Long Days Journey Into Night a few years ago and was just struck by the true dysfunctional family that hearkens to society of today.

Moon takes a character from that great play, James Tyrone, Jr, (who incidentally is O'Neill's brother -- the entire play is autobiographical in nature) and draws readers into the tragic world of the Hogans, and Tyrone. The raw emotions of the characters become apparent with the read -- a difficult thing to do for readers if they have not seen the play -- and also is startling honest about how jealousy, fear and desperation all meld into one.

Definitely a must read, if you want to consider yourself in the know of American literature, but Moon does at times seem trying, with blatant symbolism(the moon is quite noticeable throughout the play) scratching at the reader.

Sometimes plays are rediscovered after what seems to be utter failure, a valuable insight for all, I think. O'Neill's A Moon for the Misbegotten was rejected by pre-Broadway audiences in Michigan and Ohio in the 1940s, effectively preventing the play from having a New York premiere during the author's lifetime. In each of the following two decades, attempts at New York productions failed. It took Jason Robards and Colleen Dewhurst to ignite the play for New York in the 1970s, under the direction of the legendary Jose Quintero.

O'Neill's playwriting career is oddly similar to that of Sam Shepard: He had an early series of realistic short plays, followed by a period of experiment, when he explored a variety of artistic impulses and writing styles. Eventually, he wrote a handful of plays, rooted in realism, sometimes autobiographical, which revealed, nevertheless, what he'd learned through experiment. In the best of these, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten, O'Neill built vehicles of immense emotional power with psychologically rich characters and fairly organic plots.

MOON revolves around the Irish-American earth mother, Josie Hogan, a tall, rough-hewn woman, who promotes a course image of herself to cover a fragile and vulnerable interior. The other two "imposters" of the play are her father, Phil Hogan, and the landlord of their tired Connecticut farm, James Tyrone (based on O'Neill's brother), a third-rate Broadway actor, who has drunk his life away, chasing loose women and acting a fool. Nevertheless, Josie secretly harbors feelings for him. The play hinges on what happens when her father, through a clever, inebriated deception, convinces her to blackmail Tyrone into selling them the farm rather than selling it to their rich, obnoxious neighbor (for a much higher price). The subterfuge leads to one of the most poignant love scenes in American dramatic literature, as Josie and Jim Tyrone discover that they know and understand the person beneath the mask better than they each thought, and it's still not enough to unite them.

O'Neill's original title for the play was The Moon Bore Twins. We can be grateful for the change, though the original title does carry a measure of insight with it, for Josie and Tyrone are, if not identical twins psychologically, at least inversions of the same chord-doomed to occupy separate, mutually exclusive worlds.

The play contains an amazing shift of tone from the first half to the last half. In act one and two we are treated to a rather comic display of Irish inflected patter between Josie, her father, and the rest of the five characters. In the last two acts, the tone becomes more serious and bittersweet, which may explain why it took so long for audiences to catch up with it. The play definitely catches the viewer or reader off guard ... wishing that these two ne'er-do-wells could save each other from the future they have each envisioned. O'Neill's revised title says a lot about the play, for Moon is not as dark as Long Day's Journey, nor as demanding as Iceman, but it is O'Neill deploying all his gifts as a dramatist, writing fully realized roles containing emotional power, wit, humor, and pathos. His language reflects people who are driven to speak to stay alive. No one is writing like this today, except perhaps August Wilson.

O'Neill's "last" play, written and revised several times concurrently with his other four late plays, never made it to Broadway during his lifetime. After a lukewarmly received tour through the Midwest, O'Neill became dissatisfied with the production, in part because he was increasingly in poor health and also because he was never happy with the play to begin with. He finally gave up on the work, and published it with a curt, apologetic prefatory note, saying "I cannot presently give it the attention required for appropriate presentation."

In spite of its inauspicious beginnings, many consider it his greatest work. I reserve that laurel for "Long Day's Journey," but of all O'Neill's works, this one reads as well on the page as it looks on the stage. Its lead character, James Tyrone, is a thinly disguised version of O'Neill's brother, who drank himself to death in a sanatorium the year after their mother died. O'Neill resurrects his brother for the theater and throws him drunkenly into the arms of an impossible match: Josie Hogan, the daughter of a tenant living on land he inherited. She is, perhaps, O'Neill's most fully fleshed female lead--literally and figuratively. Strong-willed and strong-armed, she simultaneously flaunts and scorns her reputation as a "terrible wanton woman" (an image that is more invented than real), but it is immediately obvious that her true love is Tyrone himself.

The plot of the play rests on a swindle planned by Josie and her father, who mistakenly believe that Tyrone plans to sell their land to an insufferably pampered blueblood from the neighborhood. Their attempt at conning Tyrone with alcohol and blackmail, which resembles a tawdry version of every outrageous scheme concocted by Lucy Ricardo, quickly misfires as a half-comic caper that brings to all concerned a melancholy (but not exactly tragic) sense of loss and wistfulness.

You can see O'Neill struggling to redeem the brother he loved but never quite understood or forgave. But it is Josie who ultimately wins the audience's affections and sympathy.

I loved this play the first second i saw it on broadway. it gave me vibrations all over my body every time Cherry Jones said a line. It was an amazing story of true love and to give yourself over to someyone. And talking to Hope Davis made me cry after, because she said to me "I've never seen love so strong." I do hope you give Eugene O'Neill a chance and buy this amazing play. And try to see any production of his work being broadway or smaller productions. Thank you!

I saw the play on Broadway back in May 2000. If Eugene O'Neill's ghost were walking the aisles of the theater that night he would be proud of the performance that night. The play is timeless as it is cherished as the best love story created. The actors were superb in their portrayal of O'Neill's character. Gabriel Byrne was excellent in his role as James Tyrone the sometimes actor, full time drunken landlord of Phil Hogan (played by Roy Dotrice) and Josie Hogan (played by Cherry Jones). Cherry Jones' character Josie brought out a beautiful heart of a hulking frame of a woman with a reputation of being ornery like her father, who longs for the man she loves, James Tyrone. Every moment is the ebb tide of emotion stirring in the hearts of the two misbegotten crossed lovers. Even to the very end, of the misfortunate disappointment it will stop your heart and make you take a deeper breath again.

To begin with, several adjectives to describe this wonderful book: 1.) candid, 2.) inspiring, 3.) poetic, 4.) instructional, 5.) spiritual, 6.) humanitarian, 7.) humorous, 8.) compassionate, 9.) courageous. From what I gather, it took Capra approximately three years to write this book, and what book it is. To be honest, this book is perhaps one of the best pieces of work we might ever have about the legendary director, the course of the twentieth century, and the people who have helped shape the film industry. This book demystifies the often deified directors, actors, moguls that ruled Hollywood during the golden age, reminding us of the universal bonds of humanity that link us all to each other. In many ways, it reads like a Frank Capra movie -- life-affirming to the end. For the younger generation (X'ers and Y'ers) who might question the values of their fathers' generation, this book is a must read. Underline this fact several times because when Capra takes you into his fold and shares his world, it is an experience you won't likely forget. Most history books seem to be written with a detached sense of objectivity from an supposedly impartial historian. The results of such labor is often an uninspiring book that keeps the reader at arm's length from the fascinating history, often boring the reader to no end. No so with Capra's autobiography. Capra reminds the reader that people are still simply people, no matter what generation, no matter which occupation. There are always going to be saints, martyrs, bullies, intellectuals, clowns, idiots in every walk of life. Such an example can be seen when Capra served in World War II and was privy to a touching moment with the great Admiral Nimitz. The old war hero had just come back from seeing three thousand men he had sent off to war -- some of them now without limbs, others without faces, yet all of them saluting him and thanking him from the bottom of their hearts. Nimitz broke down and wept, his shoulders so burdened by the sadness of his men's suffering. Hitting his desk over and over again the Admiral cursed the war with ever fiber in his being. After a brief moment to recompose himself Nimitz thanked Capra for being in the same room... allowing one tortured soul to connect and draw strength from another. Personally, it is easy to find yourself laughing when he laughs and crying when he cries. Like all classic works of literature, this book is so fresh in content, that it inspires the reader to look into his/her own heart and find the beating pulse of humanity and to take pride in the fact that one such as Capra was able to do so much through his films. I look forward to reading this book again and again. And perhaps, others will agree and do likewise.

Frank Capra's superb autobiography provides loads of fascinating information about the film industry during a thriving period, when he was one of filmdom's most popular and successful figures, as well as about the mindset of this intriguing man of accomplishment. What is refreshing, along with his basic candor, is that despite his enormous success he retains a humble and highly humane touch.

Some of the most humorous anecdotes of "Name Above the Title" involve madcap, always colorful Columbia boss Harry Cohn, who took his Gower Street studio from the ranks of "Poverty Row" to the that of a giant. Capra helped significantly with box office smashes such as "It Happened One Night", "Mr. Smith Goes to Washington","Lost Horizon" and "Meet John Doe." It took awhile, but the Capra film which has soared to top spot in the hearts and minds of the public was the 1946 release starring Jimmy Stewart, "It's a Wonderful Life." The star was so enthused about the story that he pitched it personally to Capra after driving over to his house. Capra relates the time that he begged Cohn not to drop a struggling young cartoonist from the Columbia payroll, predicting that he would be sorry. Capra was right as the cartoonist was a young, meek Iowa farm boy named Walt Disney.

One of Capra's great contributions was directing and producing the excellent World War Two documentary series "Why We Fight." He tells about being called into the office of Army Chief of Staff, General George C. Marshall, who asked him to undertake the project. "But I've never done a documentary!" a surprised Capra replied. Marshall pointed out that he had never run an army before either, and that the American way during the critical war period was for citizens to learn jobs with which they were previously unfamiliar. Capra saw Marshall's logic and the rest is history.

This autobiography is fascinating enough for the interesting information about Capra's life. What makes it even better is that you are reading the revelations of a good man who did his best to instill positive values into his films, and to help in his distinctive way to make America a better country.

I have read many, many books on Hollywood and auto/biographies in general and this book ranks as one of the best ever. It is a very entertaining book that doubles as a great history of Hollywood through its golden age. Capra interacted with Hollywood's legends and reports in a funny, candid and emotional way his dealings with the likes of Harry Cohn, Sinatra, Disney, Monroe and many more stars of the thirties and forties. Do not think the book is dated: yes, some of the names are meaningless to us today but the perspetive and lessons contained in every single page are timeless. this book tells you better than any others how movies are made or should be made...

From the opening chapter which describes the incredible saga of how this man (as a young child) and his poor Sicilian family managed to come to America, to the end of his inspiring life and his brilliant career when he suffered cluster headaches so severe he could barely function, but kept his head up, this book captivated me. Capra exemplifies the American Dream, where a poor immigrant can become anything he sets his mind to be. Especially significant is his pure and honest soul. This book is SO inspiring.

I cannot figure out which is more amazing and inspiring: the man, his films, his life or his autobiography.
Every autobiography will pale in comparison after you read this one. Frank's book should come with a
warning that he will open your mind, transform your relationship with films, and ultimatley find a place of permanent endearing love in your heart! Friends don't let friends go into the Light, without reading this book,
as I am sure, it is required reading in Heaven!

Frank's biggest fan, Vaishali, author of "You Are What You Love."

After adopting a kitten recently, I began to be haunted by a Tomi Ungerer book from my long distant past. I finally recalled - No Kiss For Mother - our little Grey Poupon looks exactly like Piper, LOL. Thank goodness he did not get his personality!

What a nice thing to have this book come back to my memory. I went through a period in my early 20's where I adored Tomi Ungerer. In my day, children's books featured families nothing like my own, and I think books like this were as good as a therapist once I discovered them. All Ungerer's books have the truth drawn into the corners, where a bedtime reading parent will note them, but they also have the basic child friendly story on the surface. I think children see what they need to see and are ready to see in them, which is so different from the vulgar fare they are often treated to now. No Kiss For Mother isn't pretty (hey, and there's not much kissing in it either!) but it is real, and the author/illustrator has a genius for making the real funny, even for those of us who are doomed to live it. On top of that, there is always the child version and the adult version of the same story, which are often very different in Ungerer's books as in real life.

No Kiss For Mother intrigues me to this day and my kids, a girl and boy, are well into their thirties and still marvel at this book. In some ways, this is a very violent book. MaMa Kitty actually slaps Piper, her beloved son. She has a terrible day and loses her temper and makes a bad mistake in her mothering--MaMa Kitty is flawed! MaMa Kitty, even though she adores the ever-misbehaving Piper, is not the perfect mother. This simply stunned my kids, especially my son. Piper "withholds" his kisses out of spite, Piper holds his mom hostage emotionally, Piper willfully deceives his father, Piper "acts out" in school--my kids' eyes were HUGE! Piper is a bad boy, but Piper is also a REAL boy, and he's a caring boy, too. My son so loved this book that if we went to the library and it was checked out, he was devastated! I have bought several copies of this book for my kids and their friends and nearly everyone I know who has grandchildren. It actually sort of gives kids "permission" to be their real, flawed selves and still be forgiven and loved. It's extremely honest and complex, as is life. It has value well into adulthood, in my view. LOVE IT!

This little gem of a children's book addresses the sometimes difficult relationships between parents and children with a dark humor that is hard to ignore. I have owned my copy of this book for years, and it has enough complexity to provide new meaning each time I read it. I have always found Piper Paw's world somewhat grim--perhaps the smudgey, black and white illustrations have something to do with this. His relationship with his parents, teachers and schoolmates is so antagonistic that I begin to wonder what made him so incapable of love--this of course is a conclusion I have reached recently, and not when I first read the book as a pre-teen. But Piper comes around at the end, if not completely, at least to a level of compromise that he can live with, which includes no kissing. Because of Piper's antics and some of the more bizarre illustrations, I would recommend this book for kids 9 years and older.

My mother used to love to read this to me when I was a kid; we still have one of the earlier issues.

I'm glad it was re-released. It's a classic: recommended for adults as well as children.

This is my absolute favorite Children's book! Growing up as a child, I would read this several times each summer and would laugh for hours at the expressions and the illustrations. The illustrations are brilliant. I think that deep down, we all share the desire to be as mischievous as Piper.

My five year old loved this book and has read it several times. The pictures are very cool and make the time soldiers more realistic.

"Rex", the first of the Time Soldier series by Robert Gould is a well written and beautifully photographed kid's adventure story in the time of the dinosaurs. Five boys and a girl travel back into a prehistoric age through a time warp portal in their neighborhood forest. "Rex" is written at an appropriate reading level for elementary age children and contains educational facts on dinosaurs and their environment. The younger children can concentrate on the excellent photography if they are not yet up to the reading level, while the older children can learn new vocabulary from reading the text. The fantastic computer generated images of the dinosaurs are very detailed, down to the wrinkles on the hides and gleam in their eyes. The story line emphasizes the friends helping each to survive the difficulties that they encounter. I highly recommend this book for elementary school age children.

I really love Rex 1 and Rex 2. The books are visually stunning and wonderfully written. These books make kids want to read them and I enjoyed reading them, too. The Books are exiting and good-clean fun. I am keeping a set for my daughter and myself and gave copies as gifts to my friend's son and my nephew. I hope we can look forward to a Rex 3! -Aleta

My mother's testimonial is absolutely true. I am an absolute fossil fan - dedicated to anything dinosaur. I have read my share of good dino and adventure books, and I would rate both Rex and Rex 2 as being among the top best for kids (as well as for everyone else). I am fifteen, with a seven year old cousin, and we both absolutely love the series. Unlike most children's tales, it is not "dumbed down" nor dull in any way. It is creatively exiting, fun, and even a little misterious. The artwork is incredible, using superimposed images of real and artistically drawn creatures. The unusual perspectives and beautiful artwork in Rex 2 alone makes this book worthy of any youngster's library. But, above all, the stories are what give the books their unique charm. The harrowing adventures of the boys in delightful situations such as exploring a Cretaceous forest or having to track down a tyrannosaurus rex in an jungle known as a city have enough activities and goings-on that you get wrapped into the action. In addition, you will not see a T.Rex eating frightened victims or destroying buildings for the fun of it; you will see a prehistoric monarch acting like what it really was ... a magnificant and powerful animal of times long gone. I would undeniably rate these stories as the crem-de-la-crem of children's books. -Inga

As a teacher in the east county of San Diego I have just used this book with my class and it was a huge success. The children and the adults in my class were quite taken with the local connection. They enjoyed realizing that the photos were taken close to home and the story kept their interest. It was fun to read and to listen to. I met the authors and they were very informative and I enjoyed talking with them.
Thanks

I was shown this book by a family member just before my grandchildren came to visit from across the country. My grandson is 6 years old and had not yet entered the first grade. All it took was a look at the cover and he was into it.
He studied each of the pages and turned to me with a desperate voice (while holding my face with his hands and making me look into his eyes)"TEACH ME TO READ GRANDMA! I want to know what they are doing"!
Well, I think that says it all. This is a kid that does not sit still for a minute and here he was asking to learn to read!
The concept of photography of real kids, and the fabulous graphic arts, really drew my little guy into the book. I am hoping there are more to come. Books about "Time Soldiers" and grandchildren! tee hee...

This book has a lot of valuable information for anyone interested in the Templars. It has historical information in the preface and appendix and its content has every single rule the Knights of the Temple followed. It has every single battle rule and the everyday life activities of templars. The sins and the penitence, how to be admitted and the admittance ritual. How to get a counsil toghether, everything they were supposed to do. I suggest that if you are interested either in Templars or in the Dark Ages, you ought to buy this book.

This English translation of the French "Rule" of the Templars is an essential reference for all students of the Templars, and of the history of "related" organizations such as Freemasonry. The "Reception" ritual will be of special interest to Freemason's, as parts of it are hauntingly familiar.

Excellent. No doubt already on the shelves of those interested in this Medieval Catholic military lay religious order.
For the uninitiated reader, first read the Introduction, Primitive Rule, and Appendix. Then, the rest. To a reader for whom the Templars are "knights who fought in the crusades,"
the Rule will seem most unexpectedly profuse in dwelling upon internal monastic disciplines, religious guidelines, and personal observances. Regulations addressing military issues and a Knight's behavior in the field are present.
An appendix, coordinated with references to the Rule, treats some of the military aspect, especially in regards to the use of armed mounted force and the order's rankings.
If unfamiliar with the Military Orders, it will be an eye-opener as to what the Catholic Church proposed for its monks.
If doing extended reading elsewhere, a reader will be startled at the surprise ending of that now supressed Order. I would alert those who do followup, not to confuse "Templar," as properly used for this group, with some current appropriators of that name, used for purposes of having mystique of lore & legend.

J.M. Upton-Ward has earned my eternal respect for the work presented here. The Rule, so vital to understanding the Order is clearly layed out and explained. Additional information is also included making this the one "must own" book for Templar scholars.

The Rule of the Templars: The French Text of the Rule of the Order of the Knights Templar, Judi Upton-Ward (Woodbridge, UK: The Boydell Press, 1992)

The myths surrounding the Knights Templar range from tales of great treasure to legends concerning a wealth of wisdom kept secret for a thousand years. Many have tried to discover what this great esoteric wisdom was, but, so far, no one has been able to 'decipher' any of the so-called 'clues' allegedly left behind by the Templars. These references to secret wisdom perhaps arose from the accusations of secrecy brought against the order during their trial. What many failed to recognize, or perhaps ignored, was that as a military order, the Templars had many reasons to keep their Rule, which governed their lives and their behavior in battle, a secret. Fortunately for us living nearly a thousand years later, we now have access to this 'secret knowledge' through Judi Upton-Ward's translation of the French version of the Rule, found in her book, The Rule of the Templars. In this work, Upton-Ward translates not only the Templars' Rule but also the statutes and includes an article by Matthew Bennett that discusses the military side of the Rule. In translating the Templar Rule from the vernacular, Upton-Ward points out that this work is just how the Templars themselves would have read it, straight from their native language, rather than being written in Latin by scholars who may not have know the military implications of what they were writing about. The importance of the French text lies here. This was a work written by and for the military men of the order for the purpose of governing their lives and ordering their behavior. Like any well-oiled military machine, it was necessary for the Rule to contain information on how to act on and off the field, information the Templars would not have wanted to fall into enemy hands.

What Upton-Ward accomplishes with her translation of the Templar Rule is an accessible look at the 'secret knowledge' of the Templars and a detailed look at the lives the Templars led, which, it turns out, actually closely paralleled the lives of other religious orders, which a few changes needed to accommodate the military nature of the Templars. The work is easy to read and geared to both scholars and pleasure readers alike.


Jennifer Regan and Dr. Carl Edwin Lindgren

The story was very captivating and the artwork was beautiful. I do recommend it to all families with young children. This book is certainly deserving 5 stars!

All of our children have grown up and are getting married but when my wife and I read Sleepytime Ponies Trick a Trickster we knew we had a wonderful bedtime storybook to read to our Grandkids whenever they come.

From one (hopeful) Grandpa to any others out there, trust me this is one book you'll be a winner with when you read to those grandchildren of yours.

I whole-heartily give it five star plus.

Marv

The debut title in a new series of read-aloud bedtime storybooks for children. Mother, Katie, and Ben are flown to Thailand by flying ponies. There they shop at a floating market, make their own kites, pursue Mouse Deer through the rain forest, and wonderfully enjoy themselves. Mouse Deer is a clever little southeast Asian character who can outwit and outrun just about everyone while playing tricks and practical jokes. Along with their new friend Napat, they all try to catch up with Mouse Deer and, with the help of the Sleepytime Ponies, beat him at his own game! An original story by Lana Jordan which is nicely enhanced with illustrations by the team of Kd Allen and Teresa Giraud, The Sleepytime Ponies Trick A Trickster will leave young readers enthusiastically awaiting the next thrilling and entertaining picturebook adventure with the Sleepytime Ponies.

Flying on their sleepytime ponies Ben, Katie and their mother take an adventure from their quiet little village known as Sleepyvale, located at the foot of Lullaby Mountain, to a far off land known as Thailand. Welcoming them to his home country, Napat eagerly informs them he plans to take them on a journey to the rain forest in search of a mouse deer, a very tricky creature.
During their travels he shows them some of the best sights along the way which include long green rows of rice paddies, a monkey city, wooden houses built on stilts and tropical beaches. They make a stop at Bangkok, the biggest city in Thailand, to shop on a floating market where they are privileged to taste sweet Thailand cuisine and hear captivating stories of mouse deer and his antics. Next, Napat takes the visitors to meet his mother and brothers where they'll create unique kites and participate in a contest.
This read-along storybook makes it possible for the reader to experience a rainstorm, meet up with crocodiles, tigers and elephants, which have been outsmarted by mouse deer, and finally construct a scheme of their own to trick this trickster.
The Sleepytime Ponies Trick a Trickster is a charming story with colorful illustrations that will surely captivate any child, stimulate their imagination and make learning an enjoyable experience. As a parent, grandparent and advocate for reading, I try and select books that contain the same valuable elements found here.

Children and parents alike will delight in this tale of fun and adventure with flying ponies, a crafty mouse deer, a tiger, a crocodile, and elephants. This read-aloud storybook is perfect for the child or grandchild who loves a bedtime story. This colorfully illustrated volume is sure to become well worn with bedtime use.

This book is translated by a person named N.J. Darwood. It's simply wonderful. The tales involved are tales of the Persian Gulf, of Bagdhad, Arabia, and tales that we as adults should revisit for some enjoyable light reading that will make us smile and wonder at the old folklore of the Arabian Peninsula. Sinbad the Sailor is in there, as is Aladdin in it's original form, and the story begins of a king who is so upset by his wife's unfaithfulness that he will now only accept virgins for one night and then have them killed. A smart virgin begins her night with the infamous king by telling him stories, and she so fascinates him and enthralls him with her tales that the tales turn into folklore for readers of the ages. I won't tell you what happens in the end to the virgin princess, but you will find humor, enchantment, wisdom and fantasy for those times when stress becomes a factor in your life. I highly recommend the tale of "The Historic Fart" as a both funny and inspiring tale of human nature. Please buy this book and remember to become a nine -12 year old again as you read with curiosity and wonder at the fabulous enchanting, lively stories. I was beginning to wish my children were a bit younger so I could read these to them. Any child would enjoy these stories, and any adult will find them simply relaxing and a reflection of medieval Islam.

This book is a selection of the choicest tales from the Thousand and One Nights. The translator, N.J. Dawood, also translated the Koran for the Penguin Classics series. Dawood explains in the introduction that the first of these tales appeared in a written form around 850 C.E., in a book called, "A Thousand Legends." More tales, of lesser quality, were added over the years until an anonymous editor in Cairo finally codified them in the 18th century. A French version of some of the stories appeared in the 17th century, and was followed by several English versions in the 19th century; the best known adaptation came from Sir Richard Burton, in 10 volumes. The stories are a mix of Arabic, Persian, and Indian tales and appear to have been written in response to classical Arabic literature. The Arabs do not consider them part of the classic canon, and after reading these stories, I can see why. They are aggressive and highly sexualized, and are loaded with sorcery, fantasy, and criticism of authority figures.

Whatever their origins and means of transmission, these are excellent and entertaining stories. I cannot think of one tale in this selection that I did not like. Included in the book is the instantly recognizable Aladdin story, as well as the Sinbad voyages. Other tales are just as interesting: "The Tale of the Hunchback," "The Tale of Judar and his Brothers," "The Porter and the Three Girls of Baghdad," and many others. Many of these stories are cycles; they have stories within stories, as characters in one story tell their own stories. At the end of the cycle, the story is cleverly wrapped up, usually with a happy ending. I do not think I need to go into detail about Aladdin or Sinbad, except to say that I was surprised to see Aladdin described as Chinese. Providing details to these stories would be useless anyway because they are so detailed as to be impervious to summary.

There is no doubt that many of these stories started as oral stories, and retained that shape into the written versions. The best example is the Sinbad cycle. All of the stories in this cycle are framed in the same way. This repetition made it easier to memorize the stories, or at least the basic outline. A good storyteller could take the frame and fill in the blanks with whatever his heart desired. You often see this kind of writing in the Bible.

Social roles and class play a large part in these stories. Women are presented as wily and dangerous, but not always. Several stories show men trying to pull fast ones on the ladies, with the results much to the detriment of the men. Many stories show how the high and mighty come crashing down, or how the lowly are elevated to great status. These movements are attributed to the grace or condemnation of Allah, and the characters all act out their movements with Allah close by.

You will not go wrong with this book. These are immensely entertaining stories for both children and adults, although you might want to find a toned down version for the kiddies. Why? I am thinking about the tale where a man and some women play "name that body part." My only criticism of this version is that the tale of "Ali Baba and the Forty Thieves" is absent. I have no idea why it is missing, but the book loses one star for this grave omission.

A collection of tales mostly of Persian, Indian, and Egyptian origin. Legend has it that Shahrazad, to prolong her life, told these tales to the king each night over 1,001 nights. In the end, the king let her lived as he had fallen in love with her. What a delightful legend!

In reality, these tales are most likely a collection that were handed down over time very much like folk tales in our Western world. They are fantastical stories in many cases involving jinnees and magical islands and far off lands and mysterious animals and beautiful women and enchanted lamps and....well, it goes on and on! There are some common themes: poor, common men become wealthy beyond their wildest dreams and eventually become kings, women are (usually) portrayed as deceitful and conniving, and at the center is religion.

An entertaining and fascinating book for children and adults, although there are some stories that might need to be monitored by adults for children - the stories can be a little bawdy! But there are so many good ones here, such as Sindbad and his voyages and Aladin. However, the other stories are just as entertaining, too, such as the hilarious Historical Fart and introspective The Dream. I'm normally not a fan of fantasy fiction, but these are easy to read and easy to follow and allow the read to let their imagination just go to the four winds. Wonderful book!

The stories in the Thousand and One Nights never seem to grow old and captivate readers, both young and old. Dawood's translations are faithfull to the original stories while giving a firm footing in the present. This is one of the most enjoyable books I've read in quite a while. If you think you know the stories of Aladdin, Sinbad the Sailor, or Ali Baba from movies then think again. These tales in their original form are timeless!

What a great book. These stories are extremely old from places such as Persia and India with a mostly arabic influence. The introduction gives great historical insight about the various tales. Of all the translated versions of these classic stories, and what was probably much more complicated original prose, I find Mr Dawood's translations simple and fun to read. The stories are rich with adventure and fantasy. Mr Dawood does an excellent job of keeping the stories down-to-earth and entertaining. Those who enjoy cryptic, esoteric literature will enjoy losing themselves in the intertwining stories of this book. With a simplistic style of story-telling, it is still intricate enough to keep one immersed. Those who already enjoy simple stories will be intrigued by the unique storylines and plots. For young, impressionable readers, the tales have no religious overtones or underlying political agenda and women are revered and respected. I first read this book when I was 12, and continue to enjoy and re-read the stories well into adulthood.

The beauty of this book is that so many letters, reviews, interviews etc. about/by so many artists are conveniently gathered in one place. On the whole, there isn't anything in here that you can't find elsewhere, such as in biographies of the individual artists. For example the letters contained in the opening section on "Post-Impressionism" from both Cezanne and Van Gogh are included in just about every biography on them.

The over-riding reason for buying this book is that so many are collected together. So, even for an artist that you might not like enough to go out and buy their biography, atleast you get an insight in to their thoughts/motives etc. In some cases this may spark your interest in a previously less favoured artist and appreciate their works from a new perspective.

Chipp covers all the main "isms" of modern art from Post-Impressionism (Cezanne) onwards. Each movement opens with a treatise detailing the main theories/artists/concepts/techniques that made it unique. This is followed by a comprehensive selection of articles/letters/interviews etc. concerning the main players i.e. the section of Expressionism includes writings from Nolde, Kandinsky, Kokoschka, Kirchner, Marc, Klee and Beckmann. One of my favourite pieces is by Stuart Davis. He's responding to a critic's recent review..."in your review you speak of your enthusiasm for my work and call me a "swell American painter". This attitude on your part I heartily approve, but you further state that my style is French and that if Picasso had never lived I would have had to think out a style of my own. Now is that nice Mr. McBride?" and off Davis goes in his defence. Superb.

Rather than reading about these various "isms" via the well meaning but often biased views of a expert art historian, here you get the views from the artists themselves.

For any art historians dealing with the modern art period this book has to be essential. And for general appreciators of art, as well as artists themselves, this book contains a wealth of information, and pays dividends to both intense study or just random browsing.

Since it's first publication in 1968 this book has formed the foundation of any respectable art library. I just checked the bibliography of more recent books on art history - this book is referenced extensively. In my opinion, if anyone is looking for an interesting and enjoyable introduction to the world of "Modern Art" they could do a lot worse than start here. And given the way that any one "ism" owes it's existence to the "isms" that came before it*, this almost reads like a novel.

*Regardless of Dali's utterances about Surrealism being a unique movement, unfounded by anything that came before, just go and have a look at the works of Hieronymous Bosch to see that wasn't the case.

Recommended!

Even if you are not interested in the arts but simply in thought process- I think you will find this book very interesting. You could say this is the history of modern art without pictures (although there are some pictures)- bringing the reader facinating insights into how different types of artists came to their philosophies of art, and of course, the world. Documented through personal letters, manifestos, and articles, the varity of different thoughts and beliefs catapolts just what art can be. To me it shows that art is a never ending universe of ideas- all connecting but all very individual just the same.

I just wanted to respond to the person before me. It sounds like contemporary art is way over your head. Please do not waist our time with long reviews about things you clearly do not understand.

How often had I looked at a painting of Van Gough and wondered what exactly was this great man thinking when he conceived and painted such a picture. Now by reading thru this excellent book, I can claw into the mind of artists themselves.

Not only educational, but inspiring. I not only learned about each artist and what when on during their time of certain artworks, but I was able to get inside their head. The words of the artist's in their letters were captivating. I was caught up in the reading. I especially enjoyed Matisse and Kandinsky. Kandinsky is very spiritual about his writing and gives a deep explanation of colors. Anyway, it is a great read. It was required for my history course, but I enjoyed it. Not very many in my class could understand what they were reading. I guess you not only need intellect, but sophistication. I liked it!

Kiesa Kay has drawn together heartfelt essays from parents, wisdom from school administrators, and research from many of the top experts in the field. It is an excellent resource woven together with intelligence and compassion. Parents, teachers, principals, counselors, and psychologists will all benefit from reading this book.

In Uniquely Gifted: Identifying And Meeting The Needs Of The Twice-Exceptional Student, Kiesa Kay has amassed a wealth of insightful, informative, and occasionally challenging contributions from some of the finest minds in this specialized area of modern education theory and practice. The contributed essays are divided into four major sections: Family Matters - Perspectives from Family Members; Teaching Strategies - Learning and Leadership; Research and Theory - Discovering Possibilities; Administrative Options - Working Together. A highly recommended addition to education studies reading lists, Uniquely Gifted is further enhanced for the reader with a bibliography, Sandra Berger's "Internet Resources for Expanding Options in the Classroom; George Betts and Jolene Kercher's "The Autonomous Learner Model"; a section of notes on the contributors, and a striking conclusion "If Not You, Who?".

This book teaches volumes in wonderfully written real-life stories from parents, teachers, and the children themselves.

It also has common-sense advice.

This book is like a breath of fresh air. It shows what "Gifted-LD" is REALLY like, with both compassion as well as respect. It gives permission to parents to address their child's NEEDS rather than go with what the "system" says.

I LOVE the unique perspectives presented, and I learned new USEFUL terminology that would have been so helpful in explaining to people why a highly gifted child, let alone one with an LD, might have unique educational needs.

I could not put this book down.

I'm not going to summarize the contents because others have done so. I am just going to say that this book, in my opinion, is far superior to many other books I've read on giftedness. That's because in this book, there is a very strong stress on treating children as individuals, rather than lumping them into a category called "gifted" (or moderately, profoundly, etc. etc. gifted) and then making generalizations about them. It's clear that a lot of research and painstaking effort went into the writing of this book, and it shows.

There are just a couple of things I would have liked to see. Sensory dysfunction is discussed, and so is dysgraphia and other learning/motor problems, but the impact of prematurity is never mentioned. I was a preemie (born at 29 weeks) and I have no depth perception, am very clumsy, and have trouble with my handwriting. This is not due to the sensory integration disorder described here - I've never been diagnosed with that and my muscle tone is normal. I've been told it's due to the poor motor skills, strabismus, etc. that often show up in children who were born prematurely.

I would have also liked to see more information on the impact of anxiety - one of the writers repeatedly states that the 2E children she works with are often quite anxious. That can impair school performance and test results.

The one essayist I disagreed with was the mother whose daughter had severe emotional problems. The mother blamed it all on school, although she was a single parent and there were likely other stresses. I'm not saying she was a bad mother or that school was OK, only that her analysis seemed too simplistic. She also states that her daughter could have gotten help by being declared as having emotional disturbances; the mother did not pursue this because of the stigma around labels of mental illness. While I understand that perspective, her daughter was hitting herself and banging her head against the wall. I have been a patient in the mental health system for some time, so I have experienced these issues. I have unfortunately found out that it's not enough to get treatment, because much of the help doesn't help. If one's "case" is complicated, it may be necessary to go through 5 or even 10 professionals before finding the one who can really help. That has been my experience. The mother states this as well, but she has a very high amount of anger towards the professionals who didn't help, which suggests to me that she may still not really have gotten the help she needed.

I understand that anger though. Boy, do I. I started treatment in 1988. I began *effective* treatment in 2001. In those 13 years, I went through 5 therapists, 2 psychiatrists, 1 psychiatrist consultant, 1 psychologist who administered IQ and personality testing, 1 hospital program, many support groups, and 2 aptitude tests, and at least a couple other professionals I saw on a short-term or one time only basis.

And a partridge in a pear tree. Just kidding.

Some of these helped to some degree; none was sufficient. I finally had to go to a therapist who had published several books and was very well-known. I assumed she wouldn't give me the time of day, but I got a very good referral.

I am still angry about the help that didn't help, *especially* because these professionals did not know or care enough to do a good referral. But now I am receiving excellent treatment, so I'm a lot less angry than I used to be. Although I still wish it hadn't taken 13 years to get there.

The fields of psychology and education are maturing (in at least *some* places) to reflect better research, and I hope someday others won't go through all this.

Anyone who has a twice exceptional child simply must buy this book. They are such an perplexing combinations: unusual and confusing, brilliant and constrained, with an unfortunate dose of 'needing what there ain't'. Simply helping them navigate childhood in one healthy piece is a challenge of mammoth proportions; seeing them reach their real potential can seem a distant dream. However, this book has just given us both a path and the guide book.

I have finally found the closest thing to an instruction manual for raising my son, and I needed it more desperately than I could ever say. Ms. Kay has done something of real significance. Many people write books - some are more helpful than others. She, however, has done something more momentous for parents like me. There are many things in that one book - something to clutch in the dark times of self-doubt - something to give to others showing glimmers of willingness to understand - a reference library for calm moments of learning - a "been there done that, survived it too" hug for the times when we just can't go another step. So much more.

The book doesn't preach, or prescribe - it gives options that have worked for others, insights that only come from years of desperate struggle, and hope that springs cautiously from the knowledge that others have been here, and survived.

If you have (or work with) a 2E child, or a "he's so clever, if he would just... " child, or a "I just don't know what we're going to do to help her" child, then order it now.