Graphics Books

My seven year old son loves this book! We bought it for his birthday and he loves looking for the different characters. He even took it on the plane when we flew to England.

Great book. Think "Where's Waldo" meet Pokemon. Arrived in Perfect condition. Lots of find 'em puzzles, many pages. Great purchase, great value.

What a delightful book! My daughter and her friends will have many hours of fun finding the Pokemon asked for and trying to identify others. Highly recommended!

One of the best pokemon books I ever read. It's really fun. You really want to try it. It's great.

I ordered this book for my older son who is 6 and my younger son who is 3 loves it so much and he looks for the Pokemon almost everyday. My older son still looks for the Pokemon with his brother but the 3 years old just wants to have the book for himself and he would sit on the floor and goes through pages and also learns to check on the answer key on the back. I also spend time with them to look for Pokemon and learn about their names. We love this book.

Technology affects art and the many changes in computer animation and effects means that the art world faces both new challenges and new innovations in 3D modeling. Surprisingly, Peter Ratner explains, the changes mean less technical challenges for artists with more ability to focus on creating art rather than deciphering computer systems - and the second edition of his Mastering 3D Animation is just the place to begin. Ratner is a professor of the topic at James Madison University - and the founder and head of the first computer animation program in Virginia, so his background lends particularly well to discussions. His paintings and computer graphics have received exhibition and acclaim - also a plus for artists seeking more than just a programmer's technical tips.

I thoroughly enjoyed this book, from its technical standpoint of working between the program and the supporting 3D theory/thought process that Mr. Ratner provides.

Finding that balance of an artist and technologist from where to launch one's vision and future visions of creativity starts with good knowledge. Ratner gives many facets of where to see this vision and tutorials to follow through with your own creative projects.

I commonly work with many high-end graphics programs, Lightwave 7.0 being my newest program on my plate. Peter Ratner's 3d book getting me from a begining user from just reading the index to a 3D artist ready to start the new facets of my own portfolio. Mastering 3D Animation helped quite a bit everything from the Modeling and subdivides to the theory/progress.

Joseph Arthur
Information Architects, Principal

Peter J. Ratner's second authoring effort, Mastering 3D Animation, is a 333-page softcover text that is a comprehensive, detailed and practical tutorial guide addressing nearly every aspect and segment of the 3D graphics genre. The book's 14 chapters-and accompanying follow-along CD for PC and Mac-speak to modeling (beginning and advanced), animation, special effects, lighting, surfacing techniques, facial animation, elements of action, figure movements and composition and cinematography. It's an exceptionally capable complement to Ratner's first book, 3-D Human Modeling and Animation. (Ratner currently is updating the latter text with a wholesale rewrite.)

Make no mistake: This is no cursory guide to constructing simple geometry, slapping on some stock textures, animating basic movements along spline paths and rendering to AVI while you're sipping on a latte, watching the Discovery Channel. A full-time professor in the 3D Computer Animation department of James Madison University and the program's founder, Ratner relies on the broad and substantial digital and conventional art experience that has rewarded him with artistic entries in more than 80 national and international juried exhibitions. Ratner is well-versed in most aspects of 3D art creation, choreography and cinematography. The results of his industry experience are a splendid collection of detailed and refined insights and experiences assimilated into a thorough tutorial guide. I have no doubt-as many experts agree-that Mastering 3D Animation is equipped to serve as a collegiate-level textbook for 3D computer animation curricula.

Spanning the many processes related to generating 3D digital art, Ratner illustrates his critical techniques with 658 black-and-white line drawings and grayscale screen captures. The images vary from basic and sketchy but illustrative black-only perspectives, steps and graphs to grayscale representations depicting character renderings, particle systems, height fields, geometric displacements, facial close-ups, rendered environments and more. Of particular interest to those having cinematography or traditional art backgrounds are the commentary, instructions and grayscale reproductions of painted and sketched art dating back multiple centuries.

Those attending to a more technical emphasis and interest are accommodated in every respect, however-minus superficial references to hardware specifications. Early on, Ratner clarifies his intentions in composing this text: "[The book's] purpose is not to create button pushers who can boast about megahertz, abundant RAM, big monitors and software with all kinds of bells and whistles. It is hoped that aspiring 3D artists will learn some valuable lessons from the great art geniuses that have preceded them." (Foreward/vii) Yes, Ratner does wane philosophical, at times, but his contemplative tendencies bring a refreshing and purist perspective to a field frequently inundated by overly technical meanderings and functionally pointless rambling. Thus, Ratner blends an in-depth artistic and technical knowledge with a practicality and philosophy altogether forming a well-rounded perspective-one catering to persons of various inclinations and backgrounds.

The companion CD contains 200-plus 3D models in a variety of formats: LightWave 3D's .lwo and .lws; Wavefront's .obj; Maya's .ml and the generic .dxf. Tutorial project files are archived in QuickTime (.mov) and JPEG (.jpg) formats, and Ratner also includes a Photoshop brush file (.abr) for creating "grime" textures.

As for the text's informational composition, chapters one and two explore the basics of 3D modeling-polygonal and spline-based (NURBS). Chapter 3 addresses basic 3D animation, while the fourth delves further into animation by considering the role of deformation tools: skeletons ("bones"); kinematics; lattice flexors, etc. In Chapter 5, Ratner explains special effects, including the use of spheres, particles, collision detection, voxels, fragments, displacement mapping and more. Part II of the text, Advanced 3D Modeling, begins with commentary about the human head's structure and composition, including muscles and bone. Ratner explains both the NURBS- and polygon- based methods for modeling the head. Special attention is allotted to features, such as the eyes, eyelids, eye sockets and ears. There's no lack of detail, here, and NURBS fans will experience a rare sensation-a feeling of belongingness.

The next two chapters, six and seven, are devoted to modeling the human figure. The latter stresses finishing-hair, eyelashes and clothing. Chapters 9 and 10 comprise Part III: Preparing for Animation. Lighting is the focus of Chapter 9, and Chapter 10-another that may appeal particularly to conventional artists-deals with surfacing techniques. The author goes beyond the typical texture map types-cylindrical, planar, spherical, cubic, etc.-and the use of photos to address alternative surfacing methods, such as transparency (alpha) and displacement maps. In short, Ratner extends well beyond the conventional surfacing methods most highly publicized, deeply exploring what might be categorized more aptly as upper-echelon trade tips than as common genre knowledge: creating sophisticated bump maps; using grayscale gradients in displacement; and more.

Part IV of the book, Character Animation Fundamentals, includes chapters 11-14: Expressing Emotion with Facial Animation (11); The Elements of Action (12); Movements of the Figure (13); Composition and Cinematography (14). Once again, the author uses an expansive knowledge of choreography and anatomy to help quantify how human emotions are exhibited: body posturing; eye wideness; lip contour; eyebrow position; even directional muscular pull. Each of these considerations can be projected in a 3D figure, and Ratner shows the reader how. "A muscle is composed of a bundle of fibers that work in mutual association to perform common duties," Ratner writes on Page 248. "... It is this combination of movements that results in the complicated harmony of the facial muscles."

The Elements of Action chapter confronts those issues pertinent to a convincing human portrayal by a mere collection of polygons or surfaced curved lines: timing; sound syncing; weight and recoil ("squash and stretch"); walk cycles and more. Chapter 13 addresses concerns complementary to those in the previous one, including body mass motion, pace and impact, equilibrium, action lines, rhythm and still more. The final score of this harmonized tutorial prose pursues line composition, spatial arrangement, blocking (proxy geometry) and all manner of photographic issues and techniques. The reader will learn practical cinematography terminology-camera techniques and movements, transitions, more-and the fundamental tenets of motion depiction utilized by artists centuries earlier.

Mastering 3D Animation is a wonderful book, full of useful information that you will refer to again and again. It covers many complicated issues in an easy-to-understand way so that beginners and advanced users alike can grasp the information. Definately a title that will remain in your library for years to come.

Although a nice book that goes into depth in areas that other modeling books haven't, the generalized, not-to-mention-one-specific-application approach the author has taken left me, a beginner, bewildered and drooling. Also, I think some of what isn't explained in detail was not explained purposely as it was difficult to put into words and considered common sense, which seems to be the case with several tutorials and books that I've read on modeling. I want to know things like: Once I have my splines slapped down in a front perspective, how do I push and pull them properly from other perspectives so they'll take shape, or When defining detail with polygons, how many should I tesselate, how can I manipulate them to look like a gradual bump for a muscle and not a sharp cornered cliff? To sum it up, the book was written for the more experienced and those who are very well aquainted with their software packages-I was expecting step-by-step modeling for newbies.

Utterly and completely charming.
I'd read all her books but had never seen these.
I've returned to them often.

I have read every Moomin book available in English and I loved them all. I decided to get the comic for some children I know. I actually have not read the comic and my review is concerned only with the physical properties of the publication.

I have to say that the book look beautiful and makes a perfect gift. I will order second copy now so I can read it myself. :)

Moominfamily gets bumped around in a world that is much too big and chaotic for anyone to understand. Moomin may be driven into trouble, but his goal in life is beautifully pure: to "live in peace, plant potatoes and dream." While Moomin world may had its start in the books, in this English comic strip, its full richness floats to the surface like cream, and the love put into the art is visible. Tove Jansson's intricate illustrations and lettering are made clear and bold in this volume thanks to the carefully laid out folio.

If you've never heard of Tove Jansson's comic strip "Moomin," you're in for a treat. The title character is a troll, but looks like a hippopotamus. He is a loveable character with a childlike innocence. He tries to be friends with everyone, and like many nice people, doesn't know how to set limits. In the first sequence, he has dozens of friends and family visit him, and are extremely demanding, but he doesn't seem to be able to say no. He then gets a rather smelly friend to drive everyone away, but he eats Moomin's house! We then follow Moomin and his friend Sniff as they search for riches and fame. That's the first of four parts in this collection, and the storylines flow into each other nicely. There's great character development with real pathos, and the art is unique and a pleasure to look at. If you're looking for a comic strip that's different from the ones you typically see in the paper, look no further.

In 1953 the London Evening News began running Moomin comics on a daily basis - and soon the little fantasy animals were published in over 40 papers around the world. Tove Jansson, creator of the strip, drew it for five years and these black and white strips offers her complete Moomin features to delight new and old audiences alike. It's too whimsical and funny to limit to younger audiences, and is reviewed here as a top pick for any general-interest library strong in comics history and illustrator representations.

Diane C. Donovan
California Bookwatch

I retired from working at a nursing home. I happened across Mrs. Wilders books while working there. I only wish I had these books before my mother passed. She didn't like living alone but wanted to be in her own home. I know she would have liked living at The Home had she not been bombarded by others about the horrible things (they imagined)that went on there (Two of these people eventually lived in a home) and probably would have lived longer than her 80 yrs. She quit taking her meds. unbeknowst to me and died of a massive heart attack.
Reading about the shennigans, shall I say, that went on at Fair Acres was similiar to a day in my 'home.' The residents/folk become family and interacted as such. They took care of each other. And we staff felt like family to them and they to us. We staff/residents were the only 'family' some had. Despite the illnesses some had there was a lot of fun too.
I tried to get in touch with Mrs. Wilder but alas, unable to do as I wanted to thank her for writing those books.
I was saddened to learn this year of her death.

Cute, funny, poignant, sad, etc.--all the adjectives you would expect to describe a book like this. Effie Wilder takes us on a tour of the retirement home and introduces us to her friends and acquaintences. Being able to take people's stories and use them to make people smile is what makes books such as this so endearing and special to read.

Baby boomers should read what's in store for us when we, too go to "prison" in an old folks home. Hopefully, we'll have a neighbor there just like Hattie. Written with humor and insight, it rang all too true to the characters I met while visiting my mother when she was an "inmate." Lot of truth to it.
Wilder's also an inspiration to fledgling authors who say they're too old to write that book they've put away time and again. Not so. Go Effie go!

I am no where near "Out To Pasture" but I found this novel to be delightful. This book has the oddest group of senior citizens you will ever run across. Filled with both serious and light situations this book will make you cry and then laugh. Effie Wilder teaches us that just because you are older your life is still full and the possibilities are endless. Way to go Effie!!

Mrs. Wilder has given all generations a delightful and easy to swallow book about aging. The main character, Hattie, is into everyone's business, but in a kindhearted way. Through her eyes the reader can see much of the pain and joy of being older. Leaving your home and moving into a retirement home is never an easy choice, but I think Hattie shows us that if done with grace, it can work out to be a fairly good life. The book is a joy to read, offers lots of laughs, a few tears, and some good hard lessons about life. I look forward to sharing this book with my "adopted" eighty-four-year-old grandmother.

Apr 5, 2008: Has all sorts of practical vocabulary for everyday situations: household vocabulary, garden care vocabulary, medical vocabulary and many other situations. Would be valuable to communicate with Spanish speaking employees who may have limited literacy, because it is a picture book aimed at adult immigrants. Has lots of words for tools, car repair and furniture that you don't get in high school textbooks.

I am an English as a Second Language Instructor. Every time we use the class set of Oxford Picture Dictionaries my students always want to purchase them. I get a lot of requests for these. I see the students using them all of the time. It increases their knowledge of English & their confidence. I highly recommend it for anyone learning English or Spanish!

I have found the Oxford Picture Dictionary to be a great help for teaching vocabulary words in my ESL classroom. The illustrations are very good and easy to understand. I would recommend it highly.

my daughter is learning Arabic and discovered the oxford Arabic picture dictionary, loved it and then requested the Spanish/English dictionary and loves it too!!With tools like these languages are a lot easier to learn-teachers should get discounts so that more young people can enjoy learning the different languages.

Wonderful English/Spanish Dictionary, my son really enjoys looking through the book and learning new words.

Peanuts are totally classic! Dude! Schroeder is like the coolest person on the face of the earth! He is so reserved and that make Peanuts worth the while to read. He also looks so cute at his little piano, playing Bethoven. This book clearly shows that and becuase I love little Schroeder, I love this book too! Beethoven forever! Rock on! (JK)

This book is a great buy! It has the classic lovable Peanuts strips we've all enjoyed. I love the format and size of the book and will purchase more in this series.

I find that after all this time I still love the Peanuts gang. Charlie Brown, Snoopy, Linus, Lucy and others still bring a smile to my face as the wonderful insight of the creator comes through. I wish that I was young again and still had the old paperbacks that I once read so I could go back to some and re-read them. I wish that Shultz could still create those drawings and tears just swelled up from inside reading the ending passage. Charles Shultz will be missed by me and I have read this and other books by him to my kids so they might gain an interest in these type of books. I wish they had more specials of the Peanuts ang for TV rather than some of the stuff on now. Anyone who wants great cartoons with very funny happenings for their children will definitely love this book and others by Shultz.

Peanuts has truly left its mark on the world. I can't honestly say I know anyone who has never heard of Charlie Brown, Snoopy, Linus and Lucy. We all know and love them. Who can ever forget Snoopy imagining himself as a World War I Flying Ace on the top of his doghouse? Or Charlie Brown's consistent, diligent, but always failing efforts to finally lead his baseball team to a win?

This final collection of Peanuts strips cannot quite live up to Schulz's genius from years past, but they are still very charming and fun to read. I'd like to see you try to come up with a funny idea every day for fifty years. In this collection, Schulz draws more self suffecient strips, than strories carrying accross the dailies, probably because it was easier on him at his old age.

Peanuts is a very rare commodity. It is certainly not gorgeously drawn, but the writing and lovable characters make up for it's visual spareness. Plus, although the drawings were somewhat crude, the were outragously funny, and the whole point of a comic strip is to make you laugh, so there you are.

Charles Schulz is a true comic genius. His later work (i.e. this collection) is not his best, but he was still able to draw a funny comic strip every day. In the words of Bill Watterson, the brilliant man behind the wonderful "Calvin and Hobbes"-"I've never met Charles Schulz, but long ago his work introduced me to what a comic strip could be, and made me want to be a cartoonist myself. He was a hero to me as a kid, and his influence on my work and life is long and deep. I suspect most cartoonists would say something similar. Schulz has given all his readers a great gift, and my gratitude for that tempers my disappointment at the strip's cessation. May there someday be a writer/artist/philosopher/humorist who can fill even a part of the void "Peanuts" leaves behind."

These were the final words in Peanuts comics delivered by the late Charles Schulz. To answer the question, you can never forget Charlie Brown, Lucy, Linus and Snoopy.

I remember the last "new" comic strip came out 13 February, the day after he died. Thanks, Sparky, for all the memories and the inspiration (I work on my own cartoon strip).

These cartoons were originally published early 1999 through February, 2000 in the newspapers. Charlie Brown has a date for a dance (something that rarely happened). Rerun holds the football for Charlie Brown (he got more and more parts in the cartoon strip in the final years). Charlie Brown pays tribute to the ever scowling Joe Torre! Cartoonist Day is remembered (5 May). Snoopy writes more novels and plays golf with the musical notes from Schroder's piano. "Wolves are making a comeback," as Sally philosophises. There's also a tribute to painter Andrew Wyeth and Valley Forge, as acted out by Snoopy. Snoopy Claws can be seen downtown around Christmas.

Also, Charlie Brown hits a grand slam, Linus kicks the habit once and for all and gives his blanket to Snoopy, Peppermint Patty gets straight A's, the Great Pumpkin comes as promised and Schroeder finally admits he's got a crush on Lucy! Don't hold your breath on the last 5, folks! I was just seeing if you were paying attention!

However, this book is poignant since these were the final strips of Peanuts. Charles Schulz must have known the days of the Peanuts cartoon were numbered when he let Rerun hold the football! If you're a Peanuts fan, you'll enjoy this book!

This is a must-have item. It is an incredible beautiful book. If you are a pethead, you must have it. But, if you will buy this item, you must have in mind that is a catalogue of items, pictures and comments, the name is literal, not a book as "PSB vs America" or "Literally".

With 14 reviews already written, I doubt I can say anything that hasn't already been said. But I will give a short review of my impression of Catalogue.

This book is more like Pet Shop Boys history in pictures. While it's true this is a catalogue of all the album and CD covers. It is also the history of Pet Shop Boys in a brief chronology near the back of the book. It gives a time line of what they were doing on particular dates.

There's also an interview from April 2006 with Neil and Chris by Chris Heath. It also includes a complete in depth discography of all their singles and albums they released.

The silver cover of the book makes a great coffee table attraction. It's a must for any Pethead's collection. It's also a great reference book for new fans of the boys. For those who never subscribed to the fan club will enjoy looking at the various Christmas Cards and cover art of the fan club magazine Literally.

I purchased multiple copies so I could have one on display and to thumb through and one is kept sealed. At this great price, who could resist?

Pet Shop Boys Catalogue

El libro es excelente [casi una obra de arte] en el cual se repasa la historia gráfica del dúo a través de sus primeros 20 años de carrera. Un verdadero must para cualquier fan de los PSB.

You can easily forget that Chris and Neil, Pet Shop Boys have been making fantastic music together for close to 30 years now. This large volume is an authoritative visual representation of what the PSB have done throughout their career. If there is one problem (not really) it would be that since they Boys are still active, the book will be outdated nearly immediately following its publication.

Its fun to see all the international releases, versions, one-off items that have come from their musical output, from singles to albums to videos to other books. Catalogue is comprehensive to say the least. And the photos are many, and all relatively great quality.

This is a true gift to the real PSB fans. It is sort of like your own personal scrapbook if you've been following the Boys through the years or a wonderful collection to introduce newer fans to the career that Neil and Chris have enjoyed. Price seems more than reasonable for the quality of the book. The cover is stunning and makes a great conversation piece for your coffee table. It just sort of begs to be opened with its silvery cover image.

Pet Shop Boys fans should be thrilled that such a volume exists and that the artists have seen fit to offer something of this scale. So many bands, defunct or ongoing seem to spurn their fans requests for such items. In this case, no matter what the intent of the artist--whether purely self indulgence or wanting to give back, the fans who purchase this book are the winners.

Love this book. Love the Boys. And most importantly, Love the music they continue to release. Left to your own devices, you probably will buy this book.

This book is beautifully packed and chronicles the product of the pet shop boys for the first 20 years. It includes album/single covers, tours, costumes, videos, etc. It is worth every penny and a true companion for any psb fan!

I was impressed by the courage shown by the women in this novel. I read it as part of my own research on Chernobyl. I have relatives living in the Ukraine and decided to write a mystery story with the Chernobyl disaster as a backdrop Chernobyl Murders. Irene's novel helped me understand the victims in what would eventually become the exclusion zone more deeply.

Irene Zabytko in this book presented the consequences of the worst civilian nuclear disaster in the world in a "humanely-digestible" way.The reader is initially reluctant to start reading this book, but later on , the author makes it more plausible and presents the deeply human feelings of the victims. Excellent work, Ms Zabytko!!

A short book, that can be read in one day, The Sky Unwashed is a highly important book in two respects. Foremost, this is one of the first full pictures we got about what really happened to the residents in the Chernobyl region and Kiev in April, 1986, albeit in fiction, but borne out now in articles and TV documentaries. Secondly, the lyrical beauty and masterful storytelling should elevate this novel to the stature of high literature. It is almost a year since this book came out and I read it, but it still haunts me. There are several themes interwoven and coalescing in the overriding struggle for life versus death's inevitability, the largeness of the nuclear accident, its cataclysmic proportions versus the helplessness of mankind or of the individual, of course another metaphor for the big Soviet Union and the communist ideal versus the individual. Although ironically the political and scientific disasters are of mankind's creation.

The novel plays out in snapshots: We see people working at the factory before the nuclear accident because it looks like a better life or the best alternative; the aftermath of the accident, the government putting people on buses in a hurry, telling them they can go home in a few days, but to leave everything behind; a skin rash or a burn or a breathing problem, just that, a denial of radiation sickness; Marusia and her friends planting a garden.

What can a person do when faced with a moral dilemma over which they seem to have no control and from which there is no escape, where it doesn't matter whether you are a hero or a coward, because you will die anyway? The novel asks this in several ways and on several levels, and the answers are as different as the personalities involved.

The grandmother Marusia, her daughter-in-law Zosia, and two grandchildren crowd the hospital in Kiev, where her son, Zosia's husband, lays dying, people crammed into hallways for weeks fight over blankets and food and toys, the train station is stampeded. Zosia escapes the hospital for awhile to watch a parade, to look at clean streets and flowers, and to try pretend that it's all a bad dream, even while plotting to get her children out of Kiev. Marusia takes a different route. She and other elderly women friends go back to their village and live life on their own terms with the time they have left. This is where the novel really takes its philosophical wing and its song. It is the heart and soul of the book.

As the sky becomes dirty and unnaturally clouded over Chernobyl, a society's vision gradually becomes clear and unclouded. One makes the inevitable connection to the collapse of the Soviet Union a few years later. We will never really know for sure, but the issue of handling nuclear energy safely is one that is relevant to everyone on the planet.

I must admit, I was initially drawn to this book because I myself derive from 100% Ukrainian lineage. As such, Zabytko's subject matter interested me. I thumbed through the book and thought "Hey, I've gotta read this."
The story centers around the Chernobyl nuclear disaster of April 26th, 1986. The fallout from this tragedy is said to have been the equivalent of eight Hiroshimas! Yet, as though the tragedy in itself were not bad enough, the government at that time chose to suppress information to the residents of villages surrounding Chernobyl, and to the nation at large. Folks were kept in the dark concerning the actual extent (and far-reaching effects) of the radioactive contamination. As a result, much PREVENTABLE damage was done to people at the time, and even to the children that would be born to those who survived.
The Unwashed Sky focuses on the situation facing the widow Marusia Petrenko, her son, daughter-in-law, and two grandchildren. By the time they flee their village of Starylis, it is too late. Their lives will never be the same.
Marusia decides to return to Starylis. She is not even aware that it has been declared a "forbidden zone"... all that she knows is that this is her village, the only home she's ever known, and since everything dear has been torn from her, this feeling of "home" may be the only thing she can yet embrace as her own.
She returns, and finds that her only companion is an old mangy cat. She keeps a perpetual fire, hoping that the smoke from her chimney will tell others of her presence. And slowly, some of her old friends do begin to trickle back. One by one, these old women (and one man), drawn by the same sense of a need to belong to their beginnings, return to rebuild their lives.
These tenacious Starylis "babysi" band together and draft a letter of demands that causes the Chernobyl officials to cede to their requests, and admit to certain wrongdoings, however late in the day! (Even then, they grant the women's wishes only because of how good this will look in the newspapers).
Zabytko paints a sensitive, touching picture of this time of loneliness and desolation, of undeserved and unwarranted hardship... a time when even the dirt rejected seed and the water tasted of metal.
I loved the authentic Ukrainian vernacular running through the book... I could hear my own grandmother clearly.
A wonderful testimony of the enduring power of the human spirit and its will to survive... a point made all the more sobering when one considers the non-fictional source of the author's inspiration.
In an interview with Rebecca Brown, Irene Zabytko said: "I hope that anyone who reads it comes away with the feeling that despite the cultural exoticisms, we're still part of one planet, and the endurance of the human spirit persists in all."
I think she succeeds in this.

The 1986 Chernobyl nuclear disaster scared the world witless. We all worried what might happen to us. But what became of those who lived there? It would be a mistake to read Irene Zabytko's The Sky Unwashed as a documentary novel, because, despite its commonplace beginning, it tells its story with characters who come to matter to us for their own sakes, not for what they can tell us about Chernobyl. Even so, Zabytko, a Ukrainian-American born in Chicago, writes from experience as well as imagination, for she has relatives and friends in Chernobyl, has spent time with them there and has taken their stories into herself.

The novel opens with a too-journalistic narrative of a Ukrainian family's dispirited life, pre-disaster, in a village where people seem to be going through the motions of life in a dying culture. Weddings are not celebrated festively so much as mockingly, less cheer than jeer. For young people, working at the nearby Chernobyl plant offers a chance to escape from ancestral poverty. Older ones, even in the gentler Gorbachev times, take a different view. They've lived through Stalin's engineered Ukraine famine; war; oppression. "The old women in babushkas who kept the old ways alive with their icons and litanies ... knew that the hard times never end," the prologue says.

The Petrenko family represents both attitudes. Old Marusia lives with her weak, dull son, whose wife, Zosia, nurses a vital spark that leads her into unhappy affairs in search of vibrant life. We don't like Zosia much at first. Irritable, nasty, she appears selfish despite having two young children. But after Chernobyl blows, her overbearing ill-temper and sharp tongue come in handy when the radiation-poisoned family encounters sneering incompetence at a Kiev hospital. Zosia bribes and browbeats her way to medical treatment for her husband; of course, we fear for those who lack such survival skills.

Yet it's the aged Marusia, with her traditional, lumbering ways, who carries the novel into our hearts. She goes along with the evacuation because there's no choice. When in the ensuing chaos she finds herself alone, though, she realizes that home is the only place to go. Arriving there after a hard journey, "She sank to her knees on the ground, and she made the sign of the cross. She uttered a prayer of thanks to be back on the land where her mother and grandmother had lived."

How Marusia survives in a deserted, radioactive village where the water tastes "like coins" is harrowing and fascinating. It's the center of the novel, much as the primacy of home and religious faith is Marusia's center. Eyes itching and red, body aching strangely, she goes to her church to ring its deafening bells every day. She tills her garden, aids a dying cat. Loneliness tries to crush her spirit. A few other residents return, bringing relief from isolation but also moral dilemmas and the pain of an old wrong that Marusia is now expected to forgive. She leads some villagers to an effective (but not very convincing) showdown with Soviet officials over basic demands. (It should be noted that this is a strong-women novel -- the men all tend to be weak, stupid or dead. Is that necessary to show that women are strong?)

The author resists any temptation to lard her story with lectures on the evils of nuclear power. A lesser writer would have introduced a character whose job was to pontificate instructively on radiation dangers and communist inefficiency (a lethal combination, for sure). Instead, Zabytko concentrates on showing what happens to her characters and how they respond, in their human particularity, to the terrors they face. Incidents affect them, and move us, without any sense of piling-on or wallowing in pathos. There are even mica-glints of humor.

Mainly we're left with astonished pride at human endurance, coupled with anguish and anger at what the novel shows so unflinchingly without preaching: that by accepting dangerous technologies, we risk irreversibly poisoning not only our bodies but also our very ground of being -- land, home, family.

This installment in the Rogue Angel series shows that "Alex Archer" has really gelled with the Annja character and the story process. So far, this one has flowed better than the others, and those were well-done as well. Another little archaeological adventure has Annja getting to use her sword, of course, and reflect more on the repercussions of her actions and seemed a little more introspective than previous story arcs. The action flowed and this story progressed faster, probably because by now "Archer" doesn't have to rehash as much character history and can just get on with storytelling. I just finished this book and couldn't wait for the next installment.

This book follows in the vein of Destiny. A pleasant blend of action, high adventure and history. Alex does a wonderful job with the characters. The good guys are people who you like and root for and the bad guys are, well, bad as they can be.
The premise behind the story is great. The mix of religion, mysticism and mystery blend well with the action and history.
Annja yet again is called upon to defend the weak against the agression of evil. I recommend this book.

"The team failed," a slim warrior with an eye-patch told Tafari.
"How?"
"They went after the woman. They thought she would be the easiest to capture. Instead she killed three of them."
In Alex Aracher's, "Rogue Angel: The Spider Stone," that's pretty much how it goes for the bad guys who go after Annja, the story's hero, an archeologist with a secret weapon - the reassembled mystical sword that once belonged to Joan of Arc. The sword awakens a warrior's fighting ability within Annja (to nothing less than superhero proportions) and it's a good thing since her latest excursion into an archeological mystery eventually causes her to cross paths with an African warlord.
That poor warlord didn't even know what he was getting himself into.
I was unfamiliar with the Rogue Angel series and only read it at the suggestion of a friend. I'm glad I did because not only was it designed to be a quick read that throws you into the fast-paced action sequences, but it also brought the brutality of slavery and the horrendous economic conditions that plague Africa alive for me in a way that history books and news articles don't. That's what good storytelling is, I think, it entertains, but also opens your eyes to something you might not have seen before (without getting preachy in the process).
The book itself is a relatively quick read, by design, and is broken up into brief chapters for people on the go - read a little here and there, stop, then pick it back up later - the type of book that satisfies the reader on the go. (The writer seems to have understood who today's readers might be.)
I recommend this book for the action lovers out there who read sporadically, love history and world events, but don't have the time to become completely immersed in them - sort of a Flintstone's Vitamin of literature. Good stuff.

This book is the third in a new series, featuring as the lead character a young female archeologist. Anja Creed. The story is action-adventure with a mix of fantasy and mystery. Alex Archer is a pen name under which several authors will write, and this entry is by Mel Odom. I found the pacing to be just right. Odom is especially good at establishing a sense of place, and this was an enjoyable page-turner. Odom must have done some good research for this book, for he has woven interesting bits of knowledge here and there into the story. I also enjoyed how well the characters were delineated. With deft, clean writing, the novel pulled me in with its strong story line, entertained me with bits of knowledge, and captured my attention with its interesting characters.

"Rogue Angel: The Spider Stone" is an old fashioned highball. It's a big shot of action in an ice cold world, lightning fast pacing to fill and garnished with a sacred stone from the heart of Africa. It's intoxicating and fun.

The action in this story is positively breathtaking. An experienced hand wrote this book and it shows. That hand has been in the dojo, doubled into a fist and smashed through some bricks. That hand recognizes the feel of steel, has cradled a blade and known a sword as weapon and a friend. That brings an edgy reality to the action sequences that pop right off the page.

Annja Creed is a heroine with a mission from the highest power. She's definitely not one of Alcott's little women "taught by weal and woe to love and labor ..." She's on the other end of the pendulum's arc with Laura Croft and Electra. She is a hero in the ultramodern sense, and that is the story's only flaw. She is unshackled by uncertainty, romantic interest, or existential introspection. I missed the depth that would have brought to her character. But this isn't a tea and crumpets romance, it is an unapologetic action thriller, and it earns its chops.

"Rogue Angel: The Spider Stone" stays true to its theme rooted deep in a constant opposition of light and shadow. Alex Archer's commitment to plain prose makes this story read fast and sure.

Annja Creed has the avenging sword and social compass of Saint Joan of Arc. And that's just for starters. This story takes Annja Creed across the world on a quest to protect a sacred stone. Yes, the trail is bumpy, dangerous and littered with plenty of bad guys. I'm glad I went Annja on this adventure. You will be glad too. Highly recommended.

My only previous experience with Gasoline Alley was a Mad Magazine parody called Gasoline Valley that focused on the interesting fact that the characters actually grew older as the series progressed. The Mad Magazine parody showed Skeezix aging from a baby into an old man just as the comic does however this volume features only a couple of years so at the end Skeezix is just a toddler. Gasoline Alley isn't a hilarious comic; instead it's a sweet, light hearted view of small town life in the early 1920's. The comic revolves around Walt, a big hearted confirmed bachelor who finds a baby deposited on his doorstep. This being the "good ol' days" Walt just keeps the baby becoming Uncle Walt (later in the book he does actually go to the effort to make it a legal adoption).

A lot of the jokes are repeated, for instance Walt, the only bachelor among his circle of friends, constantly uses the line `I know when I have it good' after seeing his hen pecked buddies. We also get to experience Walt's continual struggle with his weight. There are a few extended storylines including a shady land developer who takes the Gasoline Alley gang for a bit of money. The longest story is about the arrival of an attractive young lady named Blossom and her developing relationship with Walt.

Three things stood out for me in this collection. First was the always meticulous job done by editor Chris Ware who goes above and beyond the call of duty. There is a ton of fascinating background information on cartoonist Frank King. My tip is that any publisher who wants to release a comic collection like this one should call on Chris Ware. He is a man with serious passion for comics. The second thing that caught my attention is how clean and pleasant Frank King's drawings are. But what I enjoyed most about Walt and Skeezik's was the glimpse at life in the United States prior to the Great Depression.

What you need to do when reading through these comic strips is to try and put yourself into the era. These comics were created over 85 years ago and it's like peering into a time capsule. There is not a single mention of television or pop culture. Most of the residents of Gasoline Alley are chiefly concerned with the mileage they get on their tires or the cost of a new hat. Volume one pretty much satisfied my curiosity and I probably won't buy further volumes but that takes nothing away from this excellent collection. You definitely get your money's worth and it literally took me months to get through the entire book.

Commentary and editorial aside, the heart of this book is the wonderful Gasoline Alley strips. For those who honestly can't imagine what daily life was like before automatic shift, television, modern medicine, sexual liberation--this book is like being pulled through a time warp into the 1920s and 30s.

It has a lot of the same flavor as For Better or Worse. It's infested with genuine American characters. (Fair warning: the portrayals of African Americans are deeply stereotyped--but also remarkably sympathetic in terms of human feeling.)

DO NOT read it all in one sitting. Try to limit yourself to ten strips a night. Like movie serials, comic strips that appeared in daily newspapers took months or years to fully develop a story arc. You can't rush through that--and why the heck would you want to?

This collection was a little before my time, but it is great to read about the earlier days of Gasoline Alley.

I thoroughly enjoyed this book. The photographs really provide insite into the authours life and basis for the comic strips. I really enjoyed the dated chronology of the strips. It also provided me with a humorous way of conveying the social, political and economic happenings of that period in American History. Absolutely Fantastic, I can not wait to read the second book in the series.

I had never really understood the appeal of Gasoline Alley. I sensed that it was a pleasant enough "slice of life" comic strip, well drawn and harmless. I had given it a glance now and then over the years, not even beginning to sense the iceberg that was always there, just beneath the 3 or 4 daily comic panels. This was all before I was exposed to the collected early stuff and the absolute genius of creator Frank King. Now, after having just finished the first volume of "Walt and Skeezix" which covers years 1921 and 1922 of this wonderful strip, I am simply very grateful to the Montreal publishing house, Drawn and Quarterly, for undertaking the multi-year project of collecting all the dailies from the King years.

The effect of this strip is somewhat cumulative, and Jeet Heer puts it best in his introduction when he writes "Gasoline Alley needs to be read in bulk to be appreciated." As I read along, it became increasingly clear to me what an astonishingly bright gem I was looking at. After I had read about six months into the dailies from 1921, I knew I was onto something very, very unique. The story of Walt and Skeezix unfolded exactly at the pace of real life, with all the well drawn characters growing older in real time. This infuses the strip with an immediately gripping "realism" that in turn makes the reader identify in a powerful way with the characters. The moments of subtle insight into human nature are many and so brilliantly done I found myself re-reading a single daily strip two or three times to truly savor it, finding ever-deepening levels to appreciate (if this sounds like hyperbole for a review of a comic strip, all I can say is buy this volume and I bet you will agree).

I don't want to gush and ruin your enjoyment of this work. You should come to it yourself, on your own terms. I will just say that you can truly sense the earth turning as you read these pages, and that this strip contains some of the truest, purest moments of understanding that I have experienced in any book.

One can look at this collected work as an incredible record of American life, or simply appreciate Frank King's wonderful art, and be well rewarded for all effort. Just beneath the surface, though, lies a much larger and impressive piece of art. Chris Ware, editor of the series, writes in his preface "I am convinced that after all these books are published, Gasoline Alley will stand as one of the most individual, human, and genuinely great works in the history of comics." Amen to that, brother. I will go further even than Mr. Ware: I believe that Frank King's Gasoline Alley, taken as a whole, is one of the greatest works of literature by an American.

Drawn and Quarterly Books deserves a medal of recognition for this multi-volume publishing project, and I personally regret every mean thought I have ever had about our neighbors to the north.

This work is highly recommended. -Mykal Banta