History Books

I bought this book after re-watching the movie taken largely from this exhaustive biography. As someone who has read many bios, let me say that this is a refreshing and encouraging alternative to the fawning and excessive grocery store drivel and/or the dull and fact-filled dissertations that describe most biographies. Hayden Herrera manages to combine a staggeringly comprehensive detailing of Kahlo's life with an easy prose that makes for an engaging read. I know far more about this artist than I could've imagined and it is largely first-hand accounts either from the pages of Frida's own diaries and numerous letters or the people who were there. Herrera keeps her personal opinions regarding the events to a minimum and allows the events to speak for themselves. The life of Frida Kahlo needs no additional padding or maudlin tricks to engender a connection to anyone with a heart and soul. When the author does speculate, it comes from someone who has clearly studied her subject thoroughly and backs up her theories with a wealth of compelling evidence and sensible arguments. While her appreciation for Kahlo is obvious, Herrera does not stop short of being critical, questioning Kahlo's motives, and revealing the stark humanity and insecurity that Kahlo tried to obscure with her public persona as the confident, outspoken, provocative enchantress sporting her exotic Tehuana finery.
However, the best use of Herrera's research and the clear compassion and empathy she has for this incredible woman is when she analyses Frida's paintings. I found myself continuously turning back and forth from the detailed observations and interpretation to the paintings and trying to understand what the author is talking about. It was fascinating reading and a wonderful exploration that shed light into the depths of Frida's intensely personal art.
Two last notes: First, the version I bought does not sport Salma Hayek on the cover but instead one of Frida's many self-portraits. Apparently the publishers corrected this unfortunate decision based on movie marketing. Second, I was fortunate enough to take in the amazing exhibit of Frida Kahlo at the Philadelphia Museum just a few weeks ago and it was a moving and special day. Seeing the actual frames dripping blood, the size and grandeur of some of the works juxtaposed with the smaller works, and the sheer emotionally gravity of her art was something I'll never forget. Having read much of this biography by that time, I was able to bring that much more to that exhilarating opportunity.
Frida Kahlo was not just an extraordinary artist but was moreover an extraordinary person. Herrera's heartfelt, deeply researched, and brilliantly written biography allows those of us who never knew her to feel as if we have and to share in the universal quality of her painful work. That alone makes us better people for having experienced it.

This is a paintakingly detailed biography, yet rather than making for tedious reading, it flows smoothly from the pages...Hayden Herrera has done an incredible job with the story of Frida Kahlo, the most famous Mexican artist in history.

Written in the late 1970s' (when many of Frida's friends and intimates were still alive to interview), this excellent book combines letters (to and from Kahlo), first person anecdotes and historical records (along with a decent selection of photos and paintings), to create a sweeping portrait of a very, very interesting life.

Everything you ever wanted to know about Frida (and maybe some stuff you didn't), is in this book.

"Frida" is highly recommended to anyone who enjoys Frida's work or just wants to know more about a very interesting, opinionated, talented, brutally honest (especially with herself), yet very vulnerable) woman.

I learned about Frida when I took art history in college. I always wanted to know more about her because of her art work. She was so passionate! Although she was considered an abstract artist. Her art was very REAL. You can feel what she feels by looking at her art. This book really helps you understand what happened in her life and attached the painting that went along with that specific period in her life. Very well written.

An inspiring Biography of famous Mexican artist Frida Kahlo. It was comprehensive, read like a documentary and at some points was long and boring with gory details. Frida was such an interesting person it was worth the struggle to get to the end. I now understand her and her works so much better. I think she was an odd and eccentric person that was gifted with natural artistic talent. I recommend looking at her paintings at the same time you listen to the audio since the audio is so descriptive almost like a narrative from a museum. It doesn't make sense unless you see the works at the same time. I found them on a website dedicated to her. There is nothing like her art, she is truly original!

Since her death, Frida Kahlo has become something of an exalted icon, representing for millions of people the alegría of a life fully lived. Hayden Herrera's insightful book both supports the artist's status, and provides devotees who never met Frida the chance to know their idol in depth, to familiarize themselves with her happiness and suffering, to experience her highs and lows.

The book's mixture of intimate biographical details (a thorough chronology and evocative descriptions of events), psychological analysis and art criticism create an intensely vivid picture of Frida Kahlo, the world in which she lived, and the means by which her art conveyed her mind and body's pain. Objectivity is retained throughout; unflattering and negative aspects of Frida's personality are discussed with attention equal to that devoted to the subject's positive traits.

As Hayden Herrera's biography shows, the benefits to Frida of putting brush to easel - with her deliberate, small strokes - were manifold: not only was painting a solace and diversion, it was also a visual expression of the pain resulting from a terrible bus accident in which she was involved when she was 18, miscarriages, and the hurt of her husband Diego Rivera's infidelities. She also used painting as a means of earning money and limiting her financial dependence on Diego after they married for a second time. (While during her lifetime one of Frida's paintings might fetch $200 from a private buyer, nowadays even small-scale works have sold for over $1,000,000 at auction.)

To me, an appealing aspect of Herrera's bio is its lack of pretense (appropriately, as pretension is something Frida disliked in any form): you won't find any flowery, purple prose here, nor do the author's analyses and assertions smack of arrogance. It is quite apparent that Hayden Herrera knows her subject top to bottom, but I never felt as if facts and dates were crammed into the text superfluously, simply as proof that she knew them.

If it happens at all, it will be many years before Hayden Herrera's "Frida: A Biography of Frida Kahlo" is replaced as the definitive biography on the subject. Having read it cover to cover three times, I can't imagine a better-written or more stimulating study of this truly unique, truly gifted person.

Sin duda es una de las mejores novelas que jamás se han escrito.
En ella se puede encontrar un relato sobre las guerras
napoleónicas y la participación de Rusia en ellas, pero también
un retrato de la vida de la alta sociedad rusa de la época. Estas
situaciones tan diversas están narradas con una gran viveza.
Aprovechando el trasfondo histórico de la novela, Tolstoi nos
proporciona también sus visiones sobre la Historia y
el papel que los hombres representan en ella. Estas impresiones

no rompen la narración, sino que la complementan de forma
magistral.
El gran volumen de la novela puede asustar a algunos lectores,
pero en el caso de esta novela merece la pena: cada página se
lee con verdadero placer.

Sin duda es una de las mejores novelas que jamás se han escrito.
En ella se puede encontrar un relato sobre las guerras
napoleónicas y la participación de Rusia en ellas, pero también
un retrato de la vida de la alta sociedad rusa de la época. Estas
situaciones tan diversas están narradas con una gran viveza.
Aprovechando el trasfondo histórico de la novela, Tolstoi nos
proporciona también sus visiones sobre la Historia y
el papel que los hombres representan en ella. Estas impresiones

no rompen la narración, sino que la complementan de forma
magistral.
El gran volumen de la novela puede asustar a algunos lectores,
pero en el caso de esta novela merece la pena: cada página se
lee con verdadero placer.

Sin duda es una de las mejores novelas que jamás se han escrito.
En ella se puede encontrar un relato sobre las guerras
napoleónicas y la participación de Rusia en ellas, pero también
un retrato de la vida de la alta sociedad rusa de la época. Estas
situaciones tan diversas están narradas con una gran viveza.
Aprovechando el trasfondo histórico de la novela, Tolstoi nos
proporciona también sus visiones sobre la Historia y
el papel que los hombres representan en ella. Estas impresiones

no rompen la narración, sino que la complementan de forma
magistral.
El gran volumen de la novela puede asustar a algunos lectores,
pero en el caso de esta novela merece la pena: cada página se
lee con verdadero placer.

Sin duda es una de las mejores novelas que jamás se han escrito.
En ella se puede encontrar un relato sobre las guerras
napoleónicas y la participación de Rusia en ellas, pero también
un retrato de la vida de la alta sociedad rusa de la época. Estas
situaciones tan diversas están narradas con una gran viveza.
Aprovechando el trasfondo histórico de la novela, Tolstoi nos
proporciona también sus visiones sobre la Historia y
el papel que los hombres representan en ella. Estas impresiones

no rompen la narración, sino que la complementan de forma
magistral.
El gran volumen de la novela puede asustar a algunos lectores,
pero en el caso de esta novela merece la pena: cada página se
lee con verdadero placer.

Sin duda es una de las mejores novelas que jamás se han escrito.
En ella se puede encontrar un relato sobre las guerras
napoleónicas y la participación de Rusia en ellas, pero también
un retrato de la vida de la alta sociedad rusa de la época. Estas
situaciones tan diversas están narradas con una gran viveza.
Aprovechando el trasfondo histórico de la novela, Tolstoi nos
proporciona también sus visiones sobre la Historia y
el papel que los hombres representan en ella. Estas impresiones

no rompen la narración, sino que la complementan de forma
magistral.
El gran volumen de la novela puede asustar a algunos lectores,
pero en el caso de esta novela merece la pena: cada página se
lee con verdadero placer.

This is an excellent resource for anyone who wants to understand the U.S. Constitution, but especially for high school and college graduates who know they want to go into law as a vocation. My grandson, who just graduated from high school, was really pleased that I gave it to him, since he's planning to study Constitutional Law.

I have a friend whose son is adamant that the Federal Income Tax is illegal(16th Amendment)...so I purchased this book...looked up the 16th amendment...and sure enough it is VERY LEGAL...only kooks try to avoid paying it...well I copied the pertinant pages from this book and gave them to her so that she could pass them on to her law-breaking son...If you really want to know what the LAW OF THE LAND is ...then read this book...read it multiple times and please read it to your children...so that they understand our Constitution.

With each clause of the Constitution placed in historical context and reviewed in light of recent Supreme Court precedents, this academic tome brings together the brightest young and old minds in conservative and libertarian legal thought, including Eugene Volokh, Nelson Lund, Claire Priest, and countless others. Indispensible guide to anyone interested in an original meaning view of the Constitution. Not a better guide out there for originalist scholarly thought.

Every American Citizen should read this book. Understanding the relationship between citizenship and the rules by which the people authorize governance are very well described. With the press for democracy in the world, we tend to forget that the United States is not a democracy but a republic. Likewise, compliance with the Constitution prevents the establishment of an aristocracy. With the current arrogance of elected officials, we as a people have an obligation to become better informed on the roots of our sovereign law (which comes from the people) and what should be enforced; and that enforcement comes from our knowledge of the Constitution! The Heritage Foundation has done a superb service for all Americans in preparing this guide!

Edwin Meese was head of the editorial board for this guide, which is put out by the Heritage Foundation. That might suggest to some people that there's a conservative slant to the guide, but those people would be wrong. The Heritage Guide was first brought to my attention by a very liberal aquaintance who praised it to the skies, and then by a very conservative colleague who likewise praised it highly. They both had good reasons to praise it.

The Guide takes you through the entire text of the Constitution, line by line, article by article, starting with a three-page discussion of the preamble. It's written by around 100 contributors, all of them well-regarded experts in law and political science. Their discussion of even contentious topics (e.g., Amendment II or privacy rights) is dispassionate and clear, laying out for the reader the history and the case law behind contemporary constitutional issues and avoiding value judgements. The contributors write without legal jargon and with admirable directness, making the Guide accessible (not just accessible, but even enjoyably readable) to anyone with a good highschool education. The sophistication of their discussion, though, makes it suitable also for university students at all levels and for anyone who has any interest at all in the U.S. Constitution. No matter what your position is on presidential war powers or gun control, you come away from this guide with a clear and concise understanding of how the legal debate got where it is now. Each article in the Guide is followed by cross references to other passages in the Constitution, suggestions for further research, and a list of significant cases touching on the particular Article and Section of the Constitution discussed. Thus the Guide isn't just good reading on its own, but an excellent tool and springboard for further research on any constitutional topic.

This book should be required reading for university undergraduates, and for at least those few who will fall under my power next year, it will be. I intend to use this book in my classes on "Law and Literature" and "Law and Economics" as required supplementary reading. It will help clarify class discussions that revolve around constitutional issues, improve student papers, and make my students better informed citizens of the United States. That last one is the real payoff for everyone. I recommend this book far beyond the mere number of stars by which Amazon allows me to rate it.

Anyone with a background in Boy Scouting will love and appreciate this book. Oh my gosh, the memories that it brought back. I will definitely read this again.

A great read, very uplifting.
Captures the positive difference that Eagle Scouts and Boy Scouts create in our world.

A second class scout, I left Scouting at 16, became a father at 21, joined as an adult leader when my eldest of two sons turned 11. Two months later, the Scoutmaster announced at a Court of Honor that his job had gone away and I was taking over as Scoutmaster, and I was too surprised to say no. Steve came home from his first meeting and announced that he was going to be an Eagle Scout as soon as he could, and two years and 4 months later, his mother pinned his Eagle on his shirt, and I, as his Scoutmaster, MC'd his Eagle Court of Honor. His younger brother took a longer route, with more encouragement, and after I despaired of his ever getting there, he decided he also wanted the honor, and had his board of review the eve before his 18th birthday. I bought 3 copies of the book, after reading it, to give one each to my two Eagles, and one to the troop, which I still serve as a troop leader and counselor for several merit badges, in the hope that it will encourage several more boys to achieve. Years later, their Eagle awards opened doors for my sons, and in a way, I am still "paying thier dues".
As an adult leader, I have organised and led our sons and others to most of the high adventure bases, and many other high adventure trips, and as many of those quoted in the book, get more out of Scouting than I put in.

This is a priceless book for someone who is into scouting or who is an Eagle Scout. I bought this book for a family member who was extremely pleased. I would highly recommend purchasing this book!

Legacy of Honor: The Values and Influence of America's Eagle Scouts This is a great book for all Eagle Scouts, both new and old. Makes a great gift for a new Eagle. Solidifies the importance of the rank of Eagle latter in life. I bought two and gave them to knew Eagles. It was a great hit. Not likely to be a duplicate gift and something to refer back to as the scout gets older.

Everyone else who has reviewed this book say is great. Maybe it is, but because I haven't received anything I guess the only thing that I could say is "don't buy anything here, you'll get nothing".

For anyone in art quilting or wanting to be, this book gives an in depth look into the thoughts and creations of Nancy Crow. The color in the book is excellent and there is an abundance of pictures. This is a "Must have" for anyone who loves color and fabric and original art.

Nancy Crow is the ultimate quilter's quilter. Her advice, thoughts and pictures of her work and projects are more than any quilter could hope for. This book will enhance any quilter's library.
It was one of the best b-day presents I've ever received.
Diane

Since the 1970s, Crow has been an unquestioned "catalyst and prime mover of the art quilt movement" for her belief that the medium of quilts contained "the potential for intense experimentation and a place in the centers of art exhibition and discussion." Anyone who sees quilts Crow has done will not deny this. By 1990 Crow's art quilts displaying "technical innovations [and] complex compositions [involving] inventive deconstructions and reconfigurations of historic quilt patterns melded with pattern and color relationships of Crow's own inventions" were attracting wider notice among quilters and in art circles for convincingly demonstrating the artist's belief about the potential of the medium. In recognition of this, this high-quality art book follows Crow's work from about 1990 to the present in bountifully-illustrated chapters covering a few years at a time. This format allows for the laying out of numerous of the art quilts while focusing on specific innovations and her creativity and growth in these most productive and creative years. This also gives space for Crow to regularly make comments on sources, techniques, and aims of particular quilts and ideas surrounding her art. A good, published poet--as an introductory poem by her evidences--Crow has much to say about self-knowledge and creativity. Crow's quilts with their dramatically-arranged, vivid geometric shapes have the presence of a work of art. Practically single-handed with the interest and encouragement of quilting enthusiasts, she has modernized quilt-making by changing it from a tradition-bound craft with limited artistic aspects to an art with reminiscences of its origins in American crafts.

Amazing book. great information, stories. Lots of pictures of striking quilts show-casing the progress of this wonderful artist. Also shows pictures of Nancy Crow's studio and timber frame barn - must be an amazing place to create. This book is a wonderful value and very inspiring to any artist regardless of preferred media.

I could not put the book down.....fast reading and great stories and lots of humor.....one heck of a story teller....

Marty Appel served in the Bronx Bombers' public-relations office for nearly nine years, and was the PR director during the tumultuous early George Steinbrenner years (from 1974 to 1977). Appel's "Now Pitching For the Yankees" recalls the turmoil of that period -- and Appel's ability to function under pressure --with wit, a keen eye for detail and sensitivity.

None of the long hours Appel spent at the ballpark, the turmoil he witnessed, or the high-pressure tactics of owner Steinbrenner have dimmed his appreciation for his colleagues and bosses. It comes through in the pages of this warm, often touching memoir.

The boldface names are there -- including Steinbrenner, Mickey Mantle, Billy Martin, Joe DiMaggio and Reggie Jackson -- along with less-famous but pivotal Yankee characters like clubhouse man Pete Sheehy, team execs Michael Burke and Gabe Paul, and Appel's mentor in public relations, Bob Fishel. (It even mentions the writers: Appel's anecdote about one scribe's losing battle with bladder control in Boston is priceless.)

Appel also reflects on his vibrant post-Yankees career, including a bittersweet period with the Atlanta Olympics and a still-thriving stint as a baseball author (subjects include early baseball star King Kelly, former Commissioner Bowie Kuhn and former Yankee captain Thurman Munson).

"Now Pitching for the Yankees" is a good find for anyone who loves baseball, cherishes its history and appreciates the people behind the scenes who make it happen.

As a Red Sox fan, I was ready to read this and get whacked in the face with the hubris usually shown by anything Yankee. I was surprised by the balance shown. Marty Appel knows more about baseball than a lot of people running the game now. He was born about 30 years too late as people like Epsteil, Beane and Riccardi get to run ballclubs, while Mr. Appel 30 years ago had to come up through the ranks with Steinbrenner's Yankees no less. Mr. Appel also wrote an excellent biography on one of the first superstarts of baseball back in the 1800's--King Kelly. I recommend both books highly.

Only if you really know your New York sports would you realize that Marty Appel's in a much more unique position to write a tell-all book about the 1970s Yankees than many other athletes. During his progression over 10 years from Yankees' fan-mail gopher during the Horace Clarke years, to PR director during the 1976 World Series, Appel had once-in-a-lifetime encounters (with the likes of Joe DiMaggio, Mickey Mantle, Mike Burke, Gabe Paul, George Steinbrenner and ... Oscar Gamble) every single day.

"Now Pitching...", finally out in paperback, shows Appel's origins as a Yankees fan when everyone else was rooting for the Brooklyn Dodgers, and how he turned his love for the game into a career (when everyone else was watching the NFL). Most of the book covers the Yankees from 1968 to 1976, Appel's reign. Although many of the stories are familiar to baseball readers from what seems like 100 other books, only Appel is giving you the inside view. Nowhere else will you get such insider detail about Oscar Gamble's infamous haircut, Sparky Lyle's theme music, or George Steinbrenner's management style.

The book flags a little -- only a little -- when Appel leaves the Yankees and makes his mark in other ventures, such as team tennis and local NYC broadcasting. The most interesting part focusses on Appel's brief fish-out-of-water turn with the 1996 Atlanta Olympics organizers.

Marty Appel's been a very lucky guy -- who else gets to be friends with both Mickey Mantle and Billie Jean King? "Now Pitching for the Yankees" is several cuts above your standard baseball autobiography.

Posted 5:49 p.m., December 12, 2001 - Bruce M.
If I may add another book to the list. The best baseball book that I've read this calendar year is Marty Appel's Now Pitching for the Yankees. Marty worked in the Yankees' public relations department from 1968 to 1977, and shares loads of funny and insightful stories about the CBS Yankees and the Yankees of the Steinbrenner Era. The book is well-written, flows smoothly, and strikes me as honest without "hatcheting" people in and around baseball. I'd recommend the book to both Yankee and non-Yankee fans.

This autobiography was written very well. The author was committed to getting the facts out without glorifying himself. Done very well. I appreciated being told about the genocide in Rwanda without all the gore. I understood perfectly what he was describing without seeing it on screen. I learned so much from both his experience and his trials trying to get help from other nations. Great book!

My product arrived in time and in very good condition!

would definitely purchase again

Paul Rusesabagina is an ordinary man. He feels sadness and joy, fear and hope just like the rest of us. He is not a superhero in the ordinary sense of the word--he cannot fly, he does not have an agility belt, and he cannot scale walls. He is an ordinary man by all accounts, but in 1994 when the dark cloud of tense hatred between the Tutsis and the Hutus that had been brewing for decades in the small country of Rwanda erupted into a genocide that left eight hundred thousand dead, Paul Rusesabagina's actions as described in his biography An Ordinary Man were anything but ordinary.
Rusesabagina was born in a small village in the countryside in 1954. His mother was a Tutsi, and his father was a Hutu. According to Rwandan tradition of heritage passing through the father's bloodlines, Rusesabagina was considered a Hutu as well. Rusesabagina's father was his inspirational role model growing up, and his philosophy that "kindness and justice did not know ethnicity" was embedded in Rusesabagina's actions later in life (12).
Rusesabagina learned early on in life to fight with his words, not with his fists. He found that by speaking to people face to face, he could connect on some level, and convince them not to do him harm. This technique worked with schoolyard bullies, and later on with murderous, fanatical generals. Rusesabagina found work at the hotel Mille Collines, and eventually became manager of its sister hotel Diplomates.
After the plane carrying President Habyarimana was shot down, the extremist radio station RTLM began to use powerful diatribes to convince Hutus that it was their duty to murder the Tutsi "cockroaches." Rusesabagina, a moderate Hutu with a Tutsi wife, was able to negotiate, bribe, and flatter those carrying out the murders into sparing the lives of the 1,268 refugees that had fled to the hotel Mille Collines. The world turned a blind eye to the genocide and for a long seventy-six days, Rusesabagina had only himself and his words to save his family and the refugees from certain death. It is estimated that about five people were brutally murdered every minute. Rusesabagina managed to save approximately four hours worth of people. Eventually, he and the refugees were evacuated. Rusesabagina and his family moved to Belgium, where they reside to this day. In 1999, the movie Hotel Rwanda depicted his actions during this "dark bead" in Rwandan history.
This is one of the most remarkable books that I have ever had the pleasure of reading. It's so morbidly fascinating that even though at several times I felt physically ill, I was unable to put it down. Rusesabagina has a special skill as an author, and is able to paint an accurate and horrifying picture of the events that occurred, but at the same time is able to insert his whole-hearted and stubborn belief in the "triumph of common decency" over evil (203). Rusesabagina is able to argue this in the face of heartache and bloodshed. He is even able to provide concrete examples of people in the book that hacked their neighbors with machetes but still had a drop of human kindness desperate for an excuse to show itself.
Rusesabagina unapologetically criticizes all the nations that ignored the genocide for far too long. Rusesabagina not only provides criticism but also possible solutions that could have staunched the bloodshed quickly and effectively in the genocide's early stages. He also provides an excellent rhetoric on how extremists were able to convince rational, calm people to take up machetes and kill their neighbors and friends. Rusesabagina is able to counter the extremist rhetoric with words of his own, and uses this same skillful mastery of words that saved so many from slaughter to narrate this fantastic and moving book.
There are very few weaknesses in An Ordinary Man. Yes, the gore that is described twisted my stomach and left me feeling tainted and disgusted with mankind. After reading too much, I was almost unable to continue, but then again the mass genocide of men, women and children is not supposed to be neat and digestible. The descriptions are meant to shock and sicken. At the end of the novel, I felt ultimately dissatisfied and furious with the abject lack of justice. But this is a specific tactic used to irk the reader, because justice has not occurred in Rwanda and murderers still walk the streets. There is little justice to be found in that, and there is no reason why Rusesabagina should candy coat the issue to make the reader feel better.
Rusesabagina leaves the reader feeling hungry for more knowledge of the Rwandan genocide. His book inspired me to do outside research on the Rwandan genocide, and all of the other humanitarian crises that have occurred since then. Rusesabagina believes he is an ordinary man because to him saving all of these people seemed the most normal thing to do, something every man ought to have done. His message is a simple message of hope, a message that every man has the capability to give a "Rwandan no" to evil (203). His book serves not only a testimony to what happened in the dark days of the Rwandan massacre, but also serves as a means of getting people to care. He cautions that if the world cannot overcome apathy, then the phrase "never again" will be "one of the most abused phrases" and the "greatest lies" of the time. The book leaves the reader with a sense of hope that ordinary men like Rusesabagina will continue to say "no" to evil and do these extraordinary things as if they nothing more than ordinary.

This book was chosen by Middle Tennessee State University for their summer reading book, and being a student there I decided to jump in with all the freshmen and read it as well. I'm excited that he will be speaking at our convocation ( our program to start off the year.)

The thing that interested me most about this book is that he knew not to expect much from his country. He had pride, and he had hope for a better future, but he knew better than to expect anything more than the current situation.
This book is definitely something to be read by those who are very involved in world politics, sociology, and psychology. Rusesabagina delves into each one with vigor, and I very well believe he could be a professor in any one of these concentrations.
I am proud to say that I share the world with people such as Rusesabagina.

I purchased this book two months before I had the courage to read it. I feared it would be too upsetting and entirely depressing to engage myself in.

The book begins with a wonderful history of Paul's life. His vivid descriptions of The Land of A Thousand Hills, the banana beer, the family, his path to hotel management. It is an interesting story about a young man growing up in Africa.

The middle of the book approaches and details the horrific genocide of 800,000 people in as little as three months. The terror, the worry, the perseverence is all conveyed beautifully (if that word can be appropriate). I found inspiration in his ability to use words and intuition to communicate with people who could have taken his life. I felt connected to Paul's belief that nobody is 100% evil, and nobody is 100% good. I like his description of human nature, and felt he truly "gets" what being human is.

The ending of the book focused on his life in Belgium, among other Rwandan expatriates. And the decision to start a business in Africa. What a truly interesting person. I was fascinated by this story. It also shares much of the pre-1994 and post-1994 politics.

Whenever I gently give someone "the kindhearted blow-off" in my mind, I now think, "that was a Rwandan 'no'" I appreciate Paul's sharing of his culture and political environment.

I would enjoy seeing him speak. I appreciated his also sharing a little bit about how the movie came to be.

I really felt the storyteller is a person I could sit and have a beer with, and truly enjoy an afternoon chatting.

The last few pages of the book include a wonderful reference bibliography with information and suggestions on additional books to be read on Rwanda. I appreciated that, and plan to read several.

I bought this on the recommendation of Dr. Stanley Krippner in a lecture on ayahuasca. It is absolutely the best book I have read on the history of the psychedelic movement during the past 100 years or so. Timothy Leary is not dead - he's only outside looking in. :-)

This is the definitive account of the 1960s psychedelic drug scene. Stevens does a great job of conveying the highs and lows of LSD and its proponents. His ability to relate endless facts while retaining a fast-paced narrative structure is amazing. I found this one of the most "addicting" books out there about the significance of drugs in American culture. Stevens reviews all the major personalities: Albert Hoffman, Timothy Leary, Ken Kesey and the Merry Pranksters, the Grateful Dead, Alan Watts, Jack Kerouac, Aldous Huxley, and more. If you're interested in this electric decade, the power of psychedelics to warp the mind, or any of the poet-prophets who were compelled to experiment with and sing the praises of acid then this book is sure to delight.

This should be required reading in American History. Who knew Canada had legal LSD centers? And the characters- Nin, Huxley, Kesey, Leary and Capt.Al Hubbard (??). Will we ever see their like again? Really a very sad story, and a fascinating one. Nice to see the Chief Boo Hoo, old Art Kleps in there as well. Sen. Kennedy: "Is your title really Chief Boo Hoo?" Art Kleps: "I'm afraid so, sir."

It is no fluke that this book has an average rating of five stars from amazon.com readers. This is simply one of the most informative, enjoyable and engaging presentations ever written on the subject of hallucinogenic drugs in modern history, and how they made their way from the obscurity of laboratories and clinical research to become a fixture in the counterculture of the 1960's and beyond. The complexities of the story make it a formidable challenge for any narrator, but Stevens proves easily equal to the task. In the pages of this book, the reader is introduced to the dramatis personae with an immediacy as though meeting them in person. Many of the facts discussed herein have been recounted before by many capable others. But never have they been put into such a vivid and vibrant perspective as this, so thorough and rich with nuance. That's important because the depths of this story, stranger as it is than any fiction, are where its meaning emerges most clearly. Ever since the impact of LSD and its profound, pervasive influences on our life and times, modern society will never be the same. And it is impossible to imagine what popular culture would now be like without the psychedelic revolution of the 20th century. "Storming Heaven" offers the best single account of how and why this is so. This is a real page-turner, very difficult to put down, and is highly recommended for the interested reader.

This was a very good book. You get lots of interesting stuff about Aldous Huxley, the famous beat writers, Owsley, Timothy Leary, Ken Kesey and the evolution of the so called counterculture as a whole.

The problems that I have with Storming Heaven is not for what was in it but what was left out. For one Stevens was WAY too easy on Timothy Leary. The author seemed almost like a school girl with a crush when he recounts his visit to Learys home for an interview for the book. He comes off more as a fan than he does an objective writer at times when he deals with Leary. Why wasn't it mentioned that it has come out that Leary was a government informant and information he gave led to the death of two members of the Weather Underground? Its also a known fact that Leary was surrounded by CIA assets and there is a lot of evidence that he was a government agent himself, and at the least he was feeding them information.

There is also a fleeting mention that wasn't elaborated on about Ken Kesey that he had LSD experiments done on him at Stanford by the guy that ended up in charge of the CIAs Mkultra mind control program. This really makes me wonder about Kesey. Its more or less accepted history that the first LSD to get out on the street level was what Kesey stole from the medicine chest at his job as a night shift janitor at a mental hospital and distributed it among his elitist friends. Kesey went from writing what was probably the best novel written during the 1960's to, while becoming a counterculture hero, never writing another thing worth reading again. Did doing too much LSD scramble his brains and ruin his creativity or was his creativity nullified by Mkultra programming? Its hard to say for sure but I have to wonder if Kesey was not under some sort of mind control or was being used by the CIA in one way or another. There are a lot of unanswered questions in my mind about Kesey.

They also fleetingly mention the Brotherhood of Eternal Love who were major LSD distributors and were known to be full of CIA people and had a close association with a Jewish man named Ron Starks who was a CIA spook that also happened to the biggest LSD dealer in the world. Starks was not even given the first mention in this book!

I mean with all these ivy league, Mkultra and CIA connections to the elites of the so called counterculture I have to seriously wonder how much of the hippy movement of the late 60's was an organic rebellion against what was (and still is) a very repressive society both socially and politically and how much of it was intentional social engineering that came from the highest levels of the power structure. Many people believe that the anti-war movement was flooded with drugs, in particular LSD, by federal agents. Its well known that the government tried to subvert and destroy the anti-war movement with the cointelpro program so why wouldn't they also use drugs to try to destroy it? While it can't be denied that LSD has enhanced many an artist, writer and musicians work can you honestly say that sitting around frying on acid all the time is going to do anything but disable political activists who in many cases were in a life and death struggle? Besides that the fact remains that many people became permanently damaged as result of doing acid.

All that said I would definitely recomend reading or of you can get it cheap, buying Storming Heaven. I could hardly put it down once I started reading it. I realize that this book was more geared toward looking into what psychelic drugs can do with the mind and its exponents history and theories on the subject than any conspiratorial maneuverings by the US government involving LSD but it just didn't go deep enough into the rabbit hole for my tastes.

This is a very well researched and well written book. All of Tom Wheeler's guitar and amp books are terrific. I also have the companion Fender Amp book which is a "must have" for enthusiasts and collectors.

Incredible book. The whole story of the Fender Strat and Fender Musical Co., beautiful pictures and a deep analisys on different versions of who designed what!!! A lot of people have different versions of the story but at the end the picture is so much clearer. I tell you, this book is only for hardcore strat fans or collectors. 100% Recommended!!

Sometimes I think the rarest book of all is any good book on musical instruments. The market is FULL of make-a-quick-buck enthusiast books with poor content, bad writing, and indifferent quality. This one is a refreshing exception. It's a sweeping survey of the strat's history, but it's a good one, is very readable, and the pictures are excellent. I have to agree with another reviewer, though, that the accompanying CD is forgettable. It doesn't detract from the book itself, however. Well worth your while.

The Stratocaster Chronicles: Celebrating 50 Years of the Fender Strat

I ordered this book for my son-in-law. He is a working musician, the owner of 30+ guitars, and the Strat is his favorite guitar (he owns several). The book arrived when promised and in perfect condition.
Having been a guitarist in my own younger life I perused the book before wrapping and mailing it. It's a stunning beautiful look at the iconic guitar of a generation, and one which continues to stun us with the purity of its sound and the simple beauty of its shape.

The book is great and images are great. However, it was completely damage when it's arrived. Scratches everwhere. dented around the corners. I bought this book new, but it looks like someone has been throwing this book around before I got it.

Vera Brittain (1893-1970) was raised as the daughter of a mill owner in the north of England. She was an intellectual who dreamed of majoring in English Literature at Oxford University's Somerville College for Women. In the post-World War I period Vera would return to Oxford taking a second in History and later winning a Master's degree.
The first third of this book deals with Vera's autobiographical description of her raising in a conservative Edwardian home. She was close to her brother Edward; fell in love with poet Roland Leighton and enjoyed poetry. She and her generation were not ready for the horrific reality of the war which would kill over 10 million people.
During the war Vera temporarily dropped out of Oxford to serve as a
V.A.D. (a volunteer nurse). She would serve in London, Malta and France.
She would minster to German Prisoners of War as well as serving with distinction. Vera's beloved Roland was killed in battle as was her brother Edward who fell in the last summer of the war. Vera was seared by these overwhelming tragedies. And yet she went on with her life serving with bravery.
As the war ended she returned to Oxford becoming a feminist and pacifist. She lectured all over England on behalf of the League of Nations Union. Vera married a World War I veteran who became an academic.
Vera would write over 25 books becoming a beloved and popular author in her native England.
This is a long book over 600 densely printed pages. It is also one of the best books about non-combat, civilian life ever written about the war. Many of the scenes in which Vera is serving as a nurse are graphic and touch the human heart with the sadness and tragic loss of a bright generation of young Europeans. This book has become a modern classic which should be required reading in any course on World War I. Several years ago it was broadcast in a miniseries by BBC appearing on Masterpiece Theatre on PBS. This is a book which will remain lodged in your memory. Do your self a favor and purchase a copy soon!

I clearly am in a minority here but I did not like this book. A peer of other notable young British writers like Robert Graves and Wilfred Owen, Britton's book stands out among the male writers of the period as giving a woman's view of the war. The problem, at least for me, is that Britton is so over come with bitterness that she flogs the reader with it from the start.

An early feminist Britton had strong views and supported her male friends and family going off to the First World War but as they fell to the german guns she, like many of her generation, became disillusioned. This is understandable but in writing her book, Britton cannot set aside her bitterness and it makes the reading ponderous and heavy. For example noting a fete in her early childhood and the bunting and flags put out she says "If only I knew then it was all meaningless." we are taken from a little girl's views to a bitter adult in the blink of an eye and it just gets too much.

By comparrison the autobiography of Robert Graves, Goodby to All That, starts out with the childish illusions being enjoyed as a child and slowly the bitterness slips into the writer's world view as he matures and is exposed to the horrors of the war. this is far more subtle and easier to read, meaning you are guided to the ponit he wants you to reach, instead of trying to bludgeon you into the mindset as Britton does.

This is a fascinating, insightful book that it would behoove many of us modern folk to read. Learn about the harder times of the past, while sipping latte in a comfy chair. You'll be thankful for today's comforts -- and today's modern attitudes towards the capabilities and intelligence of women -- after you read what it was like for one woman early in the 20th century. Simply a great book.

The word "classic" gets thrown around a lot these days. Many so-called "modern classics" are not that important, but "Testament of Youth" deserves this reprint as a Penguin Classic. Brittain tells of her early life in the north of England between 1893 and the start of World War I in 1914 in beautifully clear prose, and her clarity of thought and powers of observation make the bulk of the book, dealing with the war's impact on her, painfully vivid without ever lapsing into self-pity. Like too many others of her generation (and the next and the next) Vera Brittain learned almost unimaginable lessons about life and her own inner strength. To that extent, "Testament of Youth" can serve as both example and inspiration.

Vera Brittain came from an upper-middle-class background shared by millions of young women in late Victorian England. One thing that made her different was her great intellectual curiosity and determination to escape a truly suffocating existence that few of today's Western women can easily imagine. What made her like most citizens of the time (and of later times)was her complete ignorance of the meaning of "war." Patriotism, her social conscience, and a desire to take part in the bigger world led her to volunteer as a nursing sister with the British Army. Her grueling hospital experiences were a revelation to her. Her personal losses are even more powerfully revealing of the human condition. Brittain was a "survivor" in every sense of the word.

"Testament of Youth" is just as fresh and moving today as it was when it was written 75 years ago and Vera Brittain tells a story that must be told and retold to each generation. For every reader who finds the book "too long" by current standards (its almost 700 pages), there will be two who wish they could follow the author even further. But even if you find yourself skipping ahead, particularly in the early part, you will not be able to forget Vera Brittain or her story. "Testament of Youth" is one of the great autobiographies of the past 100 years.

Vera Brittain enrolled in Summerville College, Oxford, in a time before degrees were granted to women. This was just before The First World War changed almost everything for almost everyone. When it was over, her best friends, her fiance and her brother had all been killed. She also personally witnessed the agony of thousands in the surgical wards where she worked as a volunteer nurse.

In response, she became a suffragette, a feminist and a liberal writer and lecturer. She sought to prevent such tragedy from reoccurring.

The answers to the political and social questions with which she struggled elude us still. But Vera Brittain's autobiographical account of her generation's trials, Testament of Youth, remains both a stunningly-honest portrait of a courageous young woman and a vivid chronicle of a time almost out of living memory. Through her words we see what we might have thought, felt and believed, had we been born into her era.