Typesetting Books

As an adult convert to Catholicism struggling for now five years with infertility, a non-American and the daughter of a founder of my hometown's Family Planning Association, I ordered this book wondering if it would help me sort out my mixed feelings about abortion. When it arrived my heart sank: though I had been interested in the topic, it looked long enough to remind me of the first-grader's book report, ``This told me more than I wanted to know about penguins.'' But it's so well-written, well-peopled and thoughtful it's a joy to read. When Cynthia Gorney describes a pro-choice activist she does it so carefully you feel certain she's pro-choice, and certain you must be. But when she describes a pro-life activist, you realize she might be pro-life -- and so might you be. If we were all be so generous and balanced, so readily able to enter into the subtleties of other people's positions, abortion might never have become a ``war.''

This book was wonderful. Though on first glance it seems very long and likely dense and dry, it is anything but. Gorney does a fabulous job of presenting both sides of abortion evenly and without bias. And she ties in the thoughts and feelings of the players with the actual battles of the day so smoothly that the book ends up being an easy and very enjoyable read. It should be mandatory reading for anyone involved in, interested in or having an opinion about abortion.

Before Roe vs. Wade thousands of women a year were getting illegal, unsanitary and oftentimes dangerous abortions. Articles of Faith does a great job of presenting both sides of the abortion argument. The book focuses on the abortion wars in Missouri. It starts in the 60's with Judith Widdicombe, who is an obstetrics nurse and who had an abortion herself. She is a key figure in the underground abortion world in St. Louis. She recruits doctors and she directs women to doctors. Her opinions on abortion are formed from personal experience as well as occupational experience. She was strong in her opinions that a baby and a fetus were different. She had seen hospital beds full of women dying of infection from getting illegal abortions. This led her to her calling.
While Judy was directing women to safer but still illegal abortions, the laws state by state were slowly starting to break down. This created a movement of concerned citizens who were against abortion. These citizens would give presentations using medical and scientific information to support their position that life begins at creation. As to drive their point home, they would show pictures of aborted fetuses. These pictures featured a trash can full of little fetuses and a bloody mass of appendages. What they didn't realize is that people like Judy Widdicombe looked at the same stuff, in real life-not in photographs. She would bring women with gauze and bandages stuffed up their vaginal cavities and let them miscarry in her home. She would then examine the remains of the miscarrage and make sure there wasn't anything left inside the woman.
After Roe vs. Wade, Judy set up a clinic specifically for performing abortions-the first one of its kind in Missouri. She wanted it accessible for all women, and wanted a warm and medical environment that set women at ease-they knew their situation was understood and they knew they were safe. This is where Samuel Lee is introduced. He arrived in St. Louis in 1978 intent on studying theology at Saint Louis University's seminary. As soon as he arrives he becomes involved with the Franciscans. They hosted a meeting of people planning a protest on the steps of an abortion clinic. This was how Sam became drawn into the abortion argument-he was exhilarated by it. Sam researched both sides of the abortion argument, but the more he read the more he became convinced that abortion was never justified-it was putting an end to human life. He left the seminary and became engulfed in the protests and the research-he would protest and be arrested until there was no longer a need to protest abortion.
The abortion argument came to a head in the 80's when Sam and Lou DeFeo wrote a bill that was passed by the Missouri state Senate and the House. It became a Missouri law in 1986. The bill stated that public funds may not be used for abortions and public employees may assist in abortions. The bill also stated that life begins at conception, unborn children have interests that should be protected and the parents of an unborn child have protected interests in the child. But that's only the beginning. The bill says that unborn children at any stage of development should have the same rights of all of other people. This was the first attempt to reverse the ruling of Roe vs. Wade, and it seemed well on its way.
One month before the law took effect, a lawsuit was filed against the bill by Frank Susman. He approached Judy, who had been fighting for almost 30 years for the woman's right to choose, and she was hesitant to join the lawsuit. She was tired of the fight, but she couldn't turn her back on this lawsuit-this one was too dangerous to reproductive health. The judge in that suit came back in 1987 declaring that every provision in the bill was unconstitutional. In 1989, the law suit went to the U.S. Supreme Court for appeal and the justices left Roe vs. Wade alone. The problem with this ruling is the vagueness of the language in the ruling-saying that parts of Roe needed to be more defined, but that it needs to be argued for years to come. When I read the ruling in this book, I really didn't understand exactly what it meant. It almost seemed like the judges had very definite opinions, but they were all different from each other.
After reading this book, I was more affirmed in my own opinions of abortion. It was really interesting to read the other side of the argument. There's no arguing that at life begins at conception-just like a every cell in our body is life, so is a zygote. However, the foundation of my belief in the pro-choice movement lies in the belief that a woman has the right to decide if a fetus should be born. One of the best bumper stickers I've seen about abortion is "Don't like abortion? Don't have one." A woman deserves the choice, that's it-PERIOD.

Written in 1998, and criticized for stopping its retelling of the abortion story in the U.S. several years before that, Articles of Faith is nevertheless still an important book and may be increasingly so if the abortion debate heats up again now that George W. Bush is President. A completely even handed retelling of the history of the abortion debate in the U.S. from the 1960's through the 1990's told through the lives of dedicated partisans of both sides. Yet the author tells this story with sympathy to both sides. Its hard to read this book, your emotions swing from side to side in the debate as Gorney shifts her focus from chapter to chapter from pro choice to pro life. Each side is presented forcefully, but not stridently. Its an excellent book.

Once in a while, there's a rare book that'll smack you in the noggin, grab you by the lapels and scream, "This is how it really is! Now learn something!"

Articles of Faith is one of those books. You'll learn abortion is never nearly so clear cut as "either side" would have you believe; you'll see how each side's arguments, legal status, movements and, later, extremism are developed. But most importantly, you get the honest truth about what it's all really about, or not about. Despite the serious of the issue, I was never even able to get a glimmer of what Gorney's own view is of abortion. It's not simply objective; it never fails to delve into the details of each side, while coming up with an occasional fresh insight.

EXCELLENT book.... I cannot rate this one high enough.... at firstI thought it might have been expensive but it is NOT... the price is well WORTH it for what you get, Knuth is a master!

This book won't teach you TeX or Metafont. It might not even teach you all that much about particular algorithms (although Chapter 3 is one of the most detailed explanations of TeX's linebreaking algorithms published anywhere). Instead, this book offers a look behind the scenes.

Instead of beholding TeX and Metafont in their almost final versions, as published in _TeX: The Program_ and _Metafont: The Program_, respectively, you see them grow from the first design studies (when Knuth thought of TeX as a program for two grad students to write over a summer) to where they are today. You see how the collaboration between Knuth and Zapf on the Euler fonts worked, and you get another glance at many facets of Knuth's mind (And a beautiful mind it is indeed, even though it is entirely sane).

If you have any deeper interest in TeX and Metafont, this book is well worth the money.

This book collects numerous writings on TeX and typography from one of the greatest coumputer scientists of all time, Donald Knuth. Here you get to read fascinating inside information on Knuth's earliest development of TeX, how doggone hard he worked to get the letter "S" just right in his computer modern fonts, how to typeset his wife's recipes, and other bits of amazing minutiae. Knuth's style is breezy and funny in a wry-dry kind of way. (He's the kind of down-to-earth genius you'd love to take out to dinner.), and I was amused to find out that he seems to be a film buff. (His journal from his early work on TeX shows that he went to see "Earthquake," for goshsakes, "to relax"!)

This is a brilliant book, a book to treasure, and with its relatively short essays, a book to keep handy for bathroom reading. But then again, you may get addicted and just keep reading one chapter after another! If you love TeX (or LaTeX or AMS-TeX) as much as I do, you'll have to have this book. It's that good, and you will not only be astounded by his genius, entertained by the presentation, but you'll learn things too. Trust me on this one.

I got this book primarily to understand the word-wrapping algorithm in TeX,
and just that chapter alone was worth the price of the book.

Having said that... when explaining algorithms, I find Knuth concentrates so
much on the minutiae that the bigger picture is often lost; but that's just
his style and the exposition is always very clear. I've gone through parts
of TAOCP, so his style of teaching wasn't a complete surprise to me.
The word-wrapping chapter itself has a very leisurely style with a lot
of history and background, and it was a very enlightening and pleasant read.

The book itself is a selection of papers, articles, transcripts
of talks and working documents by Knuth on TeX and Metafont
(for the most part.)

Some chapters were not particularly interesting to me, they dealt with
specifics of tricky typesetting with TeX, which I feel has a clumsy
programming syntax.

Other chapters were great reading as they dealt with the historical
development of TeX and Metafont. For example, he writes about his collaboration
with Hermann Zapf on the AMS Euler typeface, which gives great insights
on how fonts were developed with Metafont. There are a couple of chapters talking
about his fascination with digital typography and his gradual descent (or is that
ascent!) into developing TeX and Metafont, and they were fun to read.

If you're a Knuth fan, you'll definitely want to get this book. The historical
material makes for nice, light reading, and if you get the urge, you can plunge
into the technical chapters and see some interesting gears within TeX
and Metafont.

This is a highly stimulating collection of essays about TeX, typography, the delectable art of programming, the joy of a beautifully constructed letter A, the world, the universe and everything. Knuth's style is, as always, eminently readable and possessed of a fluidity unmatched in technical writing this century. Definitely recommended.

My copy of this book is well worn, dog earned, and filled with enough paper clips to set off airport alarms. It has well over half a pad of pink post it notes extending from its pages. Several Xerox copies of book pages hang from my desk for quick reference. I would never go back to L*****'s book!

It was Diller's manuscript that allowed me to publish my dissertation with LaTeX in a timely fashion with minimal headache (from text processing!).

Pure TeX geeks will shun this book. It's too readable and too practical. If you want to hack away your grad school days solving Knuth's TeX programming exercises, this book is not for you.

Purchase this book if you actually want to get some productive work done with LaTeX!

This book is well written and is great for anyone trying to put together reports and simple documents with no frills (base fonts and formatting). It does not cover font selection (NFSS), customization, and many other important things for advanced documents, like a book. If you need a much more comprehensive book for LaTeX I would recommend Kopka's book. The book is structured in a very confusing and sometimes illogical manner, but it covers much more. This book is much more efficient, but you may find yourself needing more.

I've recently been through most of the beginning to intermediate LaTeX books and have found the bulk of them almost worthless in helping to learn and use LaTeX. This book is extremely readable and useful with correct syntax. The focus is unapologetically LaTeX2e and is not encumbered with outdated 2.09 commands. This is hands down the one book I would buy if I were only going to buy one. After this I would recommend Kopka, though that is much less well presented but definitely the next best (it is loaded with superfluous 2.09 command comparisons which just get in the way of getting through the book). It is way down hill after that, including Lamport's book (beautifully typeset but not clearly written).

In the TeX/LaTeX universe, I've found that you get the program for free, but then you wind up buying $200 worth of books to learn the program because no one textbook is all things to all people. This is hands down the best "introductory book." It's easy to read and gives you enough information to start up quickly. Hahn's book is outdated with its coverage of Latex 2.09, and Kopka's, while having lots of good stuff in it (if you can find it), reads like a scientific text translated from a foreign language--which it is.

If you want to start getting productive with LaTeX immediately, get this book.

I agree with the previous review. Among other nice touches the book contains a descriptive list of all LaTeX commands. This alone made it worth the money for me.

The book 'more math into Latex' is a good tool which helps somebody without experience in Latex to start using it as soon as possible and reach an adequate level for simple enough articles very fast. I would not be able to judge this book for difficult Latex applications.

I am a LaTeX programmer and instructor. This weekend, I finally had time to read Part I of this book, Short Course, and paged through the other parts.

What a pleasure! Grätzer has an amazing talent to say exactly what is important, without putting in extras that will distract a reader.

You'd think that by this time I'd know enough LaTeX to, at least, get through the Short Course without learning anything new; but instead I ran into trick after trick that I didn't know. I use Beamer but I didn't know FoilTeX, the presentation package used in the Short Course. It's a great idea to let tell users very early on how to make a presentation from their papers, and then leave Beamer for full treatment later.

I very much like Appendix A, holding the reader's hand as LaTeX is installed. Then the three "productivity tools" are introduced, explaining how to use these tools on both platforms, and leaving the rest of the user interface for later, leisurely exploration, making it really quick for users to start using LaTeX.

Very early in the introduction, Grätzer talks about "the three layers" (TeX, LaTeX, and the AMS packages) and, from the beginning, use all three seamlessly. This is a radical new idea. It will substantially reduce the learning curve -- my students will appreciate it. The wonderful foreword by Rainer Schöpf (one of the two lead programmers of AMS-LaTeX) makes the role of the AMS packages clear in the historical development of modern LaTeX.

I really like the way you got to "Lines too wide" so early in the Short Course, explaining to the user the cause of the problem and solutions. Why do most books postpone this?

I better not go on and on. Just wanted to write these few lines about my enjoyment as I read this wonderful material.

I was a graduate student in math and faced the daunting task of typing my thesis. It was bad enough that I was inexperienced in writing math, but I was also a novice in LaTeX.

I tried two well-known books. In one, there is a Part I, Basics. This is for me, I thought. Unfortunately, it is 200 pages long and does not cover such elementary topics as the "cases" structure. For that, I had to go to page 288. The other book had "cases" hidden on page 238, under the title "Matrix like environments". Not very helpful.

What a relief it was when I came across this book. It helped me set up LaTeX on my Dell notebook (why do other books assume that you already have a LaTeX installation?). Then I downloaded the sample files as instructed and read the really easy 60 page Part I (Short Course). I worked through the text and examples in less than a day. Then I started writing my thesis.

In my spare time, I gave the rest of the book a cursory reading. Occasionally, I need to go beyond what is covered in the Short Course. For instance, as an analyst, I need complicated integrals not covered in Part I. (They are easy to find: in Part II, in the chapter on typing math.) And when the time came to give a presentation on my thesis, I went beyond the Short Course's section on presentations to Chapter 14, and I used Beamer!

Everybody was impressed.

Now I am Jim Whitby Ph.D. Thank you George for the help.

If you are a beginner, this is the your book.

What new can I write about a book that is in its fourth edition, and has served the LaTeX community for almost two decades?

There is a new chapter on presentations and an appendix on installing LaTeX on a PC and on a Mac, so you get help from the get go. Also, for the first time, this book merges TeX, LaTeX, and the AMS packages into one, smoothing the learning curve for beginner and advanced user alike.

If you are new to this book, I should start by pointing out that you get two for the price of one. A sixty page Short Course gets you ready to type your first article in an afternoon or two. The plentiful sample files help you get started fast.

The rest of the book presents a detailed survey of LaTeX: how to type text and math, document structure, presentations, customization, and long documents.

Gratzer teaches by example: each new concept is introduced with examples and sample documents, so you learn by doing.

Multiline math formulas is the most difficult topic of LaTeX. This is the only LaTeX book that dedicates 40 pages to this topic, trying to make it accessible with a Visual Guide and a verbal guide of how these multiline structures can be classified and understood.

Gratzer teaches by distilling the most important information you need. For instance, Beamer, the presentation class he presents, has hundreds of commands and its documentation runs to hundreds of pages. The Beamer chapter selects twenty commands, so you should be on your way writing your first presentation in hours not weeks.

This book has served me well when I started, and it is my constant companion, placed next to my computer when I type LaTeX.

This has been an excellent reference book while I have been learning TeX. However, this book finds itself wanting in that there should be a complete example of a work TeX file. I had to go looking on the internet for examples of a working file. I would still recommend this book to anyone who is learning TeX as it is chocked full of great information.

Remember: This is a book about TeX, not LaTeX! If it is TeX you want to work with, this book will get you started at no time at all. This is not a tex reference, and it's not the only book on tex you'll need. But it will do two good things for you:

- It will get you writing high-level tex quickly.

- It will get you to do tex the RIGHT way, so that you won't have to re-write the bulk of your tex later...

And you can write tex the right way -- right away! The right way to write tex is to treat it like a markup language, and to write plenty of macros for any kind of tagging you need. Then, later, you can play with your macros to give your document the look you want. But as long as you use tex macros to markup your document, you don't even need to know HOW to get the formatting effect you want -- you can add this later, you can get someone else to help you, etc. This book is so valuable because it will force you to write macros right from the start, and use them as markup tags, to give meaning to your document. The fancy formatting will come later, when you've mastered the language.

I confess, I'm biased: I wrote the book. But I still use it myself as a reference!

This book is designed for novices, and explains not only how TeX works, but how programming languages in general work. It is clear, concise, and has lots of silly examples.

Using TeX directly gives you very powerful and flexible control over the layout of your pages. I thoroughly recommend both TeX and this book, and am happy to answer reader questions.

Wyn Snow

This book is an excellent book for those that want to learn to use TeX. Although the title of the book is "for the beginner", the book is true to its title, it will take someone who knows nothing about TeX, but the book does not stop at the beginner level - it shows various tricks that are not so straight-forward such as, changing fonts, making boxes, table buildings, etc.

I have read Paul Abraham's "TeX for the Impatients", as well as Arvind Borde's "Mathematical TeX by Example", but they do not compare with Wynter Snow's book.

I have also read "the" TexBook by Knuth. Although this is "the" ultimate source book for TeX, it is not a "user's manual".

Hence, I highly recommend this book for anybody who wants to use TeX.

Lots of details on how to tweak LaTeX.

This book is where I first look if I have a Latex problem - extremely useful.

A concise yet complete reference book for every Latexer. Very organized. a best-buy

I bought this book in 1996 when I entered graduate school and have utilised it as a reference while writing all my research papers as well as my dissertation. I also have "The LaTeX Companion" by Goossens et al., but this book is much more useful to me. At about 170 pages, it crams everything you need into a very short amount of space, including info on fonts, tables, math, formatting, etc. The chapter on large documents was invaluable to me when I was preparing my dissertation. Furthermore, the last chapter has a number of cool macros that have come in pretty handy.

Note that this is not a beginner's book on LaTeX, nor does it exhaustively show all the extremely cool bells and whistles that LaTeX can do; this book serves as a concise reference and list of hints and tips for using the key markups. When I write a paper, I like to concentrate on the actual content I'm writing about rather than how to format the text. However, when I do need to format text just right, I turn to this book, and it has never let me down.

Intended as an instructional particularly for publishers and anyone involved in typographical work, Book Typography is a no-nonsense, informative tour of the definitions, history, and current usage of various typefaces, styles, spacing techniques and much more. A wealth of notes elaborate upon the text, as it walks the reader through such topics as "The school of close spacing", "Mise-en-page etc.", and much more. A handful of black and white illustrations, sample typefaces, and sample pages showcase the ideas and techniques discussed. An excellent introduction and well-rounded resource to the print technology of typography.

Intended as an instructional particularly for publishers and anyone involved in typographical work, Book Typography is a no-nonsense, informative tour of the definitions, history, and current usage of various typefaces, styles, spacing techniques and much more. A wealth of notes elaborate upon the text, as it walks the reader through such topics as "The school of close spacing", "Mise-en-page etc.", and much more. A handful of black and white illustrations, sample typefaces, and sample pages showcase the ideas and techniques discussed. An excellent introduction and well-rounded resource to the print technology of typography.

Seven years after his 1979 book "TEX and METAFONT", at the start of a revolution leading to ubiquitous desktop publishing (first Macintosh in 1984), Knuth published a set of five books on TEX, METAFONT, and typefaces.

His purpose as teacher was to show a new way to write and document computer programs -- "literate" programming. In these volumes Knuth published two sizeable PASCAL applications for computerized typesetting and -- as a byproduct -- invented a documentation tool, CWEB, that both preserves the textual accuracy of the source code and improves programmer comprehension for debugging and maintenance purposes.

The peer review process implied by Knuth's demonstration, his careful attention to the tiniest details, and his gift of the source code to the public domain are all foundations of today's open source community.

This is hardly an introductory text on programming and very few of us read computer programs for fun. That said, a programmer with some experience could learn a great deal by thorough study and imitation of the master craftsmen (don't forget about John D. Hobby) at work here.

MF: The Program is a surprisingly readable batch of source code (at least partially co-written by John Hobby, by the way). Yes, you can reproduce (almost) the book from the source code (and get a printout that includes post-publication bugs fixes and enhancements), but it's not quite as convenient and lacks the page-by-page mini-indices. Whether the convenience is worth [the money] is up to you.

Where the book is especially helpful is for someone who's looking to see graphical algorithims spelled out by a master programmer in a literate and enteratining way. Me, I've got the full 5 volume set of TeX/MF books, but then, once upon a time, this was how I made my living.

I bought several books on self publishing but was dissappointed because of their lack of information on several practical areas. Then I got this book from the library and I got all I needed to self publish my own book. This book is a sincere, practical, informative and excellent work. Everyone who is thinking of self-publishing should read it.

I thought that this book was absolutely wonderful. I bought a similar book on the same topic, but it was lacking information, so I went to the library and stumbled upon this goldmind. It's full of useful information, and it really is step by step--just what I need since I'm self-publishing my own book. I only regret that the publisher is out of stock because this is the book I'd like to own. Kavka and Heise have done a wonderful, informative job.

This book is extremely valuable to those hoping to understand and reuse Knuth's classic typesetting algorithms. It contains the every detail needed for the implementation. Each section has a number associated with the source code. Besides, it can also serve as an excellent example of a large project for computer science students. One can understand better "the art of computer programming" after reading this book. Of course, you should get prepared to learn Knuth's Pascal/Web sytle language instead of the popular C/Java language.