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This is simply the most beautiful book available about the mahayana teachings on love, compassion and transforming adversity. I highly recommend it.

This is an amazing book! I bought it for my mom and she can not stop listening to it! We all love it!

This is a wonderful book by Geshe Kelsang explaining how to transfer everyday experiences into the Buddhist path. If you're looking for a practical guide to develop compassion this is the book for you. Thank you for reading my review, and I wish you much luck.

The Eight Steps to Happiness is a MUST READ for everyone, no matter what you spiritual or religious path. It will bring you fantastic insight as to the keys to end personal suffering - through loving compassion, "exchanging self with others" and so many enlightening principles that are profoundly written, and entirely transformative when put into actual life practice.
This is one of the books that I refer back to again and again, and one that is a definite to keep and share with others for life.
HIGHLY RECOMMENDED if you truly want to rise above personal suffering on any level. A great heartfelt Thank You to Geshe Kelsang Gyatso for the writing of this profound book.

I am a long term lojong practitioner, and usually recommend Pema Chodron for beginners, and steer beginners away from the older texts. This book is one I will recommedn for both. Excellent explanations, uplifting and enlightening, very clear and concise. Even if you are not Buddhist, i recommend this book -- sweet!

I really enjoyed this essay. I have always been interested in the freedom of the will problem and I thought that this essay provided a good description of the problem and some very interesting discussion. Schopenhauer writes very clearly and in a manner that kept me interested throughout the hundred pages of the essay. Schopenhauer starts out with a consideration of what is meant by "freedom of the will." He considers the statement that "I can do what I will" to be irrelevant to the question of freedom of the will since he says that "...the will is already presupposed...for it assumes that the will has already been decided." He goes on to say, "The assertion does not at all speak about the dependence or independence of the occurrence of the act of volition itself."

The real question that Schopenhauer seems to be interested in is whether an individual can will what he or she wills; he does not think that this is the case. Schopenhauer arrives at the opinion that "...man's will is his authentic self, the true core of his being...he himself is as he wills and wills as he is" such that, "You can do what you will, but in any given moment of your life you can will only one definite thing and absolutely nothing other than that one thing." He then goes on to talk about causality and what compels the will to act in one way or another (i.e., motives) always coming back to what he sees as a confusion when people use the fact that they can do what they will as an argument for free will. Schopenhauer argues that an individual's statement of "...`I can do this' is in reality a hypothetical and carries with it the additional clause, `if I did not prefer the other.' But this addition annuls the ability to will." Schopenhauer considers the notion of an uncaused cause to be unintelligible and at variance with observation. "If freedom of the will were presupposed, every human action would be an inexplicable miracle--an effect without a cause...here we are supposed to think something which determines without being determined, which depends on nothing, but on which the other depends."

One question that often comes up when talking about the absence of freedom of will is "What then happens to individual responsibility?" Schopenhauer answers this by saying that people are responsible for their own characters and that others judge individuals based on the outward signs (actions) that belie their inward character. "So the responsibility of which he is conscious falls upon the act only provisionally and ostensibly, but basically it falls upon his character--for this he feels responsible. And it is for his character that the others also make him responsible." So then Schopenhauer seems to be saying that people are judged based on their actions and underlying motives since these together show evidence of their true nature.

On a somewhat unrelated note, Schopenhauer's relationship with Hegel seems less than cordial as evidenced by his discussing Hegel's philosophical ponderings as "the emptiest word rubbish and silliest gallimathias [the word means nonsense or gibberish] that have ever been heard outside the insane asylum." For some reason, this passage made me laugh such that I wanted to include it in this review. It makes me thankful that my professional relationships have not yet reached such a level of colorful language. At any rate, I enjoyed this essay very much and would recommend it to others who are interested in a freedom of the will discussion.

For those who are convinced that determinism has been refuted (ie. Popper, Sartre, Kierkegarrd) it is quite obvious that they haven't read this essay because if they had they might put their own presuppositions about the validity of free will into question.
Schopenhauer does a fantastic job at dissecting the concept of the 'freedom of the will' by first showing that it cannot be proven from self-consciounsess. He follows this by meticulously distinguishing between the changes that occur in inorganic objects (cause), plants (stimulus), and animals(intuitive and particularly for humans, abstract motives). He points out that in regards to the automatic organic function of animals bodies, changes occur in the form of a "stimulus" but in willed action motivation is the cause (but not in the mechanical sense that the narrow definition of casaulity implies). Schopenhauer writes, in regards to motivation, "causality that passes through cognition... enters in the gradual scale of natural beings at that point where a being which is more complex, and thus has more manifold needs, was no longer able to satisfy them merely on the occasion of a stimulus that must be awaited, but had to be in a position to choose, seize, and even seek out the means of satisfaction."

Schopenhauer thinks that humans have "relative freedom" but that relative freedom is to act in accordance with the motives that are necessitated by the Will-- which in turn is the determining factor of human behavior. In humans the linkage of cause and effect is of a far greater distance than that of intuitive animals-- causing us to mistakingly exclude our behavior from the law of casaulity-- but in the end 'the Will' still determines actions by what he calls "sufficient necessitiy".

"For he (human beings) allows the motives repeatedly to try their strength on his will, one against the other. His will is thus put in the same position as that of a body that is acted on by different forces in opposite directions - until at last the decidedly strongest motive drives the others from the field and determines the will. This outcome is called decision and, as a result of the struggle, appears with complete necessity."

Unlike Sartre's treatise on freedom, which ultimately collapsed into obscurity and contradiction, Scophenhauer's rightly contends that a fixed essence is inborn (what we would today call DNA). In other words, it contradicts Sartre's saying that "existence precedes essence." For Schopenhauer, neither precedes the other. The two are inseparable. The expression of the essence can change through experience within the environment but the fundamental aspects of it remain instrinsic to the organism (Genes/Biology). Schopenhauer responds to the proponents of absolute free will, who haven't carefully analyzed what it means for the 'will' to be free, by writing: "Closely considered, the freedom of the will means an existentia without essentia; this is equivalent to saying that something is and yet at the same time is nothing, which again means that it is not and thus is a contradiction." So my guess is that if Sartre had happened to stumble upon this particular essay he might have realized that it was he who was in "bad faith" about man being condemned to be free.

It should also be noted that if Schopenhauer is wrong about mans intrinsic nature then all of the social sciences are a fraud and particularly psychology is wrong when it takes genes, biology, and the environment into consideration when interpreting and analyzing human behavior.

The reason people object to philosophical determinism is that it makes morality and personal responsibility a precarious thing. One valuable thing we can adopt from Sartre's ideas is that it is imperative that we take responsibility for our choices. But being that pragmatism is the philosophy of the U.S. and not existentalism, it is more than likely the masses will always assume that Free Will exists because the stability of civil society depends on it. In light of all of this it should be mentioned that Schopenhauer does not think that people can't be morally reformed. In other words he thinks that the expression of behavior can be cultivated. Many people credit Nietzsche for coming up with the idea of sublimation that would later be used by Freud, but it was actually Schopenhauer who was the first speak of the idea.

"Cultivation of reason by cognitions and insights of every kind is morally important, because it opens the way to motives which would be closed off to the human being without it."

Schopenhauer also condemns a moral system that tries to root out the defects of a person's character rather than utilizing sublimation.

For those who consider this type of philosophy immoral because it seems to exclude the possibility of moral responsibility we should remember that in Christianity there is the concept of predesination, and in Islam there is a religious fatalism. On top of that fact, many of the church fathers (Augustine and Luther) didn't accept the notion of free will either.

I highly recommend this book!

Almost everyone agrees that - here, Schopenhauer made a convincing case for denying free-will. Nevertheless, I would argue that if we look back to the influence Kant's work exerted on Schopenhauer, and review Schopenhauer's own remarks about the validity of empirical knowledge, it must surely be that Schopenhauer landed himself in difficulties. On his own reading of Kant's philosophy, and those parts of it which he incorporated into his own work, the 'willing' subject, sensu strictu, cannot be said to exist in space and time, but only to be working through those categories in the understanding.

If time and space are transcendentally ideal - as Schopenhauer asserted, following Kant, he ought to have known better than to locate the 'will' in time and space, when according to his own reckoning, 'time and space are in us.'

Kant distinguished here, between 'will' and 'willkuhr' - that is, the practical difference between the will grounded in the noumenon, and the will seen in its phenomenal or empirical
employment. Insofar as Schopenhauer adopted Kant's distinction between appearance and reality, viz. the ideality of time and space, it surely follows that by denying free-will, Schopenhauer was denying a key element in his own philosophy. In short, his argument against 'free-will' amounts to a simplistic observation - namely, 'your willing takes place in the empirical world. The empirical world is conditioned. Ergo, your willing is conditioned' - as if he had suddenly forgotten everything else said in his philosophy, about the ideality of time and space.

By arguing that 'free will' - in the empirical manifold, is simply comparative or relative - viz., when confronted with choices - Schopenhauer was stating the obvious. In this respect, Schopenhauer's position was not unlike that of certain early Buddhists, who almost made Buddhism into a form of determinism. To do that, they had to advocate a kind of empirical realism, while denying any reality to the 'pudgala.' But in actual fact, Schopenhauer's position vis-a-vis the ideality of the phenomenal world, more nearly resembled the Vijnanavada/Yocacara. What mattered to Kant (and what surely matters to anyone else, defending the case for free-will), is that considered as noumenon (i.e. our unconditioned nature), that which can initiate a new chain of events - in the phenomenal world, is not - in itself, phenomenal.

We are free when we are able do what we want, that is, when we are not somehow impeded from doing what we will to do. But we decide what to do as a matter of causal necessity; otherwise, our actions would be random and senseless. The notion that we have the power to originate the causal chain by an act of will makes no sense; as Schopenhauer says, causation is not like a cab that you can start and stop wherever it helps your argument. As he notes, that point also defeats cosmological arguments about "prime movers" and "first causes." This is a great read, a chance to experience a first-class mind grappling with a difficult and interesting problem. Schopenhauer generally even avoids his usual bitter broadsides and against Schelling and Hegel and the sort of philosophizing they represent, although those are fun to read and generally on target. (He lost another, later prize because his essay in that case, although the only candidate for the prize, was so full of personal invective that the judges refused to make the award.)

Another reviewer correctly notes that Schopenhauer undermines his own argument at the last minute, or tries to, in a strange concluding chapter. There he argues that our feelings of personal responsibility for our actions points to freedom of some kind, a species of argument that he had earlier dismantled. Anyway, this freedom would have to exist beyond the empirical level, as his arguments have decisively eliminated any possibility of freedom there. The position Schopenhauer presents in that chapter involves the idea that we, somehow, choose our own characters at some mysterious point of emergence from the Kantian noumena. No commentator I have read has been able to make sense of it. In any case, it's completely skippable, a brief, tacked-on chapter that makes no difference for the rest of the book, which is very well worth reading.

The title of my review is a little misleading, so I'll be quick to explain. In fact, Schopenhauer does make a good case for determinim in his essay. However, there is something noteworthy I haven't seen in any of the reviews so far: At the end of the well-crafted essay, Schopenhauer -- well -- spoils it all. Having established the truth of determinism, he suddenly tries to justify free will. Yes, that's true. He appeals to a Kantian style idealism to try and convince the reader that we are ultimately morally responsible. He asserts that we have metaphysical free will because we FEEL our responsibility. His proclamation that this free will that we are supposed to have is a mystery is strikingly reminiscient of theistic statements like "God works in mysterious ways". This is just an example to illustrate the failure of Schopenhauer's case for free will. In order to defend his free will, "real free will", Schopenhauer is forced to resort to mere assertions. He can't explain why we have this free will or how it works, hence he calls it a mystery. If you are a determinist it may well be that you will feel a little betrayed or even outright disappointed after finishing the book. I give the book 4 stars nonetheless, because for the most part it IS a skillfully written defense of determinism. Schopenhauer should have laid aside his pen a couple of pages earlier than he did, that's all.

This book is very easy to read. It makes things simple to understand. There are many easy to follow instructions in healing your life. Everyone should have a copy of this & incorperate it in to their lives.

Essence Of Self-Healing draws some important connections between physical, mental and spiritual health, revealing how self-healing techniques can be learned and adjusted to individual needs. What is out of balance during illness, and how can negative influences be avoided? This teaches how to take control and overcome health problems.

This book has great do it yourself healing exercises. You don't have to run to gurus and spend hundreds of dollars. The exercises are easy to do and very relaxing.

Impact in my life is tremendious. There have been so many changes. I fought change every step of the way. I could deal with my comfort zone and didn't want to disrupt this most coveted zone. Time was my biggest enemy. I applied the principles as best I could, I wasn't always a success, but I didn't quite. I still have a long way to go, but my successes with this book have made a big difference in my life. I highly recommend you buying this book, applying the principles, and enjoy the change. If change is not what you are looking for, give this book to a good friend.

In The Essence Of Self-Healing: How To Bring Health And Happiness Into Your Life, Peterene Soames provides the reader with step-by-step instructions and easy-to-use techniques and exercises to promote personal health through the process of "self-healing". Readers will have a much clearer understanding of why they get, out of balance, and out of shape. They will learn to so no to illness and pain, to stop being negatively affected by others, and to bring positive results even when everything else (including traditional medicine) has failed. They will learn how to heal the past and break negative patterns, lose weight, keep it off, and feel great about their bodies. The Essence Of Self-Healing is very highly recommended reading for those who are interested in exploring the mind-body connection regarding issues of personal health, students of alternative medicine, and anyone seeking to improve their personal, emotional, and psychological well being.

My daughter recommended this to me, from her own studies, and it is very good. Well worth it.

This book helped me clarify things I did not understand in other books. It is simple and will teach you basic Italian. I'm able to express myself in simple short sentences thanks to this book. It is a must have for ANY student of the Italian language.

This review book is excellent. Most books concentrate on travle related phrases which you must memorize and PRAY that you remember. If you want to learn Italian stay away from travel books. They really do not work becuase the nature of the language is not explored- just sentences to help you find the bathroom or order food. My travel to Italy is both family and business related so I have had to spruce up my Italian. I carry it with me everywhere and while I have time I read, re-read and work on my language skills. I have also used it to teach others. What is nice is that she covers every topic, translates the entire sentence literally- in the order of the Italian language and then provides the English equalivent. Because of the ordering of words is so different (pronouns, negations etc..) it may be difficult for someone to grasp the learning of Italian. Other books simply give the phrase and then translate it but the ordering of words is out of whack. Sometimes the meanings are changed! This book is clear, easy to follow and easy to take with you. When I taught my husband I used the following- Italian in 10 minutes a day ( to reduce the fear factor and make it smooth) then Michel Thomas's tapes (they work), a good verb book, dictionary and the Idiots Guide... Worth it!

I love the entire Dover Essential Grammar series, and I actually own most of them. I used Ragusa's Essential Italian Grammar in my language preparation for a trip to Italy last year, and it works extremely well.

It isn't going to teach you enough vocabulary for true facility with the language, of course, but that isn't its function -- it's meant to encapsulate all the basic grammar of the language in a very clear and concise form. Because of its size, I was able to go through it numerous times -- and each time, a little bit more sticks. A far superior approach to going through a large, padded, overly wordy grammar full of redundant exercises and dialogues just once. It also works very well as a quick reference guide which you can easily and quickly open up to precisely what you need to refresh yourself on.

It goes without saying that you're still going to need a good dictionary or other book(s) to help you acquire vocabulary. But for the basic grammar, this one slim volume is all you really need.

I love this reference guide. It's perfect for the beginner or intermediate learner of Italian.

Perhaps the book should be titled "Eternal Hope" for that is what the reader is offered. Anyone who has suffered the loss of a loved one is left wondering: "What now"? Kindred spirits know that communication between the survivor and the deceased merely moves to a higher level. Only those looking for the "clues" will make the connection. Dr. Carroll, the main character, takes us on a journey of self-discovery providing the reader with hope, joy, a sense of peace and peacefullness. On the surface a deceptively simple story; on reflection an intricate story simply told. As a caregiver in a variety of settings, including a trauma unit, I have witnessed family loss throughout my career. Healing the survivors is just as important as providing care for the patient. I encourage you to take the journey!

Once in a while a little book comes along and just steals you away. Read a page or two and the next thing you know, you're gone...you're somewhere else for awhile. Eternal Journey does exactly that. It transports you to a special place where mystical events unfold and love transcends loss. Acceptance triumphs over anguish; grief grows into hope. On your journey through this book, you'll travel with Anna, a successful psychotherapist whose mission is helping others unravel and come to terms with life's mysteries. When Anna loses her closest friend Beth to cancer--the third such loss among her friends in a year--she comes unglued. Disconsolate, and trying to "get a grip" (ironically the name of her own radio talk show), she flees to Martha's Vineyard Island for a long winter week-end of healing solitude. Hoping to work through her grief alone, she discovers she is anything but alone. Inexplicably, she runs into and then keeps crossing paths with a truly remarkable individual. As she struggles to find meaning in her loss, other extraordinary "encounters" take place, until finally she realizes that love and connections never die....That life is maybe only one leg of an ongoing journey. Perhaps death is not the end of the road. Perhaps the dying process is really a gateway to another path in our travels. Like the birth process. What an affirming concept! What you'll love about Eternal Journey is that it bravely takes you where other books do not. Through the medium of storytelling, this lovely and poignant fable speaks straight to your belief systems, offering meanings unfamiliar to most outside the realm of hospice care and grief counseling. Far from being morbid or depressing, the author's message absolutely shines: it's awe inspiring and uplifting. In a word, it's hope (yes, as in "...springs eternal"). Eternal Journey is not just for the bereaved or those anticipating a bereavement. It's for all of us. Consider it a gift for your spirit, a balm for your soul. Hutton has created a wonderful imaginative journey for anyone open to life's marvels. It's a rare and fine treat.

Dr. Hutton's story is thoughtful and emotive, leaving the reader with a perspective of his/her own journey. Along with this perspective one can achieve insights into personal losses, or of losses of those close to us. A very inovative self-help book. A great book to experience! Thanks, Carol.

John C. Cooper, Divisional Director Psychiatry and Chemical Dependency Lower Florida Keys Health System, Inc. Key West, FL jonbudkeys@aol.com

Gives cause for reflection, synthesis and assimilation of one's life experiences through the parable of Anna. A tasteful blend of mysticism and practicalism which is easily digested, interpreted and applied as the reader sees fit.

Perhaps the book should be titled "Eternal Hope" for that is what the reader is offered. Anyone who has suffered the loss of a loved one is left wondering: "what now?" Kindred spirits know that communication between the survivor and deceased moves to a higher level. Only those looking for the "clues" will make the connection. Through the main character, Dr. Carroll, the author takes us on a journey of discovery. Dr. Carroll's pilgrimage provides the reader with hope and joy. On the surface a deceptively simple story; on reflection an intricate story told with simplicity. As a caregiver in a trauma unit I have witnessed family loss throughout my career. Healing the survivors is just as important as providing care for the patient. I encourage you to take the journey!

Diane Lockward's EVE's RED DRESS cleverly takes the many lives of Eve and brings her into a contemporary present of messy complications and unexpected delights. While "Eve Argues Against Perfection" and enjoys her "Vegetable Love" as it "turned to mush" and "grew mold and began to stink" we are initiated into "Eve's Own Garden" in which the secret (among many) is that this garden is as much a feast of dirt ("I have feasted/on dirt. A garden grows inside me...) as it is the "sweetbriers/so wild and profuse they bleed/over the fence, blood-red, scarlet, crimson./" that this garden dirt has seeded. There is an exuberance in the color and taste of words throughout this collection that renders even the unsettling moments, such as Eve being left by a lover who "goes back/to his wife", with portions of savvy (and saucy) poetry that generously satiates the reader. Even if Eve is in the midst of packing up her lingerie and pointing "the car west on Route 66 toward Paradise,//Nevada" she is enjoying her trip. Driving in the desert where she doesn't know where she is and beginning to panic, she lands us at "Tables for ladies/" where "a babe in a red satin dress/ and a biker chick in black leather" are part of the clientele, where she reminds us, with the waitress at the Diner, that "Honey, you're on your way to paradise,/home of the serpent." And indeed that home, and that serpent, prove a lot more intriguing and satisfying than anything we learned in Bible class. Here, we're offered "a cup/of coffee and a piece of apple pie?" Here "The Flavor of Sadness" is the strawberry that's "so darn delicious" someone "decided to preserve it". Here we learn new "Feeding Habits" and how to "savor the succulent flesh".

These poems offer us glimpses into the twin worlds of myth and reality. Here we are always in the process of discovering. Here "truths" can be beautiful and dangerous. Consider some of these poems: "Eve's Confession," "The Blues Going and Coming," "The Mystery of the Missing Girl, and "The Properties of Light." If you have been looking for a talented, surprising and compassionate poetic voice, buy this book.

I recently discovered this poet in the new Poetry Daily anthology. I bought her book and immediately became a card-carrying member of her fan club. The poems are terrific--full of energy, humor, and feeling. Then the poet came to my town to do a reading. I was captivated by her reading style. And she read some of my favorites--"The Missing Wife" (funny and poignant), "Losing the Blues" (so musical it makes you want to get up and sway), "Pastiche for a Daughter's Absence" (beautiful love poem for a daughter), and "My Husband Discovers Poetry" (an amazing revenge poem). I hope to run into this poet again. Eve's Red Dress is an outstanding collection.

I bought this book right after I heard Garrison Keillor read "My Husband Discovers Poetry" on The Writer's Almanac. I immediately loved that poem which turned out to be the last one in the collection. All too often when I buy a book on the basis of one poem I end up being disappointed. But not this time. The entire collection lives up to the promise of that poem. Again and again, Lockward made me laugh and cry, often at the same time. Her poems of love and desire are among the best I've read. But her subjects also include dancing, eating, gardening, clothing, and more. Lockward takes us through a wide range of moods. She is not afraid to face darkness, but she also knows how to have a good time. She displays an impressive verbal dexterity and creates stunning imagery. She clearly knows and practices her craft. In the end, I found this collection a complete pleasure.

If you can get only one poetry book this year, make this the one. If you're looking for poetry that's original, inventive, well-crafted, and multi-layered, this is it. Lockward has sass, courage, and wit. Her Eve has many faces; she is Everywoman, yet totally unique. And don't make the mistake of thinking the collection will be burdened by religious allusions; there's more blasphemy than doctrine here. This is a collection about a modern woman's world, but it is definitely not for women only; men are welcomed into this world and are much in demand. This is a collection for anyone who enjoys intelligent and passionate poetry that surprises with each rereading.

This book is amazing. It came out during my first pregnancy but I didn't have time to buy it or read it, and now that I'm pregnant again I decided to finally get it. The stories are so real and touching and beautiful. And they're very honest. They're not all "feel good" wishy washy stories, but rather real, honest accounts of pregnancy and motherhood and how these women manage whether they have 15 children or 1. I can't put it down but I don't want it to end either. If you're pregnant and Jewish you have to get this one!

This book gives a down-to-earth, intimate account of women's experiences during pregnancy, boldly bringing out the physical, emotional and religious challenges they face. The women interviewed don't separate themselves from Judaism but rather find a wide range of ways to integrate Judaism into their identities as women, professionals, wives, mothers and individuals. This book touched me and enriched my knowledge of Judaism's view of pregnancy. I'm so glad I read it!

When I became pregnant for the first time, I really wanted to read something that told me what I already felt in my heart - that pregnancy is the most amazing miracle ever and that hte weekly blow-by-blow account of what is happening at a physical level is not the true story of pregnancy.

When I read Chana Weisberg's book - I simply could not put it down ! All the stories of strength also helped me get through the morning sickness etc... and were an excellent reminder to think beyond the phyiscal and truly appreicate the miracle that was happening inside me.

I highly recommend this book without hesitation (particularly to all first time mothers-to-be).

When I was pregnant with my first baby, all I could think about or talk about was -- being pregnant. At times I felt bogged down by the sheer physicality of it all, and longed to make it a more spiritually uplifting experience. I also wished I had other obsessive-compregnant women to talk to, so we could all take turns inspiring and/or boring each other. Reading EXPECTING MIRACLES filled all these gaps in my pregnant life! It was all I wanted to read. Women from various walks of Jewish religious life are telling you all the intimate details of their experiences as pregnant ladies and then as mothers and as wives. They give all sorts of ideas, suggestions and encouragement to make it more spiritual. YOu think, I could do that. I want to try that. I couldn't put this book down. It is a MUST-HAVE alongside WHat to Expect When You're Expecting. Expecting Miracles is like the spiritual counterpart to that sometimes too-physical (and occasionally scary) pregnancy guidebook. Expecting Miracles revels in the joy, excitement, spiritual potential and blessing that being the carrier of life is all about.

This book truly resonated somewhere deep within me. It connects the reader spiritually with her larger family, that of all Jewish women. The womens' stories are so honest and real; I felt like I was having a conversation over coffee with some of my oldest friends into the night as I read and read and read... Despite the fact that some of the women have different backgrounds than my own, there was something in each woman's experience I could ALWAYS relate to. It was so confirming to see, in print, so much of what I had felt during the months of my pregnany, my birth experience, and my initiation into motherhood. I HIGHLY recommend this book!

I found it best technical book till date but you should know Flex & Ruby before you can jump into this..

This is a great book. Peter is the #1 expert in Flex + Rails.

I have used Flex for about a year and I have only dabbled in Ruby/Rails development. I have been curious how I might back a Flex front end with a simple service layer that isn't hard to create, maintain or host. So far I have only worked with Java/Spring/Hibernate backend services which can take a little while to build and integrate (Grails is MUCH faster).

After about 100 pages I'm in interation 4 building an interesting RIA with a Rails backend that I can host on relatively inexpensive server if I wanted to. My only struggles thus far was getting MySQL going properly. But that was only because I forgot a step in installing it.

If you have little exposure to Rails and/or Flex and you feel at home on the command line as well as you do in an IDE like Eclipse, this is a great "project" book for you. I'd say you probably want a primer in Ruby, Rails and Flex before you get going but it is pretty easy follow and has a lot of free professional advice from someone that has obviously been around the block a few times. Peter is very upfront about some things that he has done in the book that should not be considered "best practice".

I am hoping to get some good insight how I might do something similar for Flex and Grails. Regardless, I am confident this is going to be a fun journey!

I wasn't sure whether a mixed-technologies book would be adequate for both reading and reference, especially with two technologies. As both a software engineer and a moonlighting instructor this book was an easy read from the start. Mr. Armstrong explores both Flex 3 and Rails 2 with enough background information on both technologies to get a reader ready to code--and that was just Chapter...err...Iteration 1. The second iteration begins with coding (Hello World) and it doesn't stop. This is a must for your coding library and makes a great textbook for students who enrolled in courses geared toward building web and Rich Internet Applications.

The author goes into great detail on how to efficiently get Rails and Flex working together. The book is updated for the latest version of Rails as well as the upcoming Flex 3 release. I've found the book easy to follow along with and enjoy the author's humor spread throughout the book.

As a developer I'm often tasked with making "things talk to each other". Typically if I can I'll use a tool like Flex Builder for a project and if I have a choice I'll pick Java, .NET or Ruby for the server back end - whatever is the best fit. This book only backed up my belief that Rails and Flex really do work very well together. I've learned a lot going through the code both on Rails and Flex.

I also liked how the author is continually refactoring the application (called "Pomodo"), that is where your learning kicks into overdrive. He uses the Cairngorm framework and even RubyAMF. I didn't have any experience in either up until this point. Now I can say I do and it all fits together nicely.

Within a matter of days of the conclusion of the Battle of Gettysburg (July 1 -- July 3, 1863) photographers were on the scene to capture the Battlefield and its participants. These photographers included Alexander Gardner of Philadelphia, who began photographing the Battlefield on July 7 or 8, 1863, the famous Matthew Brady, the Tyson Brothers, portrait photographers who lived in Gettysburg, and others. Their photographs were arranged in series and sold in various formats to the American public which was eager to learn about the War.

Over the years, the photographs have been misidentified, placed out of sequence and, in some instances, forgotten. William Frassinto's "Gettyburg, a Journey in Time" (1975) was among the first books to recapture this photographic legacy, to study the scenes and the makers of the pictures, and to organize his material in a book for the modern reader. Mr. Frassinto has since published a number of sequels to this inital book as well as a study of photographers at Antietam.

The book consists of approximately 100 photographs, most of them dating from shortly after the battle in July, 1863 through 1866. There are also a number of photographs that Mr. Frassinto himself took dating from the late 1960s and early 1970s. These photos allow the reader to compare the original scenes with the current state of the Gettysburg Battlefield.

After a short discussion giving biographical information on the photographers and information on their visits to Gettysburg, Mr Frassanito presents and discusses the photographs themselves. His presentation is arranged in six groups: 1. the first day's battle (north and west of the town); 2. Cemetery Hill; 3. Culp's Hill; 4. Cemetery Ridge; 5. Little Round Top and Devil's Den; 6. the Rose Farm.

Mr. Frassanito introduces each group with a short description of the significance of the site. He then discusses each picture in detail, explaining when it was taken, what it shows, and its importance to the Battle of Gettysburg. The photographs are themselves eloquent and compelling and their effect is heightened by Mr Frassanito's commentary. I came away understanding the first day's battle and the fighting on Culp's Hill and Cemetry Hill on the Union right much better as a result of Mr. Frassanito's account and the photographs.

The most famous photographs in the book are probably those of the dead soldiers (in a few cases the photos were taken of live soldiers posing as dead for the photographers) on Little Round Top and on the Rose Farm. Most of these photographs were taken by Gardner because the dead were removed from the Battlefield relatively quickly after the battle. Gardner moved from south to north on the Battlefield and captured the few instances in which the dead had not yet been buried. The photos capture the terrible costs of the Battle.

Many of Gardner's photos have been erroneously identified over the years as originating from the first day's fighting on McPherson's ridge. Mr. Frassanito explains how he determined these photographs in fact originated on Rose Hill, on the southern part of the Battlefield. (The first day fighting was on the northenmost part of the Battlefield.) Yet misidentifications die hard. I have seen books which postdate Mr. Frassanito's which continue to attribute these photographs to the first day of the fighting.

The photos and the text in this book will give the reader a good sense of the tragedy and cost of this seminal battle. Mr. Frassanito's book remains essential for those interested in seriously exploring the Battle of Gettysburg.

Most history books, especially those written for the public, seek to make the events come alive in some way. The author did that in a completely unique way. Take the old photos and find the positions from which they were taken and show what the areas look like today. You can use these to walk to the very point where some photo was taken, and it really brings that history home. Also, the author works those photos into a discourse on the battle, while using his photoanalysis skills to shed new light on the contents of the photos. All in all, this book is endlessly fascinating, well worth the money, and deserving of a wider audience than it probably has.

If you visit the Devil's Den portion of the Gettysburg battlefield, there's a sign describing how a famous photograph came to be. The photographer claimed that it was a picture of a confederate sharpshooter who had been mortally wounded during the battle. The soldier evidently made himself comfortable before he died. The sign explains that the photograph was staged, the soldier was not a sharpshooter and that the body was dragged some 40 yards to the spot. The sign credits William Frassanito with having made this discovery after careful study of Gettysburg photographs.

This is the book that describes this and many other pictures of the Gettysburg battlefield, many depicting dead men or horses. Many of these photographs are famous in the sense that they are used frequently in civil books and now in documentaries. Frassanito demonstrates convincingly that several of these frequently used photographs are mislabeled, generally to make the photographs seem more interesting and therefore more saleable.

Frassanito was an intelligence analyst during the Vietnam War and won the Bronze Star. I feel that only from a lot of practice analyzing photographs during the war could he have developed the skill needed to make the many clever observations in this book. Clearly, his wartime experiences left their mark in other ways as well. He frequently loses the detached air of a historian and reminds his readers of the horrors the subjects of the photographs must have experience. For example, he describes how rapid decomposition bloated the bodies immediately after the battle and how in some instances forced open the corpses' trouser buttons. "Thus the trousers on the soldier seen here were most likely open before his body was dragged to this position, the dragging action forcing them down below his hips. Here then was a young man who, only three days prior... full of life...But by July 5... was just another nameless corpse, his faced pressed against the earth, his exposed buttocks, once carefully hidden in accordance with the vanities of civilization, a sign of war's ultimate glory."

This book has the potential to make you feel like an expert on the battle of Gettysburg. If you read this book, you will recognize misidentified photographs in even some of the best documentaries. Further, you will be able to find the locations most of these photos with the aid of this book, even those in less frequently visited portions of the battlefield.

I would recommend all of Frassanito's books to Civil War buffs, but this one above all. The section on the Rose Woods photographs is brilliant, more so than even the passage that earned a marker at Devil's Den.

If a picture is worth a thousand words, then this is the book you should "read" about the Civil War. Certainly the goals of the book were well accomplished. I could have done without the numerous times the author explains in detail about the bloating of the bodies and how the bacteria cause it....it was brought up so many times I thought he must be a bit morbid. Nevertheless, it's not a book to entertain but to depict what was, and it does this very well.

this is a fascinating book for both civil war buffs and those interested in early photography. frassanito is an excellent writer and his detective work is unbelievably thorough. i can't recommend this book enough!

Don't expect to read this one over the coarse of a couple of nights- or even a week! You really need to set aside time to savor each tasty morsel, chapter by chapter, tale by spooky tale, to get all the enjoyment out of this book.

Divided into categories like "Military Ghosts," "Restaurant Ghosts," "Animal Ghosts," etc, the book is peppered with actual photos of many of the haunted locales, plus eerie illustrations. Some stories are frightening enough to make the hair on your arms stand up, while others are comforting, in that they'll make you believe that there is an afterlife in which our departed loved ones are still watching over us... and occasionally making mischief!

Another great book by a talented author.

Mr. Pitkin has put together a stylish glossary of ghost stories, taking place in a series of Up State New York (among other places) Villages and Cities. Some hit close to home as I live only a short drive from where many stories are reported to have taken place. I bought two copies (one in a book store) and have lent it out to many friends who love it too. It is a wonderful book to take along on a country drive up and down New York State's open roads. The stories are told with honesty and an open mind, never attempting to capitalize on the "fright" factor, but instead bringing common sense to the stories, although there were one or two that had me sleeping with the night light on a couple of times. Truly one of the BEST books on true hauntings I have read to date. I look forward to more from Mr. Pitkin.

This is one of the best true ghost books that I've ever read, and I've read many. I would rank it high in my top ten. I thrilled to every page and had a terrible time trying to put it down even when my husband begged me to turn off the light and go to sleep. The information was presented concisely and deliciously, and I savored every chilling drop. But it gets better still as this is no book that you're apt to read in a single sitting and wonder what it was that you just ingested. This is a bounty of numerous spooky tales that will hold you enthralled with enough terrifying entertainment for a feast.

Most of the stories are even accompanied by photos, a rarity in ghost books, which helps the reader visualize the haunts.

In all, I can't recommend this book highly enough to ghost story enthusiasts who're looking for a good read and a bedtime chill. You'll gladly devour this book and wish you had more!

I don't usually venture outside New England for my ghosts, but this bone-chilling collection was well worth every step of the journey! This is not a short read by any means. There are 380 pages of stories here, in fairly small print, and still you will wish there were more.

The author writes primarily about his regional area of New York. His writing style is inquisitive, with much information based in fact. I enjoyed his well-researched historical information about the places he visits, and the photos he includes. He then pulls it all together with contemporary stories, including eye-witnesses, credibly told and concisely written. He writes with just enough speculation to make you think, and I also enjoyed his wry sense of humor. Because there are so many well-varied stories, it becomes evident how many common threads run through ghost encounters and hauntings. You will be fascinated by what these people have witnessed!

It is tempting to read for hours once picking up this book. My advice would be to digest these stories slowly, if you can, to appreciate the full impact of each of these fascinating tales. I would highly recommend this book to anyone seeking substantial goose-bumps.

I'm an agnostic and a skeptic on the subject of ghosts, yet I found this book to be incredibly enjoyable and I was sorry to reach the end. I disagree with the other reviewer that these stories are Christian sermons in disguise. For starters, while Pitkin is obviously a "spiritual" person, he never indicates that he's a Christian. I do agree that he ends most of the stories on a heartwarming, spiritual note that I suppose could get old for some people; however, I wasn't irked by it--maybe because I took a while to read the book and therefore got it in smaller doses.

I think if you're reading a book of "true" ghost stories authored by folks who believe in ghosts (whether or not you do), you should expect to hear a bit about their spiritual beliefs as well. Are there any books of "true" ghost stories penned by absolute skeptics? I don't think so...

As for the stories, many are quite chilling, and Pitkin obviously knows his history. Most stories have accompanying photos of the houses, etc. in question, which is nice. The illustrations are mostly funny--actually, many of them are downright goofy. I was a little disappointed that there weren't more Massachusetts stories, as I live in MA. New York is well covered--I believe Pitkin lives there, and has written another book exclusively about New York ghosts.

This is one of the two best books of "true" ghost stories I've read. The other is "Haunted Happenings," by Robert Cahill.