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For an action/drama focusing on a super team of heroes, look no further. If you haven't picked up The Ultimates yet, you don't want to start here. This is basically season 2 of the series and you'll be lost, but this is where it really takes off for me. Ultimates 1 was a very well done series and got this franchise off to a good start and Ultimates 2 still blew it away.

This is a testament to the skills of Mark Millar and Bryan Hitch for giving us a mature look at super heroes that doesn't patronize the reader and pushes the realism as much as possible. Comics have certainly changed in the wake of popular serialized dramas like "Lost" for example and for the better. I couldn't be bothered to even watch NBC's "Heroes" anymore as it doesn't even come close to the action and suspense showcased in this book. Continued in this book is more focus on Hank Pym, Thor and Tony and Natasha's budding relationship. The whole team begins to fall apart due to a possible informant within S.H.I.E.L.D. but who's the traitor?

I enjoyed seeing cameos in here from Prof. X as well as Matt Murdock representing Dr. Banner in court. Helps to keep the Ultimate Universe feeling all encompassing with these crossovers. I enjoyed the dialogue between Steve and Jan as the Captain America of the 40's is still having a hard time adjusting to the 21st century. Those moments also help to ground it in reality. And that's what I'm enjoying so much about this take on The Avengers is how much more seriously I can take it than ever before. Comics are not just for kids anymore and The Ultimates is a prime example.

More of the entertaining destructive and self-destructive antics of the Ultimates. The general public now know that Banner is the Hulk, and his trial demands capital punishment.

Giant-Man is Ant-Man, Iron Man is married. There is the aftermath of the alien invasion to deal with, and now, Loki.

In a nutshell, "the Ultimates" AKA the Ultimate Avengers is far and away the best of Marvel's Ultimate titles, as evidenced by its top-rating among all of Millar's books. Interestingly, it rates higher than his other Ultimate titles...I think in general the tone is the most adult and most serious of the Ultimate books - closer to the new Battlestar Galactica or Season 5 of 24 than than to its comic peers.

While I liked Ultimate Fantastic Four, Ultimate X-men, etc - this is the standard bearer of the line - even if you don't follow the avengers, this is an easy to grasp title. And Volume 2 is far better than volume 1!

Unlike the previous Batman collection I read (Batman: Officer Down), The Ultimates 2 collection was fantastic. Stories like these are what have started to bring people back to comics again following the disastrous market crash of the 1990's when people became fed up with generic art and horribly written titles.

This arc picks up 12 months following the last Ultimates book and much has happened in the Ultimates' universe. Bruce Banner is locked away and awaiting trial, Thor has broken away from the team, and Dr. Pym continues to try to find a way to rejoin the team. Captain America, Iron Man and the other Ultimates find themselves at the center of numerous debates concerning the problems with the American government and other nations pursuing super-powered groups and how they should be used, if at all. Although Bryan Hitch's art is quite strong, what separates this book from many other things on the shelf is the writing. I used to be highly critical of many of the comics being sold because the writing was often weak and depended so heavily on the art to carry the book. Now, in many ways, books like this and the work of Bendis and Miller keep producing, comics have reached the point where the writing is as strong if not stronger than the art, making the medium that much richer and more entertaining. Millar does a fantastic job of keeping an epic feel to everything and at no point do we lose sight of how all-encompassing a team that contains many of Marvel's most important icons should be. At the same time, we see the moments when everyone, including Captain America, seems all too human.

I think this is a fantastic collection and highly recommend it to seasoned and new comic readers alike.

i hated the ultimates 1 vol 1, the ultimates 1 vol 2 was a lot better but still not great.
the ultimates 2 vol 1 however is great. i still hate the idea of bruce banner being a scumbag, and there are a bunch of other ultimate universe things that carry into this that i don't like. but overall this is a great tpb and highly recommended.

I found this book to be exceptionally funny and have read several times over. I recommend this to any looking for a good laugh to cheer up a dreary afternoon.

As I read Zits, I am always stopping amid my chuckles to think that if this is how it is and boys have it this rough, then maybe we of the other half should consider we got through our teen years relatively unscathed.

The Cincinnati Enquirer's living treasure, Jim Borgman, has teamed up with writer Jerry Scott to create a funny, intelligent daily comic strip that rivals For Better Or For Worse in sheer insightful understanding of its subject matter. The four-panel stories of Jeremy, a perpetually fifteen-year-old high school freshman, and his daily misadventures on the rugged uphill climb of adolescence, tell an honest, sometimes rule-bending tale of growing up in modern America. Experiencing life through the eyes (ears, nose, emotions and wandering mind) of Jeremy as he deals with love, school, parents, friends, we are treated to some pretty good laughs. Zits has been around for most of the last decade but I only discovered it this summer, and I'm in the process of buying collections to see what I've been missing. "Sketchbook" was the first one I got and it's a jewel!

- this is a WONDERFUL, witty, funny, very true to life and very sweet representation of a teenager's day-to-day struggles. I have a teenage son who, while in high school, lived 'Zits'! I had saved many of my newspaper's strips to bring home and show him because of the similarity to what we were talking about at breakfast. I finally bought this book (I opened the first page and laughed out loud in the store!) and read it in one sitting cover to cover! I love it! It makes fun of all the teenage tragedies, parents, girlfiends, music, tests, all of it, and it does it with such wonderful sense of humor! I highly recommend it!

"Zits: Sketchbook 1" is simply wonderful! "Zits" is one of the best comic strips, full of teenager facts, personality traits, and humor! If you missed the first year of "Zits" or just want to refresh your memory, you must get this book! I recommend!

So, Calvin and Hobbes are gone.

Micheal and Elizabeth Patterson are no longer teenagers.

Where does one find the humor of teenagers and children? With this marvelous strip, we can be calmed in this world of headphones, Playstation 2's and constant self questioning. Teenagers are given the opportunity to laugh at themselves, with an excuse; they are SUPPOSED to! No one has to reveal that they are laughing at their best friend, or their boyfriend or girlfriend...because it is a comic strip! In the absense of a little boy and his tiger, of two siblings growing up together in Canada, Zits is a new addition to the childhood classics, which will come to be loved by all.

No one can write Conan like Robert E. Howard. This collection of short stories will keep you on the edge of your seat. Conan is the ultimate hero, extremely strong, intelligent, honest, loyal, and violent. The envy of every man and desire of every woman. It is such a shame that Howard cut his own life short without continuing this legend for himself.

Nobody can touch Robert E. Howard when he was at the top-of-his-game. The three stories in The Bloody Crown of Conan are not only some of his best, they are some of his best Conan stories and Conan was his greatest creation. Howard was the father of Sword & Sorcery and next only to J.R.R. Tolkien in being the largest influence of fantasy today. His stories have stark imagery that's nothing short of amazing. The action moves at break-neck speed, and despite that they were written as pure adventure "pulps", there's harsh reality that's lying just beneath the surface.

In The People of the Black Circle, a princess and her kingdom are the target of an elite group of evil sorcerers, the Black Circle. Only Conan, the chief of the outlaws ranging her land, can save her.

In The Hour of the Dragon, King Conan is struck down by a resurrected wizard from an ancient evil kingdom. Now Conan must take up a long, dangerous quest to retrieve a relic of great power; the undead wizard's weakness, and rebuild his armies in order to regain his throne and achieve his revenge.

A Witch Shall Be Born is the tale of a evil and beautiful witch, who enslaves her twin sister, the queen of the border-city Khauran and allows merciless Shemite mercenaries reign of the kingdom. However, when they nail the captain of the guard, Conan, to a cross in the desert, they make the mistake of not confirming his death.

Del Rey publishing has done an excellent job putting these; The Fully Illustrated Library of Robert E. Howard, books together. They are chockfull of commentaries, letters and notes that can be appreciated by die-hard Howard fans and newcomers alike. Gary Gianni's artwork for Bloody Crown compliments the story perfectly, as do the artists in the other books. The beautiful illustrations lend a classical feel that's well-worthy of the master that Robert E. Howard was.

This is great stuff, utterly action-packed! Howard has a wonderful sense of words, and--though he makes the occasional error in cognate reuse (e.g., "the courier coursed down the corridor")--he describes people, places, and events in jaw-dropping detail. You can faint from the splendor of the fabulously wealthy cities and places he word-paints ('limns', to use a favorite term of his). I could do without the all-too-frequent brutally detailed battle scenes, indicating precisely which archers and pikemen were positioned where and whose horse slipped in whose blood. Just when you're about to lose interest, rest assured that a ferocious dragon or wacky gorilla-monster lurks around the next corner. Oh, and there's some very good black magical humor, e.g., when one wizard, in the guise of an eagle, makes off with the head of a second wizard, whose headless body runs after him, muttering curses. You've got to admit that that's imaginative. I witthold my sixth star because of the uneven nature of some of the stories: indeed, the earlier tales seem to flow better than the later ones (n.b. that Conan's character chronology is unrelated to Howard's authorship chronology). Also, the dialogue occasionally seems silly or stinted: it's hard to believe that a barbarian--even though we know he's thoughtful and good-hearted--would engage in such lengthy monologues (all but monologues, I should say) while supposedly "conversing" with other characters. His words sound like what one would write, not like what one--a barbarian, moreover--would say. But never mind these nickety-pickety nitpicks: this is great, great stuff. After enjoying these, you may want to look into the other volumes (but of course!) and Howard's other works: Bran Mak Morn, Kull, and Solomon Kane. The last of these has adventures such as battling voodoo demons in darkest Africa, chasing vampire queens into forgotten cities, and engaging in swordplay with the enchanted skeletons of murdered sorcerers. Aah! That's the ticket!

This is an awesome series...Finally, the Howard resurgence we (I) have waited for has come to pass....

Amazing that Robert Jordan, L.Sprauge de Camp et al, can even sleep at night after their weakening of the Conan character....

Now it's time to reprint the Cormac mac Art (with Wulfhere the Skull-Splitter) and Black Turlogh stories, as well as the tales of Francis X. Gordon and Kirby O'Donnell!

This includes three of Howards longer Conan stories, including one that is full novel length, one rough draft of another story, Howards notes on the stories preceding their completion, two essays pertaining to Howard and his writings by people who helped put this book together and on top of all that its full of illustrations throughout the book. Very affordable and the quality of the stories are the top of the heap of the fantasy genre. I count Howard as being one of the my favorite writers. I can't recomend this and the other two Del Ray Conan releases any more. What a shame it was that these great works were out of print for so long. Great primal blood and guts stuff that often resembles horror as much as fantasy!

It would have been better if the description said this was a library book. Overall the item was fine, just had the library name printed on it, and I had to remove a plastic cover from it.

This series is going to be a regular drain on my bank balance for the coming decade, as that is how long it is going to take Fantagraphics to finish publsihing this collection, if they stick to their published schedule.

Be warned: The Sunday strips are not in colour unlike the Calvin & Hobbes and the Farside collection in which even the black and white strips are printed on colour pages. This quite pisses me off...

Finally, a Peanuts collection in chronological order and nothing left out. It's going to be a long wait indeed...

I've always thought of creating a bookshelf of hard cover with all my favourite comic strips, when I could afford them... Calvin & Hobbes, Farside, Tintin, Asterix & of course Peanuts.

I have the first two, and I'm on my way with Peanuts... It's going to be a long and interesting 11 years...

I'd give it seven stars if I could. As a kid, I would go down the street to the local store every week and buy the latest "Peanuts" book for 50 cents each. It was pure genius then, and it still is now. The cartoons are classic, timeless and wonderful.

When I read the comics page in the newspaper, I find some good strips and some bad ones. Often the most annoying are what I call "institutional" strips: they haven't been funny in years or even decades, but they've become institutions and no one is willing to get rid of them. Peanuts, however, was always something of an exception: it was an institution, but it remained decent, even if in later years it was not quite the same caliber as it once was. There's a reason that modern comic artists (for example, Matt Groening in this volume) write glowingly about Peanuts; it was good. I doubt there is similar appreciation for Marmaduke, Heathcliff or Momma.

The comic strips in this volume are fifty years old, yet with limited exceptions (such as references to Davy Crockett hats), they fit just as well today. Some of the characters have disappeared over the years: what every happened to Patty, Violet or Shermy (or the loud-talking Charlotte Braun)? Other characters have yet to appear, significantly Peppermint Patty, Woodstock and Sally. But the core characters are here in this book, with their identities still evolving.

Snoopy is beginning to develop his alternate identities, practicing with being various animals (pythons, alligators, etc.) which will (in future volumes) develop into full-blown alternate personalities such as Joe Cool and the World War I Flying Ace ("Curse you, Red Baron!"). Lucy is a world-class fussbudget filled with incorrect information that she loves to impart to others. Linus still has his bursts of childishness, but is showing the signs of his budding genius, able to erect massive snow forts and blow up square balloons.

In the end, however, it is Charlie Brown who is the centerpiece of this comic, the ultimate hard luck character who the world seems to conspire against; the other kids often treat him poorly and even things like kite-flying go awry when he does it. It is the Lucy-Charlie Brown relationship that causes the most aggravation for our hero; a typical series of strips will have Lucy debating an issue with him and instantly changing the subject as soon as she is proven wrong.

Deceptively simple in their presentation, the Peanuts strips actually is filled with dark humor and angst. Yes, the only characters are kids (and a dog), but Schulz never relies on cuteness. Both fun and funny, this is a worthwhile read for both children and adults.

There's almost nothing to complain about in this set of books - the print quality is great, the accompanying artwork good, the commentary insightful and useful!

I give this five stars, and yet I have some desires...

Color!! The Sunday funnies were great because they were longer and had color! Without color, they are just long daily strips. Reprint the color, guys, at least, if you can.

More history! What happened in those two years? How many more newpapers picked up the strip, and what other things did Sparky do during that time?

Even so, these books are very well done, nicely thought out, and bring back all the classic strips without any obstrusive other stuff. I am thrilled to have these on my shelf!

Domu is an incredible manga. The story and artwork are both excellent. But I would expect nothing less from the brilliant mastermind behind Akira. But seriously if you are a comic book fan this is a must read. Even if you hate manga, you should read this. As I said before the artwork is stunning, Katsuhiro Otomo is an excellent artist, by far the best of all the manga artists. His stuff makes everyone elses manga look like crap. Also, while Domu isn't as intensely violent as Akira, it's still not for young kids, it does have quite a bit of violence and lot's of people get killed, including a few little kids. So if you don't like violence be forwarned. What else is there to say Domu is a classic if you liked Akira then you will most certainly love this.

An entire crowded apartment building is horrifically disturbed when violent unexplained murders upset the humdrum activities of its day-to-day residents. Seemingly mocking the monotony of inner city life and the obsessions with diversions in society, Katsuhiro Otomo (Akira) injects a twisted old man into the fray maddened by intense telepathic abilities and an obsession with his own unique 'diversions'. Mainly the systematic slaughtering of his neighbors.

An unlikely challenger soon confronts the warped man-god. A young girl, a child of only about eight or nine has come to free the building of the terror. Armed with powerful telekinesis, their rivalry soon escalates into a massive battle nearly destroying the entire building.

My favorite is subtly depicted in the last scene. A silent test of wills between the two enemies amidst a peaceful playground setting.

It's obvious that Otomo loves exploring the lives of inner city characters that have very little to do with each other. Domu is one of his ealier works and should not be missed by any fan of Akira. This graphic novel is a 'single volume' and presents a quick yet very chilling read.

If only this great manga was made into an anime then we would have a greater appreciation for it's beautiful artwork and explosive action. In Domu you come across a few mysteries and until the end you'll only know about as much as the police do and that's absolutely nothing. Although it is a great read Domu has a few tiny flaws. I would have liked to see a brief explanation on how the twisted old man and Etsuko got their supernatural powers, it's little information like this that make the book seem hurried. I admire Katsuhiro Otomo most for holding nothing back; the art is very graphic at times with some gore.

The art was perfect in showing how exciting, bloody, and dangerous the final battle was.This manga shows it's intelligence by wrapping your brain around the obvious and has you asking questions that were explained but you never caught on. One question heard a lot is why does Mr. Uchida (The twisted old man) murder and torment the people in the apartment complex with no remorse but you're given clues throughout the book. His apartment is filled with toys, he likes to play with them, and he does childish things like stick his tongue out at people so either he is the most demented serial killer ever or he is something gentler.

Because this is a book from the mind of Katsuhiro Otomo who created the amazing classic Akira Domu gets the pleasure of always being compared to it. I'm not going to choose a better story because I haven't read Akira I saw the anime and that wouldn't be fair to Domu but the two have some similarities. One is the supernatural power and another is the nicely done graphic art but to give anymore might ruin the book. Domu is a great tale and an anime would be nice but I don't think today's animation would compliment the edge the manga gave but who knows what else can be done with this classic.

Domu is a graphic novel that combines great action, pathos, and some subtle commentary on urban Japanese life. The characters don't have a lot of space to develop, but seem to have a natural depth. It wasn't hard to sympathize with them, especially the dregs of society that inhabit the apartment complex the book is set in. These are the Japanese that we don't get to see very often, and that Otomo doesn't hide. This is a well-paced thriller with no missteps in the execution, which leads to an ending that gives you a lot to think about. The final scene is downright brilliant, and caps the Katsuhiro Otomo's recurring theme of powerful children. A great buy.

I read Domu the first time in the middle of the night, and after a third of the book I had to put it down because it scared me so much. The characters felt so real and that made the horrible events all the more horrible; the teenager sitting by himself in the middle of the night, struggling with his homework.. The kids playing or bullying each other.. everything felt so real. I immeadiately liked Hiroshi and Etsuko, and every time the old man appeared I was scared that anything might happen to them. In my opinion this is Otomos best work. I read this right after I had finished AKIRA part 5 and I must say that Domu was better in every way. The characters in AKIRA are mostly cardbord, in Domu they act much more like real people. Don't get me wrong, I love AKIRA, but Domu is just better. I can't explain how much I liked this manga, It's the best I've ever read. Go read it, now!

This book is recommended for all art fans--you don't need to be familiar with the Sandman character to enjoy McKean's gorgeous covers. The commentary is also very interesting, providing a behind-the-scenes look at the thought process behind many of the works. McKean progresses from producing physical pieces of art to digital manipulations as the series progressed, and although some of his initial digital effects are now dated, it's still fascinating to see a modern master at work.

is there any difference between the Watson-Guptill edition and the Vertigo edition? i noticed one says '1989-1996' while the other says '1989-1997', the size also seems to be differnt, althogh the page numbers are both 208. what i want to know is, is there any difference as far as the artworks go inside? and if so, which is the better one? (one's also more price than the other, it seems).

I bought this book as a gift for a Friend, I was familiar with McKeans art from the comics and she had recently gotten into his work... So i thought it'd make a good gift.

It was a great gift! I looked through the book thoroughly myself and was amazed at not just the artwork but the presentation of it throughout. McKean and Neil Gaiman's Commentry and Notes throughout are both Fascinating and sometimes hilarious. (Ah the Fish...)

I'm gonna pick up a copy for myself, as this really is an Amazing book... ArtFans or ComicFans alike will appreciate just how Beautiful Mckeans Art is.

I don't know why I haven't gotten around to reviewing this collection of work before, but it is amazing! As the title suggests, it is the collected covers of the Sandman comic book series that ran from 1989-1996. There are no Sandman stories in here, just the collected covers of all the issues and some commentary on the covers and The Sandman series by Neil Gaiman himself.

"Just." I love this book. It's "Art" with a capital "A." So many different styles, forms, and moods. It's beauty and magic captured on paper. It calls to mind art as diverse Edward Gorey, Salvadore Dali, the movies of Tim Burtn, and on one startling cover even H.R. Geiger (in a non-Aliens way).

The introduction is very nice too.

I recommend this for any fan of the Sandman series.

When I had collected the original Sandman issues, I was always intrigued by the cover art as well as the story and illustrations inside. Sometimes, I would find myself staring at the covers for minutes before reading the actual story. This was the only time I had ever really done that. And now you can own this book full of those intricate, detailed, and amazing art pieces, along with commentary by McKean and Gaiman.

And there's a Sandman story that I have never read before! If you're a Sandman fan, buy this book.

I'll start with the good. The artwork is excellent. There is a rich and addicting story line. The characters have enduring personalities. I really love this series. I typically always start reading Manga and then watch the anime if it goes that far. However, with Inuyasha it was the opposite for me. One of the reasons I was originally hesitant to read the manga was that it goes from front to back instead of back to front. This means the manga has bad editing issues. Basically to do this the editors have to flip every single image and reverse the image order. At first it wasn't too bad, but there is always a character like Sesshomaru... Every time he is in the manga it's like nails on a chalkboard. Because of the flipping everything about him just screams 'Those idiot American Editors Abused me!' His fluffy and armor are on the wrong side. His crescent moon is backwards. And Because of the flipping he always looks like his right arm was cut off and not the left. Because of this technical glitch the manga appears sloppy. However, the poor choice of flipping the contents doesn't take away from the amazing story. It is still a really good read. One just has to get over all the glitches.

I won't spill anything but this second book is very actiony for a second book. Be sure to read all the booms and other thinks like that (it's kinda fun) (^-^). I hope you buy it you won't be sorry

When I first saw InuYasha, it was about a year ago on TV, and I thought it was the weirdest show(of course, I had no idea it was Inuyasha, I was flipping channels. I discovered that recently when they re-aired the episode.). Some guy with long white hair and fangs? Demons weren't my thing. Then, about three weeks ago, after recently getting hooked onto Japanese manga, I was browsing the designated aisle at Borders, and the bright yellow spine caught my eye. I had remembered my little brother going on about it, and so curiosity got the better of me, and I started reading it in the store. I was immediately hooked. It's a thrilling tale, really, with humor, a bit of bad language, and innocent romance. And that's why, after three days of no trips to Borders, I couldn't take it. I resorted to Amazon. It came in pretty quick too, I was surprised. Afterward I got myself hooked on the show, but I'm not here to review that, am I? Anyways, a long review short, it's a great story by a great author, and I hope you enjoy it as much as I did.

The first half of this volume concerns the continuing battle with Yura of the Hair, a witch who is able to puppeteer corpses and use her hair to cut off body parts. Yes, she's always having a bad hair day! Sorry about that. In what I believe will be an ongoing trend, Inuyasha finds that he can't defeat Yura alone because only Kagome can see Yura's strands of hair. In the second story arc in this volume, a talking flea named Myoga, with the inappropriate title "Divine Grace" shows up to tell Inuyasha that someone is trying to rob his father's grave! That would-be graverobber is Sessho-Maru, Inuyasha's half-brother and full-blooded demon, which makes him more powerful than our anti-hero. Let's just say there's no love lost between the two, because there isn't any love at all! Looks like Inuyasha might have to call on Kagome again as the two square off.

Rumiko Takahashi is a true manga genius. Her artwork is beautiful. You find yourself actually seeing an anime in your head when you read her manga, because they are so exquisitely detailed, and the characters spring to life. The action is never confusing, and she never shrinks from realistic blood. There is also a sort of warm charm in the relationship between Inuyasha and Kagome that seems more real than even most shojo. Classic series.

In Inuyasha volume 2, the story of Inuyasha and Kagome continues. If you haven't read volume 1 and haven't seen the anime, go read it! otherwise you won't understand the following review:

Our two main heroes Inuyasha and Kagome return to the Feudal Era to confront Yura, an evil being that has the power to control hair. Such a power might not seem too dangerous, but she really is deadly! How will our heroes fair in their first fight as a team?

When the volume continues, we are introduced to several new characters, but very important ones since they'll be in the story for its remainder. First, an old flea named Myoga,a vassal to his late demon father, tells Inuyasha someone is trying to break into his father's tomb to steal his treasure. As Myoga explains what's happening, Inuyasha's late mortal mother is also discussed.

Just who is the theif? Why it's Sesshomaru, Inuyasha's older full demon brother! Sesshomaru is arguably the most popular character in the series and definitely my favorite. He has brought with him his toad like servant Jaken who wields the Staff of Two Heads(sometimes referred to as Staff of the Skulls) to locate the tomb. It soon becomes clear that Sesshomaru will have to confront Inuyasha to get to their father's treasure. This makes for a very interesting and emotional meeting leaving you with a sense of Sesshomaru's huge level of cruelty(for now).

Just what is the treasure though? It's the Tetsusaiga, a sword made from a fang of Inuyasha's father! The powerful sword can slay 100 demons in one sweep, but it rejects Sesshomaru. When Inuyasha is also unable to get it, Kagome surprises all! Inuyasha eventually gets the weapon, but now that Sesshomaru has transformed into his full demon form, can Inuyasha win?

Overall, this is a roughly 200 page terrific installment of Inuyasha. It reads from left to right which may bother some, though not me personally. I suggest this for all 13 and up as their is nudity and much violence including multiple decapitations. This volume is EXTREMELY action packed. The volume has much fighting, but does a nice job of blending emotion and character introductions. This volume definitely has a great story, introduces interesting new characters, and has much action. The story will only continue to get better!

This book was an entertaining easy read. The detail is as good as any book I've read and entirely what a werewolf book should be. It pulls no punches and gives gory and ravenous details that will truly make you think twice about what's in the dark. A must read for any science fiction lover.

If the last 70 pages had been more satisfying this would be 5 stars, easy. But, as it stands we have a disappointing climax, a weak ending for most of the main characters and an unnecessarily long denouement. On the plus side, the werewolves are cool, described as massive, vicious, demonic remorseless monsters, and there's an interesting werewolf hierarchy that's unique to this book. It also violent, and action packed, with a good story and interesting first person narrative. I did find the main character to be a bit cliche, but he was still filled with monkeys. All and all, a good bleak, violent, gritty horror novel/character piece. Recommended for fans of werewolf fiction.

The only book I've read more than once, and thats saying something. A book about a man who spends his days, and nights fighting werewolves. Its so in your face, its absolutely fantastic reading. Brian P. Easton makes it crystal clear right away that the Beast, as werewolves are often referred to in this book, are completely and absolutely vicious and evil. Nothing humorous or cute about them. Not this story. The main character Sylvester is the toughest SOB you'll ever read about. The things he endures physically, mentally, emotionally, and spiritally are terrifying. Its hard not becoming what you hate. "The beast will kill you one piece at a time, Sylvester. Bite by Bite", said his mentor early on in the story. I highly recommend this truly exhilarating novel to anybody. Without a doubt my all time favorite book. As good as the vampire masterpiece I am Legend.

I profoundly regret that this seems to be the only novel produced by Mr. Easton. You don't have to get very far into his prose to decide that he is no amateur as a writer. This book is of exceptional quality for any genre, but is particularly outstanding in the wolfman category. It certainly stands out among today's popular fare of werewolves humanized as sexy heroes in romance potboilers, or as noble saviours of the environment (viz., White Wolf Publisher's lupine Green Peace-niks). In this book, though, the werewolves are all big, truly scary, and irredeemably malevolent toward humanity. Having read about 300 fiction and nonfiction books about werewolves (not counting short stories) over the years, I'd put this in my top 10 of favorites. This novel has plenty of lycanthropic action and gore enough to satisfy any aficionado of the genre. Yet the saga of Sylvester's journey from orphan to manhood as a werewolf hunter is also a thoughtful examination of the psychology of hatred, and how it can make you strong enough to endure incredible sacrifices---yet ultimately rob you of your own humanity. This is the kind of book that leaves the reader reporting for work the next morning still groggy from lack of sleep, because you simply can't put this book down.

I have been a horror fan, especially a werewolf fan for many years. Usually, it's quite hard to find a decent werewolf book. However, this is a great book, and a must read for any werewolf fan out there. It is a bit brutal at times, and the werewolves are not cute and fluffy. But that's what makes the book so wonderful.

Wonder Woman: The Complete History is a delightful book for fans of the character, even if you only know her from the old TV show. The background of her creation by a clinical psychologist was very enlightening.

The illustrations throughout are excellent and all in all, it's terrific book, exceptionally well written by Les Daniels.

I have always enjoyed Les Daniels and his carefully researched books of comics history, but everyone has a blind spot. Wonder Woman is obviously his. This book, beautifully designed as it is, fails to capture what has made Wonder Woman such an enduring character and icon. It's clear on almost every page, Daniels is unimpressed by her. It's fine if he doesn't like her -- no one character can be everyone's favorite -- but it does make for a frustrating read at times when one wishes to celebrate Wonder Woman's unique place in comics history. His fascination with her creator is evident to the point that it seems clear Daniels would much rather write about Marston than Diana. His heavy emphasis on the bondage subtext of the Golden Age incarnation undercuts the more postive surface elements of those stories. Indeed, he sneers at Gloria Steinem's endorsement of those early years, casting great disbelief that there could be anything of substance taken from them.

Also, as another reviewer points out, Daniels gives short shrift to George Perez's post-Crisis revamp. Widely acknowledged by fans as the high point of her modern career, it's strange to see Daniels blandly note the support Perez got from female collegues in overhauling Wonder Woman's character and deride it by calling the later issues akin to ADVENTURES OF MENOPAUSAL MOM (I'm paraphrasing but only slightly). Daniels here suffers from the same fanboy syndrome that infuses the industry these days -- the idea that if HE doesn't appreciate it, it must be terrible. Meanwhile, Mike Deodato's art is viewed favorably, despite that being universely considered a lower point in the post-Crisis stories.

At the end of the book, it really seems as if Daniels only reluctantly churned it out because of a contractual obligation. His Superman and Batman books are excellent and filled with total respect for the characters and their appeal. If only he could've retained enough objectivity for the Wonder Woman assignment. Despite it all, it is a beautiful book and the history is thorough and still fascinating if somewhat subjective. Good for historical nuts, not so good for WW fans.

Not only do you get hte nostalgic book with the history of this heroine, you get the figurine that you can display and become the envy of all your friends! The statue is of classic Wonder Woman, the one from the 50's. She's still wearing the skirt.

This is truly rare. It's fantastic for all collectors and a MUST-HAVE for all die-hard fans!

First off, loved the book. It was nice to read the comments from Lynda Carter and see the multitude of changes that WW has gone through. But I did notice two things, the actress that played Wonder Woman's mother in that tiny demo in the 60's was named Maudie Pricket and the photo of Ms. Carter's costume says it is from the first season and it's not, it's from the CBS years as are the bracelets and tiara on the following page. I know Ms. Carter preferred the CBS years updated costume but the original on worn while fighting Nazis in the more humorous years will always be my absolute favorite! Thanx...

Les Daniels' Wonder Woman: The Complete History is the third book in a 3-volume series (the first two addressed Superman and Batman). While not without its flaws, it's overall a well-researched and enjoyable treatment of the character.

Wonder Woman first appeared in 1941, the brainchild of Dr. William Moulton Marston (writing under the pen name Charles Moulton), by any standard a bit of a weirdo who's remembered today for two things: (1) he invented the polygraph, (2) Wonder Woman, of course.

I could pick a few nits with Daniels' text. In places he does reveal an ignorance on certain topics. For instance, when speaking of Marston's World War I U.S. Army service, he states Marston "rose to the rank of second lieutenant." False. No officer (and I can't imagine someone of Marston's high educational level ever being an enlisted man) "rises" to Second Lieutenant because that's the absolute lowest officer rank.

Daniels is extremely opinionated. How much space is allocated to any of Wonder Woman's creative teams over the decades is very much controlled by how much Daniels likes their work. Obviously the Marston stories, with artwork by Harry G. Peters, are his favorites thus receive the most attention, though he devotes surprising time and positive comment to the generally despised stories written by Robert Kanigher. This is fine. Half the fun of a book like this is getting the writer's likes and dislikes on the character and her creators. Where I part company with Daniels is his low opinion of the George Perez stories of the mid-1980s thru early '90s. Daniels devotes an entire chapter to Kanigher's creation of such fascinating (hah!) characters as Glop (a "shapeless mass of grinning goo from outer space [which] absorbed everything in its path including 100 rock 'n' roll records"), Wonder Tot ("Mommy be proud to see me now!"), and Egg Fu (a Chinese Communist agent inexplicably shaped like an egg the size of a house, who used his mustaches as weapons and had a Charlie Chan speech pattern). After that, it was more than a little disappointing to have the Perez stories, considered by many Wonder Woman fans including myself the character's finest hour (especially the stories on which Perez did the artwork in addition to scripting) dealt with in a mere seven text pages, much of that explaining how they weren't really all that hot.

The only truly major flaw in this book involves its layout. These days, book publishers are terrified of the Internet. And well they should be. However, instead of focusing their efforts on what books do better that the 'net - provide one, continuous, uninterrupted stream of information - publishers' response has been to make their book pages look as much as possible like web pages. Lots of bright colors, lots of sidebars. I hate sidebars. I don't appreciate having to flip back and forth between pages, sometimes reading blocks of text in four or five different locations, to get all the info. More to the point in this particular book, choice of color on some of the sidebars is extremely poor, so much so it's difficult to read the text. Black lettering against a dark blue or dark red background just doesn't make it.

With those few negatives out of the way, this book is a delight. It's all here: a biography of Marston, on to the creation of Wonder Woman, all the creative teams of note and their storylines up til this book's publication date (2000), the Cathy Lee Crosby made-for-television movie, the Lynda Carter TV show, Wonder Woman merchandise, her appearance on the cover of Ms. magazine's first issue, etc. This book is a must-have for fans of one of the 20th/21st Century's most fascinating fictional creations.

You have to read Zag like you read the bible- it tells a great story but you often are better served not delving too deeply into the statements made by the author to support his points (i.e. the fact that 11 million people went to Europe in 2006 versus 8 million in 1964 as evidence of a shift in American society- though as a percent of the population it is almost no change at all in Americans traveling abroad).

Such is the nature of writing about a topic where 1) the author makes his money selling branding services; 2) he doesn't believe in hard numbers to prove points, harboring the predictable anti-research position that is both a great strength and weakness of this book and books like this (i.e. Blink). It also may be the most acceptable way to write a book that is not so dry and academic that nobody would want to read it.

But the story being told is a great one and it is really well told. Neumeier needs to get a lot of credit for presenting ideas simply (not simplistically) which many other authors would make very complicated. The book is also just really well thought out so that it is thoroughly enjoyable to read even as you get into some pretty important topics that others might get bogged down in jargon or overly long explanations. The book also gets high markst for not only discussing what a "zag" is but also showing you how you can get there if you follow his clearly outlined process.

So while the book is clearly a campaign for what he believes versus an objective look at branding, it is great read and I would recommend it for anyone working in marketing/branding that wants a refresher or reminder about what you should be thinking about in our ever-changing world.

Excellent Book!
It is:
- Fun to read
- Openminding
It provides great practical ideas. You can apply the 17 steps to differentiation in your work place righ away.
I could not stop reading it.

I purchased this book at the same time as the Brand Gap, being confident in the fact they'd both be helpful, well-written, yet densely packed tomes of information - and I was right!

Zag hones in on one element discussed in the Brand Gap - differentiation - and expands it into a 200-so page book. According to Neumeier, differentiation, or creating zag, is one of the most important elements of branding - and it needs to happen at every step of the way, from conception to naming to marketing.

The great thing about Zag is the way it presents the information - much like in the Brand Gap it follows a 'whiteboard', graphic-heavy, basic (but important) facts. This time around however, it pairs the basic format with a strong, easy-to-follow example through the faux development of an educational wine bar chain.

Neumeier then takes the reader through 17 steps (including some helpful exercises) you should take as a business owner, venture capitalist, or advertising professional when determining whether your product is zagworthy - or how to make it so it is.

In terms of why I gave the book 4 stars as opposed to 5...The last section of the book - once the 17 steps are completed and the wine bar is 'fully developed' - is a little bit dense/doesn't seem to flow as well as the rest of the book/series.

Also there is a decent amount of repetition between Zag and the Brand Gap, and I am hesitant in believing that people would pick up one without the other. Although it makes sense to reinforce the principles (and sell more books I'm sure) in some cases, it almost made it hard to differentiate some of the messages between the books, making me feel a bit cheated in that I paid money to read the same pages over.

I have a hunch Neumeier might take the 5 main principles found in The Brand gap and expand each of them into books like Zag did for differentiation - and I can't fault him for doing so. Zag is definitely an improvement on The Brand Gap in that it offers a focused "here's exactly what you can do" strategy, but it still remains general enough that virtually any level of professional (student, beginner, executive etc.) can sit down and walk away a couple of hours later feeling like they learned something.

Knocked this one out in a single flight. Well written, easy to follow. Maybe a little too easy. Would have liked a little more meat. Consider this the Cliff's Notes to Differentiate or Die. Both great books, this is easier to digest. Neumeier is a brand genius, he gets it and he can present it well in a concise format.

Zagging is not a new concept. If you like business and performance management readings, probably you are familiar with it already, especially if you've read books by authors like Jim Collins (hedgehog concept), Chan Kim (blue ocean) or Seth Godin (purple cow).

This book provides a unique approach from a marketer's point of view to the concept of real differentiation in the marketplace. "When everybody zigs, zag". Stop being a follower, an imitator, and start being different, start zagging.

You can't stop reading this book, once you get started. It will take you one or two hours, which doesn't mean the author is not providing details and deep insights. In fact, he gives what it takes to make his points clear, captivating, and consistent.

David Aaker says in the back cover of this book: "The presentation alone is worth the price of the book". He is absolutely right. This book zags.