History Books

This book is a deeply moving and informative story about what has been going on in Tibet ever since the Chinese invasion and crackdown. It's a critically important story for anyone interested in the truth, in the ongoing oppression of Tibetans and Tibetan Culture, and in world affairs in general. The story of this one monk is representative of events at large. Whether you're a Buddhist or not, this book is not to be missed.

There is also a documentary about Gyatso Palden, called Fired Under the Snow, and if you are lucky enough to see it , it is also highly recommdned. I met Palden Gyatso at a recent screening and was deeply touched. He is old now, but free, and has devoted the rest of his life to telling his story so we can KNOW what's going on.
It is heart-wrenching but inspiring at the same time. Read it and spread the word!

An American friend was profoundly moved by the suffering she saw in Tibet recently...as red china gears up for the Olympics.
Palden Gyatso's is an incredible story of suffering and faith.
Tibetans' face an ongoing now 60 year struggle to retain their heritage and to not be `disappeared' up by a communist regime.
When I was much younger I read a book `With God In Russia"..this is its buddist counterpart!
What struck me about the other reviews is that they don't mention we the free world ESPECIALLY THE USA is now on the hook to Red China!
AND IT CAN HAPPEN ELSEWHERE!
MAO KILLED 60 MILLION...OR SO THAT'S THE NUMBER I READ....the other accountas of the book don't take this into account..what happened in Russia/china/tibet/Vietnam/north korea can happen elsewhere.....and china grows richer and stronger year by year.

I recently met Palden Gyatso at a Dalai Lama teaching and bought a copy of his book there, mostly as a way to support him. Though I read all the time I rarely finish a book as I usually lose interest 2/3 of the way through and move on to something else. But this book was an exception - incredibly interesting and inspiring - I finished it very quickly.

This is a great book. I am an activist for Tibetan independence and knew much about the atrocities taking place in Tibet since 1949, but this book put a face to the facts. I highly recommend this book if you're interested in Tibet, Buddhism, or in learning about a remarkable man who went through horrible oppression and has emerged gracefully.

This book is a testimony to the endurance of the human spirit, able to overcome the most nefarious system perhaps the world has ever known. The fact that Palden Gyatso is able to relay his story to you and me is nothing short of a miracle after what he had to endure for years inside China's prison system undergoing "reformation." The stories of torture, starvation and freezing nights will stay with you forever and make you question how strong your own beliefs are and whether you could do what Palden Gyatso did. I do not wish to reveal too much, but will say that calling the story compelling is a vast understatement.

This book is as important now as ever. China has the 2008 Olympic games and yet these brutalities continue to occur. Not to mention the fact that China is now relocating Chinese into the Tibetan region, threatening forever one of the world's great cultures through dilution of the society and culture.

Buy this book and see both the horrors of mankind and also his greatness in what he can overcome. If you like this book, I would also recommend Ama Adhe's book from a woman's perspective in the same system. We often hear the word hero, but rarely is it so appropriate as it is in describing these amazing individuals.

John Conroy performed a courageous feat of journalism with this book. As an American writer he put himself in the midst of the conflict and in incredible danger at times to capture the true picture of Belfast in the 80's. The stories of the people he encountered and the tough environment he experienced and witnessed is indispensible reading for anyone who wants to understand what the conflict was all about at the street level.
While Belfast seems to be enjoying more peaceful times at the moment this book is a reminder of just how volatile a political climate there is and provides the reader with a much fuller understanding of the how , the why and major developments in the Troubles in Northern Ireland.

Not only do I admire John Conroy's writing, but I admire his courage to put himself right in the middle of 'the troubles' just to get the story right. It would one thing if Conroy was a Belfast resident and was just reporting on his day to day life, but he is not. He is an American who more or less stumbled upon this assignment and saw it through.

It struck me a few times in the book just how close Conroy was coming to being killed in a place where death is a way of life. He is to be commended for this and we owe a debt of gratitude for making this sacrifice just so we could get a look right from the belly of the beast.

I really enjoyed this book. I thought that Conroy did a great job putting the 'Troubles' in Belfast into perspective from an American living in the midst of it all. Having visted the area that he writes of brought back memories. I referred to his map at least 50 times during my reading of the book to recall the streets that I walked in relation to where he wrote the book and spent his time in Belfast. I highly recommend this book.

of what it is like to live, work and experience the turmoil of "The Troubles." Conroy covered the Troubles the right way...he went in and lived among the people in Belfast instead of swooping in for drive-by interviews like too many journalists have done in the past. He also manages to convey what he experienced while maintaining objectivity...this skill when dealing with terrorist and paramilitary violence is something writers covering the "War on Terror" these days could learn from. Required reading for anybody interested in Northern Ireland, its history and how to possibly make a better future in that wartorn nation...

This book was recommended to me as excellent reading about the Troubles, particularly for Americans. I whole-heartedly agree; it is all that and more. Conroy does describe the daily workings of life in Northern Ireland but he also tackles the prejudices and ignorance of Americans (and the U.S. government) when it comes to the political climate in Northern Ireland. He pulls no punches and sugar-coats no issues. He explicates the situation as he sees it and is not afraid to indict those who turn blind eyes. The version I read was older so I have not yet seen the updated book that includes information on semi-recent IRA ceasefires. But I do think many of Conroy's observations are still applicable, changes in administration notwithstanding. He describes the intolerant view towards Sinn Fein taken by the American government in the 80s and the biased, oversimplified treatment of the Troubles by the American media. Indeed as Conroy notes it has not been hard to sell the British point-of-view to American audiences but what of the counterpoint? When do proponents of the other side get a chance? Conroy also concludes that for as long as Northern Ireland remains a British enclave, continued violence is guaranteed. For that reason alone, Americans owe it to themselves to read _Belfast Diary_.

This book would be an invaluable asset to have handy to anyone who reads a lot.It is a large book ,1144 pages.It is the type of book that will be turned to frequently when you come across something in your reading that you would like to know a bit more about without going to a lot of trouble or checking a lot of sources. The book covers a lot more than literature and authors. It is an encyclopedia in every sense of the word.For instance ,if you have never heard of an author,or a book,that is mentioned somewhere ;there's a good chance that here you will find enough to serve your needs.However;if you do know the author and his works ,you will probably basically know what is in this book.
Although most of the reviewers are very "well read";don't assume this is not the book for the "ordinary reader".I consider myself in that second group;and I can vouch that it is very down to earth and jam packed full of information,usable for everybody,regardless of their background or knowledge.
I must also warn you that when you pick it up there is a great tendency to flip around it from one thing to another. It is no problem to spend an hour or more glancing through it. It is also the type of thing that can be left around for anyone to pick up,open at a page at random;and they will find something to interest them.
It's difficult to say what all's in the book;because it covers all types of things other than literature.
Just a few for instances;

Pg 321..we get all the rulers of England from 829-
present,including their time in office.
Pg.44..explanation of Gordian knot.
Pg.434.. background of the guillotine.
Pg.491..Huguenots
Pg.581..Last Supper
Pg.717-718..Napoleon I,II &III explained.
Artists are covered.I found it interesting that max Ernst is included but not M.C.Escher. We get definitions such as epigram,epilogue,epinicion and epiphany on Pg.325.A flip of pages to 1020, and we get a short explanation of the Thirty Year War,mixed in with authors and book titles.
What I've been trying to convey is the wide range of entries in the book and that it covers much more than literature and authors. It is a bit of a guess what you will find;but that is part of the enjoyment you will getfrom this book.You'll find "whore of Babylon" but not "The Butcher's Apron".The Pulitzer Prize winners are all listed.
I could go on forever;I'll quit now,as most readers have gotten my pointby now.I hope so,anyway.
If you buy this book,or buy it for someone who reads a lot;you'll never regret it.

I love my 4th edition and am glad I've kept my 2nd edition as now I have the best of both worlds. New info in 4th and the deleted info in the 2nd. The only thing I would do to improve the next edition is go back to the alphabet tabulations.

He drove an ambulance during World War 1, before becoming one of America's most famous novelists. Who wrote "Death of a Salesman"? Who wrote "Manhattan Transfer? Who created the character, Sherlock Holmes"? Holden Caulfield was the main character of what famous novel? Who wrote "Catch-22"? These are just some of the questions that "Benet's Reader's Encyclopedia" can answer. Bruce Murphy's book offers biographical notes on writers, synopsis of famous books, plays and poems, descriptions of characters and detailed explanation of literary terms and movements.

I have had my copy of Benet's Reader's Encyclopedia since its publication in 1987 and have found no better reference tool for writing research papers and for general literary inquiries. Although "Benet's Reader's Encyclopedia" is over-due for a major facelift, it continues to be a valuable tool - I keep my copy at arms reach along with my copy of "Oxford Companion to American Literature", by James D. Hart.

This is the kind of work which when first dipped into leads to the temptation to dip into it more and more . The sheer amount of information is so great, the entries so various in subject that endless delight is to be found in learning more and more. There are however as with most things, a few problems and limitations.
Take for instance the opening entry of the Encyclopedia, the entry on 'Aaron'. We truly learn important things about Moses' brother and mouthpiece. But for anyone who knows Biblical literature not to speak of its commentaries, the entry is a shortcut of shortcuts. And thus misleading. For it does not tell of Aaron's role as leader of the Temple ceremony worship, does not explain his connection with Moses in a deep way, nor even mention their sister Miriam, does not tell of the death of Aaron's son in offering up strange fire, does not tell anything about Aaron's role as ' man of peace beloved by the people'. One of the great farewell scenes of world- literature Aaron's climbing to the top of Har Ha-Hor is not mentioned.
I take this one example to indicate another simple truth. An encylopedia of this kind is always best on a subject one does not really know much about. Then anything we are told , adds to our knowledge if not necesarily our understanding.
In checking out a number of articles I did not find ' inaccuracy' here. In confronting other subjects I knew nothing about I did have a sense that I was getting reliable information.
This is again a good tool and source for attaining first knowledge of a subject.
However if one really wants to know and understand the meaning of a particular subject my recommendation would be to supplement this work with other sources of information.

I purchased this for myself my second year of college. Being an English major especially interested in the Modernists, it soon became the most used volume in my bookcase. A fantastic quick reference when crunched for time and excellent for understanding those oh-so-esoteric literary allusions. It's wonderful, with references for historical and artistic events and movements, novels, epics, authors, poets . . . a must for any lover and/or student of literature. This would make a fantastic gift, too!

Zainab Salbi's life seems idyllic, but even as a child she senses the tension felt by her wealthy parents as they entertain and are entertained by Saddam. Salbi's story shows two sides of Saddam: the cruel and abusive despot and the genial manipulator. In spite of the web Saddam spins around her family, Salbi experiences adolescent rebellion, ignorant of the danger her parents see threatening her, just as it threatened her mother and eventually ruins her parents' marriage. Salbi's story is a fascinating portrayal of a family living in luxury under tyranny and the dangers faced whether the choice is to endure or to escape.

There was not one moment during this book that I wasn't totally captivated. The author puts a human face on the struggle of those in Iraq who lived under Saddam Hussein. And throughout, you are constantly reminded that she was among the "fortunate" by comparison. I found it to be an excellent education in the history of the country and the evolution of it in recent decades as well. I read this book on a recent camping trip in New England when I should have been mesmerized by my surroundings. Instead, I found I could not put this book down.

Short and sweet.. This is an awesome book. You see so many sides of Suddam. His dark side certainly made him a candidate for his execution!

it took a while to get here, but it was in good condition when it did.

Wow! This book knocked me out. I could NOT put it down. It really helped me understand some of the conflict within Iraq, but more importantly, the author and tone of this book is just very human, real, and accessible. As a youngster, and for all of her formative years, Saddam Hussein is in the background as a family "friend". Though her parents resisted his friendship, they found it more and more dangerous not to be his friend. It's like living with the devil! However, the author eventually gets out of Iraq and away from Saddam Hussien, due to an arranged marriage. I won't say how that goes as I don't want to ruin the ending.

I do feel that this is one of the absolute BEST memoires I ever read and it was written with a lof of grace and humility. For me, it was an important book, and I highly recommend you read it. I think it will become a classic memoire.

This is a view of the Iraqi people and of the war without the hype and politics. How it impacted the people who lived there, who had no part in any aggression against the US, the parts that our national news doesn't talk about or show us. It is well written and paints us a picture of Iraqi lives in a war zone. Dahr deserves our thanks.

It was refreshing to read some non-mainstream news reports from Iraq. I wanted to see more contact with our troops and their comments and I was disappointed that his reporting wasn't more recent but suffice it to say, Jamail did a great job reporting what he saw. The risks he took to get some of his stories left me a little shaky. I'd certainly read some more of his writing.

"Lying in bed near Rana was Hanna, fourteen years old. She had a gash on her right leg from the bullet of a U.S. soldier. Her family had been traveling in a taxi in Baghdad past a U.S. patrol that very morning, when a soldier opened fire on the car. Her father's shirt was spotted with blood from a head injury from when the taxi crashed." (page 236)

This is Jamail's eye-witness account from an Iraqi hospital and an example of the really good journalism that puts the reader inside the Iraqi experience. Understanding what civilians are subjected to under the occupation helps explain why the resistance against the U.S. is so popular. This book's relentless exposure of war crimes is a scathing contrast to the establishment media. Jamail should be on national network shows to share the truth with America about what we sent our troops into harm's way to do to another people.

This is a "slice of life" report on the reality of what is really happening in Iraq. It is nice to read a report that doesn't depend on the control by the neocons that is part of an embedded journalist's story. He was the first author to bring to me the news (since confirmed by Congressional hearings) that the Iraq "parliament has for over two year voted against our occupation of their sovereign country, wants us to set a date to leave, would help us to leave, believes that we are causing the problem, and refuses to give our country their oil. Se Congessional hearings on U N mandate for occupation of Iraq. M L G

I am placing an order for this book once I am done writing this 'review'...so, no I have not yet read it...but I have been reading Dahr's reports for the last 3+ years - you can subscribe to his dispatches at his website - and have found his work to be a hugely grounding element in my thoughts and feelings of the US invasion and occupation of Iraq.
I had the pleasure of meeting Dahr in NYC in 2005 at one of his presentations on his trips to the country. I asked him how he ever came to the incredibly corageous decision to go to Iraq and he told me that he felt that if he *didn't* go, didn't do something, his head was going to explode. To be so motivated to actually put himself in a war zone is the kind of sincerity and passion that is sorely needed in the journalism of our time.
Dahr Jamail is one of my heroes.

Michael Greger's "Bird Flu: A Virus of Our Own Hatching" is more terrifying than anything a horror writer could imagine, since it depicts a real-life doomsday scenario that seems poised to occur very soon; indeed, the new H5N1 strain of influenza, known as "bird flu," has mutated into a form that can be transmitted by human contact, though not yet on a massive scale, meaning a mass outbreak is more a question of when, not if.

Whereas humans generally contract the disease by ingesting contaminated birds, or being in frequent contact with them, bird flu could blanket the globe when the virus has learned to jump easily from human to human. The author writes: "One day soon, experts fear, with more and more people becoming infected, the virus will finally figure out the combination -- the right combination of mutations to spread not just in one elevator or building, but every building, everywhere, around the globe. One superflu virus. It's happened before, and experts predict it many soon happen again."

Dr. Greger sets the stage for what could come by giving readers a grisly account of a previous avian influenza outbreak: the 1918 flu pandemic, in which 50 to 100 million humans perished. These were gruesome deaths, with blood oozing from eye sockets as the victim's lungs liquefied. Fatalities were so abundant that officials were unable to keep up with burying the corpses. It seems this was merely a sample of what's in store for humanity. "As devastating as the 1918 pandemic was," Dr. Greger writes, "on average the mortality rate was less than 5%. The H5N1 strain of bird flu virus now spreading like a plague across the world currently kills about 50% of its known human victims, on par with some strains of Ebola, making it potentially ten times as deadly as the worst plague in human history." One reason, he explains, is the 1918 virus attacked only the lungs, whereas H5N1 shuts down all the internal organs.

"Bird Flu" eloquently contextualizes the subject, giving us a greater understanding of the virus' origins and our critical role in it. The director of Public Health and Animal Agriculture at the Humane Society of the United States, Dr. Greger examines bird flu from every angle, creating a meticulously researched work that traces how agricultural, scientific, environmental, political and economic forces have conspired to transform a virus that once threatened only waterfowl into a "highly pathogenic avian influenza" destined to lay waste to large segments of human population.

Among the stops on the author's bird flu reality tour is President George W. Bush's decision in April of 2006 to lift the ban on poultry products from China -- a country well known for its recent outbreaks of avian influenza -- possibly in return for China's agreement to drop its mad cow disease-related ban on U.S. beef imports. (One disease for another, perhaps? No trade deficit there.) Other troubling highlights include the world's inadequate hospital capacity and the inability to create a vaccine, or enough of it, to combat a virus that kills half its victims. In other words, we are as ill-prepared for avian flu today as we were in 1918. And, as Dr. Greger notes, not only is H5N1 worse than what our grandparents faced, but 21st-century transportation means a virus can travel around the planet in 24 hours, not a year.

The book is also a sobering lesson in how many of our human ailments, from the common cold to AIDS, have come from our oppression of animals, especially the practice of breeding and raising them for food. (Dr. Greger notes that human influenza began with the domestication of ducks 4,500 years ago.) Yet authorities refuse to confront the obvious cause of this "virus of our own hatching," preferring instead to devote their resources to containing the outbreak by culling chickens and turkeys and extolling the virtues of well-cooked meat.

Even without the looming pandemic, "Bird Flu" reminds us that eating animal flesh can be deadly. Dr. Greger writes: "For the same reason that people don't get Dutch Elm Disease or ever seem to come down with a really bad case of aphids, food products of animal origin are the source of most cases of food poisoning, with chicken the most common culprit." He notes that although the USDA asserts that proper cooking methods kill all viruses, including bird flu, 76 million Americans still suffer food poisoning every year and an estimated 5,000 die from food-borne illness. The average American kitchen, it seems, has become a biohazard, with pathogenic bacteria found on food-preparation surfaces, sinks and utensils. Dr. Greger quotes flu expert Albert Osterhaus, who concluded that "the gastrointestinal tract of humans is a portal of entry for H5N1."

Although pandemics seem inevitable, Dr. Greger's landmark book suggests an obvious (some might say radical) solution: the elimination of intensive poultry production. Perhaps this is more wishful thinking, given the world's ever-growing appetite for cheap animal protein, but others in the scientific community are also supporting this recommendation, so we may at least see improvements in the way agribusiness operates. "Bird Flu: A Virus of Our Own Hatching" could herald dramatic changes in farming practices, finally driving decision-makers to critically examine not only how this virus came to be, but how we can curtail it and future diseases lurking within animal factories around the globe.

Mark Hawthorne, author of Striking at the Roots: A Practical Guide to Animal Activism

I didn't want to read this book. Maybe you don't either. But you must. And when you do, you'll find that the author has made it easy, and even entertaining, for you to learn everything you never wanted to know about bird flu.

Michael Greger writes in an engaging and accessible style that will keep you turning pages as he guides you through the history of zoonotic (animal-based) diseases and explains how contemporary factory farming and meat-packing practices not only make the emergence of new diseases more likely but also place consumers at risk of food poisoning by everyday microorganisms like E. Coli and Salmonella. Despite his somber subject matter, Greger is upbeat, giving us the bad news in a way that energizes us to do something about it.

It can happen here. It has happened here. The 1918 influenza pandemic that killed more Americans than World War II was a bird flu. The next pandemic will be too. We all need to know what we might be able to do to prevent or mitigate that pandemic. You need to what to do to protect yourself and your loved ones when the pandemic comes. Read this book now and make sure that the public policy makers who are supposed to be looking out for you read it too.

Watching a pandemic unfold and take shape before your eyes is like watching paint dry. It is an agonizing process, slow and painful. But at the end, the product is there for all to see.

This is the book to read while watching the paint dry. Like Mike Davis' excellent "The Monster at Our Door," Dr. Greger has done a lot of the heavy lifting for you. He has read countless books, scientific papers, newspaper and magazine articles along with medical/scientific journals and produced the definitive work on avian influenza for the lay reader, decision-maker and concerned citizen.

Along the way, Dr. Greger also shows us the principal underlying cause of the spread of H5N1 (factory farming of chickens and other poultry) and supports his theories with mountains of data, opinion and observation -- much of it directly from the commercial poultry industry he takes to task for putting the world in the shape it is in, bird flu-wise.

Certain passages contain the most relevatory things about food production I have read since Upton Sinclair. It would not take much more to turn me into a vegetarian! I now seek free-range chickens to consume.

Speaking of consume: Once you have read (in order) The Great Influenza (Barry), The Monster at Our Door (Davis) and Bird Flu: A Virus of Our Own hatching (Greger), you are ready to dive into the scientific literature yourself. Have a go at all three of these excellent books.

It is amazing how much is hidden from the public eye. This author does a great job of explaining how the avian flu is VERY probable. You will never want to eat chicken or eggs again after reading this one and learning about overcrowding, filth, and treatment of chickens and how the avian flu is mutating because of the conditions that we (humans) create. I highly recommend this book.

BIRD FLU: A VIRUS OF OUR OWN HATCHING opens not with H5N1, the modern day "bird flu virus" which has the potential to mutate into the deadliest pandemic that the world has ever seen, but with H1N1, the influenza virus responsible for the 1918 flu pandemic. In just two short years, an estimated 50 to 100 million people perished as World War I raged on.

As described by author Michael Greger, MD, in chilling detail:

"What started for millions around the globe as muscle aches and a fever ended days later with many victims bleeding from their nostrils, ears, and eye sockets. Some bled inside their eyes; some bled around them. They vomited blood and coughed it up. Purple blood blisters appeared on their skin. [...] [The Chief of the Medical Services, Major Walter V. Brem] wrote that `often blood was seen to gush from a patient's nose and mouth.' In some cases, blood reportedly spurted with such force as to squirt several feet. `When pneumonia appeared,' Major Brem recounted, `the patients often spat quantities of almost pure blood.' They were bleeding into their lungs."

Yet, H1N1 had a "low" (relatively speaking) mortality rate of 2.5% to 5%. Compare that to H5N1, which thus far has killed 55% of those infected - and one must wonder why the possibility of bird flu pandemic is confined to occasional media reports that are quickly dwarfed by the latest Hollywood gossip. Is bird flu-inspired panic just another example of media sensationalism?

Not so, argues Greger. From 1918 he transitions seamlessly to the research laboratories of today. Greger, who is Director of Public Health and Animal Agriculture at The Humane Society of the United States and "an internationally recognized lecturer on public health issues", launches into Viral Biology 101, explaining in layman's terms how a virus reproduces, spreads, mutates, and interacts with its host. Though he's dealing with (arguably) dry subject matter, Greger manages to keep the discussion engaging via the liberal use of colorful analogies and sharp, witty prose. This isn't your high school bio textbook.

Once a basic understanding of viruses has been established, Dr. Greger addresses modern animal agriculture, specifically, how it's especially conducive to the transmission and evolution of avian influenza. Animals, particularly "broiler" (meat) and "laying" (egg) hens, are packed into windowless sheds by the thousands; by the time they're fully grown just 45 days later (in the case of broiler hens), they don't even have enough space to spread their wings or turn around. Chickens are selectively bred for fast growth or maximum egg production - much to the detriment of their immune systems. Rather than improve the birds' ability to stave off disease (which would come at the expense of their "energy efficiency"), large-scale corporate "factory farmers" opt to pump their livestock full of antibiotics, thus contributing to bacterial resistance in humans. Add to this mix the fact that chickens literally spend their short lives wallowing in their own feces (and sometimes even that of previously butchered flocks), and you've got the perfect environment for a virus such as H5N1 to thrive.

And thrive it has. The billions of chickens, turkeys, and pigs raised and slaughtered for food annually act like "petri dishes" in which avian influence can mingle, swapping genetic material in order to mutate, gradually evolving into a strain more lethal and infectious to humans. Their compromised immune systems and unsanitary and stressful living conditions only facilitate this process. Despite numerous attempts at eradicating the virus - for example, by wiping out entire flocks of chickens, to the tune of millions of birds at a time - H5N1 (along with additional viral strains) can still be found on many farms, throughout the world.

While some critics - particularly those in the animal agriculture industry - dismiss this as scare mongering, Greger argues his points convincingly, and offers a wealth of evidence to support his claims. Indeed, his "Reference" section spans an impressive 90 pages! Throughout the text, he quotes a myriad of experts in the field, including Robert Webster, Kennedy F. Shortridge, and Michael Osterholm, as well as health professionals from the USDA, CDC, FAO, and WHO. Even "food scientists" admit - in the comfort and familiarity of their own trade journals, mind you - that the industry is flirting with disaster. The general - nay, unanimous - consensus seems to be "when, not if."

A pandemic is inevitable, that is, unless we swiftly and dramatically move away from factory farming methods towards less intense animal agriculture methods, such as free range farming. Additionally, this must be preceded by a temporary global moratorium on meat and egg production, in order to eradicate the bird flu virus(es) already present in farm animals worldwide. None of which is bloody likely to happen.

Thus, Greger urges readers to take precautions before a pandemic hits. He recommends obtaining and filling a prescription for Tamiflu (the more effective of two antivirals used to treat avian influenza), as well as stocking up on necessary groceries and such - TODAY. Greger also advises readers on how to purify water with bleach, and concoct cheap, homemade hand sanitizer. Oh, and do make sure you have plenty of liquor, cigarettes and ammo on hand, just in case the world reverts to the barter system! Though Greger reiterates and even elaborates upon government-issued pandemic guidelines in this last section, I didn't exactly walk away with a sense of empowerment. The rest of BIRD FLU was so horrifying that stocking up on canned veggies and medical masks won't do much to ease my troubled mind.

Whether you're a vegan, a carnivore, an average Jane, a state Senator, an animal welfarist, or a hunter, BIRD FLU is one book you can't afford to ignore. For too long, we've been playing chicken with our food supply - and nature may soon see fit to reward our taste for cheap meat with a global pandemic.

Blue Monday is an interesting but not a compelling read. We never get inside Fat's head to understand the man, so we get an expanded discography. The dates, times and places seem to be well researched which begins to wear after a while. The matter of fact style just does not bring Fat's personal life into focus, although there are many descriptions of incedents about him. He remains a mystery in reference to his personal motivation, dual life style, and reclusive habits.
Russ H.

I guess if Antoine "Fats" Domino could keep the President and First Lady waiting, then he could keep us waiting for his first biography - this is a Natural Born book about a musical genius, intriquing personality, and unassuming cultural revolutionary.
The author tells his story and includes many entertaining anecdotes about life at home and on the road with several sets of support players - the greatest names of course being Dave Bartholomew, Herb Hardesty, and Lee Allen. We get a strong picture of the smiling, "safe" rock and roller, as the often defiant man's-man. And a complex artist/showman: he could sing The Rooster Song while flashing rings to make Freddie Blassie envious.
A great bunch of previously unpublished black and white photographs from Look magazine, among other handsome prints of lesser known shots really bolster the text.
A serious ommission for the audiophiles: not even a selected discography and no sessionography. [Though there are "Notes" in the back of the book on the mysterious Broadmoor recordings, including personnale and dates!]. Of course the '50s period sessions can be found as a booklet in the Bear Family 8-CD set, and in a European book, "Jazz Records"; also in a fairly recent issue of Goldmine magazine. But Fats Domino ABC-Paramount, Mercury, Broadmoor and Reprise FD session data has never, to my knowledge, appeared in print, and what a fabulous component that would have made.
Speaking of the ABC-Paramount tracks, the author did not mention in the text a very important 4-CD set, "The Paramount Years", which included the *incredibly* rare fourth l.p. for that label, plus the 1980 "If I Get Rich" from another record company!
The idea that "The Fat Man" is the first R & R record also doesn't agree with me. Yes, the elements are there, the upbeat shuffle and bright lead vocal, but that powerful sound (and many others by Fats in that '49 to '54 period) were not *primarily* for the youth. The first discs to be produced for teenage tastes came much later. I wouldn't even include "Tutti Frutti" in that category, as it too, lyrically and instrumentally echoed an earlier, "swingin'" sound. [It was "Ready Teddy" folks which screamed out...Rock and Roll!!!].
Still, this book should be "required reading" for those dedicated followers of those Rock and Roll Hall of Famers.

Boy ol Boy, Rick Coleman has written a great book on the TRUE story of Rock & Roll! I know as I was there and if you want to know what it was really like to be on the scene when true rock & roll was called race music on a juke box, Boogie Woogie and the down home blues was taking over the country then get this book and turn others on to it also. No one person was more responsible for the birth of R&R and R&B than the Fat Man! This was long before Elvis, Haley and the hand full of others came on the bandwagon. [...]

Rick Coleman's new book "Blue Monday" is the first full biography of Fats Domino. Many interesting things are therein.
- Fats was the first black rock & roll star. His records made the pop charts before r&r's dawn in 1955.
- Kids did not buy albums in the 50s, but Fats' albums sold, meaning he had an adult following like Louis Armstrong's.
- Fats concerts were often scenes of teenage riots. He may be known for `Blueberry Hill,' but his fierce rolling piano ignited his audience.
- "Blueberry Hill" was the product of a botched session. Engineer Bunny Robyn edited together the best parts of several incomplete takes and simply repeated the chorus.
- The string-laden "Walkin' To New Orleans" was a big breakthrough which traditionalists lamented. But it hit R&B (#2) even higher than pop (#6).
- Roy Brown once ditched a plan to have Fats open for him on tour. Fats never forgot it, and refused to have Brown open shows for him when the tables were turned.

Of the Big Five (EP, FD, CB, JLL, LR), Fats is the least lionized because he was not a "rebel." Historians normally embrace only people with bold lifestyles.

From his first record in 1949 until his harrowing escape from Hurricane Katrina in 2005, Antoine "Fats" Domino has defined New Orleans and its culture. This book puts Fats, his city, and his music into perspective in amazing detail. In the process, Rick Coleman convincingly demonstrates that Fats and his collaborators--especially songwriter/arranger Dave Bartholomew and producer Cosimo Matassa--have as solid a claim as Elvis, Carl, and Jerry Lee with Sam Phillips in Memphis or Wolf, Muddy, and Chuck with the Chess brothers in Chicago as the prime architects of rock 'n' roll. The product of more than 20 years of exhaustive research, this is, surprisingly, the first biography of one of the greatest early rock stars. Coleman had his work cut out for him; Fats is notoriously reclusive. Nevertheless, you come away from this book admiring Fats's talent and drive, and Coleman's exhaustive research and evocative writing. All the other great Louisiana rockers are here--the bayou wild men, backwoods musical savants, and forgotten honkers, shouters, string-benders, and drum-thumpers who helped create the Crescent City sound. I highly recommend this to anyone who wants to understand the real, complete history of rock 'n' roll instead of the revisionist pap that passes for such. -Mark Hoffman, co-author of "Moanin' at Midnight: The Life and Times of Howlin' Wolf"

I thought this book is very good for beginners who are interested in roman army and equipment. it is nicely divided into 4 parts, and the terminology is clearly explained with photos or illustrations. There are also small surprises where specific campaigns are discussed in a 2 page summary. i will definitely recommend this book for beginners

Anyone interested in Roman History should include this in their library.
Excellent detailed pictures and written history.

The author is an expert in Roman military matters with several previous works to his credit, and even though he's an academic, his style is exceptionally readable without being oversimplified or talking down to the reader. He begins with the origins of the citizen army under the early Republic, made up of soldiers who volunteered as a matter of patriotism. This worked fine for several centuries, when Rome's sphere of influence was still relatively small and campaigns were limited in time. As conquests expanded, though, and continuous occupation became necessary, a full-time professional army became necessary, made up of career soldiers receiving pay. The ethnic make-up of the army also shifted, with a large percentage of non-Italians being accepted -- though they were still citizens, as the law required -- and with a much greater proportion of non-citizen auxiliaries added to the TO. Other sections of the book cover the many aspects of a soldier's life, both on garrison duty (which might be most of the time) and at war. Great attention is given to weapons and equipment, and the author is careful to note the many competing theories based on scarce evidence. The nearly 250 illustrations even include photos of modern reenactors, whose experiments and field trials have answered many scholarly questions. A lovely book, well written and edited, and very useful as a bridge between casual interest and academic study.

Because I am writing a novel about the Roman Army I was looking for a source that brings my research together. Having read several of Goldworthy's works I knew this book would be well researched and very readable. I was not disappointed. The graphics are great, drawings, paintings, maps, diagrams and photos really bring support the text and answer a lot of questions that even a professional researcher may have.

The complete Roman Army is just that. Although it will not stand alone, it is the one work I have in my library that answers the lions share of my questions. Since buying my first copy nearly two years ago, I have begun sending it as a gift item to other enthusiasts, even one to my editor. This book is a good investment.

If you are going to buy one book on the Roman Army - this should be that book!

Historian Adrian Goldsworthy write authoratively and in great detail on every aspect of the Roman Army, including the Republican Army, the Professional Army, the life of the Roman soldier, the Roman Army at war, and the Army of late Antiquity.

This book, which is a great read and is lavishly illustrated with maps, photographs, timelines and charts, provides unparalleled insight into the armies of the Caesar's as well as all aspects of warfare through the late 3rd Century.

"Francis A. Schaeffer, 1912-1984, will long be remembered as one of the intellectual and spiritual giants of this century.
His books have been translated into more than twenty-five languages with more than 3 million copies in print.

The work of L'Abri Fellowship, founded by Dr. and Mrs. Schaeffer in 1955, is a living tribute, with branches in Switzerland, Holland, Sweden, and the U.S.

In a time of moral breakdown and brutal inhumanity, the works of Francis A. Schaeffer speak boldly in defense of the Bible as God's absolute truth and the sacred value of every human life."

"The books of Dr. Francis A. Schaeffer have marked a watershed in Christian thinking and have deeply affected a generation of readers.
Now, in this complete and FINAL EDITION OF DR. SCHAEFFER'S WORKS, all twenty-two of his books are included.

This five-volume set is the definitive edition of Dr. Schaeffer's books, each of which he updated and revised two years before his death.
A comprehensive index is included for easy access to the entire set.
Similarly, the set has been arranged so as to best follow Dr. Schaeffer's thought.

The Complete Works of Francis A. Schaeffer is an invaluable resource for students, ministers, for all who have read some of Dr. Schaeffer's books and want to know more---about the Christian faith, about the critical needs of the world today, about "the God who is there."
[from the books of the back cover]

Thank you all for your reviews. You have already said just about everything I would have said far more elegantly than I could have. About the only thing that I would add is that were it not for this man (his "How Should We Then Live" film series to be precise) I would not be a Christian today.

Dr. Schaeffer was the first man in my life who said (without words), "It's OK to be a devout Christian without getting lobotomized."

Prior to Schaeffer I backslid twice. After Schaeffer I have been steadfast and stable primarily because I developed a fully formed Christian World View and Reformed Theology. (30+ years and still going strong)

Then I discovered Edith Schaeffer and the "softer" side of my Christian faith began to bloom.

I owe a tremendous debt to Dr. and Mrs. Schaefer and can't recommend this particular imprint highly enough. If I could give it more than 5-Stars I would!

Here a list of Edith's work that will help you develop the "softer" of your Christian faith:

The Tapestry: The Life and Times of Francis and Edith Schaeffer

L'Abri

Christianity Is Jewish

Forever music

A Celebration of Marriage: Hopes and Realities

Art of Life

Common Sense Christian Living

The Life of Prayer

10 Things Parents Must Teach Their Children (And Learn for Themselves)

Affliction

P.S.
Personal note: My faith has even survived the onslaught of the Schaeffer's obnoxious, abrasive, loud-mouthed, narcissistic son! I thank God that Dr. and Mrs. Schaeffer also taught me how to put my faith in God not men. However, Franky's sad outcome is a constant reminder to me that ministry to the world must never, never, never supersede ministry to my family (which seems to be the take away lesson of Franky's book "Crazy for God" - as in, "Don't let your kids end up like Franky Schaeffer!")

I first encountered the books of Schaeffer in the mid 70s when I was a new Christian at the University of the Philippines. My cell group leader would often quote him. What I like about him then was he was able to explain the Christian faith in a rational and philosophical manner.

Reading again his "The God who is There" thirty years after brought these fond memories of him. I am privileged to renew my acquiantance with this intellectual giant.

A good friend who knew that I just bought Schaeffer's five volumes commented to me -- "Don't forget your wife and kids". Yes I intend to read the rest of the remaining 21 titles in the collection. This is my way of paying tribute to this great man. Mabuhay ka!

Francis Schaeffer pinpoints the problems of humanism and how they affect the 20th century. He give insights to the Christian to help him understand history and art and philosophy from a Biblical point of view. Schaeffer discerns the meaning and lack of meaning in the humanities for the bewildered secularized Christian.

Having recently reread many of the works of Francis Schaeffer, it seems right to list several lessons he can teach Bible-believing Christians (and others) today. Schaeffer was a prophetic generalist, pastor, apologist, and primarily an evangelist. That latter is how he typically explained himself.

1. Schaeffer had a passion for God and truth. This came out of his intellectual conversion as a teenager, after he read both classical Greek literature and the Bible, as well as from his intellectual crisis that hit him after over a decade of ministry. Having not see the reality of Christian love and the work of the Spirit, he questioned everything for several months, yet returned stronger, spiritually and mentally to the task.

2. Schaeffer cared deeply about the lostness of modern people. NonChristians were not "objects" for this man of God, but image-bearers of God who were hopeless apart from the gospel of Jesus Christ. When Schaeffer exegeted culture, he did so with an angle on how so much of culture reveals a lack of hope and meaning. In his apologetic conversations, Schaeffer would not cognitively spare with opponents, but try to lead souls to truth through love and reason--and not without tears, as he often said.

3. Schaeffer was an unapologetic generalist for the cause of Christ. He studied the areas he thought pertinent to ministry and the calling of the church in his day. While some wrongly took his judgments as the last word, they were almost always a vital first word and call to further study and prophetic engagement with the world under Christ.

4. Schaeffer was not a self-promoter, but sought God for life and ministry. The L'Abri ministry of apologetics, evangelism, and study in the Swiss Alps developed as Francis and Edit responded to the needs of questioning students. Later in his ministry, Schaeffer was sometimes promoted too heavily. This may have been the fault of his son, Franky, who produced the film series, "How Shall We Then Live?" and "Whatever Happened to the Human Race?" (Franky is a sad story. He went on to leave Protestantism for Orthodoxy and to write series of not-so-thinly disguised autobiographical/fictional works criticizing his parents and their religion.) Schaeffer never even planned to write books, but wrote when his lectures and discussion were so well received that books were requested.

5. Schaeffer loved the arts, could recognize aesthetic goodness even in nonChristian (or anti-Christian) art, and gave Christian artists permission and vision for artistic endeavor. On all of this see Art and the Bible, recently republished with a foreword by musician and author Michael Caird. He often spoke of bringing "beauty" into the Christian life.

6. Schaeffer had a deep knowledge of and love for Scripture. The Bible was a living reality for his man. He said in The God Who is There that we must be studying the Scriptures daily in order to present the truth to unbelievers. He himself read at least three chapters from the OT and one from the NT each day. His writings exude biblical truth and wisdom. Let us do likewise (Acts 17:11).

7. Schaeffer was "a man of the Reformation," who, nevertheless, was not doctrinaire or haughty about his Calvinism. Schaeffer realized that the Reformation was necessary and that we must remain "a reformed church always reforming." The Reformers, while hardly perfect, brought the Scripture back to its rightful centrality and also opened up social and cultural wonders for the West, as Schaeffer pointed out in How Shall We Then Live? and A Christian Manifesto. While Schaeffer believed in and taught The Westminster Standards, his appeal radiated far wider than Reformed and Presbyterian circles.

In a time when some, such as emergent author Brian McLaren, are calling us to be "post-Protestant," this means needs to be heard and headed. The Five Solas of the Reformation are not optional for Christianity, but are its life blood. Nevertheless, those who hold to the Five Points of Calvinism (the TULIP), as I do, should do so with conviction, but also humility. Five Pointers can and should work with Christians of other persuasions so long as the essential gospel is not compromised.

Therefore, let read and reread Francis Schaeffer. I suggest you purchase The Collected Works and work your way through them--for the glory of God, for the good of his church, and for the furtherance of the Kingdom. If you think you have "no time" to read, then make time. Eliminate distractions and immerse yourself in these books.

Just pop in some FrontLine Assembly, VNV Nation, Funker Vogt, and Apoptygma Berserk mp3s, and browse through this amazing collection of sci fi/fantasy artwork from the master known simply as Brom. Large, crisp, full-color photos of his amazing paintings grace this informative book. See sketches for some of his paintings in the margins, and view his talented early sketches from age 5, 11, and 20 years of age.

Brom is the most amazing artist in the Fantasy genre. This book is a great buy if you love Fantasy art and you want to see a true master. Forget Frazetta, forget Vallejo, Brom is the one. This book portrays Brom's art to it's fullest. Beautiful, full color prints adorn every page, showing off Brom's masterful talent and attention to detail. Don't miss out on this one or it's sequal 'Offerings'.

If you like to draw, like great art works, sci-fi, well fantasy art this book is for you. Brom his a great artist, very talented, his art book got lot of nice to weird art works. It had been a while since I search for a great fantasy art book and this one is the best I saw so far!

I saw this book in a store yesterday. The title, Darkwërks was what first caught my eye. So I picked it up, looked at the covers, back and front, and began to flip through the first pages. I was amused very much by the art created by Brom in his earlier years. For instance, when he was age 6, he drew quite a bloody scene; a body riddled with knives and sharp objects. So, I started to look through the pages. Immediately, I was captivated by his morbidity and uniqueness. The graphic beauty of each picture shot into my eyes and made my heart quicken. I had only planned to glance through the book, but within seconds I had become a slave to each work of art.

While definitely not for the....."Normal" person, anyone who loves the morbid and macabre will love this book with all their heart and soul. Beautiful, beautiful blood and violence. Femme nikita, freaks of nature, tortured souls and Dark Angels fill the pages of this magnificent masterpiece. BUY IT NOW!!! Hah...

Brom is a fantasy artist who is best known for his work on his work Dark Sun, Deadlands, collectable card games, and book covers. He stands out from Boris & Julie as well as Frank Franzetta partially for the sole reason that most of (though not all) of his portraits contain people who wear clothing, albeit usually something fetish inspired, leather and latex. He has a very distinct style, painting very beautiful moon-skinned redheads and tan wild-elven creatures, which stand along detailed landscapes that insipre the imagination. Some of his work is disturbing (though not quite as disturbing as H.R. Geiger), and mostly very dark (what would you expect from a man who listens to Nick Cave while he paints?) but all of his work is remarkably well composed and masterfully detailed.
Brom has a larger influence than many people realize, for example the evil albino in the recently released movie Time Machine could very well have come directy from the pages of Darkwerks. To get an idea of how popular Brom has become, just type in his name in any search engine (Google works best). Darkwerks is a very good collection of his art, containing very little text and allowing all of the pages to be showcased in full-sized, full-colored glory.