Graphics Books

I am a parent and bought this book for use with my children. I would recommend it to all parents. You never know when it would come in handy.

This book is a great resource for any teacher, of any subject. I had it recommended to me in a grad class on reading recovery, but after purchasing it, it's quite apparent that these organizers can be used for any subject and grade level or skill level. The book has some fabulous graphic organizers, as well as suggestions for designing your own organizers, encouraging student-designed organizer use, and more. It also gives some good ideas on how to raise or lower (by grade or skill level) the organizers in the book. Well worth the money!

This was a handy little teacher's aide. I used several of the organizers and it was nice to use something premade rather than make them up myself.

As a reading teacher, I use graphic organizers a great deal with my K-6 students. Although I own several graphic organizer resource books, this is the one I use most often. The organizers are unique, fun, and very easy to use. If you are going to purchase just one graphic organizer resource, this is the one I most highly recommend.

I must say that this is one of the better graphic organizer books that I have purchased. I have many of them but this one seems to be one of my tried and true graphic organizer books. I have used it for different stories, different subject areas, and different grade levels. This is a book that will not have time to collect dust! I recommend this book!

Where were YOU on the morning of September 11th, 2001? I was at work when Howard Stern reported that a plane had crashed into one of the World Trade Center Towers. Having been born and raised in The Bronx before moving to Rochester, N.Y., my workday immediately ended as I focused my full attention on Howard's show; He became my only link to the city I loved and would always call home. Later on came the TV reports and the images that will never leave my mind, but for those first few hours, I sat listening in shock as the man who makes me laugh every workday became my only connection to family, friends, and loved ones who were suddenly living in a war-zone.

9-11: Emergency Relief is a benefit book that is filled with true stories from September 11th. They range from touching, to infuriating, to thought-provoking, and the list of creators reads like a who's who of Indy Comics: James Kochalka, Will Eisner, Tony Millionaire, Harvey Pekar, Tom Hart, Joyce Brabner, Ted Rall, and literally DOZENS of others. Besides being entertaining, and raising money for the Red Cross, the book fulfills another important purpose: It stands as a reminder of a day we must NEVER forget. God Bless America!

9-11: Emergency Relief puts a unique perspective on a shared tragedy. Taking the events out of the cold realism of news photography and video and into the pen and ink world of the comix artist lets the reader share the emotions of another individual on a highly personalized level.

Do not let the genre keep you from reading this book! Even if you are not a comix afficionado, the images and storytelling technique of each artist/author are fascinating and deeply moving.

Like any good book, it is well structured. Stories lead up to the event, there are on-site accounts, the aftermath, and the realization that we're living in a changed world. For people having trouble coming to terms with the events of 9-11 -- regardless of their age -- this book provides comfort and insight. We all have stories to tell about 9-11 and most readers have probably wished they could express their own feelings so well. Fortuntely, this group of artists says it for us.

Easily the best of the comics industry's myriad responses to the tragedy of September 11th, this book gets down into the nitty-gritty of human experiences and reactions to tragedy. No superheroes. No larger-than-life expostulation. Just real people - talented artists - telling amazing stories. Higlights include Gregory Benton's "Treasure," an untitled Hutch Owen story by Tom Hart that manages to toe the fine line between rage and sentiment and "Citadel Of The Night" by K. Thor Jensen and Chris Knowle. Honestly, though, the book is so full of great material that nobody should be without it.

After the September 11th terrorist attacks on the Twin Towers, the Pentagon, and in the skies over Pennsylvania, some 50 graphic novelists and cartoonist ranging from such legendary names as Will Eisner and Harvey Pekar, to newer talents such as Frank Cho and James Kochalka, came together in a very special project as a way of expressing their grief, patriotism, and support of the American people in the face of naked, lethal, ideologically driven aggression. The result is 9-11: Emergency Relief, a powerful graphic novel. The proceeds will go to benefit the American Red Cross. Simply put, every school and every community library in the country should acquire a copy of 9-11: Emergency Relief for the edification of their students and their patrons.

Everyone has a dark side--it's that frightening part of our personalities that drives
you to root for something to blow up and hurt James Bond. It's what makes us "root
for the bad guy" at Mel Gibson films. It's what drove us to watch with rapt attention
on September 11, as the Civilized World crumbled before our eyes.

This, happily, is not the part of us that forces us onward through "9-11," a graphic
novel that tells nearly fifty stories by respected creators from the comic-book industry
about the terrorist attacks and their implications. "9-11" is, with rare exception
like Ashley Wood's obscenity-laden two page monologue, a labor of profound love.

Here, comics legend Will Eisner--who literally invented the concept of "sequential
art," the name by which the academic community now refers to comics--joins virtually
ever major creator in the comics industry in donating his time, money, energy and
artwork to charities benefiting the victims of the September 11 terror attacks.

Marvel Comics lead the pack, their magazine-format "Heroes" book being the first
released (in late October) and best-promoted of all benefit books. The first week
in January, they followed up with "Moment of Silence," another comics-for-charity
project to which Hollywood director and comics guru Kevin Smith contributed a story.
"9-11" was released on January 9 by Alternative Comics, a small, independent publisher.
It contains mostly works done by small-press of self-published comics creators who
are not under contract to a major publisher. Contributors include Phil Hester of
DC Comics' best-selling "Green Arrow," Michael Avon Oeming of "Powers" and "Bluntman
and Chronic" fame, Eisner and "Bone" scribe Jeff Smith. Sixty-two stories featuring
more than 75 creators are collected in the 200-page book, which costs [price]. All
profits from the sale of "9-11" go to the American Red Cross.

Especially notable in the "9-11" tribute book are several pieces by non-legends,
who have been largely overlooked even in the comics press due to names like Harvey
Pekar, Will Eisner and Tony Millionaire being attached to the project. A. David Lewis'
11-page "Alabaster Cities" details his exploits on the morning of September 11, which
are refreshingly non-dynamic. Rather than depicting himself running out the door
to help, as is the temptation when writing a story about your personal reaction to
great tragedy, Lewis and many other creators in the book simply paint a picture of
desperate phone calls, frantic e-mails and great personal reflection and fear. Despite
a medical condition that precludes him from Armed Services duty, Lewis confesses
to ever-so-briefly worrying about being drafted on September 11--a thought that surely
crossed the mind of every young male in the country in the hours following the attacks
on America.

John "Bean" Hastings has a short but poignant story about the importance of art and
popular culture in troubled times--it's clear that he put a lot of himself in a small
amount of pages, and the result is stellar. Keith Knight's indictment of middle America's
closedminded attacks against Arab-Americans and Danny Donovan's disappointment that
the heroes of comic books and movies weren't there to save us when it was truly needed,
hit home in witty and well-thought-out stories designed to make readers take a break
from the seemingly endless pages of grieving and think about their own attitudes.

All in all, "9-11" is a beautiful book, put together by truly talented people and
well-executed; it can do no person harm to buy a copy. Or two--the money, after all,
is going to charity.

Asterix and friends battle Romans and go to different places. They also encounter new foreigners and always share wild boar with them. I rate it 5 stars because this book is better than the other books I have read.

I rate this book 5 stars because it was the best collection of Asterix comics I ever read. I was surprised when I found these sort of books at amazon.com. I am sure that from now on this is going to be my online book shop. have fun reading a lot more wonderful books at AMAZON.COM!!!!

Asterix should be read by all kids and adults. The jokes in it will make you laugh and give you a good feeling all over. Asterix is about a group of Gauls trying to defend themselves against the Romans and all the misadventures they have. All the stories take place in the year 50 B.C. the time of Julius Caesar and his conquests. These Gauls are the only people who are able to defend themselves against Caesar and his Romans. They contain such lovable characters as Asterix (a little midget that is clever and lovable) Obelix (a big fat stupid man who eats wild boars and beats up Roman soldiers) and Getafix (the druid who brews the magic potion that gives superhuman strenght) This is a good way for people who don't know who Asterix is to start. It contains five classics. It contains Asterix and Cleopatra, Asterix and the Big Fight, Asterix and the Cauldron, Asterix and the Chieftans Shield, and the Twelve Tasks of Asterix (based on the film) Each them are highly enjoyable. Not only that but Rene Goscinny does a wonderful story each time. One of the best things about it is the art work done by Albert Uderzo. The illistrations in it are beautifully done and contain much detail. To sum it all up, read it!

These tales are of great interest to adults. Cuttin the age at 12 is a great diservice to older folk who may think that they are *kiddies* books. Far from it. There are many references that only an adult or high teen would get, but they are still fun for the younger set. I would suggest that Amazon change the reading age to 9 to (whatever). Aloha

Asterix remains arguably the best comic book series ever written. It will delight to follow the french/belgian hero together with his fat friend Obelix (and his diminutive pet dog) throughout their adventures in the ancient world. Humor is always very subtle and entertaining and never falls into vulgarity. You will also find that the plot is coherent from beginning to end and every statement has a reason to be. By now you know I am one of those "till death" Asterix supporters - but for a good reason.

So far so good. Realy well laid out. Just starting to explore it

I purchased this book to learn the basics of autocad map... a very similar program. The book is very easy to follow and detailed. Sykes does a great job of explaining all the autocad jargon and the step-by-step projects are perfect for becoming familiar with autocad tools. I haven't made it through the entire book yet, but I selectively read the chapters I needed to get me going within about 8hrs. Not too bad. Be sure to get the CD with the book as well as the reference card. I wished there would have been more info on how to layout the drawing for print and how to insert legends, scale, etc. but I suppose that is what the advanced book is for.
Overall, a very user friendly book if you want to become familiar with a not-so user friendly program. I look forward to purchasing the advanced book.

Pura vida.

For a student this book is the best. The step by step approach is excellent. I like the graphics and the pictures of what the screen looks like when I do the commands. Easy to follow and Sykes takes a difficult lesson and make it easy to understand.

This book is excellent! The step by step procedure, clear detailed graphics and the multimedia CD are all linked to each other which allow reader of any level to understand AutoCAD without any difficulty.

This is truly a step by step approach. It starts with the fundamentals. The progression from basics to advanced is very orderly. I have used this book to learn AutoCAD 2000 and now I highly recommend it as a text or a reference. I reach for this book when I need information or help with a command or sequence of commands that I have forgotten. The examples and exercises develop real understanding.

beautiful drawings...no matter how self critical mr. ware was back in the day. the book really allows the reader into the head of a master illustrator. if you're looking more for a graphic novel, don't start with this one (try his first real freshman work jimmy c, or his ACME novelty library, probably my favorite - you get a real sense of what ware is all about - clean lines, insane, or better put, anal details). anyway, back to this one...great book, if you're a fan of ware, there's no reason not to get this one, and if you're not yet convinced, this is a nice piece just to have - these same drawings and doodles that once inspired ware himself, now get me thinking. love it.

I didn't think I would like this one. But after owning everything else the man ever made, I asked for this one for x-mas. Wow! I love it! There are spontaneous portraits of people on the bus, views from friend's rooftops, the rudiments of strips like: God, Jimmy the robot etc...
If you are a Chris Ware fan YOU WILL LOVE THIS BOOK! If you are not familiar with Chris, best to start somewhere else.

If you want to see inside Chris Ware's head, this is the book. There's next to no Jimmy Corrigan or Acme Novelty, just raw sketches of inspiration and internal struggle spanning 9 years of Ware's life (1986-1995). As an illustrator/designer, I found this book to be the most inspirational book I own, and I own many inspirational books. I definately recommend it.

I just finished reading this, and it's a real treat. Fans of Jimmy Corrigan or Acme Novelty Library will enjoy drafts of these but expect differences in style. This gives a better look at Chris Ware than his other publications that I've read. You can really feel his frustrations in this work. I reccommend this to both fans and non-fans.

The book is a record of an absolute monster drawing talent!
It collects tentative investigations, as a scrapbook of ideas and odds and ends. The amazing thing about it is its vitality.
Anything and everything becomes a source of inspiration and investigation into the nature of drawing. A coffee cup, a telephone in a waiting room, a washing machine, such mundane things seem to begin as notations but are transformed by Ware's observation of line and tone into their inner vitality - much like Van Gogh's peasant shoes. There are beautiful portraits. And beyond the observed notes, the book is positively brimming with characters, mutations, and cartoons from his eccentric imagination. The fantastical musings and the observed notations blend, merge together, separate like DNA strands through the book, adding up to a rich record of creativity

Photoshop CS3 is a very "deep" application, and I think that this book can be an excellent resource for virtually any CS3 user (especially those who classify themselves as intermediate users of Photoshop). The author does not assume that you have already read a user manual or other book. He covers in detail many of the tools in detail that are frequently used to color correct, mask and composite images, and do many other common tasks. "Hints" and "Notes" can be found throughout the book in small green boxes, and I found them very helpful. For example, in Chapter 10, the author explains in a Hint box how to apply sharpening settings from one image to a batch of images in Bridge.

Weinrebe supports his lessons with good screen shots throughout the book. Just a small selection of the tools that he covers very well (in a step-by-step fashion) are the Healing Brush, Lens Correction tool, History Brush, the Bridge and Camera Raw (including a suggested Bridge/Camera Raw Workflow), tinting with a color layer, batch renaming, converting to DNG, creating contact sheets, creating panoramas with Photomerge, and actions.

One of the most interesting parts of the book are the artist interviews. These Q&A sessions with such luminaries as John Paul Caponigro, R. Mac Holbert, Pedro Meyer, Graham Nash, Maggie Taylor and Joyce Tenneson generally run from about 4-7 pages and include fantastic imagery and insight about the artists' background, their art, what motivates them, and how they approach and use various technologies. I believe that this series of essays could easily be a very strong coffee table book on their own. They are a really special.

I also like the Chapter Reviews questions and Exercises at the end of each chapter, which can definitely help people to learn more about the Photoshop techniques that were covered in the chapter. Having all the exercise files on a CD in the book is also a nice feature. Also, it really helps that Weinrebe is a professional photographer who has been preparing files for clients for years. His work really shines throughout the book.

As a long time film photographer making the move to digital this book was a life saver. The step by step approach took the mystery out of photoshop.
The language was clear and the examples relevant.

The development of pigments by chemists changed the art of painting in the Renaissance. The development of film sensitivity changed the art of movie making in the 20th century. How will Photoshop and other image processing software change the art of photography?

This book provides instruction in the use of Photoshop, in an unorthodox manner. Most Photoshop books are organized along workflow lines, although a few work their way through each of the Photoshop tools and menus in order. Weinrebe follow his own order, dealing with light and shadow, curves, black and white processing, color tools and so forth before dealing with the tools used when first bringing images into Photoshop. Often a chapter introduces important techniques not related to the main one, as in the author's discussion of the use of the history brush in the chapter on curves. The author recognizes his approach is unusual, and suggests that readers go through the chapters in the order the reader needs.

The chapters include practical exercises that use images provided on an included CD.

The book recognizes the version 4.1 update to Adobe Bridge which is a component of Photoshop CS3, although I expect that the update was made available at too late a date for the author to do much exploration of its potential. (There has been a 4.2 update, but the changes seem to have improved code, without adding tools.) How else can one explain the author's dismissal of the new sharpening facility that allows for input sharpening, which is different from output sharpening?

Besides the instruction on using Photoshop, each chapter concludes with an interview with a famous photographer. Most of these photographers seem to specialize in montage, that is, the creation of pictures by combining images.

My biggest question was what happened to "the Art of Photography" mentioned in the title? Nothing in the material on technique goes further than to describe what controls and sliders create what effects on an image. No advice is presented in how to use Photoshop to create a picture that is more "artful" (whatever that means). The interviews are interesting but they don't include any information on how the artists used Photoshop to make their pictures more artful. I suspect that even Rafael received some instruction from his teachers on how to use the new pigments beyond how to apply them to canvas. Certainly, a few books on Photoshop have covered this terrain. I particularly found Rob Sheppard's "Outdoor Photographer Landscape and Nature Photography with Photoshop CS2" to be useful.

I also have some small complaints about the book. The text always appeared to be one or two pages behind the related illustrations, leading to a lot of page flipping. Some instructional areas seemed to scant the tools being discussed. For example, the chapter on Adobe Bridge mentions how customizable Bridge is, but neglected to provide any details in how to do this.

Still, a photographer looking for an introduction to Photoshop will be able to get started with this book. On the other hand, those looking for a more detailed introduction might want to look at a favorite of mine, "Photoshop Artistry: For Photographers Using Photoshop CS2 and Beyond" by Barry Haynes. It doesn't cover all the changes made to Photoshop in its later versions, but it will provide an understanding of the software that may even include a little bit about injecting the artful into one's images.

the book is well worth the cost: it is well organized and presents all of the capabilities of Photoshop in a pseudo-textbook fashion that are easily understood. At the end of each of the 12 chapters, the author presents a review: questions that the reader should be able to answer and exercises covering the CS3 capabilities that had been explained in that specific chapter. Also, the author includes interviews with 12 noted creative photographers such as Maggie Taylor and Lois Greenfield.

Photoshop is incredibly feature-rich software, and frequently perceived as overwhelming. Weinrebe breaks it down into easily understandable bits while still providing useful tips for very experienced users.

And the interviews with renowned photographers add a unique element, opening - at least a little a bit - a window on their varying perspectives and workflows.

Well done. This book is a valuable addition to every photographer's reference library.

To be honest, I've always been jealous of PowerPoints that I see during company meetings. How do they make them look so good? Finally, I decided to invest a little time. My friend's friend works at Microsoft and told me that his co-workers wrote a book. I figured I would give it a shot. Surprisingly, I actually enjoyed the book. I thought it would be really complicated, but little things go a long way to make slides look good and this book is great at pointing those out. Now, my presentations look clean, professional, and people are asking me for tips! It's great. If you want to impress your boss/co-workers with your PowerPoint skills, then this is definitely a good place to start.

As a student, I have only ever been expected to create the simplest of slide shows, and so my belief of the extent of PowerPoint's capabilities only stretched so far. However, with Microsoft's 2007 update, I thought it would be a smart decision to invest in a book that would guide me through the newest edition of PP. Well, after going through the book, I realized I got much more than I expected. Full of neat and useful tips, I believe that this book will truly benefit all of its readers in the long run.

Lots of useful tips on PowerPoint 2007. A lot of things have changed in Microsoft's 2007 update, and it's always nice to have a good reference so you can find/do what you want. I have not seen a better PowerPoint 2007 book.

Being a former consultant, business school student, and making hundreds of decks for presentations to CEO's, VCs, and a whole stadium full of people, I have to say that I have finally found the book I need. If you are an advanced user of PowerPoint, then you need to get this book. Learn all the tricks to creating more dynamic slides in less time. It a time saver! Worth every penny.

Chock full of good ideas and helpful hints. The examples are really illuminating and the writing is exceptionally clear, especially the section on the XML format (which was what I was most interested in). In both business and academic settings I've found myself having to maintain a large number of presentations. Often there are slight variations between presentations (different customer, different conference) and this book helped me streamline a lot of that process. For instance, now I can easily update tables with fresh data! A HUGE win. Now I finally have time to learn the clarinet!

Eric Shanower is a true Oz genius. He is one of the only authors I know that not only give you a written word story that is close to the original tone and feel of the Baum classics, but he lets you really =see= the stories through his wonderful art.

These five stories, formerly available only as long out-of-print graphic novels, are collected together under one cover and one imprint. Formerly First Comics published these wonderful fully illustrated titles in a single issue graphic novel format, in a size (about 8 by 10 inches) that really lets you enjoy Shanower's wonderful art.

"Enchanted Apples of Oz," the 1st story, takes us on a journey to see the Wicked Witch of the South and what happens when someone falls in love with her (for a while anyway... :-). The story is about Bortag and his quest for the Enchanted Apples of Oz. I won't ruin it for you, but I loved them all, especially Quox the Flying Blue Marlin.

"The Secret Island of Oz," the 2nd story, takes Dorothy, the Scarecrow, the Cowardly Lion, and Eureka on a journey to find the Crimson Tailed Quipperug and what happens to them along the way. I think you'll enjoy the story of Knotboy and Princess Trin.

"The Ice King of Oz," the 3rd story, takes us on a journey to the land of the Ice King. My favorite character was Flicker, the candle-maker, and his vital role in rescuing Ozma from a frozen fate.

"The Forgotten Forest of Oz," the 4th story, tells about Nelanthe, a wood-nymph, and how she falls under the spell of the King of the Trolls, and what Dorothy, Toto, the Scarecrow, and the Sawhorse have to do this time to save Oz.

Finally, "the Blue Witch of Oz," easily one of the best illustrated, tells the tale of what happened to the Good Witch of the East and also what happened to her and her family.

Oz fans will find very little to quibble with here - Eric tells these tales as though he had the ear of Baum himself - and even non-Oz fanatics will find these stories easy to read and very fun.

I highly recommend buying this - especially since Shanower gives you such wonderful stories you can even read to young children while showing them what they see. A real gem to add to the crown of Oz.

This book far exceeded my expectations. I like comics that have brilliant, bright, beautiful artwork and I have to say out of any comics I have ever read, this is by far the best. The illustrations in this book are more like book illustrations that comics. The story lines are wonderful and "fit" with the other Oz stories. The book is a high quality paperback with thick glossy pages. It is well worth the price.

From 1986-92, Eric Shanower made 5 Graphic Oz Novels (comic-like books) that told the fascinating stories of 'the Enchanted Apples', 'the Secret Island', 'the Ice King', 'the Forgotten Forest' and 'the Blue Witch' of Oz, all of which followed the adventures of Dorothy and Scarecrow with their friends, saving good people (sometimes one of them being misguided into doing bad things) from even worse people. Here, 'Adventures in Oz' is not a new story book by Eric Shanower, but a COLLECTION of ALL 5 Stories. Both the black-and-white and colour artwork for the graphic novels and other books have been rescanned by the publisher IDW Publishing, and Eric made sure that printing mistakes from the original editions would not be repeated (i.e. bits of a picture without colour) and did some minor revisions to the artwork, so therefore this book looks better than the orginal printings. The advances in the past 20 years makes the colours look far closer to what Eric Shanower originally painted than in the original printings of his Oz graphic novels - also his artwork changes from nearly good in 'Enchanted Apples' to Incredibly Fantastic and Lavish in 'Blue Witch'.
"Adventures in Oz" is actually published/printed in 2 different editions: a restored all-5-stories PAPERBACK (normal, currently still available) and a Deluxe LIMITED Signed Edition (which I am the lucky owner of!! Now Sold Out, Sorry!), which not only contains the original 5 stories in one volume but also includes some new, little seen and never-before-published material, such as Character Designs, Sketches, Colour Studies, Advertising Art, Abandoned Concepts and other things (just like the final Issue "9/Epilogue" of 'Oz: the Manga') not seen in the paperback version. The section for the extra material is more than 30 pgs and Eric was very keen on adding these special bonuses. Unfortunately it does not include the Introduction to 'Enchanted Apples' by Harlan Ellison.
BOTH Books have (in the following order) the same front and back cover design, Ozma & her tiny piglette on "This book belongs to", 2 red-dressed trolls, Scraps the Patchwork Girl with Toto and the Saw-Horse and tiny Flicker on the Book-Title pg, a re-scanning of the front & back cover for 'Enchanted Apples' but with 'Adventures' instead of the original title, Abatha the Blue Witch on a publishing pg, Nelanthe the Wood-Nymph with the Chapters, Eric Shanower's portrait of Ozma, "Just a word before you start", a Map of Oz (which again has the Blue East and Yellow West switching places!), Acknowledgements, 'the Enchanted Apples of Oz' story, 'the Secret Island of Oz' story, 'the Ice King of Oz' story, 'the Forgotten Forest of Oz' story, 'the Blue Witch of Oz' story (all 5 dedicated to someone special) and a colourful panel strip with the Oz characters. There are also ENDPAPERS, but both editions have different designs: the PAPERBACK has originally colourful yet b&w scanned pictures of the Famous 5 of Oz on the Yellow Brick Road (front) and the Forbidden Fountain of the Water of Oblivian (back), while the DLSE has new artwork of Eric's characters with 3 Denslow characters and two 'OZ' emblems. Also, in the DLSE after the 'colour-Oz-panel' comes the following: Eric's writing on him & Oz (throughout most of the book's ex. material), childhoods drawings (among them a history of the magic land), "General Jinjur of Oz" Pt. 1 in colour & Pt. 2 in design, design sketches for characters and books and location/places etc., Thanksgiving in Oz, Original opening for 'Forbidden Fruit of Oz' which became 'Enchanted Apples', rescanning of Eric's original graphic novel covers (without the writing), advertising art for the books, pictures made for magazines etc., origin of 'the Ice King', a try-out for Roger S. Baum's "Dorothy of Oz", original 'Story of Nebelle' before becoming Oz - which would've been out of place for Oz, alternate/cut-out endings, colour studies, cards & pin-ups, b&w pictures from Oz books illustrated by Eric Shanowers such as 'Wicked Witch' along with 2 Colour-Plates not in the book, 'Giant Garden', 'Runaway', 'Third Book', 'Invisible Inzi', 'Paradox' (which illustrates such films like 'Return', 'Journey Back', 'Cinar', silent films, etc.!), 'Oz-Story 6', 'Salt Sorcerer & Other Stories', another Ozma portrait, 'Oz-Story 3', 'Rundelstone', the annual Munchkin Convention and Winkie Convention of the International Wizard of Oz Club, 'the Living House' (which is seen on the 3-Disk MGM DVD!) and finally "If 6 Great Cartoonists had drawn Oz Characters'!
For me, I saw (and quickly scimmed through) "Forgotten Forest" and "Enchanted Apples" in 'Comic Kingdom' (which is also where I ordered copies of "Oz: the Manga") and I've always wanted to get 'the Blue Witch' which of course is out of print, but now that they are altogether in one brand-new collection, it doesn't hurt to get the one story I've always wanted with the other 4 stories and some extra delights (So Worth Looking at the Others!). Since I have never actually looked through or owned the orginal 5 books, I can't specify what has been changed or improved, but Eric did mention fixing the way he drew some of Dorothy's faces and the skin colour for the (human) characters, but unfortunately Dorothy still looks a bit too skinny and Ozma's hair isn't really tidy in 'Enchanted Apples'. Since I got 'Wicked Witch' long before 'Adventures' I often wondered at the drawing of "Who is that tiny little man with fire for hair?" Well, thanks to this book, I found out that it was Flicker from "Ice King (Oz)" and learned everything about him, so now I am no longer in the 'Not Know'.
I am VERY pleased to know that something OTHER than MGM is given a 'Special Anniversary Restored Edition' (it has been 20 years since the first publishing), and because of all the hard work that went into making this an 'Excellent Extended Edition' is why it took so long for its release. And I am REALLY GLAD to finally have my copy.
Eric Shanower also illustrated Rachel Cosgrove Payes' "the Wicked Witch of Oz" (which is not as scary or dark as it sounds, and can be bought through 'Hungry Tiger Press'), and even both written/illustrated other Oz books (Giant Garden, etc.). Although I never really liked his idea of giving Dorothy, Betsy and Trot modern-day clothes (shirts, shorts/pants, sneakers and socks that look suited for Summer) and copying John R. Neil's idea of all 3 girls having short hair (which can be confusing), his art is wonderful (ESPECIALLY in 'Blue Witch') and unlike John R. Neil, actually drew Betsy older than Dorothy and Trot younger than Dorothy, as originally written by L. Frank Baum in 'Lost Princess'. In 'Blue Witch', however, Eric redraws Denslow's Long-Haired Dorothy.
Once again, I am proud of some Classic Oz Books being restored for a Brand-New-Collection-Edition, especially since this saga was originally started by someone as talented as Eric Shanower, one of the greatest Oz Illustrators to ever live and draw!
Wouldn't it be GREAT if Eric did a Graphic Novel of L. Frank Baum's 'the Wonderful Wizard of Oz'?
P.S. On the MGM Oz - 3 Disk DVD, we actually see ERIC SHANOWER and some of his art in the 'Because of the Wonderful Things It Does: The Legacy of Oz' featurette, along with Willard Carroll! - but what about William Stout?

My first acquaintance with Eric Shanower's work was made when I hit on a slim volume called "the Enchanted Apples of Oz". I always search in the children's section of bookshops with the hope I will find something that will appeal to, as well as satisfy, my sense of wonder. Sure, I've spent many hours boring myself amongst piles of children's books totally inadequate for my adult brain who sees in them an unvarying sameness, but this consistent pursue has led me to the discovery of books whose imaginative work surpasses the customary outline that defines children's books. Shanower's stories and artwork transport the reader onto a mythic land which is as realistic as realistic is the pleasure one feels while being in this world. This pleasure I can only compare to the one I felt as a child when reading good old Walt Disney's stories. Through the years I've stopped reading cartoon stories such as those of Donald Duck and Uncle Scrooge and figured it was due to me growing up that I no longer found any excitement in them. Truth is, they hardly make quality comics nowadays - storytelling is reduced to a depiction of a fictional reality that is so much the same to the one we recognize as everyday reality. Shanower's work retains this old magic of cartoon series that is a fun to read no matter how old you are.
His respect towards his creation is felt throughout his stories and it is a respect the reader returns by making more room for this world and its characters to exist in one's imagination alongside with all the treasured creatures of our childhood. Yes, fantasy has intellectual faculties and once conceived it is never forgotten; it becomes ours forever and the pleasure of it remains.
"Adventures in Oz" features all five Oz graphic novels that Shanower created. Before ordering it, I hesitated as to whether the storyline would be as good as in "The Enchanted Apples of Oz" and thus, I wondered if there would be full-color illustration (I did not want any black&white surprise at this price). When I got it, I saw I had a treasure in my hands. Indeed, the stories get even better and it is in glossy full color illustrations that drowns the reader into the Oz land in a flash. The printing quality is of a high standard - better than the original publications and the color and black line art gives depth to the work. I am glad I got the hardback edition because I leaf through it so many times, so this binding is just.

L. Frank Baum's delightful Oz books have entertained every generation of readers, young and old alike, since they first appeared more than half a century ago. Indeed, so popular was the world of Oz and its myriad of colorful characters, that after his death other writers took up the task of creating more stories set in that colorful land over the rainbow. Now Eric Shanower has imaginatively written and beautifully illustrated five more stories that are combined in a large format graphic novel called "Adventures In Oz". The stories include 'The Enchanted Apples of Oz', 'The Secret Island of Oz', 'The Ice King of Oz', 'The forgotten Forest of Oz', and 'The Blue Witch of Oz'. Carrying and expanding the mythology, legendary, and fairy-tale fantasy first established by Frank Baum and enthusiastically recommended reading for ages 8 to 80, "Adventures In Oz" does full homage and credit to the growing library of Oz books, - and this time with the added visual and storytelling benefits of the graphic novel format. For school and community libraries (and dedicated Oz fans) it should be noted that IDW Publishing plans to release a hardcover edition next year that will have 70 additional pages of behind-the-scenes materials, including material from Eric Shanower's sketchbook, character designs, an essay by Eric about his experiences creating Oz comic stories, a variety of illustrations he has created for other Oz publications, short Oz comic stories, and more.

Another addition to a wonderful series to share with your children ages 7-12.

If you know anything about Akiko and her friends, or you don't, Akiko and her fiends are a little different... or alot. In the book, wait, I shouldn't give all the deails. Read it for your self. I think it's the best one yet!!!!!! :-)

If you know anything about Akiko and her friends, or you don't, Akiko and her fiends are a little different... or alot. In the book, wait, I shouldn't give all the deails. The main part is that it takes place in The Alpha Centauri 5000 in space. They might get smooshed in one part. You should read it for your self to find out. I think it's the best one yet!!!!!! :-)

Akiko and the Alpha Centauri 5000 is a wonderful addition to the Akiko series. When her friends from Smoo trans-moovulate her on board the Boach's Bullet to help them win the Alpha Centauri 5000, Akiko is a little upset. But soon enough she's pitching in to help Spuckler win against the sneaky Streed. If you like light adventure stories, you're going to love this new Akiko.

Eleven spaceships, four aliens, and a fifth grader compete in an intergalactic race from one side of the universe to the other but must face some formidable challenges during the race. When Spuckler finds his old rival is also in the running, Akiko finds herself in the competition for a trophy in Aiko & the Alpha Centauri 5000, a fun science fiction tale for young readers.

My wife and I bought a copy of the first Alex Unlimited novel about a month back for our niece. She's not a big reader and we were trying to get her interested in the activity. The cover caught our eye it sounded like the kind of thing she would enjoy, but we weren't sure. We checked some of Dan Jolley's other work and saw he had also worked on the manga for "The Warriors", a series we heard was popular with children our nieces age. We ordered it and sent it off, hoping for the best, and that's exactly what happened. She loved it! We've gotten several emails from her exclaiming how much she loves the book and can't wait to read the rest. We'll be getting those for her very soon!

Like Alex herself, this series has a lot of potential.

Don't be fooled by all this talk of adventure. When we start the novel, Alex is a frustrated young woman whose gift means that she cannot experience the missions she sets in motion. She goes to amazing places, but only because the Other Alex will vanish if the two get too far apart from each other. She spends most of her time during missions locked in a nondescript black vehicle. Fortunately for us and for her, Alex demands and gets more independence -- along with the difficult choices that come with being independent.

This is a spy story, a science-fiction story, a coming-of-age story. There are delightful villains, strange tech, allies-of-questionable-allegiance, and plenty of fight scenes. The Vosarak Code is the start of something great fun.

This book is wonderful. From a 17 year old's point of view. I'm close in age with Alex and I feel what she feels. Whenever I read this book I just feel like I'm there. I would say this is one of the most excellent book's I have ever read. It show's alot of what girls really feel. I love the action in it. The secrecy and the little hint of romance. It's not too much , but it's just enough. I really enjoy this book and I would sugest it to anybody who needed a good read. =)
~Brenttnie

When I was young, I wanted to be a writer, an astronaut, a teacher, a doctor, a catburgler, and a dancer on "Solid Gold." I remember being very disappointed when my father explained that one person couldn't do it all - at least, one person can't be the best in every profession. As we make choices in our lives, some of those possibilities become reality (I've been both a teacher and a writer), and some merely continue to exist in our imagination (I still think I would have rocked it on "Solid Gold.") Alex Benno doesn't have those limitations, though. Alex has access to every possibility, every alternate reality, which means, Alex can find a "best" version of herself for any situation.

For Alex, this gift is a mixed blessing. Yes, she can always find the alternate Alex who has the right skills for the job at hand, but she never gets credit for the amazing things these other Alexes can do. As the cover of "Alex Unlimited" explains, Alex is her own sidekick.

Dan Jolley skillfully writes Alex as a young everywoman. We feel her insecurities as she notes her frizzy hair or her frumpy clothes, especially in comparison to her alter egos. But unlike most of the usual stories in the young adult genre, "Alex Unlimited" has an interesting twist: that amazing girl the heroine wishes she could be is actually herself.

"Alex Unlimited" is fast-paced and cleanly written. Jolley, a former comic book author, is an excellent writer and has shown his skills in a number of genres. But beyond good writing, Jolley has hit on something real - the notion that we must learn how to become ourselves. Like Sethe in Toni Morrison's Beloved, we must find how to become "our own best thing."

Because of that message, Alex (for all that she is a frizzy-haired, frumpy mess) is an inspiration. So what if "Solid Gold" was canceled in 1988? Get Marilyn McCoo on the phone! I'm going to practice my signature dance moves right now.

This is the first volume in Dan Jolley's original series, 'Alex Unlimited.' It's a charmingly written story with a realistic and emotionally relatable main character. It's not full of age or genre jargon and is suitable for a wide audience. It's _most_ likely be appropriate for a 14-17 year old girl, considering that the book's strength is in representation of the heroine. It would also be enjoyed by a younger boy who enjoys youth-as-spy stories. The story reaches its stride in the middle of the volume, as both Alex's inner voice and physical actions become the focus of the reader's attention. Readers are left with a suitable cliffhanger and an ending with a lot of personality.

This is also the first prose novel published by Tokyo Pop. It's a fast read with short chapters, paced very similarly to an illustrated volume. In fact, it feels very similar to a 'youth-as-spy' genre cartoon with a slightly more mature bent. I would recommend the book to anyone above 14 who liked secret identity stories.