History Books

I agree with the critics who claim this book . . . "a delightful, rollicking history, a fun read and well supported by research". Greenfield's account is entertaining as well as informative, not a book to put you to sleep as some histories are. I read it as a library book and decided it is a 'must have' in my library. Although her style is professional, the read is easy - no big words to look up in order to understand the full meaning. Her account of world events is so insightful and complete, you come away with more than an appreciation of how color has changed the world An understanding of world history in general is gained, both political and economical. I especially loved the personal stories that added so much interest for me.

I live in Oaxaca, Mexico and even many people here are not aware of the impact of cochineal on the Spanish Empire and Europe. This book is fascinating! And well written.

This was one of two books a friend traveled across the country to share with me. I am so glad she did. I would never have picked up this book on my own. I have a terrible time finding non-fiction works that are interesting - unless they are recommended. I look at the table of books and decide something looks good. Then when I get it home, I have a hard time getting to my 100 page allowed stopping point.

Greenfield does a wonderful job of describing the importance of the color red throughout history and the different compounds used to create it. With a focus on the cochineal originating in Mexico, this book covers the fortunes of Spain and the industry itself. Weaving the domestication of cochineal with the efforts of other countries to destroy Spain's monopoly, the book moves quickly. there were very few sections of the book where I was willing to put it down. Yes, I could stop at the chapters, but I only once put it down while in the middle of a chapter.

I highly recommend this book - and if I didn't have to send it back to its owner, I would keep it in the library. I will be recommending it to my mother for her book club. With their focus on women authors and a mix of fiction and non-fiction, this book will give them much to discuss.

Some of the best stories are the histories of everyday objects that few ever consider. This book is an example of such a story. It traces the history of the color red; specifically, it examines the sources of red dye sought by humans over the past 700 years. Something as simple as a color can actually be quite difficult to obtain without the marvels of modern technology. This book starts of at the Venetian textile guilds of the late Middle Ages and shows the reader the state of the world's textile industry. Of all the colors, bright red is hardest to produce on clothing, and individuals and governments devote a lot of time and effort to procure new sources. Many are found, but the best one is carminic acid found in the insect cochineal, native to the Americas, and cultivated in Mexico specifically to obtain the color red. Starting with the Spanish conquest, red dye from Mexico is exported to the rest of the world, and four centuries of trade wars and political intrigue follow. The book lays all this out in chronological order, citing places, people, governments and institutions. But eventually, man's technology caught up with nature's bounty, and by 1900, synthetic red dyes destroy the cochineal cultivation industry. All the ensuing technical advances, scientific discoveries, and commercial contests are detailed clearly by the author. The book ends with a survey of the dye industry at the end of the 20th century, and a review of how red dye has influenced, and been influenced by fashion tastes throughout the centuries. This book touches many countries, and ties in history, economics, fashion, politics and science into a wonderful tale of man's obsession for a specific color.

This book is one of the very best I have seen in a long time. The author has taken great care to present historically correct and detailed information about the long history of cochineal farming, and sale of this commodity (dried beetles that can be processed to create a brilliant hue of red).
She reveals all of the intrigue of Spain's royalty, as they sought to keep this much prized product of New Spain exclusively for the Spanish empire. Even Perkin's discovery of the color "mauve" is discussed. This book will find broad interest among scholars and the general public. It is certainly a book worth owning, if you love the history of textiles.

Patricia Cummings

tHE PRODUCT ARRIVED IN RECORD TIME AND IT WAS IN GREAT CONDITION. i WILL SHOP WITH THEM AGAIN. THANKS!

For me, listening to a good band can can completely change my mood. It's hard to put a price on being energized and uplifted in such a simple way. This book has turned me on to a number of my now favorite artists. Thus, I consider it invaluable.

An outstanding resource for music lovers interested in expanding their collection and listening experiences. Ari's book provides insightful commentary on all types of music and artists.
I especially appreciated the Appendices, where the Ari suggests specific artists and albums to fit pretty much any mood or activity. I highly recommend this to anyone serious about his or her music.

I'll admit it -- I haven't bought much music since I graduated from college in the mid 1990s. In my defense, it's in large part due to my complete lack of knowledge -- I'd hear something I like but never seem to get around to learning the band's name or the other music they've done. This book solves the problem by making recommendations of artists from my post-college years based on bands I already know -- it provides not only a blurb on the band but also highlights seminal works within the artist's catalog. I've been pleasantly surprised at how spot-on the recommendations have been!

This is the best resource that I have ever seen for discovering music. It's a must have for everyone ranging from die hard music connoisseurs to the average listener. It covers a huge range of genres including classic rock, pop, jam bands, jazz, country and more. Such a fast way to learn about SO MUCH music!!

It has opening me and my friends up to so many awesome artists that we would have never thought of checking out. It's just fun looking up my favorite bands and reading the informative, entertaining and concise reviews. From there you are linked to other artist's that you may like and on and on. It's like "choose your own musical adventure" and quickly you will have advanced your knowledge of music - It's just remarkable.

Perfect entertainment for dinner parties, road trips, camping, the beach and an evening on the coach.

If you want to discover more great music to listen to and need some guidance, this book is for you! It's a must have!!!!

Paul's caring and poignant sharing of his journey across the continent and through the years with Faith in Action is one that will warm your heart and hopefully inspire you to look closely at your own community. I will guess that you won't look far to find your own Mary, Gracie, Harold or Eddie Mae. But stop and look farther. Find what it is you can do in your own community and with your own neighbors to help - with or without a Faith in Action project. Paul will tell you from his own experience as a Faith in Action volunteer for many years, that you will get so very much more than you give.

Thank you Paul for writing this important anthology once again proving what a small group of very committed people can do.

PROMISE TO MARY is a gem. With a narrative style that rings true, the very real characters are as complex and interesting as any in a work of fiction. The author's genuine, but realistic, empathy provides a welcome antidote to the "kumbaya"-tinged works common to the genre. It is enough to provide even the cynic with at least a modest insight into our shared humanity.

Promise to Mary is an evocative travel log, from the bayous of Louisiana to the beaches of Sitka, Alaska and many stops in between. Faith in Action is built on the simple concept of neighbors helping neighbors. Paul Jellinek provides an opportunity for the reader to peek behind the scenes where relationships can be life changing. No government grants, no grandiose plans, just modest folks who extend friendship as a way to provide kindness to those who need it most. We meet individuals who are luminous but largely unknown to others and learn about the healing power of friendship as each chapter unfolds. Thank you Paul for reminding us how simple acts of kindness are within everyone's reach.

What a great storyteller! And what stories worth telling!! The underlying truth of this book--demonstrated by the dedication of the program organizers and volunteers, as well as the profound needs of the people they serve--is how much we need "community." It shows more compellingly than any sermon or polemic or politician's platitudes how necessary it is that we serve each other. The author's road, as he traveled in New England, the South, and Alaska, visiting Faith in Action projects was full of bad weather, wrong turns, and logistical problems--a metaphor for the difficulties involved in organizing and maintaining a volunteer program in stormy financial times, recruiting and retaining volunteers who are pulled toward many other paths, and overcoming the challenges posed by the elderly and disabled clients themselves. Yet, in places across the country, it's being done! An inspiring read!

Paul Jellinek has managed in this easy read to capture the heart and soul of people who struggle every day with the challenge of living independently in their homes. Faith in Action, a national interfaith, volunteer, caregiving program, helps people with a ride to the doctor or a regular visit from a "friend." This book isn't about the program, however, it's about the people who make it such important work.

You will see yourself and the people you love in the stories he tells. The lines between volunteers and care recipient blur as the "helper" and the "helped" trade places. Expect some surprises along the way. I couldn't put it down once I learned about the promise that Paul made to Mary.

Ellul's study still stands out as one of the greatest achievements in the history of the study of propaganda, in terms of how it is practiced, how/why it is effective and how it is inescapable and tied to the very nature of democratic society. Ellul's picture is not a pretty one. He views propaganda as ultimately dehumanizing, necessary and inevitable at the same time. Propaganda, ANY propaganda, regardless of motives or veracity, serves to reduce the individual to function as a meaningless syphon. Whether one agrees with his conclusions or not, it is still a well-argued, compelling and frightening look and modern societies.

The biggest drawback is that the book published today is the same as that published in 1965 (Ellul died in 1994 and no real updated edition was ever produced), and the cases analyzed may seem obsolete, in that he focuses primarily on National Socialist, Maoist, Soviet and US cold war propaganda. But the analysis of is still second to none. For those familiar with the study of propaganda, Ellul's work was by far the most comprehensive and penetrating study of propaganda to that point. It was a HUGE and monumental advance from the previous research into propaganda of Bernays, Lambert, or Fraser. This book ought to be required reading for anyone who wishes to consider themselves even remotely literate or intelligent. Although one may not agree with all his conclusions, it nonetheless provides a compelling argument and portrait of modern man and how frighteningly easy it is to systematically 'persuade' him. Any thinking person cannot but attempt to be cognizant of how we are influenced.
This book is relevant for several reasons. 1) The student of history will appreciate the Ellul's examples. 2) The book analyzes what are, essentially, the beginnings of modern propaganda making it important for anyone studying the phenomenon. 3) Ellul breaks the phenomenon down into easily understood categories and places them in the context of the modern 'technological', urbanized society and what Ellul calls the predicament of modern man. 4) The research and sources that went into writing this book are as comprehensive as they could have been. 5) It provides an excellent explanation of much of 'modern life'. 6) Ellul was also an interesting writer and individual (simultaneously an Evangelist and Anarchist).


Again, the only real drawback is that some might find the examples obsolete and there are more recent studies of modern propaganda techniques, which have naturally advanced since from those used during the cold war. One would also be well served to read the more recent studies of propaganda by Chomsky, Cialdini (a more psychological approach), Jowett or Cunningham. I would still give Ellul's book more than 5 stars if I could.

I've witnessed the phenomenon of bright people falling for propaganda, hook, line, and sinker, on numerous occasions. I'm sure I'm taken in by much of it as well, but even I can't be fooled all the time.

Still, the answer is not to simply give up. On a few topics, I actually am well enough informed so that (while I still may be susceptible to propaganda myself) I can recognize the symptoms of others falling for it. And this is definitely a phenomenon one ought to look for in others if one wants to cure oneself! I do think we ought to try to become so informed about at least a few topics that we can recognize nonsense. On these topics, we ought to listen, but we also ought to be unafraid to state facts and make judgments. On other topics, we ought to be much more careful.

Perhaps the most dramatic examples for me have been some truly amazing statements about the Arab war on Israel made by some rather well-educated and generally skeptical people. It makes me wonder why those who are ready to challenge all sorts of claims in so many other areas accept some extremely dubious, afactual, and illogical nonsense about this topic without question, and repeat it to me. Are they unaware that they are making statements that may well be false? Are they unable to discuss this issue without making very controversial comments as if they were not only accepted and indisputable facts, but relevant facts as well?

On one occasion, when I suggested to a colleague that I happened to know quite a bit about the Arab war against Israel, hoping to politely give him a way to defer to me, temporarily, on a couple of facts, I merely got an outraged reply. Was I not aware that my colleague was a highly intelligent and well-informed person? What made me think that I knew something he didn't? I was more than a little surprised by such a reaction: normally if a person claims to know something better than we do, we listen, even if we disagree.

This book, written over four decades ago, helps explain a little of what is going on. It shows how intellectuals can be so horribly susceptible to propaganda. As both the book and Konrad Kellen's preface to it state, intellectuals absorb a great deal of second-hand and unverifiable information. They often feel a need to have an opinion about such information. In addition, they consider themselves so smart that they can "judge for themselves." And they seriously underestimate their susceptibility to propaganda given that they can see mere idiots reject some of it with ease.

The truth, as Ellul explains, is that high intelligence, a broad culture, constant use of critical faculties, and access to and use of sources of information are indeed the best weapons against propaganda. They simply aren't used often enough.

Ellul shows how propaganda can have a powerful effect if one is saturated with it. It is useful, he explains, to have someone from one's own frame of reference come up with it. The German National Socialists were careful to put Englishmen on their radio. Anti-Zionists, by the way, are very proud to have Jews state their case, although we should all know that there is no objective reason to trust every Jew, any more than there is to trust every person.

We readers see how propaganda is most useful when it reinforces earlier biases and misconceptions. And how it becomes extremely powerful once a person makes an active commitment to a cause: that person finds it very tough to recant.

The book also shows how propaganda gets one to come up with strange ideas about what is relevant material to support one's arguments. That has the effect of precluding dialog with those who disagree with you. That's why my colleague "knew" better than to take anything I said seriously or reply to it coherently. And it is why careful and cautious statements on my part sounded not merely like admissions that truth was fiction, and vice-versa, but evidence that I was hopelessly biased, impervious to reason, and hooked on rather wild propaganda myself.

This book is fascinating. It made me realize that propaganda is indeed more effective than most of us might realize. And that it is dangerous. Ellul implies that propaganda may well be the most serious threat we humans face. And I think we ought to treat it as such.

Jacques Ellul is meticulous and thoughtful, so this book is occasionally dense and hard to follow. In addition, most of the examples and allusions will strike modern Americans as dated and obscure. Nonetheless, Ellul saw long ago where moderns were headed. He saw that authoritarian use of modern technologies would mesmerize, stultify, and reduce humans to thralls, just as Orwell and Huxley, in far more hysterical prose, had dramatized.

Orwell's electronic miracles monitored citizens directly or indirectly. Huxley's miracles were far more therapeutic or medical. But routine surveillance or treatment is inefficient and overwhelms any state that would depend on omniscience or envelopment. Ellul foresaw tools both electronic and human that would so condition subject-audiences that close monitoring and careful prescriptions would be unneeded.

Ellul also argued that this "Brave, New World" could not but subvert democracy and decency. Once the will of the citizen is not his or her own, then democracy in any meaningful sense is at least devalued and perhaps transformed into reassuring internment.

Perhaps Ellul's most important insight was that the educated believed themselves immune to propaganda when, due to their proclivity for reading and watching news and other governmental outflow, such "intellectuals" were actually far more vulnerable than masses who did not receive propaganda as often.

So turn off the set and log off the internet and settle in with a truly life-changing read.

If one has read George Orwell's 1984 1984 (Signet Classics) you will have an idea of how powerful propaganda, or mind control, can be. An updated version of that is when one listens to or reads the daily news and the Orwellian doublethink that currently comes out of Washington (war is peace, etc). In his work, Propaganda, Ellul's analysis of propaganda as a tool of government control is unmatched, with the possible exception of Bernays' Propaganda Propaganda.

Ellul is a French writer and theorist, therefore verbose. However, if you get past that and think in terms of his analysis, a bleak picture of how the public is treated like so many cattle, can be drawn. We are inundated with information at an increasing and alarming rate on a daily basis. What is truth, what are lies and what is propaganda? As Ellul points out, propaganda is often a thinly veiled "story" - a combination of both truth and lies, about what some entity, whether it be government, advertising companies, the media, etc., want us to believe.

The story of bending minds to a single will is as old as history. We don't have to look much further than today to see it in action. Hitler, Stalin and Mao were masters of mind control. War makes it an absolute necessity for control over the populace. The problem is, as Ellul saw, that increasing technology makes it easier for the "controller", or propagandist, to do his or her work, which, as several have noted previously, obviously undermines the very basis of democracy.

This was one of the books I used when working on my Master's thesis in political science. However, I have read it since and it actually makes even more sense today. Read it, be afraid, but above all, be aware of what is going on in your name.

Ellul has written a marvelous volume on the topic of propaganda. He has covered every aspect of this political socialization machine that has been impregnating, manipulating, and corrupting our society with pseudo-ideologies, education, and attitudes in order to perpetuate complete control over the people by the elites and the propaganda masters.
Individualism, ideology, myth, literacy, and technology make the essence of this powerful and successful propaganda that brainwashes every recipient that is exposed to it. Ellul's book is mesmerizing as well as enlightening and would leave you spellbound and flabbergasted.
I would strongly recommend this book for every reader who is interested in comprehending the dynamics that mobilize our society and the strategies that form our attitudes.

I have the hardcover edition. I collect Robert Crumb's works and this is a favorite of everyone looking at my collection. It you are an art student this along with his Gotta Have'Em Portraits of Women by R.Crumb is good resource material. I'd give The R. Crumb Coffee Table Art Book in (hardcover) ten stars if I could. I have not had the opportunity to look at the soft cover version but I would bet it is well done.

I just picked up the hardcover edition yesterday at the bargain section of my local bookstore. Once I started reading it I couldn't put it down. It's in chronological order of R. Crumb's work broken into chapters. Each chapter starts with a write up by him telling about what was going on in his life at that time, and how some of the drawings came to be. I find him to be a fascinating artist. He bares his soul in his work, not really caring how he appears or what people think.

This book is the ultimate Crumb. You won't be disappointed if you love his work.

Just about every huge page (this book is big!) is filled with inspired color drawings from the legendary underground artist. Crumb gets very personal in this book, it's incredibly honest and, at times, deep. He takes the reader on a nostalgic journey through his childhood, life, and career. It's about growing up, finding the artist within, and adjusting to the insanity of the world. Or, you can simply read it for the edgy, often sexual comics. Either way, this is a big heavy book that is hard to pick up, but harder to put down.

A generation ago, American poets such as Sylvia Plath, Robert Lowell, John Berryman, and Anne Sexton gave birth to a genre that's come to be known as "confessional poetry." Their verse revealed intimate facts about their lives that simply weren't spoken of in polite company: fears, phobias, sexual hang-ups, pettiness, depression, suicidal tendencies. Some of their work wound up being rather pathetic, more confessional than poetic. But when it was good, it invited readers to face their own demons.

Robert Crumb, whom the art critic Robert Hughes has called the "Breughel of the 20th century," is a confessional artist whose chosen genre is comics. For 50-odd years (with the emphasis on "odd"!), R. Crumb has explored his many identities and personae in thousands of sketches, drawings, and paintings. The R. Crumb Coffee Table Art Book is actually an autobiography put together from a handful of the work Crumb has produced over the years. It's interspersed with essays by Crumb on his childhood, school days, the hippie scene in San Francisco, his marriages, his "personal obsession with big women," his spiritual yearnings, and his love of old music. Taken together, it's a fascinating portrait of a man who's dared to explore some of his deepest and darkest places, and to do so (at least sometimes) publicly.

Crumb believes that the pivotal moment in his personal and artistic life was the period in the mid-60s to the early 70s when he dropped acid on a regular basis. Although he sometimes worries that he might've fried his brain, he also thinks that the LSD trips liberated his psyche and helped him break through to new and deeper levels of creativity. The LSD was, he tells us, his "road to Damascus."

Perhaps. It's true that Crumb's work has changed over the years--it's become more brutally honest, more introspective, darker and at the same time funnier. Perhaps the LSD had something to do with it (although, personally, I quite dislike some of the work that comes from that period, finding it rather flat and silly). But I suspect that the single greatest influence on Crumb was his childhood and his family, especially his brother Charlie, who seems to have been just as much a genius as Robert. Crumb the man really is the child of Crumb the boy. The LSD may've helped Crumb get in touch with the raw energy generated from those days.

Crumb has become notorious for the sexuality of some of his comics, and has taken his share of political correct knocks. But The R. Crumb Coffee Table Art Book makes clear that the bottom line of much of his art is his existential need to explore and expose the shallowness and absurdity of much of modern life. Above all, as he tells us (p. 247), he wants to tell the truth, not only about himself but about us as well. Whether it's in the pages of "Zap" or "Weirdo" comics, or in panels featuring Shuman the Human or Mr. Natural, Crumb continuously questions racial, sexual, cultural, and artistic conventions, pushing the envelope as far as it can go and frequently causing readers discomfort. There's also a longing on Crumb's part for deep meaning in a universe that appears crazy. This most often reveals itself as nostalgia for bygone days (his love of "old" music, for example), but also more explicitly as a yearning for a god that he can no longer fully believe in and frequently mocks.

Reading R. Crumb is an intense experience. Like all good art, his stuff can make one laugh with joy or send shivers down the spine. The R. Crumb Coffee Table Art Book is a good place to start if you're just discovering Crumb, and an equally good collection to help long-time admirers get some idea of the big picture of Crumb's work and to better appreciate its depth. It's also a good catalyst for getting in touch with one's own multiple identities.

Attorney Lieber deserves high praise for his objective, informative presentation of the antitrust criminal case vs. Archer Daniels Midland, the agribusiness giant, that ADM, its powerful lawyers and Clinton's Justice Department did not want published. To his credit, he continued to pursue this case after most reporters backed off and swallowed the dizzying spin and disinformation that ADM's CEO Dwayne Andreas and his aggressive lawyers gave the media, crying crocodile tears as the "victim" of an allegedly deranged ADM executive, Mark Whitacre, who became the FBI's mole, and made hundreds of tapes incriminating ADM executives fixing prices in world markets with their competitors. Lieber correctly smelled the stench of a cover-up and adroitly guides readers to make their own
conclusions after compiling evidence, omissions from court records, and other factors that allow readers to infer that the judicial process was compromised by ADM's widespread political
influence before the trial even began. Although Dwayne Andreas,
the infamous political fixer and king of corporate welfare, got immunity in a highly secretive plea bargain to Justice in 1996,
after ADM agreed to pay a record fine of $100 million, his son
Michael was convicted and imprisoned with Terry Wilson for a
mere 3 years, and Dwayne (thanks to outraged and courageous ADM
shareholders) finally resigned. Tragically, Whitacre was
convicted, fined and sentenced to a harsh term of 9 years
because of ADM's swift retaliation against him as whistleblower, for exposing to the FBI the ... corporate culture of
ADM...(anything goes-but don't get caught-and here's your big
bonus (not reported on books)to keep silent, the unspoken words
being that an employee would be fired and crucified if they
blew the whistle.
Lieber's chilling comment (p. 322)should concern every citizen
or future whistleblower who believes in due process and our rule of law: "It was expected that ADM's attorneys would savage the
snitch. What was highly bizarre in the world of criminal law was the way the Justice Department joined in the frenzy to destroy Whitacre. This was an aberration...the perpetrator was a
politically wired corporation whose law firm- the president's law firm- had unbridled entree and influence at Justice. The
mole's lawyer had none."
Lieber makes a strong case that this American corporate history- "one of the most important antitrust cases of the century"- should be closely examined. Rightly so. Why was the court record sealed, why were key witnesses (e.g., Wayne Brasser) not deposed, who could have validated Whitacre's claims that the hidden bonuses were a quid pro quo for engaging in illegal price-fixing? The author's appendices are very helpful. ADM and Dwayne Andreas not only have lobbied for years to emasculate our antitrust laws (the "Magna Carta" of free enterprise) but know that the massive soft money donations to key politicians can grease not only the wheels of justice, but also ensure that ADM continues to get huge subsidies for ethanol and other favors from Agriculture Dept. (high fructose corn syrup,peanuts) that have cost taxpayers billions of dollars.
Rats in the Grain is highly recommended, and was a difficult book to write because of the case's complexity. James Lieber should be considered for a Pulitzer Prize.

I have not read this book, but it seems that the publisher's statement here at Amazon should include some mention of what this book can tell us that Kurt Eichenwald's exhaustive, prizewinning book, _The Informant_, does not. Eichenwald's book covers exactly the same material, and Eichenwald (the _New York Times_ reporter who covered the case) had the same access to Whitacre and other sources that Lieber had.

For obvious reasons, I would prefer not to give a "number-of-stars" rating to a book I haven't read. But Amazon demands it, so I've chosen a neutral "three."

Jim Liebert gets to the truth. Dwayne Andreas and others at ADM are not kind folks. Their ties with murderer/dictator Fidel Castro are real. Their contemptuous involvement with the illegal extraction of Elian Gonzalez from freedom and his subsequent delivery to slavery in Castro's communist prison is also very real. All in the name of appeasment to Castro. These people are stench and deserve to be imprisoned, if not worse. Thank you Mr. Liebert for telling the truth.

Lieber possesses a unique blend of talents to investigate the price fixing trial of the century.

The book chronicles ADM kingmaker Dwayne Andreas's rise to business and political power, charts the evolution of US antitrust law, and dissect's the testimony of key witnesses in the trial.

The chapters on the trial delve into ADM's chief defense: its executives were white-hatted American heroes intent on destroying an "Asian" cartel. You will find the race baiting and "we-are-heroes" defense surreal, especially since audio and video tape caught the conspirators red-handed and potty-mouthed.

Lieber presents shocking evidence to build a solid case that the US Justice Department often subjugated itself to ADM's political power and well-connected attorneys in the prosecution of informant Mark Whitacre for fraud and tax evasion. For example, Whitacre still maintains the nearly $10 million of ADM money he stashed in Switzerland and the Cayman Islands was "off-the-books" bonuses given to him by Michael Andreas with the approval of ADM president James Randall. Lieber provides multi-layered facts that endorse Whitacre's story.

The book's final chapters contain even more revelations: alleged document shredding by ADM chairman Andreas after the June 1995 FBI raid; ADM's hiring prostitutes to help steal competitors' technology; the never investigated role of ADM president James Randall--or Chairman Andreas--in price fixing conspiracies; the Justice Department's refusal to release public documents, and other sordid facts of sex, lies and videotape.

As you will discover in reading this book, justice was plea bargined away and the wishes of the Andreas crime family boss Dwayne were granted, one of which was sending Whitacre to jail for 10 years.

Lieber is to be commended for this historical document which will explain to generations to come how corporate crime destoyed our country.

Rats in the Grain is a tale of corporate criminals from Asia, Europe, and the U.S. whose price fixing conspiracy was finally exposed by a government witness working undercover for the FBI for over two and half years. The FBI tapes and documents sow ADM was involved in fixing prices, technology theft, prostitution, systematic campaign voilations and the transfer of corporate funds without the proper signatures to senior executives' overseas bank accounts to avoid taxes. ADM paid a $100 million fine and was allowed to keep the USDA business worth $85 million, which was unprecededented for a corporation who pled guilty to a criminal felony. THe second conspiracy involved ADM, the Department of Justice and ADM's lawyers working together with the media to paint a picture of Mark Whitacre, the government witness, as the real criminal. Whitacre who worked undercover for the FBI was also receiving illegal bonuses. Records show ADM was aware of this, yet the government and ADM claimed that no one except those around Whitacre were involved. The FBI agents with whom Whitacre worked while recording the crimes at ADM turned their backs on him. All the departments of government in place to administer justice for the people were administering the wishes of ADM's chairman Dwayne Andreas. ADM and the Andreases have spent millions in donations over the years. Adding that to the millions spent on lawyers clearly showed that justice was for sale. Part IV of the book the cover-up is a real eye-opener. It tells of people who sold their souls aiding and abetting in the obstruction of justice which included sending the government witness to jail at the request of ADM. Lieber's book serves notice that all is not well in the heartland and conditions are even worse in Washington.

This book is wonderful... I couldn't put it down, it was such a compelling read. Anyone who has any interest in the Emerald Isle must read this detailed, comprehensive account of the most important moment in Irish history. It is well-written, entertaining, enlightening, and will deepen the outsider's understanding of the Irish struggle throughout its history with Britain. It is told in an informative tone, yet brings history to life with all the fine details that surround the lives of the Irish heroes. It is by far the best book I have ever read, and I will read it again and again! I also agree that it is a screenplay waiting to be made!

The Easter Rebellion is the subject of this engrossing book. What makes the tale more interesting than so much of the patriotic gloss that has been so often repeated is the fact that the rising was so poorly planned that it was nothing short of a miracle that it proved to be ultimately successful in many of its long term aims.

Apart from the seizure of the General Post Office in Dublin, the rebels were unable to secure most of their objectives. British forces were able to suppress the revolt within a week. Due to disputes and internal squabbles between competing factions, many Irish militias simply refused to take any active role in the rising and the rebels in the GPO were hopelessly outnumbered from the start.

The revolt may have proven to have been unnecessary had Britain not chosen to suspend Irish Home Rule for the duration of World War One. John Redmond's long awaited legislation was enacted and then immediately placed on indefinite hold. Had Home Rule been permitted, it is quite possible that Ireland might be a member of the British Commonwealth of Nations today. Britain's refusal to implement Home Rule, despite its Parliamentary approval, gave rebel leaders the opportunity to plot a course for independence.

With British Army fully engaged on the Western Front, it was thought that assistance could be readily obtained from the Central Powers to arm the rebels. Roger Casement spent months in Berlin where he took part in a series of unproductive meetings with skeptical representatives of the Kaiser. An open revolt in Dublin would be a useful diversion, but the Germans were wary about committing significant resources to such a plan and to a motley crew of disorganized and impoverished revolutionaries.

Casement's efforts to raise a revolutionary brigade composed of captured Irish colonials who were being held as British prisoners of war in German camps proved to be futile as these soldiers overwhelmingly refused to defect. The promised weapons offered by Imperial Germany turned out to be a cargo of antiquated army surplus, including some obsolete cannons and mortars that probably dated back to the Franco-Prussian War. A single ship was provided to deliver the arms to the Irish coast.

After the disguised ship skillfully evaded the British naval blockade, the entire shipment was captured on the beach within mere minutes of its unloading. Casement, himself, was placed under arrest almost as soon as he arrived on shore. His betrayal was the work of a paid informer, a homosexual renter, who had been communicating with the English about Casement's activities and the shipment of arms for weeks.

Initially, many Dubliners had been enraged at the rebels both for the disruption of their daily lives and the destruction that had been visited upon their city. When the British imposed a brutal state of martial law, which included the summary execution of most of the captured rebels, Irish public sentiment changed abruptly. The rebels were no longer reviled as damned fools, but considered as martyrs to the cause of Irish freedom. Padraic Pearse had been vindicated. Out of the blood sacrifice of the rising on Easter Monday came heavy handed British reprisals which reignited the spirit of revolt on the part of the Irish people.

While not a historical novel, the book does contain some fictionalized dialogue mixed with actual quotations. This does not detract from fascinating and sometimes hilarious account of cowardice, heroism, idealism and stupidity that attended the birth of the Republic of Ireland.

We all realize the book is a bit fictionalized, but it's a better read that way, I think, and I've been studying the Easter Rising for 2 years now. All the information is accurate, and it gives you a good sense of the times. We can never truly know what these men were thinking, but this gives you a fairly good idea. I have a question though, there were two things I could not verify and since I'm researching this, it's quite important: does anyone know about the authenticity of Moira and Agna Connolly's existance? Most places say Connolly only had 6 children, but then they never give names, and the names of all his other children are accurate.

Rebels is wonderful book, encompassing the years leading up to the Rising, the events of the Rising, and the executions after the failed Rising. The book is rich in the characters of the major figures involved in the events of the Easter Rising. Pearse, the fatal idealistic, to the hard-nosed general Maxwell are beautifully protrayed. Rosa encompasses the whole view of what the rebellion meant the leaders, the British, and the people of Ireland. Also, Rosa shows the changing attitudes of the Irish people after the Rising. If you love Irish history, this book is a must read.

This is one of the most emotional, powerful books I have ever read. I felt I was I there and that I knew these people personally. The author did some incredible research or else is the ghostly embodiment of all the men of high spirit involved.

Reading the book while I'm in the right environment (France - lovely wheather - Lac Léman - tasting and buying wine - et cetera) gives me lots of pleasure. It's not only informative but also 'funny' (excusez le mot) and - while I'm half way the book - puts me in a situation where I have to choose: read the rest of the book or drive to the next planned stop in Marin (Savoie) for wine to taste again... Just decided to follow my nose... and read on in the book when I return.
Conclusion when I finished the book: can't wait to read the next one!

I have only skimmed through this book but from what I have seen I believe that it will prove informational. Also, from this book I have subscribed to a newsletter from the author and find this very informative also. I would highly recommend this to a beginner or an old hat in appreciating wine.

Reading this book was like listening to a girlfriend talk about a subject near and dear to both of our hearts. While reading this book, I felt like I was experiencing her journeys and education with her- and with quite a bit of a sense of humor. All to often, it seems wine educators take themselves (and wine) too seriously. This book will teach you more about wine production, selection, and food pairing without being snobby and pretentious. It was fun, easy to read, and informative. I hope Natalie will be writing more books!

This is the first book that I've read that actually makes it fun to
learn about wine. It's relaxed and realistic for the wine novice.
Natalie teaches about wine to those who want to enjoy it, not just look
impressive ordering or drinking it.
I retained more real world knowledge about wine reading this than I have reading the wine magazines and tomes.

Really great read, full of information, well-paced and accessible. She explains how to find wine you appreciate in what can be a very intimidating industry. I wouldn't normally bother to write a review of a book, but this was an impulse buy that I loved and the author really deserves a lot of credit for something so well written...

A very nice book, with remarkable trees, however, from the cover I suppose I wrongly assumed they would be beautiful trees. Quite a lot of the book is spent on African trees of a very strange nature, and to my husband's suprise, very little was done on the banyan tree. I was looking forward to large, ancient trees myself. All in all, it is still a wonderful book, it just wasn't what we were expecting.

Great Book will enough the wonder hopefully they have it in the school systems or county systems

Trees are grouped by various, sensible categories that other books on trees might neglect: Giants: Gods, Goddesses, Grizzlies; Dwarfs: For Fear of Little Men, In Bondage; Methuselahs: The Living and the Dead, Shrines; Dreams: Prisoners, Aliens, Lovers and Dancers, Snakes and Ladders, Ghosts; and Trees in Peril: Do the Loggers always Win? and Ten Green Bottles. Pakenham's text is great fun to read, as can be viewed from those sectional titles, and individual tree titles such as "Tie up my feet, Darling, and I'll live forever" for the Bonsai tree that is the In Bondage section.

I suppose coffee table books really shouldn't be considered exceptional items to read - view, yes; read, not so much. This is an exception. Tolkien's Ents are invoked for a handful of trees, and rightly so; geography students who get a core borer stuck and (somehow) get permission to cut down what had possibly been the oldest tree in the world just to retrieve it are warned against; and, of course, it is mentioned that any fool can climb a gum tree. I've read this about six times this year, high time I count it officially.

beautiful book. Bought it as a gift for my brother.
I already have a copy for myself.

In fall 2006, Lansing's forestry department planted a tiny gingko biloba tree between the sidewalk and the street in front of my house.
It had four and a half branches, all oriented in one plane like the candlesticks in a menorah. You could barely roast a wiener with it.
I scrambled into the house for a book I had bought, by sheer coincidence, the previous day -- Thomas Pakenham's "Remarkable Trees of the World."
Yes! There, sprawling across pages 110 and 111, was a gingko nearly 1,000 years old, still living in Tokyo, measuring 30 feet in girth and 66 feet high.
Pakenham, a British historian with Irish wanderlust and a gentle sense of drama, has traveled the world to photograph and research the history and lore of 60 of the world's most remarkable trees.
This oversize book, just now out in paperback, is so relaxed and un-sensational you picture Pakenham walking from tree to tree, a Haydn string quartet playing in the background, not minding the continents and oceans in between. It's a follow-up to another book that's just as good: "Meetings With Remarkable Trees," in which Packenham confined his wanderings to the British Isles. The response to "Meetings" was so warm that Pakenham packed his bags and expanded his search to global proportions.
Pakenham's style is that of a curious, intelligent pilgrim. He pairs generous full-page or double-page images of his subjects with un-fussy, lightly conversational background information. He clearly respects local lore and legend, but doesn't go overboard with it, nor does he bog the text down in scientific details. The result is almost a set of personality profiles.
The images are spectacular -- given the subject matter, most of them can't help it -- but sensitively chosen and framed, with an eye toward the unique setting, mood and attributes of each tree.
It's a low-key approach, but if this book doesn't awaken your sense of awe, nothing can. That little stick of a gingko in my front yard, for example, belongs to a hyper-ancient species/order/family that predates dinosaurs. Its peculiar lineage (it's related to ferns) is betrayed by unique, fan-shaped leaves that have no central fold.
Of course, trees have their own agenda, and don't care whether they get into a coffee-table book or not (it's tempting to think they'd rather not, insofar as books are made of paper). But it was hard not to think of Pakenham's gargantuan gingko as a thundering encouragement for my little tree's stressed-out, brown-fringed leaves and spindly trunk.
For one thing, Japanese Buddhists believe the gingko, not the Bo tree of India, was the tree under which Buddha found enlightenment.
If lore doesn't thrill, Pakenham serves up history and science. For example, a gingko 800 yards from the epicenter of Hiroshima threw up new sprouts even after the atomic bomb hit.
But enough about gingkos. In this book, the reader will meet a panoply of the world's most amazing creatures: General Sherman, a mega-giant sequoia in California that weights 1,500 tons and is probably the largest living thing on Earth; ancient teapot-shaped African baobabs out of a Dr. Suess illustration; the leaning Italian cypress said to have been planted by St. Francis; wind-lashed cypresses clinging to the rocky California coast; great oaks with hollows where 20 people can sit down to a banquet; bristlecone pines now into their fifth millennium of existence.
Some of these magnificent trees are near roadsides or chained off in parks, all but ignored by passersby. The wonder of this book is that it tunes the mind to the low-frequency, centuries-long chords only these creatures can hear. Looking at trees that have lived the better part of a millennium make you wonder whether there will be a California -- the home of a disproportionate number of these giants -- or a Lansing in 1,000 years.
My bet's on Lansing, which is far less likely to slip into the ocean before my gingko grows up.

A ROAD WE DO NOT KNOW takes the reader on the June 1876 campaign against "hostile" tribes that ended, as every schoolboy should know, in the defeat of the 7th Cavalry at the battle of the Little Big Horn, a river also known as the Greasy Grass to the Sioux. Mr. Chiaventone's first novel is not a great work of literature but it holds up pretty well against a lot of other historical fiction. A ROAD is told from the perspective of captain and corporal, chief and warrior, indian and trooper, white and red. Wrapped in fiction, the author provides a plausible explanation for why and how the battle developed, a puzzle debated by historicans for over a hundred years. The novel explores General Custer's decision-making prior to the battle, when presented with information from his scouts, and during the battle, when pressed by overwhelming numbers of warriors. It makes for a fascinating read to be especially enjoyed by history buffs. Mr. Chiaventone also is able to get into the motivation and thinking of the Ogala, Hunkpapa, Cheyenne, Arapaho and other Indians engaged at the Greasy Grass, showing the reader how these native Americans viewed the world without dragging down the novel with unnecessary and distracting "spiritual" discourse. A ROAD is a realistic novel, describing the rigors of the campaign as well as the violence of battle. A side note is that some 7th Cavalry survivors of the Little Big Horn were later killed at Wounded Knee, where a total of 26 troopers were killed and 35 wounded. Highly recommended.

I've read this book with great interest and excitement. I also comuunicated with the author by email several years ago, and consulted many "experts" on Custer after I read the book. Most of the stories we've heard about GAC are pure trash. GAC was a great hero in the Civil War, for which he has not been given near enough credit due to the despicable stories that have been told about him in the years since the Little Big Horn.

His dear wife, Libby, spent the rest of her life trying to correct the defaming and hostile stories written about him. Because most of his family died at the Little Big Horn, only his enemies, such as Benteen and Reno, were left to tell the story. They were both jealous of Custer, and all the evidence points to Reno as the biggest flaw in the campaign, as he and his troops turned and ran in the face of an assault. This is explained in several writings about this event.

Custer did what most any soldier would have done in his situation. This book explains some of that, so I will not repeat it here.

Suffice it to say, read the book with an open mind, forgetting all the "disinformation" you've heard about him.

Why wasn't this book made into a movie? Well, if it had been an anti-Custer, or anti-American book, it would have been The left-wing, socialist, anti-American pukes in Hollywood would have seen to it. But, it is a realistic story not indulging in mythology or hate-mongering against a true American hero in the Civil War. Custer's conflict with the Grant administration over treatment of the Indians is also a truth Hollywood would not want to tell. That would undermine their hate for him.

With "A Road We Do Not Know" Mr. Chiaventone takes us, on both banks of the Little Big Horn River, as close to what really happened there June 25, 1876 as anybody will ever get. Chiaventone achieves this partly through extensive historical research and partly through empathy for the men involved in the events, all of whom, Indians and cavalrymen, emerge from this story as real people: There are no Noble Savages in this book nor is Custer represented as a fool. Chivaentone understands the "fog of war" and how it can blind otherwise valiant and experienced commanders: Eighty-nine years after the Little Big Horn the 7th Cavalary got itself into a similar debacle at a place called the Ia Drang Valley in Viet-Nam, and in 1965 they had air support and artillery. The only quibble I have about this excellent novel is the large number of footnotes throughout. They do not belong in a novel because they distract from the flow of the story. Someone at Simon & Schuster needs to be reminded of that: put 'em in the narrative, in the mouths of the characters, or in an "Historical Note" at the end of the book, but NOT at the bottom of the page.

I gave this two stars but it is a matter of taste. I was looking for straight historical fiction. To enjoy this read you must really be an avid fan of military fiction. For people with this interest, this might be five stars. For my taste, the author dwelt too much on the details of the military custom and practice that he reconstructed for the circa 1870s Seventh Cavalry. This amounted to the first half of the book and I got bogged down in it. But this preoccupation with military details ran through the remainder of the book and I think had the effect of dampening the climax. It seemed like there was more militaria than characterization so it was hard for me to be personally drawn into the climax. But I realize that this is exactly what some people want. I also felt that the characterization of Custer was a little too charitable based on the history I have read. I am a Native American and I got the impression form this book that Custer was almost benevolent in attitude towards Indians -- just a little egotistical. That's a stretch.

Not since May 29, 1981, the day I finished The Killer Angels, have I been so overwhelmed by the ending of a military action novel as I was by this book. It is fiction only because it supplies lotsa dialogue for June 25, 1876--the day of Custer's Last Stand. This book presents all the events as very concentrated in time, whereas I before reading it had the impression the events were spread over several days. I am confident this book is pretty accurate as to what happened. This is a very poignant book, and made me feel I was with the people on that fateful day. Most worthwhile reading.