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It's getting harder and harder to come up with new things to say that will convey how much I enjoy reading these old Peanuts strips. This comes from a period where I am less familiar with the strips themselves, so there are some surprises for me.

In this volume we find the strips that will be the inspiration for the animated special, Snoopy Come Home, in which we find out Snoopy has an owner before Charlie Brown who is ill and in the hospital. This is the era where Franklin makes his first appearance, giving Charlie Brown one of his rare emotional boosts. There is also plenty of Snoopy as the WWI flying ace and numerous baseball games.

All in all, as always, this volume is a great collection of wonderful Peanuts comic strips. Charles Schulz rarely disappoints.

(Prospective buyers of this volume should be aware that the first edition has an error: the May 1, 1967 strip is printed twice, leaving the May 3, 1967 strip missing. Later editions of this volume are supposed to correct the error and the missing strip will also be printed in the 1969-1970 volume.)

Tongues are stilled to silence. Commentary fails. By 1968, the neurotic and often surreal Peanuts comic strip ruled newspapers' daily fibers. Another decade would roll by before any real competition emerged. Though Ruminations on the 1960s rarely include "Charlie Brown and Snoopy," their utter ubiquitousness in papers, magazines, toy stores, television and, after 1969, film makes that lacuna seem almost irresponsible. The stunted ageless self-conscious Freudian windbags were simply everywhere. Only very recently, following Charles Schulz's passing, the closing of the Mall of America's "Camp Snoopy" and the glacial disappearance of Peanuts reruns, does its grip on popular culture seem at an ebb. Nonetheless, historians of popular culture will doubtless continue to acclaim Peanuts as the pinnacle of the comic medium. Especially as the classic comic strip format fades into history, with the inevitable dissolution of newspapers into web bits, Peanuts represents something that will not likely occur again. Thankfully, Fantagraphic's magnum opus, "The Complete Peanuts," lets readers revisit the strip's colossal 50 year run. Fanatics unite!

This ninth volume includes every strip, including Sundays (though not in color), from 1967 to 1968. By this point the development of the strip's main characters plateaued. Charlie Brown, Snoopy, Lucy, Linus, Schroeder, Sally, Peppermint Patty, and the "birds" that would become Woodstock (next volume - try to hold it!) appear in familiar form (though some characters began to appear with less frequency, such as Violet, Frieda, and "Pig-Pen" - Violet's appearance on the cover remains a little enigmatic since she appears only 15 times in minor roles; "Pig-Pen" only appears 3 times). Snoopy's "WWI Flying Ace" transformation (in the previous volume) arguably represents the strip's peak. This level of quality was maintained until the 1980s. Schulz became a multimillionaire in charge of a global empire. Peanuts gradually seeped into every possible crack, including junk food and insurance. Snoopy became as recognizable as Mickey Mouse. This cultural domination did not ruin the comic's self-consciousness or self-deprecating undertone. As profits and honors soared, it kept reflecting on the lives of losers, misfits, and the depressed.

As with all volumes, this one contains many highlights, including: Lucy sort of meets her arm wrestling match in "The Masked Marvel" ("Succumb you dark-haired fiend!" 2/14/67); Snoopy attempts to compete in the Grenoble Olympics, only to be deterred by an ocean (12/21 - 12/22/67); Snoopy trips over a blighter (5/11/67); Linus pats birds on the head, which many find socially unacceptable; the birds rebel (5/22 - 6/3/67); "Bird Hippies" appear (7/12/67, 7/13/67, and 11/1/67); the baseball team loses again ("Winning isn't everything, Charlie Brown..." "That's true, but losing isn't anything") and Charlie Brown trades Snoopy to Peppermint Patty's team. Guilt ensues (11/8 - 11/20/67); a rare and bizarre front view of Snoopy (1/13/68); "Even stupid questions have answers!" (2/21/68); The "Easter Bunny" (later "Easter Beagle") appears (4/14/68); Snoopy tries to find Petaluma with a globe (4/30 - 5/1/68); a proverbial "sad" strip: "But who cheers up the World War I flying ace?" (5/16/68); Bird chomps on worm, Snoopy gets sick (5/20/68); Lucy serves "Goop" (5/27, 5/28 and 6/1/68); a proto-Marcie, named either "Clara," "Sophie," or "Shirley," appears at Peppermint Patty's camp (6/18/68); Birds carry election signs (7/1 - 7/6/68); Franklin appears, for the first time, on the beach (7/31/68); Charlie Brown finds out the truth about Lila, and Lila appears - a rather bizarre sequence (8/20 - 8/31/68). Here's yet another great collection in a series planned to continue until 2016. That's exhausting even to think about. But please keep them coming!

The Complete Peanuts 1967 to 1968 continues Fantagraphics Books' marvelous definitive compilation of Charles Shulz's iconic newspaper strip, including both daily and Sunday strips (all strips are reproduced in black and white). Featuring an introduction by John Waters - which draws the reader's attention to Shulz's uniquely expressive art style when drawing facial expressions such as a "total-warfare frown", and his starkly accurate portrayal of the crushing humiliation of defeat. In the 1967 to 1968 comics, Peppermint Patty tries to trade Charlie Brown five baseball players for Snoopy the shortstop; Charlie Brown makes a new friend in Franklin (who is initially scared off from the local neighborhood when Linus tells him about the "Great Pumpkin"); and Snoopy (a.k.a. the "Masked Marvel") and Lucy get into a championship arm-wrestling match! Like all previous volumes in the series, The Complete Peanuts 1967 to 1968 is highly recommended for comic lovers of all ages and backgrounds, and simply cannot be praised enough.

As America careened into the ghastly late 1960s with its pop culture literally fracturing in pieces, "Peanuts" stood virtually alone as the one creation with quite literally something for everyone. As revealed in this latest collection (and many earlier ones - virtually all of the strips in this volume have been reprinted at some time or other), the psychological discourses and keen personality conflicts that had boosted the strip to fame in the late 1950s and early 1960s were still very much a part of the mix, but they now existed cheek-by-jowl with Snoopy's burgeoning fantasy life, the initial introduction of ethnic diversity into the "Peanuts" "universe," and Schulz' first tentative stab at fashioning an entire continuity around Peppermint Patty, his one true breakout character of the decade. While some fans may have chided Schulz for not taking sides in the cultural conflicts rocking the nation, hindsight reveals that he had the right idea all along. The "Peanuts" strips of this era are still eminently fresh and readable in a way that a dog-eared copy of "Crawdaddy" or "Ramparts" is emphatically not.

Fantagraphics' back-cover blurb claims that Snoopy's identity as the "World War I Flying Ace" had "almost entirely taken over" his personality during this time. To the contrary: this era saw ol' Snoop go in so many different directions, both frivolous and un-, that it's a true challenge to list them all. On the serious side, we get the saga of Lila, Snoopy's previous owner, whose letters torment Snoopy (and, by extension, the baffled Charlie Brown) in a couple of powerful continuities. In the sequence that inspired the plot for the movie "Snoopy Come Home" (1972), Snoopy rushes to Lila's aid after his ex-owner goes to the hospital. Granted, Snoopy doesn't temporarily decide to return to Lila for good here, as he did in the movie, but it's easy to see why Schulz latched onto this relatively short sequence as ideal screenplay fodder. Snoopy also seeks psychological help from Lucy after hearing strange noises in the night (and needless to say, Lucy doesn't take kindly to being paid in dog food). After concentrating on "Red Baron"-battling shtick early in the volume, the beagle later kicks into high gear with visits to The Masters, the wrist-wrestling championship in Petaluma, and (at least until an ocean unexpectedly gets in the way) the Olympic skating finals in Grenoble, France. He also finds time to run for political office (don't ask me which one), wield an "iron paw" as the demanding new manager of Charlie Brown's baseball team, track Lucy as a secret agent, and pose as a "Cheshire Beagle." Snoopy hadn't gotten to the point of taking over the strip just yet, but one can sense Schulz beginning to lean ever so slightly in that direction.

The introduction of the black character Franklin in early 1968 is often cited as Schulz' acknowledgment of the changing racial climate of America and his need to get with the multicultural program. Schulz did get some flak from bigots who complained about Charlie Brown inviting Franklin home after the pair met at the beach. In retrospect, the flap hardly seems worth the trouble, as Franklin never developed a truly distinctive personality (nor even a "hook," as did the equally bland Schroeder with his Beethoven-mania). Earlier, Schulz essayed a lighter touch in diversifying the cast when Peppermint Patty, making one of her then-regularly-scheduled Summer pilgrimages to the main cast's neighborhood, brought along the pint-sized Mexican/Swedish slugger Jose Peterson. One can almost hear Schulz chuckling to himself, "Let's see how they try to categorize THIS guy!" Alas, Jose never officially appeared again, nor did he speak so much as a word of dialogue.

Peppermint Patty herself is still a fairly minor character at this point, with Schulz still working out some details - PP isn't even calling Charlie Brown "Chuck" consistently yet - but the June 1968 continuity in which she goes to summer camp represents a watershed of sorts. Rather than meeting Charlie Brown, Linus, or any other familiar figure at camp, she shoulders the burden of leading lady all by herself, taking charge of a trio of younger girls, one of whom (Clara) is the proto-Marcie. (For the record, Clara isn't the first one to call PP "Sir"; that honor goes to the freckled, pigtailed Sophie, who complains of homesickness - that is, until she meets Snoopy, who's at the boys' camp across the lake.) From this point on, Schulz permitted PP more and more "screen time" until she became a full-fledged regular. (Just before the camp sequence, PP got star billing in a Father's Day Sunday strip, indicating that she was very much on Schulz' mind at the time.)

John Waters' introduction to the volume is serviceable, but come on, Fantagraphics, isn't it about time to balance the political scales just a bit? Where are the famous right-wing fans of "Peanuts" to give us THEIR views on the strip? Given that Schulz was performing a delicate balancing act at this time, pleasing a mass audience at a time when that was proving harder and harder to do, getting views from all sides would only seem fitting.

In this volume of the collected Peanuts strips Charles M. Schulz's world has reached its peak and, just possibly, started to descend. We still enjoy Charlie Brown's neuroses, Lucy's arrogance, Linus' philosophies, and the other inimitable idiosyncracies of the main characters. We laugh at Snoopy's Red Baron, vulture, and other fantasies, but here and there we start to notice a few things that are missing. Shermy, Patty, Violet, and Pigpen rarely show up anymore and when they do, its just as a walk on part to say a few words here and there. Snoopy's imagination is as fascinating as ever, but its beginning to dominate more and more of the strips, to the detriment of some of the other characters. Its a sad foretaste of the later 1970s, when Snoopy and Woodstock (who makes his first appearances, unnamed, in this volume) basically took over the strip!

I don't mean to denigrate this volume, which is full of classic Peanuts humor featuring the characters at their best, like Charlie Brown's encounters with kite-eating trees, Linus' love for the Great Pumpkin, and Lucy's psychiatry booth therapy sessions. I enjoyed the many topical references to life in the 1960s, some of which may puzzle younger readers. How many people know who Twiggy is nowadays? This volume and the two or three preceding it, will probably be regarded as the Peanuts at its best.

I've never been to Hungary or had much experience with anyone from Hungary, however I've recently become very interested in this lovely country. This book sounded like a fun and interesting introduction into the social aspect of Hungary (as opposed to architecture and history). The author has a lively and easy-to-read writing style. I would recommend this book and will seek out other books from the "Culture Shock" series.

Seldom does a book that is written for a narrow readership, in this case tourists and businessmen, become a success beyond its intended audience. What elevates "CULTURE SHOCK! HUNGARY" above the level of a Traveller's Guide Series is both the quality of the writing and the intimate knowledge of what overdrives this nation of 10 million restless souls. It is like a firmly held mirror, an unflinching but affectionate insight into the character of a nation.
If you are lucky enough to witness Zsuzsanna Ardo's meticulous undressing of Hungarians and their culture, you realize that she leaves very little mystery for any self-respecting Magyar to hide behind. To the embarrassment, or if you will to the delight of a native, who believes that he or she is comfortable with all the intricate layers of social interactions, the language and the "unpredictable excitement and character building" Hungarian history, even for them the "CULTURE SHOCK! HUNGARY" is full of fresh and original information that provokes conventional wisdom. With her warm satire she is experiencing life head-on in Budapest and the relentless and unavoidable hospitality of the countryside and its people. Whether it be a late evening stroll on the banks of the Danube or on the Margit bridge, challenging snow and ice on the hills of Rozsadomb, or a hot summer swim in Lake Balaton, her eye is always sharp and correct.
"...while surfers get hooked on the gentle waves and brisk breeze in the glaringly corny sunset, complete with golden-red reflections across the calm waters of the lake. No picture postcard of Lake Balaton can be such perfect kitsch as reality itself.."
Most enjoyable are her repeated journeys into the Hungarian psyche which explain and become the basis for all the advice and experiences she provides so abundantly. Her street wise comments on the personal and impersonal ways of greeting someone, the telltale handshakes, the persistent eye contact, the formality of kisses wherever they may land, the invitations and/or the un-invitations to a visit... are like a hilarious anthropological study.
"Some argue that laboring on building and nurturing and consensus-based love relationship with a Hungarian is, overall, like teaching a raven to fly underwater. This is grossly unfair... to the ravens. There is consensus all right as long as you consent to whatever your hero desires..."
"...status markers in social relations (are) a rather sophisticated system for keeping and reducing psychological distance, imposing and refusing hierarchy or intimacy."
Obviously she is afflicted by the same genes of passion, humor and unbridled need to inform and/or set things straight, as the people she is writing about.
"Whenever it is momentarily blue, manic, or depressive, the admirable lack of self-irony with which some Hungarian egos indulge themselves by fits and starts guarantee the heavy-duty nature of their state of mind. ...their oscillations between euphoric drives to get ahead and melodramatic soul-tearing driven by paranoid fatalism are sizzling and spectacular."
Ouch! She exposes universally and correctly the Hungarian nerve; it is up to the reader to differentiate among the joys and obstacles and to decide if he or she is adventurous enough to visit or even to stay in this very hospitable country, better yet, to befriend a "demonstratively woe-stricken... mega-sensitive" Hungarian! Her view is compassionate but sobering of a society where fantasies of even the possibility of grandeur, sentimentality and "an intensely vague discomfort or inarticulate ethnocentricity", is the norm; as if she would say, "I love the place and all of you guys, but you are so..." It is a well deserved roasting. And when she is in her more somber mood, a well deserved warning. Noticing the heavy drinking and smoking and a "decidedly non PC diet" she muses: "Traditionally, many Hungarians embrace premature death with gusto."
"Hungarians eat just about everything that you are not supposed to, prepared in the way it shouldn't be, and consumed in deadly quantities. Naturally, they enjoy it tremendously. And they want to make it sure their visitors enjoy it too."
But her satire is not just idle remarks of society's shortcomings and idiosyncrasies. She admirably provides a long list of agencies and social services where Hungarians, visiting businessmen and tourists can turn to, to redeem themselves.
With her academic background in Linguistics and Literature, Ardo's casual introduction to the Hungarian language, that is difficult by any standard, is like a friendly persuasion. Her unusual but well researched approach is a very convincing short course in Etymology. Surprisingly revealing even for those who think they can speak Hungarian.
Page after page Zsuzsanna Ardo, who was born in Hungary but presently is a British citizen, proves an important point, that only from a safe distance, preferably from as far as possible, can one truly look at his or her homeland objectively.
I would recommend the book to anyone who wishes to have a less bumpy ride through this little country in the Danube basin. It is unfortunate that the book is available only in English, because "CULTURE SHOCK! HUNGARY" should be a must, a specially required and liberating reading for all Hungarians too.
Kid from Pataj, Steven Domonkos.

Zsuzsanna Ardó's well written guide to the customs and etiquette of Hungarian people holds relevant information for anyone traveling or doing business there.
I assist English teachers at a primary school in Hungary and am looking forward to incorporating the many tips provided on business and general communication when speaking with my colleagues at school.
I also appreciated the abundance of Hungarian proverbs and sayings written out in both languages. These are fun to bring up with Hungarian friends and since they often don't translate literally, I'd not have been able to sort them out just using my translation dictionary. The insight into history's role in modern Hungarian thinking was fascinating for me as well.
A "cultural quiz" rounds out the book. It was a fun
and, I thought, a perfect way to tie the information together. The author's sense of humor throughout made it a most enjoyable read!
As Hungary's entry into the EU should spur an increase in business and tourism--I noticed some new billboards promoting travel to Hungary when I was changing planes in Frankfurt last week--the relevance and importance of this book should likewise
increase!
--written May, 2004

"Culture Shock! Hungary" is a golden child in the Culture Shock! family of books. Ardo's text is extremely readable and functional. Part history and language lesson, part culinary and travel guide, and more, "Culture Shock! Hungary" is chock full of interesting trivia and applicable knowledge. Ardo's work is highly recommended to anyone hoping or planning on visiting Hungary. The book is compact and would also be well worth rereading on one's trip to Budapest, Balaton or the Hortobagy. This mini-masterpiece of hints and humor would also be useful for someone interested in better understanding the burning minds, yo-yo moods and often mysterious ways of Hungarian friends, colleagues or even love interests. And of course, this text is an especially good read for anyone, in the U.S. or Canada with Magyar ancestry who is trying to learn more, or read commentary on Hungarian heritage. "Culture Shock! Hungary" is a thoroughly relevant and entertaining read.

In preparing for my initial vacation trip to Hungary in August 2003, I read the usual travel guides, Frommer's, The Green Guide, Lonely Planet and best of all, Andras Torok's "Budapest-A Critical Guide". While these books describe the where, Culture Shock-Hungary supplies the who, what, why and how of the magnificent Magyars.

The 2003 New Expanded edition is a joy to read. It's fast paced and lively- a real page turner. It made me laugh out loud several times. The last time I laughed so much while reading a book was when I read "Confederacy of Dunces" some twenty years ago. If this book wasn't part of the Culture Shock series, it may well have been called A Confederacy of Magyars. Read and delight in the sections on Traditions and Values and Image and Self Image to find out.

For a foreigner, the part on the Hungarian language, Magyarul, is especially interesting. Having studied Hungarian for a year when I was in the Army and let it slip away because of non-use, the language section rekindled old memories. The study of the enigmatic Hungarian language could well prove to be a lifelong task although it is said that Sissi(emperor Franz Joseph's wife) learned it in no time flat and became the darling of the Hungarians. This book should be a favorite of Magyarphiles everywhere.

If you are planning a vacation trip to Hungary or do business there ( there is a whole section devoted to business etiquette and customs), read this book to understand what makes Hungary tick.

Can something so deritative be original? Well, that's D. Gray Man, which I humorously call Fullmetal Hellpotter. You've seen it all before (in fact the author seems to be purposefully derivative), and yet it's something fun and unique.

Set in a 19th century that never was, the Exorcists of the mysterious Black Order (your usual demon-fighting organization) protects the world from the mysterious Millenium Earl (who looks like a Blue Meanie from Yellow Submarine), who steals human souls to power villanous demon machines called Akuma (steampunk demons that look like something out of a Cyberpunk version of Nightmare before Christmas). They do this with innocence, a strange divine substance that syncronizes with humans (shades of many a mecha show), and can be used to make weapons - and at times infects people.

Into this heady mix comes Allen Walker, a boy whose arm is posessed by innocence (think a cross of Ed and Al Elric, down to a weaponized arm). He's been trained by a rather abusive master from the Black Order, and plans to help them in their battles - for reasons that become sadly known.

However, Allen may actually be the normal one out of the Order. There's an angsty samurai, the mad-scientist leader of the European Black Order, a Innocence-forged hammer-wielding historian, a flamingly flamboyant cook, a pretty girl who wreaks mass destruction with Innocence boots, and more. That's not even mentioning the villains, who are what you'd get if the Adams family were supervillains, and had a strangely biblical background. Somewhere between Harry Potter, Legion of Superheroes, Hellsing, and Tim Burton lies this series.

And it all works. Fun, clever, witty, and often touching, the series keeps delivering shocks and delights. It's a gothic rollercoaster of entertainment.

As a far warning - I actually find the first volume to actually be the weakest. The series really takes off in Volume 2.

If Tim Burton were ever to attempt a steampunk horror story, then I imagine the results would be something like "D.Gray-man."

And the first volume of this gothic, deeply quirky manga series attempts just that kind of atmosphere. It starts off relatively strongly with an "akuma of the week" storyline, though it remains a bit slow-moving. But Hoshino Katsura's story really blossoms as our likable, haunted hero begins his new life among other exorcists.

Two cops are investigating an old abandoned church when they meet a strange boy with a deformed hand, Allen Walker. After one is killed, he manages to save Officer Moa from an akuma -- an enslaved human soul who is under the control of the evil Millennium Earl, a demon who is trying to destroy God. When Allen is placed under house arrest in Moa's home, he reveals that the akuma is nearby... and very familiar to Moa.

In another town, Allen finds a young boy named John, who is obsessed with defeating akuma and the Earl. Allen tries to warn him off, but John won't be dissuaded -- until he is lured into one of the Earl's traps, and Allen must rescue him. But even more shocking is the revelation of how Allen first encountered the Earl -- and why he is so obsessed with defeating the Earl.

Finally, Allen arrives at the Exorcist Headquarters to introduce himself as an official exorcist. But things don't go very smoothly -- the exorcists turn out to be a bunch of weirdos, governed by a mad genius and a strange alien creature. But they also have great knowledge -- Allen finds out just what "innocence" is, and why the exorcists are racing to find it...

Cyborg demons, cross-embedded arms, virus-filled biobullets, giant glowing worms with collagen lips, and a mountain fortress filled with eccentric exorcists out to save the world from a grinning, rotund demon who looks like a Blue Meanie and may (or may not) have rabbit ears. Yup, "D.Gray-men" is not your typical manga series, even as horror goes.

Hoshino Katsura takes his introducing the gothic Victorian world he's created, and uses the first two stories to introduce the akuma, the Earl, and Allen's tragic history. The plots are secondary to the infodumping and flashbacks. Then we find out what the Earl's plans are, and what the exorcists' goals are. It's a pretty standard get-the-artifacts-before-the-bad-guys-do goal, but with a couple interesting twists.

And along the way, Katsura fills the pages with macabre creatures, graveyards, dark thoughts and even darker memories. The stories of how the akuma come to be are truly tragic and horrific. But Katsura also injects a lot of humor into the story, especially when Allen meets the bizarre exorcists of the Black Order ("If you don't want to be traumatized, it's better not to look").

Allen is a pretty endearing hero from the start -- polite, apologetic, selfless and courageous, even when people are nasty to him. But he becomes a truly striking character when Katsura reveals how he got his cursed eye, white hair, and ability to kill akuma -- turns out it's connected to something terrible he once did, connected to the Earl.

The first volume of "D.Gray-man" is a strong start for this ghastly, gothic manga with a twist of deliciously eccentric humor. And it only promises to get better from here on.

This manga totally rocks. I love how eccentric it is, how clever, how very awesome! I lve Allen as a character, to. Not generic, that's for sure. A wonderful book, i recommend it wholeheartedly!

This book is a great must have for any manga fan. It is about a boy named Allen Walker, who goes around destroying akuma. Which in japanese means devil or demon. Its artwork is awsome, and I hope that they have a video game or a anime. It is a very good horror/fantasy/history manga.

D.Gray-Man is an excellent manga with good action, solid story, and good laughs. However it has believable slapstick and not commedy where the victim gets hit with something that would kill them normally. This is a nice change and is backed by a solid story.

although this is a great book at a great buy, the shipping took about a month. this book seems to have a low avaliability so if you can just go the the local book store and buy it instead.

I really enjoyed this book even though it doesn't really have many words in it at all. I really like the art for Evangelion and also the other series in here as well. I also found out that Yoshiyuki also did a few album covers for some famous American singer. This book features the art of Neon Genesis Evangelion, The Wings of Hominese, and a two more I am not very sure about. This book is just a must have for anyone who likes anime and Yoshiyuki Sadamoto. I absolutely love his work because of the way it is portrayed on paper with cg, and water color. Not only that it is also because I have something that is from one of my favorite series (Eva). He is a great big insparation to me and I know what the truck I am talking about because I am a fellow Anime artist as well.

The artwork of Yoshiyuki Sadamoto is simply amazing to behold. One cannot help but be moved by it. Even Eric Clapton, who'd never seen Sadamoto's anime designs, was impressed, and asked Sadamoto to design the cover to his Pilgrim album, the art for which is found in this very collection.
It's gorgeous renderings of his work from Evangelion, Nadia, and Wings of Honneamaise, as well as some original pieces created for this collection.
It's a beautiful collection, well worth picking up.

Given one glance through this book, otaku or not, you'll find yourself immersed in this man's art! Not to be underestimated, and most importantly, to be appreciated by all, this book gives new meaning to the term Art Book.

Wow! Almost every single page has a full-color, full-page painting. No tiny thumbnails, no rough sketches, and very few works that spread across the spine. Among art books (whether English or Japanese), this is very rare. A majority of the pieces focus on Evangelion, but they are so beautiful that anyone could appreciate them even if they had never heard of Evangelion. The other works, on series like Nadia and Fatal Fury, are just as nice. The large format makes it even easier to admire. I own over 150 illustration-art books in several languages, and "Der Mond" is definitely on my essentials list.

We are very lucky that an artbook as great as "Der Mond" has been published in English, at a reasonable price. Be sure to pick this one up before it goes out of print.

Book is informative, and full of images to go by. A great way to get new ideas.

Good introductory book on design. Since I've never had any sort of training in Graphic design, these concepts were really useful. Not done reading yet but so far it's been a good read.

I highly recommend this book for any designer, the book is filled with inspirational designs from around the world. It has a comprehensive study of the elements of design, as well as great tips for practical application.

I find this book to be well written, the examples are clear and to the point, and the layout is attractive. There are several good Graphic Design books on the market, and I would include this one in any list of that sort. The only criticism I have is an aesthetic (and for some of us) practical one. The designer of the book chose a very small font for the picture callouts (captions), and also chose light gray on white for the text color. For those us us in the "bi-focal" generation, that makes the picture captions rather difficult to read. I would recommend this book, but get out your little magnifying glass before you open it.

From the design elements of a unique placement of page numbers in the margin to very colorful representations of design elements, this book is well-worth the price. Far to often, other books attempt to explain color rendering and shape meanings without investing in professional demonstrations of the concepts. The mechanics of type, the texture of form and space, and composition strategies are well presented. A veteran graphics designer will find this book a refreshing creativity stimulant, and the new designer will find this book a genesis of ideas. I reach for this book whenever I need some brain/eye design candy.

Ok, the book was not perfect. My technical communication background is the source of my quibble with the author's choice to use a light gray type in the body text against a white page. When the reader struggles with the difficulty of the read, there is a reduction in the transfer of information. It is as if to say, look only at the color because all the information is in the graphics - yet there was good information presented in the body text.

This book spans many years of the Berkley zine "Cometbus". If you liked Jack Kerouc's book "On the road" this will be easy to relate to. If you are often bored by a mall punk or neo punk-emo-whatever, give them this book and tell them to shut up and read it. Aaron's handwritten adventures show not only the towns and places he visits, but the people and the mood. Enjoying a freedom to go where ever he wants becouse he can live on next to no money and other people's garbage, he is still at the mercy of his doubtfulness, saddness, joy, and depression. This is a good book to leave and come back to several times. As this is a collection of his zines- it makes a great bed stand, bathroom, or back pack book.

Yeah, Jack Kerouac...over-rated, Aaron Cometbus...Check it out if you haven't. Al Burian of Burn Collector fame is good too.

I remember him selling little tiny issues of Cometbus in front of clubs he wasn't even old enough to get into, so I've been reading his stuff for many years. To say that Aaron has grown as a writer is an understatement. He such an awesome individual and his stories are especially meaningful to me because he and his contributors, in writing about their lives and the punk rock community in the bay area over time, have written about my life as well, and I couldn't have written it any better than them. His stories are poignant, funny, sad and wonderful. Get this and try and read everything else he's written!

I've lived in Berkeley the past ten years, so I sadly
arrived "too late" for its punk scene, instead hearing
the stories of my old landlord and well-known punk-scene
photographer, Larry Wolfley. I got the rave scene instead
and have my own stories.

Anyway, I saw Despite Everything on the bookshelves in
all the local bookstores, but didn't know what it was,
until a friend and coworker ** who just so happened to
be Aaron Cometbus' brother ** gave me an autographed
copy as a gift. Well, shoot, gotta read it, right?

I was completely hooked-- doubly because the in-credible
stories were actually true (you can imagine that my
friend added some "color"). You can practically feel
the trudge of the ten mile walks back to town, the
mosh pits, cops, thugs, etc. -- but you can also feel
the excitement of the time and the bands. Imagine
being there on the road with Green Day when they
were the local band... ok, it's more pot than I can
handle but you get the idea. and it's not my politics,
I'm more likely to wear a "smash capitalism" t-shirt
to a board of directors meeting, where aaron's more
of a kvetch about the commercialism type, but hey,
what's berkeley if not for bizarre political statements?

oh, and the writing is brilliant-- might of course
sound dated, but that's only because this is the
original and everybody else ripped them off.

Even writing a review of this book seems a little strange to me. I can't imagine what Aaron would say about someone writing a review of his book in the service of a big company, but I guess this is a venue to get the word out and let people know what a great experience reading Cometbus is.

If you're a person like me who has radical beliefs and politics, but who also enjoys living a quiet, straight-laced, lifestyle; if you worry about things, and have episodes of social anxiety, and if you're a worrier in general and like to stay at home and hang out with your close group of friends and sometimes have trouble meeting new people or think people enjoy being left alone, than this book can sometimes make you feel bad about your life choices and the decisions you've made. This happens mainly b/c Aaron just went out and lived this crazy hand-to-mouth existence in the service of experiencing the world and the people in it, challenging the very existence of social norms as a concept. And that's why the book is so great. It's filled with great stories and anecdotes and is totally imbued with this sense of freedom and wonder. The world that Aaron lives in is so real and vibrant, populated by people dealing with real struggles and real issues. And Aaron is totally tapped into his own empathy and sympathy for those people. He totally loves life, and is lucky for it. And readers are lucky that he put it on paper over and over again in Cometbus.

This book, like the 'zine, is, IMO, a classic piece of American writing, and hopefully, someday, it will get more recognition. It is a document of an ethos and way of living that is still totally marginalized in our society. And Aaron challenges his readers to confront how their own lives keep them from seeing that world and experiencing it.

I got this book for Christmas and haven't put it down ever since. It really is an outstanding book, showcasing the talents of an international cross section of CG artists. The book is lavishly illustrated with screen grabs of some key steps in the creation of a piece, which greatly helps to understand the artists process/technique. This book, however, doesn't focus on specific techniques as much as on the thought process behind a piece. This book doesn't teach you how to create digital artwork, in fact most of the descriptions assume that you already have a good handle on 3D modeling/texturing/rendering concepts. This is not a tutorial. But the book includes enough information to provide insight into an artist's thinking process. If I may use a movie production analogy, this book is sort of the "behind the scenes" aspect of CG art creation.

The book is beautifully printed in color on good paper stock and the spine is stitched instead of just glued (which is the best way to bind a book).

CONS: There really are no serious downfalls with this book, however from an editorial stand point (I am not a expert at this but...) the book is full of typos and grammatical errors. It doesn't take an English teacher to see that the editors could have done a better job of proofreading and editing the book. I suspect the work was made more difficult given that for a lot of the artists, English was not their first language. However, I think this oversight keeps the book from being a perfect 10 and for a book written in English, this is almost inexcusable.

This is a great book, lots of artwork. Granted, about half of the artwork you could find with a quick google, but its nice to have something real that you can hold. Its also great for the upcoming digital arts apprentice like myself who wants to see how other people's art came to life.

I received this book as a Christmas present about 7 days ago, and havent put it down since. I find myself reading and re-reading the artists procedures and techniques, many of which I plan to try and incorporate into my own workflow. All of the images are masterpieces and have inspired me greatly. Anyone interesting in the realm of digital art, from seasoned artist to novice, should pick this book up for your personal library, you wont be sorry!

This book's 2d & 3d images are beautiful. If your looking for a book to use as inspiration or ref., then this is your book. If your looking for step by step processes on 3d & 2d digital art, then this isn't your book. Digital art masters is more on the theory side of explanations of why they created their art the way they did.

This book is a golden key. If u are an animator or a animation student, U have to read it. :) I bought it & LOVE it.

I purchased this book for my wife when I got her a digital camera for Christmas. It was well worth the money. The book explains photography as well as post processing which is a critical part of digital photography today.

I know Matt Bamberg's writing and love his blog (digitalartphotographyfordummies.com). If you're new to photography and confused by all the terms, Matt takes you through the basics (although he says the book assumes you know the principles of photography, he patiently explains the technical stuff). If you're a seasoned pro, skip the refresher course and just enjoy the fabulous photos--which, by the way, everyone will appreciate.

I'm the outgoing vice president of NLAPW Palm Springs--we were honored to be among Matt's first speaking engagements--and have seen our members create beautiful digital art photography. Thanks to Matt's book, I now know how it was done! Artists seeking to sell and exhibit their work will find great career guidance. For other shutterbugs, the book will eliminate some of those photos that you cringe at later (I know I have a few!)

The image manipulation tips in Photoshop are extremely valuable. This is a terrific book, even if you've only toyed with the idea of doing digital photography. Matt's vivid, lively prose makes this a pleasurable read.

This is a great book for anyone using digital photography -- whether
you are just starting out or have some experience. There is something
for everyone! I found it to be a great source of information when it comes
to Photoshop. Of all my Photoshop books, I find I reach for this one the
most. It is permanently planted by my computer for quick reference when
I need it. It has GREAT editing tips and is easy to read and comprehend.

Matt Bamberg's book Digital Art Photography for Dummies is an excellent resource for both the beginner and the advanced student of Digital Photography. I have read the book and of especial interest to me were the numerous overt and subtle suggestions about technique and execution. Suggestions which I have used to great effect to dramatically improve my own compositions and to better concentrate and focus my shots.

In addition I really benefited from the suggestions regarding how to process and enhance your work, post shooting. One of the more important foci of the book regards how to transform your work from more simple photographic imagery into more complex renditions which can be considered artistic. Matt explains these techniques for image modification easily and logically and it was not difficult with the right equipment and software for me to begin experimenting with altering my works to produce far more spectacular work. Work which others have expressed interest in. I have even become my church photographer and have recently had other people ask me to undertake photographic assignments on their behalf. In addition I have started the process of taking previous shots and altering them for inclusion into my written works, as graphic enhancements to my writings.

However the book also contains a myriad of techniques which are useful and helpful for the amateur and for the individual who uses photography as a part of their other work. I am often involved in investigations and through some experimentation and adaptation I have used techniques suggested and explained by Matt in order to clarify, focus, and render my investigative photographs far sharper, clearer, and more relevant for my clients. So the book has indirectly benefited me professionally as well.

I have enjoyed Matt's book, have visited his blog and site, and found him to be an accessible and helpful author. Additionally he obviously knows his subject matter and is therefore professionally well-qualified. He seems very experienced and yet eagerly experimental, two traits I like in any individual who is trying to teach me something new.

I have Matt's book and consider it a valuable addition to my personal library on the subjects of both art and photography.

I recommend the book.

Jack.

If you are a digital photographer that is starting out or trying to get into the "art" side, then this book is for you. This book is well written, easy to understand, and full of excellent images and great walk throughs. I can tell that Matt is very comfortable with this topic and is an expert in his field. It touches on many easy ways for new shutterbugs to expand their knowledge without taking the fun out of photography. His Adobe Photoshop knowledge is also very useful when post processing scans of film, slides, or negatives as well as existing digital images.
Matt, thanks for your time and energy in writing this book. I will recommend it to both family and friends.

An Unusual Book, July 28, 2007
By Ray "A Reader" - See all my reviews

This book is a somewhat dated, but nevertheless gorgeous, panorama of product design Sony's way, and with their distinguished record of outstanding design work for some half a century, they are certainly in the position to tell us something about design. Never mind Sony's missteps and forays into the world of media and movies - this book tells us all about the Sony WE know, the company that developed the Trinitron television, the Walkman player, the MiniDisc recorder, and brought both cassettes and CD-ROM's into mainstream use (with its co-partner, Philips of the Netherlands). Digital Dreams tells us not so much about products, but how products are envisioned, designed, and ultimately walked through a lifecycle. It's a fun-filled story, filled with stunning graphic designs, gorgeous pictures and artwork, and even a little on how Sony viewed its business at the year 1999.

Though this book is not intended to do so, the book actually serves as a great case study for the field of Knowledge Management. For example, we learn a little bit about corporation logos, how they are best used to leverage their tacit value, and even thoughts on protecting them. We peek into the world of tacit knowledge and skills at Sony, and see how they are implemented in product design and even in marketing efforts. We learn about the creation of a CONCEPT that is materialized in a product (i.e., the MiniDisk recorder, the Memory Stick, the VAIO computer) which is as much about the psychology of human beings as it is the design of the product. As such, the text could easily serve as a supplemental text for a KM course, as well as it's obvious use in a graphic arts, products design, or business-oriented course.


Much of this information is now no longer of great interest to today's consumer due to it's release date of 1999, but it is remarkable to see the "timelessness "of the many designs in the book, and there is really not a dull moment to be found between the covers. In some ways, this was a great date to release such a book, because the VAIO computers were just beginning to hit the market, CyberShot digital cameras where just becoming available, and the Memory Stick was also just showing up, as well. If you can still get a copy of this book and you are interested in product design, graphic arts, consumer technology, and yes, even Sony itself, this book should be just what you're looking for.

Fascinating book that gives a very good insight into the create 'engine' of Sony. A must read for designers and business people alike.

Beautiful photographs and explanatory text help make this book a must buy.

But in no way does it sit on my coffee table - it's in my studio, in my home office - inspiring. The tight detail shots of real products to concept products make you wish all man-made objects had this attention to quality. This book is a must for designers because there are words that go with the pictures. They tell a wonderful story - whether you agree with the philosophy or not - it helps explain the design decisions, the strength of the Sony identity and their success. The timeline diagrams and text explaining the business trends of product entry to saturation really is a reflection of someone thinking and analyzing the system - something not really expected in pretty-picture books.

I can't believe the excellent price point too - most decent design books gouge you on cost. For those who appreciate beautiful form+function, get it.

This is a rare coffee table type book that you'll want to take the the bedroom or study, or wherever you do your serious reading.

You can easily enjoy the book simply for the wonderful images of the ingeniously designed products that Sony has and continues to develop. But what sets this book apart from most in its genre is that it provides the reader with a surprisingly rich context within which to view the design work, not only with regards to industrial design, but also the history of Sony the company.

Reading the text, one gains a deeper appreciation for the level of thought put into the design of each and every product throughout its entire lifecycle.

Finally, the book also provides a unique look into the future of consumer electronics, at least from the perspective of the leaders at Sony. It's a rare opportunity to see the future as defined by a company which has much to do with the shape of our present.

This is definitely a great buy or gift!

I am writing this as a sony evangelist, although the cover of the book is diffrent to the one which is shown here. the content of the book is amazing, The dazzling pictures and photography in the book is an eye opener, The book takes about the cluture and the art of the japanese sony designers. How they get their inspiration from stories and from the world around them. An extreammly good showcase of the arts and industrial developnment and design. The book is also rather new tackling subjects on memmory sticks and the newest Sony MD. However the most impressive part of the book was the chapters on the sony playstation and the sony viao subnote book computers. They explain such indept on how the designers used their inspiration and creativity to craft out wonders of high tech art. They also explained how sony tackled the many problems face when designing the playstation. Overall it is the best sony book i have bought. A wonderful inspirtational book filled with creativity which makes you "wow" at sony's design process and designs. "wow"

Without a doubt this book is the most user friendly book on technology I've read. It is packed with essential information for everone using digital photography today. It provides help in setting up shots as well as streamling your workflow and a lot more. There is nothing extraneous out this, it's great from start to finish!

Just fininshed reading Lee Varis's new book. It's a great overall treatment of digital photography for any student of graphic design or even the seasoned art director that may be new to digital technology. The technology discussed is current, and in common use professionally. The discussions of critical concepts of resolution and color are presented in a user friendly, easy to grasp manner.

This book should well prepare the designer going into their first digital photoshoot. It can help in understanding how to achieve all the technology is capable of, and how to get the most from the shoot.

This is a must have book for designers and photographers, especially designers of the old school who have been more then a little afraid of going digital and there are many out there. For the beginer designer, this book puts on the page what they will be told about the digital work flow as it exists today.
Lee Varis takes the reader on a digital ride explaining more then enough to get the reader to appreciate the digital workflow.

This book is a must-have for designers and photographers who are moving towards a fully digital production process. DPFGD is a well-organized linear treatment and full of extremely useful guidance relevant to both the broad creative issues and nitty gritty details that we face in our profession. Varis is precise, clear, experienced, and is well backed up by artfully selected examples on every page. This is one book that I expect to look back to again and again.

Even though there are many books as there are about digital imaging, none discuss in detail the relationship of designers and art directors with the process (and people) involved with creating digital images.
This book covers a great many of the complexities of digital imaging with a clear, casual style that does a great deal towards clearing up many misconceptions people have about digital photography. Not only does it cover that, but the book goes further into aspects such as pre-press, proofing, editing and printing, and and does so with a very enjoyable, non-technical narrative. Anecdotal writing, along with supporting photography (beautifully printed) helps lend creedence to this book. A necessary text for anyone in graphic design and/or advertising.