Languages Books

This book has been a great quick reference book to give me some quick information or to refresh my memory about certain terms. I'm an MA in English student and this book is a wonderful resource.

Abrams, accomplished scholar and critic, has created a monument for himself and the best, most reliable, and concise glossary of literary terms. Opening up the recent trends, but not as trends, as developments from within established scholarship and literary science. This glossary is special, with a good index of terms, one for authors, and dense, usable, clearly written articles with further reading, its form is unchanged since it first appeared in 1957. The 8th edition I purchased opens with the Absurd and closes with Wit, Humor, and the Comic. The articles are articles, not just key terms defined, but developments traced and contextualized. This is no replacement for an encyclopedia of literature or an Oxford Companion, but a vital tool next to these. None of us can keep every term in mind, and this is a serious book to help our feeble minds, for which we should be grateful and which delivers bang for the buck.

Every student of literature should have their own copy of this book. Non-students would get a lot out of this too. And while the price might appear excessive, I think in the long-term this book is a worthwhile investment. What makes this guide of literary terms different from others, is its comprehensiveness. Abrams goes into great detail on the important terms that one comes across most often in literature. There is information on theories and movements in criticism and terms such as modernism and post modernism, are clearly defined. there is also material on symbolism, metaphor and other figures of speech and so on. A Glossary of Literary Terms, now in its 8th edition, is written in a lucid style, and is a must buy for anyone who wants to expand their literary horizons. Recommended. 5 stars.

Abrams supplies very nicely written explanations of many terms you are likely to come across in literature, or more specifically, in literary studies. If you have puzzled over an "objective correlative", then he explains that it wasn't due to TS Eliot, as many believe, but to Allston. Though Eliot was the one responsible for popularising the term. Or, if you want to use "doggerel" properly when deconstructing some Bukowski poem, perhaps check Abrams first.

The reader who complains that the 8th edition is radically different from previous editions with respect to the definitions of literary terms such as sonnet and ode is entirely mistaken. The entries on these and other terms are either unchanged from earlier editions or improved and updated. Moreover, a number of new terms have been added.

If you find delight in the optimization of code--and you SHOULD--this is the book for you.

The book contains a great collection of techniques and tricks for highly efficient numerical programming.
Great read.

I have a virtual calculator called the DIY Calculator that accompanies my own book "How Computers Do Math" The Definitive Guide to How Computers Do Math : Featuring the Virtual DIY Calculator.

I recently added a "Conundrums, Puzzles, and Posers" section to the "Programs and Subroutines" page on my DIY Calculator website ([...]) and I've started to build a collection of simple puzzles for people to play with.

One of the first problems I posed was to count the number of ones in the 8-bit accumulator and to present the result as a binary value. I thought I had discovered the best-possible solution, until someone pointed me in the direction of the "Hacker's Delight". (In this context, "Hacker" refers to a hero who is manipulating code; not a nefarious rapscallion who breaks into other people's computer systems.)

I immediately ordered a copy from Amazon, and took delivery just yesterday as I pen these words. This book is fantastic - I kid you not - on the first page of Chapter 2, for example, I discovered at least five or six capriciously clever tricks that blew my solutions out of the water!

I highly recommend this book.

The term "hacker" in this book means someone who enjoys making computers do interesting tricks regardless of whether it turns out to be useful, not someone who is intent on circumventing computer security. Plus, how relevant would those kind of tips be coming from a book that was written in 2002? Don't let the author's definition of a hacker fool you, though - the tricks in this book are very useful.

This book is a collection of small programming tricks on various subjects. The presentation is very informal, and the methods use very basic computer math. You should know your binary number system backwards and forwards before you start this book. Either C or assembly language is used to demonstrate the hacks in code form. When assembly language is used, it is that of a fictitious machine that is representative of RISC computers. That is because the tricks are meant to be platform independent.

After disposing of basic arithmetic operations early in the book, the author turns his attention to more complex math problems such as calculating square roots. His discussion of the subject is both complex and simple. First, he explains Newton's method of computing square roots through a page full of equations that require some effort to follow. Then he gives an implementation that requires fewer than twenty lines of C code. This is followed by another method that is longer and more cryptic but executes faster, by using a binary search algorithm. Whether you are interested in the equations or merely need the C code to do your job, these solutions are efficient and elegant.

Other topics addressed include Gray codes, the Hilbert curve, and prime numbers. Gray codes are a method of arranging the integers from 1 to N in a list so that each number can be visited exactly once by flipping only one bit at a time. The Hilbert curve is a similar idea expressed geometrically: a single continuous curve which, given a space divided into a grid of squares, touches every square exactly once and does not cross itself. In each case, both the mathematical discussion and the code to solve the problem are provided.

The chapter on prime numbers is the most challenging mathematically but also one of the most interesting. It starts with a concise overview of various mathematicians' efforts to devise ways of finding prime numbers. The author is one of those people who periodically become fascinated by some problem and devote themselves to learning more about it and searching for a solution. The chapter ends not with the usual code sample, but instead with an invitation to continue the search for interesting solutions to the problem.

Clearly, the author views this book not as a finished collection, but rather as a snapshot of work in progress. After decades of interest-driven research, the author has amassed a collection of studies big enough to fill a book, and it is fortunate for the rest of us that he has written one.

This book is an absolute essential to the right reader. That right reader is either a low-level coder, a high-level logic designer, or someone who builds tools and libraries for same. In other words, not a lot of people. This is hacking at its bit-level finest, though. If you're among those few, or think you might be, or want a good laugh at the people who are, dig in.

It's good for things like counting the number of 1 bits in a word-length integer (hint: if you count the bits, you're doing it the hard way). It's good for things like fast division by an integer constant, or mod to a constant integer modulus (hint: if you perform division by dividing, you're barking up the wrong tree). If you can look into a 32x32 bit multiplication and see a convolution going on, you're way ahead of the game. The only tricks I know that didn't appear here are A) for purposes that almost no one has or B) for machines that almost no one has.

Warren presents the coolest collection of slimy coding tricks ever collected, with full attention to the number of machine cycles and the compiler-writer's unique needs. I've seen a lot, and this is by far the biggest and coolest collection around. I have two complaints, though, a small one and a really big one. The small one is that the author didn't score a direct bullseye on my somewhat offbeat needs. Well, he never tried to - that's just me griping that he didn't write a different book. The big complaint is that pages, lots of them, just fluttered out of this pricey book and onto the floor. GRRR. This takes nothing away from the content of the book, until some critical page flutters off never to be seen again. Still, if you can keep a rubber band around it, this will be one of the deepest mines of coolness in your uber-geek library.

//wiredweird

My first introduction to binary operators wizardry was in a 1st year, 1st semester course in Digital Systems at the Technion, IIT. I thought it was fun. While I was trying to write a computer program to compute Karnaugh Maps for me, I run into performance problems, and then some binary hackery helped me get back on the horse.

Since then, whenever I come across some binary trick I write it down with a few examples of usage and sometimes with some reasoning why it works.

Then came "Hacker's Delight" and I felt compelled to buy it.

I wasn't disappointed at all! Not only it contained all of the tricks that I have collected, but also it contains a lot more in depth examples of how these tricks can come in handy when trying to squeeze performance from an implementation or save a few more bytes and bits.

The book also gave me a fresh perspective on the implementation of some well known algorithms with the twist of binary arithmetic. This was very enlightening.

I read the "BASICS" chapter (chapter 2) with a single breath of air, and just couldn't leave it down. Not only it was nice to have all these tricks summarized in one book, but also I liked some of the reasoning and the "so-called" proofs.

Remaining chapters were, as I mentioned before, a fresh look for me on known algorithms. This fresh look was through the glasses of binary arithmetic.

I'd recommend this book to anyone who feels comfortable with binary arithmetic and/or computer organization -- even just for the fun of it!

I'd recommend the book to developers who don't necessarily have a sympathy to this topic, but would like a Copy&Paste solution to some problems they have to tackle.

I really enjoyed reading this book, and I will probably reference it from time to time.

I am learning German, so I thought buying a book that I have already read both in English and Spanish would be a nice experiment. I was very pleased with the translation and the fact that overly complicated words had apparently been avoided, keeping the book highly readable.
I do not think there is need to review the Harry Potter literature itself, I can just say I love this book in any language.

I just got a second copy for my sister to practice her German, too. Very enjoyable way to learn a second language.

A great book if you're learning German (like me) and want to try your hand at some pleasure reading. Most books in second hand shops that are printed in German (at least, the ones near me) only have books by authors that I've never heard of, or who are a dime-a-dozen. Maybe I'm biased because I've loved the Potter series from its beginning, but I would definitely recommend this book.

For those who have read the Harry Potter books and who are also interested in learning German this book is a great tool. I have found it easier to learn new words when I already know what the plot is.
Diese Buch macht sehr viel spass!

This book is a great way to improve your german language skills. I would strongly recommend it to any student of the german language... not to mention it is a great story!!!

Ich finde Harry Potter und der Stein der Weisen absolut fantastisch!! Ich empfehle dieses Buch weil es sehr spannend ist. Das Buch kann dir auch mit der deutschen Sprache helfen.

After attending a writing workshop conducted by Harry Noden and realizing how powerful his methods are in teaching students the art of descriptive writing and in developing one's own skills, I was thrilled to find his book. Its nine chapters are full of specific, concrete strategies to create a writing masterpiece with each concept that is presented.

Image Grammar is a great tool to use to quickly improve student writing!

Book was unwrapped, with new and functional CD. Thank you for great (and timely) service.

LOVE, LOVE, LOVE THIS BOOK! I have searched for years for a useful way to teach grammar. This book has been an inspiration to my teaching. I have tried several of Noden's techniques, all with great success. This book is a must have for any English teacher!

This is a very well-done book. The ideas in the book flow and fill your head with plenty of ideas. The writing itself is polished and comfortable. A great book for students and teachers. A good read.

This book is great for boys and girls alike, but especially poignant for young boys who still want their sleepy pals but also want to be thought of as grown-up! If you can get them to read it with the attitude of the characters, you'll smile the entire time you're reading. Dont' let this one get by you!

These books are perfect. His ear for spoken language is dead-on. It's a joy to read aloud.

This is one of the sweetest bedtime stories, getting kids ready for sleeping over with a reassuring message. Best of all, it features two little boys. There's not a lot of gentle message kids books out there that feature little boys.

This is timeless kiddie lit story: Ira is invited to his first sleep over. Ira's older sister, however, casts doubt in Ira's mind. Will Reggie laugh because Ira sleeps with a teddy bear? Should he go with or without his beloved teddy? His parents are supportive and Ira makes his decision, only to change his mind once again.

Jim Trealease, of Read-Aloud fame, read this story, with appropriate voices to a group of teachers. I was so enchanted with it that later, when I taught high school, I asked permission of my seniors to tell them Ira Sleeps Over. They loved it!

Not having read the book nor able to check it out from a library, I relied totally on reviewers 5 star comments when deciding to purchase this book. Just about 1/3 the way into the book my parental radar piqued at the conversation between Reggie and Ira concerning ghost stories, "scary, creepy, spooky ghost stories." To my sorrow, no mention or even allusion of this was in any of the reviews.

My youngest 3 children (two 5 year olds and a 7 year old) are from a culture that emphasizes ghosts, the boogie man, evil spirits, etc. in a demonic fashion. Prior to becoming part of our family, ghosts were used as a form of disciplne to terrorize them to comply and obey. Even after having them in our family for a year they still struggle with the memories of these demons. Since the ghost story is the climax in Ira Sleeps Over, I do not recommend this book.

Are you the type that has to know the "why" and "how" behind how a language behaves? Then this is the book you need... The Java Language Specification, Third Edition by James Gosling, Bill Joy, Guy Steele, Gilad Bracha. Provided you're buying it for the right reason, there's nothing close to it.

Contents: Introduction; Grammars; Lexical Structure; Types, Values, and Variables; Conversions and Promotions; Names; Packages; Classes; Interfaces; Arrays; Exceptions; Execution; Binary Compatibility; Blocks and Statements; Expressions; Definite Assignment; Threads and Locks; Syntax; Index

So why do I say "for the right reason"? Because if you pick it up expecting something else, you'll be highly disappointed. This is *not* a tutorial of the language, nor is it an easy-to-read conversation or discussion of Java. Instead, it's a computer engineering level coverage of how Java is structured and how it works, from the people who wrote it. As such, you're going to find information in here that you'll have a hard time getting elsewhere. You'll find out how the nitty-gritty of how things like classes and interfaces work, and how they *should* be structured. If you're just getting started in Java, you'll likely be over your head by the second chapter. The target of this type of writing would be people who are Java journeymen, and who have gotten to the point where they need to know some of the theory behind features and structure. You'll also need a book like this if you write development tools that target the Java environment. Armed with this book and a solid background in Java, you'll be able to produce software that behaves just as developers would expect.

Don't let the depth and complexity of the material steer you away from the book if you're ready to go deeper with Java. Just don't pick up the book expecting to learn Java for the first time. There are better books out there for that purpose. But if you need to understand the guts of Java, this is it.

This is it, the complete and authoritative definition of the Java programming language. This edition covers the Java language up to 1.5, so it gives a full description of generics and type parameters, boxing and unboxing, enums, annotation, and all the latest. If you develop Java language tools - debuggers, compilers, etc. - you simply must have this book. If you care about Java details that much, you must have the newest edition.

The typical programmer, someone who uses Java for application development, probably won't find much of interest in this book. This isn't a programmer's how-to manual. Nearly nothing describes how to use the language features. The code samples just illustrate language syntax and subtleties. There's nearly no discussion of the Java APIs, not even the java.lang.* packages or language-dependent reflection features. These are not flaws in this reference manual - this simply isn't a book meant to serve those needs.

Despite its 650+ pages, this really is a concise, precise definition of the Java 1.5 programming language. If you care about the internals of Java or about OO lnaguages in general, then this book is for you.

//wiredweird

The Java Language Specification, The Java Programming Language Guide (4th Edition), and the SJCP Study Guide for Java 5 (Sierra, Bates) are essential to passing the SJCP exam. The Java Language Specification gives you the important technical details that textbooks tend to leave out. The best way to use this book is to make small, simple test programs for each chapter or topic (the programs that the authors provide are too cryptic for my taste). This book is not a tutorial and you should have the level of knowledge aquired by studying the Java textbooks by Walter Savitch and/or Daniel Liang. It's also a good idea to have Head First Java (2nd Edition, Sierra, Bates) in your bookshelf with the others - plus anything by Cay Horstmann (Core Java I and Core Java II.)

Just the book for the java hungry community. For those that are pressed for cash and cannot afford the book just yet you can visit the java dot sun website to download a pdf version of this book with minor cosmetic changes dealing with copyright. The integrity of the book is otherwise intact. The directory to look for is docs->books->jls. Cheers

This book is essential for learning Java, and should be read by anyone serious about learning the language. Pay special attention to the example programs, as they highlight special cases and subtleties that are not explained in other books, and often misconstrued by the authors of other books.

Bear in mind that this books is available for free from Sun Microsystems's web site. They offer it in either HTML or in PDF. So you can save some money.

If you have been working with Dreamweaver for some time now, and are ready to take your skills to the next level, Beyond Dreamweaver is the perfect resource. Through a concise and straightforward writing style, the author takes you on a broad exploration of development possibilities beyond Dreamweaver's "everyday" usage.

The book begins with an excellent chapter on the ease of integrating Dreamweaver MX with Content Management Systems. While this chapter may not seem as relevant to developers since Macromedia's introduction of their content management system - Contribute, it clearly demonstrates the extensibility of Dreamweaver. In doing so, it opens the reader's mind to virtually unlimited possibilities for creating custom integrations. Additionally, it continues to be a valuable example for developers using other Content Management Systems such as Interwoven or BlueMartini.

The next chapter provides an excellent overview of Section 508 website accessibility requirements. It also discusses new features available in Dreamweaver MX that will assist developers in ensuring that their websites are accessible.

Beyond Dreamweaver goes on to provide a great introduction to XML. Examples clearly demonstrate how to use Dreamweaver MX, both to export template content to XML and import XML into Dreamweaver templates.

The next few chapters present a variety of techniques that will enhance productivity. You will learn how to build Sequential Navigational Systems for both small and large scale websites; about Dreamweaver's ability to cross-integrate with other Macromedia products such as Fireworks and Flash; and how to go beyond Dreamweaver's built in capabilities and actually build your own custom cross-product extensions.

If you are interested in creating your own extensions, Beyond Dreamweaver explains how to use the standard classes and libraries that ship with Dreamweaver as a starting point. And if you really want to dig in and explore under the hood, it gives you an excellent example of how to take this even further by using C++ to create your own extensions to JavaScript.

The chapter "Making Flash Connections" was of particular interest to me as a designer/developer who specializes in Flash site development and dynamically generated database driven websites. A valuable example that was provided demonstrates the ability to pass data - either static or dynamically generated - from a Dreamweaver coded page to a Flash .swf file. Additionally, a second example demonstrates the new Flash Remoting features which allows Flash to send and receive more complete data structures. I particularly enjoyed exploring the possibilities of combining the Macromedia tri-product MX powerhouse - Flash, Dreamweaver and ColdFusion. Quite a combo!

Beyond Dreamweaver does not extensively delve into any one topic. Instead it provides the reader with a broad range of examples that can be used as a springboard for further exploration.

Joseph Lowery has a love affaire with Dreamweaver dating back to 1998 and version 1.0; that's why this book is more than just an expert writing about a piece of software, Joseph is passionate about Dreamweaver and the result is a real work of love. The book contains 10 chapters, covering different topics; each chapter stands on its own, allowing the reader to pick only one topic at time, there is no need to read from cover to cover here. The vast majority of the material available here is simply not available elsewhere; Mr Lowery covered things that may surprise even a seasoned Dreamweaver veteran like me. If you enjoy pushing Dreamweaver to its limits you can't miss this one

Beyond Dreamweaver covers one of my favorite things about Dreamweaver, which is its open-endedness. Web design is all about pushing limits -- of our own knowledge, of HTML, of browsers -- and Dreamweaver gives its users lots of room to push. So you want to adapt Dreamweaver to work with your company's Content Management System? This book shows you how. You want to work with the latest, greatest XML-based language out there, even though Dreamweaver doesn't *officially* support it? Dreamweaver can support just about anything you throw at it, and this book shows you how. And each chapter is written from a problem-solving, why-would-I-want-to-do-this perspective that makes it quickly useful.

This book will show you what you didn't even know you need to know. I am a medium to advanced Dreamweaver user and I learned so much from this book, starting in the first chapter. I think this book is perfect for people who have used the software for a while, but don't really push it to its limits. Mr. Lowery shows you important things in two general categories: how to accomplish things you couldn't before and how to streamline your workflow to be more efficient.

With an abundance of books on the market focusing on the techniques built into Macromedia's Dreamweaver MX product, reading this book was a breath of fresh air as it takes the product, and completely blows it apart.

The techniques in this book, such as integrating DMX into your content management solution, extending the product using C++ as well as dealing with cutting issues such as accessibility will make you more productive and your workflow more refined.

Lowery leaves no stone unturned, showing clearly how to integrate through the extensibility layer with Fireworks; and explains how to link data into Flash in a concise, easy to understand way.

The techniques discussed are also fully extendable to your own ideas so the book will lay down a very important framework.

A fantastic tome which should hold pride of place on your desktop.

My first impression was: Wow! What a beautiful book!
But it's more than a cute cover. It's a great view of a Lolita mind, in a lovely funny story.

This book is one of my new favs. It's a great story, and it made me smile. It's a bit diffrent from the movie, (the ending) but it will make you laugh.

but with a few twists here and there and much more in the way of detail and character development. Lots of fun, humor and really allows you to understand more about the cultures involved.

The narrative by the precocious (and somewhat obnoxious) high school girl Momoko Ryugasaki begins with a lengthy tutorial on everything that you could possibly want to know (and perhaps a good deal more)about the sixteenth-century Rococo origins of the Lolita style. She doesn't particularly care about what the reader (or anyone else) thinks, but her candor and perspective on life is endearing enough to keep one reading.

She is a refined and fashionable young lady who circumstance has sadly stranded in a rural and distant suburb of Tokyo. But it also leads her to Ichigo Shirayuri, a tough, yanki biker chick who, at first, seems to be Momoko's exact opposite. Through this odd relationship, Takemoto crafts a story with remarkable subtlety and power. In spite of his incredibly detailed knowledge of the Lolita and yanki lifestyles, his real genius is his understanding and portrayal of human nature and relationships. Just as the bond that forms between Momoko and Ichigo grows to transcend their differences, the real meaning of the story deepens to expand beyond the bounds of culture and lifestyle. And from a reader who has little interest in fashion or motor scooters, Kamikaze Girls gets a five-star rating and a place among what I consider the masterpieces of modern Japanese fiction.

I hesitate to call this a light read because I came away from the novel having learned something. There are several underlying concepts that at several points in the novel made me stop and think.

Momoko, the main protagonist, is a lolita obsessed with the designer Baby, The Stars Shine Bright. She subscribes to the lolita lifestyle 100%, even though she gets weird looks and comments. One can see Momoko's life philosophy in the way she lives her life and the things she says. For example, when Momoko says, "People have different values. I don't think the convictions and philosophies of people who become doctors to save the lives of poor people in developing countries are superior or inferior to those like myself...." p.41.

Many of Momoko's actions and comments (including the one above) remind me of the philosopher Frederich Nietzsche. Momoko's reality does not fit with that of the life that she wants (instead of rows of gorgeous fields she has rice paddies). But while at first she comes off as a romantic idealist, she is very in touch with reality (being more grounded and logical than Ichigo). She creates her own meaning for her life.

Ichigo on the other hand is a yanki, and not as enlightened as Momoko. But, like Momoko, she subscribes to a set of values and has impeccable integrity. She comes off as rough, but she's very loyal to those she cares about. While Momoko doesn't know what to make of Ichigo at the beginning, I think Ichigo's authenticity and integrity draws Momoko in.

The similarities between these two characters become more obvious as their relationship develops. As Momoko notes at one point, both girls celebrate extravagance and individuality in their own ways. Both are true to themselves.

Kamikaze Girls was both entertaining and enlightening. Definitely recommended.

In the late 1860s Prussia, led by Kaiser Wilhelm and Chancellor Otto von Bismarck, engaged the French government headed by Napoleon III in heated negotiations over the throne of Spain and the sovereignty of the Low Countries. The dispute grew as France looked for a fight.

France declared war in 1870 but was ill prepared to fight the ensuing Franco-Prussian War. Poorly equipped and incompetently led, the French soldiers were badly used. The result, from the French point of view was a catastrophe. At the battle of Sedan the Prussians captured over 100,000 French troops and Napoleon III himself. France was forced to cede Alsace-Lorraine to the Germans. In the immediate aftermath of the war, a left-wing rebellion erupted in Paris. It was suppressed with brutal rigor.

Like Tolstoy's War and Peace, Zola's The Debacle is a historical novel in which the facts of the war are very accurately described, and then well-drawn fictional characters are inserted. The story is told with verve through the eyes of two soldiers. The events of the Franco-Prussian War are extremely complex, yet Zola never lets the reader get lost. The story is engrossing and compelling. This is one of the great books of French literature.

To the reader who comes to this review by way of my history of the Tour de France, this book is related to the Tour rather obliquely. Tour founder Henri Desgrange wrote extensively in the sports newspaper L'Auto, which also owned the Tour de France. Desgrange tried to model his own writing style on Zola's.
-Bill McGann, Author of "The Story of the Tour de France"

As a big student of the War of 1870-71, I was a bit skeptic when I saw this was a historical novel, especially one that was a political commentary. Well, my skepticism was destroyed after about 15 minutes of reading this book. Not only is the author a veteran of the war, his style is SO engrossing I didn't stop reading until I finished the entire book!

The amount of details that are in the narritive can only come from someone who participated in the historical events that are narrated. Zola's characters are easy to identify with, and anyone can pick one character and say "yeah, that's me" as they read the story.

I recommend this book to anyone interested in the F/P War or French/European culture/life of the Second Empire. Vivé Napoleon III!

In this novel, as in all of his greatest works (Germinal, La Terre), Zola achieves the wide-ranging scope of a sweeping, romantic epic, without romanticizing the details of his settings or the emotions of his characters. As a result, we get an in-depth examination of the effects of war, on both national and personal levels. Zola thoroughly outlines the movements of troops and supplies, the political intrigue happening within the French government, and the diplomatic relations between nations, yet he never loses sight of the individual.
The narrative focuses on the friendship between Jean Macquart and Maurice Levasseur, two French soldiers from contrasting backgrounds who are brought together by the war. Jean Macquart, who previously starred in Zola's novel The Earth (La Terre), is an experienced soldier and a sturdy, dependable, salt-of-the-earth kind of guy. Maurice is a novice in the military, was raised in a privileged background, and has an emotional, introspective, and fragile nature. In addition to these two players, Zola presents myriad perspectives on the war. The multitudinous cast includes an emperor and a king; generals, grunts, and officers in between; farmers, shopkeepers, industrialists, doctors, and their wives. The combatants in this war range from highly-skilled military men to peasants with guns thrust into their hands, from the privileged elite to penniless beggars. The chaos of war ensnares them all in a series of events beyond their control or understanding, pushing them to the climactic tragedy of the Battle of Sedan.
Throughout the book, Zola condemns the futility of war in general, and the ineptitude of the French commanders in particular. The book is not totally pessimistic, however, as he does include some romantic concessions to the glory of patriotism, the strength of friendship, and the heroism that can arise when ordinary men are thrust into extraordinary circumstances. This is one of Zola's greatest works, and I would recommend it to anyone, especially those who enjoy classic literature or historical fiction. It is both intellectually challenging and emotionally moving. I would caution the reader that it does help to have some knowledge of French geography and happenings in French history around the time of the Franco-Prussian War.

Emile Zola's La Debacle, the 19th of his 20 volume Rougon-Macquart series, describes the crushing defeat of the French armies at the hands of the Prussians in the Franco-Prussian war of 1870-71. During Zola's lifetime, this novel was regarded as his masterpiece. History has decreed that it would be Germinal that would be more enduring, but this is still an outstanding novel. All the stories in this series are linked with recurring characters and interwoven plot lines. Like Germinal, this is a story of destruction and rebirth.

This novel is divided into three sections. In Zola's typical style, each section is focused on a period of several days, with several weeks or months between sections. The main character of the story in Jean Macquart, a character from an earlier novel (La Terre) in the series. Macquart is an enlisted soldier marching to the front with his comrades to face the Prussians. Zola, never a soldier himself, describes well the lot of Jean and his comrades. Lots of marching, fatigue, boredom, and grumbling about the leadership. Hanging over the story, and unbeknowst to the characters, is the coming whirlwind. The Emporer himself (Napoleon III) makes an appearance, but it is rather tragi-comic.
The second section is focused on the battle of Sedan. There are several story threads designed to explain the action of the battle at different times and from perspectives. The descriptions are quite graphic and detailed. Ultimately, the French Army is totally destroyed, the surviving characters become prisoners of war. In the third section, Jean is reunited with his comrade Maurice in Paris at the height of the Commune. The primary theme of this novel is to describe the `rot' of the Third Empire, and how its destruction gives the survivors hope for a brighter future.

The Oxford World Classics translation is outstanding. It contains detailed endnotes to explain topical or historical references that would be lost on modern English speaking/reading audiences. There are several maps and a detailed list of characters to keep everything straight. This edition also contains a well written introduction to allow the reader to place the novel in historical and literary context.

I have several thoughts about this novel that potential readers may or may not find interesting. First, this is an outstanding novel, whether one likes war novels or not. Zola is one of the greatest novelists ever to put pen to paper, and this is arguable one of his best works. The characters in this story are detailed and realistic, the dialogue outstanding, and the plot complex and compelling, but easy to read. Anyone who is afraid of approaching Zola because of past experience with the 19th century English `greats' should not be concerned. Zola has none of the pretentiousness or Victorian puritanism of his English contemporaries, and his writing, while often gloomy, is not ponderous.

Second, with the exception of a few small tweaks for poetic license, this book is an outstanding example of historical fiction. Beyond an enjoyable novel, this book will also provide the reader a history lesson of the first order. In particular, I would highly recommend this book to American readers who know little or nothing of French history of this era. I think that the events of the Commune would be most surprising to many Americans. Certainly the Franco-Prussian war was one of the defining events for the French (and Germans), much as the Civil War was for Americans. The outcome of this war had long lasting political, economic, cultural, and military implications that affect us today.

Third, if I had one complaint about this book, it would be that the author's knowledge of the outcome of the battle weighs over the entire novel. I would almost argue that this novel is defeatist. This is definitely an antiwar novel, but no real sense of imminent destruction covers the Prussian soldiers as it does the French. That is, this is an antiwar novel from the French perspective, but not really from the Prussian. It strikes me that the message conveyed by Zola (probably inadvertantly) is not antiwar in general, but antiwar only for the losers.

Overall though, this is an outstanding novel, one of the best ever written. Highly recommended.

This was an amazing story about the Franco-Prussian war, but it could have been about any war and the destructive influence it has on men and women, and on all human relationships. Zola tells the story, in vivid, sometimes gruesome but always very compassionate and heartbreaking detail (most of the plot is based on real historical events), of the absolute disaster that was the Franco-Prussian "debacle" of 1870-1.

For anyone interested in French history, it is required reading. This was an absolutely pivotal event in the formation of the Third Republic and the death of the Second Empire, an Empire which Zola had already suggested in his previous novels was rotten to the core. Writing twenty years after the event, Zola was describing a memory still vivid in the minds of most of his readers.

The Franco-Prussian war was truly a debacle. Not only had Napoleon III provoked the French into a doomed war with the Prussians, who with their superior artillery and military tactics ended up invading France and slaughtering and starving thousands upon thousands of men, but he ultimately set the French against each other when, at the end of the war, some Frenchmen and women wanted to surrender the hopeless cause-and some wanted to fight to the death-their deaths-on principle. Many of the French showed amazing bravery and refused to surrender, even after Napoleon III was taken prisoner and a new French government acted to conclude the war.

In a famous and tragic episode, after the war was lost and many French were working to effect a surrender, political radicals staged a hopeless but heroic last stand in Paris, electing an independent municipal government-the famous Paris Commune-and holding the city. Eventually other Frenchmen were finally set against their brothers to force them to wave the white flag. In their determination to not yield one inch of the soil to the Prussian invaders, in one of the most powerful and haunting scenes in the novel (and in history), the Commune sets Paris on fire and Zola describes the entire city of lights roaring with fire, gone up with smoke and having turned the sky red.

If you've ever been in Paris it's a compelling scene and you'll remember all the places he mentions if, like me, you've spent some time there. It's odd to think that the Pere Lachaise cemetery, where so many of us go to see the graves of Oscar Wilde, Sarah Bernhardt, Jim Morrison or Abelard and Heloise (a site featured on an episode of America's Next Top Model no less!) is where thousands of French radicals-and uninvolved Parisian civilians as well- were lined up against the wall and shot point-blank in summary executions-by their own countrymen-something that Zola and others would never forget. I think it's very important that Zola dealt with these crimes in his novel.

Although Zola doesn't pretend that some of the Communards were not, in fact, war profiteers or criminals, he has much sympathy with some of them and their sincere political committments; as a man of the left he cannot help but find common ground with some of their arguments or with their feeling of betrayal by their own government. He is also disgusted, as so many French were, with the brutal way in which they were liquidated.

The hero of the story is Jean Macquart. You definitely don't have to have read any of the other books in the Rougon-Macquart series of twenty novels (!) to appreciate this book, however if you have read La Terre (The Earth) you will already like Jean for his general kindness and sensible nature. He is a sweet man who has an unlikely friendship with Maurice, the young radically-inclined soldier who ultimately joins the Commune. The introduction to my book was a bit heavy handed, (I suggest reading it after you've completed the novel since it gives all major plot points away) claiming that they represent the two "eternal sides of France", but there's a real human relationship here.

By today's standards this friendship would seem over the top and overly sentimental, but taken in the historical context it's quite a beautiful friendship. More than anything we get a sense of the senseless slaughter of a pointless war, the deep fraternal divisions it causes, and these are embodied in two very appealing characters, Jean and Maurice. Zola makes it clear that it makes sense, obviously, that Maurice would be furious and feel betrayed. I'm a pacifist, but if the invaders are at your door-which they literally were in this case-it's hard to know how you would feel.

On the other hand Jean's view is portrayed with sympathy-he's endured tremendous suffering due to this ridiculous war, and like Maurice he's shown tremendous bravery and courage, like so many Frenchmen did at that time (take that everyone who makes fun of the French tendency to surrender-I wish all of you had to read this book!) but he is an ordinary person who would like to get back to ordinary life-which really is a normal emotion to have. He also hates to see Paris burning-it's the epitome of craziness to him, and to us, even while we also see Maurice's view, that no one should care anymore, France is dead and defeated.

At the end, when Jean perseveres and goes on to build a new France, we're hopeful for him. But we can't help feeling the looming shadow of two World Wars to come, and it's also a sad book, reminding us of the vast physical and emotional wounds war leaves behind.

An absolute masterpiece!

I purchased The Legacy Guide after checking out several books from the library on the subject first. I found this text met my needs better than any of the others I scanned. It is very readable, clearly organized, and the workbook approach was perfect for motivating me to write. I also downloaded the work forms from TheLegacyGuide.com so I could make notes without having to get into Word each time. I feel it is the "Complete" Legacy Guide.

Earl Anderson

My family has a story... or really, multiple stories. And every family has an archivist.... even if they don't know just yet who that is. When I gave this to my aunt, I found that there were two things necessary to making a family history - an archivist with the passion to tell the story, and guidance on how to actually do it, and not get frustrated by or lost in the process. The analogy for me is great cuisine - it takes a passionate chef, and a recipe. What's different from meal to meal is the ingredients.

Carol Franco and Kent Lineback's book is a terrific tool for transforming the archivist into a historian. Every family needs an historian to pass their story down the generations. Already, my children know little or nothing of my grandparents, and scantly more of their grandparents. I firmly believe every family has an archivist somewhere. With The Legacy Guide, every family now has an historian.

This well-researched and well-written guide encourages and supports individuals and families who want to review and preserve not only their history but also the meaning they find in that history. Whether you are interested in "a three-ring notebook entitled My Life Story," or are making a scrapbook that includes not only words but also "photos, letters, and memorabilia," you are likely to find the process easier and more satisfying with the help of this thoughtful book.

Carol Franco and Kent Lineback have created a useful and practical guide to life story writing. The process is seen as a series of life stages, each with specific facts and memories that can be woven into a coherent memoir. If you have been thinking about telling your life story but have felt overwhelmed or inadequate, this valuable book will give you the confidence to pick up a pen and start writing.

I keep going back...and back, and back to The Legacy Guide.

==

When I first got it, I thought to myself: "I don't want to write my story. But at least I'll understand what the authors are trying to do".

So I perused the book, put it down, and concentrated on moving to Santa Fe. That's whee I had met the authors.

This week, finally, I picked it up and started REALLY digging in.

Here are my NEWEST thoughts:

1. This is NOT a "how to" book. This is a guide to one's life...by great writers who have the ability to make the reader take an introspective look at life details we normally ignore.

2. I would almost call it a "Life Guide", except that sounds pompous. But that's what it is...a guide to make the reader really understand what she/he has (and is) experienced in life. Example: the older generation...middle, late adult, elder. I learned more about what it means to get older than ever before...things I never realized were happening to me...WHY we see the world differently...HOW others treat us differently, etc. Every older person should read this.

3. One of the keys to keeping the reader's attention is the use of the many quotes...that were so personal to those quoted...and always right on target. .

Yes, we recognize people such as Alan Alda, Jane Fonda, Goldie Hawn ...and of course the great Jim Botkin. But every quote was right on target, regardless of the notoriety of the writer. Each quote made its point...and I feel the quotes brought the book more alive than any other system might have done. Ever.

Again and again,I find myself going through the book and reading the quotes/articles. The use of italics on the quotes makes that job easier to accomplish.

I could go on and on.....even get effusive.

But somehow this book should be on everyone's bookshelf. You'll just keep referring to it, time and again.

It's worth the trip.