Graphics Books

I had, and loved, this book as a child. I just bought it to give to my god-daughter. Hadn't seen it in years. Sweet and heartwarming. Brought a smile to my face.

I;ve followed the Peanuts gang ever since they first appeared in the San Francisco Chronicle. This book brings back happy memories of the gang & I'd recommend it to any Peanuts reader as a "must have".

I thank whoever reproduced these little gems!!! I owned this in elementary school and saw it featured in a woman's magazine and flipped! This book is still as great today as it was then. I bought one for my neighbor's grandaughter and she loves it! Thank you, thank you, thank you!

I too loved this book as a child. The simple repetetive text helps the reader find simple pleasures in everyday life. I am a teacher now and I have been searching for this book to use with my kindergarteners. I searched in the local libraries to no avail. Of the numerous books I possessed as a child, only two stand out in my memory. One is Happiness is a Warm Puppy and the other, Never Tease a Weasel. For a children's book to make such a lasting impression on so many people is remarkable. It is a shame it can't be put back in print for another generation to enjoy.

It's great to have this book again. I had the first editions of all the small "square hardbacks" in the 60's, but lost them somewhere along the line.

They reflect the simplicity and warmth of PEANUTS in their very format.

Happiness Is a Book By Charles Schulz!

What can I say? This is a big must-have for ANY player, it has tons of nifty little fetishes (Of the item variety) and tons of other cool crap. I mean, what can beat people who turn into dragons? Huh?

With Shapeshifters of the East I found a great read and a ton of possibilities for new characters. I mean the Kumo and the Same-Bito..whoo hooo. BUT, damn that Treefrog font they used for the paragraph titles and such, drove my eyes -crazy-, small complaint but worth the groan.

I have to admit that the whole Kindred of the East project has done little to excite me. But this book changed my views on the concept. By moving the changing breeds of Werewolf: The Apocalypse to the new battlegrounds of Asia, it adds a whole new level to the ususal " Stranger in a strange land " feel of Werewolf. The Kitsune (werefoxes) are easily one of the cooler species of shapeshifter (apart from the Garou themselves, of course). But the main reason I bought this book was for more details on the Hakken Garou. Anyone who's read the Shadowlords Tribebook already knows about the Garou of the East. These guys are samurai with fur and fangs, and you can't get more badass than that! Hengeyokai is more than just Werebeasts in a different land: its a whole other culture, with its own rules and values. This book is a great addition to the Werewolf line, and is reccomended for either Asia-based campaigns, or adding some spice to your current chronicle.

This supplement to Werewolf: The Apocalypse is absolutely the best book in the series, if only because the elusive Kitsune are given the full coverage of a Breed Book. The other breeds appear, with a twist making them very different from their Western relatives. It's a perfect setting for mixing shifter types what would automatically attack each other in a traditional werewolf game. Take your gaijin Garou to Tokyo, or your Japanese Kitsune to San Fransisco...

Hengeyokai is an expansion to Werewolf the apocalypse. Hengeyokai is two books in one, first on the ways and culture of the eastern changing breeds. (werewolves, wereravens, weresharks, weredragons, wererats, weretigers, werespiders, and weresnakes) along with new merits, flaws, gifts, auspices (oriental auspices - leaf, steel, lantern, etc..) along with how to combine a western based game into an eastern campaign... or the other way around. The second half of the book is all about the Kitsune, or werefoxes. The mystery makers of gaia. They do not cause the delerium, they have nine tails, and their gifts of paper folding are unique to them. The reason that the two books are combined in one is simple: you can play a Hengeyokai without knowing anything about Kitsune, but you can't play a Kitsune without knowing about Hengeyokai! Two books in one is an excelent deal and a wonderful suprise to those who don't know.

This calendar gives an exceptional opportunity to enjoy images of our foremothers and their children as well as the clothing they wore. It also brings to light the value of local, small museum and costume collections. Get one for yourself, and one for your Mother!

What a great opportunity to share a love of fashion that is reflected in clothing from both women and children. This calendar presents monthly photographs featuring collections from both museums and universities encompassing a world of beauty and information with comments and information from each of these collections. Share it with a friend!

Second in a series, 1999's calendar offers professional and polished images of historic dress for both women and children. Beautifully presented, it is full of wonderful photographs of clothing in collections of both museums and universities. For all those who love clothes, this is a real treat, and a great way to mark off the passage of the coming year.

The calendar is wonderful. I love the clothes and great photos. Makes me want to visit the museums and learn more about historic fashion. It is great to be able to see how clothes have evolved throughout time

A wide range of vintage clothing is shown in this truly beautiful calendar. Besides the large feature photograph for each month there are many smaller, yet equally well-done, photographic images. The history of women and children takes on a new reality when one sees these clothes that were the cultural 'second skin' of their lives.

I just bought a camera phone 3 weeks ago, and this book has saved me! Well, not literally. But it has been a big help. It's a pretty hefty 300+ pages with easy to follow steps. And it's geared to non-techies like myself.

Now I know how to work the camera, but I still take $#!++% photos!

at last I have a book that I can give to my technology-impared friends and family! thanks for getting me off the hook, john frederick moore!

This is a book made for the person (like me) who's basically intimidated by technology, afraid that any attempt to utilize this or that fancy feature will spell nothing but frustration and futility in the end. It doesn't have to be that way. I was given a camera phone as a present, and until I found this book, it stayed in its box. I was that intimidated. (Let's just say my experience with user manuals hasn't been good.) The first thing that struck me about this book was the clean writing. Moore has a knack for making complicated things seem really simple. This book is comprehensive and straightforward and has lots of helpful visuals to add further clarity. I can now begin taking advantage of my phone's features without fear. It's terrific.

As someone whose technological literacy is only slightly better than a mushroom, I was hesitant to use and intimidated by my new cell phone camera. Despite the salesperson's assuarnce that "anyone can use it," I knew I'd be the addled exception. Thank God for this book! Not only is it well-written and interesting, but it's for people like me - who need lots of extra help. Because of this book, I'm happy to say, I now love using my cell phone camera and have become quite the master at it - even giving my friends advice and "tutorials." I take great photos with my cell and have captured and shared lots of great memories I would have otherwise missed. Thanks for the great, helpful read!

Disclaimer on the star rating: I don't have a camera phone, but my mom does. And my mom called, a lot, to ask how to use this, that, etc. So I bought her this book, and my time spent on those calls have been cut to almost nothing!

Clear direction, illustrations and well written instruction mean that even my mom can master her phone. Of course now I spend even more time downloading the pictures of my neices and nephews she captures on her phone, but it is time well spent! And seeing the results my mom is getting....well, a picture phone might be in my future as well.

Great book. He displays how to cartoon men, women, children, elderly and many types of animals. He does it in an extremely visual way that even a child could follow along. This book is packed with 95% illustrations and 5% text. To me, that's a winner. The 5% text that is in there is invaluable. The print is nice and large and easy to read. I am very happy I bought this book. It is a keeper.

From the beginning of this book to the end, it is filled with (finally) basic, step-by-step instructions on drawing cartoon people, body parts, the "action line", body language and style. And then it starts all over again with animals! Mostly dogs, cats, and different fowl, it also includes less common animals, like beaver, porcupine, raccoon and many sea animals. Can't forget the great alligators and dragon. Finally, the book spends time on placing the characters, reference lines and specialty shots and the all-important "balloon". Another great one by C. Hart. I think I own most of his books and they are all worth great merit, better than the other books I've seen out there by far.

A few years ago, on a whim, I decided to start drawing. I didn't know where to begin so I bought this book. I really believed I couldn't draw. The techniques in this book were so easy to learn that soon I went from drawing stick figures to expressive cartoon characters. My confidence went up and I took on more complicated projects. Now, I work part-time doing illustrations and it all started here!

Christopher Hart has truly done an excellent job with this book. Filled to the rim with illustrations, techniques, explanations and inside information, if you've ever wanted to learn about humorous illustration or cartooning, put this on your list. You'll be glad you did. :o)

This is an excellent book for any beginning artist or anyone else wanting to learn cartooning. Chris Hart publishes some of the best books on art that I've ever seen. This book gives good details on drawing that is easy to follow and understand. All in all, this is one book that should be in every artist's library.

This book was informative, insightful and a quick read. A must have for both students and designers alike!

Insights into how world-famous graphic designers come up with winning designs make for an outstanding collection of lively interviews revealing best thought and practice in the world of design. Over twenty designers reveal their designs, outlining how a love of design developed, influenced their lives, and how it translated into a passion for producing better graphic design results. Any library covering graphic design simply must have this, whether it be at the college arts level or the general-interest lending library.

I can't believe only 6 people rated this book. This is such a great book and I had so much fun reading it. I lent it to my program coordinator and it became one of our program's textbooks(graphic design). I totally recommend this to any one interested in design, art or in general, LIFE!
worth EVERY SINGLE PENNY!

This book is a must read if only to get a glimpse on how real these great graphic designers are. I enjoyed reading milton glaser's not because he's a favorite but because I found his insights humble and encouraging for the not so great graphic designer like myself. I was also bowled over to find a designer from my country and from my college included here, Lucille Tenazas! Great book!

It's always refreshing to learn something new about the creative people that you idolize. This is a great book that will not only inspire you but also answer questions about design that are not quite so easy to articulate. You will read every page without any regret.

I've bought a copy of the translation of this book to Hebrew, which covers Hebrew contents in HTML pages, and it's my favourite and recommended HTML book.

Actually, I have two copies - one is always loaned to a family member or co-worker who wants to study HTML quickly and easily, and I'm surprised this book is out of print without a newer edition (e.g. HTML 4.0) coming out.

This small book covers everything about HTML in a concise manner. For someone who knows the very basics of HTML, every chapter is stand alone - no need to read half a book to get a specific topic.

The coverage is very good. e.g. many CGI manuals assume the reader knows the HTML side of forms and continue straight to code, even though most people want to learn both subjects together (how much can you do with a form that has no script begind it ?) - this book covers the HTML side of forms clearly, complementing those manuals.

Though a few of the chapters that dont deal directly with HTML (e.g. finding a home to your pages) are a bit weak, those dont make the core of the book.

I hope a new edition of this book comes out covering HTML 4.0 and fixing the weak chapters (e.g. giving URLs to sites such as geocities and giving a short hands-on manual on uploading pages).

If you use HTML or any related technology (JavaScript, CGI, etc), I recommend you put your hands on a copy of this book and stick to it.

I hope this book is reprinted. It is the single source book of code that I keep on my desk. I have recommended it everyone who asks and I am sorry to see it is gone!!

This book is probably the best and easiest-to-use HTML books out there. It's a little out of date now, since browsers have been updated, but I still use it and recommend it for quick reference.

I also use this book as a text, even though it is a bit dated compared to Castro's Visual Quickstart Guide (which I also use). The layout of the book is the reason it remains of value, and will so for years. For someone learning the basics of HTML, each two-page spread covers an HTML tag. The lefthand page describes the tag and dissects it, describing all attributes and values they can take. The right side shows an example of the code and how it looks in a browser. There is no clearer way to explain HTML for beginners than this. One caveat, though ... the appendix with the numeric codes for special and reserved characters is seriously flawed. If there is an edition for HTML4.x, the editor of that book had best make sure the errors in that table are corrected.

I've really enjoyed this book very much. This book provides a disection of each tag and a picture of the source code and the outcome. As a reference it's helpful, because it provides a clear and consise format. Plus, it'a a great size to carry around. Can't wait for the next edition!

Must have for reference. Great shop manual. I hope author keeps writing good Illustrator manuals. Well done.

For some reason, books on Adobe Illustrator are always terrible: they either pander to new users, recycle out-of-date content, or rehash the same boring techniques as every other book. Steve Kurth's Illustrator 10 Shop Manual puts the competition to shame, digging deeper in a single page than the other hacks do in a whole chapter.

Kurth has actually documented EVERY LAST feature in the program, down to the tiniest checkmark in each dialog box. He understands how I need to use the software, and offers the most specific and helpful advice I've ever seen.

A perfect example: a designer in my company needed to convert all the shapes of an expanded gradient from CMYK values to a single spot ink. If you think you know the answer, guess again -- it's not as easy as it sounds, and I've used Illustrator professionally for 8 years. The Shop Manual gave me an answer in less than five minutes.

And that's the key -- notice how I said "it gave me the answer," and not "I found the answer." No book could ever predict the above scenario and give clear-cut steps to the reader -- and that's why the others fail. Because it covers so much so well, the Shop Manual actually LEADS you to the connections you need, using Kurth's experience and a surprisingly intelligent layout.

I bought two copies: one for work, and one for home.

There's not much to say: I picked it up off the shelf, everything I needed to know is in there and it's easy to use. Simple praise, but rare praise indeed for today's often obtuse computer manuals.

This book is very good. I read it and learned a lot about the program. No nonsense. Later, I ask him questoin from his web site and he knew the answer right away. I look forward to other books by the author

I find these shop manual books amongst the most useful in my bookshelf. For an experinced user most often all that you need is to quickly look up the features and settings of a particuliar tool or dialog box.
This is a complete reference manual to the whole package, forgotten how to do something it will be in here somewhere. There is also a useful how-to section at the back covering common techniques.
These books make a designers life soo much easier.

This book served as a guide to go from not knowing anything about iMovie to being able to create a large slideshow project. I ordered another guide first and couldn't get off square one. This guide allowed me from starting at no knowledge to understanding well enough to get my job done. The iMovie icon sat on my desktop for years before this book opened it's utility. A small and worthwhile investment to get the most out of this software. It has even given me the bug to get a camcorder and move from photography to videography.

I love this book. Its so easy to read and informative that it'll suit any age! Its an easy way to get the know-how on Imovie and Idvd and also helps seasoned ammatures (like myself) brush up on the commands and answers any questions you might have.

As digital video cameras spawn in the hands of you, me, parents and tourists like cockroaches in my kitchen we find ourselves needing the kind of technical and aesthetic help not really seen since the advent of `desktop publishing'. Once again a `Missing Manual' has come to my help. `iMovie 3 & iDVD: The Missing Manual' is an excellent book.

I previously reviewed iPhoto2: The Missing Manual and said "The target audience for this book would probably be a little less technical than myself, however when I find myself in a field I don't understand well I don't mind a little stuff for the absolute newbie" -- and once again this is true. iMovie 3 & iDVD: The Missing Manual finds me in an area where I am technically inferior. Once again I truly appreciated this book and its style.

The book is broken up into four sections, one devoted to video cameras and shooting a movie, a large one on editing in iMovie 3, and smaller sections on exporting out of iMovie 3 and on using iDVD. At the end are two useful appendices: the first is a menu-by-menu look at iMovie 3, and the second is an iMovie 3 troubleshooting guide. The latter is often needed and always useful -- iMovie 3 still has more than one bug.

The first section gives a great deal of incredibly useful information about video cameras and how to use them, including hints on various types of shooting such as sporting events, interviews and weddings. The technical information on cameras is perfect if you have yet to buy a camera, including a guide to which features are essential and which unnecessary as you can do the same thing (only better) in iMovie 3. When it goes on to the `how to shoot' section, you get pretty much the same advice you'll get anywhere, but since we didn't really read all of from the last book on video we read (and forgot half the bits we did read) it's nice to have it there again.

The second section does a good job of explaining the details of iMovie 3, even down to some of its shortcomings and bugs. I also appreciated the way it spent as much time on improving the quality of the finished film as it did telling me how to use the various parts of the software. It follows a logical sequence through the movie-making process, giving good details on how iMovie does the job, how to get the best result and what sort of things to avoid -- particularly useful for things like transitions and effects when less is best.

The third section, titled "Finding Your Audience," is a bit more of a problem. It really has nothing to do with finding an audience and a lot more to do with QuickTime. The section first spends ten pages telling us how to get our edited film back onto the camcorder or onto a VCR, then it spends a lot of time dealing with exporting to QuickTime, including posting movies to the web and some info on using the QuickTime player, including some "tricks" with QuickTime Player Pro.

The attention to the finished product in the second section carries through to the fourth section on iDVD, though the writing here is not quite as good. It is incredibly informative, however. I learned a great deal about putting together all sorts of iDVD projects, including ways of customizing almost every aspect of the finished product.

O'Reilly have the usual marketing stuff on their website while Pogue Press have the handy little Missing CD section with links to all the free and shareware software mentioned in the book. Neither has a sample chapter or the table of contents.

One of the drawbacks of getting free software is that we don't get good free documentation. One of the benefits of free software is that we can choose which `documentation' to buy. Some people might prefer the style of the `Dummies' books, others the style of Peachpit's Visual Quickstart Guide. I've had a look at all three and like the balance of depth and explanation that Pogue has in his `Missing Manual' series. I once again find myself recommending a `Missing Manual' to everyone. While catering to the beginner, this book goes deep enough that all but the most long-term user of these two pieces of software will find something to learn in this volume.

Yup. This book really made using iMovie for the first time a walk in the park.
Wiht absolutely no prior experience in this sort of stuff (the closest I've come is Photoshop Elements), I was able to, on the first try, make a music video of my son's first christmas.
I was then able to convert an old videotape from the late 70's into a gleaming, groovy DVD.
The book is well laid out, easy to navigate and above all, usable.
It's a five-star manual, no doubt about it.

I bought this book as an afterthought when I started using I-Movie. At first, like most of us, I thought--hey, I can use I-movie intuitively without a manual...but after my Imovie 3.0 crashed and corrupted the movie I'd been working on for 100+ hours, I was eternally grateful to have it nearby. This manual is wonderfully organized, very easy-to-understand, and answers virtually every question you could have about I-Movie and I-DVD. It walks you through everything from how to shoot footage that is eye-appealing...to editing it to a work-of-art in I-movie...to converting it to a Quicktime video and/or burning it to DVD. It is honestly one of the best manuals I've ever used for anything---clear, concise, yet comprehensive. Thanksfully, you don't need to read the whole book in order to "get started" with I-movie; rather, it's a great tool to pick up on an "as needed" basis while you're editing. This book is definitely worth the small investment. It truly is "the missing manual" for I-movie. O'Reilley has done it again...great job!

Some of the most creative rabbit-monsters I have ever seen. Im even thinking about getting a couple tattoos of them.

I LOVE portrayals of monster rabbits because I have one myself--I took him in when I found him hopping down the street one week after Easter--yup, he was one of those poor abandoned Easter rabbits. He repays me by acting the savage beast. It is hilarious to be attacked by such an adorable creature, and his is SO WELL represented in this book!

GET THIS BOOK! This is fun to look at! What an imagination! Fluid and Beautiful designs make these drawings irresistable to stare at for hours. The artist is as imaginative as he is a talented.artist.

What delightful book. Gagne in color is even twice the power of his other popular offerings. I think he has really matured into a fine author and every new book is a joy. All I can say to Twisted Rabbits is bravo. What great designer.

Anyone who loves Monty Python, or who is a fan of Anya understands that rabbits are really voracious, man-eating creatures that hunt the night (or Knight) looking for the unsuspecting. And yet we continue to expose out children to them, believing that appearances could never be that deceiving. Finally, Michel Gagne has decides to take the lid of this secret scandal and reveal to the world the real horror that lurks between those sad brown eyes and cutesy tails.

Gagne was an illustrator in the well-known Don Bluth Studios until they closed in 1992. during that period he and another artist, Dave Kupczyk had a one-on-one competition about who could draw the evilest rabbit. While we won't know the real winner until Kupczyk publishes his own book, Gagne's rabbits are a delightfully evil and twisted as they come. The stuff of fluffy nightmares.

This is one of those books that is reserved for gag gifts for rabbit enthusiasts and excesses of cute, but it is fun for anyone that discovers it. Even as we speak, my cats are checking it out and whispering tales about that famous serial killer, Jack the Rabbit. You can't help but like this thin volume. Recommended for the light of heart.