Titles Books

Based on protocols in this book, I devised methods to complete my own experiments. I found the insights contained in the book completely indispensable. The range of topics it contains and the detail with which Freshney explains each point made the process of designing conditions for experiments rational and approachable. I highly recommend this book.

There are not a lot of glossy pretty pictures, which is a good thing for a no-nonsense instruction manual that gets the point across with what pictures it did have. I found it to be a very good complement to my cell culture class. Everything I learned in the lab was put into context nicely.

I purchased this book with a description of like new. I would say this is new. The previous person who used this did not even break in the binder. This is an excellent reference book, I have enjoyed reading the text up to this point.

For many years Freshney's Culture of Animal Cells has been the gold standard of tissue culture reference books. This new edition adds and updates many techniques and continues to be the best book in its area. I use it extensively both for my own research and in teaching classes on tissue culture.

Freshney's Culture of Animal Cells is a great book. It is writen on an easy style, it is concise and complete at the same time and it does teach you all the basics (and a little bit more) of cell culture. When I was doing my masters I didn't have a lot of help with my cell culture experiments and this book was fundamental for my research. The book covers everything, starting from the biology of cultured cells, equipments, design of the lab and asseptic technique and going all the way to primary culture, cloning and selection, cell separation, characterization, differentiation and more. The book (hard cover) is pretty resistant and it easily stands going to the bench (where you surely will be using it a lot). If you are thinking about spending money on a book about cell culture techniques this is the book! Don't think twice.

I agree whole heartedly with the other reviews here, and merely wish to second their opinions. I bought my copy in 1960 and would never part with it. I still have crystal clear images in my mind from courant's exposition of the 1-1 correspondence between points of the real line and infinite decimals, his comment that all absolute convergence tests result from comparing with a known convergent object - either the geometric series or an integral, and his preface emphasizing "the chief task" of one who would pursue the study of Science: acquiring a firm grasp of the application of general principles in particular cases.

I have studied and taught calculus, advanced calculus, real and complex analysis, Riemann surfaces, differential equations, and differential manifolds both real and complex, for over 40 years, but anyone who reads thoroughly these 2 volumes and masters them will know more calculus than I do.

I am a pure mathematician, and I believe these volumes are highly recommended not just to physicists and engineers, but to anyone who would master their subject. I also love the book of Spivak, but after teaching from them together one summer, and comparing proofs, I concluded that Spivak himself probably learned the subject from Courant.

I will not say, as is common in reviewers of books on calculus, that this is the best book of calculus that there is. Indeed, calculus is a subject with so many textbooks that it can be said that there is no best textbook, but that each person can find one that suits his/her needs.

Nonetheless, Courant's book is an old text, around 70 years old. It belongs to these classics of science that were influential and held its own as a source of common knowledge. Why?

I believe that the answer to this question is simple: Courant's book has the perfect balance between theory and applications. It does not use too much pedantry in its exposition, is full of examples (for the student to do and also some worked-out), ranging from simple to very difficult, and yet it proves everything that is important in a way that no mathematician can complain. Indeed, the authors leaves the most difficult demonstrations to appendixes that can be found in each chapter, so the reader that doesn't want to enter into the complications of the proofs can skip them. And the book is written in a conversational style, that much probably influenced the book that, in my humble opinion, is the best that can be found treating the subjects it treats (so I also have my favourite calculus text: Spivak's Calculus!).

There are two volumes, the first one dealing mainly with calculus of one variable and the second with multivariate and complex analysis. It contains the core of the mathematical theory useful for physicists and engineers and has this that is amazing: it develops the theory and always gives good physical examples. Indeed, a whole course of theoretical physics is contained in this book, almost hidden.

So, if someone is reading this review and is in doubt whether the book is good or not, I can say, with the experience of having read a long list of calculus texts, that the book is good and is worth-while. It is useful to the mathematician and to the engineer, to the philosopher and to the physicist, and serves extremely well both as a text book for class study, self-study and for reference. If you are worried that the treatment is dated, I can say that, although today the most common treatment of, say, multivariate calculus is through linear algebra, that leaves the subject much cleaner, Courant's work still is of value in that it explains everything in as simple way as possible, mantaining always ahead the objectives of each section. It is essentially a book of applications of analysis and if you read and work the examples, you will turn yourself into an expert both in theory and application and will be able to follow easily any work that has classical analysis as prerequisite.

Great classical book!

Courant knows the art of writing a good preface. He attacks "diffuseness" and "pedantry" and aims at "exhibiting the close connection between analysis and its applications" and "to give due credit to intuition as the source of mathematical truth". The book also has a tone that is unusual today: Courant speaks to us the way a dignified, open-hearted professor speaks to an intelligent student. No rambling pretensions; just to-the-point, good mathematics. This is the perfect solid-as-they-come, timeless book on the calculus, and most likely it will never be surpassed in this domain. One must be warned, however, that this is a very serious book and reader-friendliness has lower priority than technical coherence and brilliance of formal organisation. The likely reader will know calculus already and use Courant for masterful, concise exposition of standard topics as well as a wealth of topics that have been watered out of most current calculus curricula (e.g., evolutes, involutes, envelopes, curvature, geodesics, centres of mass, the gamma function, the catenary, the cycloid, the lemniscate, the brachistochrone problem, Kepler's laws, Maxwell's equations, the zeta function, etc.). Everybody knows that all the usual calculus books, "reform" or not, are pathetic. But what is even worse is that there are no good alternatives even if one is prepared to dig deep into the library shelves in hope of finding an author who has not sacrificed his intellectual dignity at the altar of royalties. Take for example Serge Lang's books "A First Course in Calculus" and "Short Calculus". Lang is of course the virtual definition of the mainstream of respectable mathematics. Nevertheless, these books are soaked with the common formalistic attitude. In fact, as if his books had not finished the job, Lang adds an appendix to both books called "Physics and Mathematics", which very explicitly drives a wedge between physics and intuition and mathematics. Courant is a good antidote to such modern nonsense.

This is the best calculus text for aspiring physicists as well as applied mathematics students. However, don't know why Amazon sent the book with different front cover to me. It's not the one shown in the picture but rather a black cover--exactly the one seen on barnesandnoble with the same isbn. Although the covers are different, the content is the same.

This work has an honored place on my bookshelf. A colleague
recommended it to me when I was in school and I bought a copy after
looking at it in the school's library. It sits next to my copy of
"The Feynman Lectures in Physics". These are works you go to for
insight. I like Courant's mixture of physical examples with the
mathematics.

After encountering Courant's book for the first time, I remember
wondering why the first volume wasn't used as the textbook for the
typical year and a half of basic calculus. Then, as now, I can only
conclude that teachers probably think it's not watered down enough for
the students. Maybe it's a blessing in disguise to come across
Courant after you've been taught calculus from an uninspiring "modern"
text.

Everyone's needs are different, so take all reviews with a grain of
salt. As a working scientist/engineer, my primary use of the calculus
is as a tool to get things done, so I'm typically more interested in
learning the mechanics than getting a deep understanding like a
mathematician would. Courant works for this, yet still allows one
to dig in deeper when desired. It's still an awfully good book, even
if it is 70 years old.

I love this book! I'm 27 and I bought this book for my collection. I love faeries, but I especially love it when I find a sweet story with beautiful illustrations of the winged ones. The story reminds me of Cinderella meets Thumbellina. It really has a theme of its own and I didn't feel like I bought into another rendition of Cinderella. The illustrations are just precious. This is a treasure I will enjoy sharing with my children and grandchildren.

This is a truly great children's book. It is my favorite fairy story of all time, seriously. There is adventure and compassion, deceit and intrigue, princes and trolls--it's all there. Fia is a wingless fairy and stands in for all who feel incomplete. In a rare occurance in modern books, her father is her greatest advocate. Her best friends (other fairies shun her, including her seven beautiful sisters)--a frog a rat and a crow--are also considered outcasts. By chance or fate she meets the Fairy Prince without realizing his true identity and he invites her to the Great May Dance. Amidst the ensuing Cinderella story, Fia exhibits great fortitude in saving all the fairies from a troll who--in a great swash of irony--wants the fairies only for their pretty wings. She is aided in this endeavor by her outcast friends and they all gain the respect of the fairies through this act at once compassionate and courageous. The large and lavish watercolor illustrations are equal to the text in this first husband-and-wife collaboration. I cannot recommend a book more enthusiastically for it's genre.

I love this book! I'm 27 and I bought this book for my collection. I love faeries, but I especially love it when I find a sweet story with beautiful illustrations of the winged ones. The story reminds me of Cinderella meets Thumbellina. It really has a theme of its own and I didn't feel like I bought into another rendition of Cinderella. The illustrations are just precious. This is a treasure I will enjoy sharing with my children and grandchildren.

right into the magical world of fairies! I bought this book for my niece, but my son also enjoyed it. The illustrations are magnificent and even though the story is "Cinderella like" it goes on it's own course of events that kept us on the 'edge of our seats' till the end! Fia is beautiful on the inside and outside even though she isn't exactly like the other fairies. She might be dainty but she is courageous and brave! We highly recommend it.

This is the story of a little fairy named Fia, who, unlike all the other fairies, was born without wings. The other fairies tend to avoid her out of embarassment or discomfort, even her sisters. And while her parents are always loving, Fia must find her friends among the little animals. All this changes after she befriends one fairy boy, who later turns out to be the Prince; and after Fia bravely journeys to the Troll's cave to rescue all the other fairies, who have been captured by the Troll so that he might cut off their wings for his collection. Reminiscent of Rudolph the Reindeer, everyone changes their opinion of Fia after her heroism.

I read this story to my 4 1/2 year old daughter, and she really liked it. I imagine that this was primarily due to the wonderful, luminous illustrations. Although there are illustrations on every page, there is also a lot of text to go along with it, perhaps more than the patience of many younger kids can handle. The ideal ages would probably be from age 6 through 10.

The Complete Angler - Izaak Walton and Chalres Cotton

This book deserves a place in a collection of great angling books, such as those of John Geirach, Henry Middleton and Scott Waldie. It is really two books and an odd sort of middle section on property rights and fishing (funny how some issues have not changed much since the late 17th century). It has some wonderful discourses on not just fishing but the lifestyle and philosophy of fishing. There are some sections and descriptions that can be tedious but they minor compared to the overall wonderful dialogue of the majority of the book.

The first section is written by Izaak Walton and, to me, was Canterbury Tales-esque, is it's older English language (which is entertainingly preserved) and its format. Three travelers - a fisherman (angler), hunter and falconer meet. In the course of discussing the merits of their activities the angler convinces the hunter to come along fishing with him (after seeing a hunt with hounds). Over the course of a few days on the rivers of England, the angler turns the hunter to the quiet joys of angling. He goes through the fish in England and all the baits and methods of fishing for them as well as how to prepare each of them. I had never through of carp of chubs and fish to eat, but after some of the descriptions in this book, I may have to give the a second look someday. The first book is as much of a celebration of the social and contemplative nature of angling as it is descriptions and methods of fishing. Interspersed are encounters with the local farmers, milker and inn-keepers as well as the talking over of the days activities among friends. But the highlight of this first section, and in my opinion the entire book, is the parting words of the angler to the hunter of how angling is a life philosophy that departs sharply from the hustle and bustle of the capitalist life. The first book is replete with references to early Christianity and its admonitions against looking to wealth for happiness.

There is an odd middle section about property rights and fishing which serves as a rather odd bridge to Charles Cotton's section. This book focuses on fishing for trout and graylings in a small section of England. If found the wordy descriptions of the flies by month to be tedious and the lack of philosophical discussion of fishing to be a little disappointing of an end.

Five days of fishing along the river Lea which joins the Thames near London is the background on which the cheerful narrative of The Compleat Angler is laid. The splendid civil conversation of Latin named Piscator, Venator, Auceps, Viator, and Piscator Junior is a joy to hear. Shakespeare was just publishing his first work when Izaak Walton was born in 1593 in Stafford. Walton retired in his early fifties and traveled about rural England visiting friends, fishing, and writing in his easy-going fashion. After publication of The Compleat Angler in 1653 he continued to add to it in his leisurely way for the next quarter century. Samuel Johnson praised the book in the eighteenth century and later Charles Lamb recommended The Compleat Angler to Samuel Taylor Coleridge. 'It breathes the very spirit of innocence, purity, and simplicity of heart,' he noted. 'It would sweeten a man's temper at any time to read it; it would Christianise every angry, discordant passion; pray make yourself acquainted with it.'
The Compleat Angler is a true classic of English literature that owes it's esteem not to advice about fishing but to Izaak Walton's pre-occupations and exquisite manner. Subtitled The Contemplative Man's Recreation the pages glow with delight in the hills and dales, woods and streams of the beloved countryside. Walton conveys a message of meek thankful fellowship and peace to all "honest, civil, quiet men". 'The Compleat Angler is not about how to fish but about how to be,' said novelist Thomas McGuane. 'Walton spoke of an amiable mortality and rightness on the earth that has been envied by his readers for three hundred years.'

This is surely one of the earliest books available to the modern angler. But it's worth distinguishing 'anglers' from 'fishermen'. I take 'anglers' to be people who go after fish for fun or sport or pleasure and 'fishermen' to be people who go after fish for work.

The first thing to be said about Izaak Walton's book, is that it is a play followed by a text book. The second thing, is that it's in a foreign language even to the English, because it was first published in 1653 when the author was 60. A ripe old age in England in those days.

Walton was essentially a biographer. He got paid for it - often commissioned as a good artist might. He wrote 'The Life of Donne' - a poet who even I've heard of. He's alleged to have been a prosperous merchant, but it doesn't really matter. Great angling writers like Richard Walker were engineers. Old school writers like George Skues, were public school educated solicitors in London practices who took the train to the chalk streams of Winchester in Hampshire at weekends, tying flies as they went.

The play concerns three people who meet by chance and get into conversation about their interests. They're travelling at a walk, and so they lighten their journey with convoluted conversation. Before long, it develops into a bit of a competition. Walton is the angler (Piscator). Another gentleman is keen on falconry (Venator) and yet another is keen on hunting (Auceps).

If you tire of 17th century banter, skip forward to the chapters on each particular species of fish, which will ring true immediately. To me it's a revelation that these friendly old fish will still fall for the same tricks as Walton was playing on their ancestors over 350 years ago.

Three hundred fifty years ago Izaak Walton wrote of the curious blend of inner peace and giddy excitement which the amateur naturalist finds at streamside. He invites us to stroll with him through the countryside, discussing the mythology, superstition, and the science of England's aquatic fauna. It is an unrushed journey, though we often arise at sunrise, and the author introduces us to many of the local inhabitants. Indeed, if our fishing is successful, we might exchange our catch for the song of a pretty milkmaid. The Compleat Angler is a brief book, and Walton's intent is to hook the reader, and encourage him to try fishing for himself: "I do not undertake to say all that is known...but I undertake to acquaint the Reader with many things that are not usually known to every Angler; and I shall leave gleanings and observations enough to be made out of the experience that all that love and practise this recreation, to which I shall encourage them." Interestingly, Walton starts off on the defensive, since the fisherman's passion was even then caricatured. By the end the reader has joined the "Brotherhood of the Angle," making artificial flies and enjoying the poetry of fishing: "The jealous Trout, that low did lie, Rose at a well-dissembled fly." To the modern ear Walton's literal belief in naturalists' old wives tales may seem humorously anachronistic, and it comprises a remarkably large part of his affection for his subject. We are also frequently reminded of the book's timeline with comments such as "...the Royal Society have found and published lately that there be thirty and three kinds of Spiders," while we now know that there are thirty thousand species of Arachnids. And the Brotherhood of the Angle is a genuine fraternity to Walton, "...I love all Anglers, they be such honest, civil, quiet men." The prospective reader must also be disabused of the misconception that Walton was a purist for artificial lures; he strongly recommends worms, minnows, and live flies. In Walton's watery world there is no dry humor, only fresh. Following his description of the twelve most effective artificial flies he says, "Thus you have a jury of flies likely to betray and condem all the Trouts in the river." And here he compares the beautiful coloration of a living trout to...well, you'll see: "Their bodies [are] adorned with such red spots, and...with black or blackish spots, as give them such an addition of natural beauty as, I think, was never given to any woman by the artificial paint or patches in which they so much pride themselves in this age." At the risk of taking some of the surprise out of the book, I here present a sample of Walton's fishing secrets: "Take the stinking oil drawn out of Polypody of the oak by a retort, mixed with turpentine and hive-honey, and anoint your bait therewith, and it will doubtless draw the fish to it." I would guess that Walton wasn't much of a cook, however, and I do not recommend his recipe for eel (partially skinning it, packing the viceral cavity with nutmeg and anchovy, cutting off the head, slipping the skin back over the body, and sewing it together where the head formerly was, then barbecuing it on skewers). Walton's affection for fish and fishing extends beyond the aquatic nobility of trout and salmon, to the often ignored commoners: gudgeons, sprats, bleaks, herns, tench, roach, umber, loach, and sticklebag. And as for the importance of fishing in Walton's world: "I envy not him that eats better meat than I do, nor him that is richer, or that wears better clothes than I do; I envy nobody but him, and him only, that catches more fish than I do."

Walton uses the perspective of an enthusiastic angler to promote a lifestyle of reflectiveness, gentle humor, and appreciation for nature. The book is easy to read, despite being first published in the 1600s.
The Coachwhip Publications reprint edition (ISBN 1930585209) is inexpensive and contains Cotton's "Part 2," written at Walton's request for the fifth published edition of "The Compleat Angler."

I bought this book for my mom - she is a pre-school teacher and was telling this story to her class for years without having the book. The kids love this story so much, so she was excited to be able to bring her new book to share with her kids.

The Gunniwolf is a classic story about a little girl who wanders off into the woods, where she is confronted by a wolf. She is, of course, frightened, but she and the wolf soon establish a cordial relationship. In fact, the wolf wants nothing more from the little girl than that she sing a little song for him. Although the Gunniwolf story has been around for years, the illustrations in this new version make it particularly appealing. A young child can enjoy the book simply by turning through the pages.

This was my favorite book as a child. I am so excited it is back in print. The text is the same, but the illustrations are different. I prefer the older illustrations, but that may just nostalgia. This has been a favorite of all four of my children. It is fun to read aloud and teaches an important lesson about obedience.

The Gunniwolf should be in every home with children 7 and under. It was consistantly the favorite picture storybook for my kindergarten classes over a 20 year time span. The book was out of print for a long time, and I was delighted to see the book become available again. My only regret is that the wolf doesn't look a bit more scary in the new illustrations. The text is excellent for using voice inflections, and to incorporate movement via hand movements, nodding, etc. Why this story isn't better known is beyond me!

This story is a classic and has been presented in many cultures using familiar places and customs. I liked it mainly becasue of the lack of violence. Most importantly my three year old grandson loves it.

"It's very hard, rescuing yourself."

Life is not a fairy tale, but it can be an amazing journey. Letters from Rapunzel by Sara Lewis Holmes confirms this.

In this extraordinary epistolary juvenile novel, a young girl drafts letter after letter to P.O. Box #5667. She addresses her concerns there after seeing the post office box on an unfinished letter from her father. Now that he has been hospitalized for clinical depression (or, as she calls it, the "Evil Spell"), she feels as if this unknown recipient is her only touchstone to her displaced parent. Feeling as though she's trapped in a tower, she signs the letters "Rapunzel" and sends them out as signs of life, slivers of hope, perhaps even small calls for help.

Though the letters seem to be one-sided, the story is full and its protagonist three-dimensional. She acts her age and responds to her situation with equal parts optimism, realism, and cynicism. While waiting for her hardworking mother to pick her up from the dreaded afterschool Homework Club and waiting for her father to come home from the hospital, she channels her anxiety and emotions into her writing. Her short stories and letters reveal more about her own identity, even as she yearns to learn that of her would-be pen pal. Just as the heroine feels compelled to keep writing to the mysterious #5667, kids will feel compelled to keep reading her letters to the very end.

This book sounds like a fantasy title, and shows a picture of a girl with long blond hair dropping letters from a tower. However, it is actually about a very real girl who calls herself Rapunzel because she feels trapped in after-school Homework Club (because she's not quite old enough to stay home alone). Rapunzel's beloved father is in the hospital for depression, which she likens to an Evil Spell. Finding a scrap of a letter that her father has written to someone at a post office box, Rapunzel starts writing to this apparent friend of her father's, hoping that the person can help. The entire story is told in the form of Rapunzel's letters and stories.

Rapunzel is a complex and engaging character. She struggles with a nemesis named Andrew, resists pressure to join the Gifted and Talented program, and fights to save a historic bridge that's important to her father. Her intelligence and creativity shine through her letters, stories, and poems, as do her insecurities, need for stimulation, and sense of humor. Here is an example that shows Rapunzel's voice:

"My Mom's very concerned that I don't have any friends my age. I admit that I usually hang out with my dad or our neighbor, Mrs. Booth, who's sixty-seven. But can I help it if we haven't lived here that long -- and that everybody at my new school thinks I'm a geek because I can use the word "fortuitous" in a sentence?" (Page 15)

And here's one that shows her fears:

"The scariest thing I found out is that the Evil Spell runs in families. Like if somebody close to you has it, then your chances of being zapped by it are more than the average Joe-on-the-Street. That means me.

And it turns out that being smart doesn't help you either. Everyone thinks that smart people are happy, but it's not true. What's so happy about being able to see what's wrong all the time, and not having the power to fix it? What's so happy about feeling weird and different every day of your life? What's so happy about having gorgeous, superlative, wonderful hair (or a BRAIN) when you're kept in a tower?" (Page 61)

And her boredom with study hall (Homework Club):

"Okay. I'm so bored that I spent ten minutes watching the clock and saying "One Mississippi" each time the second hand clicked a space to see if time was mysteriously warped in this room like it is in Rapunzel's tower. But it's not. My hair and I are getting older at the exact same sluglike pace." (Page 104)

All in all, Rapunzel is a delight. I think that kids who are different in any way, especially kids who are different because they are easily distracted or bored in school, will relate to her. She feels real.

Letters from Rapunzel also tackles, in a highly accessible manner, the subject of clinical depression. Rapunzel's father is unable to be there to support his wife and child, leaving Rapunzel alone, worrying about her father as well as her own future. When he's under the Evil Spell, he can't function at all. Sara Lewis Holmes clearly has a real-world understanding of depression and it's impact on others (read more on her blog). For kids who have relatives struggling with the Evil Spell of depression, this book could be invaluable.

All in all, Letters from Rapunzel is a wonderful read for fourth through eighth graders, with an unusual storytelling method, and a unique and engaging voice. Although difficult subjects are covered, Rapunzel's breezy tone keeps the book feeling safe for the reader. Recommended for upper elementary and middle school kids, girls and boys. (Though I think that the title and cover might make it a stretch to get boys to read it). Letters from Rapunzel won the Ursula Nordstrom Fiction Contest.

This book review was originally published on my blog, Jen Robinson's Book Page, on November 1, 2007.

Letters from Rapunzel is FRESH and far from a fairytale. THIS Rapunzel is smart, witty, creative and struggling to come to terms with her father's illness - Clinical Depression (a.k.a. - the Evil Spell.) THIS Rapunzel is suffering teen angst and looking for answers. She begins writing to P.O. Box #5667 after she discovers the ripped up remains of a letter her father has addressed to this mysterious pen pal. In her quest for answers and a "happy ending" she discovers so much more - the heroine of her life - herself.

A girl calling herself "Rapunzel" writes letters to a post office box after she finds a scrap of a letter written from her father to the box number. It says that the unknown recipient is the key to his succeeding as a poet and as a human. Now Rapunzel's dad has been hospitalized for severe depression, and Rapunzel begins pouring her heart out in the letters, although she never receives a reply.

Rapunzel feels as trapped as her namesake --- only instead of being in a castle she is stuck in the dreary Homework Club in her school cafeteria. Her busy mother insists that Rapunzel attend this after-school program.

Rapunzel is new at her school and doesn't have friends her age. According to her IQ test results (which she hides from her mother), she's a genius. But she doesn't care enough about school to actually study and has no desire to enter the gifted and talented program her teachers believe is right for her. Meanwhile, she pleads for help from P.O. Box #5667.

A curious Rapunzel goes to the post office to check out the box and finds it crammed full of mail. No wonder she's not getting any responses! She questions the clerk, who refuses to tell her who rents it.

Rapunzel comes up with her own plan to break her father's Evil Spell. She will buy the bridge that is the subject of his book of poetry, since the bridge is for sale. Owning it surely would snap her dad out of his depression. If only she had, uh, three-quarters of a million dollars.

Rapunzel's maneuverings fall through, and she is forced to attend the gifted program. The first day does not go well, to say the least. When a boy finds a poem she wrote about her father and mocks it, she decks him with an English textbook and finds herself in an all-day detention. But things go way downhill from there when poor Rapunzel learns something shocking about the bridge for sale.

LETTERS FROM RAPUNZEL won the Ursula Nordstrom First Fiction Contest, and it's easy to see why. Gutsy Rapunzel has a delightfully forthright voice. Several mysteries thread through the plot, which eventually are solved in a satisfying manner. The book is humorous but also heartbreaking, filled with yearning and poignancy. Rapunzel's fresh story is one that will linger in the minds of readers for a very long time.

--- Reviewed by Terry Miller Shannon

This is Sara Lewis Holmes' debut novel, winner of the first annual Ursula Nordstrom Fiction Contest. An epistolary novel (that quickly becomes tantamount to reading a young girl's diary), it centers around twelve-year-old Cadence who calls herself Rapunzel. Cadence is extremely close to her father, a poet, who is suddenly hospital-bound with clinical depression. Soon after his hospitalization, Cadence finds an intimate and cryptic (but incomplete) letter he had written to someone nameless, addressed to a post office box. In the hopes that the recipient of the letters will help her save her father, she composes letters and sends them to this particular post office box, #5667. However, she finds herself writing so much more -- re-writings of fairy tales with her own plucky spin (one of her protagonist princesses decides not to marry the prince after all and not to sleep on any more piles of mattresses: She will no longer "take teeny-tiny steps. Instead, I opened my own detective agency, and lived happily ever after, asking lots and lots of questions. THE END"); creative responses to homework assignments and math problems; and letters to the editor when she hears about the imminent destruction of one of the last authentic swing bridges in her area, a place holding special significance for her father and a place, she learns the hard way, that was the backdrop for a devastating turning point in her father's illness. All the while, no one, including her mother, is talking to her honestly about his depression. She imagines herself a modern fairy tale heroine, mostly "just a victim in a tower," she writes to the nameless letter recipient: Her particular prison tower being the afterschool Homework Club, and the evil spell that has afflicted her father, his depression.

The book has a steady, vigorous pace; Holmes' Cadence is fully-realized (she's entrancing when she really gets going) and will especially draw young pre-teen girls who feel a bit left of center or a bit out of place, especially if its due to their brain power in and out of the classroom ("Everyone thinks that smart people are happy, but it's not true. What's so happy about being able to see what's wrong all the time, and not having the power to fix it? What's so happy about feeling weird and different every day of your life?" she writes in one letter); as The Bulletin of the Center for Children's Books put it well, the novel possesses a "{d}elicately layered grace and springiness"; and there's a lot of poignancy in the novel, yet Holmes knows how to put on the brakes and keep it from getting too schmaltzy or overdone. Her relationship with her father is especially moving; here she is writing to the nameless post office box recipient (though it quickly becomes clear, especially after getting no letters in response, that she's writing for her own self-preservation):

"Did you know he writes me a letter, with a poem in it, every year, for my birthday? Half the time I don't understand the poem - not completely anyway - but it doesn't matter. Understanding isn't the point. It's how those poems make me feel. I read them to myself at night, sitting cross-legged on the bed, catching the words on the paper like they were fantastical beasts in the round, pale moonbeam of his silver flashlight. In the daylight, the words seem to run away when I try to read them, but at night, safely circled by my mighty beam, they slow down and turn toward me, and I whisper them to myself, memorizing their tracks on the page.

That's what I love about my dad - he doesn't give me cute or fancy verses for my birthday. He gives me strange and beautiful and mysterious pools of words, way over my head, but right at eye level with my heart. Those poems make me feel I'm truly growing older, that it isn't just a cake-and-icing-induced hallucination."

And there are also several beautifully-rendered moments as Cadence works through her confusion and her sadness over her father's sudden absence, all through her letter-writing. In thinking about her father's love of poetry ("One time he said poetry happened whenever he felt `the weight of reality's shadow.' I didn't get that exactly, but then he said it was like the world tilted, or shifted a little, so that he could see its hidden side"), she comes to understand her own writing abilities, albeit accidentally: "Then something weird happened. I wrote a poem about it. I didn't mean to, but all of a sudden, it was like there was another SOMETHING in the room, like a ghost. You know how you feel like there's breath on your neck? I didn't know how long it would last, so I grabbed a pen and I wrote down everything I could about that moment. What I wrote didn't make sense at first, but then I remembered what my dad told me once about his work - that he tried to make his poems like spells (good ones, not evil) so that when someone heard one, the listener would be haunted by the spirit of the poem, as he was when he wrote it . . ." Ah, loveliness.

Best of all, though, is Holmes' perceptive commentary on modern education (or, at the very least, the tendency of some teachers to adhere a bit too rigidly to pedagogical orthodoxy). Cadence is brilliant and very determined to avoid trying the new gifted program that her mother and some teachers want her to join. Compounding her dislike for school, a handful of her teachers refuse her rather imaginative ("frivolous" in the eyes of some teachers) efforts at answering homework questions. "Why do teachers encourage you to be creative when they don't mean it?" she writes. Indeed, her letters to the editor about the imminent destruction of the bridge are smart and incisive.

And, in the end, thoughtful readers will appreciate Holmes' further commentary on some readers' insistence for happy endings in stories and Cadence's acceptance that "{y}ou must be willing to have your heart broken in order to live. There's no other choice, scramble as we may to look for it, to find a way out of our dilemma. It is hope, crack your heart open and breathe, or close it up and die." That's not to say that something dreadfully tragic happens either; this is not the case at all. It's simply that Cadence -- and her father, for that matter -- comes to realize that she must make herself vulnerable, despite the pain, that the light can come through, even when things seem topsy-turvy and beyond repair.

In the words of Cadence, "It's very hard, rescuing yourself."

I just finished "Making Time, Making Money", and thought it was awesome! I found great ideas and inspiration, and took tons of notes. It may have been written in 1982, but is still very relevant for today.

Everything Rita does is first class and simply awesome! Amazon... you ought to ask Rita about her newest addition of "Making Time, Making Money in Network Marketing". The tapes are brand new and they are fabulous!

Rita gave a speech on time management at a home economics convention in Kansas City when I was a college senior at Kansas State University. I can't tell you how many times I've turned to her book, Making Time, Making Money, to get her advice on a topic in my life. Delegation is a huge issue that she shared. I've always wondered what happened to her wanted MORE of her work. It was a pleasure to find this site today!!

Several yours ago i saw the tail end of a commercial that changed my life in about 30 seconds. i would like to know if anyone has or knows how i could get the audio books. please let me know any info you may have....thx dave

I would like to find a copy of Rita's audio tape, "What goes around comes around" which I had until recently. It's missing & I would love to source another (or similar) tape. It was recorded at a corporate rally in the States after her book was published. Wonderful themes & inspiration. Very easy, entertaining listening as I drive. I miss having it around! Will also consider obtaining the book, given the great reviews. If anyone can help, please contact via my Australian Email. Kind regards Cherry Cole

Published and updated for the year 2000,this book is nevertheless another "stellar" contribution by author Terrence Dickinson.Spiral-bound,it is easily transported and accessed while out "seeing." Well-presented, and down-to-earth(pardon the reverse pun) for those of us who are newbies to this most wonderful adventure of amateur astronomy.Dark skies!

This is an excellent book! If you are a beginner and just starting out like I am, this is the book for you. The topics are excellent. They are written in easy to read and understand words and terms. This book covers all the topics including what to look for in your first telescope. The charts are wonderful and easy to read. The pictures are awesome. In addition, Terence provides a list of stars and constellations along with their pronunciation and meaning. Terence shows and explains how to use major constellations to find other constellations and stars. I found that I couldn't put the book down. This book will hook you on backyard astronomy.

After perusing a number of books, I found this one to be the best. It is the easiest introduction into astronomy and star gazing that is offered. Many of the confusing explanations of other books are ommitted. Moreover, the essentials of finding the constellations are easily explained and easily followed. Lastly, the book had a great further reading and information section that was very helpful. I recommend this book to anyone with a budding astronomy interest.

This is the first book I've read explaining the universe that keeps it simple enough for a beginner to understand. I checked the book out at the public library and can not wait to get my own copy and a highlighter. Fantastic!

While echoing the positive comments of all other reviewers, the reader should be cautioned that the new Third Edition (1998) has been released.

The planetary tables in the back of the "New Edition" (1989) only go through the year 2000; those in the "Third Edition" are good through 2010.

Make sure that you are ordering the Third Edition!

What a great addition to any St. Patrick's Day arsenal! A great cliff-hanger-type folk tale, complete with kings, sea monsters, vindictive witches, and a heroine who gives a whole new meaning to "riding off in the sunset"! The illustrations are superbe! My kinders raved about this book, even though I feared it would be a bit above them. We read it in sections, stopping at the brink of each near-certain disaster, so that it was just the right amount of listening for my many wiggily boys!! It fits in so well with our current fairy tale theme, that I would include in this genre, as well. This is a not-to-miss adventure, complete with classic twists and turns, and a few new ones!

I bought this book for my nephew but decided to wait to give it to him for several reasons. The main one being that I absolutely LOVE the book myself! LOL! However, while the story is good and I know he'll enjoy it, he's still a bit young (not even 2); it seems more appropiate for 4 years old or older.

In the story, Young Kate uses her wits to save her family and her village with an ending I never saw coming -- not your typical 'Fairy Tale Ending' but an excellent one nonetheless especially for our modern times. I fell in love with the illustration's ton of detail that kept me looking at each page long after the reading was over.

My one complaint is that, while the book itself is good sized so you can see the pictures, the paperback edition seems a bit flimsy. If this story is to be loved (and thus read) as much as I think it will then I may have to order another copy or two to last through the years. Perhaps the school binding edition is more sturdy?

Both girls and boys will enjoy this story and I think you grown ups will, too.

"O'Sullivan Stew" is a rollicking book with a truly heroic female protagonist. The pictures are both lovely and funny--if you pay special attention to facial expressions I guarantee you'll be laughing out loud. Kate, the heroine, spins yarns with a skill beyond her years, painting pictures with her inventive tales. Her speech is like music--you can practically hear her brogue while you're reading. And if her storytelling doesn't convince you that she's painting pictures with her words, then the illustrations will. They vary from dreamy pastels to muted and murky to bold and bright depending on the nature of the tale she's telling. And when she stops, the world turns black and white.

Not only does this book contain excellent illustrations, a strong, believable heroine, and a captivating story line, but there are several surprises and an unexpected ending. I hope you'll read it... it would be a shame to miss out on such a marvelously fun book!

The Irish have long memories, and even longer tales to reflect that. This book is a wonderful way to get children caught up in the excitement and tension of a classical tale, while also giving them a resourceful and modern heroine to admire. The book is everything a children's story should be: it's funny, the languish reads well and beautifully, and the illustrations are well done. This is a must-have.

This is probably my favorite story for a St. Patrick's Day read aloud. The village of Crookhaven is cursed when the local witch's horse is stolen by the king. Kate O'Sullivan and her father and brothers try to steal the horse back but are captured. It is up to Kate to weave a series of tales to get them all off the hook by describing other "true" stories where her family was in a "worse spot" than this one. The King is amused and enthralled by Kate's tales until the last one and all her work is about to be undone until an astonishing secret is revealed.

Hudson Talbott's illustrations are a riot of color and action. The expressions of the characters are so evocative you will laugh out loud.

Grab some Irish music to play in the background and share the story with everyone. The story will compell you to read with an Irish brogue even if you never have before.

Hudson Talbott books are like having a storyteller sitting at your elbow. The pacing of the story as it interplays with the illustrations is perfect.

I remembered this book for years after I lost my copy....and finally realized how easy it was to replace. Am I glad I did! What I remembered best was the art, especially the pictures of the princess in her amazing dresses, but upon reading it again for the first time in at least a decade, I found that the story itself was still as good as I remembered. Very well-written, and it was easy to imagine myself in her place. Great emotion. I love this book!

Although this story is commonly thought to be a variation of the tale of Cinderella, it is actually based on another Grimm's fairytale called "The Princess in Disguise". While in the original, the protagonist is irritatingly meek and eventually agrees to marry her father, "Princess Furball" reinvents the heroine as a clever and cunning protagonist who escapes the life her father chooses for her and instead finds happiness on her own terms. A fabulous tale with great morals for a younger female audience.

I have been searching for this book for years! I read it one time when I was about 8 years old, and fell in love with the story. Many years later, after forgetting the title and author, I have finally found it! I have spent countless hours searching for this book on-line and in bookstores. Princess Furball is a wonderful, inspiring version of Cinderella. I love that she isn't a damsel in distress that lets everybody do stuff for her, because in my mind that's not a heroine! Princess Furball has spunk!

The book Princess Furball is a good book because it is full of surprises. Her father is going to make her marry an ogre! The book is full of surprising twists and turns. I think that you should read this book.

I have been trying to find a copy of this book for over a year. A librarian read it to my class when I was just a little kid and I loved it. Upon finding it on Amazon I remembered why...it was such a great story. Not your average princess, she uses resourcefulness and her wits to take charge of her fate. Now my best friend is expecting her first child and I am excited to have someone to get this book for.