Graphics Books

I recently purchased this volume, along with Starger & Spurlock's "Wally's World," and this is by far the superior of the two books. Rather than attempting to write a biography, as S&S do, Bhob Stewart has assembled some 35 essays about Wood, including four by Stewart himself. These range from one page to 46 pages in length, and from breezy to scholarly in tone. Some are more interesting and better-written than others, but collectively they add up to a fascinating portrait of a uniquely talented artist whose life ended far too soon.

As you'd expect with any book about Wood, there are copious illustrations, including 16 pages of full-color reproductions on glossy stock in the hardcover edition. (The paperback omits these.) The quality of the reproductions is generally good, although there is just the tiniest bit of bleed-through in the black-and-white pages. I wish they'd used a better grade of paper!

If you are a hardcore Wood fan, you should probably get both this book and "Wally's World." If you have to choose, this is the one to go with, assuming you can find a copy at an affordable price.

This is the penultimate guide on an artist who changed the way comic art is rendered today. This gargantuan exercise on artist Wallace Wood is an absolute for those who grew up with Woods magnificent style as well as the modern aspiring artist. Everything we see in comic art today can be traced in some shape or form to this master of pencil and India ink. The hand which so elegantly wielded the brush has been expertly brought back to life by Bhob Stewart. The text is written with a panache and flair almost completely missing from modern journalism on a subject so sadly underreported these days. Thanks to this wonderfully illustrated labor of love, the art of Wally Wood shall continue to live on for generations to come. All of today's modern heroes would not, could not exist had Wood's artistic creations not covered the span of decades. He was a true 20th-century Renaissance Man. "Against The Grain" is a work to be savored, embraced, shared by all serious artists who desire to know where it all began, and the man who rendered a new direction for a new century, Wally Wood.

"Against the Grain" is an excellent collection of artwork by the late comic book artist Wally Wood, accompanied with essays by his friends and associates.

If you've never heard of Wood, you are in for a major treat here: Martians, robots, other-world landscapes, elves and dinosaurs have never looked better before or since Wood's time. Wood's crisp handling of pen-and-ink, his superb attention to detail (which fans called "beautiful clutter") and his extraordinary use of shadow and light are here for the reader to behold. The illustrations cover the entire range of his career, including his work from the 1950s with EC comics, his illustrations for Galaxy and other sci-fi magazines and his final masterwork, "The Wizard King".

Whether it was a grotesque monster from an unknown planet or a parody of Superman, a complicated machine from the 24th century or a fighter jet battle, a lush female in a tight-fitting spacesuit or a caricature of a contemporary politician, Wood could draw it. He could have you reeling in terror from space aliens or laughing out loud with "Batboy and Ruben." His influence on future generations of cartoonists was extensive, and some of them pay tribute to him in this book.

He had both friends and fans, some of them aspiring artists who probably would have paid him just to work in his studio. He could play guitar and entertain a group with his conversation, which tripped from art to politics to science.

Thomas Edison once said that invention is 1% inspiration and 99% perspiration, and Wally Wood must have understood that perfectly. His creations were the result not just of skill but of hours of labor. This is obvious from the fine details of such pieces as the spaceship interiors of "There'll Be Some Changes Made," his use of high contrast lighting in "Atom Bomb", the precisely-falling raindrops and slanted spears of "Joan of Arc," the exact movements of a medieval duel in "Trial by Arms"...

Phew! It's hard to know where to stop.

As a teenager and amateur cartoonist, I would imagine Wood as living in a Manhattan penthouse (for surely someone that talented would be rich) overlooking the New York skyline, working at his drawing board and surrounded by futuristic machines, while gorgeous women lounged about his bizarre-looking furniture. (He depicts himself in that manner in "My World", a tribute to science-fiction artists.)

Nothing could have been further from the truth. Despite his talent and his fans, Wood became a life-long alcoholic who worked in dank basements, spending weeks at his drawing board, half-wishing he could enter the fantastic environments he was creating and flee all his problems with publishers, bills and imperfect women. It was as if all his emotions had been bottle-necked and could only come out on the drawing board. (One of his three wives was a psychiatrist who concluded that he just had to control everything or else.) In the end, he just walked away from it all, putting himself to sleep with a handgun in 1979.

Still, his fans and associates have assembled this superb collection and hopefully there will be more of them.

I came upon this book while browsing a comic shop in Cambridge, and soon realised it was the long promised comprehensive survey of Wood's art and career. I applaud Bhob Stewart for his perseverance and obvious passion in bringing this book to publication. Any fan of Wood's will want to read this book. It contains tons of great art ; some of it obscure and previously unseen, and the biographical information it presents is thorough, and illustrated with great photos. A blurb on the back of the book proclaims, "Hooray for Wally Wood" and sure enough the vivid and imaginitive genius of Wood is on full display between its covers. This is the triumph part of his story, and it makes it a must have art book. But this book bravely explores the person of Wood as well,including the negatives, and the price he paid for his obsessive genius. It's a tragedy that anyone who knows Wood's story is familiar with, and it speaks loudly to the American culture at large, and how we have in the past, sometimes treated our heroes like throwaway commodities. After seeing some of the gorgeous art in the book, it seems incongrous to imagine the same Wood staying up for 3 days on Dexdrine to ink a Wonder Woman comic, but it happened, and frequently. A giant like Wood routinely worked on mediocre jobs just to scrape by. This warts and all approach is as honest as it is heatbreaking, and in my opinion transforms the book into a work of art of another variety, in its portrayal of a gifted but tortured individual. Attention, Hollywood!
Assistants Paul Kirshner, Nick Cuti and others contribute amazing , written tributes to Wood that say just how much they loved the guy, all the while dealing with his difficult personality. For these heartfelt rememberances alone, this book is a welcome, if sobering addition to the legacy of the great Wallace Wood.
I don't know if the author's intent was to produce anything more than a beautiful art book and tribute to his friend, but the fact that this book also functions as a cautionary tale that provides insight into the creative process and inner workings of such an American icon as Wood, is a facinating by product that should be of interest to any general reader.

Although it had been promised to be a "definitive biography" by the publisher, Against the Grain: Mad Artist Wallace Wood continues the piecemeal format of everything that has been available about Wood and his contemporaries (Severin, Elder, Ingels, Crandall, Williamson, Craig, Davis, et al) for the last 40 years. -Which is to say it's a rambling book of personal essays/reminiscences, panel discussion excerpts and brief, fan-flavored interviews. The books one undeniable saving grace is that it is very generously embellished with samples of the artist's work. But overall, it feels like a blow-out issue of Squa Tront.

This will scratch the itch of the diehard and casual fan who wanted a coffee table browser on the subject. For those, like me, who hoped, finally, to see the subject's life drawn in one cohesive portrait by an insightful Boswell, it's a letdown, or "more of same."

I hope the book does well. It is, perhaps, an urgently needed Wood intro for newer generations who lack a sense of history. It is a welcome public reminder/declaration of Wood's place in The Comic Pantheon, where he clearly stands shoulder to shoulder with the likes of Roy Crane, Milt Caniff, Walt Kelly, Al Capp, Chester Gould and, dare one utter it, the Great Charles Schulz. Honest, it's not a bad little read. But I wish it had offered something new on the subject, or at least somehow extended the genre of fan appreciation/criticism established by Squa Tront during the 60s and 70s. As it is, this book has an odd way of making me feel that an entire generation, my generation, never really grew up.

Another addition to a wonderful series to share with your children ages 7-12.

If you know anything about Akiko and her friends, or you don't, Akiko and her fiends are a little different... or alot. In the book, wait, I shouldn't give all the deails. Read it for your self. I think it's the best one yet!!!!!! :-)

If you know anything about Akiko and her friends, or you don't, Akiko and her fiends are a little different... or alot. In the book, wait, I shouldn't give all the deails. The main part is that it takes place in The Alpha Centauri 5000 in space. They might get smooshed in one part. You should read it for your self to find out. I think it's the best one yet!!!!!! :-)

Akiko and the Alpha Centauri 5000 is a wonderful addition to the Akiko series. When her friends from Smoo trans-moovulate her on board the Boach's Bullet to help them win the Alpha Centauri 5000, Akiko is a little upset. But soon enough she's pitching in to help Spuckler win against the sneaky Streed. If you like light adventure stories, you're going to love this new Akiko.

Eleven spaceships, four aliens, and a fifth grader compete in an intergalactic race from one side of the universe to the other but must face some formidable challenges during the race. When Spuckler finds his old rival is also in the running, Akiko finds herself in the competition for a trophy in Aiko & the Alpha Centauri 5000, a fun science fiction tale for young readers.

My wife and I bought a copy of the first Alex Unlimited novel about a month back for our niece. She's not a big reader and we were trying to get her interested in the activity. The cover caught our eye it sounded like the kind of thing she would enjoy, but we weren't sure. We checked some of Dan Jolley's other work and saw he had also worked on the manga for "The Warriors", a series we heard was popular with children our nieces age. We ordered it and sent it off, hoping for the best, and that's exactly what happened. She loved it! We've gotten several emails from her exclaiming how much she loves the book and can't wait to read the rest. We'll be getting those for her very soon!

Like Alex herself, this series has a lot of potential.

Don't be fooled by all this talk of adventure. When we start the novel, Alex is a frustrated young woman whose gift means that she cannot experience the missions she sets in motion. She goes to amazing places, but only because the Other Alex will vanish if the two get too far apart from each other. She spends most of her time during missions locked in a nondescript black vehicle. Fortunately for us and for her, Alex demands and gets more independence -- along with the difficult choices that come with being independent.

This is a spy story, a science-fiction story, a coming-of-age story. There are delightful villains, strange tech, allies-of-questionable-allegiance, and plenty of fight scenes. The Vosarak Code is the start of something great fun.

This book is wonderful. From a 17 year old's point of view. I'm close in age with Alex and I feel what she feels. Whenever I read this book I just feel like I'm there. I would say this is one of the most excellent book's I have ever read. It show's alot of what girls really feel. I love the action in it. The secrecy and the little hint of romance. It's not too much , but it's just enough. I really enjoy this book and I would sugest it to anybody who needed a good read. =)
~Brenttnie

When I was young, I wanted to be a writer, an astronaut, a teacher, a doctor, a catburgler, and a dancer on "Solid Gold." I remember being very disappointed when my father explained that one person couldn't do it all - at least, one person can't be the best in every profession. As we make choices in our lives, some of those possibilities become reality (I've been both a teacher and a writer), and some merely continue to exist in our imagination (I still think I would have rocked it on "Solid Gold.") Alex Benno doesn't have those limitations, though. Alex has access to every possibility, every alternate reality, which means, Alex can find a "best" version of herself for any situation.

For Alex, this gift is a mixed blessing. Yes, she can always find the alternate Alex who has the right skills for the job at hand, but she never gets credit for the amazing things these other Alexes can do. As the cover of "Alex Unlimited" explains, Alex is her own sidekick.

Dan Jolley skillfully writes Alex as a young everywoman. We feel her insecurities as she notes her frizzy hair or her frumpy clothes, especially in comparison to her alter egos. But unlike most of the usual stories in the young adult genre, "Alex Unlimited" has an interesting twist: that amazing girl the heroine wishes she could be is actually herself.

"Alex Unlimited" is fast-paced and cleanly written. Jolley, a former comic book author, is an excellent writer and has shown his skills in a number of genres. But beyond good writing, Jolley has hit on something real - the notion that we must learn how to become ourselves. Like Sethe in Toni Morrison's Beloved, we must find how to become "our own best thing."

Because of that message, Alex (for all that she is a frizzy-haired, frumpy mess) is an inspiration. So what if "Solid Gold" was canceled in 1988? Get Marilyn McCoo on the phone! I'm going to practice my signature dance moves right now.

This is the first volume in Dan Jolley's original series, 'Alex Unlimited.' It's a charmingly written story with a realistic and emotionally relatable main character. It's not full of age or genre jargon and is suitable for a wide audience. It's _most_ likely be appropriate for a 14-17 year old girl, considering that the book's strength is in representation of the heroine. It would also be enjoyed by a younger boy who enjoys youth-as-spy stories. The story reaches its stride in the middle of the volume, as both Alex's inner voice and physical actions become the focus of the reader's attention. Readers are left with a suitable cliffhanger and an ending with a lot of personality.

This is also the first prose novel published by Tokyo Pop. It's a fast read with short chapters, paced very similarly to an illustrated volume. In fact, it feels very similar to a 'youth-as-spy' genre cartoon with a slightly more mature bent. I would recommend the book to anyone above 14 who liked secret identity stories.

A perfect little coffee table art book. Lots of great, colourful scans and not much annoying text...unique and fun!

I hardly ever write a review here, but I ordered this book for myself for Christmas 2005 and have been looking at it probably weekly since then. As a 43 year old child of 1962 and collector of everything 1950s, 60s, and 70s, this book brought SUCH a smile to my face when I initially flipped through it and has continued to bring joy. For those of us who truly relish images/graphics/design styles from our past -- feed your brain with THIS book and feel your dopamine and serotonin levels spill all over themselves as you take that trip down memory lane into Christmases, birthdays, and baby/bridal showers past! Then, buy a copy for all of your retro type friends!

this book is amazing! i don't know how they found all these incredible patterns! the book is just jam packed with those fun wrapping papers from the 60's. a great gift for any pop-arty design fan!!!

This book will bring back so many memories. If you're 40 something, you'll want a copy for yourself, one for your parents and more for your 40-something friends. It's a scrapbook of the groovy generation and the perfect gift for the person who thinks he has everything! All Wrapped Up is a gorgeous book. My kids loved looking through it. It sparked a lot of conversation about what it was like to live in the 1960's.

You'll not only remember every birthday you had in the 60s but you'll start to remember songs you forgot, commercials you saw on television and the gifts you received. This wonderful book is a treasure.

A most delightful look at 1960s! I have to say, as an artist, I ripped-off a couple of the cool ideas I found on the pages of this book! The Christmas section if wonderful and the animal section is ultra hip with a lot of retro creatures to conjur up a few smiles. Lots of beautiful patterns in the flower power section and the masculine section is a laugh out loud! The author gives a nice overview of the industry and there is a concise little history of 60s design in the front. I never write reviews but I really did love this book!

This was an excellent read. Although I really enjoyed Vol. 1, Vol. 2 mainly deals with the All-Star Squadron series, which is the series I read growing up. It was a fascinating glimpse behind the scenes of one of my favorite super-hero teams. Highly recommended.

This book follows up on the All Star Companion, Volume One, and is a collection of articles and recollections of DC's golden age heroes (namely the Justice Society of America, and The All-Star Squadron). There are some unique insights and interesting stories about these classic characters, and the book is filled with some rare and intriguing art. The wrap-around cover by Carlos Pacheco is fantastic.

For me, the most interesting feature was a complete synopsis (issue by issue) of the All-Star Squadron comics, complete with cover reproductions and background notes. There were also supposed to be notes on the Young All-Stars comic, but space constraints pushed this material out of the book (though it will appear in volume three). This is nothing short of a phenomenal read for fans of comicdom's golden age.

Collections strong in comic book artists and art will find this history of the Justice Society of America and friends to be moving: it provides more secrets of the comic characters from the 1940s through the 1980s, surveying major issues and events, providing black and white reproductions of pages, and detailing behind-the-scenes influences on adventures and character appearances. An excellent companion for any who have followed the strip and seek more information on historical progression.

Diane C. Donovan
California Bookwatch

I have always been a huge fan of the JSA. In my younger days, I collected every issue of All Star Squadron. As I got older and married, I sold my collection to younger enthusiasts. Now, I can revisit my former passion in this book that describes all the issues of All-Star Squadron as well as interesting articles about the history of All-Star Comics and the JSA. If you are interested in greater understanding of the history of JSA, I heartily recommend this book.

If you liked All-Star Companion vol.1, you'll enjoy vol.2. More info on the Justice Society, plus an issue by issue review of The All-Star Squadron. I'm looking forward to vol.3!

I've never read any Alpha Flight comics before, so I figured this was a good place to start. The way John Byrne writes and draws the series makes me wanna go to Canada. I think my favorite stories were the ones with Northstar and Aurora.

It seems like Marvel's Classic series is like the Essentials but in color and on a smaller scale. I'm looking forward to the second volume that comes out in a few months and will get it not long after. My guess is it'll include #9-15 and their first annual.

During Chris Claremont and John Byrne's revolutionary run on Uncanny X-Men, the duo introduced Alpha Flight: Canada's premiere superhero team that has a connection to Wolverine. Byrne would write and draw Alpha Flight during it's original run, and thankfully, the same success he brought to X-Men and Fantastic Four translated here. Byrne's talent for team dynamics and dynamic action really helped Alpha Flight shine, as he gives heart and soul to characters like Vindicator, Sasquatch, Northstar, and Puck. Byrne's artwork is wonderful as always, but it's treatment of the characters as a whole that sets Alpha Flight apart from many of Marvel's typical secod-rate hero teams, and nearly propels them to the top. This, along with many appearances from familiar faces in the Marvel universe, make this first volume of Byrne's run on Alpha Flight worth picking up for new fans and old readers alike.

Alpha Flight has been through many iterations since it premiered years ago, but the orginal series (at least Byrne's run) is still the best. This volume collects the 1st 8 issues of the series, and what's good about it is that it isn't like many other comics that you'll read that bring together groups of superheroes. Basically, everyone on the team has some sort of issue, and Byrne crafts great back stories for each character.

The artwork is dead on, and it's a great read.

Whats better than Alpha Flight?
Can't wait for Volume two to be released.....
until then I'll be Curling and drinking a beer

John Byrne has gone on record saying that his heart was never really into "Alpha Flight", that they were basically created as a team that could successfully battle the X-Men. Despite all this, Byrne's run on AF (he did 28 issues total) are an example of his mastery of the form and yet another look at how much the comics medium has fallen since the 80s. There's never been another book like "Alpha Flight." The team had been created four years before the book came out, but Byrne was faced with the task of instilling each character with a personality and origin, which he painstakingly did, bit by bit.

Included here are the first 8 issues of the book presented in a nice new format. Some people have said the new format is a little too bright, but I think it works well and doesn't take away from the stories at all. We get the classic battle with Tundra, Snowbird's battle in a blizzard which has to be "seen" to get the full effect, the troubled twins - split-personality Aurora and gay Northstar - as well as the development of James Hudson's cyber helmet that started the whole mess. My only complaint is that there should have been more issues included because it will take us that much longer to get to my favorite part of Byrne's run: issues 18-28.

It's so much fun to revisit these characters and adventures again but those discovering them for the first time will have just as much fun. Thanks to all who finally put this book together.

This is a fanastic topics book in approximation algorithms. The problems and proofs are challenging and concise, but written in a very accessible manner. It is a great reference book, and also a convenient place to grab a lecture from if you need something to fill our a course. I have found it extremely useful, and even fun to read. I highly reccomend it for any person interested in theoretical computer science.

Vazirani's book seems well suited for a computer science researcher who has had a rigorous background in pure maths. The level of difficulty can be quite advanced. Also, it is not the sort of book that gives algorithm examples in an actual programming language. Not that this should be a handicap to a skilled reader. The algorithms are usually described in high level pseudocode. You have to manually instantiate these in the language of your preference.

The 30 chapters span a wide variety of computational topics. Some are simpler than others to understand. Like the chapter on finding the shortest vector from the integer lattice made from a set of linearly independent vectors. That requires only a year or so of introductory linear algebra.

There are exercises for each chapter. Some exercises are formidable. Essentially like little research problems in their own right. Another plus for the book.

Very good, it is easy to read the book if you have a good level
of knowledge and the experience to think some details in the
proofs of the theorems.
I think it is a very good book for a graduate student.

I have been looking for books related to solving NP-complete and NP-hard problems approximately. There is another book by Hochbaum and I have that too. Unfortunately, that book is more of a research oriented book as it is written by several researchers. It's like reading several research papers within two hard covers. This means that one needs to have a sort of intermediate level of experience with approximation algorithms.

For a beginner, one would expect a book that starts from ground-up and that has been written as a textbook rather than as a set of research papers. The book by Dr. Vazirani, is the only book that is written by one author with a step-by-step evolution of concepts and ideas related to approximation algorithms.

This is a quite nice book by an author who is well-known in the field. The book is not thematic, instead it presents certain problems in each chapter along with the main approximation algorithms and correctness proofs. Yet, each new concept is well introduced with the problems. For instance, the author presents LP-based techniques on the same problem (set cover) in the second part of the book. This makes it quite easy to compare and understand different techniques. The last part of the book is a little bit advanced compared to the first two parts which uses combinatorial or LP-based analysis of the algorithms. The presentation of the PCP theorem- arguably the deepest theorem of computer science- and its consequences are also in the last part.

A warning though: The book is quite terse at times, which enforces a dense reading. This may not be suitable for an undergradute study. My only complaint is that the PCP theorem might well be introduced with a little more intution.

Overall, I rate this book as excellent. If you are interested in algorithms, you should definitely buy it. Also, buy the "Complexity and Approximation" by Ausiello, Crescenzi and others. They provide a more comprehensive and thematic treatment. It also has an excellent bibliography and list of NP-hard problems. These two will make a great couple. The book edited by Hochbaum (Approximation Algorithms for NP-hard problems) on the other hand presents detailed information on the algorithms.

Really beautiful book, and just in the nick of time. As an Arab American studying the Arabic language as my second language, and as a graphic designer/marketer by trade, it is as though the book was written just for me. It is good to see something like this which cuts through all of the nonsense and delivers the beauty our culture has to offer that the news media fails to display, and does so in a concise and useful manner. The author was able to give the western reader a glimpse of our culture using a medium that nobody would expect...visual design. A medium that is straight to the point, easy to quickly understand, and beautiful to the eye!!! Every designer should own this book - whether or not you plan to work with the language...

A fabulous book. A great tool to help understand the Arab world through graphics and calligraphy...

It is today my favorite coffee table book, and I am planning to buy more as Xmas presents, to friends who may benefit from better understand the Arab world.

Arabic for Designers is a necessary, practical and very timely book. Mourad Boutros puts so much of the recent mis-communications between the West and the Middle East in a broader cultural (and graphic) context. I've already given copies to American relatives and to a young Scot who is studying Arabic, so that they can understand not only the language but also the wider culture. My next gift will be to our well intentioned Pope, who should have read this sensitive, tolerant and beautifully produced book before his recent scholarly lecture in Germany.

Arabic for Designers is a much needed insight into the changing face of communication in the 21st Century. The author skilfully and tactfully offers the reader an insightful introspective on the need to recognise that the written word is as powerful symbolically as it is directional or explanatory. The political landscape being as it is, the book addresses key issues not just for the Arab speaking world, but also to western designers and the need to recognise the cultural and sociological effects of the influences each culture has on the other.

When raising important questions about cultural expansion and the need for greater understanding, the author highlights the issues with over 200 pictorial examples and demonstrates an astounding depth of knowledge and sensitivity to the Arabic mindset, whilst pointing out the need for those in the West to seek greater understanding of the historical and social imapct of the coming together of cultures.

It is the evolution of cross cultural design where the author comes into his own, highlighting exceptional examples of the hybrid of cultural communication, the pitfalls and successes, whilst at the same time offering caveats for the future, and insights into how and where new designers can create for a changing and demanding new world.

A highly recommended book, offering any designer a distinct advantage where one is creating communication patterns, with a changing and complex language.

A report released on 6 June by the Thomas B. Fordham Institute finds that at a time of rapid globalization, most U.S. states don't even try to provide young Americans with a solid grounding in world history. That's why books like Arabic for Designers are more relevant than ever for designers to read and to absorb for today's globally competitive market. Arabic is now used in 23 countries and is spoken by over 300 million people. Although feelings about Arabic cultural integration may still be colored by events like 9/11, western businesses have sought to expand brand recognition to appeal to Arabic speaking people.

To that end, Arabic for Designers incorporates over 200 black and white and color examples of the best in Arabic calligraphy and graphic design. Beyond a current focus on design and advertising transitions, chapters also deal with historical backgrounds and cultural intricacies involved with the Arabic language and mindset. The focus is devoted to Arabic and Western Latin, or America and English-speaking Europe, but other global-reach advertising problems are included to expand on the difficult processes that are involved in cultural expansion and understanding.

The evolutions are universal, and the author notes this fact when he states that, "As the application of language change, so too does the identity of its speakers." This transition is visible in the examples of how the Arabic and Latin typography blend to create new cross-cultural designs, which are explained through text and illustrations that range from corporate products to fashion to fine art.

Mourad Boutros speaks from experience, as he has worked to combine traditional Arabic calligraphic techniques with the latest technology and materials for over forty years. Boutros has achieved more than just a beautiful book with this publication, however. He's reached across cultural boundaries with text that's missing in American history, social studies, and design books. After a designer reads this book, he or she will have an absolute advantage over anyone who attempts to understand the mysteries and beauty hidden within Arabic typography and culture.

My wife bought a used copy of this book for me.....she wasn't sure if I would like it but since it was related to architecture, she thought she would take a chance...She was right on. It has a fresh take on a lot of the issues in the design and construction world. The author is not afraid to take on all disciplines and he is very successful. Some are a little "Far-Side-ish" but there is a lot of insight in the humor. And the drawings are really well done. I loved it. If you aren't sure this is for you, the author has an [...] website you can use for a test drive. My recommendation: This is a good book to have.

Great illustrations, Great Wit. Nicely packaged. The "Architect's Dream Sequence" cartoons resonated with me too. I didn't buy it but I would now- (It was a summer party gift to all employees from one of the principals in my office.)

I laughed and laughed! These cartoons are histerical! Every person who has ever built or designed a home or constructed any building whatsoever will enjoy this book! Its unique size and cover makes a great socking stuffer for all my "construction clients."

I think it is great that a professional can make fun of his profession and make other people laugh. It is all done in a very "non-bashing" way and should be read by all architects and design workers. They will learn a few things about their profession from Archi-Toons that they did not know.

What a delightful and humorus approach by an architect about his own profession. I am sure that everyone in the architectual and design profession or anyone in a family associated with someone in this profession will enjoy the humor in these delightful cartoons.

Jeff Smith is one of the greatest comic artists of our times, and it is inevitable that with the end of his epic series Bone, that we would have a one volume art collection of that series. If you're a fan of Bone, you won't be disappointed. Seeing the Bone covers and other color work in a larger size brings them to life. The artwork is amazing. The only reason that I give this four stars instead of five is that a lot of the work in this volume has been printed before, so if you've been following the series from the beginning, you probably already have 90% of the art that is included. This is not necessarily a bad thing since the images are printed in a larger format in this volume, but it would have been nice to see more sketchbook material. Another thing that dropped the rating is that there is hardly any text included other than a few captions. I appreciate that as much space as possible was kept for art, but it would have been nice to read about about the creation process, the origin and development of the Bone story, or Jeff Smith's philosophy on comics. Regardless of these minor quibbles, this is an excellent collection, and would make a wonderful gift to fans of Bone.

Bone was a real surprise, many years ago. B&W art was uncommon and the story was magnetic, pulling you into a world where cartoon characters wondered about with humans. From the very first issues thev reader was presented with plots and beasts that seemed like many other universes we know, but with a charm that was totally magic.
This book presents us with some marvelous art, sketches and behind the scenes info on how these stories came to be, form and style wise.
If you like to know a bit how Jeff works and structures ideas and styles and how the wonderful mix of Bone was born just don't miss this book.
There's a few extras as well... but I won't spoil you the surprise.

My son became "addicted" to the Bone series about a year and a half ago. I've never been a fan of comics but when my non-reader decided these books were what he wanted to read I was on a quest. He started by reading the color re-releases of the first few books and when Old Man's Cave had not come out yet I bought him the all-in-one book with 1000+ pages. My non-reader finished it in a short amount of time and was left with wanting more. When I came across "The Art of Bone" I was thrilled. It talked about how Jeff Smith created the characters when he was 9 years old. My son turned 9 last month so I got it for his birthday. As he was going to bed and talking about the day (which included 9 friends and The Reptile Guy) he said his favorite part was receiving "The Art of Bone"! THAT made MY day! It is a beautiful book and is very informative. I would recommend it highly to anyone interested in this series, beautiful comic book art or looking for inspiration.

(from an extended article, copyright 2007 Michael F. Hopkins)

For those who have come to treasure the Sequential masterpiece known
as BONE, this coffee-table volume will be an extra-special treat. For those who have never heard of the phenomenal epic which established storyteller Jeff Smith as a prime mover in the fields of Comics and Children's Literature, THE ART OF BONE will serve as an eye-popping introduction to one of the finest authors in any field.
The latest hardcover project from Dark Horse Comics, THE ART OF
BONE is a feast of information. Detailing why and how Smith became
a cartoonist, the book showcases his interest from schooldays to professional practice decades later.

Rich in Smith's probing, versatile illustrations, the volume
pinpoints the essential and unique balancing act which the
Sequential author must play between narrative and visualizing.
In an era where too many throw all their logs on one fire,
showboating without focus or meaning, the success of a skillful talespinner with much to say and share with all is as refreshing
as it is encouraging.
A stirring, insightful whimsy worthy of Walt Kelly (Pogo) and
Charles Schulz (Peanuts) is complemented by reflective pathos and
intense character interplay that Will Eisner (Sundiata, The Spirit)
could take great pride in.
In Jeff Smith's aesthetic, a tale can cross all boundaries, whether through animated cunning or larger-than-life Fantasy, and bring its points effectively home.

Whether lost in the wilderness, or deep in the throes of a life-shaping
quest, the imperative of journey informs the heart Smith's work. THE
ART OF BONE is a delightful look into the way of that path, and how much fun using one's head can be.
Very uplifting, in fact, for the heart and soul.

Give it a read.
Give it several.

Jeff Smith truly has lived the American Dream...he found one thing he liked to do and he's done it for his entire life. OK, that may be simplifying things a bit. But even as a child, Smith knew he wanted to be a cartoonist. In fact, inside this fantastic book you'll get to see one of the very first Bone comics, drawn by Smith when he was just ten years old. The characters had yet to be refined in terms of their look and personalities, but the spirit is still there. Bone is really one of the great comics and one of the great comics success stories of the modern era. A wacky and wise-cracking strip that is one part Walt Kelly, one part J.R.R. Tolkien, and the rest all Smith. Smith took a chance on his creations, and self-published them. While most self-publishers fail quite quickly, Smith proved that talent rises to the top. Bone soon became a cult-hit on the part of Cerebus the Aardvark.

This volume from Dark Horse Books is chock full of 200 pages of rare Jeff Smith Bone art. Some of it unpublished, some of it pencil versions, alternate covers, etc. You get a little bit of everything in this book: Finished panel pages, completed, full color covers, unfinished panel sequences, rare sketches, pencil versions of completed covers, often side-by-side with the finished product, and so much more. The editors are along to provide captions to the art at the bottom of the page, often noting Smith's influences such as the valley scene from Bone #1 and its comparison to a similar scene from one of Joe Kubert's Tarzan pages. Not that it is a copy of the Kubert scene, but rather how smith uses perspective in the scene, dwarfing the characters by the sheer expanse of the area that Bone is looking over.

The book also reprints perhaps the seminal page in Bone's history. Bone is being chased by two of the fearsome Rat creatures that are ever after him. He leaps to a tiny branch thinking he is safe as the two large predators could not possibly fit on the same branch, and would be stupid to try. When they are both on the branch, Bone screams the immortal words, "Stupid, Stupid Rat Creatures!" This phrase has even been included in Random House's Cyberspeak dictionary.

The book introduces the reader to all of the main characters including Fone Bone (the star), scheming Phoney Bone, dim-witted Smiley Bone, Thorn (bone's human love interest), Gran'ma Ben, and Lucius who runs the local tavern. With heroes you need villains and we can't leave them out...they include The Lord of the Locusts, The Hooded One, and Kingdok, who rules the Rat Creatures.

Bone is so rich in its story and scope that it really humbles comics that have been put out by the "larger companies". Even if you haven't read the comics you're sure to be dazzled by the art in this book. Smith is without a doubt one of the best cartoonists and best storytellers of the past twenty years. And if you are a Bone fan then the book will provide a lot of interesting anecdotes to many of the stories that you've enjoyed over the years. The good thing is that even though the series ended in 2004, Scholastic Books is reprinting the series in collected editions and in full color. This book gets my highest possible rating. Get it...NOW!


REVIEWED BY TIM JANSON