Graphics Books

This book was an entertaining easy read. The detail is as good as any book I've read and entirely what a werewolf book should be. It pulls no punches and gives gory and ravenous details that will truly make you think twice about what's in the dark. A must read for any science fiction lover.

If the last 70 pages had been more satisfying this would be 5 stars, easy. But, as it stands we have a disappointing climax, a weak ending for most of the main characters and an unnecessarily long denouement. On the plus side, the werewolves are cool, described as massive, vicious, demonic remorseless monsters, and there's an interesting werewolf hierarchy that's unique to this book. It also violent, and action packed, with a good story and interesting first person narrative. I did find the main character to be a bit cliche, but he was still filled with monkeys. All and all, a good bleak, violent, gritty horror novel/character piece. Recommended for fans of werewolf fiction.

The only book I've read more than once, and thats saying something. A book about a man who spends his days, and nights fighting werewolves. Its so in your face, its absolutely fantastic reading. Brian P. Easton makes it crystal clear right away that the Beast, as werewolves are often referred to in this book, are completely and absolutely vicious and evil. Nothing humorous or cute about them. Not this story. The main character Sylvester is the toughest SOB you'll ever read about. The things he endures physically, mentally, emotionally, and spiritally are terrifying. Its hard not becoming what you hate. "The beast will kill you one piece at a time, Sylvester. Bite by Bite", said his mentor early on in the story. I highly recommend this truly exhilarating novel to anybody. Without a doubt my all time favorite book. As good as the vampire masterpiece I am Legend.

I profoundly regret that this seems to be the only novel produced by Mr. Easton. You don't have to get very far into his prose to decide that he is no amateur as a writer. This book is of exceptional quality for any genre, but is particularly outstanding in the wolfman category. It certainly stands out among today's popular fare of werewolves humanized as sexy heroes in romance potboilers, or as noble saviours of the environment (viz., White Wolf Publisher's lupine Green Peace-niks). In this book, though, the werewolves are all big, truly scary, and irredeemably malevolent toward humanity. Having read about 300 fiction and nonfiction books about werewolves (not counting short stories) over the years, I'd put this in my top 10 of favorites. This novel has plenty of lycanthropic action and gore enough to satisfy any aficionado of the genre. Yet the saga of Sylvester's journey from orphan to manhood as a werewolf hunter is also a thoughtful examination of the psychology of hatred, and how it can make you strong enough to endure incredible sacrifices---yet ultimately rob you of your own humanity. This is the kind of book that leaves the reader reporting for work the next morning still groggy from lack of sleep, because you simply can't put this book down.

I have been a horror fan, especially a werewolf fan for many years. Usually, it's quite hard to find a decent werewolf book. However, this is a great book, and a must read for any werewolf fan out there. It is a bit brutal at times, and the werewolves are not cute and fluffy. But that's what makes the book so wonderful.

Wonder Woman: The Complete History is a delightful book for fans of the character, even if you only know her from the old TV show. The background of her creation by a clinical psychologist was very enlightening.

The illustrations throughout are excellent and all in all, it's terrific book, exceptionally well written by Les Daniels.

I have always enjoyed Les Daniels and his carefully researched books of comics history, but everyone has a blind spot. Wonder Woman is obviously his. This book, beautifully designed as it is, fails to capture what has made Wonder Woman such an enduring character and icon. It's clear on almost every page, Daniels is unimpressed by her. It's fine if he doesn't like her -- no one character can be everyone's favorite -- but it does make for a frustrating read at times when one wishes to celebrate Wonder Woman's unique place in comics history. His fascination with her creator is evident to the point that it seems clear Daniels would much rather write about Marston than Diana. His heavy emphasis on the bondage subtext of the Golden Age incarnation undercuts the more postive surface elements of those stories. Indeed, he sneers at Gloria Steinem's endorsement of those early years, casting great disbelief that there could be anything of substance taken from them.

Also, as another reviewer points out, Daniels gives short shrift to George Perez's post-Crisis revamp. Widely acknowledged by fans as the high point of her modern career, it's strange to see Daniels blandly note the support Perez got from female collegues in overhauling Wonder Woman's character and deride it by calling the later issues akin to ADVENTURES OF MENOPAUSAL MOM (I'm paraphrasing but only slightly). Daniels here suffers from the same fanboy syndrome that infuses the industry these days -- the idea that if HE doesn't appreciate it, it must be terrible. Meanwhile, Mike Deodato's art is viewed favorably, despite that being universely considered a lower point in the post-Crisis stories.

At the end of the book, it really seems as if Daniels only reluctantly churned it out because of a contractual obligation. His Superman and Batman books are excellent and filled with total respect for the characters and their appeal. If only he could've retained enough objectivity for the Wonder Woman assignment. Despite it all, it is a beautiful book and the history is thorough and still fascinating if somewhat subjective. Good for historical nuts, not so good for WW fans.

Not only do you get hte nostalgic book with the history of this heroine, you get the figurine that you can display and become the envy of all your friends! The statue is of classic Wonder Woman, the one from the 50's. She's still wearing the skirt.

This is truly rare. It's fantastic for all collectors and a MUST-HAVE for all die-hard fans!

First off, loved the book. It was nice to read the comments from Lynda Carter and see the multitude of changes that WW has gone through. But I did notice two things, the actress that played Wonder Woman's mother in that tiny demo in the 60's was named Maudie Pricket and the photo of Ms. Carter's costume says it is from the first season and it's not, it's from the CBS years as are the bracelets and tiara on the following page. I know Ms. Carter preferred the CBS years updated costume but the original on worn while fighting Nazis in the more humorous years will always be my absolute favorite! Thanx...

Les Daniels' Wonder Woman: The Complete History is the third book in a 3-volume series (the first two addressed Superman and Batman). While not without its flaws, it's overall a well-researched and enjoyable treatment of the character.

Wonder Woman first appeared in 1941, the brainchild of Dr. William Moulton Marston (writing under the pen name Charles Moulton), by any standard a bit of a weirdo who's remembered today for two things: (1) he invented the polygraph, (2) Wonder Woman, of course.

I could pick a few nits with Daniels' text. In places he does reveal an ignorance on certain topics. For instance, when speaking of Marston's World War I U.S. Army service, he states Marston "rose to the rank of second lieutenant." False. No officer (and I can't imagine someone of Marston's high educational level ever being an enlisted man) "rises" to Second Lieutenant because that's the absolute lowest officer rank.

Daniels is extremely opinionated. How much space is allocated to any of Wonder Woman's creative teams over the decades is very much controlled by how much Daniels likes their work. Obviously the Marston stories, with artwork by Harry G. Peters, are his favorites thus receive the most attention, though he devotes surprising time and positive comment to the generally despised stories written by Robert Kanigher. This is fine. Half the fun of a book like this is getting the writer's likes and dislikes on the character and her creators. Where I part company with Daniels is his low opinion of the George Perez stories of the mid-1980s thru early '90s. Daniels devotes an entire chapter to Kanigher's creation of such fascinating (hah!) characters as Glop (a "shapeless mass of grinning goo from outer space [which] absorbed everything in its path including 100 rock 'n' roll records"), Wonder Tot ("Mommy be proud to see me now!"), and Egg Fu (a Chinese Communist agent inexplicably shaped like an egg the size of a house, who used his mustaches as weapons and had a Charlie Chan speech pattern). After that, it was more than a little disappointing to have the Perez stories, considered by many Wonder Woman fans including myself the character's finest hour (especially the stories on which Perez did the artwork in addition to scripting) dealt with in a mere seven text pages, much of that explaining how they weren't really all that hot.

The only truly major flaw in this book involves its layout. These days, book publishers are terrified of the Internet. And well they should be. However, instead of focusing their efforts on what books do better that the 'net - provide one, continuous, uninterrupted stream of information - publishers' response has been to make their book pages look as much as possible like web pages. Lots of bright colors, lots of sidebars. I hate sidebars. I don't appreciate having to flip back and forth between pages, sometimes reading blocks of text in four or five different locations, to get all the info. More to the point in this particular book, choice of color on some of the sidebars is extremely poor, so much so it's difficult to read the text. Black lettering against a dark blue or dark red background just doesn't make it.

With those few negatives out of the way, this book is a delight. It's all here: a biography of Marston, on to the creation of Wonder Woman, all the creative teams of note and their storylines up til this book's publication date (2000), the Cathy Lee Crosby made-for-television movie, the Lynda Carter TV show, Wonder Woman merchandise, her appearance on the cover of Ms. magazine's first issue, etc. This book is a must-have for fans of one of the 20th/21st Century's most fascinating fictional creations.

You have to read Zag like you read the bible- it tells a great story but you often are better served not delving too deeply into the statements made by the author to support his points (i.e. the fact that 11 million people went to Europe in 2006 versus 8 million in 1964 as evidence of a shift in American society- though as a percent of the population it is almost no change at all in Americans traveling abroad).

Such is the nature of writing about a topic where 1) the author makes his money selling branding services; 2) he doesn't believe in hard numbers to prove points, harboring the predictable anti-research position that is both a great strength and weakness of this book and books like this (i.e. Blink). It also may be the most acceptable way to write a book that is not so dry and academic that nobody would want to read it.

But the story being told is a great one and it is really well told. Neumeier needs to get a lot of credit for presenting ideas simply (not simplistically) which many other authors would make very complicated. The book is also just really well thought out so that it is thoroughly enjoyable to read even as you get into some pretty important topics that others might get bogged down in jargon or overly long explanations. The book also gets high markst for not only discussing what a "zag" is but also showing you how you can get there if you follow his clearly outlined process.

So while the book is clearly a campaign for what he believes versus an objective look at branding, it is great read and I would recommend it for anyone working in marketing/branding that wants a refresher or reminder about what you should be thinking about in our ever-changing world.

Excellent Book!
It is:
- Fun to read
- Openminding
It provides great practical ideas. You can apply the 17 steps to differentiation in your work place righ away.
I could not stop reading it.

I purchased this book at the same time as the Brand Gap, being confident in the fact they'd both be helpful, well-written, yet densely packed tomes of information - and I was right!

Zag hones in on one element discussed in the Brand Gap - differentiation - and expands it into a 200-so page book. According to Neumeier, differentiation, or creating zag, is one of the most important elements of branding - and it needs to happen at every step of the way, from conception to naming to marketing.

The great thing about Zag is the way it presents the information - much like in the Brand Gap it follows a 'whiteboard', graphic-heavy, basic (but important) facts. This time around however, it pairs the basic format with a strong, easy-to-follow example through the faux development of an educational wine bar chain.

Neumeier then takes the reader through 17 steps (including some helpful exercises) you should take as a business owner, venture capitalist, or advertising professional when determining whether your product is zagworthy - or how to make it so it is.

In terms of why I gave the book 4 stars as opposed to 5...The last section of the book - once the 17 steps are completed and the wine bar is 'fully developed' - is a little bit dense/doesn't seem to flow as well as the rest of the book/series.

Also there is a decent amount of repetition between Zag and the Brand Gap, and I am hesitant in believing that people would pick up one without the other. Although it makes sense to reinforce the principles (and sell more books I'm sure) in some cases, it almost made it hard to differentiate some of the messages between the books, making me feel a bit cheated in that I paid money to read the same pages over.

I have a hunch Neumeier might take the 5 main principles found in The Brand gap and expand each of them into books like Zag did for differentiation - and I can't fault him for doing so. Zag is definitely an improvement on The Brand Gap in that it offers a focused "here's exactly what you can do" strategy, but it still remains general enough that virtually any level of professional (student, beginner, executive etc.) can sit down and walk away a couple of hours later feeling like they learned something.

Knocked this one out in a single flight. Well written, easy to follow. Maybe a little too easy. Would have liked a little more meat. Consider this the Cliff's Notes to Differentiate or Die. Both great books, this is easier to digest. Neumeier is a brand genius, he gets it and he can present it well in a concise format.

Zagging is not a new concept. If you like business and performance management readings, probably you are familiar with it already, especially if you've read books by authors like Jim Collins (hedgehog concept), Chan Kim (blue ocean) or Seth Godin (purple cow).

This book provides a unique approach from a marketer's point of view to the concept of real differentiation in the marketplace. "When everybody zigs, zag". Stop being a follower, an imitator, and start being different, start zagging.

You can't stop reading this book, once you get started. It will take you one or two hours, which doesn't mean the author is not providing details and deep insights. In fact, he gives what it takes to make his points clear, captivating, and consistent.

David Aaker says in the back cover of this book: "The presentation alone is worth the price of the book". He is absolutely right. This book zags.

I am sure if you glance at the rest of the reviews you will be more than tempted to buy this book. Well, you should! Kerman's way of introducing the LOGIC behind actionScript is phenomenal. This books should help pave the way for you to grasp the logic behind actionScript. Why not 5 stars then? Well, I thought there would be more practical examples than the book included. Definitely worth the money!

I'm sorry I bought this book!
Because it's so good!
And now the MX version is out,
but I already have the Flash 5 one!
Anybody wants to buy it off me,
so I can get the new issue?
;-)

This is the first book I've read by Phillip Kerman. I will now go hunt for his next one - or all of them, to be honest! This book doesn't learn You any Flash or design, but it gives You everything You need to know about actionscripting. Tastefully presented and easy to read. If You are the perfect object oriented programmer - You could skip some chapters, but if You're just an "almost" perfect programer in object oriented languages - this book will give You the last skills that makes You perfect! Yes it really does not only cover actionscripting - it gives You a visual and very educational lesson in object oriented programing.

Wow!

This is a GREAT book for the graphic/web designer wanting to learn actionscript. I own or have read many others that don't cover the basics or the thought processes behind writing in a scripting language. Most books on this topic started out over my head with little explaination and were accompanied by buggy and/or old code. With clear and consice writing, Philip uses the first half of the book to fully explain programming concepts as they pertain to scripting in Flash, and then follows up with examples of how to implement these ideas.

I can't say enough about how far this book has taken me into the scripting world. Kudos to Kerman.

If you're looking for a book with lots of pictures and fluff this is not the book for you.
But if you're actually interested in learning to program ActionScript this is the first and only book you should buy.

Phillip Kerman explains everything in a clear understandable way and approaches the ideas of good programming as opposed to bad as well as the actual language itself. This alone will save you hours of re-doing what you've already done. Phillip gets you thinking like a programmer (a fairly new concept to a lot of designers trying to make their Flash more interactive.) Learn to design completely independent re-usable interfaces so that not only are you developing advanced interactive web-applications, you're also building a library of sample re-usable building blocks that you can re-use over and over.

Even if you're new to the language, take some tutorials online to get the basics and then buy this book. Read it and do the tutorials in it and soon you will be programming like a professional in no time. This is the best book on ActionScripting period! and I own 16 books on Flash Development!

This book is a wake up call to the Creative! It completely opened my eyes to the many things to think about and plan for when leaving your secure job, and going out on your own. Extremely well written, with a plethora of knowledge on the subject. A complete eye opener. A MUST HAVE for the Creative who is planning on going freelance, or starting their own business. Very informative and necessary to read in order to succeed on your own. Very exciting, I could barely put it down!

According to the author's website at http://www.creativebusiness.com/books.lasso The Business Side of Creativity addresses freelancing and the basics of pricing, selling, and running a SMALL design or marketing communications business. The Creative Business Guide to Running a Graphic Design Business focuses on the management of a MULTIPERSON organization. The website gives a summary on the various chapters of each book.

I started out excited about this book, then quickly realized much of what the author had to say was outdated at best, not the best advice on numerous occasions, but yet the book contained some valuable information. A bit stoneage as far as business marketing practices. One hundred pages on setting up your own studio/small business with personnel (No, thank you). If working as a freelancer in the graphics or copy arenas is your thing, its worth paying $20.00 to get something out of it.

This is such a comprehensive book. If you have any question about how to run a business, let alone a creative one, this book is the only one you'll need.

I'm starting a sole-proprietor (one-person) freelance design business and I have found this book to be extremely helpful. It manages to be realistic about what to expect while also providing encouragement that if you prepare well and work smart, you have the opportunity to reach your financial goals. The book has made me consider contracts carefully and has given me valuable suggestions (for example, setting up standards such as "I can't accept jobs for which I can bill less than 8 hours' work"), thinking about what kinds of clients I want to attract in my business, and so on. It has important points to consider if you are locating your business outside a large metropolitan area. I recommend it for anyone who is starting out - or considering starting out - on a solo creative business.

Everything Ms. Engdahl writes is gold. Not only does this book have a great storyline and characters, it also is thought provoking. She centers around themes about the importance of spacetravel and innovations in science. Even if you aren't usually a fan of science fiction, you will love this book!

This was one of the most capitvating books I've ever read. Though Noren's world initially seems far removed from our own, his struggle is profoundly relevant. What is faith, is it positive or negative, and why? If these questions interest you, I strongly urge you to read this book. It helped me find a resolution to such questions after struggling with them most of my life.

When I originally read the first book (on its own; this volume is a collection of all three books in the trilogy), the revelation at the end had me opening the book again the moment I finished it to read it over again. Another point left me feeling so betrayed and angry that it was like it had actually happened to me in the real world. The stakes were set so high that I wondered how it could all possibly come together, but then it comes to a masterful conclusion.

It's a shame that this book did not get more attention. I certainly will tell everyone I can about it. It's true that it's not an action-packed book, but if you enjoy thought-provoking stories of great moral and emotional complexity, definitely give this one a try.

I first read these books (now book) over 10 years ago. They have remained among my favorite books. The book is appealing to people young and old. Ms Engdahl's writings have a way of staying with one always.

This trilogy serves as a thought provoking journey through the relationship between society, religion, and science. It starts out with one man challenging the foundation of his society, to him embracing it, and back to him challenging it yet again, but for a completely different and selfless reason. Ms. Engdahl paints a wonderful picture of a futuristic and simultaneously primitive world whose advances and way pique the imagination.

Ms. Engdahl throws a taste of her intergalactic society into the final installment, but no one recognizable from Enchantress from the Stars or The Far Side of Evil.

Overall, I was really impressed with this book. At times it goes a little slow, but Engdahl made up for it in the wonderful plot of the book. The surprising things, is that Noran, the main character, would actually be considered a static character, which is not typical of an engaging main character. His views do not change, nor does his personality or goals throughout the entire book. What keeps the reading turning the pages is the strangeness, and the fact that this sci-fi book could in fact be based on events that could happen one day. Another aspect of the book that was really engaging was the originality of the ideas used. It was not the typical sci-fi book that included space-crafts, aliens and the like. The ideas were extremely original, and fact-based. The other reason I enjoyed the book so much was that throughout the entire thing there was a mixture of sci-fi writing, and science. Sections of the book were devoted to explaining the concept of genetic engineering, which if you are interested in, is used very well in this book. The fact that a good book can incorporate aspects of reality, in the form of genetic engineering, is amazing, and makes the novel that much more notable.

I would recommend this book for people who won't get frustrated with the sections that are very slow-paced, but who are dedicated to reading each and every page, because they all add to the entire meaning of the book as a whole. It is not a typical sci-fi book, so don't expect lots of space-ships and people from different planets, but instead look forward to a well written novel about a culture struggling to re-build its self. You will follow Noran as he struggles to find his place in a world that he feels is wrong, and corrupt. Be open to twists in plot, and strange themes brought up again and again throughout the book, and you may enjoy it as much as I did.

Noren is a young man who is frustrated about the class stratified society that he lives in. When he decides to challenge the system, he finds himself on a perilous journey . . . facing truth as he has never imagined. When I read this story many years ago in junior high, I realized for the first time that it was possible to have a perspective on life that did not encompass a large enough view of the truth. This story challenged my views on the limitations of my own perspectives. It is science fiction at its best. This book is a compilation of the trilogy that begins with "This Star Shall Abide".

I have a copy of the first edition of this book and am still mesmerized by it. When it first came out, everyone I knew at design school who bought it felt like the information and techniques had given them an out-of-body-experience and it quickly became THE book to own, learn from, and emulate. Anyone who buys this book and applies the material and techniques will become better at drawing, rendering, and creative presentation methods...it is a sure-fire way to achieve "star power" in your office and in front of your clients!

great book! Out of the dozens of hand rendering guides I looked at, this was by far the best and the easiest to learn from. It tells you what pencils, markers, and tools to buy to achieve certain effects, and gives you step-by-step rendering instructions for tons of different types of materials and lighting situations. I highly recommend this- in fact, it should be mandatory for interior design students!

This is an excellent resouce for the study of rendering. After detailing the elements of color and design, it describes, step-by-step, how to achieve many finishes both interior and exterior. It is both instructive and informative.

It's really hard to say too many things about this book. Even older editions of Color Drawing are great, but this newest one goes above and beyond the call of duty. In an age when a lot of books get re-released as new editions with few substantive changes, Color Drawing breaks the mold by updating the techniques with current technology (i.e. Photoshop). It's great to see that the author and publisher realize that pure hand-drawing and rendering is quickly becoming a thing of the past and that the practitioners of today and tomorrow need to have excellent computer skills too. This book is full of very useful tips for combining Photoshop with hand drawings to create great effects. So even if you have an earlier edition, do yourself a favor and buy the new one anyway because you will learn a lot.

This is the standard for rendering in architecture and interior design as far as I am concerned. It will most definitely become a required textbook for my classes in visual presentation in the years to come. Doyle takes you step-by-step into the process of rendering with marker, color pencil, and pastels. But he doesn't just spoon feed you the recipe for each material rendering, he presents the basis for a process that allows you to render virtually any material not found in the book.

This book is mostly about romance and drama.if you are into that genre of books then get this one.Its about a girl named christie and she meets this boy she really likes.They're feelings grow for eachother while she struggles to keep te realashionship with her boyfriend.Im not going to spoil the book but you really should get this book if you are into mushy things such as this book.Trust me you will love it.Once you read this value i guarente you that you will want to get the next volume.

Dramacon is a FUNNY, romantic dramady. The story is believe able, the chibi's are adoreable, and did I mention how funny it was? Why WOULDN'T you buy it???????
Book 2 is even better ^_^

This book is excellent! In this story there is nothing but drama. The story is basiclly about being at a anime convention and then the drama begins plus this book follows on with a love story too. Dramacon is one of the most interesting stories I have ever read because of the way they act in this book and it's very ironic how they each act in a way that real people do in the real world. So I highly recomend that you check this book out.

This managa was one of the best I've read. I love the story and where it takes place.

The author really got the energy of anime conventions down. I've been to Otakon quite a few times and I must say it's just like that!

Great read!

The first thing you will probably notice about Dramacon is that it's origins are not from Japan or Korea but Canada. However, even though it's of Western origins, Svetlana Chmakova has brought us a great and totally sweet Manga that captures the very essence of what we love about shojo stories - better than many from Japan.

Christie, a high school amateur Manga writer, goes to an anime convention in the U.S. with her boyfriend Derek to show off their joint Manga in the Artist Alley. However through the days of the convention, Christie learns that her boyfriend is actually an insensitive and selfish jerk as he spends his time flirting with other girls in their cosplayer costumes. Meanwhile, through a series of accidents and coincidents, she forms a bond with a good-looking college student, who despite being constantly rude to her, is always there when she needs him.

Christie is an instantly likeable character with honest feelings who finds throughout the Convention her true spirit. Always torn by her feelings of attraction to the mysterious college student and loyalty to her boyfriend she learns to stop being subdued and to voice her own opinions. So this is first and foremost a romantic shojo about self-discovery, however, it is also truly funny. Throughout the book their are touches of comic genius that you cannot help but grin from ear to ear.

Svetlana embraces the life blood of anime conventions and does not make fun of them. We are always laughing with the anime convention, not at it. She picks classic moments like our heroine's obsession with "Pawky" (meaning Pocky - the addictive chocolate covered breadstick - yummy!), finding new releases from "Mangapop" (aka Tokyopop), the prospect of watching hentai, and cosplayers dressed very scary ways. Little touches, like a plush of Totoro being present in the background almost as an afterthought, brings forth Svetlana's genuine love of Japanese sub-culture.

Near the end the story takes a more serious turn with a confrontation between the main characters and the learning of the college student's secret. Svetlana does a brave move in showing the hero's faults to the audience and does not present him as "too good to be true."

The artwork, though not breathtaking, is pleasant and funny, with the hero looking suitability sexy. It sometimes has similar artwork to Van Von Hunter and Sokura Refugees. The story is touching and funny. This is really worth buying so please do not be put off by the fact that it has a Western author. 4.5 stars.

I have actually used this reference for years as needed for ActionScript. I still had a good use for this text in ensuring compatibility with Flash MX until the lack of features became too overwhelming. This is in the face of newer versions of Flash such as CS3 (9.0) that use ActionScript 2.0/3.0. All in all, this book was wonderful until the release of Flash 8.

Because of the new Filters that have come out with Flash 8.0 and the features of ActionScript 2.0 to support these and other enhancements, I would instead recommend Flash 8 ActionScript Bible if one is concerned with cross-compatibility in their ActionScript code and wishes to still be able to use AS with newer features such as Filters (but not as new as Transitions or other CS3 exclusive features - for that, I'd recommend ActionScript 3.0 Bible or something similar).

As far as who I could possibly recommend this book for: It's good for somebody who is still working with Flash MX 2004 and below to Flash 5 (much of the text is compatible with Flash 5), however, I don't know that there are many of those sorts of individuals.

This book is a great resource for when you're looking for that specific line of code. Its terrible to read from front to back, but its an excellent way to find exactly what you're looking for. Its so much code, it'll make your eyes bleed.

One of the few comprehensive actionsctipt titles on the market. The first half of the book boasts a large variety of tutorials and examples that skillfully lead the reader through both the syntax and use of actionscript. Personally I found the text clear and practical. The chapters on OOP were of particular value as they went beyond actionscript basics into application, bordering on philosophical.

The second half is an invaluable reference of the entire actionscript dictionary with a comprehensive CD full of .fla example files and bonus chapters on the XML Object. As a qualified teacher I found it hard to fault the methodology employed by the various authors.

Well worth the purchase.

I am a former programming teacher and I have a style to teach my students the most UNDERSTANDABLE way to do something not just how to do it. This text/reference achieves that purpose. If you have an understanding of Flash (which you should have before getting into scripting see Weinman books) then this book will serve you well. There are other books on scripting - great books - such as Moock's books but they are more so for the programmer. This book is for the novelist programmer that desires to learn about action scripting.

5 stars if you know Flash well.
1 star if you haven't had any experience with it at all.

I was a beginner once, who couldn't figure out Flash at all. I'd like to help you build a bridge between where you may be now, as a beginner, to where you may find yourself aspiring to go.

If your only experience with Flash is to have seen the many wonderful and breathtaking Flash movies on the Internet and just had a look at the authoring tool, I strongly recommend that you leave this book until much later. It has its place in the learning curve but it isn't, in my opinion, the first book to see.

There are understandings to possess that this book doesn't cover sufficiently well enough for those whose minds work in particular ways. This is a programming book, for using the phenomenon of programming to create great design and animations. Whilst the focus is on design, you aren't using the design tools on the interface. With this book, you are using the Actionscript language and you have to have a logical mind for this activity (as well as keeping your strong creative one).

I began my steep learning curve with Flash by watching others and watching video tutorials, especially those by George Pierson. In this way, I can ask questions that are tailored for me and I get tailored responses. Books aren't always able to do so well here.

What is great about this book is the MX Actionscript reference in it and the seemingly well designed theory tutorials. I can't find a fault with the reference. The theory is quite good. In the reference, all Flash MX commands are covered. There are examples of how to use them, but the coverage may not be enough for some. Brill. Just BRILL. I can be excited but because I can follow Actionscript.

Approach this book when you are successfully making Flash movies on your own. Yes, on your own. For me, this book is an aid for when I am going to where I haven't gone to before. It helps me make judgements on ideas I get.