Graphics Books

Blade of the Immortal: Cry of the Worm, was the first manga I read in the series. It is also one of the first manga I started out with when I began my collection of Japanese anime. I find that the artist is decent and respectable, not to mention suspenseful. Despite that I came upon the second in the series of the trade paperbacks, did not ruin the plot at all. All elements are revisited enough so that the words have depth behind them, but not too much that it ruins the current story and takes to much time. Every character seems well thought out and intricate, each with thier own history to bring to the main plot. Not all bad guy/ good guy roles are clear cut. Which makes this the thinking person's manga. The mix of tradition, history, fantasy, comic relief, and superb art pulled me out of this world and into that one. The art is so visually effective that one will realize that it's not just drawings in a book. Subtle morals in the book make the reader parallel feudal Japan with the modern world. The translation is good, but I can just imagine the effect each panel would have in the original Japanese. I recommend this for anyone who is looking for a masterpiece of work to become the trophy of thier collection.

Having been introduced to Rin and Manji in Volume 1 ('Death of a Thousand'), and given a taste of the nature of their confrontation with the Itto-Ryu sword school, we now enter the real rhythm of the story telling. At first glance, we are tempted to write this off as yet another samurai slasher, with its clear-cut division between good and evil. But Hiroaki Samura has other plans, and 'Cry of the Worm' is his first step in muddying the waters.

In the first episode ('The Fanatic'), Rin sees Magatsu Taito, one of the assassins, having her dead father's sword sharpened. When she voices her outrage, she catapults Manji into another fight sequence, this time to recover the weapon. Manji's method of regaining the sword is painful (to say the least), and young Rin begins to understand that her desire for vengeance has a price.

Manji's immortality depends on a type of bloodworm that cares for its host by healing all wounds. Manji has yet to deal with the long-term effects of gift, and is not completely prepared when he meets Erika Shizuma, another Itto-Ryu at a way station inn. Shizuma tries to involve Manji in a plot to overthrow the leader of the Itto-Ryu. Properly suspicious, Manji refuses, and in the following scuffle discovers that Shizuma is also infected with the worms.

The conflict between Manji and Shizuma become an inquest into the realities of immortal life. He is a mirror that forces Manji to look at own commitments. In addition, he provides a somewhat different insight into the Itto-Ryu than we have had so far. If their tactics are grim, their motives are not completely selfish. They are a natural reaction to the excessive complexities of the sword school system and the excesses of the samurai class, which is more about show and politics than it is about the disciplines of fighting.

In this second volume of the series, we are not so much asked to resolve the questions as to take note of them. As this series builds, the violence of the quest will play in counterpoint to these musings about meaning. Gradually the inner dialog will play a more and more vital part.

I stumbled onto "Blade of the Immortal" translations in comic book format. Attracted by the art, and the unusally deep dialogue between the opponents (as dramatic as Kazou Kioke's "Lone Wolf and Cub", but much more up-to-date in sensibility and subject matter) I immediately began looking for back issues, which was difficult. Many retailers don't seem to order many issues of this book. Fortunately the trade paperbacks started coming out soon after.

"Blade of the Immortal" starts off as a fairly typical samurai revenge story, with some unusual horror movie twists. We meet Manji, a guilt-ridden outlaw and expert swordsman, who is cursed with an odd form of immortality. No matter how grievously he is injured, he cannot die. Manji makes a deal with a magical buddhist nun. He will gain the release of death, if he slays 1000 evil men. Soon we meet Rin, a young girl, the daughter of a swordsmanship teacher who witnessed the horrific murder of her parents at the hands of the Itto-Ryu, a renegade sword school. Tortured by nightmares, she seeks revenge, but realizing she has no hope of surviving a direct confrontation with even one Itto-Ryu swordsman, she convinces Manji to serve as her bodyguard and stand in. Taking up Rin's quest seems a perfect confluence of both of their desires: her need to put her parents memory to rest, his to earn his redemption.

The stories take you through dramatic encounters with various members of the sword school. All are dangerous swordsmen with unique styles of combat. Some are quite literally monsters. Each has a unique story, an unique reason for having become a renegade, and this becomes the source of much thought provoking drama before, during and after the battles. All are memorable characters, in particular Shimuzu (Book Two: "Cry of the Worm"), a fellow immortal and Maki, a swordswoman forced into prostitution who fights like the wind (Book 3: "Dreamsong").

Harioki Samura has great timing, the panel layouts make the fight scenes breathtaking and exciting. Also wonderful is the developing relationship between Manji and Rin, a kind of older brother, little sister dynamic that lends the book much humor and necessary warmth (given the bloodiness of the battles).

Beginning with "Rins Bane" (Book 4) Rin's internal debate about the morality and human costs of her quest, takes center stage, and make this one of the deepest and most interesting books to cross the Pacific in years. There's still plenty of action, and the relationship between Rin and Manji continues to deepen, but it's the debates about the sanity of the bushido code, about memory, about filial duty, and hints of political intrigue to come, that make this book an thought provoking and engrossing read.

If you have any taste for the high drama and action, as well as the deeper issues running through comic books like "the Authority", you have to give "Blade" a try. This is the best dramatic manga translation I've read, and it compares favorably with "Lone Wolf & Cub" and "Neon Genesis Evangelion". I really don't think you will be disappointed.

This is a beautiful manga. It is very interesting and the art is spectacular. It has a pencil sketched quality to it and is very unique. The plot is also one of the best I've ever read. . This may be a manga for guys but that doesn't mean that females can't enjoy this as well. The fight scenes are detailed (though sometimes confusing with the sketch pictures) and really fun to read.

WARNING Blade of the Immortal is about a guy that is....umm....immortal. That means he won't die. That means the bad guys are gonna do all in their power to kill him, slash him, decapitate him, stab him and so forth. VERY GORY is what I'm getting at.

The story is basically about Manji who had these worms put in him that make you immortal. They won't go away until he atones for his sins of killing 100 of the good guys (self defense I swear) by killing a thousand bad guys. He meets Rin who needs his help to avenge her parents who were murdered right before her eyes.

The thing that really holds this series together are the characters. Even the ones that are supposedly evil u find are not really evil but human. You almost don't want them to fight and get killed by the main guy, but then again u do because they are responsible for something horrible. You also feel immediately at home with nearly every other character introduced even after only a couple of pages.

This book Volume two, Cry of the Worm is my personal favorite. It was at my public library and the first I ever read of this great series. Rin finds a sword that once belonged to her father being owned by some (really cool, kinda looks like Vagita from DBZ only more realistic looking) samurai and she'll do anything to get it back. Later on they meet up with another immortal guy who wants Manji dead and being immortal himself he knows just the thing to do Manji in.

Plot wise, this is perhaps the strongest of the BOTI series. The villain is almost likeable, yet thoroughly hateable, and the end fight is imaginative. Kudos to Samura for this one.

There aren't really any action scenes worth talking about in this novel. Rin does a few things, but she doesn't actually "fight". There is a story about this guy and his masks, but that isn't fully developed until the next volume.

This isn't a great place to start for your first volume. It mostly just develops story, but the story is important. Start somewhere else though. Get DREAMSONG if you can't fight a good seller for BLOOD OF A THOUSAND.

Those who already own the previous volumes of BOTI could skip this book and the next possibly. It develops Rin some, but I skipped it for a while and was fine.

Dude this book is beast!! The best comic company ever (dark horse comics) has once again put out another comic that doesn't just raise the bar it obliterates it. Kudos to Hiroaki Samura for making the best comic book ever.

this is one of the best comics i've ever read. it's about manji's job as a bodyguard for rin, who confronts Anotsu Kagehisa, who killed rin's father. she attemps to kill him, but does she really even stand a chance?this book was explosive and had a mix of action and explaining of the story for people who did not read any other of the Blade of the immortal series.

The first time I looked at the Blade of the Immortal series, I seriously thought "Oh wonderful, another cheesy, gore ridden series with no plot and ... artwork." However, upon reading it I was taken aback by how wrong I truly was. The art is beautiful in its own way, unique and sketchy looking with no possible way it could be turned into an anime and still look as gorgeous. The story is also very nice, there is blood, but there is a good intellectual plot with the occasional twist of witty humor. It is an interesting mix of fact and fantasy, real and surreal all mixed in a historical setting. This series is set apart from others and I don't believe that I have any others quite like it. It never gets old. I highly recommend that, no matter what you're interested in, you should at least give this stunning series a try.

This volume and its sequel capture events from issues 19 through 28 of the manga comic books, and represents events in the earlier phases of the adventures of Rin and Manji. It contains two stories, "Rin's Bane," and the first part of "On Silent Wings." Both of these are strong stories that trace Rin's growth from a young girl hell-bent on vengeance for the murder of her parents into a woman who is beginning to understand the real price of retaliations.

In "Rin's Bane," the young swordswoman, smarting from an argument with Manji over her fighting skills heads off into the woods to wash her hair. There she finds herself face to face with Kagehisa Anotsu, the leader of the Itto-Ryu swordsmen. Anotsu brushes aside her skills, and she is forced to face some very unpleasant truths about her beliefs. The lessons of this encounter haunt Rin in the next story, "On Silent Wings." Manji and Rin are at a local fair when the immortal swordsman suddenly finds that a local mask maker is another Itto-Ryu. In a parallel encounter, Rin risks her own life to prevent a haughty samurai from killing a young child. Manji barely avoids a public battle, and Rin is shocked to recognize the artist as the killer who defiled her mother.

As events proceed inexorably towards the second volume's part of the story, we sense the internal tensions in Rin and her swordsman as they confront the possible outcomes of their actions. Hiroaki Samura's tale again touches on complex moral issues rather than simply dishing out a violent samurai melodrama. The grim horror that counterpoints the lighter exchanges between Samura's main encounters provides the basis for much thought and consideration. One of the surprises in this series has been the quality of the translation, which manages to carry through the whole range of the dialog. Yet Japanese is preserved where it is part if the detailed and carefully composed artwork. This extremely high level of artistic integrity grows on the reader. "Blade of the Immortal" is much more a genuine graphic novel than it is a simple manga.

First off, I have to say this book is absolutely perfect for all first-time freelance graphic designers. My business partner and I recently started our own design agency at [...] and didn't have a clue about where to get our hands on the legal forms needed. We were referred to this book from another source. And since my partner's father-in-law is a lawyer, we decided to let him take a look at it to see what he thought. He said everything was solid. He couldn't find any holes on any of the forms inside. So after making a few small changes to custom fit our business, we were set. I can honestly say this book should be on the shelf of every aspiring freelance graphic designer. I highly recommend it.

I have only serious clients who are willing to pay me because I take a contract to our first meeting and make them sign it. These contracts will protect you and your clients! They are worded with the legal stuff but easy to understand. He even explains what it all means. It even has a CD so you can pop it in your computer right before your meeting (as I have done) and print a contract.

This book has EVERYTHING you need ... and then some. When you think you're not going to need one of the forms in this book, you later realize that YOU DO! As a freelance artist, using these forms made me feel as though clients noticed that they were dealing with a real professional. Absolutely a great investment.

In starting out and gathering information it's hard to determine what books will be helpful. This is great. It is filled with tear out forms you can make copies of and use over and over. Great information. And the CD-ROM includes all the forms in pdf format, as well as Pagemaker and Quark XPress so that you can make changes to fonts and style, logo additions, and more, to suit your own home business. Files are compatible with Mac and IBMC platform, which is great for me being a designer working mostly on an IBM computer. Excellent book!

Our small graphic design firm had been relying on the legal forms and contracts from this book for about one year. Finally, we decided that perhaps we ought to visit with a lawyer to make sure we were doing it right...$560.00 later for an initial consultation, we realized that this $29.95 book was the best business investment we'd ever made! The lawyer confirmed that the contracts that we had been using were airtight and were great (he had a few other pointers...but, none worth $560.00).

We have had many comments from our clients that over all the creative teams they'd worked with over the years, our design firm had surpassed them all in business professionalism. If you are serious about running a firm, or just want to protect yourself, you really can't go wrong with this book! Such a small investment for such a large return!

I love this book. It's hard to put down & is a great comfort when the world seems grim. A must have & a must read. Diane DiMassa is truly gifted.

Hothead Paisan keeps me sane.


I would probably explode out of tension and frustration if it weren't for her and my own cat.

This is a great book for any rainy day. You can open the book to nearly any page and get wrapped up in Hothead's story all over again. I bought this book years ago, and I am still picking it up and having fun with it all the time.

Hothead is the ultimate revenge fantasy for any oppressed female. DiMassa's art is distinctive and entertaining.

I can only imagine what HH would think of the current state of this country...

This is a wonderful underground and quite subversive comic premised around overthrowing patriarchy and phallocentric society. DiMassa is witty and bold and clearly very angry with a world that has and continues marginalised women and create normalising barriers for non-hetrosexuals.

While the work is clearly tongue-in-cheek and based on exagerrated fantasy, the truth resonates, and DiMassa has a wonderful way of saying and doing exactly what all women have wished they could do. The characters are wonderful, particular Chicken, Hothead's lovely yoga-esque cat and her blind but centred friend Rox. It is definitely not as violent as I had imagined and much more plot driven, which is good.

The Complete work chronicles an entire comic, and while the work at the beginning is quite basic, the middle section is an absolute joy to read. However, the final section is somewhat patchy and difficult to follow, as Hothead slips into depression and seeming hallucination. The art progressively becomes more refined, and was very funny at times.

Overall, the entire piece was better than I expected, let down only by the confusion shrouding the final sections of the work. Nevertheless, a favourite comic collection of mine, to be read when I am feeling particularly inflamed by societal inequalities.

I've read this book through about twelve times (and that's a lot... it's a big book!) and gotten several friends hooked on it. It's gory and gross and violent and completely over the top. The ultimate angry Riot Grrrl feminist takes revenge on the sexist jerks of the world.

Anybody who's ever experienced the unfairness of the world and wished they could take revenge will love this book. It's simply the most fun book to read you'll find, but at the same time there are real insights here, things that will make you stop and think, things that will make you see the life a little differently, if only for a few minutes. And plenty that will make you jump up and yell, "YES!!" But it really can't be described in a review. You just have to experience the awesome power of Hothead for yourself.

I'm a relatively new reader of the genre, so admittedly there are probably many other writers who may be acclaimed as the founder. But for my money, Eisner is the master of the graphic novel. This trilogy is a must.

I'm a relative latecomer to the world of the graphic novel, though I did read my share of comic books as a kid. But a year or so ago, I read Will Eisner's "The Protocols of the Elders of Zion" and have been talking about it ever since. Time, I thought, to see what else Eisner might have written.

"What else Eisner might have written" is answered in part by this wonderful reminiscence of the Bronx of days gone by. The tales revolve around the history and residents of a tenement block on 55 Dropsie Avenue in the Bronx. To Eisner, it was always a neighborhood - greater than the sum of its parts and capable of moving callous men to teary nostalgia.

The book starts of with "A Contract with God," a relatively short and focused story about Frimm Hersch, a young Jewish boy who escapes Russian anti-Semitic pogroms, makes a contract with a just God, and loses his faith when his beloved daughter dies. Eisner tells us in the introduction that this story is one of the ways he dealt with his own daughter's death, a blow so severe that he plunged it deep into his psyche. What is so intriguing about Eisner's tale is that the reader never quite finds out what was in the contract. But one finds out a little about God and a bit about humanity's willingness to continue to struggle with this Witness to human misery and loneliness.
"A Contract with God" continues with other New York tales drawn from Eisner's memory - a tale about a lonely former opera diva who befriends a penniless street singer; a bitter tenement "super" infatuated with a young girl; a summer "cookalein" or cook-your-own boarding house at an upstate farm where city moms take their kids for a summer in the out-of-doors. Eisner is at his most frank here, not shying away from the pressures and temptations that entice people living in such close proximity to each other. The tales are sexy, brash, violent and always real.

The second story, "A Life Force," is a meditation on the unseen drive of all living things to remain alive and to reproduce. An out-of-work Depression-era carpenter finds a lesson in a cockroach's struggle to survive. His path crosses that of an ancient "rebbe" needs a room built for whose wife, who suffers from dementia. Soon, the story draws in a ne'er-do-well former playboy boy, young socialists, Sicilians gangsters and a woman from Nazi Germany (an old acquaintance of the carpenter) trying to extract her family from the growing turmoil back home. Eisner's depiction of the ever-triumphant "life force" comes alive in a myriad ways that look surprisingly like ordinary living.

The final section deals with the history of the parcel that became Dropsie Avenue. Eisner takes us on a kaleidoscopic tour from its days as Dutch farmland through its many incarnations as a residential neighborhood, vibrant gathering place for immigrant families, rat hole and locale for single-family homes. His tale is populated with crooked real estate developers, local politicians, druggies, thieves, ethnic priests, ineffectual cops and a variety of local characters. Eisner is at his best as he shows how greed and bad housing laws can strip the poor of housing, enrich the unscrupulous and reduce once-proud neighborhoods to rubble. I learned more about the roots of urban blight from Eisner's pictures than from any "serious" book.

Eisner's work is not disposable, like the comics of my youth. His stories have a depth of humanity that makes them fascinating and re-readable. His art exaggerates enough to telegraph his characters' inner feelings, but subtle enough to keep them rooted in reality. A wonderful experience.

Esta novela gráfica es simplemente sublime, las historias son maravillosas así como la presentación del libro que es de una calidad tan alta, pocas veces vista pero que definitivamente un trabajo tan bien logrado se merece. Cualquier otra cosa que te pueda decir, estaría de mas, si no conoces la maravillosa narrativa, dibujo e inventiva del maestro Will Eisner, este es un claro ejemplo de su maravillosa calidad como artista, ahora que si eres un seguidor, es un libro que debes tener en tu colección. Pero ya sea una razón o la otra, es una compra de la cual definitivamente no te vas a arrepentir.

Will Eisner is like Cervantes, Griffith and John Ford. The Contract With God graphic novel is his masterpiece. This is the Don Quixote of Comics. Truly art. Period.

Comic and cartoon artists are finally getting the respect they have deserved since the Yellow Kid wore his one piece pajama. Artists like Charles Burns and Frank Miller; Seth and Tony Millionaire, all work in a medium whose fan base is basically adult, literate and mainstream. In reading current book reviews of works like "Jimmy Corrigan, The Smartest Kid On Earth" by Chris Ware or "Blankets" by Craig Thompson, it is clear that the Graphic Novel as an art form no longer requires an asterisk.

All these artists and cartoonists owe this new environment of respect in no small part to the work of Will Eisner, specifically the work contained in this volume. While Eisner was not the first artist to tell a story with pictures, he without question hammered out a stylistic language that others could learn and understand. I don't think it is an exaggeration to say that he brought the concept of the graphic novel home and gave it a firm structure and a future. Also important was Eisner's unyielding believe in the graphic novel as a form of fine art, as legitimate a tool for storytelling as any of the traditional oral or written forms. All current artists working in comics owe Eisner in the same way that all Afro-American ballplayers owe a debt of gratitude to Jackie Robinson. Like Robinson, Eisner completely believed in what he was doing and refused to accept anything less than respect for his work, all done in a day when respect didn't come easily or automatically for them.

Now, about the work itself - what can one say? No one will ever replace or improve on Eisner's innate ability to tell a story with pictures. His work was absolutely gorgeous and fluid, the line and brushwork immaculate and dense without every looking fussy. He forged a unique and instantly recognizable style that is the true mark of a virtuoso in any artistic medium, and he was a very gifted storyteller into the bargain. There are certain panels in his best work, like "A Life Force" or "Droopsie Avenue," that are just jaw dropping in their beauty and absolutely unforgettable.

To this day his work is unmatched in its depth and sophistication of theme. Norton deserves much praise for reissueing these trailblazing works in a well bound and attractive hardcover. Recommended highly. -Mykal Banta

So you've been doing PowerPoint for years now. So you've even done your own custom templates. Now it's time to take your PowerPoint game to the next level. Cutting Edge PowerPoint for Dummies was written by Geetesh Bajaj, a Microsoft PowerPoint MVP. That means that, while he doesn't actually work for Microsoft, he knows enough about PowerPoint that Microsoft tells people with questions to talk to him, and people like him. He's got the credentials to do this book.

And this isn't a basic PowerPoint book. Bajaj assumes that you know your way around the software, and that you've got a basic understanding of computers. You won't find any tips on formatting text here (try the other PowerPoint book I reviewed for the basics). What you will find are plenty of tips for spicing up your presentations.

One of the things I notice most often in PowerPoint presentations is that the people designing them have no concept of what color combinations look good. Bajaj discusses contrasting colors, and how to use color combinations to make text stand out and be easier to read. Color plates located in the center of the book help to emphasize his point. If more people would pay attention to this simple tip, PowerPoint presentations would be far less painful to view.

Bajaj then gives tips on enhancing presentations with the use of various forms of media -- video, audio, charts and diagrams, and animations including Flash -- in PowerPoint. He cautions the designer that overuse can be a bad thing, but shows how to make the best use of each of these features to create impressive PowerPoint slide shows.

Probably the most valuable part of the book is the CD-ROM that comes with it. Bajaj has included several programs that are designed to enhance PowerPoint, and are referred to in the book. My favorite so far has been SmartDraw 7, which I've used to create tables and charts that PowerPoint's included application couldn't do. You will also find all the examples that Bajaj uses in the book, including backgrounds, slide templates, and Flash animation samples. I've only just started to scratch the surface of what's on this CD, but PowerPoint power-users will find these resources invaluable.

There are a lot of people who need Cutting Edge PowerPoint for Dummies - we all know one or two. Unfortunately, some of them won't buy it for themselves. Be a good friend and buy it for them. They will thank you, and the people who have to sit through their presentations will really thank you.

I was glad to finally see a PowerPoint book that wasn't for beginners. This one--to its credit--does not discuss basics like creating a presentation; instead, it talks about the techniques after mastering the basics. I bought it solely based on a sample chapter where I got something I didn't know out of it.

If you do PowerPoint presentations regularly, you'll also find that the CD will be a big help. I've already saved a lot of time just with the gradient palette enclosed on the CD. Unlike other books with CDs, this has material that you can really benefit from right away.

The author of this book sent me a sample chapter to include at my website and I was so intrigued by it, I decided to read the whole book, and was very impressed.

Do yourself a favor and forget the "dummy" in the title. This book offers great insight into some of the not-so-obvious workarounds that can be used to get the most out of your presentations. So, it's not only helpful to people who are newer to PowerPoint, but also includes lots of goodies for the advanced PowerPoint user. I learned lots of ways to fine tune stuff that I've had to take outside of the program before to get the result I wanted. Geetesh shows lots of alternative ways to get the job done within the program.

And, the texture files and other great stuff included on the CD are fantastic. The CD, itself, is worth the cost of the book.

If you want to see a sample of the AutoShapes chapter, the full chapter is here at my website:

http://personal-computer-tutor.com/geetesh/cepptfull01.html

I believe you will agree with me and follow-up on this sample tutorial by buying the full book ... and I doubt you will be disapppointed. This is a much-needed guide into some of PowerPoint's secrets.

Linda Johnson
Linda's Computer Stop

I use this book two ways.

Whenever I start a new presentation, I scan it for ideas on how to keep my presentations fresh. I particularly like the color plates in the middle of the book for guiding my color related design decisions, and the host of other design related tips.

Also, whenever I run into a technical problem that I can't easily resolve myself, I check the book and the answer is usually there.

Get the book, you won't be disappointed.

Well, to start with this book does not have any dry or boring moments. It's a rollercoaster of PowerPoint info presented typically well in the Dummies style, and it's got lots of pepper and spice on the way to keep your PowerPoints looking awesome. In fact, even when the book is not with you in front of a computer, you'll still love reading it. I should know because I read it on a long airplane journey. And now when I'm not in front of the book, I still recollect the great advice when I'm doing my PowerPoints. It's like yes, this is what Bajaj said in the book! If you can read just one chapter, read the chapter on Color. That itself is worth the cost of this book.

This is a pretty good purchase if you want to get mostly up to speed on 'The Darkness' comic. There are gaps here and there, such as events that occur in Witchblade and the Darkness/Batman crossover, but you get the meat of the story overall.

A great buy for Darkness fans. Though it took two weeks just to ship and the sender didnt bother wraping it in any kind of plastic to protect it during shipping so my copy has a few minor rips in the spin. Other then that great condition and a great read.

The Compendium allows you to catch-up on the history of The Darkness with the first 40 issues. Please note, it is missing a few of the cross-over issues like Witchblade #18 & #19, but it tells you which ones so you can get them later if you like. For the price and free shipping, you can't beat it! Warning: this book is fatter and heavier than some dictionaries with its 1280 pages, but so well worth the hand cramps it may cause in holding it. Not for children! After reading this, I recommend getting the Witchblade Compendium #1, as it will tie up a few of the lose ends you get when reading this. Enjoy!!!

I thought that the book was very captivating and over whelming in gory details. I also was taken on a magic roller coaster ride........of emotion. Super awesome until towards end when the new artist and writer took over and f*&%ed it in the @$$.

This is a great collection and my criticism must not be allowed to distract from this. I had not read The Darkness before, having returned to comics after a ten year absence and ordered the compendium on reputation and reveiws alone. The service was great, I was delivered in South Africa on time in pristine condition.

It's hard to comment on this publication without referring to its size. It is huge. While this is a good thing, it is not without its drawbacks. The compendium cannot be read as I would a standard graphic novel in that a degree of discipline is needed. I found myself racing through it missing the artwork and the natural pace a comic has by nature of its original monthly format. While the standard comic can be frustratingly short, nine or ten bound together is a great afternoon's read, taking time to savour each panel. Over 1200 pages is a bit indigestable and I would have perhaps preffered to buy a series of smaller collections to make up the whole. Text close to the spine is difficult to get to without risking the spine and it's not something that would be easily shared with a friend, being a bit unweildy to lend out or have someone help themselves to over a coffee (unless they are a comic enthusiast).

Having said all of this there is still something nice about it being ridiculously huge.

While I am particularly "non-religious", I do find myself questioning the content at times (as enjoyable as it might be). There is a point or two where I was struck than a line was being pushed, such as the offhand killing of an inocent person because its all our hero could come up with on short notice to save himself or the ham-fisted religious references in the Magdelina editions. This is obviously a discomfort I have with the genre itself. Violent dark action/humour would perhaps be less enjoyable if it didn't push the boundry of moral offensiveness. Potential purchasers should know that this one does so more than most and is certainly not for kids.

I am however splitting hairs on what is an excellent collection; the artwork is fantastic, and the humour dark. In my opinion it is the best of the genre.

This is an amazing book! And probably even better was the person/company I bought it from. The item arrived fast and on time as promised in great condition.

This is one of the most original manga ever written. Read other reviewers for great plot summaries. If you are reading these reviews your question must be, "Is this something I want to read?" Death Note, unlike a great deal of manga, you have to read. It has wonderful artwork, some of the best I have ever seen. But, the art does not carry the story, the words carry this story. In volume 1, Light finds the Death Note, and at first it seems like killing all criminals is a good idea. But, by volume 2, you begin to see what the power of the Death Note is doing to Light. Volume 3, introduces a new character to the story that complicates the story line, but in a good way. If this series was a movie it would be considered "film noir". It is dark, with many plot twists, microscopic viewing of the line between good and evil, and how that line can be twisted to suit the person doing the twisting. This manga is a thinking manga. After you finish each volume, you will find yourself thinking about it, worrying over some of the plots like a dog with a bone. think, think, think. Enjoy!

Light and L off to uni.


The situation gets more complicated as Light is starting university, and at the opening ceremony he is to speak at, he finds he has a co-speaker, who whispers to him that he is actually L!

The cat and mouse game between them continues, and Light's father having a heart attack and the discovery of a new 'Kira' and Death Note do no make anything more straightforward. All the deviousness in this serious can certainly make your head hurt.

The general summary of the `Death Note' manga: Light Yagami, a High Honors student, still maintains his cool in playing the secretive part of Kira, the murderer who kills inmates with heart attacks. This is all accomplished by the Death Note, a notebook belonging to one of the Shinigami death Gods. The Death Note supplies the rules of how to use it, and Ryuk, the Shinigami owner of the notebook that Light now holds in his possession, has to stick around Light until the Notebook is handed to someone else, destroyed, or Light himself is killed. However, notorious super sleuth known as L is hot on Kira's (Light's) heels in sending the murder to his execution.

In Volume Three, Light manages to get Ryuk to locate the cameras and bugs around his room, planted there by L's authority, in exchange for a place to eat his apples in secret. To fool L into thinking that Light is not Kira, Light pretends to do the things he used to do before the Death Note fell into his life. Light knows that if L is watching him, he cannot screw anything up, and knows that if no murders have been reported while he is being watched, L would know that Light is Kira. To fool the man, Light plants a LCD Television in a bag of chips so all L sees when Light goes into his room is a young man studying hard for his entrance exams while having a snack. L dose not see the section of the Death Note taped into the bag of chips along with the LCD, and that each time Light sticks his hand in the bag, he writes one letter of a suspect's name that he watches while eating chips, then withdraws it. This is one of the many things Light has up his sleeve, but despite this, L is still watching him very closely.

L even comes up to Light in person, proclaiming that he is L after Light graduates from school, moving on to a college. Light, never seeing that L would ever come up to him saying he's L, panics for a while, but then regains his cool and decides that if he was to kill L without anyone suspecting it was him, he would have to be L's closest friend...before he was to finish him off. L himself is wondering whether or not Light is really Kira, but after overstress gives Light's father a heart attack and L sees the corny act that Light gave in his father's presence, L is starting to wonder if Light really isn't Kira. Despite this, he wishes Light work in capturing Kira, even though L still suspects Light to be Kira, if only for a small percentage.

However, when things seem to get worse for L, a second Kira is added into the fold. Now it is a race of time to see whether L or Light will get to the second Kira first to get a fair advantage of the situation. L, to find the whereabouts of the first Kira and to see how he kills his victims; and Light, who would use the second L for his own gain in the execution of L. For the second Kira possesses something only Light knows: the Shinigami Eyes, a deal made by the Shinigami who give humans the power to see the person's name and lifespan by looking at them, though this cuts their own lifespan in half.

This is a really suspenseful volume that really gets you reading. Very recommended.

In the last volume, Light was placed under intense surveillance by L and Light played the innocent, college-bound student, but now it seems that all of the surveillance all of the time is starting to get to Light. Light seems to have a need to punish criminals and mages to punish three rather minor criminals with death, while still under surveillance. Sometime later, Light takes his entrance exams into college and notices a very odd looking guy in his class, he thinks nothing of it until the guy introduces himself as L.

Now that they have met each other face to face, the two begin to pretend to be friends with each other all the while trying to trap the other, L wants evidence that Light is Kira and Light wants to try and keep ahead of the police force and try to eliminate L without drawing too much suspicion. But Light's problems are only beginning as a sudden family emergency distracts him, then a local newstation receives videos allegedly from Kira displaying his "power". However, it soon becomes apparent that this is not the work of Kira, but what appears to be a copycat Kira.

This is another excellent book in the Death Note series. This was a real page turner especially after the revelation of the 2nd Kira. I love the way it shows the battle of wits between Light and L and how it always manages to keep things interesting, the story is going strong and still building steam. This has to be one of the best mangas that I have ever read.

There are a million expensive plugins out there, and each does only one thing. You can buy each of them, or you can invest in your ability to learn Max's subtleties. This guy has apparently been doing great work since before there was a big plugin market, so buy his book, and you'll save all kinds of money. Plus you'll have a FAR better understanding of the various methods that can be used to perform relatively complex and difficult tasks. It's an exciting read for the right kind of 3D geek. You will probably find yourself thinking "I didn't know you could do THAT with THIS!"

Pete Draper knows his stuff! The tutorials are in color and quite easy to follow, except for the complex materials, but Pete explains what each one does in detail.

The author makes use of the Particles Systems a lot which you will be very good at by the end of the book. I own a bunch of books on Max, and this is by far, hands down, bar none the best book currently available.

Be warned this book does not cover everything in Max(such as Mental Ray), but after you finish this book you will have an arsenal of things you can do.

I recommend this book to beginners and experts alike, both will walk away with a lot of new ideas and knowledge about 3DS Max.

If you want to learn particle flow this is the book for you. Pete does things I never thought 3DS Max was capable of. The tuts in the book are great and there are a couple of bonus video tuts on the accompanying DVD. Buy this book!

This book has EXCELLENT tutorials, very descriptive and in-depth, the only complaint I have is it needs more tutorials on water, such as a running faucet tutorial, would've been helpful for my 3d animation class.

If you want to know how to use 3ds Max's Particle Flow...this is the book you should buy. One word of caution...make sure you brush up on your PFlow basics before digging in. The book definitely assumes that you know what you're doing when wiring up PFlow's Operators and Tests. There's screen shots to help you along, start and completed scene files, and a real nice handful of cool effects covered. More for the Intermediate and Advanced user.

i just bought this book with "tres logos" and wow, this book is amazing. this one explains the process, the reasons, etc of how to get to a great logo and the other book is a collection of great logos. this book stimulates your creative juices and guides it in a fashion that leads to great concepts for logos which from there can spring into many other medias and beyond (collateral pieces, ads, web, etc). this is a must have book for anyone at any stage of their design career. five stars to rockport and this book for another success. i have just about all the books published by rockport. awesome book.

Logos 01 is an excellent examples of the modern approach to corporate identity logo design. Case studies and examples illustrate the requirements and execution of a wide variety of businesses in regards to the need for a mark to help themselves in their marketing efforts. I have actually purchased and given this book to my marketing practice clients and prospects in order to provide good direction for their expectations and planning on this subject. The book is also beautifully designed, easy to read, and even though I use it as a tool, could easily be an attractive table-top book for the office.

A well designed, designer resource. The samples are large and the explanation text is informative. A great book for designers to have on hand.

This book is exceptionally well written and compiled. It speaks clearly and concisely to both beginner and experienced professional. Whether you are in need of new insights into logo design or just occasional reviewing, this book is for you.

This volume on design is both beautiful and insightful. In a bookcase full of vacuous logo "collections", Capsule's effort stands out as a genuinely intelligent, useful, and inspiring work.