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A Book With A Great Lesson (And one minor flaw)Review Date: 2004-11-22
Good Not Great Story,Review Date: 2004-07-08
Double Vision in CarnivalReview Date: 2003-04-26
A Luminous PortraitReview Date: 2003-09-27
Alan Cambeira
Author of AZUCAR! The Story of Sugar (a novel)
I felt as if I was back In TRINIReview Date: 2002-03-04

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Poetry Always was the New Rock & RollReview Date: 2004-06-16
Dylan, whom he refers to as "The Changing Man" in Chapter Three, was the chameleon-like performer who picked up, and discarded new personas and new musical styles at the drop of his very famous hat. The obvious example here is the infamous "electric tour" where Dylan was heckled and called "Judas". This abuse was, the book shows, not only for his perceived betrayal of the acoustic folk movement, but also a reaction to the contempt with which Dylan treated his audience. Dylan had always been a confrontational performer, and his response to such attacks was to become louder and less acoustic than ever. What David Boucher also shows is that this signified a shift from the community centred ethic of the folk movement to the excessive individualism and nihilism of the Beat poets who through the drug culture wanted, like Rimbaud, to experience the extremes.
In other chapters the myriad influences on both performers are examined as well as their involvement with political and religious organisations. Finally David Boucher gives us an insight into the road travelled by both men in search of their own personal salvation.
Bob Dylan and Leonard Cohen are complex men and complex performers. To listen to, or to read the works of either man is always challenging. In this book the author has written an analysis that is equally challenging exploring, as it does, the anger and the angst of the 1960s and beyond. I enjoyed every minute of the challenge.
Take This WaltzReview Date: 2004-07-23
Throughout the book, Boucher weaves explorations of various aspects of the lives and cultural context of Dylan and Cohen that strongly affected them and their work. These include the civil rights movement, drugs, women, sexuality, God and religion, what it means to be reluctantly identified as the voice of a generation, and -- particularly for Cohen -- the holocaust. Boucher also explores the influence of other artists on their work, from Woody Guthrie for Dylan to Lorca for Cohen, as well as the influence that Dylan and Cohen had on each other.
Just as Dylan and Cohen make poetry an accessible part of popular culture, with equal skill Boucher makes philosophy of art and interpretation accessible as well. He points out that our experience of lyric poetry is informed by the questions we bring to it and he explains that the richest experience is to be had when the most appropriate questions are asked. Boucher uses the theories of several philosophers such as R. G. Collingwood, Henry Jones, and Michael Oakeshott, to identify which questions are most appropriately asked of particular works at particular moments in the artists' creative development. He also shows the fruitlessness of asking the wrong kind of questions of a particular poem, as is the tendency of many thinkers. He describes various forms of artistic expression: pseudo-art, or art as magic; art as the expression of emotion, or imaginative art; and inspirational art, or poetry which delights in images. He then demonstrates how, at various stages in Dylan's artistic development, his work takes all three forms of expression, whereas Cohen's work primarily takes the form of the last two. He then offers examples from their poetry to illustrate which form(s) of expression is/are being inhabited by a particular work and he supports his demonstrations with quotations about their work from the artists themselves.
Finally, Boucher helps to bring the period to life for his reader by including several pictures of book covers, concert and film posters, magazine covers and various photographs. The overall result of the book is that Boucher successfully positions his readers to have a richer experience and a deeper understanding and appreciation of the lyric poetry of Bob Dylan and Leonard Cohen.
Sad Eyed Lady of the LowlandsReview Date: 2004-06-16
How lovely does it get...?Review Date: 2004-06-11
It is clear from this eloquent book that neither Dylan nor Cohen wished to speak for anyone but themselves and equally clear that the strength of their work would be seized upon by a generation looking for a new direction. Thankfully they both continued to write through their tribulations and we have a bank of some of the most evocative music to continue to listen to.
I urge you to buy this book but with a word of warning: you won't want to stop reading once you've started.
Compulsively ReadableReview Date: 2004-07-10

The most wisdom ever in such a skinny bookReview Date: 2002-11-22
What a book! Don't pass it up!Review Date: 2000-08-04
It EncouragesReview Date: 2001-10-18
Best Christian inspirational book I've ever readReview Date: 2003-03-19
Very motivational and inspirationalReview Date: 1999-10-03

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Practical advice on "Living with God" here on earth.Review Date: 2003-04-15
Best book I have read in the last yearReview Date: 2007-10-01
Learning to live with God every dayReview Date: 2003-04-14
A BEAUTIFUL WAY OF LIFEReview Date: 2005-08-27
A fresh perspective on living in the presence of God.Review Date: 2002-11-29

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A triumph over evil, a journey of a man's lifeReview Date: 2008-05-04
Great Job Sol!Review Date: 2007-08-18
Escape to Live S.L. Berg Review Date: 2007-04-09
Engrossing, exciting fast read.Review Date: 2007-02-17
Excellent book of love - and triumphReview Date: 2007-10-19
Escape to Live is a beautifully written book that will make those old enough remember, those of us too young to be amazed that so much horror truly transpired. From that horror came a more unified world..
Excellent reading.


Farewell Rebus?Review Date: 2008-09-24
Rankin used the self imposed limitation of the last ten days of Rebus official career very well. The action is taut and well plotted and the descriptions of people, places, and things are spot-on.
By now, Rebus is like an old friend who drops in for a short visit every year or so. You are always glad to see him, you get nostalgic over the good times you have had together, you are shocked by how old they have gotten, which reminds you of how old you are getting, you get annoyed by the same things they have always done, and you are sad whenever they have to leave. In this case, there is a finality to the departure, yet you are not sure if that finality is terminal. It is somewhat confusing.
I thought the awkwardness depicted between Rebus and Clarke is well written and realistic. It is very tricky to describe the interaction between people who have known, liked, and hated each other for a long time, especially when a landmark is approaching in their relationship.
The crimes being solved in this case was interesting but I thought some of the turns were a little too pat. That didn't stop me from enjoying the book, nor does it stop me from jonesing for more Rebus and Clarke.
Exit MusicReview Date: 2008-09-18
In the mix is a delegation of Russian businessmen, Scottish politicians and a large bank and its executives all seeking to bring business to Scotland. And then a leading Russian dissident poet is found murdered, and everyone wants to sweep it under the rug as a mugging gone bad. But is it? Neither Rebus nor Clark is convinced, especially when a second murder caused by an arson fire seems to be connected to the original case. To complicate matters, Big Ger is assaulted and left in a coma, and Rebus seems to be implicated.
This novel is as good as Rankin gets in the way of a mystery novel, and he works in commentary on Scotland in general, Edinburgh, money, politics, greed and power. Where does Rebus go from here? This reader (and many others, I'm sure) hopes Rankin hasn't permanently retired him--he's too good a character to fade out of existence.
Highly recommended.
It's Not the Underworld You Need to Worry About, it's the OverworldReview Date: 2008-09-18
DI John Rebus is retiring in November of 2006 and he and his erstwhile protégé, DS Siobhan Clarke, are working on clearing up Rebus' old cases, when a dissident Russian Poet is murdered in an apparent mugging right after he left an Edinburgh bar in which local crook and longtime Rebus nemesis Morris Gerald Cafferty had been drinking.
Meanwhile Russian dissident Alexander Litvinenko is dying in a London hospital, poisoned by person or persons unknown. Are the cases related?
The poet was murdered during a time when the Edinburgh big wigs are hosting a group of potentially very large Russian investors and the brass wants this case wrapped up as quietly and delicately as possible. Then somebody attacks `Big Ger' Cafferty and the blame lands squarely on Rebus.
Think he's gonna back off? Not a chance.
Rebus and Clarke chase down leads that eventually take them to the Scottish Parliament and we all know how much politicians like to be investigated. And if you've read or learned anything at all about John Rebus, you know he does not take too well to authority and after being told for the umpteenth time to back off, Rebus remarks to himself, "It's not the underworld you need to worry about, it's the overworld."
I have been reading Rebus right from the start and I find it hard to believe it's all over. Yes, he's retired, but Michael Connelly's brilliant character Detective Hyronamous Bosch retired, came back as a PI and we sure as all get out hope Mr. Rankin finds more for Rebus to do, because we're addicted. This book is as good as all the others and all the others have been great.
Reviewed by Vesta Irene
Fans will be thrilled with the return John Rebus.Review Date: 2008-09-27
ISBN: 9780316057585
Little Brown and Company, 2008
Reviewed by Debra Gaynor for ReviewYourBook.com, 09/08
4 Stars
Fans will be thrilled with the return John Rebus.
Fans will be thrilled with the return of Detective Inspector John Rebus. Exit Music begins with the Inspector reluctantly preparing for his mandatory retirement. Just as he thinks his desk is clear of cases in comes a new one. Rebus once again teams up with Detective Siobhan Clarke in the investigation of a murdered dissident Russian poet. What at first glance appears to be a mugging, soon shows signs of something much deeper. Another death brings more questions.
Exit Music shows a personal side of Rebus. He dreads retirement while partner Siobhan looks toward a future where she does not work in his shadow. Ian Rankin has open doors in which Rebus may return. Fans of Rankin will rejoice in this new novel. While they will mourn Rebus' purported retirement, they will eagerly turn the pages of Exit Music.
"Here's to the twilight years."Review Date: 2008-09-14
Their final case together begins as an apparent mugging that results in the death of Alexander Todorov, an émigré Russian poet living in Edinburgh. Todorov was a dissident who was vocal in his criticism, not only of his former government, but also of the new class of Russian oligarchs. He considered these multi-millionaires to be materialistic, corrupt, and greedy--selfish men who spend their ill-gotten gains on fancy clothing, high-end cars, pricey real estate, precious metals, and expensive artwork. Was Todorov bludgeoned to death to silence his scathing criticism of his countrymen? A subsequent murder adds to the mystery, and Clarke is placed in charge of a team with a challenging and time-consuming mission. They must ascertain if the two crimes are related and if so, who was behind them. Rebus is intrigued to learn that his archenemy, a gangster knows as Big Ger Cafferty, may be involved. Before he walks off into the sunset, Rebus would love to bring down this vicious thug who has been a thorn in his side for years.
"Exit Music" is an incredibly complicated and dense police procedural with a large number of characters, suplots, and red herrings. This four hundred page novel, which is sluggishly paced at times, could easily have been trimmed with no loss of coherence. On the other hand, the author gets high marks for depicting police work realistically, demonstrating the tedium of endless conversations with potential witnesses (some of whom lie or omit information), the sifting of every bit of physical evidence, and the search for a key fact that could break a case wide open. He also brings Edinburgh to life and deftly portrays the political and economic changes that may lead, one day, to Scotland's independence from Great Britain. Rebus is a delightful rogue who is content to say and do what he likes now that he is days away from packing it in. Although he is not in charge of the investigation, John blithely goes off on his own to follow his hunches wherever they may lead.
What makes this book memorable is Rankin's stunning epilogue--a tour de force of superb writing and dramatic surprises. The fact that the ending is not neat and tidy makes it a fitting coda for the checkered career of Detective Inspector John Rebus, a man who has always lived on the edge and thumbed his nose at conventional wisdom.

Wonderful book - White is SERIOUS about faith training!Review Date: 2007-11-05
Great giftReview Date: 2005-08-13
Practically Perfect in Every WayReview Date: 2005-07-28
Pass it on!Review Date: 2000-10-24
Here is hope for parents!Review Date: 2000-02-29
Having seen first hand the success that the Whites have had raising thier family, I was dying to see how much advice he could get into a practical form in this book. I was so thrilled to see that Joe was incredibly successful in putting together a priceless tool for parents of kids of all ages.
As a full time youth worker, I talk to tons of parents that have, for the most part, given up on their dream of raising Godly kids in the world that we live in. It is possible, we are called by God to do it, and you can never start too early!
This book gives you practical advice on how to accomplish this seemingly impossible task from a man who has done it! Whether you have teenagers or toddlers, there is practical advice for you that you can begin to put into practice today.
Buy it, today, read it, tomorrow, and be prepared to reap the rewards for years to come!

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A Significant and Memorable Read!Review Date: 2005-12-03
The slice of history called the "Houston Insurrection," as portrayed by James McEachin, will be one that I'll never forget. Each of you owe it to yourself and your families to read this new dramatic, perhaps fictional, but entirely believable novel.
McEachin takes us back to the time of World War I, beginning in 1917, and takes the readers into the midst of the 24th U.S. Infantry Regiment (Colored) and, in particular, K (King) Company. For many of us, we have no idea of the "actuality" of segregation as it was experienced early in our Country's history. Within the confines of the Army structure, where all officers were white, and that allowed them to "act out" their emotions, Farewell to the Mockingbirds presents the story of those referred to at that time as "colored." It presents their reactions, their fears, and their anger at the treatment by those in authority. For me, one of the interesting points of the book was that the entire battalion, and indeed Black men from all over the United States, wanted to participate in the War...they wanted to go overseas and help defend their country. The Secretary of War knew they needed men of all colors and tried to move toward their full use; the "war," however, was also at home, as James McEachin tells the story...and the battle was ongoing!
McClellan is the main character...the First Sergeant who led King Company. Clearly a learned man, his love for the Army and the United States is well demonstrated. Only in the midst of the internal "war" within the Army does he come to make decisions contrary to those given by the commanding officers. And even then you realize that race is not the issue--saving the lives of his men is his primary objective. His commanding officer is white, a Quaker, and a man who clearly does not believe in war--neither the official one nor the one within the Army. Perhaps a stronger officer would have controlled and prevented what happened, but somehow I doubt it.
McClellan was a born leader and he had trained King Company to be soldiers. Instead, they were ordered to a construction post where their only jobs would be to support the white soldiers in their work. Yes, I'm glossing over the specific activities and happenings prior to the Insurrection. It is impossible to take certain acts and dwell on any one of them; you must visit Houston and become one of the Mockingbirds; only then can you weigh and evaluate what happened there.
Oh, and when you're in Houston, you'll meet Jody--a twelve-year-old boy/man who became a soldier in the King Company and later was one of the 13 men hung. Make sure you pay close attention to Jody from his first being "drafted" and finding his way alone to join the Army...you'll want to know him well by the time he stands on the gallows.
The story line, then, is that some part of a battalion of "colored" soldiers rose up against the civilians, the police, and other soldiers, and were later either hung, placed in prison, or dishonorably discharged. This is a part of our history. In Farewell to the Mockingbirds, James McEachin will take you there in an unforgettable, well-researched, and totally plausible narrative of that time.
At first, when I finished, I felt like I was siding for the "underdog," that I would have been the "first female defender," perhaps, that attempted to bring some right into the "mock" trial of the mockingbirds. Then I realized that, no, I was merely expecting that fellow Americans be treated fairly and equally, for indeed the war was there in the United States, no matter what was happening overseas. And I was glad James McEachin had written this book to ensure we understand who really were, and are, the mockingbirds.
This novel commands your attention from beginning to end--buy a copy. You will want to read it again and share it with others!
"Another" James McEachin!Review Date: 2002-08-11
Another fascinating book by a highly talented author!Review Date: 2001-04-03
A Searing, Powerful, Important novel.Review Date: 2001-09-11
A Literary TreasureReview Date: 2000-03-24

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excellent book!Review Date: 2008-09-24
This book will help you overcome the career problems instilled in you from the way your father raised you. The first step is to be aware of the things written in your father factor "rule book". The next step is to figure out a way to change these rules to ones that will help you in your career. If you go on denying that the problems encountered in your career have anything to do with the way your father raised you, then you will run into more problems changing the pattern then you would otherwise. The book points out that denial is a way of allowing your father factor rules to creep up on you and sabotage your career. Most of us try to solve our problems by cutting the "branches and stems" instead of the roots, hence allowing our problems to crop up all over the place. By studying this book and following the author's advice however, you will not likely be blind-sided by those unwritten father factor "rules".
Professional Help for a StealReview Date: 2008-01-28
Our dads are affecting our careers...stillReview Date: 2006-11-25
It's not all bad news. I can attribute my creative approach to problem solving, the use of humor to put people at ease as well as my reluctance to play office politics to my dad.
In my work coaching executives, this book is helpful in shedding a light on previously misunderstood behaviors. Seeing the source of a lack of power, low self esteem of hesitance in decision-making has been very useful. This helps in my work with men who are dealing with a sense of disconnection with their professional success. Dr Poulter offers some interesting sources of blind spots - those unexplained reasons why we do what we do. This can really help with those "hot-buttons" we all have and a new way to work with them
I wrote an article about this book on my blog at my website about "The Disquiet in Men".
father factor reviewReview Date: 2007-02-20
A father is key to understanding choices and roadblocks in a careerReview Date: 2006-09-09

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Honest and intimate, meditative and lighthearted...Review Date: 2000-07-28
Honest and intimate, meditative and lighthearted...Review Date: 2000-07-28
A journey to the imaginary, and beyondReview Date: 2000-07-20
A Most Heartfelt Expression of LoveReview Date: 2000-06-06
"A perfect father's day gift"Review Date: 2000-06-09
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For an American this book can be tough to start. The "poor talk" that Lovelace used throughout the book can be a little tough to get through, but don't give up! It is too good of a book to let one minor flaw stop you. (And a little secret: As the book progresses, Lovelace seems to have trouble keeping up the "poor talk" and becomes a lot smoother to read).
Lovelace's use of description is almost without comparison. He has Hugo's gift of description without having to use chapters to describe a building, person, or general area. His one line descriptions hit so dead on that you almost feel as if you are standing in "the Hill".
The story itself is also an amazing read, but most reviewers seemed to have missed the biggest purpose behind this book (whether Lovelace intended it or not, it is the overall theme). The major theme is that we all judge people without knowing them fully. We hold people back because we don't like the partial picture we are presented. We never take the time to learn the whole story. As you read the book, you think to yourself how you want to be better. You don't want to judge. You vow to yourself that you will stop, when suddenly the last paragraph hits and you realize, "Wow, I am STILL judging without the whole story, maybe it's not possible to stop." If the last paragraph did not make you think this, I suggest you reread the book and think about each character and how you feel about them.
Overall, an amazing read. Lovelace writes an amazing book, with the only flaw being that the "poor talk" seems a little forced. As the book progressed, he seemed to get into a more comfortable area.
Definitely Recommended!