Graphics Books

When I was 11 years old (that was three years ago) I was first introduced to B.B. Explosion and I fell in love with it! I waited and waited for a new book in the series to come out and it seemed time would never stop. Now that it is over and now that I am 14 I still believe that this series is very cute but it is no longer for my age range. I'd say this manga is made for people 7-12. I still have this series and I'm so GLAD to have. It's about a young girl that's 12 who is trying to follow and make her dreams of becoming a star and sharing her music to the whole world!

I wish they had decided to publish the sequel, it's such a cute series and I would have liked to see what happened officially between Takaya and Airi!

This book is one of the best childrens mangas written. It shines truth on the music buisness without saying it is pretty harsh. Most of the charactars in the book can be found in the real word. The school that the main character (Airi) goes to really exists! This book keeps reality in check while whisking you away on the dream of a girl. Anyway, will Airi sky rocket to fame? Or fall down? You can only find out if you read...

Ok, I was in borders yesterday and looked in the manga books. i found a book that had bad words in every page! ugh.. so I kept looking and saw this book. I flipped through it and looked on the back cover it said "all ages" for the reading level. I picked it up and ran to my dad to pay for it. during lunch I relized that hey, I chose a good book! the front cover may look a little odd but don't judge a manga by it's cover! it's good for girls age 10-13 and there's NO bad words! Trust someone who read the whole thing!! and I bought 2-5 with it. I defintaly spent my money on a treasure! so like, GO TO BORDERS AND SEARCH FOR B. B. EXPLOSION! YOU WON'T BE DISSAPONITED!

B.B. Explosion is my favorite graphic novel I own. Once you read it you will totally flip! Did you know most of the people in the book are real? Airi is real. Yu Yamanda is real and so is 'Da Pump'. Haven't seen anything about Yumi though! Read the others. Each english version comes out every three months!

As someone whom has seen many fascets to the entertainment industry, it is nice to see a fresh and innocent, yet VERY honest portrayal of the entertainment industry.

Airi is a young 12yr girl whom is obsessed with an entertainment show that broadcast in her homtown Okinawa. She obsesses over the hip and hot boy band on the show, and when an opne audition is announced to go to the Elite "Actors School" in Okinawa she goes in hopes of meeting her teen idol. :) Little does she know is that she in for far much more than she EVER expected.

She is mentored by a gaurdian statue named Caeser that comes to life and follows he around, he claims that ONLY people whom have what it takes to make it can see him. This adds a cuteness and somewhat fantastical character to it, that COULD undermine the story by making it see to fluffy, but it doesn't. It works with the story overall, and it is interesting to see how he's used throughout the series. :)

The great thing about this, is that it teaches you that, although the industry want someone to convey their own ideas and images, that need someone whom is comfortable in their skin, and not jsut a carbon copy of someone else. And it shows the hard work that goes on behind the scenes and the tears, without seeming soap-operish and trite, like some stories I've read. Because of its cast of young and well fleshe dout characters, it is a fresh portrayal of one girls climb to the top. :)

I would recomend this manga highly to anyone!!! I devoured the first 3 volumes in one sitting!!! It is worth every penny, and is worth re-reading, and is oppropriate for ALL ages. :D So if you're looking for something to read that is fun and fresh, and that has an overall positive message without being trite, pick up B.B. Explosion!!! :D

God Bless ~Amy

Bizzaro is one of the best comic strips I have ever seen. Even on the all too numerous occasions when it si clear that my political etc. views are diametrically opposite to Mr. Piraro's I find his comic strips funny and very clever. I even have a reproduction of one his 'strips framed and hanging on a wall in my house. This collection is one of the funniest comic strip collections I have seen and it is also published in a very high quality format- it is *not* your typical flimsily bound and poorly printed paperback collection. I also like the fact that he reveals where his ideas come from. This brings me to my second point: it's one thing to include your political and religious beliefs in your book. These illuminate the origin of many of his ideas, but it's another to have them constantly shoved down your throat in a very childish fashion. He writes with the style of an angry and idealistic high school student with no thought that anyone else with very differing views could have valid ideas or - gasp- could even be correct. It get's tiring to be constantly told that anyone with opposing views is "whacked out", to use a common phrase of his. I only write this because I think even this very personal book goes way overboard for a comic book collection in his attacks on people whose views he dislikes and I expect a little more restraint more from an adult author- even a cartoonist with very strong views. Still in all, I would highly recommend this book to any fan of the daily comics and plan on buying his new hardcover collection upon it's release.

Dan Piraro is undeniably one of today's most talented newspaper cartoonists, and there's much to enjoy in this overview, if you can get past the tiresome, unrelenting narcissism and vegan proselytizing. More art (there's room on the pages) and less smug self-righteousness would've served this book better (and I AGREE with most of Piraro's politics).

This book provides insight into Dan Piraro, the most consistently humorous cartoonist of our day. Buy this book!

Pop quiz: Name an artist whose wildly popular daily cartoon frequently promotes veganism - and who is not Dan Piraro. Stumped? Well, there really isn't anyone else. Indeed, Piraro has that niche pretty much covered and is regarded as the veg community's most-recognized comic voice. His print cartoon, "Bizarro," which began two decades ago, is syndicated in more than 200 newspapers and routinely takes on topics ranging from animal rights and religion to gay rights and politics. The surreal cartoon has spawned a number of equally surreal book-length collections, the latest of which is "Bizarro and Other Strange Manifestations of the Art of Dan Piraro."

But this new volume is no mere anthology of "Bizarro" cartoons. Accompanying the pages of comics, paintings, sketches and personal photographs is an extended autobiographical essay that is at turns hilarious and a compelling indictment of agribusiness. The author-artist never misses an opportunity to promote the cruelty-free lifestyle (mentioning, for example, that he won't buy paint brushes made from animal hair), and the book chronicles Piraro's transformation from, as he puts it, "a creative misfit class clown in Oklahoma to a passionate animal-rights advocate in New York City."

As an outspoken vegan activist, Piraro proves himself to be articulate, well-informed and clever. He writes: "Some argue that while we started as vegetarians, we have `evolved' to eat meat. Biologically speaking, we haven't changed at all in this regard. You might as well say we've evolved to smoke tobacco. We've been doing it for centuries and we enjoy it, but we haven't developed a natural need for it, or a defense against its ill effects." You can bet I'll be keeping that analogy handy.

Among the biggest treats in Piraro's revolutionary cartoons are the richly detailed backgrounds and extra jokes for those with the time (and eyesight) to look closely. Regular "Bizarro" readers know that Piraro hides symbols in his cartoons, such as spaceships, sticks of dynamite and pieces of pie. While he purports to explain these objects on his website, bizarro.com, he includes them simply for fun. More serious are the animal-rights messages punctuating his comics. A typical cartoon reproduced in Bizarro and Other Strange Manifestations depicts several men at a bar; one guy has a "no veal" button on his jacket while another sports a "Farm Sanctuary" tattoo. Yet another cartoon shows two characters (actually Piraro and his wife Ashley) walking past a vegan café. Perhaps best of all, the themes in these particular cartoons aren't even animal rights, making the premise of compassionate living all the more mainstream.

Even if you're not a fan of comics or Piraro's work, this oversized paperback will look great on your coffee table (even if you don't like coffee - or tables, for that matter). Who knows how many houseguests, unaware of the inhumane practices involved in factory farming, will peruse this colorful, hip-looking book, get to laughing and then realize the deeper truths within its pages? Piraro could be contributing these books for some time. He writes: "People in my family tend to live well past life expectancy, no matter how badly they abuse their bodies, so I figure with regular exercise and my vegan diet, I should live well into the next century." Let's hope so.

Mark Hawthorne, author of Striking at the Roots: A Practical Guide to Animal Activism

Dan Piraro's new book is so funny I could not stop reading it. I took it to work with me to read during breaks, but found myself sneaking a read or two whenever I could! Still, I did not realize how hooked I was until I found myself staying up until 3:00 am to finish it.

This book is great because Piraro does more than just gather a bunch of comics together. Instead, he tells his life story and then gives examples of comics from each stage of his life. Not only is his writing hilarious, but the added dimension of seeing how his simple, one-pannel gags spring directly from his life was a behind the scenes look at how creativity happens.

A great read. Literally, laugh out loud funny!

This book is great for the self taught person with significant insignificant questions. In completing this book, all those questions answer themselves. None of that "cutsie" just great tutorial. Instruction is easily to understand and follow. I've gone through the book a couple of times and discovered something new each time. When I finished with this book, I knew what I was doing and why.

Money well spent on this book.

Straigh-forward writing with no pretension. Some knowledge of 3D graphics vocabulary is helpful but not necessary.

Book is one example from beginning to end; presumably the author. Starts with some pictures and, step-by-detailed-step, ends with an avatar.

The only fault I found is that he doesn't mention Poser in the list of 3D modeling programs for human figures.

If you want to learn how to model a detailed digital human,this is THE book for you! You start out with totally empty viewports,and if you follow the book you'll end up having created a model with an incredible amount of detail.

The author explains in great detail the process of modelling every body part (head,neck,arms,hands,legs,feet and torso) with anatomical references where they're most important.

I wanted a book which I could use as a definitive guide to model a detailed and anatomically correct human body or body part,and I'll look no further when I have to do so. It's also got a clever chapter about modifying the same model to create very different ones, and a good chapter about texturing and UVW unwrapping. Finally, it refers to cloth and hair (somewhat briefly) and,no,it DOESN'T cover rigging. But it does cover, extremely well, human modelling, which is what mr.Brilliant had set out to do,I assume. Very very good!

I used this as a class textbook and it worked fairly well. This is not a single program book so this will work well with whatever program you model with. Although, depending on what you model with, depends on if you need to go out and find plug-ins that will do what he does. The book is really good going through step by step. Although there are some occasions where he leaps forwards ahead with really telling you what to do. Also, sometimes when he gives instructions, there aren't any images to go along with them, so you have to end up guessing what to do.
This is modeling for realism/cinematics and if you want to use this book to model in-game characters, you are out of luck. The was he teaches you to model is extremely high poly (especially in the head). The CD doesn't do much for you, it mainly just has naked pictures of the guy he models on it so you can copy exactly what he does. The book does give good information on the differences between modeling men and women, although it is fairly brief. He does go into UV mapping pretty good as well as modeling hair. The book doesn't, however, go into modeling clothing fairly well, just a short chapter. The book also doesn't even mention rigging, which I think is a crucial part in character modeling.

Given that you are already familiar with some type of modeling software, this book is the best resource you could have! The non-software specific approach of the book keeps it focused on the concepts of creating a good model rather than the user interface. Every detail of the body is covered with step-by-step diagrams, and a lot of it focuses on creating a topology that is animatable and will subdivide correctly (ie the mesh is mostly in quads). It also covers texturing, rigging, facial animation, both modeled and simulated hair, and simple clothing. The book discusses anatomy to the extent that it is needed to create a realistic model, and uses those concepts to demonstrate how the male model you create can be changed into a female, or into a fantasy character that looks completely different.

One thing that did make it a little difficult to use was that in the screenshots, the mesh was transparent and therefore you couldn't tell whether vertices were at the front or the back of the model. More screenshots with an opaque mesh would have made it easier to see the topology.

Overall, the explanations are concise and makes the task seem efficient, easy, and fun.

This book is an excellent tool for learning how to create original designs. It leads the reader through the knotwork process step-by-step instead of giving a collection of knotwork designs for the reader to copy. I was most impressed by one of the final sections, which describes and illustrates how to embellish your knotwork designs with zoomorphics, or animal shapes integrated into the design.

CELTIC KNOTWORK DESIGNS by Sheila Sturrock is a nifty little book. As complex as the Celtic knots appear, it all comes down to this, they can be reduced to curved and straight lines, the most important combination being the "small hearts". Sturrock says there are four basic hearts and she provides examples of each displayed against a grid. Almost anyone can create the grid as it consists of lines of dots applied with a ruler. These dots are then used as the basis for organizing the hearts, parts of hearts and straight lines that makeup the most complex design. The only other thing you need to study are the anima elements in the zoomorphic designs that also are based on hearts, parts of hearts and lines.

One needs the following for making Celtic knotwork: the materials listed by Sturrock, patience, imagination. Not everyone may be a gifted needleworker, but those willing to work at it will be able to master this straightforward art. I am using this book to instruct young girls.

If you want to learn to draw Celtic knotwork, you need this book. It explains in detail and excellently detailed color diagrams how to plot the points for many different kinds of knotwork. From simple two-strand braids all the way up to interwoven animals, it is simply gorgeous and comeletely easy to understand. I can barely draw a straight line, yet I can use this book to create intricate designs for t-shirts, jewelry, embroidery and more. I've even had a couple friends who are tattoo artists borrow it to improve their techniques.

After wrestling with the venerable George Bain, I turned to this book to get a handle on Celtic knotwork. Sheila Sturrock breaks down the framework of knots into simple, basic shapes, allowing the reader to start making decorative knots within minutes of picking up the book. It proved to be a good starting point for me.

This book is for people who would like to be able to design Celtic knotwork for quilling, parchment craft, woodcarving, painting, counted cross-stitch, or needlepoint (to name a few examples). It allows you to design beautiful frames, invitations, carved boxes, greeting cards, pillows--let your imagination run wild! I used this book to design watercolor frames.

The author divided up her chapters according to the knotwork design's basic construction unit, e.g. small loops, hearts, fish, corner motifs, etc. There is also a chapter on "Creating Your Own Designs" and one on "Using Knotwork Designs in Other Crafts."

All of the illustrated patterns are based on angles of 45, 90, and 180 degrees and are plotted on a dotted grid, which makes them fairly easy to resize and replicate on graph paper. All you need in addition to the graph paper is a pencil and the ability to find a quiet spot and concentrate on your design.

The many colored illustrations are beautiful, and the knotwork diagrams are easy to follow if you give them the attention they deserve! The author has also written a handbook on Celtic knotwork, and one entitled "Celtic Spirals and Other Designs."

An action-comedy manga about a beautiful tomboy, with a twist. Though the character design may not appeal to everyone, the writing is topnotch and had me laughing out loud at times. A rarity. I highly recommend checking this manga series out.

What can I say that hasn't already been said about "Cheeky Angel", just bye it now and see for Yourself You wont be disapointed.

I've read the other reviews, and I just wanted to add mine. "Cheeky Angel" is an interesting "gender-bender" since, until about 3/4ths through it do you get an indication that things are not exactly as they seem. There IS a trick to the gender-bending question, but you have to be paying attention. Or, for some people, it doesn't matter.

Now, that said, enjoy the ride. Frankly, the things that make this worth reading are Genzo and his silly ways. I've enjoyed the anime and I have to say that it was a great ride. Miki, Kobayashi, Yasuda, and Fujiki all help make this a great cast, but it's the rarely seen characters like Megumi's father and mother, her maid, and Genzo's sister that make it fun. Plus, Megumi's rival who arrives around the middle adds to the fun.

This is NOT just a shoujou piece, since there is a LOT of fighting and bad words in it. I was a little disappointed with Viz's translation, since I don't think they give justice to Miki, but at least it was released in English.

Also, the anticipation of Megumi's first kiss is killer, possibly worse than Ranma 1/2 because that one just got silly after 30+ volumes. Besides... we all know she's gonna fall for Genzo. Afterall, I would. ^___^

There's a lot of questioning "what makes a man manly" and "what is feminine" since it is a gender-bender, but I like this discussion because Megumi is so adamant that she's NOT a girl. And Genzo tries SO hard, and he's SO cute, and I just love him to death. With Kobiyashi's strange crush on Soga, the faithful Fujiki, and the ever-peeping hentai Yasuda, this is just fun.

Really. Read it just for Genzo. He's really worth it. XD

Cheeky Angel is about a lovely girl. No, a down right hottie female student. She has fine hands, silky long hair, white smooth skin and can beat the stuffing out of any boy she meets. The problem is, six years ago she was a guy. But when she asked...at the time he asked...a genie to make him the "manliest man on Earth" the tiny creature turned him into the "womanliest woman on Earth."
Now Megumi, who all the boys drool over, has another problem. The baddest dude in town seems to like her. In fact, he seems to be in love with her.
What's a girl...er...guy to do?

I never would have thought I'd be reading something called "Cheeky Angel!" Thankfully, I had some extra time at Borders the other day, and picked this up on a whim. I'm very glad I did.

The basic premise, as has already been described, involves a scrappy little boy named Megumi who gets transformed into a girl by a devious genie - but of course, even as a girl, he retains all of his martial arts moves and violent impulses. As the story opens, it is 6 years since the "curse" took effect, and Megumi has blossomed into a certified babe, now entering high school, where he/she instantly becomes the school obsession. Young Meg almost immediately has the misfortune of encountering the reigning tough guy Genzo; he's making his ex-girlfriend cry, Meg beats him up, and naturally, he is lovestruck.

While the plot sounds simple so far, I have a feeling there is more to the whole "curse" thing than meets the eye, so I'm anticipating plenty of plot twists and turns in the future. Most importantly, this manga is hilarious; I can't recall laughing out loud so much while reading a graphic novel, at least not of late. And, there's some action as well, since Meg still can't keep from getting into fights that showcase her martial arts prowess.

I understand there is also a 50 episode anime series based on this manga that ran in Japan; hopefully, if enough people show interest, it will be licensed and released here in the U.S. soon.

For those looking for a great blend of humor and action, this is very recommended.

I was very saddened to know that life of this young child can be considered to be normal...until the child grows up. I felt in every line drawn an emotion was spilling off of the page...the words were so carefully chosen...the detail in each frame is fascinating. This author is more than a comic she is a master of the arts.

I can't say enough about this author/artist. I've just finished reading the book and am almost speechless. For anyone out there still dealing with demons of their own less than perfect childhoods, this book takes on the feel of a close friend in the same situation. The author, in a semi-autobiographical fashion, recounts a childhood of sexual abuse, drug abuse, and general coming-of-age well before it ever should. Full of amazing illustrations (Gloeckner is a lauded medical illustrator as well as excellent cartoonist), this book is sure to please anyone looking for something different, and in my case, cathartic. I don't think I could begin to recommend this book highly enough. I'm just glad that I live in a day and age where this book is not only allowed to be published, but can earn accolades as well (the least of which is from me). Thank you, Phoebe!

This collection of Phoebe Gloeckner's comics is definitely not for the faint of heart, but it's worth a reading. If you haven't read her novel, Diary of a Teenage Girl, I think you will find this book a better introduction to her work. The themes are much the same and the comic art is very well done.
The subject matter is pretty bleak.

A Child's Life is hard to read but even harder to turn your eyes away from. Her child-like drawings combined with adult events and content perfectly express the difficult adolescent limbo between girl and woman.

"A Child's Life" by Phoebe Gloeckner is like witnessing a car wreck or a street fight: you are horrified and appalled, but you can't stop looking. This beautifully drawn book gives graphic insight to the devastating impact of psychological and sexual abuse on children and teens, but also portrays the importance of facing and overcoming bad early life experiences in order to have a productive adult life. In my lifetime, I have known too many people in their 30's, 40's and even 50's who suffered childhood/adolescent problems that seem minor compared to what "Minnie" endured, and who continue to use their past problems as an excuse for continuously messing up their lives throughout adulthood; "A Child's Life" should be mandatory reading for these folks. Without doubt, a childhood of abuse and neglect is horrible, but we do ourselves and our society a disservice when we rely on it to excuse our own bad behaviour and avoid growing up and moving on with our lives. Phoebe Gloeckner is a new kind of hero who survived a hell on earth and bravely lived to tell the tale in an intelligent and scorching manner. (N.B. This book should not be given to children or young teens; it would frighten them. Older teens, depending on their maturity level, would find this book compelling and cautionary.)

After I picked up Suite Française by Irene Nemirovsky, I happened to look at the cover-design credit and recognized the name Chip Kidd. After a moment's reflection as to the source of my familiarity with the designer, I walked over to my bookshelf and picked up a volume from my collection of Osamu Tezuka's Buddha. Sure enough, Kidd had designed the covers for the entire series (incidentally, I found the design one part frustrating and one part inspiring, as the spines line up nicely and thematically but the half-jacket is kind of obnoxious to deal with).

After that, I went through my shelves and picked out any of the books that I thought had interesting covers. At least half of those were designed by Kidd as well. Kafka on the Shore. Pagan Babies. The Enigma of Japanese Power. Created in Darkness by Troubled Americans. Et cetera.

I was intrigued, Googled our dear designer, and found that he was more popular than I had properly imagined. This piqued still further my curiosity. And so now I have another book with a cover designed by Kidd: Chip Kidd: Book One: Work: 1986-2006, a 400-page volume exhibiting a sample of his book-jacket designwork from the last twenty years.

The book itself is a treasure. A visual smorgasbord of styles and themes. A veritable cornucopia of novel treatments. While there is an occasional overlap of feel or technique (or some other abstract quantification equally obscured and subjective), the breadth of design direction is truly impressive.

Kidd is clearly a creative devil.

And this collection of his work is impressively presented. Book One is a treat for both the eyes and the mind. While a mere presentation of the jacket designs themselves would be a worthwhile scheme for a design collection such as this, the work is elevated by helpful descriptions both of product and process by the creator himself as well as reactions penned by authors/victims of his creative process. Kidd's text shows both a joy in his work and a look into what goes into the crafting of a book jacket that enlarges upon the work it containsand does so with humour and more apparent humility than I would have expected.

I found the book so interesting that I blew through the entire thing in two days. Doubtlessly, I'll return to it time and again over the coming months and years. In any case, I highly recommend it to those interested in thoughtful design, a pairing of words too rare in our day.

NOTE: a big bone of contention is not the visual design of the volume's cover but its physical properties. While its dimensions are perfectly suitable for an art collection/coffee table read, the unique composition of its cover can be difficult to negotiate. The hardback cover only extends (front and back) to the point of the spine of the book photographed on the cover. Inside the hardback cover is a paperback cover that extends to house the rest of the book. It is awkward, certainly, and took a bit of getting used to, but once I became accustomed to the book, holding it comfortably ceased to be a difficulty. Heh, a book with a physical learning curvethat was a new one for me.

This is a great, great book. If you're a fan of Kidd's work, by all means buy this book. If you are at all interested in truly inspirational graphic design, this book is a must-have.

PROS: having so many of Kidd's designs in one place is worth the price of admission, inclusion of the development and back story of each cover is interesting and elucidating, stories of his adventures in the trade are well-written and fun to learn about.

CONS: the cover is awkward, the shape of the book makes it hard to hold while reading - you really have to put it on something flat - it's sometimes difficult to decipher exactly which pictures the captions are referencing.

There is a definite form-over-function issue with the book, but the content is what counts - and that gets 5 stars from me without a quibble.

I HAD to buy this book after having read about it in another forum. Kidd's artworks are superb!

This book is bound with a split hardback/softback cover, so if you appreciate design -- which I assume you do since you're considering a compilation of book designs -- the book is worth buying for this odd cover arrangement alone.

This an excellent ,colorful book with very useful and informative comments,they are also humorous.Kidd mentions that he shows failed designs when he lectures to show that even a successful designer has failures.Unfortunately,in my opinion,the jacket for this volume falls in this category,its clever but not practical.because the cover is split in two parts its an irritation to hold and eventually the cover will be bent when laying down or storing in shelf.Still a must have in this genre.Now how about a Susan Mitchell collection?
ps.i followed my advice and bought the hardcover .Amazing its even more unwieldy,the cover is half hard and half soft,yikes!I ended up buying the soft cover to keep and treat it very carefully ,was that the point of this nutty design?I guess this cover will enter the hall of fame and certainly will be a collectors item if its never opened.Argghh!!!

The knowledge the authors have on Christmas collectibles is massive. They are historical,and humorous. I bought the first book when I started collecting pixies and learned so much more from them about trim, authenticity and why people started decorating the way they did from the early 1900's through the 60's. This book is lovely, but their other book is better. I hope they write a third.

This is a such a fun little book! Warm holiday memories, lots of humor and beautiful photography. I thoroughly enjoyed every page! The best gift book you will ever find for a vintage/antique ornament collector.

Charming and nostalgic, giving us a glimpse into the history of holiday adornment. A great stocking stuffer!

Debbie Elliott

Even if you're not particularly sentimental about Christmas, the images and recollections of the authors are a delightful experience. The photos and graphics are charming and magical, obviously done by people who truely love the Christmas season. Anyone can appreciate the vintage flavor of this little gem.

This book brings back so many great memories of Christmas and decorating the tree. It was so much fun reading and looking through every page for ornaments that we might have had on our trees over the years and seeing the many different kinds of ornaments. It is a book that I will spend much time reading and viewing for many, many years.

City of Glass is a graphic novel interpretation of Paul Auster's well received book, originally published in 1985. Halfway through the graphic novel I picked up the original book to see how some of the wild imagery was portrayed in written form. I was surprised (though should I have been?) that there seemed to be greater depth to the literary version, which supplemented the imagery as I continued to move deeper into the graphic novel.

The only reason I didn't give this work a better rating was due to the storyline building up in a way that insisted more in the end. I enjoyed the graphic novel, but after reading it I realized I would have appreciated the original even more. I feet it would probably be best to read the original novel and then try the shorter graphic version again...but I honestly have some difficulty committing myself to a detective yarn when I already know how it will end.

Not knowing the book, I bought this comic by chance and was not at all prepared. I've never read a comic like this in my whole life. It goes so deep...it's a miracle.

The real magic here is that, in reworking Paul Auster's original novel, Karasik and Mazzucchelli have produced a true literary adaptation in comics form. This is no "Classics Illustrated"; this is a comic that strengthens its source material rather than diminishing it. The original book's concern with the gap between language and meaning is given further depth and resonance in the comic, which finds a visual language equivalent, and does it in a way that no other medium could have. This is no mere illustrated text, but comics as a formidable language and medium in itself. Interestingly, when the original book and the comic are read together, the comic itself almost becomes a physical character, another in the story's proliferation of literary doubles.

"City of Glass" is not a simple adaptation from the original book, but a real translation, from literature to sequential art. Mazzuchelli's drawings provides a very good trip to Auster's universe, his unusual characters, enlarging at same time the limits of comics language. One of the best comic books ever!

If you enjoyed (or more likely were haunted by) City of Glass then you owe it to yourself to read this graphic novel. Yes, it is essentially the exact same story as Auster's metaphysical detective novella. However, this is a fascinating and beautifully rendered interpretation of the source work. My only complaint: where are the graphic novels for Ghosts and The Locked Room?

I've never been to Hungary or had much experience with anyone from Hungary, however I've recently become very interested in this lovely country. This book sounded like a fun and interesting introduction into the social aspect of Hungary (as opposed to architecture and history). The author has a lively and easy-to-read writing style. I would recommend this book and will seek out other books from the "Culture Shock" series.

Seldom does a book that is written for a narrow readership, in this case tourists and businessmen, become a success beyond its intended audience. What elevates "CULTURE SHOCK! HUNGARY" above the level of a Traveller's Guide Series is both the quality of the writing and the intimate knowledge of what overdrives this nation of 10 million restless souls. It is like a firmly held mirror, an unflinching but affectionate insight into the character of a nation.
If you are lucky enough to witness Zsuzsanna Ardo's meticulous undressing of Hungarians and their culture, you realize that she leaves very little mystery for any self-respecting Magyar to hide behind. To the embarrassment, or if you will to the delight of a native, who believes that he or she is comfortable with all the intricate layers of social interactions, the language and the "unpredictable excitement and character building" Hungarian history, even for them the "CULTURE SHOCK! HUNGARY" is full of fresh and original information that provokes conventional wisdom. With her warm satire she is experiencing life head-on in Budapest and the relentless and unavoidable hospitality of the countryside and its people. Whether it be a late evening stroll on the banks of the Danube or on the Margit bridge, challenging snow and ice on the hills of Rozsadomb, or a hot summer swim in Lake Balaton, her eye is always sharp and correct.
"...while surfers get hooked on the gentle waves and brisk breeze in the glaringly corny sunset, complete with golden-red reflections across the calm waters of the lake. No picture postcard of Lake Balaton can be such perfect kitsch as reality itself.."
Most enjoyable are her repeated journeys into the Hungarian psyche which explain and become the basis for all the advice and experiences she provides so abundantly. Her street wise comments on the personal and impersonal ways of greeting someone, the telltale handshakes, the persistent eye contact, the formality of kisses wherever they may land, the invitations and/or the un-invitations to a visit... are like a hilarious anthropological study.
"Some argue that laboring on building and nurturing and consensus-based love relationship with a Hungarian is, overall, like teaching a raven to fly underwater. This is grossly unfair... to the ravens. There is consensus all right as long as you consent to whatever your hero desires..."
"...status markers in social relations (are) a rather sophisticated system for keeping and reducing psychological distance, imposing and refusing hierarchy or intimacy."
Obviously she is afflicted by the same genes of passion, humor and unbridled need to inform and/or set things straight, as the people she is writing about.
"Whenever it is momentarily blue, manic, or depressive, the admirable lack of self-irony with which some Hungarian egos indulge themselves by fits and starts guarantee the heavy-duty nature of their state of mind. ...their oscillations between euphoric drives to get ahead and melodramatic soul-tearing driven by paranoid fatalism are sizzling and spectacular."
Ouch! She exposes universally and correctly the Hungarian nerve; it is up to the reader to differentiate among the joys and obstacles and to decide if he or she is adventurous enough to visit or even to stay in this very hospitable country, better yet, to befriend a "demonstratively woe-stricken... mega-sensitive" Hungarian! Her view is compassionate but sobering of a society where fantasies of even the possibility of grandeur, sentimentality and "an intensely vague discomfort or inarticulate ethnocentricity", is the norm; as if she would say, "I love the place and all of you guys, but you are so..." It is a well deserved roasting. And when she is in her more somber mood, a well deserved warning. Noticing the heavy drinking and smoking and a "decidedly non PC diet" she muses: "Traditionally, many Hungarians embrace premature death with gusto."
"Hungarians eat just about everything that you are not supposed to, prepared in the way it shouldn't be, and consumed in deadly quantities. Naturally, they enjoy it tremendously. And they want to make it sure their visitors enjoy it too."
But her satire is not just idle remarks of society's shortcomings and idiosyncrasies. She admirably provides a long list of agencies and social services where Hungarians, visiting businessmen and tourists can turn to, to redeem themselves.
With her academic background in Linguistics and Literature, Ardo's casual introduction to the Hungarian language, that is difficult by any standard, is like a friendly persuasion. Her unusual but well researched approach is a very convincing short course in Etymology. Surprisingly revealing even for those who think they can speak Hungarian.
Page after page Zsuzsanna Ardo, who was born in Hungary but presently is a British citizen, proves an important point, that only from a safe distance, preferably from as far as possible, can one truly look at his or her homeland objectively.
I would recommend the book to anyone who wishes to have a less bumpy ride through this little country in the Danube basin. It is unfortunate that the book is available only in English, because "CULTURE SHOCK! HUNGARY" should be a must, a specially required and liberating reading for all Hungarians too.
Kid from Pataj, Steven Domonkos.

Zsuzsanna Ardó's well written guide to the customs and etiquette of Hungarian people holds relevant information for anyone traveling or doing business there.
I assist English teachers at a primary school in Hungary and am looking forward to incorporating the many tips provided on business and general communication when speaking with my colleagues at school.
I also appreciated the abundance of Hungarian proverbs and sayings written out in both languages. These are fun to bring up with Hungarian friends and since they often don't translate literally, I'd not have been able to sort them out just using my translation dictionary. The insight into history's role in modern Hungarian thinking was fascinating for me as well.
A "cultural quiz" rounds out the book. It was a fun
and, I thought, a perfect way to tie the information together. The author's sense of humor throughout made it a most enjoyable read!
As Hungary's entry into the EU should spur an increase in business and tourism--I noticed some new billboards promoting travel to Hungary when I was changing planes in Frankfurt last week--the relevance and importance of this book should likewise
increase!
--written May, 2004

"Culture Shock! Hungary" is a golden child in the Culture Shock! family of books. Ardo's text is extremely readable and functional. Part history and language lesson, part culinary and travel guide, and more, "Culture Shock! Hungary" is chock full of interesting trivia and applicable knowledge. Ardo's work is highly recommended to anyone hoping or planning on visiting Hungary. The book is compact and would also be well worth rereading on one's trip to Budapest, Balaton or the Hortobagy. This mini-masterpiece of hints and humor would also be useful for someone interested in better understanding the burning minds, yo-yo moods and often mysterious ways of Hungarian friends, colleagues or even love interests. And of course, this text is an especially good read for anyone, in the U.S. or Canada with Magyar ancestry who is trying to learn more, or read commentary on Hungarian heritage. "Culture Shock! Hungary" is a thoroughly relevant and entertaining read.

In preparing for my initial vacation trip to Hungary in August 2003, I read the usual travel guides, Frommer's, The Green Guide, Lonely Planet and best of all, Andras Torok's "Budapest-A Critical Guide". While these books describe the where, Culture Shock-Hungary supplies the who, what, why and how of the magnificent Magyars.

The 2003 New Expanded edition is a joy to read. It's fast paced and lively- a real page turner. It made me laugh out loud several times. The last time I laughed so much while reading a book was when I read "Confederacy of Dunces" some twenty years ago. If this book wasn't part of the Culture Shock series, it may well have been called A Confederacy of Magyars. Read and delight in the sections on Traditions and Values and Image and Self Image to find out.

For a foreigner, the part on the Hungarian language, Magyarul, is especially interesting. Having studied Hungarian for a year when I was in the Army and let it slip away because of non-use, the language section rekindled old memories. The study of the enigmatic Hungarian language could well prove to be a lifelong task although it is said that Sissi(emperor Franz Joseph's wife) learned it in no time flat and became the darling of the Hungarians. This book should be a favorite of Magyarphiles everywhere.

If you are planning a vacation trip to Hungary or do business there ( there is a whole section devoted to business etiquette and customs), read this book to understand what makes Hungary tick.