History Books

Before I picked up this book, I had no idea what a detailed and interesting history lay behind the explorations of the Arctic region. This is a truly fascinating book about man's determined quest to explore one of the last unexplored regions of the world.

This is a story of the search for the Northwest Passage, that elusive waterway that would let ships sail over the north of what is now Canada, instead of having to sail around the tip of South America. Even after the British had determined that the icy arctic conditions and the maze of islands made the Northwest Passage worthless as a commercial shipping route, they were still determined to find it anyway. Ship after ship headed to the Arctic to find the passage, sometimes spending two or three winters trapped in the ice, with only a few warm summer months each year in which to explore before the winter ice returned. Many men died, mostly because of the remarkable inability of the British Navy to learn from its mistakes, or more importantly, to learn from the natives, who had lived in the Arctic for thousands of years. The British sailors wore wool instead of fur and sealskin, refused to hunt (they didn't even know how), suffered from scurvy from their impractical diets, and hauled extremely heavy sledges over the ice with man power instead of dogs. Not only did the British fail to learn from the natives, but the natives also got less than their fair share of credit at the time for helping avert death and starvation for hundreds of expeditions over the years.

This is also a story of the quest to reach the North Pole. Early explorers held the belief that the top of the world was an open polar sea, and tried to sail all the way to the pole. Once that theory was abandoned, explorers tried other ways of getting there. One allowed his specially-designed boat to become trapped in the polar ice and then played a waiting game as the boat drifted with the ice. Another tried to float to the pole in a balloon. Many tried and failed to walk to the pole over the hundreds of miles of ice. And even when two explorers claimed to have seperately reached the pole in this fashion, their claims were dubious.

While this book is long and a bit heavy at times, it is worth it to stick with it. Pierre Berton has done his research, and he is an excellent writer. I look forward to reading more of his books.

Very rarely the reader is so moved by a book that he simply starts thinking about it around the clock. It is such a powerful book. For two weeks I couldn't think about anything else than Arctic and those people confined by and in the ice for often several years.

It is the book you will never forget. It is so powerful narrative.

Reader get accustomed with names like Lancaster Sound, Admiralty Inlet, Gulf of Boothia, King William Island etc. Reader feels urge to see those strange locations on a map.

I bought and read this book just out of curiosity about arctic exploration and the men behind the quests...I was very much awed at this spellbinding tale of adventure,loneliness,deprivation,life,death and above all the courage and determination of the individuals involved in the Artic explorations....I had no idea at all what to expect and after the first chapter was hooked till the very end...I recommend this book to anyone interested in history,explorers,'firsts'...I gave it 5 stars on everything...I wish there were more photos but the drawings were good and the maps explained a lot....READ IT !!!

I was already a great fan of Pierre Berton, as well as being very interested in arctic exploration and history, so it was a natural that I picked this book up. I wasn't disappointed. This may be the best book that Berton has written. For certain, the material is irresistable. There were sections where it sounded as though Berton lost his temper at the imbecilic and entrenched attitudes of some of the explorers. This book is often a testament to man's unwillingness to adapt, and the down the nose view of Europeans of the exploration era to other cultures. Only this time, it was the Europeans that paid the price for their snobbery.

This excellent book, first published in 1988, stands as a fitting memorial to the prolific and accomplished writer Pierre Berton, who passed away at age 84 as recently as November 31, 2004. It details the events and personalities of Arctic exploration over nearly a century, beginning in 1818 with the first British naval expedition of John Ross and Edward Parry, and the related disastrous first naval land expedition led by the oddly ineffectual John Franklin. It concludes with the strange twentieth century tales of Robert Peary and Frederick Cook, both of whom claimed to have reached the North Pole, though neither could prove actually to have done so (nor had they). Along the way we meet a host of players, including the indomitable Lady Jane Franklin, Admiralty puppeteer John Barrow, the underestimated arctic masters Edward Penny and John Rae; Robert McClure, M'Clintock, Charles Francis Hall, Sabine, Nares, Greely, Elisha Kent Kane, Nansen, Amundsen, a number of memorable Inuit personalities and a host of others.

The great strength of this account is the repeated demonstration that the outcome of almost every event in the drama depended ultimately on the characters and personalities of the major players, their strengths, weaknesses, flaws and ambitions, and their capacities to learn from the experiences of their predecessors and their Inuit contacts. This gives a Shakespearian, if not biblical, dimension to the history, which is ably exploited by Berton. The book is as much about explorers as exploration.

Berton's well-detailed sources include the numerous accounts of the explorers themselves, their biographers and ghost writers, and much archival material - letters, original field notes, official reports etc, all woven together in a skilful and compelling synopsis. The book can be heartily recommended!

A few matters are missed among the vast number of items covered, for example James Cook in HMS Discovery, shortly before his death in Hawaii, reached Barrow Point, Alaska, from Bering Strait in 1780, setting the target for Franklin and others exploring from the east. One would like to have read the story of the Oval Office "Resolute desk", donated to the American Presidency by Queen Victoria in 1880, and constructed from timber salvaged from HMS Resolute, a ship mentioned frequently by Berton. The icebound Resolute was abandoned at Bathurst Island, Melville Sound by the British in 1854. She released the following summer and was later found adrift in Baffin Bay by a US whaler, sold on to the US government, refitted and returned to the British with a gorgeously attired naval band, much panoply and splendid one-upmanship. Also that Amundsen eventually disappeared in the arctic in 1928 while on an aerial search for the wonderfully zany General Umberto Nobile and his downed dirigible Italia (watch those late-night movie listings for the excellent film Red Tent (Krashnaya palatka), in which Peter Finch plays Nobile and Sean Connery Amundsen). Most of all perhaps, that the first expatriate to fully traverse the north west passage (on McClure's Investigator to Banks Island in the west and Intrepid from Barrow Strait in the east, with much walking and sledging between the two) was Lieut. Samuel Gurney Cresswell, in 1853 (he departed for Britain ahead of the other former Investigator crewmen with the news that McClure and his men had traversed the elusive passage).

Many original works of relevance have appeared in recent years. Notable are the excellent commentaries and reprints of the first Franklin expedition journals and paintings of John Richardson, George Back and Robert Hood edited by C. Stuart Houston (Arctic Ordeal, Arctic Artist and To the Arctic by Canoe), and David C. Woodman's studies on the Inuit memories of Franklin and his lost crews (Unravelling the Franklin Mystery - Inuit Testimony and Strangers Among Us ( all published by McGill Queens UP). Also the hard-to-find and indispensable arctic chronology of Alan Cooke and Clive Holland (The Exploration of Northern Canada - Arctic History Press), a first version of which was used by Berton. Many others are well covered in Amazon.com documentation.

I'm going to be a police recruit in the NYPD in the upcoming months, and wanted to know more about this line of work..Armed & Dangerous would be the book to read. This book is for anyone wanting to be a cop, marrying a cop or the friend of a cop...Gina pulls no punches. She is gritty, raw and honest in her writing, which a lot of other police novels lack. I'm currently reading another police novel now, and its so hard to get into it. Gina raises the bar on all other novels..if you never pick up another true crime novel, read this one!!

Riveting, disquieting, amazingly well written. I had to check the cover a couple of times to make sure it wasn't written "with Joe Shcmow." Ms. Gallo names names and leaves out no details about how she managed to function, survive, succeed, and retain personal dignity within a most wretched hive of scum and villany.

This was an interesting book, however I would have liked to see a little more of the positive side of being a policewoman. There had to be something positive about the job, or she wouldn't have been a policewoman for so many years.
Having a policeman for a friend, I did appreciate some of the insights into how they may feel different from "civilians".
It's a very sad tale of how many people live and how instead of the police being encouraged become discouraged.
I struggled with how to rate this book, because it's discouraging and haunting, with no upside I wanted to rate it a 3, but Gina does a good job of writing and relating her experience, so I rated it a 4.

I'm a retired police Sgt. my wife Ann Jillian an actress, and we just finished reading "ARMED AND DANGEROUS" by GINA GALLO. This book is FANTASTIC! It's easy to know that Gina Gallo was the real police and did real police work - that's a given, but her talent for putting it all in her book is something only a GREAT WRITER could do. This is a real page turner, we could not put it down until we finished it. My wife and I highly recommend this book to anyone. Thank you Ms., Gallo for an excellent book. Mr. Mrs. Sgt. A.& A Murcia. Los Angeles, CA.

At last, an interactive experience of life in big-city law enforcement! In a relentlessly authentic voice, Gina Gallo translates every nuance of the police experience into an unparalled copspeak primer for those who've never worn the badge. Forget cop stories as a spectator sport. Gallo pulls you into the action with "the real police", presenting the reader with the same visceral punch, emotional blindsiding and residual angst that haunts anyone who's been there. In my years as a Chicago homicide detective, job success often depended on equal parts of tenacity, intelligence and guts. Gallo's book provides this in spades along with an unflinching scrutiny of our own vulnerability. This book elevates cop docudrama to a new art form. I'm proud that Gallo is one of our own, even prouder of her courage and talent in telling our stories.

Seller had a great price for the product and she was very honest about the condition of the book.

This is a must read for anyone who wants to know how God can change their life forever. What divine wisdom is spoken by this saint of the Church!! Her "Little Way" to serving and loving Jesus is persuasive to anyone struggling with the "how" of living a Christlike life.

"Story of a Soul" is a collection of three manuscripts written by Therese of Lisieux near the end of her very brief life. Therese lived in France at the end of the 19th century and spent nine of her twenty-four years in a Carmelite cloister, yet this simple woman and her "little way" have touched millions of lives in the years since her death.

Therese lived and preached a spirituality based on the scripture passages that urge becoming like a little child, living a life of trust in God. While she never did anything the world might consider "great", she made the most of the opportunities presented to her. She took advantage of offering to God little sacrifices such as sitting straight in a chair without resting her back and going out of her way to be kind to a fellow sister she did not particularly care for.

From her earliest years, she had an intimate relationship with Jesus. Although she was very close to her family, She writes, "I knew how to speak only to [Jesus]; conversations with creatures, even pious conversations, fatigued my soul." In her final year, as she was dying from tuberculosis, she welcomed her suffering even as she experienced a crisis of faith which plunged her into a dark night of the soul.

The three manuscripts that comprise "Story of a Soul" each have a different tone due to the fact that they were addressed to three different people in response to three distinct requests. Manuscript "A" is addressed to Therese's sister Pauline, also known as Mother Agnes. She was a Carmelite nun as well and at the time was the Prioress of the convent. Mother Agnes had asked her to put down on paper her recollections from her childhood. It was intended as a "family souvenir" and as a result has a very familiar, sentimental tone. In it, Therese tells the story of her life from her earliest remembrances through her profession as a Carmelite.

Manuscript "B" was directed to another of Therese's elder sisters, Marie, who also resided at the Carmel cloister. Sister Marie of the Sacred Heart later recalled that "I asked her myself during her last retreat (September, 1896) to put in writing her little doctrine as I called it." The shortest of the three manuscripts, it contains the heart of Therese's insights. It consists of a letter to her sister in which she explains that "Jesus does not demand great actions from us but simply surrender and gratitude," and a love letter to Jesus in which she confides her desire to be "the warrior, the priest, the apostle, the doctor, the martyr." Using the metaphor that St. Paul established in 1 Corinthians 12 of the body of Christ with its many parts, Therese comes to the conclusion that in order to fulfill her desire to be all things she must be love. "I shall be love. Thus I shall be everything, and thus my dream will be realized."

In Manuscript "C", Therese returns to the story of her life, this time at the request of Mother Marie de Gonzague who had taken over as Prioress. It tells of her remaining years at Carmel up to three months before her death in 1897 when she no longer had the energy to write. In her final words she exclaims "I go to Him with confidence and love . . ."

Therese never intended any of these words for publication, yet in the last months of her life she seemed to have had a premonition that her words would eventually do much good in the world. "Story of a Soul" provides a blueprint for a life lived in relationship with Christ. Therese comes across as extremely human, struggling with life as all of us do, yet she had such trust and faith. We are wise to learn from her example.
[...]

Really enjoyed reading this book. Excellent akutobiography of St. Therese. What a beautiful life she lead. Everyone should read this if for nothing else than inspiration from an extradorinary woman. You don't have to be a religious person to get something out of this autobiography.

Therese of Lisieux lived a very sheltered life. As we begin the book she actually seems to be spoiled by her family. Her parents were financially secure and devoutly religious. Therese knew she wanted to be a nun from the age of three. She had bouts of poor health and she suffered the loss of her mother early in her life. And then the sisters she relied on left one by one to join the convent. But she also had security and love from her family. She also had an incredible sense of self-direction.

In her book Saint Therese describes souls as similar to different types of flowers. Some are roses, others lilies, and some like orchids, for example. And all can be equally pleasing to God in their own way, when seeking his role for them. People have different talents and different struggles, but these characteristics do not mean that any type is more valued than the other.

Saint Therese describes the Christian Church as one body, and how she wants to be the heart that loves. She writes frequently of the many ways that God is love. She believed that heaven for her would be to be able to help people on earth after she died. She writes that any sacrifice in daily life can be offered to God, for the conversion of souls, or help of others, whether it is the suffering of an illness or loss, or the performance of a mundane daily chore. Therese also writes much she preferred to speak directly to God as a child when she prayed instead of using formal liturgy.

This is the grandaddy of all of studio session books. So many have come after this (Jimi Hendrix, Clapton, etc.) but this is the gold standard. I have given this to a few people that I know would appreciate it, and every one of them has raved... just like I am doing.

My only suggestion is that Mr. Lewisohn updates it with all of the new information that has been put out there since this was published (many books including The Beatles's ANTHOLOGY CD and book for example).

I cannot recommend this book highly enough.

Since editions and publishers change, I am certain if I am reviewing the exact book. This book will be interesting mainly to those who were teenagers during the 1960s. These persons will recall the first time they heard each of the Beatles' albums, or they will recall the event of buying these albums. For example, I first heard Sgt. Pepper at the Fillmore Auditorium in San Francisco. The album was played before the performers went on stage -- that was Cream on their first American tour, along with Gary Burton Quartet and the Flaming Groovies (last minute replacement for the Electric Flag). Anyway, the book takes the form of a diary detailing when and under what circumstances many of the songs were composed, recorded, and performed. The book contains 360 pages of small print, and almost every page has a 1/4 page sized photograph, though some are 1/8 sized. The latter part of the book contains color photos. The reproductions of the photos are better than one might expect -- nice contrast and sharp focus. We learn that the original name of the Beatles was the Quarry Men, where this name came from Quarry Bank High School for Boys (page 12). We learn that the Quarry Men (John, Paul, George, and John Lowe (drums)) made their first recording in 1958 (page 13). We learn that Ringo was the drummer for a band called "Al Caldwell's Texans" even before he (Ringo) jointed "Rory Storm and the Hurricanes." (page 16) We learn that the first appearance of the lineup of John, Paul, George, and Ringo took place on August 18, 1962, and this was at Hulme Hall, where the occasion was the Horticultural Society's annual dance (page 75). We learn that the Beatles' first U.S. performances were in February 1964. An interesting fact is that Charles Finley, then owner of the Kansas City Athletics baseball team, paid $150,000 out of his own pocket to persuade the Beatles to play in Kansas City, and that the manager of the hotel in Kansas City cut up the Beatles' bed linen into 3-inch squares, and sold them for $10 each (page 139). We learn that the trumpet players on Strawberry Fields Forever were Tony Fisher, Greg Bowen, Derek Watkins, and Stanley Roderick (page 234) and that Dave Mason played the B-flat piccolo trumpet on Penny Lane (page 240). We learn that Maxwell's Silver Hammer took 27 takes, that She Came In Through the Bathroom Window took 39 takes, and that Here Comes the Sun had 13 takes (pages 324-327). Again, the reading is fairly dry and fun facts are encountered only on occasion. There is essentially no information on the Beatles' social lives. But for those who were teenagers during the 60s, the book is likely to be a page turner.

This book is a must for any Beatle-fan, or anyone working in a studio who knows the Beatles' music. The book is a cornucopia of information on how the Beatles' music was created in the studio. Sit down with the book and the CDs, and listen to each song as your read Lewisohn's description of the recording session. It's like being there!

I love The Beatles records and have since my Dad purchased "Meet the Beatles" in 1966. The first records I bought on my own, as soon as I had a paper route and spending money, were The Beatles' LPs, in order of American release. I even knew the exact running time of every Beatles song and couldn't imagine that there were people in the world who didn't know every Beatles song. If you're like me, the revelation of the details of the recording of every Beatles track, as detailed in this book, will be a thrill to pore over.

Some Beatles books are gossipy, and others feature questionable armchair critical analyses of their music. Lewisohn takes a totally different approach. Working with the original Abbey Road studio logs, he's created a day-by-day record of what the Beatles were doing in Abbey Road studios, who played what instruments, and how long it took them to record and write their songs.

I own a first edition of this book and have used it ever since I bought a used copy sometime in the early 1990s. I reread it many times that summer, and that somewhat battered, oversized copy still sits on my shelf. It's a book I returned to when I set up a mini home recording studio, and returned to yet again when I was learning how to mix my sounds. Although this is not a "how-to" book, you can learn an awful lot about good recording and mixing technique by carefully reading it.

Furthermore, Lewisohn packed his text with surprises. I, for one, was shocked to learn how primitive Abbey Road's technology was, even by the standards of a British studio in the 1960s. I was also surprised to learn why the mono and stereo mixes of the Beatles' music often sounded so different from one another even though they were mixed from the same masters. Also, it's amazing to learn just how quickly some seemingly complex tracks were put together, while some seemingly simple songs took far more work. As a side benefit, Lewisohn's comprehensive notes probably knocked the wind out of more than one bootlegger trying to pass off BBC radio performances as lost studio recordings of Beatle tracks! Throughout, there are many, many excellent photos - many of which have not been reproduced elsewhere. Just when you think Lewisohn's run out of goodies, there's a rare interview with Paul McCartney that touches on the songwriting process.

I can't rate this as a five star book although I'd like to. As good as Lewisohn is, there are a lot of minor details here that are misleading or just plain wrong. Lewisohn can't seem to tell phasing from flanging (two very different techniques to create swirling electric guitar sounds). He also prints quotes from studio musicians without elaboration, leading me to believe he has a weak grasp on performance and theory. For example, one horn player describes a McCartney song as being "between the cracks" of two different keys; the song in question actually seems to have been recorded slightly flat and sped up to normal pitch upon playback, but we have no way of knowing what the horn player actually meant without more information. The average reader might walk away thinking that the song used two different keys, unless he also knew that the song was in a single key. I'm surprised an editor didn't catch this stuff.

If you're a Beatles fan who could care less about their personal lives, but would love to learn more about how they created their studio albums - this book is for you. If you're interested in home recording, you'll learn lots of tidbits here too. Lewisohn deserves a lot of credit for creating this resource, and I wish that it weren't such a difficult book to find.

This is the final volume in the "Ages of Middle-Earth" series and it was actually the first written. Although published in two volumes The Book Of Lost Tales was originally written as one. Tolkien expands in this second volume the stories of Middle-Earth as they unfold during the first four ages. For years Tolkien had been a scholar of mythology and he used his studies to transform ancient Earth mythology into the fantasy we know today. So if you love fantasy, whether you are a Tolkien reader or not, you will love this remarkable first attempt at reshaping modern fantasy.

The Book of Lost Tales 2 is a fantastic continuation to the first, taking place right where it left off this book goes in deeper than the first. The Book of Lost Tales includes 6 tales that where apart of the first but explains it with greater detail. This book was edited by Christopher Tolkien, the author's(J.R.R. Tolkien) son. All of the six stories include many notes that help you with the story, and 4 of them include a commentary that Christopher Tolkien wrote. I found the commentary and notes to be very helpful and enjoyable although he refers a lot to The Simarillion so one who has not read that might not understand some of it, and infact the stories that are in The Book of Lost Tales 2 are briefly in The Simarillion, which is also a very wonderful book. These books can be at sometimes a little difficult to read given the ammount of detail and information that they give you, sometimes it is hard to organize all of it but as you read on more things fall into place.

I highly recommend this book, although suggest reading The Simarllion before hand, J.R.R. Tolkien's fantasy world is quite enjoyable and his writings are full of detail. I also found the appendix and index of words quite useful and very nice to have, it tells you where all the names come from and have referances to where you can find them in this book and others. If you have read Lord of The Rings then you will find referances that are from this book and also The Simarillion that you did not get before.

Overall I thought this book was very enjoyable, although some what tedious at some points, and I recommend it to all fantasy and Lord of The Ring fans.

If you like the silmarillion and book of lost tales one, than you cannot wait another day to get this. If you are like me and REALLY LIKE this whole middle earth thing with the trees, music of the ainur. etc, then you absolutely have to read this.

The first lost tales was the first half of the silmarillion, and of course part 2 of lost tales is the rest of the silm. Though a lot of these works are unfinished(certainly the whole tale telling itself with eriol and gilfanon?, yet some seem very finished like the fall of gondolin.

Some people don't think peter jackson did not do a good job with the lord, yet they do admit it was still a pretty good movie. I did not find return of the king NEAR as good as the other 2 movies, but I think that Pete was the best choice as director.

Now the point that I wanna make is that with all of the material from the book of lost tales part 1 AND 2, the silmarillion, unfinished tales, and all the annals I think Peter Jackson could make another epic movie doing 1 of 3 things, or something that I'm not thinking of. It doesn't matter how these are made, I just wanna see them on screen.

1. Make a two-part movie 6-7 hours in total.
2. Make a 3 1/2 hour or 4 hour movie
3. Pick a certain tale like turin or luthien

Any of these things that I have suggested are acceptable to me, but I would be open to any way possiblre to put this on screen.

I honestly feel that with the very strong emotions in these books it could be better than the lord of the rings movies.

`if he could indeed destroy with his cunning the happiness and glory of the Gods and Elves...'

When the hateful god Melko marred the world, the Valar hid within the blessed land of Valinor, abandoning the Elves and Men of Middle Earth to slavery under his terrible rule. This was the time of great heroes who challenged Melko's impossible might. Beren and Lúthien entered Melko's hall to pluck his most prized possession from his crown. Cursed Túrin became a feared enemy of all evil creatures. Tuor fought to save a beleaguered realm. The mighty kingdoms of Gondolin - ruled by King Turgon - and Menegroth - ruled by King Thingol - long provided refuge for the few free people. Finally Eärendel risked all to beseech the Valar for aid. These heroes made terrible sacrifices to rid the world of the greatest evil it has ever known. Ashamedly, as magic faded and the Elves fled from the world, Men forgot these great deeds.

Ages later, the English mariner Eriol sailed to Tol Eressëa, the Lonely Isle, where Elves welcomed him as guest. In grand oral tradition, they recounted to Eriol the tales that should never have been lost.

Anybody who enjoyed The Book of Lost Tales Part 1, which should be read first, will love Part 2. It is also helps to first read The Hobbit, The Lord of the Rings, Unfinished Tales, and, most importantly, The Silmarillion.

Christopher Tolkien continues to expertly assemble and present his father's works. His precise commentaries are essential to understanding J.R.R. Tolkien's mythos.

Some of the stories in Lost Tales are much more detailed than their final versions in the Silmarillion. Lost Tales is a treasure trove of rejected content that really fleshes out the myths.

The Book of Lost Tales Part 2 has six sections.

`The Tale of Tinúviel', one of Tolkien's most popular stories, tells of the triumphant love between Beren and Lúthien. This version is shockingly different than that found in The Silmarillion, and it contains much more dialogue and plot.

`Turambar and the Foalókë' is the stirring tragedy of Túrin son of Úrin (or Húrin). Cursed as a child, Túrin rages against fate with heroic intensity. This account is wonderfully detailed.

`The Fall of Gondolin' recounts the final days of King Turgon's fair city. Ulmo (the only Valar to intervene in Middle Earth during this period) sends brave Tuor upon a divine quest to bring counsel to the doomed realm. This Lost Tales version is staggeringly well detailed. The final battle for the city (summarized in a few sentences in The Silmarilllion) here receives tremendous attention. This action-heavy scene is definitely a highlight of the book.

In `The Nauglafring', Elves and Dwarves battle over cursed gold. This early-abandoned tale flatly contradicts much of Tolkien's other work.

`The Tale of Eärendel' tells of the legendary mariner who now sails the firmament above Earth as a radiant star, bringing hope to men. J.R.R. Tolkien never wrote this story, so this section consists of outlines, poems, and heavy commentary.

`The History of Eriol or Ælfwine' delves into Eriol's life. It clearly identifies Middle Earth as our Earth; for instance, the origins of England and Ireland are spelled out and Rome is presented as an Elvish enemy. Although enlightening, this thoroughly explained setting lacks the mysterious grandeur of LoTR's Middle Earth. This tale was never finished, and Christopher Tolkien shows superhuman diligence in piecing together jumbled outlines and narrative fragments. It is densely commented and makes a slow, though worthy, read.

The Book of Lost Tales shows the devotion J.R.R. Tolkien had for his craft. It is a perfect choice for any Silmarillion fan.

-Zach Zelmar

`The Book of Lost Tales, Part One and Part Two' by J. R. R. Tolkien, edited by son, Christopher Tolkien, is, according to the editor's Foreword, some of the very earliest works written by Tolkien on the mythology of Middle Earth. Many, it is stated, were drafted in the 1920s, nearly ten years before the start of `The Hobbit'.

This is an important fact, as it means that they were not written to `fill in' details of references made in either `The Hobbit' or `The Lord of the Rings' (LOTR). It means that both of these published novels were narratives of a preexisting world of Middle Earth with a history stretching back thousands of years, to the very creation of the world. This supports the sense of historical depth one has when you read both novels. Early in the Foreword, editor Tolkien addresses this very aspect and the danger that the great depth of history felt in the novels may not transfer to documents that lay out that history. I personally do not sense that danger when I read these works. The intellectual effort required to understand the text and tie it together with all the Tolkienania that has gone before is more than enough to keep me busy. This is the basis of my title for this review, `Fantasy for Grown-ups'.

My experience is that neither `The Hobbit' nor `LOTR' books or movies had a strong appeal to the same audience as the literal and virtual comic book works such as Spiderman, Superman, Batman, Star Wars, Lara Croft (Tomb Raider), or even Indiana Jones. The world in which Middle Earth is set is much more subtly different from our world or the world of `Long ago, and far, far, away...' Even in `The Hobbit' one gets hints that the world of Middle Earth is not our comfortable sphereical planet with a different geography but the same physics, chemistry, and biology. One gets the sense that while the great `Gandalf the Gray' may be called a `wizard', he is not a wizard in the same sense as Merlin or a wizard of `Dungeons and Dragons'.

The most important difference between Middle Earth and our world is that this continent is in the center of a great disk surrounded by seas across which are the undying lands including the Elven island of Eressea and Valinor. The next major difference is that there are beings, primarily elves, which walk the earth and which are literally immortal. That is, they cannot die by natural causes. They can, however, be killed in battle, as seen in `The Two Towers' movie with the death of the elven archer allies helping to defend the Hornburg with Aragorn, Theoden, and the Rohrrim. It is also interesting to see that Gandalf possesses an immortality of an entirely different order, as he survives the great battle with the Balrog in the mines of Moria, a battle that would have killed any ordinary immortal elf.

It would have been interesting to see Tolkien deal with immortality in the same way that John Boorman did in his script for the movie `Zardoz', an easily underestimated movie. (Oddly enough, Gandalf is most like the characterization of Merlin in Boorman's movie, `Excalibur').

Another big difference is that the physics of this world is different from our world. Light, for example, simply does not behave like our notions of light. It is much more like a liquid that can be captured in the Silmarils or in the vial give by Galadrial to Frodo in Lorien. This is part of the reason neither Gandalf nor any other character, even Sauron, seems to use much `magic'. What may appear to us as magic is simply bending the different laws of physics to the will of the magician, as Sauron does in creating the One Ring.

These two books are yet another step removed from the `popular fiction' of `LOTR'. `The Silmarillion' was one step removed in being much more like Hesiod's mythology than Homer's epics. The `Unfinished Tales' were another step removed in that they were close to being stories with extensive editorial annotations. These two volumes, which are really one work in two books are reconstructions of even cruder material. Reading them may be about as much fun as reading Frazier's `The Golden Bough'.

Now, reading `The Golden Bough' can be fun for a particularly intellectual interest, but it takes just a bit extra to gain the same pleasure from these works, as they are not stories from a historical mythology which may explain genuine primitive thought and beliefs. They are make believe! They just happen to be of a type of make believe which is more different than just about any other fiction you can imagine.

The greatest insight I get from these myths on the early history of Middle Earth is on the origins of Tom Bombadil and the Ents. While neither is mentioned, there are ample hints that both are beings who sprung up from the bones of Middle Earth itself, independent of any efforts by the Valar. This explains the total difference between Bombadil and every other character in `LOTR' aside from Treebeard and the Ents. The Elves, the Wizards, Sauron, dragons, and probably dwarves, hobbits, and men all arose out of immigrants from `The Undying Lands' or were created by the Valar.

I find the single most interesting character in these pre `LOTR' stories to be the Noldor (elven) leader Feanor. He seems to have the air of Prometheus about him in that he defies the gods (the Valar) without being an evil force like Melkor / Morgoth or Sauron. When Feanor is not on the stage, my interest drops several notches.

These are the first two volumes of the twelve volume `The History of Middle Earth'. While several of the volumes seem independent, I would not venture to read any of them without having read `The Silmarillion'. They will make very little sense without this background in hand.

This is the third, excellent volume in the author's series that follows the detective work of Major Abel Jones during the Civil War. This time, the author's masterful style immerses you in April, 1862, with its odd speech (to the 2007 ear), its stomach-turning savagery in the Battle of Shiloh, and its well-mannered relationship between Union and Confederate officers off the battlefield. Someone has brutally slaughtered forty slaves, men, women, and children, in the no-man's land between Union and Confederate lines. General Grant sends Major Jones on a hazardous trip through the lines with a request that Confederate General P. G. T. Beauregard cooperate in investigating this terrible crime. Beauregard agrees and assigns Confederate Lieutenant Drake Raines to aid Jones. The two officers follow a frightening path as they track down the murderers and barely prevent another mass killing. The story is full of action, and the plot twists wonderfully.

I loved the first Abel Jones Civil War mystery (Faded Coat of Blue), but was sorely disappointed by the second (Shadows of Glory), so it with great relief that I can report that this third in the series displays much (if not quite all) the skill Parry brought to Faded Coat of Blue. The story kicks off with a serious bang, as the first thirty pages or so throw Major Abel Jones into the messy battle at Shiloh in early April 1862. From the very first sentence ("I remember the smell of men burning"), the reader is immersed in the chaos and confusion that is war, and it's hard to imagine any work of nonfiction\ able to compete with the "you are there" sensation these pages impart. In this in initial bloody action, the ever-stern Jones rounds up as many of those fleeing the battle as possible, and rallies them into a little unit, fighting through the day.

It's only after the battle that we finally learn the purpose of his foray into the front lines. As outlined in the previous books, the Welsh immigrant and former soldier Jones has been transformed from an army clerk into a special agent of President Lincoln's. Here, he sent is to investigate the massacre of forty runaway slaves, an atrocity discovered by advancing Union troops in Tennessee. Jones meets with Generals Grant and Sherman (and his friend Dr. Mick Tyrone), and is escorted to the Confederate side as an emissary to General Beauregard to discuss this heinous crime. Of course, this isn't as simple as it sounds, and Jones goes through a few adventures before he's able to team up with an young aristocratic (and Harvard educated) Southern officer to unmask the killers.

Actually, the book's one significant weakness is that there is a great deal of buildup to the mystery, but once the investigation is underway, the killers are identified with very rapidly (not to mention that the answer seems obvious the moment the villain is first seen). As in Shadows of glory, the emphasis is much more on mood and atmosphere than actual suspense. Much of the story seems designed to have Jones come to the realization that slaves are humans too, and perhaps are worth fighting a war over. To that end, a number of the supporting characters aren't nearly as well realized as they are in either of the two earlier books. Jones' Confederate liaison is a textbook golden-haired young Southern gentleman, and there are a smattering of basic rednecks and slave types as well. One notable exception is the Barnaby B. Barnaby, the Cockney gentleman's gentleman to Jones' liaison, who provides comic relief and a vivid voice. Of course, the strongest voice is Jones' own as narrator, and his telling is robust with the Welsh idiom, cadence, and priggish prejudice of the earlier books. Phrases like "he was as full of tricks as an Irish barrister" abound, and add much to the story.

All in all, the book is satisfying reading, if not as outstanding as Faded Coat of Blue, which just had everything going for it. The series continues with , Honor's Kingdom and Bold Sons of Erin which I will definitely be seeking out.

I'm always wary of historical novels, since they have a tendency to transfer 21st Century sensibilities to their subject matter. Owen Parry (whose real name is Ralph Peters, the great Russian expert and strategic thinker) avoids that, creating a hero and a story which live and breath the Civil War era. I was impressed, although not overly so, with the first book of the series, but I am increasingly moved by every addition to the series.

Major Abel Jones is pompous and priggish and if weren't so clever in solving murder mysteries, he would be a classic comic figure (one on-going theme is the pride this Welshman takes in his singing voice, when it's obvious (though not to him) that it's rather awful).

The walk on parts of various historical figures is impressive. I always judge the walk ons in historical novels by using as my gold standard the Abraham Lincoln in George MacDonald Fraser's Flashman series: lovely little vignettes which both capture the essence of the man and allow the reader to see his hero in a new light. In River Jordan, Parry manages a General Grant who is every bit as real as Fraser's Lincoln. That is the first time I can say that about anyone's novel about any era.

I've traveled in Wales, know Welsh history back to the early Middle Ages, and even studied the language some years ago. I recognize Owen Parry's Union officer, Abel Jones, as the counterpart of some of the sturdy people of that splendid land. I've now read all three of Parry's Civil War mysteries available in paperback, and each new one has been better than the last.

The only mystery writers of comparable talent who've dissected the physical, mental and moral tragedy of war are Charles Todd and Reginald Hill. But Parry, writing in the voice of a deeply religious, highly puritanical Welshman of the mid-Nineteenth Century, is unique. I doubt that there are very many better first-person stories out there in any genre.

The plot and characters of this latest novel have been covered by other reviewers (with whom I soundly agree). I only want to suggest that if you haven't yet heard the voice of Abel Jones, go thou and do so.

There is something sublime about this book.

It would be easy for Parry to follow the easy path to Civil War fiction that so many other authors have followed. But, instead, he chooses to probe the depths of slavery and abolition and Union versus Confederacy.

Although this book is billed as a historical suspense/mystery novel, it is far more. The murder plot is merely a device the author uses to explore the depths of human character and the interplay between Whites and Blacks during the Civil War. All of Parry's characters are very human, including his main hero and his major villain. The terrors and bloodlust of war are portrayed vividly. And, to Parry's credit, not all of the action takes place on the battlefield.

Main character Abel Jones is a Welsh major hired by President Lincoln to solve the mass murder of some Blacks barely over the Shiloh battle lines. To do so, he must coordinate his activities with officers from the Confederacy. The Union blames the Confederates for the murders and the Confederacy blames the Union. But Abel is Able as he solves the dilemma. But, as I said, the mystery plot is secondary.

Abel struggles with the line between Christian non-violence and wartime bloodshed. Some characters struggle with loss of life and property while others struggle with the concept of true freedom.

The only negative to this book is its obvious setup at the finish for a sequel. I don't dislike sequels or series novels, but the setup is too obvious.

Nonetheless, this book is glorious and there really is something sublime here that I can't pinpoint. A treasure.

I was unfamiliar with the Kindertransport that moved 10,000 Jewish children to safety from the Holocaust. This biography brings that event to life through the memories of Lisa Jura. At 14, her parents sent her to London and the book covers that wrenching journey and the next six years of her life. Growing up during the blitz in a refugee home with 31 children makes a fascinating book.
Lisa's devotion to music weaves the story together as she strives towards her parents' dream. Becoming a concert pianist seems unachievable under the circumstances, but this touching biography details Lisa's progress towards that goal. This account has appeal for both adult and teen readers.
I also recommend In The Shadow Of The Cathedral: Growing Up In Holland During WW II by Titia Bozuwa

author of Cooking Jewish: 532 Great Recipes from the Rabinowitz Family

from the Jewish Journal of Greater Los Angeles
August 30, 2002

Vienna, 1938. In the city of Mozart, Schubert, Beethoven and Strauss, 14-year-old musical prodigy Lisa Jura looks forward to a promising career as a concert pianist. Hitler has other plans. With the breaking of glass on Kristallnacht, Jura's dreams are shattered.

Internationally celebrated concert pianist Mona Golabek, with journalist and poet Lee Cohen, has crafted a loving, lyrical tribute to her mother, Lisa Jura, in "The Children of Willesden Lane: Beyond the Kindertransport: A Memoir of Music, Love, and Survival."

Jura was one of 10,000 Jewish children saved from the Nazis by the British and sent on the Kindertransport to safety from Eastern Europe. Already being compared to "The Diary of Anne Frank," this simultaneously heartbreaking and uplifting tale weaves together the stories that Golabek's mother told her about prewar Austria; the gut-wrenching separation from her family; life at the orphanage on Willesden Lane; and the power of music to help her survive.

As Jura's mother, Malka, puts her on the train, she says the prophetic words that will sustain and inspire her daughter and future generations: "Hold on to your music. Let it be your best friend."

In a world turned ugly, the beauty of music becomes Jura's strength, and, against tremendous odds, with the help and encouragement of the 30 other displaced children at the orphanage, she wins a scholarship to London's Royal Academy.

"Each kid saw something in my mother's music that reminded them of what they had left behind in Czechoslovakia, in Austria, in Germany," says Golabek, a Grammy-nominated artist, "and that's what I tried to do in the story, not only to pay homage to my mother, but to all these kids and to their bravery."

The book opens with Jura's tantalizing daydream of performing in a great concert hall and closes with the fulfillment of that dream, as she makes her debut before an exhilarated crowd. And in between, the pages burst with melody: Jura pounding the cadenza of the Grieg "Piano Concerto" to drown out the sounds of bombs during London's blitz, Jura visualizing Chopin fleeing a flaming Warsaw as she struggles with the somber coda of the "Ballade," Jura remembering her mother's Sabbath candles as she plays the solemn opening of Beethoven's "Pathetique."

"My mom and her mother never cared if a piece is in C major. What really counts is the passion behind it, the image. If it's `Clair de Lune,' imagine the moon over a desert island. That imagination allowed her to survive the horrors of what she experienced, because a C-major chord will not inspire you through the horrors. It's the moonlight, the idea that maybe the composer wrote it for someone he loved. These things inflamed her imagination, and that's how she inflamed mine."

And now Golabek's book will inflame the imagination of a whole new generation. The Milken Family Foundation, together with Facing History and Ourselves, an educational organization that teaches tolerance to 1 million students annually, are working with Golabek to bring the story to schools across the country by developing a companion curriculum guide.

Plans are under way to launch the book in Austria, and make it available to teachers as part of the now mandatory four-year Holocaust education program for students.

The saga of Golabek's 18-year struggle to get the story published is almost as harrowing as her mother's story itself. "It went through many, many writings; many, many ups and downs, starts and disappointments," Golabek says.

Now the accolades and offers are pouring in. On Sept. 24, she will be an honored guest speaker at the California Governor's Conference for Women at the Long Beach Convention Center and will appear at Beth Am on Nov. 17 with her sister, pianist Renee Golabek-Kaye, and Jura's four grandchildren, all musicians: Michele, 16; Sarah, 14; Jonathan, 8; and Rachel, 7. Brandeis University will honor her at the Skirball Cultural Center next March 31.

Last week Golabek was interviewed on NPR's Morning Edition and was the subject of a feature story by Andy Meisler of the New York Times. In the planning stages is a concert next year co-sponsored by the U.S. Holocaust Museum and the Austrian government. And, of course, Golabek is considering movie offers.

On her syndicated radio show, "The Romantic Hours," which highlights stirring writings against a musical backdrop (Saturdays at 10 p.m., 105.1 FM), Golabek often quotes the poet Jean Paul Richter: "Life fades and withers behind us, but of our immortal and sacred soul all that remains is music."

"That was a quote my mother taught me, and the whole reason why I wrote this book and why I created `The Romantic Hours' was that my mother felt through words and through music our souls would be immortalized."

This is one of my all-time favorite books. If you are a musician, you will fall in love with it. The story is inspiring and moving and will make you appreciate music to the greatest extent possible.

Full of history. Easy to follow. Great read for young and old alike.

This is a story which every parent should read to their children. Talk about the history of WW2 and discuss the extremes of humanity. A book which once read you will never forget.

Throughout my college career, I have become more and more aware of America's history in regards to inequality. Class Action brought up one of the most publicized forms of inequality in our nation, which is the inequality between men and women, especially in the workplace. Today, women are still only making $0.74-$0.76 on the dollar that every man makes, but that is only a mild form of the inequality that occurred only 30 years ago.

On March 25, 1975, Lois Jensen begins work at Eveleth Taconite in the mines to earn enough money to support her young son so they both could get off welfare. While the pay was very good, Lois, and other women who worked at the mines, endured sexual harassment that ranged from sexual comments to inappropriate touching and coercion by the male workers. Twelve years later, Lois finally decides that the only way to deal with the sexual harassment is through legal action since none of her bosses in the mines will correct the male workers' behaviors. Unfortunately, Lois only endures more hardship through trying to gain support of the other women at the mines, retain her job, and keep her sanity while being harassed even more. Lois's commitment to "right the wrong" of how the men treated the women at the mines brings up many questions of our society and what is legal that reside within.

Class Action helps us evaluate male privilege in the workforce, laws such as the Civil Rights Act of 1964 (Title VII) and how they were upheld, the immortal power of companies, and the human cost to achieve social change. It is astounding to read the type of harassment that these women endured and to realize that it happened in other parts of the country, and to some extent, still does today. The only things that Lois Jensen truly wanted was knowing that women would not have to live what she did through the company adopting a sexual harassment policy and an apology. She never got the apology, but thankfully, the former occurred on December 30, 1998.

The was a great book if you are interested in Civil Rights history and activism, women's rights, the jural system in relation to gender, and the economics of inequality. While Lois, other women, and the mines settled in 1998, the women essentially lost. After all that had happened, to achieve this precedent for sexual harassment law the women had to sacrifice their lives. This ultimately brings up the issue of how we have to be martyrs to make any social change truly happen.

The book is so much better than the movie. It gives you a much truer sense of what the women went through. Which is to be expected, of course, but I was surprised at the changes in the movie.

I assume that you will have seen the Movie first. I would have never heard of this book, without references in the DVD. BUT it is not necessary that you see the movie first. AND if you see the movie after reading the book be prepared for differences. But aside from comparisons, this is a terrific read about the first successful Sexual Harrassment case in the USA. It is set in the North Country made famous by Mr. Zimmerman. In fact some of the scenes and some of the characters are from Hibbing. Hero is one of the many misused words in Americana. But hero could be safely applied to the Lawyers who defended Lois Jenen.

I grew up on "da range" and I'm familiar with the mines. My hometown is Hoyt Lakes, not very far from Eveleth. My dad and one of my uncles worked at LTV Steel outside of Hoyt Lakes, I think even my brother worked there for a while. I don't remember hearing anything of the trial. Back in 1998 I was 9 years old. I became familiar with it, when they were filming the movie North Country while I was going to the community college in Virginia. I've watched the movie multiple times. Then this summer in one of my English classes we were required to read Class Action. By the time the class finished I hadn't finished the book yet, but that didn't stop me from reading it. This is a really great book, and I've had a hard time putting it down. Its so interesting to learn the facts of the case, and was even more surprised when I recognized some of the last names of the people. I haven't quite finished yet, I have about 60 pages to go. I keep finding myself getting irritated with the rulings of Judge McNulty. This is a very important book, and in my opinion everyone should read it.

Like some other reviewers I came across this book after seeing the movie North Country. The movie though is just good entertainment pulling at the heartstrings and very loosely based on the legal problems of single mother Lois Jenson.

The book, I'm pleased to say, is much more gripping and will keep you turning the pages until the end. I thought it raised various issues like:

*Why did the legal aspects of this case take from 1984 until a settlement in 1998? In 1997 a judgement from the Eighth Circuit court commented on the 'inordinate delay' and that it simply was not possible for the parties to get justice 'when a final outcome is issued more than ten years' after the case was filed and more than fifteen years since Lois started her class action.

*Why did the mineworkers union maintain such a male chauvinist view towards its female members? I always assumed that Minnesota folk, historically populated by hard working European immigrants in a hostile physical environment would have been much more sympathetic to the sexual harassment that went on year after year in the mines. In fact very few males come out of this story with much credibility, from the mine management down to the union, they are really shown to be sexist and ultra conservative when females start to (legally) work in their domain.

*Why did it take so long for the mines main insurance company, who were going to be the ultimate payers of any compensation, to get to grips with the case? When they did get closely involved in 1998 the problems seemed to evaporate and the ladies got their money

The authors write in a simple straightforward style fortunately avoiding flowery generalisations that seem a staple of non-fiction writing. The story unfolds in a logically time frame from March 1975 to the final financial settlement in November 1998. Early on there is an excellent historical overview of the Mesabi Range and the importance of the raw materials lying just under the surface. A nice touch I thought was the frequent explanations of points of law and how these affected the progress of the case.

A couple of points occurred to me as a read the book: I would have liked to see a listing at the start describing the principals, frequently a name popped up and I wondered who the person was having seen a mention maybe a hundred pages earlier. So much of the story describes the mine and other buildings, a simple diagram of the plant layout would have been helpful.

'Class Action' is a powerful narrative about a hostile working environment and the legal system and it reminds of a quote by Thomas Noon Talfourd:
Fill the seats of justice
With good men not so absolute in goodness
As to forget what human frailty is.

BTW. I wanted to see photos of the four heroes of the book, the wonderful Lois Jenson and her legal team Paul Sprenger, Jane Lang and Jean Boler and I found them all through Google Images.

This book is a very interesting account from the Sub commander. The first hand accounts described by the writer are what makes the book a cut above most.

The man has done it all, i.e., fantastic submarine skipper, Medal of Honor Recipient, and writing skills to match. This book is a classic, and anyone interested in WWII submarine warfare absolutely must have this book in his shelf!

O'Kane's the real deal, sailor, warrior, leader, survivor and writer.

This is his story and that of the USS Tang, one of the most successful submarines operating in the Pacific. O'Kane was one of a new breed of submarine skippers who traded caution for results with great success but at huge risks. One of the most effective tactics was to take the surfaced submarine into the middle of Japanese convoys at night, attacking multiple ships and then escaping to the depths.

The action is heartstopping and explains why the Navy pulled some of the more conservative older skippers out of their boats and replaced them with men like this. But the story is much more than simply tactics and bravery above all expectations, it is a story about true leadership. Young MBA's would do better asking themselves what characteristics of leadership did O'Kane and his officers utilize to achieve so much with so very little in tangible rewards to offer their crews. There were few rewards for the truly outstanding sub crews, congratuations, a sense of team and the dubious honor of being sent back out on patrol as soon as possible.

The description of various engagements may seem a little dry and technical to someone who has not been out on the sea on a dark night trying to make sense of faint shadows and movement. For fans of surface warfare who think subs are like hunting with poison gas the descriptions of night surface attacks in the middle of escorted convoys will fully dispell that image.

The book is a great reminder of the incredible courage of those who have gone to sea to defend our country for more than 220 and those who continue to do so today.

This is a great book. The fact that is was written by the Captain of the Submarine makes it that much more meaningful. I couldn't stop reading it, but my one complaint is that it is very technical and lacks some emotion. The author, being a "career navy man" uses abbreviations and phrases that don't mean much to the layperson (and the glossary doesn't help much in this regard) and there is an overall lack of "passion". There is very little discussion of his personal feelings or the mood on the ship. For example, he describes a depth charge attack (a crack and a boom and pressure through the hull) as something that made the men realize the training exercise did not approximate reality (or that the real thing was nothing like the Hollywood version). I thought a depth charge attack was one of the most terrifying ordeals in a submarine and as a result was very interested in reading what it was like by someone who was there first-hand, but it gets very little coverage.

However, knowing that the events were real and the people were real makes this book an excellent read. I recommend it.

Outstanding read---puts you on the submarine, with all the tension and excitement---and yes, the inherent boredom. I'm a former submariner and my old CO (Dennis Oltraver, CAPT, USN---who went from E-1 to O-6---so quite a man in himself) knew O'Kane and copied much of his leadership style. In turn, I copied my CO---when I read Clear the Bridge, I was amazed at how I knew what O'Kane would do (particularly on personnel issues) before I read the next paragraph---I learned from someone who learned from him. Sadly, CAPT Oltraver died of cancer, or I would thank him for his legacy of leadership, some of which was learned from a master leader and legend, RADM Dick O'Kane. This book is as good as Ed Beach's Run Silent, Run Deep---and in some respects better---for his is a first person account. Highly recommended.

This was a wonderful addition to my Christmas advent celebration (audio version)! Others have explained the story line, so I'll only add that I found the quality of the narration and sound to be excellent (one demon has a very funny/cheesy voice, but upon reflection, it seems appropriate that a lesser demon would have to pretend to be scary since the poor things have no true power over us!) This production reminded me of the excellent Focus on the Family Radio Theatre productions which I also enjoy.

I love the fact that this story is presented in visions of warfare and heavenly battles since it is so very easy to forget that the battle that has raged since the beginning of time hasn't ended yet. We are still called to be warriors; remembering that our enemy is not flesh and blood and our weapons are not made by human hands.

Listening to this story will put you in a place of awe and wonder and maybe even cheering out loud for our conquering King! There is love, truth, and redemption in this story. A genuinely uplifting way to prepare for Christmas!

p.s. For those who critique everything "spiritual" by requiring that every word come from the Word and be filtered through your doctrinal beliefs, you are missing the point entirely. God's story didn't end hundreds of years ago when the Bible was written, nor does the Bible contain every bit of human, much less spiritual, history of the world. Nor does it contain all of the future (after all, it doesn't mention each of us who passionately believe and are "on mission" for Christ in this day and age,) and we are very much a part of God's cosmic story!

A Cosmic Christmas is without doubt one of the best books ever. I'm 11 years old, in the 4th grade, and want the book for Christmas. Even if you're not a Christian you should read a Cosmic Christmas because it is so entertaining. The plot makes you want to keep reading and holds you in suspense. This book is a major contribution to our world literature, and I think it is just as good, if not better, than Harry Potter.

Max Lucado looks at the Christmas story from a very different angle in his first novel. Loosely based upon the scriptures, the story tells of Gabriel being summoned by the Lord to go to Earth and deliver a great message3 that is reminiscent of the opening scenes of "It's a Wonderful Life". There are some fictional angels who appear now and then, but it helps to flesh out the story. The most poignant scenes are when Gabriel does arrive on Earth and actually is protecting Mary from Satan just before the birth of the Messiah - this is, of course, a fictionalized account.

However, the book does have its drawbacks. First, the size and shape of the book make it awkward to hold and read. This sounds petty, but it was a real problem for me. Also, the illustrations did not add to the story and were misplaced. I could have done without them. Most importantly however is that the book is just too short. There are not enough details and it really feels more like an outline than a compete story.

Why 3 stars?:
While Lucado's first novel is an interesting take on the story of the Nativity, it was not designed particularly well. It will make a nice addition to Lucado fans' bookshelves, but otherwise it could be skipped.

what i understood the intent of this book to be was that lucado wanted to convey the message of the vast love of God. i think he did this exceptionally. the books reads quickly (about 2 hours), and is worth buying for your personal library.

I am especially intrigued by how lucado described the Godhead (oneness) -- very accurate!

I always imagined Jesus' birth as a peaceful event, lambs lowing, all's right with the world. This book opened my eyes to other possibilities and it's probably much closer to the truth.