History Books

Human All Too Human and Daybreak can be considered as volumes one and two of the same work. As Nietzsche said in Ecce Homo, a careful reading predicates a full understanding of his later polemics. Here, the bombast is not yet as evident but the seismic rumblings of the will to power, the eternal return, the death of god, the over and last-men all are all foreshadowed in Nietzsche's grand, classical deftness and precision of thought. Nietzsche's largest printed work, HAtH has perhaps the broadest and best sustained discussions of nearly every topic of importance to thoughtful and reflective thinkers. This, together with Dawn is a great place to begin reading Nietzsche.

If you like aphorisms and philosophy, this book will become one of your bibles. If nothing else, it's just plain fun to read for his incredible wit. Of course you have to put his ideas in the context of the period in which he wrote and understand that he has his own odd prejudices, but the brilliance of his understanding of the human condition really shines through. The biggest mistake any reader could make is to think Nietzsche was an anti-semite---far from it. He was anti-neanderthal. In this book especially the reader sees his low tolerance for received wisdom. This book is nothing less than part of the origin of Western psychology as practiced today. It also represents the demolition of science and philosophy polluted by the received Western theological framework. Some of the best parts are when he skewers religion. You have to love his style even if you do not agree with his pessimistic disgust for piety. This is the kind of philosophy book you need not fret over, unless you harbor wishful thinking about a supremely benevolent deity. Instead of making an elaborate argument about the number of angels that can dance on the head of a pin, as preceeding systematic philosophers did literally and figuratively, Nietzsche bends the pin and throws it in the trash. I wish I had read this before his Genealogy of Morals, as knowing his thoughts here would have made that book far more interetsing and understandable. I highly recommend philosophy students first approaching Nietzsche pick up Human, All Too Human to start their study. And if you are religious and want to bolster your faith, well, you should stay far away from this book.

O.k. So I have a minor in philosophy and Nietzsche was one of my inspirations to pursue this as a degree in college. Nietzsche deals with androgony. In more modern terms, men and women are crossing over the line of androgeny with their jock image. They are getting more and more androgynous you can't distunguish between even basic differences between the sexes anymore. While my philosophy professor and classmates dismissed Nietzsche as "not being a first rate philosopher," he does have his points about god and androgeny. This is part of our changing world and in philosophy class I did make my points.

In response to some of the prattlings below-only those who do not know the first thing about Nietzsche think that he was at all anti-Semitic. He wrote clearly, very clearly, against that and against nationalism. In one of his books he stated that Germany should not admit any more Jews inside of her borders. Why? Because he felt that the German people lacked an identity, and knew that Jewish people had a very strong identity. He did not think that Germany, weak and unrealized as it was, could stand an influx of a people that he repeatedly characterized as remarkable.

I am somewhat obsessed with Nietzsche, and this book started it all. Do not dive into his later, more well known masterpieces (Beyond Good and Evil, the Genealogy of Morals, The Gay Science) without acquainting yourself with this book. It is an introduction to his style, and there is no better example of his mastery of psychological observations. In this book he comments on all elements of social reality ("no one thinks to thank the clever man for restraining his wit when in the company of those who cannot practice wit" for example), going into love, friendship, the tenor of social gatherings, absolutely everything that is psychologically investigatable. He brings this method to his later books, in which he tackles larger issues, like the history of religion, philosophy, morality, and other things. But it all starts here-his later critiques of Christianity and everything else are far more understandable after a thorough acquaintance with his psychological method, first and best presented here. If you are at all sensitive and introspective, this book will move you to tears more than a few times.

if you want to have your moral foundations knocked out from under you, read this book - and then build upon the ruins - Nietzsche's, in my opinion, most accessible work, as his aphoristic style floats over many different topics - don't stop here however, i recommend Kauffman's "Nietzsche, Philosopher, Psychologist, AntiChrist" as a starter if you find the complexity and diversity of Nietzsche's thought to be overwhelming or incomprehensible - he's frequently ambiguous and contradictory but it's more a positive trademark of his works and shouldn't dissuade one from further readings.

I HAVE NOTICED THAT SOME OF THESE REVIEWS ARE FROM PEOPLE WHO KNEW DARCY. FROM THIS, I AM SURE THAT HER FAMILY AND FRIENDS WILL CHECK UP ON THE REVIEWS ON AMAZON FROM TIME TO TIME. TEN YEARS FROM NOW, WHEN SAMUEL READS THIS HE CAN FEEL PROUD OF HIS MOTHER AND THE LIFE SHE GAVE HIM. THIS BOOK BY DARCY IS IMPOSSIBLE TO PUT DOWN. I HAVE A 1 YEAR OLD AND I AM ALONE THIS WEEKEND TAKING CARE OF HIM AND I MADE TIME TO READ THIS BOOK WHILE HE NAPPED A COUPLE TIMES AND FINISHED THIS BOOK AFTER HIS BEDTIME. AFTER READING THIS BOOK, I WILL ALWAYS REALIZE HOW LUCKY I AM, EVEN THOUGH I HAVE SUFFERED FROM MANY PHYSICAL PROBLEMS THROUGH MY LIFE, NOTHING COMPARES TO WHAT DARCY WENT THROUGH AND IT MAKES ME HAPPY THAT SHE GOT TO MEET HER SON BEFORE SHE WENT ON TO THE NEXT WORLD. ONLY A PARENT COULD UNDERSTAND THAT FEELING.

ALSO, I AM SURE YOU WILL AT TIMES FEEL AN EMPTINESS IN YOUR HEART, SAMUEL, BUT I HAVE A GIFT TO HELP YOU THROUGH YOUR TOUGH TIMES. I'M NOT GOING TO TELL YOU WHY I RECOMMEND THESE GIFTS, BUT ORDER THEM OR CALL ME AND I'LL PURCHASE THEM FOR YOU! I MEAN IT.

ORDER THE BOOKS AND READ THEM IN THIS ORDER.
1.CLOSER TO THE LIGHT BY MELVIN MORSE
2.RETURN FROM TOMORROW BY GEORGE RITCHIE
3.AND IF YOU LIKE THOSE TWO FOR MORE,,,READ THE STARTER, LIFE AFTER LIFE BY MOODY.

I HAVE READ HUNDREDS UPON HUNDREDS OF BOOKS AND I RECOMMEND THESE TO ANYONE AND EVERYONE WHO'S EVER LIVED.



YOUR MOTHER IS AN INSPIRATION TO ANYONE WHO COMES ACROSS HER STORY. GOD BLESS HER.

I was hoping that this book would be an uplifting account of hope to encourage my husband who was recently diagnosed with Lou Gehrig's disease. It was NOT. Would not recommend it.

This is a book I find myselfing re-reading a couple times a year (and I don't tend to re-read books). Inspiring, truthful, I feel I could really relate and understand the author. Love this book! Truly beautiful. She left a precious gift to her readers. Highly recommend. Please read other reviews to learn about the content of this book.

This book is very easy & quick to read - good for those who don't like to spend a lot of time reading one book.

As I was reading this book, I could easily relate to Darcy's frustration. A few years ago, I had a neurological problem where my muscles were slowly becoming weak, and I could hardly walk or move. It was extremely exhausting just getting out of bed. Thankfully, my problem was resolved, but I remember at the time watching other people go about their normal business, like walking etc, and thinking "They are walking so easily, like they don't have to think about it", yet I had to think about everything I did, just like Darcy.

I felt genuine empathy for Darcy, and I am so happy that she lived her last year with so much happiness, despite her terminal illness.

This book reminds me of another I have read recently by Kim Dalton "The Real Fight". Recommended reading.

In the first half of 2003 Darcy Wakefield, age 33, began to seriously assess her life. A relationship had broken up and while she was happy with her roles as runner, swimmer, writer and college English professor, she longed for more. A child, she realized, was essential to her; a man, important but not essential. She took a bilateral approach to her goals, registering with dating services and investigating sperm banks. Darcy had the magnificent good fortune to meet her soulmate in a Denver doctor named Steve, nearly 2,100 miles from her home in southern Maine.

As her relationship with Steve grew in strength, Darcy's strong runner's legs began to weaken. In October of that year she was diagnosed with motor neuron syndrome -- ALS -- Lou Gehrig's disease. This fatal but unpredictable disease kicked Darcy's life into "fast-forward." Steve moved to Maine to be with her, they began house hunting, and early in 2004 Darcy was pregnant.

This journal-like little book is Darcy's exploration of her new world. The short essays are dated and each is named with a present participle that celebrates her new appreciation of life in the here-and-now -- "Committing;" "Expecting;" "Moving;" "Helping;" "Loving;" and the poignant final section, "Birthing," in which she describes the birth of their son Samuel.

While Darcy hopes for a remission of her disease, her thoughtful writing explores the twin realities of her blessings and her losses. Within a year she loses the ability not just to run, bike and swim, but eventually to walk, write and speak. Along the way are wonderful lessons about how to live life joyfully and understand the meaning of disability. "I hate asking for help," Darcy writes. "I am ... a Mainer by birth and disposition, which is to say that I am an independent, stubborn, do-it-my-way-and-by-myself kind of woman, the sort of person who hates being dependent on others."

When the simple things that Darcy took for granted are lost to her, she finds a way to accommodate the loss. In her former life as a busy athletic woman, for example, she rarely took time for manicures. Now unable to do her own nails, she begins to have them done regularly. She writes, "The real truth of my ALS is that it takes daily acts of courage to get up, live the day fully, be grateful for what I have, and to find the humor and grace and the pleasure, yes, pleasure, in not being able to clip my own nails." And as cooking and even eating become difficult for her, she describes her new way of eating: "Slowly. Mindfully. Thankfully."

There is nothing self-pitying about I Remember Running: The Year I Got Everything I Ever Wanted - and ALS; nor is there a false gaiety or denial about her life with ALS. Darcy Wakefield writes intelligently and with the utmost courage about her daily accommodations to weakness and to getting everything she ever wanted, all in the space of little more than a year. Far from being a sorrowful read, this little book may be the most heart-warming and thought-provoking thing you will read this year. Some of Darcy's essays were produced for Maine Public Radio and she made fund-raising public appearances. When she could no longer read her work, her sister Betsy read to the audience. In her last appearance Darcy sat in her wheelchair while Betsy spoke her words: ''You may very well be one of those people who's sitting on a great story, waiting for the right time to write it. Here's my challenge to you. Write now. Write here. Write your first sentence."

Although it's outside the time scale of this brave little book, readers should know that Darcy Wakefield died in December 2005, three months after this book was released. Her partner, Dr. Steve Stout, lives in Maine with their young son Sam.

If you've ever lost or loved -- and who hasn't? -- Darcy Wakefield's intensely personal story will touch your soul.

Linda Bulger, 2008

There is a sense in which the book 'If You Find the Buddha' is a sort of 'where's Waldo?' hunt. Sometimes the images of the Buddha are very prominent; sometimes they are almost imperceptible. Sometimes there are several Buddhas; sometimes there is only one, and even then, just in shadow. Some Buddhas are large; some are small. Some are in intentionally religious or holy settings; some are in everyday positions, such as above a diner's cash register. Even more ironically, the image of the Buddha can be found on the tag of a rifle-toting soldier, or in rows of figurines, each bearing their own price tag.

As the writer comments, the figure of the Buddha is ubiquitous in many parts of the world, and not uncommon in other parts of the world. East and West alike have a share in the presence of the Buddha in this collection, and peoples of all races and conditions of life are shown in relationship here. Perhaps the most surprising element is the touch of the common and the ordinary - in much the same way that pictures or figurines of Jesus or the Last Supper or various saints might adorn the homes, the Buddha similarly is incorporated almost unconsciously into the everyday life and work of people. It becomes part of license plates, nametags, lawn ornaments, golf equipment, and more.

There is a foreword provided by Jeff Greenwald, an author of several books perhaps best known for his travel writing. There is also a brief essay by Jesse Kalisher, who writes of his transformation from a person who lived inside of set boxes (offices, car, apartment, television) to someone enlightened enough to seek the whole world. He recounts his encounter with a Buddhist monk, Pat Panom, with whom he shared his interest in this project, and how his life had come to this point.

This is not a religious text - well, not a religious text per se. It is not a manual of Buddhism, with exegesis, systematic interpretation, description and such. In some ways, however, it is a great expression of Buddhism - I am reminded of a sermon of the Buddha which consisted simply of him holding up a flower. If a picture can speak a thousand words, and open up a thousand worlds, then this book is indeed a religious text, albeit not in traditional Western sense.

The photographs are stunning in quality and composition, all the more remarkable for being 'typical' and 'mundane' subject matter in many cases. The collection as a whole places the pictures in an interesting context that makes for enlightening and enjoyable reading.

This marvelous coffee table book has been sitting on my shelf far too long. Visually witty, engaging and just plain fun to look at Jesse Kalisher's pictures from around the world finds Buddha in various shapes. It's colorful and the only complaint I have is that I would have liked to have a bit more text discussing the circumstances of the photos, where they were, when, what inspired Kalisher to take and pick the particulary pictures he uses in this book.

The sixteen page introduction is witty,intelligent and I could have used more of it throughout the book. While I'm visually driven I also am text driven--words are important to me, their meaning and how we use language since it shapes as much about how we see the world as what we see. Jeff Greenwald's text would have been perfect to illuminate these things in brief chapters discussing each section of plates.

Regardless this is a terrific book and those that enjoy coffee table books that actually LOOK at the pictures and become lost in the details will enjoy the variety of photos included in this book from throughout the world. My apologies to Chronicle Books for taking so long to review this.

This small, oblong book hides a lot of treasure. Jesse Kalisher, who grew up on the Upper East Side of New York City, traveled to Viet Nam and photographed street scenes that show the image of the Buddha from the sacred setting to the profane. From a tattoo artist engraving an arm to a glitteringly gold temple, the Buddha image, familiar as Uncle Sam or a crucifix, is shown in startling settings.

The photography is good "journalistic" style, and it's a great look at life in Viet Nam. I've spent quite a bit of time in Southeast Asia and I was very nostalgic paging through the book. But if you dwell on each photo for its own content and not its postcard quality, a message seeps out.

Kalisher's work has been on exhibit at the Field Museum as wel as residing in permanent collections of other museums across the US. I think he has a lot to say in his photos.

Perfect gift book for a yoga devotee or a person influenced by Asian philosophy and culture. Highly recommended.

I'm not really qualified to evaluate the quality of photography in this or any other book. When I sit down and try to review a book of photography such as this, I basically ask two questions: can I see what the photographs are supposed to be showing me, and is there a concept that ties all of them together? If You Find the Buddha makes it rather easy for me in this regard: obviously, there is some representation of Buddha to be found in each photograph, and the whole point of the book seems to be an inspirational one, as it's a veritable signpost helping point readers in the direction of their own individual paths toward enlightenment and a sense of purpose in life.

Jeff Greenwald's Foreword and photographer Jesse Kalisher's introduction are no less enlightening than the photographs themselves. In comparatively few words, they give the reader a good feel for who Buddha is and what he represents, while also tearing down some of the veil of misunderstanding that separates many Western minds from this traditionally Asian way of life. I feel rather stupid to even admit it, but I had always assumed that Buddhists worship Buddha - they do not, for Buddha was a supremely enlightened soul but never a god. He even forbade his followers from making any images of his likeness - a fact which is somewhat ironic, giving the ubiquity of Buddhist statues and icons all over the world today (Greenwald explains how this came to be). Another little insight I picked up here has to do with individual reactions to different religious icons. Seeing an image of Jesus turn up unexpectedly doesn't exactly put you at your ease; for a Christian, such a sighting is the equivalent of a "straighten up and fly right" moment. In contrast to this, the Buddha normally engenders a calming influence on just about everyone. Even as a Christian, I feel a sense of reverence (which is not the same as worship) and otherworldliness when I see a Buddha statue. I believe that is the very thing that rests in the heart of this book.

The gorgeous photographs that make up the bulk of this book are impressively diverse, capturing images of the Buddha in all shapes and forms. If you're like me, you tend to think of Buddha only in terms of the large golden statues typically found at holy sites, but this book shows us that Buddha is basically everywhere. Many of Kalisher's photographs do come from Buddhist shrines in several Asian countries, but the most arresting inclusions capture images of normal life in America as well as Asia. For example, you'll find the Buddha in an impressive sand castle, in yard ornaments, in small statues sure to draw tourists' eyes, on dashboards, in clothing patterns, and even in a Thai sex market. Having spent the best years of my life in Chapel Hill, I was especially interested in a significant number of photographs from that city (now the photographer's home) and some of its neighbors. A few of the photographs did prove to be a challenge of sorts to me (Where's Buddha?), but that actually just encouraged me to pay more studious attention to them than I probably would have otherwise.

Certainly, If You Find the Buddha gave me a better appreciation for Buddha and the type of thinking he represents. I suppose many a reader will see the title of this book and ask: what does happen if you find the Buddha? That is something you have to answer for yourself (and this book only starts you on such a spiritual path), but I think most individuals will definitely take away something of value from Kalisher's photographs.

A delightful collection of images from the lands where Buddha's philosophy is part of daily life. Kalisher has a good eye for content. His images range from the intimate close-up to a distant perspective where the viewer must pause to probe the surroundings to perceive the item of interest. The item may be a tiny statue or graphic representation. Sometimes it seems wholly out of place. That, however, only demonstrates how important the Buddha is to the society. While it may not dominate, it is always present. The reality of the Buddha in these societies and the photographs are intimately matched. Kalisher has the ability to capture them with charm and grace. That he shares them with us is almost a personal favour.

We are given more than a hundred images of the Buddha. They may be giant close-ups in a temple, or centred in a wide-angle view in a restaurant. One watches over some elderly men at a game, while another is a medallion set in stark contrast to a soldier's bayonet-bearing rifle. Sitting on a high shelf, the Buddha keeps guard in an apothecary's shop. Still another helps a guitarist find his muse as he practices. What is significant about this wide variety of settings is that in none is the Buddha disjointed or disconnected .

Even the format of this collection is proper for the subject. While in the West we've become suffused with "coffee-table" books that present us outsized images, this collection is set in an appropriate framework. Kalisher's images and Greenwald's text may be slipped into a purse or briefcase for easy retrieval. The large books are designed to overwhelm our attention. This book follows the theme of that what the Buddha teaches must be sought. It cannot be forced or implanted in our minds. Only one flaw can be attributed to this collection. Designed for a Western market, the identification list at the back of the book might have included more descriptive material. The locations are gratifying, but the circumstances would be informative. [stephen a. haines - Ottawa, Canada]

I make it a point to read pretty much every book that comes out about Iraq and environs. Though there has been no recent shortage of first-rate books about the region, this one packs a punch like you wouldn't believe.

To tell you the truth, I haven't seen the book since I first lent it out. The guy I lent it out to lent it out to someone else and so on and on. That I have yet to get it back should tell you something.

The basic story is that Steven Vincent was your typical dingbat liberal living in the Big Apple as an art critic, believing that God was in his heaven and that all was right with the world . . . and that in particular Islam was a basically peaceful but tragically misunderstood religion.

Then September 11th happened, and in a fit of shock, grief, duty, and curiosity, Vincent hied himself off to desert lands as more or less a roaming reporter for hire.

The book relates his transformation from smug liberal to one who was truly concerned about constructing a fairer portrait of the chances for peace and progress over there.

So far, so good. And whatever you think of his politics, and whatever your position on the war is, and blah blah blah blah.

Listen: the thing that really pushes this book over the edge into the realm of greatest books I've ever read is what happened to Vincent after he wrote it. I won't spell it out here, but you can easily find out on the net.

God, knowing the real ending makes the final third of this book unbearable. Truly unbearable. Some of the most emotionally exhausting and harrowing reading I've ever done.

See, he meets this woman named Nour. And God! God! I can't take it.

Sparrow, O sparrow!

First, let me say that Steven Vincent died for this book. He was murdered because he wrote brutally honestly about the dark underbelly of Iraq, about how here (and much of the Middle East) life is cheap and what passes for culture twists minds and perpetuates continued ignorance in the majority of the populace. Steven is gone now, but his opus is still available and if you only read one book about Iraq in your entire life, then In the Red Zone should be that one book.

I read this book in one sitting, from cover to cover, all 240 pages in the span of about six hours. Everything you need to know about the war, Shia, Sunnis, Kurds, the occupation, what the future could hold - it's in here. The good, the bad and the ugly are all laid out for you. This book will be of equal fascination to both pro and anti-war readers because Steven didn't sugarcoat a thing when he wrote In the Red Zone. He didn't sugarcoat Iraq one iota and he died for it.

Life is cheap in cultures that glorify death. Steven found that out the hardest way. His death has a silver lining - Nour - his brave Iraqi intrepreter. She was shot by the same vicious parasites that killed Mr. Vincent but survived and is still somewhere in Iraq (as far as I know), guarded, silenced or both. Steven and Nour are microcosms of the relationship between America and Iraq. Read In the Red Zone. It will force you to make adjustments to everything you thought you knew. In the Red Zone is Chapter 1 in the story of 21st century. Other Americans and Iraqis will be stepping forward to write Chapter 2. Are you one of them? Which side will you step forward on?

This book manages to deliver a concise, beautifully written account of Iraq, as seen through the eyes of Iraqis and foreigners living there in the early post-Saddam years. We hear from Iraqi men and women of all backgrounds, American "activists", soldiers, policemen, and clerics...to name but a few!
Mr. Vincent begins his journey on the highway that leads from Jordan to Baghdad. This highway gives the reader a pretty good idea of what Iraq as a whole will be like. On it, shiny SUVs and junkmobiles alike zoom at breakneck speed through the desert, avoiding roadside thieves and potholes. Should travelers need a break, they can lounge on one of countless picnic tables installed in years past on this road by Saddam's "planners", and refresh themselves with blasts of wind and sand under the 116 degree sun.
The author travels to Baghdad, the Sunni triangle, Kirkuk, Basra, and to the Holy Shia cities in the south. He reports the views of the cynics, and the disillusioned, as well as those of the (not at all scarce) intrepid optimists who persist in believing in the possibility of a democratic Iraq.
Mr. Vincent doesn't mince words as he describes the many unpleasant and even horrible scenes he finds throughout the country, but also of the growing pockets of Iraq reclaimed from destruction. Throughout he gives a very even-handed account, such that we can identify with both foreigners and locals, and with passionate Iraqis on opposite sides of many ideological wars.
I found his chapter on the Shiite pilgrimages and holidays, excellent. (In order to gain entry to these, he poses as an American Shiite, and must recite boilerplate Muslim creed in his broken Arabic). Here, we join him in his immersion and admiration of the Shiites' as he recounts their history of perseverence in the face of centuries of Sunni domination, but we also join him as he confides his more cynical verdicts on the Shia glorification of bloodshed and death he witnesses during several religious celebrations.
I also found his chapters on life in Basra outstanding. Here Mr. Vincent recounts his experience under the wing of a brave and iconoclastic Muslim woman, Nour, a Basra native. As his guide, she risks her reputation and indeed her life (she receives serial threats from those who view her as out of line), as she guides him to interviews with mullahs, fanatics, moderates, opportunists, party figures, and soldiers, and translates for him their warnings, criticisms, and their....occasional admiration, accompanied by pleas to carry on, and report the truth about Iraq and their dreams for its renewal as a nation finally free from dictatorship to us, the future readers of their story.

Freelance journalist Vincent first visited Iraq in September 2003. While other reporters sheltered in insulated compounds or heavily-fortified hotels of the "Green Zone," he lived and traveled in the "Red Zone," that is without security and among ordinary Iraqis. In all, Vincent has penned one of the best-written accounts of post-Saddam Iraq, one of the few that captures the debates, issues, and contradictory emotions that Iraqis are juggling.

In the Red Zone fills a void left by the many think-tank pundits, academics, and journalists who wrote books in the wake of Saddam's fall, where the Iraqi voice is often lost. Vincent's account has the advantage of bringing to light his encounters with ordinary Iraqis. Among other experiences, he was in Karbala when a series of bombs killed 140 in the city in March 2004; and while traveling in Basra, he was briefly interrogated by U.S. intelligence. He makes no attempt to cover the minutiae of daily Iraqi politics but instead takes a big-picture approach.

That said, In the Red Zone has its limitations. There is little discussion of the Kurdish issue and minor errors of fact pop up--for example, the date when Iran's Safavid dynasty began.

In contrast to the usual journalistic practice of adding color to an article by including an occasional man-on-the-street interview, usually conducted by an Iraqi assistant, Vincent provides a deeper insight into Iraqis. He introduces the reader to Qasim, a Baghdad art gallery owner who, because of a club foot, managed to avoid the carnage of the Iran-Iraq war; Assad al-Abady, deputy director of the Iraqi National Organization for Human Rights; a secular Sunni woman torn between her love of freedom and the "humiliation" of having it delivered by foreigners; a Fallujah policeman who swears blood lust against Americans after U.S. soldiers kill his son; a Shi'ite taxi driver still euphoric over liberation; and a Christian woman in Basra whom Vincent later learns had been raped in her youth by Saddam's police.

Vincent also spent time with foreigners. He details a long conversation with a Canadian antiwar activist who lectured him about U.S. "human rights violations" but would not condemn insurgent terrorist attacks on Iraqi civilians or visit Saddam's mass graves. Vincent also describes a surrealistic encounter with CodePink, an American peace group, during which one member doubted that Saddam really was that bad. He also notes the Iraqi reaction to Western peace groups. "How can people accept for so long the crimes of a dictator, then rise up to try and stop a war begun to remove that dictator from power?" one Iraqi lawyer asked. "Antiwar activists should examine their consciences."

Michael Rubin
Middle East Quarterly
Summer 2005

Although he died while free-lancing in Iraq, I am thankful that this great journalist was able to write this book before he left us. It is an extremely interesting look at life in Iraq, the Iraqi people, and the challenges we face there. I'm sorry about his untimely death, and wish he could have stayed around to write many more compelling and inspiring books such as this one. God bless his family and bless the memory of this brave man.

beautifull book a number of people at my life drawing session have seen it and want a copy

Was absolutely delighted when we received this book. This is an artist who is so ripe for a reappraisal! Waterhouse managed to pull off a genuine and moving romantic vision. The writing is thoughtful and spirited. The reproductions are first rate. Can't imagine anyone would fail to love this one.

Philip Koch
Professor of Fine Art
Maryland Institute College of Art

This is the best book I have found on J.W. Waterhouse. Not only does this book talk about the painter's life, but more importantly, each of J.W .Waterhouse's paintings are described in very full detail (eg: OPHELIA).

I was so intrigued by reading about Waterhouses' pictures, because the author of this wonderful book (ie: PETER TRIPPI) elaborated in great detail about each work of Art, by contrasting and comparing Waterhouses' paintings to other famous paintings and sculptures (eg: Bourne Jones from the 1800's, and also many famous Italian 1400-th Century Artists) .

The author has attempted, (& with great success, I may add), to show how Waterhouse was influenced by past Rapheaelite Artists and also by some of the other famous first-phase Pre-Raheaelite English Artists.

Each synopsis, of each Waterhouse painting is quite amazing and like no other interpretation that I have read on this famous late-Pre-Raphaelite Artist.

The repro-photos of Waterhouse's works are amazing, -----showing such wonderful details and colors.

If you are an art lover of paintings that can take your breath away, and pulling you int it than John Waterhouse is a must for your collection. He is such a great artist and this book is so incredible you want to devour it. He is one of the greatest artists of his time that I would recommend this book because it is affordable and wonderful.

I received this book quickly and with no delays.

Would love to have ordered the hardcover for a coffee table book but this one does just fine for the cost and over-seas shipping it would have taken for the hardcover. Lots of information on J W Waterhouse and great pictures. It even has some of his less known works and pictures that you can't find prints for. A true keep sake and treasure for those who are interested in this artist and his time. Oh, and a few of the house guests, students, have even asked to borrow the book. First table book to have created some interesting conversations.

Anyone who has read my Listmania "Escape Mass Market Fiction" knows that I touted this novel (tertrology actually) as having ".... the most exquisite language since Shakespeare". But it is truly beyond that. After 30 years and over 3,000 books read I can affirm that there simply has been no greater work of fiction produced in any century by man or woman. One of the reviewers for the Lowe-Porter translation was dead-on saying you keep wanting to go back and reread the last 20 pages you managed to finish just to savor the experience. Original editions are a little rare and expensive, but, like any treasure, it's rewards are transcendental, and once read, you can consider yourself part of the most esoteric world of the true literati. NOTE-- Beginners who are easily scared off and prefer to sample before committing might want to skip the Preludes and go straight to the main chapters.

One of the greatest books ever written.

Also the kind of service / support rendered by Amazon, when the first copy did not reach me, was truly touching and amazing. Within a fortnight of not having received the original book sent to me, I had the book finally in my hands ! Great customer service.

For all the great technological magic of our age we suffer the misfortune of living in a time where the depth of hyperbole rends the edge from language leaving us bereft when the time comes to describe something truly remarkable. Thus to say that John Woods' translation of Thomas Mann's Joseph and His Brothers offers readers a gift of almost indescribable value may leave one wondering if I am making a literally true statement or simply wallowing in the common puff of our day. In this case the latter is the case for Mr. Woods' translation of Mann's great opus offers the reader an experience both challenging and sublime.

Readers unfamiliar with Mann's work may feel a sense of vertigo beginning this even more than his other works. Much of the style of narration, unique with its perspective shifting through time, seems almost purposely designed to leave one doubting their footing. Increasing the sense of dread is the books sheer heft, with over 1500 pages of small type and weighing in at almost two and half pounds. Yet those brave souls who resist the temptation to lay down this load in favor of a more easily digested work will come to in the end appreciate the feast to come. Mann's work rests on its own unique rhythm, and once the reader grows acclimated they will surely appreciate both the work and the great skill of Mr. Wood as translator. This series of four novels expounding on the biblical tale of Jacob, his son of Joseph of the famous robe, as well as his brothers, often comes when people engage in the entertaining and fruitless parlor game of determining the greatest literary work of the 20th century. While no single work can claim such a title, the complexity of the work and the Herculean task of translation should be evident that this is only the second instance of its translation into English in the more than 60 years since it first appeared.

Beyond simply outlining the work's subject matter, in many ways it seems written with the express intent of defying further description. With a complex web of interrelated stories, occasionally taking subjects that the bible reflects on for only a sentence and expanded on them for a hundred pages and at the same time seeking to place this seminal tale in its religious, historic, and cultural context, the work often leaves the reader gasping at the audacity of Man's enterprise. Yet almost every one of his efforts comes as a remarkable success, leaving one much to ponder. Indeed, any expectation that one can rush through this work will surely leave you with only a headache and little to show for the effort. Instead, one must take their time and slowly chew on Joseph and His Brother's digesting each piece in turn. Like many great works this one takes effort and diligence, but the reward comes as more than just bragging rights for having read it. Far more, it will offer an often eye opening new perspective and beckon from the book shelf to be taken down again so that you may reread this section or that.

One last point: to end where I began, Mann's attention to detail and word choice often gives pause, making each of us consider the harm done when we rain down words on a subject when a mere drop would do.

I'm at a loss about how to begin a review of the titanic marvel "Joseph and His Brothers" because of its being so many things, adding fright to the one who tries to properly bring forth what future readers are in store for upon opeing its first page and delving into "Descent into Hell."

I have never before and doubt ever will again read a 1,500 page 'tale,' let alone one that includes a continuous barrage of gripping stories alongside psychological insight of God-like proportions. What's icing on the cake as to this book's sheer power and unforgettableness is its comic charm. I did not know I was going to be reading what is pretty much a comedy when being pulled into this marvelous Old Testament narrative.

If you have read the biblical account of Jacob and Esau on down to Joseph in Egypt and are worried that its contents couldn't stay intriguing for this many pages, there is good news, because it, for the most part, very much is.

In the preface, translator John E. Woods accurately proposes he thinks that "Mann ... wanted to make sure he had readers worthy of him" while explaining that some portions of this interweaving jewel are prone to be more difficult to read than what is, thankfully, the majority. And it is this truth, in which I agree with this stirling translator, that I breifly dwell upon.

In several used bookstores I've been to, the only part of this story that I ever saw available, and in a volume all its own, was H.T. Porter's translation of "Joseph in Egypt." Given its apparent availability over the other three parts, I suspected it would be the best - which Mann himself thought to be true. But, solely from the perspective of, as Virginia Woolf would aptly call me, a 'common reader,' I bring forth that those trickier 'riddles' that Woods forwarns, or maybe just mentions, occur most often in this third volume. The feel of being sidetracked a little too much continues on into the beginning segments of "Joseph the Provider."

Do these, I will dare to say, overly descriptive, meandering pages that include some repitition detract all that much from the sheer pleasure that dominates most of what is nothing short of this literary feast and party? Hardly not. For outside of this minor qualm over the author perhaps going a little too far about content that probably didn't require as much attention, there is no book I have read up until now that has offered more to a reader than this. I guess "sublime" is not a bad word to use when measuring the result of Mann's cataclysmic efforts that encompassed a time span of 16 years, no less, including a 5-year absence between the third and fourth stories.

He touches on such juicy, delicious insights about mankind, helping to devour the notion that life is different now compared to then. And while it is entirely varied in custom, how could our experiences be all that different due to the fact that we all have one monstrous thing in common, our humanity.

Mann had me wondering if he wasn't something more than human, though, his elegance, wisdom, humor and charm are in such top form. And while it could have been one of the great many gods of Baal that Mann includes throughout who could have helped guide his pen, I'm more prone to believe it was the God of the wanderer who possessed his wrist on occasion.

The new translation of Joseph and His Brothers is beautiful, as is the novel. Yes, it's long--about 1500 pages--but it's worth all the time it takes to read. Perhaps this isn't the place to start, if you haven't read Mann before, but if you already admire his work, you're going to love this book.

Recommended by a friend, this book has jumped to the top of my list of favorites. The play by play picture painted about the battle of Gettysburg will teach you more about the event than ever taught in High School. More importantly, it's a human story of leadership, failure and triumph. In the end, you'll be left with only one thought, "Wow!"

KILLER ANGELS is one of those books I've always wanted to read but for some reason I just never got around to it. It is my favorite genre(historical fiction) and one of my favorite periods in American history(Civil War), I've lost count of the number of people who recommended it to me. So one fine summer July day in the year 2008 I see it on the shelf in my local library and with no hesitation I pluck it off the shelf. I get home and begin to read this gem of a book. I've read no finer book on the Civil War. There are plenty of reviews here and there to give you all the details you need so there is very little I can add to those reviews. But when you read a book that is so heavily anticipated (it won a Pulitzer for Pete's sake!) and the book so easily surpasses those expectations then it indeed it is a special book. When a writer writes with so much empathy and understanding for his characters and story line as Michael Shaara does then it is a book that you will never forget. This is one of those rare gems that forever will stay with you. Very few books reach that level as far as I'm concerned. A work of passion, intelligence, compassion and wisdom. My only problem is that I wanted more. I didn't want it to end, luckily for us Mr Shaara left us an equally talented son to carry on his work.

This was a major battle (Gettysburg, PA) between the Norhern VA massive group of 70,000 and the indomnable Union fighters that fateful day in one of the bloodiest fights of that war. Antienam in Maryland was the bloodiest with Atlanta's "fallen" depicted in 'Gone With the Wind' and Shiloh not far behind in numbers of casualties.

This fictional account of the Gettysburg massacre on both sides won a Pulitzer prize for Michael Shaara who uses the liberties of creative writing to make these men and their families "real." The most real of them all was the spy, Harrison, who reported to General Lee while JEB Stuart was out about town living it up and getting all of the attention. If you read enough about the U.S. Civil War, you'll realize right away that the truth, though mired in the mud of dissession and cow pastures from one end of the small country as it was in June, 1862, to the East Coast.

It was not the most dramatic confrontation (my choide would be Shiloh, which I drove to many times to meander around the large battlefield on many occasions), as much or more than our yearly trips to Gettysburg (not far from Westminster where Evelyn lived) which received more notice because of Abraham Lincoln's moving address. He had a way with words for a self-educated Kentuckian. But Shiloh, in Tennessee, endured more detailed plans for combat and Johnston met his destiny.

When we read what the scholars chose as the most important, we miss the human part of war (as we are doing now in that God-forsaken, medieval place in the Middle East, and are presented with statistics to prove their choices. Every Civil War encounter has the spy (like young Sam Davis of Smyrna) who met his demise on a lonely hill in Pulaski, TN. Without spies, the generals and their staff are left with maps but that's about all. The spies made the war come alive. Instead of a far flung field or stream far away from home, the spies kept the action going by risking their lives to get important information and plans to the leaders. 'The Killer Anmgels' were on Robert E. Lee's left shoulder but his melancholia wore him down emotionally. Without his generals (Nathan Bedford Forrest being his very best), there would have been no war. The spy Harrison blew cigar smoke "puffing exuberantly like a happy furnace."

"Why do there have to be men like that, men who enjoy another man's misery?" Reading about factual (as far as the staticians knew or could figure) war atrocities can be dry and not very interesting to the average person. It has been de-personalized. Stephen Crane followed his heart and instincts in 'The Red Badge of Courage' to bring the participants to life on paper and not merely a statistic. He inspired Michael Shaara to do much of the same. "The interpretation of character is my own," he wrote. At all times, especially in times of danger to one's life, you must keep one's sense of humor. I thought Mark had one but apparently I was mistaken. This book was written 34 years ago, the year Justin was born. Always the rebel, like his mom, he could not have been a spy. Brave, smart, something of an actor (like John Wilkes Booth), like Jeff could quote Shakespeare from memory, lucky and strong. "It has been my pleasure, sir, to have served such a man...God bless you, sir. Now, it is all in God's hands."

I had been always interested in Americas' Civil War and had read some excellent books on the subject such as A Brotherhood Of Valor: The Common Soldiers Of The Stonewall Brigade C S A And The Iron Brigade U S A, Through Blood and Fire at Gettysburg and Battle Cry of Freedom: The Civil War Era (Oxford History of the United States) but "The Killer Angels" is a very special one.

Late Michael Shaara has performed an excellent research on the private papers of the battle protagonist. Based on this material he produce a griping story, presenting the men that march to the tragic encounter, with their ideals, memories, sorrows, doubts & hopes.

He follows Generals Lee and Longstreet and Colonel Chamberlain amongst others, penetrating their most intimate thoughts in such a way that the reader can't avoid wondering how this is possible.
Mr. Shaara does not pick sides, he presents the reader with the confronting "Cause", which every man into the field believes to be just, and for which is willing to shed his blood. The valor and self sacrifice these men deploy, is reflected in each page of this incredible good book.

Enough maps are shown enabling the reader to follow the displacement of the armies in the field.

For readers interested in Civil War, Michael's son, Jeff, has written Gods and Generals and The Last Full Measure telling the events preceding and following this crucial struggle.

A great stuff to be read by history buffs or casual readers. Enjoy!!!.

Reviewed by Max Yofre.

The compelling novel of Gettysburg that Laura Hillenbrand remarked was her model for "Seabiscuit". The times and events are different but the sylistic similarities are palpable. Short chapters. Short sentences, mostly. Extremely visual--concrete, up-close, detailed scenes, always with a dramatic tension. Superbly structured--makes the Battle of Gettysburg, one of the most confusing battles of the 19th Century, sparklingly clear. Accomplished by shifitng the viewpoint from one key character to another, from chapter to chapter (mainly Longstreet and Chamberlain, also Buford, Armistead, and Lee). This is art, and is not easy; the product of intense hard work, with the reader's welfare always paramount. Above all, a human story of real people under stress, striving, where the stakes matter. At the same time, Shaara manages to explicate the larger causes of the war, and in the mouths of his characters he ably argues both the National and the Rebel viewpoints. A masterpiece.

Great story about the history of one of America's greatest firehouses. Whether you are a veteran firefighter, or just looking for some exciting true life stories, you will enjoy this book. It explains firefighting in terms anyone could follow, while weaving in stories of inspirational courage and brotherhood. Certainly it contained one of the more touching recounts of 9/11 that I, as a firefighter, have ever read.

Tom Downey has written an honest and true account of life in a New York City firehouse. With a keen eye and great observational skills Downey has documented a world that most people will never enter or understand. He brings to life the men and their experiences working in the busiest rescue company in the city. Not since Dennis Smith's 1972 book "Report from Engine Company 82" has an author captured the true essence of the firefighters world. This book is a must read for anyone interested in the FDNY. These men are a throwback to the war years of the late 1960's and early 1970's - a quickly vanishing breed.

I read this book in three days. I have not read a book for enjoyment in years. Once I picked it up it was over. The stories make you TRY to relate to your own house. At the risk of sounding gay, It becomes a tear jerker.

I am a firefighter in a department much smaller than the FDNY. We do not run many calls and I was starting to get unmotivated and complacent. After reading this book I remembered the brotherhood of firefighters I am in and gained a new love for my job.

the most moving book I have ever read.It takes the good with the bad. No sugar coating, all honesty.

I absolutely love this book. I purchased it when it first came out and I am at this moment reading it for the fifth time. It never gets old. I love the characters he meets along the way. Wonderfully entertaining. A must read.

...in preparation for my long overdue personal visit to Ireland a number of books including `Last of the Donkey Pilgrims' by Kevin O'Hara (www.kevin-ohara.com) were purchased online through Amazon.com for shipment to the parched distant locale of Doha...another Qatar `Transient', he being a native of Ireland, last 31 August had kindly written an Itinerary of Travel setting off westward from Dublin to Galway, proposing then a sweep about the coastal extremes of Eire on a circuitous route in return to Dublin a fortnight later...

New Zealand born with Great Grandfather Irish ancestry (Co. Tyrone), some years since I had the privilege of living on a long established property in Hawkes Bay, New Zealand, created by it's owner `in the manner of England', and on which co-resided an elderly Donkey of much spirited antic, mannerism and personality - an endearing memory remains of that acquaintance in those bygone days, and influenced the choice that the Donkey odyssey would be my final read...my reward was to discover an absorbing chronicle of Kevin's 1979 1800 mile trek around the peripheral coast of Ireland, walking alongside his donkey Missie `Long-Ears' Mickdermott yoked to her cart, and written in 2004, 25 years after the doing...

...an inspired achievement to be applauded, and for me a delight to share the journey by way of an intimately personable published recall of such a grand meander through a land and people of a then traditional lifestyle which soon would substantially fade away into history...Ireland 2008 surpassed my any and every expectation - time and change may have advanced apace since the Nation in attaining EU membership emerged from being a `third world' Country, bringing financial advantage in some quarters and also significantly transforming the landscape and makeup of the populace, but the welcome and essence of the Irish people as acutely portrayed by the innumerable encounters and acquaintances along Kevin O'Hara's wandering way, we found to be very much the same...

...the book and infectious spirit of Missie accompanied us throughout as by car we drove, blessed I must add with only fine weather, our brief excursion along some of the highways and byways that shared partial commonality with the much earlier passage the Donkeyman and his travelling companion together had traipsed many years prior...there were particular moments which brought upon me a quiet smile with vivid memory of what I had read; hearing the call of the Cuckoo at Inishmore and Doolin - boarding the Killimer to Tarbert ferry, then later that same day driving through Abhainn an Ghleanna (running at but a shallow flow) on the road to Slea Head, Missie's obstinant reluctance to go on in chancing upon those two same `obstacles' came to mind...we sought out and had the pleasure of meeting Robert Shannon, mentioned in the book who happily recounted the long ago arrival of Missie in lovely Doolin - affection for Kevin and his roving partner lingers...

...having partaken of the ready welcome, spirit, beauty and abundant joys of Ireland, a return is inevitable - likely to be sooner rather than later I would venture...similarly I am driven to pick up and once more read `Last of the Donkey Pilgrims' - my immense pleasure and appreciation of the Tale at first take will assuredly be all the greater at a second reading, enhanced further by familiarity and insight gained from our recent visit...

Lindsay McLean
Doha, State of Qatar
16 June, 2008

I bought this book on my way out the door on a trip to Ireland, as a friend had recommended it. I read it on the airplane and during quiet moments, and finished it on the way home.
Not only is this book entertaining and well-written, I was amazed by how much I learned about Irish culture and history as I was reading.
It is especially recommended to those traveling to Ireland, but has wide appeal for its insight into human nature, and warm humor.

I enjoy reading about Ireland, and thought this book would be like Bill Bryson's A Walk in the Woods. The donkey book was much more serious. I liked reading about the different people he encountered, but at times, felt that it was a glossary of names of potential buyers. I did enjoy his time with the travelers. He exemplified the attitudes of the 70's, and I think the book would have been more effective if he had written it 25 years ago. Still, it was a good story.

Kevin's writing draws you into his journey - a remarkable romp around Ireland with a donkey that seems human. I loved it. You could nearly smell the air and see the characters. A magical look at an island that has changed so much in the 25 years since his journey took place. I wanted to be there by his side as he runs into character after character. His book is the next best thing to being there.

I didn't want his journey to end. Alas, time moves on and progress can't be stopped. If only there could be a sequel.

Anyway, it is written in very short, easy to read chapters. Perfect nighttime reading. If you like adventures, humor, self reflection, and interesting characters - read this book. If you have ever been to Ireland and fallen in love with it, this book is a must read. If you live in Ireland now and want a look back at the country as it existed 25 years ago, this book is required reading.

Very good entry into the Captain Aubrey/Steven Maturin series wherein Aubrey loses his position in the navy, but gains personal fortune and fame.

Thirteenth in the series: The Thirteen-Gun Salute

The last few books in this series had gotten very complicated and very dark. This book hits a much-needed "reset" button. Captain Jack Aubrey, who in the last book was stripped of his rank and convicted of a crime he did not commit, blazes his way to exciting, glorious redemption. Doctor Stephen Maturin, while still flirting with disaster with his laudanum addiction, reconciles some of his personal problems and resolves a confusing, multi-book story arc with a bang.

The Letter of Marque is a fun and exciting read, though the story was not especially emotionally involving, so did not stick with me as much as thought it would. Great history and wit as we've come to expect from this author. On to the next book!

Reviewer: Liz Clare, co-author of the historical novel "To the Ends of the Earth: The Last Journey of Lewis and Clark"

First, I must say that I do not like to race through these novels. Instead, I like to read them slowly and savor every page. That was hard to do this time because this was a real page turner, an excellent follow-up to the previous installment.

Once I had finished The Reverse of the Medal, I instantly began pouring over this one, and indeed it was uplifting. Any fan of these books will be very pleased with this episode.

However, what I like best about these novels is the friendship between the characters. It says alot about honor, devotion, and true friendship, which I believe is the finest element of this series. That quality is particularly apparent in this novel.

I don't have time for a long analysis, but these books are fantastic. I am on my second read-through of the series, and this time I am buying them as I read them. I have never been interested in the sea or ships or the military, (I used to wonder why anyone would have a painting of a ship in their house, waste of wall space), but now I have a whole new respect and admiration. Patrick O'Brien brings the English navy to life in a way that evokes feelings of pride, sympathy, horror, elation and pure heart-pounding anticipation. The contrast of the main characters, Aubrey and Maturin, is amusing sometimes, often heart-warming. The galaxy of supporting characters is rich with personalities and details. The only character I really don't like is Diana, but she does lend another facet to Stephen's persona. All in all, I highly recommend this series, they are the best historical novels I have ever read.

After being deprived of his rank as post captain in "The reverse of the medal" Aubrey starts a new career as a "letter of marque" (private man-of-war) is started in this book. It's the characteristic seal of the series, it's a story of efforts and success, it enforces you to have read "The reverse", and to continue with "The thirteen -gun salute". If it will be your first book in the series it won't be the last. Save you don`t like this kinda book, then better don`t step through its board, and keep away of such a seizing.