Backup Books
Related Subjects:
More Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86

Used price: $1.12

Recommended for DBAsReview Date: 2000-08-02
Great planning contentReview Date: 2000-05-29
Don't Bother Buying This BookReview Date: 2000-05-30
I was hoping to find advanced information on log shipping and clustering. While these topics are touched on, they don't provide you the information you really need.
If you need a book on the basics of SQL Server 7 backup, most any book covering basic SQL Server 7 DBA responsibilities should fit the bill. This book is a waste of your time.
SQL DBA would not feel it much usefulReview Date: 2000-05-12
The reason is that
1. It does not not cover in-depth experience/knowledge/troubleshooting. 2. The details of the table are like a plate of salad. So much NT and SQL Server basic stuff most of reader should already know and do not want read it. 3. The most disappointing part is that it does not touch real-world trouble from SQL DBA about backup and restore.

Used price: $0.14

Good overview, look for details elsewhereReview Date: 2007-08-20
DON'T WASTE TIME READING THIS BOOK!Review Date: 2002-12-28
There are twelve chapters and three appendices. Only three chapters are specific to NT and one of these deals with software from third parties (Arcserve, ADSM, Backup Express, etc.). The other chapters are very general and deal with concepts that are not at all peculiar to NT.
So, much as I respect the O'Reilly publications and much as I fear the consequences of badly managed backups, I cannot recommend this book to anyone who is other than a complete novice. Most of the material (backup regimes, network considerations, hardware devices) is either old-hat, readily available elsewhere or common sense. It is certainly not peculiar to NT. Even recommending it to beginners leaves me in a dilemma - beginners should not be made responsible for backing up a critical server and if the server is not critical then the on-line, NT help screens are probably all that is needed. Certainly, I found them sufficient.
For the level of user at which this book is aimed, I think the main problem is emphasising the importance of backups per se.
(Personally I adopt a military stance and become a martinet!) This might take a book on psychology or persuasion, not on the performance of DLT. Ms. Leber should not be writing books, she should be heading to see a shrink.
If you are responsible for NT Servers, get this bookReview Date: 1998-07-03

say what?Review Date: 2000-06-15
This book is a good logical layout of BCP.Review Date: 1998-08-14


Hunting for nuggets.Review Date: 2002-10-11

Used price: $13.73
Collectible price: $22.99

solid Review Date: 2006-11-10
This is a book full of solid theory about different modes, different style, choice of chords....
Not quite tunedReview Date: 2007-01-08
The potentially interesting stuff -the four main Irish modes (scales), the related chords and their possible substitutes- starts on page 24, but is, unfortunately, explained from a very awkward initial angle, one that makes it all unnecessarily hard to memorise. With other explanations building on these, this will be where, for many, the trip already ends.
With some very useful explanations and many reinforcing exercises, however, this remains a book of some promise. In the event, however, it falls short, and -frustratingly- for yet more wrong reasons. For example :
- far too little emphasis on commonalites / differences between various modes, instruments and tunings, such as strategies for chord sharing between modes, the idea of movable (generic) chords, and capo usage recommendations). Sure it's challenging, but should be core material.
- no distinction between the various Celtic traditions. How do I get that brooding Scottish sound? What modes are common in Wales? What backing instruments are used in Breton music? Where the *** is Portugal? :-)
- a wordy, slightly pedantic style somewhat removed from the ways (and needs) of at least this session player. Decidedly irritating : an 11-page introductory sermon on what it takes to be a session player (!?) followed by an 8-page, 15-point improvisation plan - window dressing belonging -if at all- well behind the more basic explanations and hard grind of later sections.
- some confusion with the "vocabulary" of jazz (don't want to spoil the fun, but since when were diminished chords in widespread use in traditional Celtic music..?)
- the reel exercises all seem to build on an assumption that accents lie ON the beat. May work in the lands of the kilt and cornemuse, but this is a death sentence for the related Irish dances. Though many session accompanists have completely lost touch with dance -and hence with their special pulse- OFF-beat accenting remains brash, uniquely Irish, and devastatingly sexy. Where are the related exerises?
- many exercises are a touch too "bitty", leaving a nagging doubt whether real progress is being made.
- Otherwise, tuning recommendations for easy accompaniment on various common backing instruments.
A little more imagination while guessing at buyer's needs, and more restraint in letting his own shine through (was his publisher asleep?), and this book could have been a thorough best-seller. Though certainly useful, it should be read with caution, and probably can't be read in isolation.
Incidentally, though also incomplete (and aimed rather specifically at DADGAD guitar players), Han Speek's well-known explanation -by means of inversion- of the basics of modes and chord scales in Irish music does a neater job of answering beginners questions, and is -dammit- free.

Used price: $10.50
Collectible price: $15.99

Where is the reference for the song used in Part 1?Review Date: 2008-05-20
The author does a great job listing the songs he referenced in part 2 in the back of the book. Now I know where to go to hear the recordings he uses as examples. BUT!! Part one references a song that is NOT listed. The entire first chapter is based on a song called The Little Old Cabin in the Lane. Why isn't it referenced? Seems like a huge oversight. Sure I may be able to find a recording of the song but which one did the author use?
Also, I think most books for beginners in a genre almost always include a section on how to read the notation. I can't tell you how many versions of "tab" I've seen. They may be the same to someone who reads it but it's all Greek to the novice. I play by ear. These songs aren't hard, so it isn't a huge set back but 2 more pages would have been nice.
Could be SO much better!Review Date: 2007-12-25
1. There is no CD
2. The examples are all really short- like one or two bars, there are hardly any examples that really show you how to apply the stuff to different songs. In fact there is only one actual song example.
3. Most of the runs and examples are in G, which is okay since a lot of fiddle tunes are in G or A, and you can capo to still 'play in G' but that is just lame. Give us some interesting runs in other keys and things!! Some stuff you just have to play in E or A cuz of the way the open strings are.
4. He uses standard musical notation as well as tab, and in a few cases there is no tab. This is OLD TIME music!! It's learned by ear. But the author is a classically trained musicologist. He's an academic. Lame approach to soulful music of the people.
5. He lists ideas that he transcribed from old recordings but does not list what recordings!! Some are not easy to find. At the beginning he lists the Harry Smith Anthology as a great reference, which it is, but the song list at the end is NOT in the anthology and he does not list recordings, just the song and artist. That is just lazy and stupid. Shame on him!
6. There is no guide to notation- fine if you already know how to read it!! ;-)
Overall, I'm an intermediate guitarist that already plays this style some and was hoping for more. More stuff in other keys, a CD (my fault, the picture of the record on the front made me think it came with a CD), more examples of how to apply the ideas, more references for recordings etc. It says 'based on recording from the 20's and 30's'. You'd think that you'd go over at least a few different songs. Instead you get 1, count 'em one song. In sum, I went through the book in a few hours and will probably go back for a few ideas now and then but J. Weidlich pretty much did a lazy job and you should not waste your time with this one.

Used price: $9.98

Don't buy this book Review Date: 2005-02-04
Most of the book are fillersReview Date: 2001-08-24
The real information on backup and recovery does not start until page 331!!!!! The author is a good writer and obviously had lot of IT experience. He does his best to make the book as informative as possible. But it is apparent that backup and recovery information is not worth 500 pages of text.
I think the book could have been salvaged quite well if the last chapter on case studies of backup and recovery scenario was better written, but this is where the author REALLY bombed. His recovery steps can all be summarized as recovering the full, then incremental, then transaction logs. Anyone who knows ANYTHING about SQL recovery knows THAT.
Not a Backup & Recovery book.Review Date: 2001-07-19

Used price: $3.53

misprintReview Date: 2001-04-30
for people new to backing up enterprise serversReview Date: 2000-10-05
Related Subjects:
More Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86