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excellentReview Date: 2008-03-20
Much InfoReview Date: 2008-02-24
Llewellyn Astrological Calendar.Review Date: 2008-02-23
So Much Fun!Review Date: 2008-02-13
What a great way to start the month!Review Date: 2008-02-13


BeautifulReview Date: 2008-03-26
Another year, another great Witches' CalendarReview Date: 2008-03-07
Every year, I buy this calendar and I am never dissapointed.
Simple Moon TrackerReview Date: 2008-02-13
Witches Calendar 2008Review Date: 2008-02-11
Useful and entertainingReview Date: 2008-02-11
The articles at the end of the calendar are another great reason to purchase it, and to top it all off, beautiful artwork. Great calendar!

Used price: $3.25

Australian SF ReaderReview Date: 2007-08-01
Inspired, yes...but HARD to read aloud!Review Date: 2008-02-22
Like Roald Dahl's books? You'll love The Magic Pudding.Review Date: 2004-05-19
A magically funny storyReview Date: 2003-12-23
The Australian Lewis Carroll?Review Date: 2004-09-27
Bill and Sam are possessed of a magic pudding (named Albert, if you can believe this), who regenerates every time you take a bite of him and changes into whatever flavor you like. Albert the pudding is much coveted by two evil villains who are constantly tricking our Heroes into giving up the Pudding, whereupon they must go and re-re-re-rescue it.
The characters and style are very reminiscent of "Alice in Wonderland," with Bunyip seeming a little White-rabbitish to me, and Bill and Sam sort of Mad Hatter and Dormouse-y. The effect is somewhere in between "Alice" and an old Loony Tunes in which Bugs Bunny constantly bewilders Elmer Fudd.
The whole narrative is punctuated with many whimsical song lyrics, like the poetry in Carroll's book. The lyrics make it a great read-aloud for the younger set, although older kids might be a bit puzzled by its style. However, everyone will be charmed by the Pudding himself and want one of their very own.

Great BookReview Date: 2008-06-13
I found a little bit of HeavenReview Date: 2008-02-18
Letters From EdenReview Date: 2007-08-07
What a wonderful book, full of everyday wondersReview Date: 2007-05-16
It's like conversing with a friend.Review Date: 2007-04-11

Used price: $11.54

The First Edition is 100% Better!Review Date: 2008-07-15
The epitome of class!Review Date: 2007-03-11
Each picture offers a brief caption or memorable quoteReview Date: 2003-06-19
GREAT PHOTOS OF MARILYN!Review Date: 2007-03-11
Marilyn in unforgetable pictures.
Thank you!
Our most stunning cover girlReview Date: 2007-03-20
Although many of the more well known American covers are absent, there is plenty here to satisfy! The variety and sheer number of colorful covers is impressive. The memorable quotes that accompany so many of the covers capture the essence of her endearing personality without being an actual biography, and the timeline is a good but brief overview of many of the important events in her life.
Although I am not an avid collector of MM memorabilia, I'm sure the pricing information would be valuable to those who are. I found comparing the various values to be very interesting reading. I can only imagine the painstaking work that went into identifying each of these photos and determining the worth of each cover.
This would be a welcome and unique addition to any MM library - highly recommended!

Used price: $2.35

For artists seeking more than programmer's technical tipsReview Date: 2004-11-13
A thoroughly enjoyable bookReview Date: 2001-11-06
Finding that balance of an artist and technologist from where to launch one's vision and future visions of creativity starts with good knowledge. Ratner gives many facets of where to see this vision and tutorials to follow through with your own creative projects.
I commonly work with many high-end graphics programs, Lightwave 7.0 being my newest program on my plate. Peter Ratner's 3d book getting me from a begining user from just reading the index to a 3D artist ready to start the new facets of my own portfolio. Mastering 3D Animation helped quite a bit everything from the Modeling and subdivides to the theory/progress.
Joseph Arthur
Information Architects, Principal
"Mastering 3D Animation" suitable as collegiate textReview Date: 2001-11-26
Make no mistake: This is no cursory guide to constructing simple geometry, slapping on some stock textures, animating basic movements along spline paths and rendering to AVI while you're sipping on a latte, watching the Discovery Channel. A full-time professor in the 3D Computer Animation department of James Madison University and the program's founder, Ratner relies on the broad and substantial digital and conventional art experience that has rewarded him with artistic entries in more than 80 national and international juried exhibitions. Ratner is well-versed in most aspects of 3D art creation, choreography and cinematography. The results of his industry experience are a splendid collection of detailed and refined insights and experiences assimilated into a thorough tutorial guide. I have no doubt-as many experts agree-that Mastering 3D Animation is equipped to serve as a collegiate-level textbook for 3D computer animation curricula.
Spanning the many processes related to generating 3D digital art, Ratner illustrates his critical techniques with 658 black-and-white line drawings and grayscale screen captures. The images vary from basic and sketchy but illustrative black-only perspectives, steps and graphs to grayscale representations depicting character renderings, particle systems, height fields, geometric displacements, facial close-ups, rendered environments and more. Of particular interest to those having cinematography or traditional art backgrounds are the commentary, instructions and grayscale reproductions of painted and sketched art dating back multiple centuries.
Those attending to a more technical emphasis and interest are accommodated in every respect, however-minus superficial references to hardware specifications. Early on, Ratner clarifies his intentions in composing this text: "[The book's] purpose is not to create button pushers who can boast about megahertz, abundant RAM, big monitors and software with all kinds of bells and whistles. It is hoped that aspiring 3D artists will learn some valuable lessons from the great art geniuses that have preceded them." (Foreward/vii) Yes, Ratner does wane philosophical, at times, but his contemplative tendencies bring a refreshing and purist perspective to a field frequently inundated by overly technical meanderings and functionally pointless rambling. Thus, Ratner blends an in-depth artistic and technical knowledge with a practicality and philosophy altogether forming a well-rounded perspective-one catering to persons of various inclinations and backgrounds.
The companion CD contains 200-plus 3D models in a variety of formats: LightWave 3D's .lwo and .lws; Wavefront's .obj; Maya's .ml and the generic .dxf. Tutorial project files are archived in QuickTime (.mov) and JPEG (.jpg) formats, and Ratner also includes a Photoshop brush file (.abr) for creating "grime" textures.
As for the text's informational composition, chapters one and two explore the basics of 3D modeling-polygonal and spline-based (NURBS). Chapter 3 addresses basic 3D animation, while the fourth delves further into animation by considering the role of deformation tools: skeletons ("bones"); kinematics; lattice flexors, etc. In Chapter 5, Ratner explains special effects, including the use of spheres, particles, collision detection, voxels, fragments, displacement mapping and more. Part II of the text, Advanced 3D Modeling, begins with commentary about the human head's structure and composition, including muscles and bone. Ratner explains both the NURBS- and polygon- based methods for modeling the head. Special attention is allotted to features, such as the eyes, eyelids, eye sockets and ears. There's no lack of detail, here, and NURBS fans will experience a rare sensation-a feeling of belongingness.
The next two chapters, six and seven, are devoted to modeling the human figure. The latter stresses finishing-hair, eyelashes and clothing. Chapters 9 and 10 comprise Part III: Preparing for Animation. Lighting is the focus of Chapter 9, and Chapter 10-another that may appeal particularly to conventional artists-deals with surfacing techniques. The author goes beyond the typical texture map types-cylindrical, planar, spherical, cubic, etc.-and the use of photos to address alternative surfacing methods, such as transparency (alpha) and displacement maps. In short, Ratner extends well beyond the conventional surfacing methods most highly publicized, deeply exploring what might be categorized more aptly as upper-echelon trade tips than as common genre knowledge: creating sophisticated bump maps; using grayscale gradients in displacement; and more.
Part IV of the book, Character Animation Fundamentals, includes chapters 11-14: Expressing Emotion with Facial Animation (11); The Elements of Action (12); Movements of the Figure (13); Composition and Cinematography (14). Once again, the author uses an expansive knowledge of choreography and anatomy to help quantify how human emotions are exhibited: body posturing; eye wideness; lip contour; eyebrow position; even directional muscular pull. Each of these considerations can be projected in a 3D figure, and Ratner shows the reader how. "A muscle is composed of a bundle of fibers that work in mutual association to perform common duties," Ratner writes on Page 248. "... It is this combination of movements that results in the complicated harmony of the facial muscles."
The Elements of Action chapter confronts those issues pertinent to a convincing human portrayal by a mere collection of polygons or surfaced curved lines: timing; sound syncing; weight and recoil ("squash and stretch"); walk cycles and more. Chapter 13 addresses concerns complementary to those in the previous one, including body mass motion, pace and impact, equilibrium, action lines, rhythm and still more. The final score of this harmonized tutorial prose pursues line composition, spatial arrangement, blocking (proxy geometry) and all manner of photographic issues and techniques. The reader will learn practical cinematography terminology-camera techniques and movements, transitions, more-and the fundamental tenets of motion depiction utilized by artists centuries earlier.
Wonderfully writtenReview Date: 2001-05-12
First Mediocre ReviewReview Date: 2001-06-27

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Highly recommended readingReview Date: 2004-08-12
Essential Reading for Women over 40Review Date: 2007-09-23
Sunny Hersh shares her personal experiences and gives advice on a wealth of topics including relationship issues, sexuality, dating, financial security, hormone replacement, exercise and diet. She also gives helpful tips on looking after your partner's health.
Most of the book reads like a conversation with a close friend and I found myself writing down the names of numerous books and supplements. This book will bring you up to date on the most important lifestyle changes so you can ensure a smooth transition from 40 to 50 and beyond.
~The Rebecca Review
really heart warming and healingReview Date: 2006-08-12
My mother died at 49 and so did my brother.
I am to be 49 this year and have been struggling with this
issue. my counsiler told me about this book and it has helped me realize i am ok! better than ok!
thankyou!
pj
A Girl's Best FriendReview Date: 2004-08-30
You not only learn helpful hints, but you laugh all the way through.
I'm definitely getting more copies to give away as gifts to those I care about.
Well worth the money to be so inspired.
I Can Relate!Review Date: 2004-06-09

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Excellent BookReview Date: 2004-06-09
Touches the Heart and SoulReview Date: 2003-10-27
Magnificent! This book is "Oprah" material!Review Date: 2003-07-30
"I was in prison and you visited me." Jesus, Matthew 25:36Review Date: 2003-07-30
Of vital importance to George's life story is his account of his early years in British Honduras, now Belize, his early immigration to the United States, and his service in the U.S. Air Force, and his U.S. citizenship (October 26, 1953). Even more important was his marriage in 1957 to Muriel Jermain Seale, who has provided the moral and spiritual support for his successful career.
One does not just become a minister and a chaplain willy-nilly. The story of his religious development and educational experience tells how this came about: the early difficult years, then college and seminary.
I became acquainted with George while he was a student at Bangor Theological Seminary. He and his family eventually joined the congregation I was servicing, the First Congregational Church in Brewer, Maine. He was ordained under my ministry there, one of the high points, actually the highest, of my own ministry. When I left in September of 1967, the church called him to become their Interim Minister. After a year or so, he went on to serve churches in Detroit, Michigan, and in Ohio, and then was accepted as chaplain by the Federal Bureau of Prisons.
All of this is essential to getting the most out of George's career as a Federal Prison Chaplain. The reader will share in the documentation and correspondence that became an important part of George's work within a difficult bureaucratic system. There were also unexpected difficulties with the machinations of opportunistic prisoners as well as with prisoners whose legitimate personal problems were all but insurmountable. If you want insight into an environment and setting that cannot be portrayed in a TV or movie scenario, this is the book for you.
A Federal Prison does not exist in isolation from the rest of society. George spells out the relationship of his work to the "civilian" religious community. This is part of his task in educating the rest of us to the enormity of the problem that confronts American society. Prison populations are growing fast, and the costs are skyrocketing. The solution to this problem, if we take George's perspective seriously, is more in terms of human relationships than in purely punitive or monetary terms.
But this comes only through genuine commitment, in George's case, Christian commitment, in a life of duty and service, with an equally dedicated life companion. There is much to be learned from what otherwise might be considered as one of the darker sides of life. George in his book, and in his life, has shown us the way.
Ray Wilbur
Phenomenal. Absolutely Phenomenal!!Review Date: 2003-07-22

Used price: $15.28

Comments From an Emerging ArtistReview Date: 2008-04-02
The eye-catching pictures help in showing how to draw people with exercises that are easy to follow and understand.
For learning to draw or paint people and figures this is an excellent book. He also talks about the materials needed; colour mixing, brushwork and practical tips to get the result you are after.
You may not enjoy this book if you like more detailed realistic paintings as his style is sketchy but to me this is the magic.
Wonderful Reid ...as usualReview Date: 2007-09-04
Charles Reid is amazingReview Date: 2007-08-05
The Natural Way to Paint: Rendiering the Figure in Watercolor SImply and BeautifullyReview Date: 2007-04-03
Simply the best instruction book on watercolorReview Date: 2007-03-20
to buy for watercolor, then this is the only one you need. This book will teach you alot, if you are ready to invest yourself.
The spontaneity usually associated with watercolor is an illusion, and this
book with simple exercise will help you control this medium, and help you
cause accident that others call spontaneity.

Used price: $0.99

Find out how awesome YHWH is!Review Date: 2008-06-19
This book is incredible! What detail & foreknowledge is involved in the inspired word of God. If you think the Bible is a masterpiece now you will not be disappointed after reading "Number in Scripture." It brought home to me how little we actually conceptualize about the workings of God.
Not only that, but it also helps with finding significance and greater meaning and understanding in scripture.
I had not read up on this subject before & found it truly inspiring.
Numbers In ScriptureReview Date: 2007-08-03
AWESOMEReview Date: 2007-05-12
HIDDEN IN THE NUMBERS..........THIS BOOK IS THE BEST WRITTEN ON THAT SUBJECT.
AMAZINGReview Date: 2006-03-16
The Supernatural Design and Spiritual Significance of Numbers in the BibleReview Date: 2007-11-05
E.W. Bullinger
It makes since does it not? If the words that God uses are perfect then why not the numbers? Thus, we have this monumental study by E.W. Bullinger. This book is broken into two sections, the first section examines the supernatural design of the Bible. The second section examines the spiritual significance of numbers. However, this book isn't just about numbers, it is an example of the beautiful accuracy and the infallability of God's perfect Word. The Bible flows in perfect harmony from the beginning to the end. After reading this book, never will you view the Bible as nothing more then just an "Old Book" written by religious zealots that collects dust on your bookshelf. Nor will you view the Bible as having no relevance in today's "modern" world. You will begin to see it as it really is, and that is, PERFECT!!!
God Bless ya!
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