History Books

This book was extremely disappointing unless you would like to know how many gallons of water it takes to illegally cross from Mexico into the United States. The author takes a liberal and sympathic view of illegals and tries to sway the reader into thinking that breaking the law is OK for these people. Give me a break. Where is the equal-sided journalism? What about the economic drain to healthcare, gang violence and drugs that these people bring into the United States? If it looks like a duck, quacks like a duck and swims like a duck then it is a duck. Illegals are illegals are illegals. Don't waste your time on this book.

"A passionate exponent of more human solutions to the problems of illegal border crossings...John Annerino, an Arizona writer-photojournalist, tells the story up close and personal in a gut wrenching, bare knuckle account...His account puts flesh and bones on the story behind the dreams, and skeletons,too," Desert Candle.

There are those who call themselves experts on the subject and those who are. John is the genuine expert. His points on the subject can only be done by being there and doing it. That is John, that is how he is. That is how he lives. A Master photographer, a Father, Journalist. His treatment on the border issue is a no-holds-barred trip into the unknown. He makes it known, he does it masterfully! When I read Dead in Their Tracks I found it to be the best publication on the subject. It should be required reading for those who are studying Hispanic Culture here at the University of Arizona! When one has the folks at ABC News and other News organizations beating on your door for your knowledge on the subject you know it is John Annerino. When you read a John Annerino book or see his imigaes you are guaranteed that you have exposed to the very best in subject treatment. Dead in Their Tracks will take you for a ride you won't soon forget.

-"Photojournalist John Annerino plunges into a world few Americans ever consider, much less confront: a pitiless trek through the southwestern Arizona Desert that can deliver a man to steady work - or to a whimpering death," Laura Brooks, The Arizona Daily Star.

-"Anyone interested in this slaughter should run, not walk, to John Annerino's Dead in Their Tracks," Charles Bowden, author of Down by the River.

-"A passionate chronicle. The story...is gripping and profoundly disturbing," Susan J. Tweit, The Bloomsbury Review.

-"A stunning portrayal of the dangers (including death) faced by immigrants eager to work in the United States," Library Journal.

-"I'm trying to illuminate the lives of those who continue to die in America's killing ground," Annerino said," abcnews.com.

-"A gripping firsthand account of crossing the Camino del Diablo in the company of Mexican nationals...Annerino's evocative words and haunting pictures make the issue impossible to ignore," Donnamarie Barnes, People Magazine.

-"The story is riveting.Annerino's writing is emotional and graphic," Ernesto Portillo, San Diego Union-Tribune.

-"Through cholla cactus and scorpions, along sands simmering at 140-160 degrees, John Annerino and four Mexican companions stumble toward an oasis north of poverty: the American dream," oneworldjournies.com.

-"The book is a testament and a memorial.Thirty pages list the known dead...Annerino deserves praise for putting this story into words and pictures," Will Chaffey, San Antonio Express-News.

-"A gripping work of investigative reporting," Nicole Davis, National Geographic Adventure.

-"Seen on CNN and featured on CNN Bokchat, John Annerino has worked on the border for Newsweek, ABC Primetime, National Geographic Adventure, and America 24/7," KmG

This book is poorly written, _utterly_ disjointed, and has a cloying sentimentality that is really annoying. By that I mean it's not at all analytical: it includes random snippets of poems, etc. that serve only to confound the reader looking for some meat. Plus, there are certain phrases like "cutting sign" that I hadn't the foggiest idea about until I looked it up. Help the reader out here.

Yeah, it's hot as hell in the desert, and it's doggone handy to have water. It sucks that people are dying in the desert and the forces that draw them to _El Norte_ are highly complex and not necessarily their fault. Still, they are breaking the law from the word go, and well they know it, and it seems to me there are worse tragedies involving truly innocent people. Plus, it peeves me to no end that these illegals have largely trashed some of the most beautiful and exotic wildernesses in the U.S. So my sympathy is just not all that deep.

The photos are for the most part of lousy quality as well. Why it took carrying several cameras, as the author claims, to produce these pictures is beyond me.

Lastly the book is VERY short, with a ridiculously long appendix addressing every single death that has occurred in this area ... newsflash: no one is going to read that.

How could the editors have allowed a book like this to go to press? It's absolutely amateurish, despite being driven by sincere emotions.

Several months ago while surfing the Internet, the name Dr. Davey popped up in association with "fluoride poisoning," the WWII "Manhattan Project," making of the "atomic bomb" and secret "human experimentation" in the 1940s. I am aware of my father's D-Day story but now, 60 years after his death, the final chapter of his life has been revealed in this incredible book. After further investigation and filling in between the lines, it is apparent that Navy Medicine, having seen X-ray reports of "fluoride poisoning" in the bones of American workers during WWII, refused to participate in a medical cover-up during the early Cold War years.

It was shocking to read "Chapter 8 - Robert Kehoe and the Kettering Laboratory" in The Fluoride Deception by Christopher Bryson. My father, LT. J. Russell Davey, Jr., MC, USNR, who died in 1948 (unknown to the author), is described on page 108 as "the offending radiologist" who inadvertently exposed Dr. Robert A. Kehoe's study regarding industrial fluoride exposure of workers at the Pennsylvania Salt Company in Easton, PA. Dr. Davey made a January 31, 1947 medical X-ray diagnosis of "fluoride poisoning" which became known to management and workers several miles away at the Pennsalt plant in Easton.

Bryson describes top officials at Pennsalt headquarters in Philadelphia as being "furious" with Drs. George Pillmore and Davey. The two Navy radiologists were not aware of Dr. Kehoe's Kettering Laboratory mission, to secretly collect medical data regarding poisoned American workers in order to protect the US government's bomb-related defense industry from potential lawsuits. The author brilliantly lays out Pennsalt's role in producing hydrofluoric acid (HF) for atomic bomb production and the resulting cover-up of workers suffering from fluoride poisoning.

Fluoride poisoning resulting in "crippling skeletal fluorosis" had been recognized in Europe since the late 1800s. In 1937, Danish scientist Kai Eli Roholm, MD, published "Fluorine Intoxication, an encyclopedic study of fluoride pollution and poisoning." Dr. Roholm reported that fluoride exposure produced a host of medical symptoms in factory workers. Most distinctly, fluoride could visibly disfigure a worker's bones, disabling them with a painful thickening and fusing of spinal vertebrae, a condition he called "crippling skeletal fluorosis."

In 1944, 26-year-old Lieutenant Davey, 6th Naval Beach Battalion, returned from the Normandy invasion and became a student and protégé of Captain George U. Pillmore, MC (S), USNR, Chief Radiologist at the Philadelphia Naval Hospital. During that period, the Philadelphia Navy Yard housed a super-secret facility using hot liquid fluoride and pressurized steam to enrich uranium for the atomic bomb. Although bomb making was an Army project, the purpose of the Philadelphia plant was to supply insurance against failure of the Army's "separation program" and provide the Naval Research Laboratory with materials for the study of atomic energy.

Bryson describes a serious accident at the Philadelphia Navy Yard in September 1944. There was a release of man-made radiation and perhaps the worst fluoride accident of WWII. "A giant white plume of uranium hexafluoride gas drifted over the dockyard." Twenty-six men were exposed, killing two and seriously injuring the remainder. The Philadelphia coroner was not told the "cause of death." Body organs of dead men were considered "classified" and stuffed into a briefcase becoming the property of the Manhattan Project Medical Department. Years later, a Navy doctor explained to injured nuclear scientist Arnold Kramish that when fluoride gets into your bones, it "stalks you the rest of your life."

The following year after the accident, Dr. Davey was ordered to a Naval Special Hospital, Camp Wallace, Texas to serve as Chief of the X-ray Department in a 1,000-bed-hospital. After retuning to Philadelphia in May 1946 and relieved from active duty, Drs. Davey and Pillmore teamed up in a radiology practice 65 miles north of Philadelphia in Easton, PA. Dr. Pillmore established a Naval reserve unit that included Dr. Davey and about 30 medical doctors in the Easton area.

Bomb making was under the purview of the US Army during WWII. The Army maintained that "fluoride poisoning does not occur in the United States." However, the Navy Medical Department Cold War position on "fluoride poisoning" contradicted the Army Manhattan Project Medical Department. In 1946, Captain George U. Pillmore published Clinical Radiology: A Correlation of Clinical and Roentgenological Findings, Volume I & II, with 1,558 pages. LT. Davey was a contributing author. Navy Surgeon General Ross T. McIntire, Vice Admiral, MC, wrote in the Forward that X-ray examinations are "often the magic key in diagnosis."

Clinical Radiology states, "The source of fluorine intoxication include: (1) drinking water containing one part per million or more of fluorine, (2) fluorine compounds used as insecticidal sprays for fruits and vegetables (cryolite and barium fluosilicate), (3) the mining and conversion of phosphate rock to superphosphate which is used as fertilizer. (The fluorine content of phosphate rock is about 4 percent. During conversion to superphosphate, about 25 per cent of the fluorine present is volatilized.) (4) The fluorides used in the smelting of many metals, such as steel and aluminum, and in the production of glass, enamel, and brick....In 1932, Moller and Gudjonsson described a peculiar form of bone sclerosis in workers exposed to cryolite dust for a number of years. Since that time there have been many published reports of chronic fluorine intoxication and its effect on the osseous system."

Guided by a group of corporate attorneys known as the Fluorine Lawyers Committee, Dr. Kehoe's Kettering Laboratory conducted secret research in order to defend fluoride on behalf of a group of corporations that included Pennsalt, DuPont, Alcoa, and US Steel, all of which faced lawsuits for industrial fluoride pollution. Kehoe's aim was to block scientists from serving as effective witnesses in court cases. Manhattan Project Chief Leslie R. Groves wrote a February 28, 1946 memo to the Chairman of the Senate Special Committee on Atomic Energy, advising that "the Department of Justice is cooperating in the defense of these suits."

Unfortunately for the plaintiffs, Dr. Kai Eli Roholm, the world's leading fluoride expert who visited this country just after WWII, died March 29, 1948. The brilliant Danish scientist was regarded highly by the medical profession but now would be unavailable to provide testimony in the fluoride lawsuits. Dr. Roholm's death was "a tragedy for all who rely on scientist to tell them the truth about chemicals they handle in the workplace and the risk from industrial pollution." The 46-year-old physician left a wife and two young children.

Dr. J. Russell Davey, Jr., the young Navy radiologist who exposed Dr. Robert Kehoe's scientific cover-up of fluoride poisoning, died suddenly June 5, 1948 of undetermined causes. The 30-year-old physician left a pregnant wife and three young children.

In 1949, US worker fluoride lawsuits resulted in no compensation. Former Manhattan Project toxicologist Harold C. Hodge, coordinator of the secret human radiation experiments at the University of Rochester and the nation's leading fluoride expert, wrote in 1965 that "crippling fluorosis has never been seen in the United States."

In easily readable style, investigative journalist Christopher Bryson reveals the appalling truth about how an industrial waste product with toxicity equal to that of lead has come to be dumped in our drinking water. Researching official documents from the years of World War II and the cold war of the 1940s, declassified in the 1990s after 50 years, Bryson tells of the lies and the cover-ups, names the multi-million dollar corporations and the people involved, and through rigorous footnoting, his source documents. This book is a must-read for all those wanting to know the shocking facts about how, through misrepresentation of the results of scientific research and skillful propaganda, unsuspecting communities have to been made to believe that a toxic industrial waste product is completely harmless and will prevent tooth decay.

This book is far better researched than the material that consumer use of fluoride is based upon.

Very scary!

It's all about a substance that has been placed in our municipal tap water for the last sixty years. It is classified as a non-approved drug, but is prescribed to everyone without our consent, without public debate, and without dosage instructions for each individual. It amounts to mass medication without consent. This is the main reason that 98 percent of Europe will not fluoridate. In fact, most of the industrialized countries of the world do not fluoridate. And, statistically, their oral health is just as good as in the U. S..
Extremely detailed and thoroughly researched, this book cannot be recommended more highly. Bryson spent ten years digging into the dark depths of government and industrial deception to produce an eye opening revelation concerning the health of everyone who is a victim of the risky practice of fluoridation.
Upon reading the information in this book, I personally visited the website, [...] to discover a treasure trove of detailed information, both scientific and popular about fluoride, its politics, and its adverse health effects, and how to reduce exposure to the substance (which proves to be quite difficult).
However, nothing convinced me more solidly than my personal experience. Once I had reduced my exposure to fluoride for only a week (by distilling our tap water and using "organic" foods when possible), twenty-five years worth of "mysterious" symptoms that had confounded my doctors simply went away, ..... vanished. My symptoms were diagnosed as depression, arthritic pains, muscle aches that really shouldn't have been there, cloudy thinking, and several other problems that came and went as drugs were prescribed to mask each new symptom. But, nothing worked as well as simply drinking clean, pure water. (I found out later that it is estimated that about five percent of the population is particularly sensitive to very low doses of fluoride. I can only guess that perhaps I am one of the five percent).
I have spoken with expert toxicologists both corporate and with the EPA. They have all confirmed what Bryson explains in this book. In fact, the union that represents the EPA's scientists and workers in Washington, D. C. continues to publicly recommend that all fluoridation of municipal water systems be stopped. This is in direct opposition to the stance taken by the administration of the EPA.
Despite being painted as crazies and loonies by the pro-fluoridation corporate and governmental lobby, I can tell you that all of the people I have met who are working against fluoridation are intelligent, forthright, and not willing to be led like sheep when they feel an injustice is being done to others. Rather than dedicating time to deriding the credentials of their opponents, they use logic and scientific evidence to patiently explain why fluoridation should be stopped. They really care.
I sincerely hope that Christopher Bryson's thoughtful exposition will find its place as one of America's finest exposures and examples of how science and the truth can be distorted and twisted by money and influence until even the experts are convinced that something inherently dangerous is safe for everyone, no matter what the dose.

I read this book as part of a book club and was absolutely amazed at the history of lies and chicanery associated with flouride in our water, toothpaste and dental use. If you want validation of what is in the book look no further than the January 2008 issue of Scientific American who interviews and quotes many of the scientists whose stories are found in this book.

I used to think that anti-flouridationist were cranks, based on the way they are characterized in the media and by folks in public health. Now I am seriously concerned about the level of flouride in my drinking water and trying to figure out how to protect myself and everyone else I can. Do yourself a favor and get educated. The public health implications, including the risk of neurological damage in the very young and arthritis and other unexplained disorders in adults is worthy of great concern. Especially when you realize that adding flouride to water was initially done to whitewash and to undermine concerns that this industrial pollutant (from coal mining and steel production among others)was poisoning communities and workers.

I have the 2nd edition of Bauer (the BAGD) and this 3rd Edition (the BDAG), and this is just excellent. The definitions help a relatively novice student such as myself to get a much better feel for what words mean than just simple one word definitions which cannot possibly present the accurate sense in most instances. For serious study of Biblical Greek issues, this is a wonderful tool.

The text is very readable. The cross references are thorough. The binding and paper quality excellent. The biggest problem is the size of the work as it is quite large. I would like to be able to purchase an electronic version to allow quicker look-ups, and potentially better cross referencing within the lexicon itself.

The BDAG is about the best lexicon out there in my opinion. Yes, it is expensive, but it's got the scholarship behind it, has MORE words than the Greek New Testament has in case you need to study extrabiblical literature, and also has expansive definitions.

Highly recommended.

It is the best lexicon of the Early Christian Literature (NT included) available, because its entries are characterized by excellent classification of the meanings, because it gives sound grammatical-syntactical information of the words, it gives plenty of examples with proposed renderings of specific passages, it discusses difficult cases, it refers briefly to the origin of the Early Christian Literature words and it adequately presents their contemporary extra-Biblical usage. Something else very important is the rich and updated bibliography that is provided.

In other words, it is a great improvement and expansion of the Grimm-Thayer lexical tradition, but, comparing to Grimm-Thayer, it gives lesser attention to the LXX usage and the Hebraic background of the NT words. Allow me to consider this an imperfection of the BDAG that forces the reader to buy also a LXX lexicon or a theological one (such as the TDNT abridged or the EDNT) in order to have a more spherical view of NT Greek, but I have to admit that nothing vital is missing. The second drawback is the price. Finally, a couple of times I have noticed mistakes in the etymology; but, of course, this is not an etymological dictionary, neither does it claim to be one.

This review willl cover four Greek New Testament lexicons: Bauer, Abbott-Smith, Thayer and Souter.

For many years, I had resisted purchasing a copy of Bauer, et al's mammoth (7 ¾" x 10 ¼" x 2 ¼") Lexicon of the Greek New Testament. Yes, it had a great deal of data. Yes, it shared insights from contemporary literature which shed light on word meaning for words used rarely in the New Testament. However, it was an absolute pain. The layout made it difficult to find what was needed, and it seemed quite easy to lose the forest for the trees in Bauer's 1st and 2nd English editions. Frankly, I preferred George Abbott-Smith's Manual Lexicon, and availed myself of Bauer at the seminary library only as needed. Now the available choices have changed, and for the better.

Bauer's 3rd English edition is a marvel. Everything the other reviewers write about its clear typeface, and intelligent use of bolding and spacing is true: it's a joy to use. A bit heavy, but it's worth it. The actual definitions as opposed to glosses are also a plus. All of this combined means that all of the data produced by scholarship is far more useable. Thank you, University of Chicago! I was willing to shell out the not insubstantial price for it, and have no remorse, it was money well spent.

Have I kicked Abbott-Smith to the curb? No. His Manual Lexicon is older (1937), but still makes use of the bulk of the papyri discoveries. He provides a quick reference for the Hebrew words underlying the Greek when that word is used in both the New Testament and the Septuagint (LXX) translation of the Hebrew Scriptures. He also provides numerous though not exhaustive Scripture references for each entry, making this lexicon reasonably functional as a concordance. With all this, I can still tote around Abbott-Smith (8 ¾" x 5 ¾" x 1 ¼") in my bag. It has yielded pride of place in my study, but for now at least, it's still a keeper.

Two others are worth mentioning. Thayer is old but still in common use because Hendrickson has put out a very cheaply made version which is keyed to Strong's concordance. Of course, if you're using Strong's as the basis for exegesis, you might want to wait on a large lexicon and invest in some Greek training. Thayer wrote prior to the papyrus finds that really altered our understanding of Koine Greek usage, and so is not as good a choice as the others reviewed here.

Finally, there is Souter's little gem of a pocket lexicon. He is post-papyri (1917), and offers pretty accurate glosses for the words listed. Hard not to like Souter, it's quality made from Oxford, red with gilt lettering, and is roughly the same size as the NA-27 Greek New Testament, meaning it fits in your pocket easily. While you don't want to use it for serious exegetical work, you also don't want to tote Bauer around with you everywhere. There is another small lexicon from the United Bible Societies which is nicely made, but not as worthwhile as Souter. As a Greek expert pointed out, it basically uses the RSV translation as the lexical definition.

Bauer, et al: 5 stars
Abbott-Smith: 4 stars
Thayer: 3 stars
Souter: 4 stars

I purchased the second edition of this volume when I was studying Greek at Denver Seminary, back in 1989 as it was highly recommend by my Greek professor. And I used it quite a bit during seminary and even after that in my personal Bible studies.

When I began work on my Analytical-Literal Translation of the New Testament: Third Edition (ALT), I got the BibleWorks 7 software program. That program has several lexicons that come standard with it, and it is a lot easier to use those lexicons than to look up words in this volume. But even with that program, with wanting to be exact as possible in my translations, I would still check Baur on occasion as it contains information that is not found in BibleWorks. Most especially, this volume indicates how words were used in extra-biblical literature. And this info can be a great help in getting an idea of how a particular word was used at the time the NT was written.

For instance, I depended on information in Baur to decide how to translate the plural of "adelphos." Most lexicons give definitions like "brother, fellow Christian, fellow believer" (Friberg on BibleWorks). But Baur's lexicon indicates "The plural can also mean brothers and sisters" (p.16). It then gives specific examples of this usage in extra-biblical literature.

This concurs with what I was taught at seminary that "adelphoi" was used to refer to a group of only men and to a group of both men and women. So I decided that the best way to render this word was to use "brothers [and sisters]." This rendering indicates the term definitely includes men but might also include women (e.g., Rom 1:13).

So this lexicon can be very helpful in pinning down the exact usage of words. But it is very expensive, and I see it is now available as an add-on for BibleWorks. Given the expense of the new third edition and of the BibleWorks add-on, since I already own the second edition, I won't be getting either of these. But if you don't own a previous version and intend to do in-depth Greek word studies, then either this hardcopy version or the BibleWorks add-on would be worthwhile.

The ilustrations in this book portray you to another book that perfectly capture the original paints.

I read Edgar Rice Burroughs novels as a teen and will never forget the impact of the Frazetta covers. His heros, the settings and the creatures were so wild and vivid; plus I think he definitely set my ideals of feminine beauty for life. This collection is a must for anyone who wants a good biography of F.F. along with some great reproductions of his best work.

Frazetta is great and this book is swell... however (as one other reviewer also experienced) the cover came off my book after I had it for only one week! I couldn't believe it! To credit of the publisher they did send me a replacement. I think I will buy the sequel now. Too bad it's only available in hardcover, but at least that way the cover is much less likely to fall off. As for the third book, it seems to be completely unavailable except to those who are willing to pay over a hundred dollars for it!

Words cannot describe the beauty and passion in Frazetta's work; This book is filled with amazing art, from the original sketches to the final product; Lots of personal photographs and insightful narratives help to make this a satisfying package, but the artwork alone makes this book a must have. From his early career doing comic books and movie posters, to the grand scale of his fantasy art, this is a book that is sure to excite any and all who have a shred of creativity within them. Totally inspiring book!!!

When people think of fantasy artwork, they might think first of those Conan and Edgar Rice Burroughs paperback covers, or a berserker warrior on horseback, corpses of foes beneath him and dripping weapon above him. People think of Frazetta first, whether or not they know it's him they're thinking of. He's also done recognizable work for Mad magazine, Little Annie Fanny for Playboy, posters for Peter Sellers movies, and lots more.

Frazetta has done plenty of work in ink, especially for a range of comics, but his oil paintings are best known and most heavily represented here. It's easy to see how he became the inspiration for an entire generation of fantasy artists, and probably well into a second generation, too. No one captures the rippling sinews of barbarian warriors like Frazetta does, or beasts, half-men, dungeons, jungles, and every other fantasy-scape that he's rendered. Above all, no one comes close to the lush, rounded figures of his female characters. They can be warriors and wizards in their own right, or eldritch spirits, or even savable maidens. Some, as in "Moon's Rapture" or the standing figure in "Rogue Roman", show a rich and womanly figure at rest, but somehow promising as much raw physical power as any man.

I recommend this collection to anyone passionate about illustration or fantasy art. Any one of his paintings can be an entire course of study for a budding artist. They can also be seen as powerful narratives in imagery, or as a jumping-off point for dreams of far-away worlds and heroic adventures.

-- wiredweird

Took this book very seriously as I love Wendy, and see her closeness to God on God.TV. It is full of personal warnings for us all, and for all countries of the world!!!Very informing!!

This book "Journal from thr unknown phophet" is a must read if you want to know what God is telling us about the future. It speaks to my spirit more than any book I have ever read. If you believe in the phophet, and I do, then this is the book to have..Judy

I was not sure what to expect when I started reading this book. I have not fully completed it, but have read many of the chapters - multiple times. The words of it are so bathed in love and forgiveness. It is a wonderful insight into the tremendous love of God for His creation, to heal their hearts and restore them from sin and brokenness, and from what I have read it is all in keeping with the Bible. It has ministered to me tremendously in my growing relationship with Christ.

I would like to give another point of view regarding the view of Charles Buntin "mainto4". I do agree that we must be very wary of anything, which claims to be God speaking. It MUST stand up to the scrutiny of scriptures. And in the same token we should be careful not to "throw the baby out with the bath water."

Whether it is the still small voice that warns us against choosing sin, or the nudging to pray for a friend we have not heard from in a while - and subsequently discovering that they were in the midst of temptation, turmoil, or a big decision, God still speaks to us today. His communications will ALWAYS be subject to the written Words of God, which make up the Bible. So this is not Mormonism, or some other writing, which seeks to take equal importance along side the Bible.

I have a good friend who is a pastor in a large denomination and he holds a view that any attempts at modern day "prophesy" are an "adding onto God's Word" yet he and many pastors in that denomination will use the term "God impressed upon my heart" and will speak of how they minister to someone via the "words impressed" on their hearts and how it was just what that person needed from God.

Prophesy is merely communicating what has been communicated to you. Scripture records the following conversation between God and Moses in the following verse...Exodus 4:16 [Aaron] will speak to the people for you (Moses), and it will be as if [Aaron] were your (Moses) mouth and as if you (Moses) were God to [Aaron]. So is what is being "impressed on the hearts" of the pastors of the large denomination not prophesy? Yes, it is prophesy. It is communication.

God still speaks! I Corinthians 14: 3 But those who prophesy speak to people for their strengthening, encouragement and comfort. The genuine communications of God will lead us deeper in our relationship with Him and His Word - the Holy Bible!

Thank you,

Blessings!

I loved this book and I enjoyed reading it so much, I'm going to reread it
very soon. It was as if the Lord was talking directly to me. It is so loving, kind and gentle. I know that nothing in this world really matters
because it will all pass away. The only thing that reallly matters is the
love of God the Father. I felt that love when I read this book. I thank
Wendy Alec for sharing these prophecies with me and whom ever reads this
book. And also the prophecies she shares on God TV.

I highly recommend that every believer in our Lord should read "Journal of the Unknown Prophet" by Wendy Alec. This is truly a love letter written to the church by our Lord and Savior Jesus Christ! The Lord used Wendy Alec in a mighty way to bring this book about!

this book covers everything about aba even bob costas said this book has it all so he wont write on about his time in the aba. 2 chapters on wackiest team ever spirits of st louis and tells of the greatest money deal ever by the silnas that will go on for ever. have read over and over and still enjoy can pick up book any chapter and start reading fun to read and very interesting

Thanks to other reviewers here, I discovered this book. They made it sound worth buying, sight-unseen, as it certainly was that. This book is extremely entertaining. It's a fast read and a very funny book. It was tough to put down each night.

I knew the ABA had some great players but I didn't know much background on them or some of their feats because very few ABA games were televised. After reading this book, I really feel I missed some incredible basketball by some very exciting players. It was a crime the nation missed seeing many of these cagers in their early days or in their prime.

You get fascinating portraits - good and bad - of some wonderful guys and some real jerks, both on the court and in the front office as this upstart pro basketball league tries to compete and survive against the established NBA. You read about the stars and some of the wackos on the bench.

Kudos to author Terry Pluto for picking out some incredible stories. I was actually sad when I came to the end of this book. It had entertained me all week as I savored it, chapter by chapter. In each chapter, we hear accounts of a certain subject from different people. For instance, a young "Bobby Costas," in his first job as an announcer (for the St. Louis Spirits), gives us some hilarious accounts, as do others.

When I was finished I was so impressed, I ordered through Amazon two more sports books by Pluto.

I rank this book right up there with "The Bronx Zoo" and "Thin Ice - A Season in Hell with the NY Rangers." It is a captivating book that is very difficult to put down once you begin reading it. A++++!!!!

If you were a fan of the ABA growing up this is the book for you. For some reason I just loved the ABA. To read about the beginning of the league and all the trials and tribulations the league went through is funny. Players I remember as a kid come to life. The Doctor, Lou Dampier, Dan Issel, Artis Gilmore, Laverne Tart. They are all here. The only challenge is that the book is narrated by many former participants and at times it is hard to remember who each person was. However, this is a minor criticism. This was a great book to read and brought back a lot of memories.

If Amazon was really on the ball, they would pair this book together with "Going Long," the book about the old AFL - both are entertaining, hilarious at times, and just great reads - you start to see a connection between the leagues in a way, the startup antics, the dubious franchises, and the hilarious happenings. If you are a sports fan or not, you have to get this book - it is hilarious and an absolute joy to read!

This is a great tutorial and reference for anyone considering writing a comic book for the first time (or perhaps someone more experienced who'd like to get a fresh perspective and/or deeper understanding of fundamental structure). Scott has taken all those elements that go into making a good comic book (that you've probably noticed subconsciously but couldn't put into words) and laid them bare with expert analysis.

The analyses and guidelines are presented in a light-hearted, comic book format that is both entertaining and enlightening. You won't find yourself getting sleepy or distracted while reading this book - and you will understand every concept with perfect clarity, even if you are a complete novice.

Get this book! I found it at my local library and read it twice (cover to cover). I plan to buy it so that I'll have it handy for reference as I plan and begin drafting my first comic book.

Highly recommended.

I've always found it fascinating to imagine how a comic book author/illustrator creates the stories and images that appeal so much. Having been a non-fiction book author for many years, I have a firm understanding of the writing process. I sometimes pick out a few illustrations to put into a book.

But building a story around the illustrations, that seems like a trip to the planet Neptune to me. I was very pleased to find that Scott McCloud is very good at explaining (and illustrating) the creative and production processes he uses. I was delighted when I realized that he had also described how an individual could make a few comics to share with friends.

With computer art getting to be easier to do, I can see that there's even hope for those of us who couldn't draw out way out of a paper bag.

Mr. McCloud has the kind of mind that sees everything in perspective, in this case as facets of an overall story-telling task. He always has the goal of engaging the reader in mind and relates his points well to that purpose.

The work is impressive at another level . . . it's a masterpiece of providing instruction. The book shows more than tells, as a book about comics should do.

If Mr. McCloud ever tires of making comic books and graphic novels, he should go into explaining non-fiction subjects. He would make a fortune!

Well thought out, well written, quality throughout. I like this book the best so far; the previous weren't as appealing as this but were still very well done. The author really practices what he preaches as far as his message and the book speaks for itself. You won't be disappointed. Looking forward to the new books!

Scott McCloud's "Making Comics" is a must-read for all aspiring comic artists. This book is very different from other comic technique books. While most other books will teach you how to draw characters or backgrounds, this one teaches you how to tell stories. McCloud goes in depth into what makes a good story through pacing, image choice, layout, words, facial expressions, among many other factors. All of the instruction is given in comic form, so it is very easy to see how the techniques are implemented since he shows you right on the page. I particularly like the section on facial expressions. He has a very inventive method of using basic facial expressions and then mixing them to create totally new facial expressions. It has to be seen to be believed.

If you're thinking of starting to draw comics, or if you're on the edge of giving up comics because you just can't get it right, this will give you the inspiration to keep trying. If you're a great artist, then you'll come to a better understanding of the techniques that you use. I definitely recommend reading this book.

When my grandparents got me this book, I didn't think it could help me. I was looking for a "How to Draw" not a "How to Write". This book proved me so wrong. I couldn't believe how much fun it was to read, and it helped me a lot too. Almost everything I thought I knew was proved wrong and after reading it I felt like I understood comics so much better. As well as making me better at writing comic books, it made me a better writer altogether. I strongly recommend this book for anyone who is interested in comics or in just plain writing or art.

I have just finished 'The Master of Verona' and I must say I've a sort of bittersweet taste in my mouth.
First things first: I am a Veronese and for us tales of Cangrande e Dante are the stories we grew up with, almost every corner of the old town is linked to them in some way, so I'm a bit sensitive about a novel featuring both of them.

I like history and I like historical novels, and I realize that novels take liberties with history to tell a good story, and The Master of Verona *is* a good story, but, there are a few things that marred my enjoyment.

The use of Italian in the novel is often awkward,for instance no one would say 'Signore Montecchio' in addressing another, it would be either 'Signor Montecchio' (rater modern-sounding) or, in the old way, 'Messer Montecchio'. It probably doesn't mean much for the average reader in English, but for someone who knows Italian this sort of repeated little mistakes is comparable to the irritation of driving over a bumpy road.

In chapter 17 (page 218 of the trade paperback ) at the beginning of the horse Palio, a rider utters, in Italian, what is defined immediately after as a 'joyful curse'. I believe Mr. Blixt was somehow misled, since what the character says is, in fact, a very strong blasphemy. I do not object to strong language when it has a reason to be there, and mr. Blixt's use of it is definitely not gratuitous, so this faux-pas (I don't think it was intentional)definitely stands out.

I like many characters in the book and I feel their relations and their development are well done, Pietro is a likeable protagonist, young Cesco is intriguing, Immanuel Ben Solomon and Gemma Donati have interesting cameos, Cangrande is the Cangrande we in Verona are proud of...up to the last 20 pages.
I felt that I was led to like Cangrande, almost revere him, until the final dialogue with Katarina. In a way I think I felt just like Pietro did: betrayed, if this was mr. Blixt's aim no doubt he succeded, but that's not really how I like to feel at the end of a book.

A last note to those who wonder after reading 'The Master of Verona'. Scholars have debated for centuries about the real meaning of the 'Veltro' prophecy in Dante's Inferno, lots of interpretations have been proposed, there isn't and never has been a consensus, Dante's other writings don't shed any light on the matter.

This book is like watching the play of Romeo and Juliet with DVD commentary. This supposition of the origin of literature's most famous feud is well paced, well thought out, and gripping. Delightful characters abound. I'm looking forward to the next installment. Read it, read it, read it.

Rich, real characters to FANTASTICALLY-imagined landscapes to a true and heart-wrenching love story epic in its scope, and powerfully sound in its execution---- This book has got it ALL!!!

When I started reading this book, two things were apparent from the get go: the author of this book knows what he is talking about and this will be a book I will not want to put down! I have been a historical fiction reader since the second grade and have read many complex and heavy plots in this genre since that time. I think that any reader of historical fiction knows how hard it can be to keep names straight and battle scenes are often next to impossible to understand--I often skip them. While the plot of this book is complex, the names are foreign and numerous, and there are many battle scenes, the book is always clearly written and easy to follow. Reading this book is like watching it being performed before your eyes. The images are clear and exciting, and I missed the characters when I had to put the book down even for a second. The research that went into this book must have been extensive. This book will make you learn, it will make you think, it will surprise you in the end, and it is all wrapped in a fast paced, enjoyable package. The book is long, but when I was through reading it, I wished that it was longer.

When I first began this book, I thought I may have trouble keeping the characters and locations straight. However, within the first few pages, I was completely engrossed in the story and the lives of those portrayed. Blixt cleverly includes maps and a "cheat sheet" which describes the characters' relationships to one another, as well as which ones appear in history and in Shakespeare. The book is well-researched and the attention to detail makes it all the more interesting. I can't wait to read more!

I was very pleased with the depth of this book. The amount of work and research that was done is obvious. This book is intense, with an active imagination you can almost feel the pain and horror this child endured. Excellent job of writing with a presentation that is unique. (Special note to Eric) Thank you for writing this book. Sylvia Baker, CRNI

This book is a book that anyone who is considering a career in any type of child services needs to read. I myself am going into social services and this book made me realize what I will be seeing on a daily basis. Mary Ellen was such a brave little girl and I applaud her for surviving her early life!

The book Out Of The Darkness is an awesome book. It shows the hard time that a little girl named Mary Ellen had to go threw. She has such a hard life, but in the end everything work out. I recommend this book for everybody. This is an outstanding book, everybody should read it.

I'm Eric Shelman, co-author of Out of the Darkness. I just wanted to ask that if you buy this book, come on back and write a review of it when you're done. I've never had anything but positive feedback about it, but others can use YOUR personal experience with it to better judge it prior to purchasing. I thank all of you who have read and commented on our book.

The authors of this book have created a wonderful window of understanding how child abuse/neglect has evolved over the years. This book should be required reading for anyone interested in the human service field. Through the heart-felt story of Mary Ellen, we can see why there is such a strong need to protect children and continue to evolve for many more years. Thank you to Shelman & Lazoritz for telling such an important story.

I have read this book quite many years ago, or just two, and I can honestly say it's beautiful in the most breath-taking way. The photographs are seriously impressive and I don't think you've ever seen snowflakes quite like that. The text is great as well and you get to learn a lot of things about snowflakes.

Don't think this book would "steal" the mystery of snowflakes, as with everything in life, the more questions are answered, the more questions. So with this book.

I recommend it to anyone interested in snow and snowflakes in particular. It would make a wonderful gift, also. I can't recommend this book enough.

This handsome book should motivate the reader to appreciate -- perhaps even delight in -- every snowfall. The photos are superb; they are often curiously interesting and always a visual feast. Libbrecht provides an easy to understand description of the formation of snow crystals (not all of them are flakes, he points out.) The book will encourage some readers to want more, and Libbrecht provides a companion volume -- a Field Guide -- for that purpose. This is more than a mere coffee-table volume. Libbrecht makes the physics behind the snow crystals not only understandable, but charming. Libbrecht uses clear prose without "dumbing down" the science. Now, if Libbrecht will only produce another volume with 3D or stereo views...!

The photos in this book are breathtaking! This makes a great gift for a hard to buy for person. I bought it for my father and he loves it!

Exellent book on snowflakes. Great photos and educational info on the formation , etc. This book makes a great gift.

Well written, with unparalleled photos of snow crystals. The book contains accurate physics, nice insights into snow crystal morphology and growth and is at a level that will engage almost everyone. Enough information here for a physicist to enjoy the book, but presented in a way that will not intimidate the layman. Just gazing at the pictures of the snowflakes will inspire wonder at the beauty of these little ephemeral creations, and is an antidote for frazzled nerves any time of the day, in any season. I've bought several to give away and one for myself, and it probably won't be the last one.

The reviewer below who thought the author doesn't give enough credit to God for the amazing design of the snowflake, may be a little too demanding. Perhaps the author thought the little crystals speak for themselves, and lets the reader draw his own conclusions. I can't look at these beautiful pictures without marveling at a God who is so creative He doesn't "know when to quit"!