Music and Audio Books

I bought this book for one of my children for a summer reading project. I needed a specific version and was glad I could search Amazon by ISBN. The book arrived quickly and the price was reasonable. I'm sure other family members will enjoy the book when the projcet is complete.

except for the Bible, this is the best.
It is the full and undiluted version from the first english translation.
read it, learn it,live it.
j

Although the story is well known to me, the editing of this audio book was so confusing. I absolutely could not follow it. Too much is cut out.

Story has good twists, but there are too many French places and people which makes the audio confusing.

The book is excelent reading but please get a different version.
This version only has 580 or so pages where as other versions have over 1,300 pages. That means that this version is only half the story.
So much gets lost in translation already don't cheat yourself even more.

When I read this book I laughed, I cried, and reflected to my own experiences. Clay Aiken has so much wit and is a wonderful story teller.
I would recommend this book for anyone but especially kids that get picked on at school, as Clay was. His childhood was filled with pain but he chose to rise above it all. From his biological father to his step-father,
he had always gotten the short end of the stick and wondered what it would take to be loved. Wonderful, inspirational reading.

I recently finished his book in just a few hours. Excellent! The book reveals his life as a child, facts about his biological dad and his step dad, and his lovely mother. Many chapters actually moved me to tears. This man is humble, extremely talented and gifted.
A definite Must Read! You will enjoy the trip down memory lane with Clay.

This book is truly a masterpiece! I read this book because I am a Clay Aiken fan, and I thought, 'Hey, a book by Clay Aiken, this should be cool.' I would recommend this book for anyone! Even if you aren't a fan of Clay, this is still an inspiring book. Let's just say: I laughed, I cried, it moved me!" I'm ordering the book and the audio cds. This is one of those books that you read front to back, then open it right back up and read it again!

Clay Aiken is one of the few celebrities I look up to. He has devoted fans because people see him as a friend or a brother. He is a very kind, humorous, and generous man. I am glad I read this book.

I don't really like to write reviews, but I couldn't resist this one. Let me just start by saying I wasn't a fan of Clay when he was on Idol. I guess I was a bit young to really appreciate his talent. Well I've rediscovered him and have become a HUGE FAN. I can call myself a claymate.

Anyway, this book is great. I finished it in a day. I couldn't put the book down, not even for a minute. From the very beginning Clay opened himself up and showed that he's vulnerable. He says that he wants people to realize what you see is what you get when it pertains to him. You can't help but cry when things are rough, and smile when he sees the light at the end of the tunnel.

This may be a spoiler, but one of the many things that really stood out for me was when he was talking about his stepdad. When his stepdad died, you can tell at that time, Clay felt incomplete, not knowing whether he was loved by him or not. Then he remembered a story his mom told him; his mom said, a friend of his dad had visited him and he was talking about his brother Brett and how he knew he would turn out to be a great man. Then his stepdad said, "my other son is going to be a famous singer one day because he has the most beautiful voice."

That part of the book really touched me bc I felt like he got his closure and he knows his stepdad really loved him.

Anyway, I don't mean to go on and on, but this is a great book and is a page turner. You can't help but love Clay more and I'm sure people who read this book can relate to him in so many levels.

14 Qualities of Successful Musicians, Songwriters, and Music Business Professionals

I thought this was a good, solid presentation of 14 qualities that all musicians need. I am a pretty tough customer and I can't say that I disagree with any information the author provides. I would recommend this to the beginning musician as well as anyone interested in bettering themselves in the music industry.

David Hooper delivers his 14 qualities of successful musicians in a way that is clear, concise and most importantly- extremely practical and eye-opening. The industry secrets he lays out almost make you feel like you're cheating the business or gaining years of experience in one fell swoop. I had never heard of David Hooper before coming across this but I will definitely be checking out his other products to see what else he has in store. Highly recommended.

I bought it recently and found it worthy to keep in my library.It was a great buy along with a couple of manuals I purchased from Musicbrains.net entitled the Indie label Kit on Amazon, Music business 101, future of music and Guide to releasing an independent record by Tim Sweeney.

I just got my copy of this CD and I listened to it immediatly. David Hooper, gives lots of great ideas for being successful in music and any business, or life. Some of the things he talked about re-affirmed what I had been doing, but he gave enough 'new' ideas to really kick my music career to the next level!

Very informative easy to understand.

This book is a great gift, especially to those enterring new exciting chapters in their lives. It could as a result of death, illness, or just starting a new chapter. Life is hard but enjoy gain strengh from that around you.

This book is very inspirational and can be used a a motivator for young people embarking on their life journey. The accompanying cd is excellent as well.

I felt so connected to this and cried , I gave it to my daughter , who had just found out she had cancer . goldenyrs43

Leeann Womack does a fantastic job at describing how the song came about and how to apply it to every day life.

Being a lover of this song and of gift books, I naturally couldn't resist ordering this book the minute I saw it in a store. The lyrics of Leann Womack's classic song is featured throughout the book, along with inspirational messages and beautiful photography from those who put the book together.

I did dock a star because the messages in the book that accompanied the song occasionally came off as a little too..mushy. I'm really not that harsh a critic, not of books like these, but the beautiful words of inspiration were, a couple of times, replaced by words that were definetly too syrupy for my taste. I prefer truly moving messages and stories to speak for themselves, but it occassionally seemed like the authors wanted to hammer the point home, overdo the sentimentality, and even make their message serious and cheerfully bouncy at the exact same time (trust me, that doesn't work.) For ex: throughout the book, the lyrics of the song are printed in large bold letters in order to differentiate them from the authors' separate words of inspiration. Usually, the pages featuring the lyrics had no other words on them, but at one point, right above the words of Womack's moving song, the authors' placed a bulletin that said, "Attention! This is BIG stuff!" Considering the fact that Leann's song more than speaks for itself and doesn't need any extra emotional boosting, I found those additional words annoying and almost jarring to the flow of the song and its message.

Elsewhere in the book, as I mentioned before, the sentimentality goes into overdrive. One page is dedicated entirely to love and begins with the words, "Love, love, love. You have to love." Again, I got that idea the first time. It's nice to compliment the song with additional words of motivation, but we don't need an interpretive page with every selection of the song. In another part of the book, while speaking of youth, the narrator says, "Ah, youth..new skin, wide smiles, clear eyes..the future so bright. If only we could bottle it up, sip it now and again.." This sounded more to me like a bad commercial for a fountain of youth than a motivational speech. I don't mean to sound cynical, I usually love gift books, but the tone in this one was sometimes just too sweet for my taste.

I also didn't particularly care for the version of the song in the bonus CD. There's a mainstream version with soft rock music and female voices in the background (which I prefer) and there's a country version with male voices in the background and the occassional awful twangy instruments; this one's the latter. If you like country music, good for you, but I don't like the country version of this song.

There are plenty of good points of this book to make up for the disappointments, of course. The song is wonderful, whether you hear it or read it, and some of the separate words in the book were lovely to read. My favorite part of the book's text, other than the song, was a beautiful little haiku that the authors wrote called "You", celebrating every individual. The photographs are also gorgeous, from grinning children to nature scenery. A beautiful package, altogether.

Now, if they'd only make a gift book celebrating the beautiful song "Private Malone"..

Checked it out from the library.

*I* liked it quite a bit, from the cut-outs on every page, to the sheet music at the end, to the little cultural tidbits and little yiddish morals on every spread.

My nieces weren't very enthralled, and asked to read other books instead.

Can't win 'em all. Gave it four stars anyway because, hey, I have a voice too!

This is a great book! My son loves it, and I enjoy reading it to him. The pictures are interesting and there's a lot on each page to entertain the eye. Plus, the story is really cute.

i love this book. the illustrations are great and the story is simple yet enjoyable for all ages.

I wasn't expecting much from this book, really.

It was given to us as a gift, and I sort of set it aside in the book basket. My wiley children pulled it out one day for a read, and it has been on the top of the heap ever since.

The text isn't much.

But oh, the illustrations. The pictures are full-page cut-paper collages and they will suck you in, as your kids point out all these little details. The people are hilariously real -- you can recognize people you know in their expressions.

Each page has a little peep-through to the next -- we love that!

The paper has a wonderful heaviness -- this is a high-quality book. I need to write another thank-you note to the giver, now that months have gone by and we really enjoy it.

Oh, even the animals in the story have funny little personalities. It's just a darling book.

And the moral of the story is, even when you have nothing, you can make something of it.

We were introduced to this book on Between the Lines. I found it at the library and once we got it home, my 3 yr. old feel in love. The message is great, the images fun and the story enjoyable. My son loved the book, but he wanted us to sing the song in the back. We did a poor job, then I found the audio book at the library. We listened again and again. Even my 1 yr. old enjoys it. Whenever my son sees sheet music he pretends to read it and sings "I Had a Little Overcoat". How could I not treasure this book forever?

This children's book is about a King who is very reluctant to get out of the bathtub. His court makes several unsuccessful attempts throughout the course of the day to lure him out of the tub. Instead of getting him out of his bubble bath they end up joining him in the bath partaking in the activity they requested. It takes a creative thought from an unlikely source to figure out how to get King Bidgood to finally get out.

The story line is humorous, repetitive, and entertaining. You can't help but chuckle or at least smile when you turn the page after a failed character has left the bathtub and are standing in the court dripping wet from head to toe. The simple text has a repetitive pattern that is easy for children to catch on to and join in with. The repetition pattern has minor changes from time to time that keep the story progressing. For instance, the line "come in cried the king" is repeated throughout the book but is followed by a different word repeated three times depending on the activity requested; "yum yum yum", "jig jig jig".

The incredibly detailed life like illustrations will keep your attention long after the text on the page has been read. From the small delicate bubbles that float out of the King's bathroom to the elaborate and accurate period clothing of the court. The color use throughout the book changes gradually with each turn of the page. At the beginning of the book "when the sun came up" the general color of the page is yellow then fades into light blue during the day, pink and red in the evening, and finally purple and navy blue "when the night got dark".

I enjoyed this book as a child just as much as I do now as an adult. It's one of those books that every time you read it you'll find something different that wasn't previously noticed. I recommend it for everyone but in particularly grades 1-3 who will comprehend and enjoy this masterpiece.

This is my all-time favorite childrens picture book! The story is simple and delightful. The pictures are fantastic! My kids have studied the details in these pages. Reading it always made them want to go play in the tub for hours. We have worn out our copy and I most recently bought this for a grandchild. If only all childrens picture books were this lovely.

King Bidgood's in the bathtub and he won't get out! This book has been a favorite in my household for years. The illustrations are exquisite and the meter of the verse makes it fun to read. The Wood team have done another wonderful job with this book.

I bought this book many years ago when my now 25 year old daughter was a baby. It is extraordinary. The illustrations are breathtaking, and I remember getting lost in them - much to the disappointment of my children who wanted to get on with the story. I still have the book and still enjoy getting lost in King Bidgood's world.

"Help, help cried the Page" is the captivating beginning of Audrey and Don Wood's picture book King Bidgood's in the Bathtub. The good old King has climbed into the tub and now refuses to get out. This story is a wonderful experience for children of all ages, especially the ones disguised as adults. The simple rhyme and diction coupled with the amazing illustrations allow your young readers to relate to the issues so cleverly addressed in this work of art.

RHYME:
The entire book is written with a simple, repetitive rhyme scheme. There are many benefits to this style. First of all, it works very well for those children who are just developing their reading skills. Children generally, like things that they can repeat and follow even anticipate easily. Wood's repetitions make this easy for many children while her small variations keep the story interesting. Every child will soon be able to sing out "come in" with the king and then wait anxiously for the "boom, boom, boom" the "trout," or even the "jig." The small variations also allow the child to follow the timeline of the story easily which encourages their ability to do `tell backs,' where the child reaches an age when then can relate and retell the story with the appropriate order of events. The simple references that Wood includes to the sun going up, getting hot, growing dim, and the moon shining bright are very clear references that the child can use. The interactions that the child participates in while developing these skills help to keep a child with the shortest attention span involved. Also the excitement that learning will create will keep your parental senses from getting tired of reading the same book again and again because it will never be quite the same to your child.

The repetition of the rhymes can also be connected to repetition of simple acts in both of your lives. There are generally two types of children, one that really hates the bathtub and the other that never want to get out. The bathtub represents a constant, repeating battle in your life either way. Children who do not like to bathe are encouraged to enjoy it by all of the fun things that can be done in the tub. You can do everything from "battle in the tub" to "dance in the tub." What child can say no to that? For the rest of you, the book is about getting out of the tub after all and a simple telling of the story and then an enactment of the end where mom "pulled the plug" can be a wonderful and stress free way to get that very hygiene oriented child out of the bath and into their bed.

DICTION:
Once again the simple text is very beneficial for the new reader. There are no big words to be asked about and worried over, accept maybe "masquerade ball" and the pictures define that one so well that it really isn't a problem. Any child can understand that the page is calling for help and that everyone else is trying and failing. This simple understanding of what seem like big concepts can really help the child to develop a love and excitement for learning. The contrast between the direct call for "help" by the page and the round about reasons to "get out" offered by the members of the court shows how they want the king to get out of the water but are afraid to tell him what to do. They may offend his kinglyness. This is similar to the classic story of the Emperor's New Clothes where while everyone knows that the kind looks ridiculous it takes a poor fool to tell him so. Except in this case the king is in the bathtub and the only one willing to be direct enough and to take affirmative action to get him out is the page.

The very simple diction that Wood employs is in direct contrast to the very elaborate ways that the court members try to remove King Bidgood from the bathtub. In the end it is a simple action by a simple boy that confounds all of their extravagant attempts. This really boosts a child's self esteem. They are able to understand through this very primitive text that their small ideas can make a huge difference because they can see things that the adults in their world miss.

ILLUSTRATIONS:
The amazing illustrations give the child another chance to see things that you, as parents are missing. There are many ways to measure art work that could easily be applied to Wood's illustrations but by name they do not matter to a child at all. What matters is their ability to be incredibly realistic and to bring to life a fantastical story about a king who refuses to get out of the bathtub and all of the fun he has battling, feasting, fishing, and dancing in his bathroom. The illustrations are vibrant and very busy. They immediately capture the child's attention and can keep them entertained finding new details for years to come. When Wood is asked about how she comes up with the ideas for her stories she says that they are a mix of her life, her son's life, and her day dreams. This is clearly represented in the contrast between the simple fanciful text and the complex and realistic pictures. It also relates very well to the child whose mind's reality can be very different from the world that you live in. This book can provide a very productive outlet for the erratic idea's prominent in the life of a young child. The final pages of the book also reinforce a child's confidence in his own ideas. The simple text "glub, glub, glub" is contrasted with the very smug looking page triumphantly holding the plug while the king runs from the room in nothing but his towel and crown. To a child with ideas that seem simple and perhaps even irrational to the general adult world this is the perfect picture of all of the success they can yet achieve.

Children of all ages and even the daring adult can experience the wonder of Audrey Wood's world through the simplicity of the rhyme and diction when it is contrasted with the amazing complexity of the illustrations in King Bidgood's in the Bathtub. Once in this world it is no trouble to learn and grow with the characters. For children it is especially rewarding to relate to the transformation from an overworked and stressed page to a triumphant one.

The Little House series are great read aloud books.

Our daughter is five and this series is perfectly age appropriate, even though an older child would enjoy them equally as well. For younger ones (three or so), there is a great picture book series called "My first little house books," or something like that. One of these is a story based of a chapter in this book and is called "Christmas in the Big Woods."

These CD's are great for long trips in the car. The narrator's voice is wonderful. The adults will find themselves enjoying listening themselves.

"One the Banks of Plum Creek" is the best of the series. It is the one where Mary and Laura go to school and where the character of Nellie Olson is introduced. Her brand of spoiled rotten meanness is nothing short of tantalizing to a five year old. Also, there are the wonderful Christmas chapters.

Just excellent, all around. I highly recommend the books to read alound and the CD's.

Whether you have read the Little House books or have never heard of them, this book on tape is wonderful for everyone from small children to adults. The narrator who reads it does an amazing job of capturing the childhood wonderment and emotions Laura was trying to convey. It is also so interesting to hear the way families lived back in the 1800's. I could listen to this book on tape over and over again.

Book review
I did my report on the book called On the Banks of Plum Creek.
The author of this novel is Laura Ingalls Wilders. It is also historical fiction.
This story is about a family that is very close. There is baby Carrie the littlest, the middle child was Laura but her nick name was Little Half Pint, and the oldest is named Mary. Mary was such a little lady she always did what her mother told her to do. But Laura was the rebel in the family she was always getting dirty or getting into trouble. But Carrie is too little to have a background. Pa traded his horses and bunny for a dugout from Mr. Nelson. There was a creek close to the house and they played there often but they must never go into the deep waters with out Pa or Ma (Laura learned that lesson fast).
I loved this book because I love the time period it was set in and I have read many stories by the same author like Little House in the Big Woods. It would suit some one who loves Family stories and the time period and his farm world it is more like a fun book to read but it is Historical fiction as well.

Laura Ingalls is now eight-years-old, her sister Mary is nine, and Carrie is still just a tiny tot. While they are all still quite young, they are expected to help out with the chores around the house - from sweeping to dusting, cooking and setting the table. But this year, the girls are in a strange new place. Looking to settle in an area where a school and church are close by, and the Ingalls' have a chance to grow a wonderful crop that will provide quite a profit, the family heads to Walnut Grove, Minnesota. Traveling by covered wagon, the family, along with all of their belongings, travels all the way through Indian Territory, across Kansas, Missouri, and Iowa, stopping at their destination in Minnesota. There, they are surrounded by Norwegian's who speak very little English. However, they are good neighbors who assist them in times of trouble. Trading their horses for a home located under the ground, Laura's family begins to call Minnesota their home. And, before long, Pa has built a lovely home by the banks of Plum Creek. He believes that his wheat crop will provide enough funds to pay off their debts when the time comes. But when locusts invade in cloud-like swarms, eating everything in their sight, the family must endure hardships that were unexpected.

But things are not all bad. Having never attended school before, Laura and Mary are finally near enough a schoolhouse where they can attend daily lessons that help them develop reading, writing, and arithmetic skills. It is at this particular school where the two older Ingalls girls are exposed to children - both male and female - who are close to their age. Some of whom title Mary and Laura "country girls." But the label does not affect how the two sisters view themselves, or their family; and only gives them the courage to befriend various girls who love to spend time with them. It is at school, however, that Laura encounters the spoiled, yet oh-so-pretty, Nellie Oleson, who goes out of her way to give both Laura and Mary a hard time. But Laura isn't having any of it, and resolves to get even with the vicious Nellie, even if it upsets her Ma and Pa. Luckily, with Ms. Beadle - the schoolteacher - around, Laura and Mary have the confidence to stand up for themselves, and receive the education that their Ma always wanted them to have; while getting the socialization they deserve. But even attending school doesn't excuse them from having to assist their family when the going gets tough.

Up until last year, I had been a diehard fan of the LITTLE HOUSE ON THE PRAIRIE TV series, but had never had the opportunity to delve into the wonderful tales told by Laura Ingalls Wilder herself. Upon reading the introduction novel, LITTLE HOUSE ON THE PRAIRIE, I quickly fell in love with the Ingalls family all over again; and, since then, they have taken up residence in my heart, and kept me fascinated with the various adventures they experienced throughout their lives. Laura is such a lively, brave, fun-loving character; whose ambition, kindness, and, oft-times, naughtiness, make her appealing from start to finish. Her relationship with her family is hard to resist, as she manages to please and displease them on a daily basis, all to the jovial laughter of her father. I believe that Pa (Charles) is one of the most important characters in the series, as he is such a kind, loyal man; who rarely scolds, and spends his downtime entertaining his family with music from his fiddle, and stories that leave you chuckling. The family, as a whole, are the type of people you would absolutely love to have the chance to know. They are kind to strangers, helpful to neighbors, and both Ma and Pa are two of the most selfless people in literature. The information regarding Rocky Mountain locusts was both interesting, and frightening; but truly provides a wonderful history lesson for the young reader. While the introduction of the devilish Nellie Oleson provides quite a bit of humor, as she and Laura trade insults with one another at almost every meeting between the two. Ingalls did a marvelous job of penning such a cheerful addition to the series; and, thus far, ON THE BANKS OF PLUM CREEK has become my favorite LITTLE HOUSE book yet. A can't-miss addition to the series!

Erika Sorocco
Freelance Reviewer

ON THE BANKS OF PLUM CREEK -- Who could forget the plague of grasshoppers, or spoiled Nellie's encounter with the crab, or Pa's sojourn in the blizzard, among other adventures?

We -- my three homeschooled grandchildren and I -- are going through the Laura Ingalls Wilder series of books for the second time. We read them aloud during story time, and love every minute. These are books written about an American pioneer family in the 1800s with a strong moral compass. In an unsentimental style, the author writes simply of the day-to-day life she experienced firsthand growing up. As the title of this review suggests, a central theme, not only of this book, but the entire series, is that "Pa loves Ma, and Ma loves Pa, and all's right with the world," including in the face of all kinds of adversity and opportunity alike.

I enrich this time for my grandchildren by stopping occasionally to explain and discuss what we are reading about, be it an unusual word usage, a custom no longer practiced, how to do something by hand, historical facts... We have even stopped to do some research and measure out the height of a bear. Our family tradition is that the eldest grandchild (now 11) reads the last page of these books. Otherwise, I usually do the reading. We also try to get started right away on the next book in the series, the same day as we finish the one before, so as not to lose our momentum.

After going through the series the first time, we discovered (almost by accident at the local library) several other series of books, written by other authors, about Laura's great-grandmother Martha in Scotland, her grandmother Charlotte in Boston, and her mother Caroline in Wisconsin, so we decided to start over with the first of those books and carry on through. There is also a series about Laura's daughter Rose which we have not gotten to yet.

Reading through the other series in order has been time well invested. Like Laura, we have strong family roots in Scotland. We have four generations of our family living within close proximity, so my grandchildren know my father, their beloved great-grandfather, quite well, and this series helps them gain a feel of family and historical continuity, generation to generation. (Check for related book series under: Martha Years, Charlotte Years, Caroline Years, Rose Years).

I am investing in and building our own set of all these books in hardcover, having told my grandchildren that I plan to be around to read them to *their* grandchildren!

My bookclub is entering into its Holocaust Month. Someone recommended this book to me last year and I thought, it sounded interesting enough to read. Interesting just barely describes this book. Haunting is more the word that I think of when I finished this book. Incredibly lucky are two more words.

There are so many books out there about the Holocaust that it can be confusing sometimes to read what. This book definitely should be read simply because it's beautifully moving, tragically sad and not only that, it provides a different viewpoint of what happened during the early years of Nazihood in Germany and before the "Final Solution" was proposed to exterminate the Jews. This happened and I don't recall hearing much about any of this till I read this book. Before Hitler and Goring proposed the death camps and just while trying to get rid of Germany of the non-Aryan blood, they came up with a solution that provides entertainment and music/art/theater productions just for the Jews. This is a place for the Jews to retreat to. They were only allowed to play Jewish pieces written by Jewish artists/musicans. And they were left alone in the 30s and early 40s. Well, not quite completely left alone as they still had to follow the Nazi rules. But it was a place of refuge for the Jews, especially in Berlin.

This book, while devoting a huge portion to the Kulturbund and its orgins, the author writes of his personal family history. His mother and father were musicans in the Kulturbund. And they suffered horrible tragedies as the war progressed over the years. However, they were young, in love and naive like a lot of people were. They did manage to escape Germany but they also managed to leave behind family members which have haunted them and their children even to this day. It is very intense reading at times and with hindsight on the reader's part, it is very hard to fathom their optimism that things will work out ok in the end. Not only that, this book brings up the question of whether or not the Kulturbund was good for the Jews or kept them compliant enough to keep them in Germany instead of escaping to other countries, so the Nazis could gas them too. This book is haunting and disturbing. The questions that the author may have unknowingly stirred are now raised in my mind ... and the answers are not easy to figure out.

This is not your typical Holocaust book nor is it like the other books about the camps ~~ this book simply tells a tale of two musicans who were unfortunate to be caught up in the times that stirred Germany (and the world) ~~ but yet, their love of music has sustained them through the years before they left Germany. Are they heros? Not in the sense that we associate it with. They are more like survivors and like all survivors, they carry a burden of guilt that resounded through the years. But it is a book that honors the memory of those who were left behind in a time of turmoil that even today, still vibrates through the years.

9-28-07

MG's story of his family during the early Nazi era is an unusual glimpse into the lives of German Jews during the period from 1933-1941. He writes about the Kulturbund, an organization created by the Nazis to (1) rid Germany of Jewish influence in the arts and (2) provide propaganda coverage of the maltreatment of Jews by the Third Reich.

In my opinion the book is generally well written and seems to be the result of careful research. My one complaint is that MG frequently quotes conversations which I doubt have been recorded in any way. I don't like that in historical writing, but in this case I was willing to overlook it, because of my interest in the story.

What do we really know about our parents' life before we were born? That depends largely, I guess, on how much of an interest we show - and on how much they are willing to reveal. Because in the life of every person there are instances and times they rather wish to forget, and not revive time and again by discussion, even if only among their nearest and dearest.

Such, in the lives of author Martin Goldsmith's parents, were the years from 1933 through 1941; so much so, in fact, that Goldsmith likens that time to the massive ash tree in the house of Germanic warlord Hunding, the setting of the first scene of Richard Wagner's opera "Die Walkuere:" Something looming large, yet never openly acknowledged. Because before George Gunther Goldsmith, furniture and home decorating salesman of Cleveland, Ohio, and his wife Rosemary, a violinist with the St. Louis Symphony and the Cleveland Orchestra, became American citizens in 1947, they had lived a whole other life - the hunted life of Jews in Adolf Hitler's Germany. And only years after his mother's death, on a trip to his father's home town of Oldenburg, did Goldsmith catch the first glimpses of what was hidden behind that massive ash tree, and George Goldsmith began to talk about the events which his, the Goldschmidt family had witnessed there; as well as the early life of Rosemarie nee Gumpert in Duesseldorf, the couple's first meeting in Frankfurt, and their later life in Berlin until their lucky escape to the United States. Beginning with this visit, Martin Goldsmith retraced his family's path to the early years of the 20th century, when his paternal grandfather Alex Goldschmidt took residence in Oldenburg, and his maternal grandfather Julian Gumpert settled in Duesseldorf.

How intensely personal this voyage into the past must have been becomes clear in the account of Goldsmith's visit to Oldenburg prison, as a participant in a march retracing the path taken by the Jews - among them the author's grandfather - driven through the streets of Oldenburg in 1938 by Nazi thugs, to later be shipped off (at least temporarily) to Sachsenhausen concentration camp. But although he writes about his very own family, and now in full knowledge of their fate, Goldsmith's narrative is in no way sentimental. With a journalist's detachment he talks about Guenther and Rosemarie, Alex, Julian and their wives and other children; turning a nonfiction account whose outcome is clear from the very start into a heartstopping tale few would be able to believe if presented with it under colors other than that of the plain historic truth.

Prominently featured in Goldsmith's account is the Jewish Culture Association, or Juedischer Kulturbund; as of 1933 the German Jews' only permitted artistic organization, in whose orchestra Guenther and Rosemarie had met and which had formed the center of their life until they finally left the country. One of the most controversial institutions of Nazi Germany, it reunited what was left of the country's Jewish musicians, artists, writers and composers - providing a modicum of shelter in an increasingly hostile environment, but also a convenient tool in the Nazi propaganda machine. Were the members of the Kulturbund instrumentalized to deceive public opinion, at home and abroad, about the true intentions of Hitler's government? By giving their Jewish audience a sense of comfort and "belonging," did they also prevent some of them from rescuing themselves when there still would have been time? The surviving members of the "Kubu" and their families, interviewed by Goldsmith, come down on both sides of the issue; and the fate of the survivors is probably as symptomatic as that of the many who ultimately did perish in Nazi concentration camps - chiefly among those the Kulturbund's charismatic founder Dr. Singer, who not only let himself deceive into returning to Germany after already having reached the safe shores of the U.S. but saw a mark of distinction even in his deportation to the "model" concentration camp of Theresienstadt.

Yet, for Guenther and Rosemarie the years with the Kulturbund were dominated, above all, by the musical companionship they experienced. What does seem to have haunted them most for the rest of their lives, however, was their very escape to America, while their remaining family members were stuck in Europe and, one way or another, died in Hitler's concentration camps - and the feeling that with a little effort they just *might* have saved at least some of them. The letters of Alex Goldschmidt and his younger son Helmut, written to Guenther from captivity in France after their own unsuccessful attempt to flee to Cuba, are among the most chilling testimonials contained in this book; and the decision to translate and include them conceivably cannot have been an easy one for Goldsmith. Indeed, it apparently was the knowledge of his family's fate that, all talent and love of music aside, eventually compelled George Goldsmith to forever retire the flute which, in his life as Guenther Goldschmidt, had been the only item of true importance besides his beloved wife Rosemarie; thus punishing himself in a way no outsider could have done. Yet, the couple's gift for music lives on in their son, who in his own way has brought many hours of joy to radio listeners all over the U.S.

Martin Goldsmith's "Inextinguishable Symphony" - named for Danish composer Carl Nielsen's Fourth Symphony, which sets music, as a parable for life itself, against war, terror and destruction - is as much a personal journey of discovery as a journalist's account of historic facts; seeking to understand rather than to judge. It deals with a time in which morality was thoroughly upset by a profoundly immoral regime, which cannot possibly have remained without effect on anybody who witnessed those events. In applying our own values to those facts, I think we would all do well in being careful to, likewise, make a thorough effort to understand before we judge. Goldsmith's insightful account is a great place to begin such a process.

This story was impossible to put down and when you finish, it stays with you for a very long time. Its hard to believe that Gunther and Rosemary didn't make every effort to help their parents emigrate to U. S. What really bothers me most is, not being Jewish, what would I have done in Germany in the late thirties and early forties when I saw these atrocities happening?

I listened to Martin Goldsmith on "Performance Today" (and still listen to his successor, Fred Child) for many years. This man who for years described classical music on the radio -- composers and their life story, pieces and their histories, in accessible, engaging, and lightly humorous ways, and even sometimes tied it in to his love of baseball -- he also has an extraordinary family story. It's moving and well-written, and makes me think about the extraordinary stories that must dwell in the depths of my own geneological past.

This is a good book for getting started in Pro Tools. It covers pretty much what a musician would need to know to start making songs.

The author is really good at making complex concepts and procedures understandable. She even uses a blog where she will personally answer your questions if you get stuck.

That said...
The book is using Pro Tools version 7, and because I was using Pro Tools LE 7.4, there were quite a few discrepancies between what was presented in the book, and what I had in front of me, and the reader is required to extrapolate from time to time. All this will probably be fixed if the author ever revises the book. Then she can specify exactly what version is being used.

Also, in the revision, I hope she uses XPand, the free (and extremely cool) sampler from Digidesign, and not the $600 SampleTank, which you can only try for 10 days before buying.

Another thing I think would be very beneficial to new users and should thus be included in the possible revision. is a whole section of the book on creating your own loops, right from the beginning.

Thanx Gina

Amazing book very easy to read, follow along, comprend, and a must have for quick fun beginners guide. Provides refrences to other helpful software and throughly explained how-to's.

I have never felt compelled to write a review for any product I've ever purchased, but this is different!! I've been a home recording artist since the mid-eighties. Started with a Tascam 4 track cassette recorder, then to their 8 track version and then to Yamaha's AW4416 DAW. So I have a basic understanding for recording, but was never a techie at it. All I wanted was to lay my tracks and sound down.

I recently purchased Pro Tools Mbox2. For two straight weeks I muddled through what the hell all of the drop downs boxes, buttons and options meant. The manual explains each function in technical terms, but not how each is used in the context of recording and the big picture. I wanted to return the dam thing!!

I then began looking into different books and saw the positive reviews that "Pro Tools for Musicians and Songwriters" had and thought I'd give it a try... THIS BOOK IS FRIGGIN AWESOME!!!!! I felt like the author was sitting right there with me showing me exactly what all of the features were for and how to use them. Right from the very beginning of laying your tracks down to the finish product and a whole bunch of everything else in the middle!!!

DigiDesign, should include this book with every sales of Pro Tools. It's just that good!!!! ...and now I love Pro Tools!!!

I had a difficult time understanding how to begin working with ProTools until I bought this book. It's a great step by step tutorial that works through all the basic concepts and produces a finished music composition as an end result. I refer to it often as I write and record. Now when I refer to the ProTools manual for detailed info, I have a much better grasp on what I'm reading.

I needed a book to get more out of Pro Tools; I don't want to be an engineer savant - just record my guitar and vocal tracks and add a touch of MIDI here and there.

Some books were terribly daunting, some so simple that they were of no use.

It's true - this book is laid out to work as lessons with tracks that can be downloaded from a website. But even if you're working on your own projects - the explanations here are simple enough, you should be able to apply them to your needs. Or heck, go through the lessons - if you wanna learn, put in the time.

Even without yet going through all the lessons, I've found two or three great tips that have made my mixes (and CPU usage) much improved; and for that alone it was worth the money I paid. Big clear pictures, the Table of Contents takes you where you need to go, and the author even makes herself available via her web blog, if you have a question.

A friend who has ProTools sat at my house and picked up the book and just flipped through some chapters and saw some relevant tips he took home with him to California (I'm in Utah). I'd bet he's bought a copy by now.

Will it detail every configuration of every plug-in - no. Is it "For Dummies" - no.

This is a five-star reviewed book - it's not for everybody, but if you're starting out and need some good clean answers, start here!

This CD set took me from working the night shift at our town's local 7-11 straight to the lofty heights of the music business. Its a downright miracle. Its no coincidence that every single other reviewer gives this CD series 5 stars and as well as heaping on well deserved praise. If I didn't know Ty's work to be the message from God that it is, I would question the veracity of all these testimonials and wonder whether Ty or Ty's mother has a lot of email accounts. But since we know that's not true, we can go on enjoying the veritable gold nuggets of wisdom about today's music business crammed onto these CDs. I only hope that we can get Ty to turn his mighty mental powers to solving some other of the world's great challenges such as poverty and disease. If he does, these calamities won't stand a chance.

Are you tired of getting turned down by music companies? I was. I got this book from a friend for my birthday. So, I figured, `what have I got to lose?' The book surprised me. Cohen gives you everything you need to know about getting a start in the music industry. It has useful contacts and insider tips that give you an edge on the everyday musician. If you're serious about your music and want to get it in the right hands, get this book.

Ty Cohen has done it again. He has made the music industry so easy to understand and anyone can use the strategies that he provides. Cohen is able to show us all that being a musician with your own record label is possible and easy. Through a simplified process, any aspiring musician can implement these plans and put them into action within 21 days. If you are in the music industry, there is no better guide for getting a record label running on a small budget but still be successful and make money. My business is in a better place since "stumbling" across Ty Cohen's resources.

Thank you for putting together this resource for the music business. It certainly has given me some additional contact info and some other little surprises I'll keep secret.

The e book will be on my desktop to compliment some other resource books I have aquired in the last several months.

Thanks Ty for a great resource...

Lou
BackStage Pass

Great resource for any musicians out there that need to get their product into the right hands. Loaded with tons of useful contacts for all aspects of the music business from sales,distribution, legal etc. Easily downloaded and excellent customer service form Ty Cohen and his team at Platinum Millenium!