Graphics Books

This book was as good as the first one I bought.He is a prophet of our American Civilization. Someday; we will be like the society in his books. The best adult comic book writers come from United Kingdom. Since The UK is our best international friend; They earned the right to be our best critics. Again; As usual Amazon delivered.

Even though subsequent volumes in Warren Ellis and Darick Robertson's TRANSMETROPOLITAN series would surpass this very diverse collection of stories, it is still a first rate addition to the series. It is always outrageous, frequently funny, sometimes absurd, but always stimulating.

There two aspects of the series that make it especially interesting to me. First, no other comic series explores the meaning of the media in general and the Fourth Estate in particular. For all his cynicism and rebelliousness, anti-hero Spider Jerusalem is a journalist who believes that reporting should strive to make the world a better place . . . or at least not quite so bad. Sometimes Spider's posing and stunts get in the way of that, but Ellis does manage to get the story back around to that conceit from time to time. Second, the series goes further than any other I know in looking at the furthest extremes of what people will do to remake and reconstruct themselves. Many writers have pointed out that ours is already a Cyborg culture. How else can you characterize someone who has an artificial hip, a pacemaker, and lasik eye surgery? Other writers, like Ray Kurzweil and Hans Moravec, have fantasized about a utopian future in which the human brain is sliced up and downloaded into a database, where one's consciousness can enjoy a virtual immortality (though personally, I just think of this as a bizarre way to die). Many of these notions are taken up and explored in the Transmet series.

The two books that begin the series are good, but newcomers should keep in mind that it gets much better in subsequent volumes. So while I recommend this, I even more strongly recommend reading the volumes that follow.

This book too much focuses on "being punk" instead of focusing on story. There are great ideas but they are not really explored.

Lust for Life is probably the weakest collection of Transmet. It falls in between the initial story arc, and when Helix Comics, was shut down and the title was moved to Vertigo. It has some nice establishing moments, and sets up some characters that will play critical roles through out the series. But, it's that point in between where the story starts and where it finds its feet.
It's still a part of the larger whole though, and can't be skipped if you're trying to read the series beginning to end. And Transmet is still one of the best comic series out there, so, even at its weakest, it continues to be a very strong piece.
In the end, if you haven't read the first trade, this is a poor place to start. If you did and disliked it, Lust for Life does expand the characters, but, you probably won't find anything to change your mind. If you loved the first trade, or just found it mildly enjoyable, it's worth continuing, though, mostly for where the series does find its feet, in the third trade.

This is really something I could say is a Graphic Novel without smirking. I'm no veteran when it comes to comics, but I've lent it out to a few people I know that are, and they rave about it as well. It's very much like a Fear And Loathing influenced cyberpunk tale of journalism in a future that, for all its random technical advances, is still populated by people and therefore still plagued by the same kinds of problems we face today.

This book literally launched my CG animation career. I later took a class in CG animation and modeling and the tutorials in this book were in that class. Its was an excellent class, since it helped you learn the book's content is covered in 3 weeks instead of 2-3 months of night time after work animation. But this book is $30 not $2k.
What a great book. It does assume you know the basics, so learn the basics first and then dive in head first.

not even worth giving it up to my dog to chew on.

I have read several books about 3D Max but I consider this book one of the best books ! and I have learnt a lot from it ...If you want to make professional media animations logos you have to own one !

I have read several books about 3D Max but I consider this book one of the best books ! and I have learnt a lot from it ...If you want to make professional media animations logos you have to own one !

Finally a book that merges great tutorial writing and impressive content. Going through this book, I was intrigued with every sentence. Not only did I want to read what Chismar had to say but I would learn things at random times. New techniques and tricks sprawl throughout this book, were at times I even felt a little guilty getting all this info for just a few bucks. Don't keep us waiting too long for the next one, John.

Even if I'm not working in vfx, so I haven't a great experience, I think this book should be in every comps shelf: very simple, well written, it deals with the math under every (even the simplest) operation you can do in your compositing package (it's quite software-indipendent). It explains several wonderful tricks too.
Globally, very useful in my opinion.

Ron goes over the very concepts of compositing that are essential to know in the computer graphics feild. I have bought several copies of this book as the disappear from my desk (no longer kept in public view)

This book is exceptional and a must for anyone pursuing this area of interest. The only disappointment I had in purchasing this item is that it is supposed to come with a CD, and the CD was never shipped to me. What's up, Amazon?

That can I say about Mr Brinkman. Well he's one of the God's of compositing and VFX. Mad about the math behind Node based compositing software, which incidentally is a good thing. This is not meant to be a 'Shake' bible as it is supposed to be non software specific. However it uses 'Shake' language and node naming. This is not a criticism as 'Shake' is the meccano kit of compositing. Understand the mode and the math behind it and you can do anything. I would also assume that this will still be relevant when shake is 'reborn'.

This is also essential for other composing software where the math is hidden. If you've ever considered what happens inside that 'magic button' after you've clicked.

I also think that Steve Wright's 'Digital Compositing for Film and Video, Second Edition' is a must too. Another great book from a great man of VFX.

Having not been personally taught by Mr. Brinkman and Mr Wright these books prove to be the next best thing.

This book is a in depth study of the techniques and technologies involved in the art of compositing. Not sooo technical that no one will understand it, but technical enough that it even explains in detail the algorithms and math used for antialiasing, blurs, the transfer operators like multiply, screen overlay., etc... I am a professional cg artist and highly recommend this book.

This is my first Graphic Novel, but not my last. I loved the story and I felt that the book had a really nice flow. Marjane Satrapi as an exceptional story teller and has a very strong voice. I read this shortly after seeing the movie, and though I loved the movie, I felt that it left alot of important stuff out. The book really helped fill in some of the gaps, and you also got to see Satrapi's personality a bit more. I look forward to reading her other works. If you have never read a Graphic Novel, this is a great place to start.

I was surprised to find it was in comic strip format, but I enjoyed the lite reading.

This book can join Art Spiegelman's "Maus" and Joe Sacco's "Safe Area Gorazde" as yet another graphical masterpiece. Very enjoyable book, couldn't put it down.

Without harping too much on what has already been said about the political observations that Satrapi makes or her commentary on the limits faced by everyone (and most especially) women in Iran, the truly inspirational achievement of this work is how honest she can be about herself in the story. That with everything whirling around her, the fact that she can be honest about both the good and the bad of the relationships she'd been in, the despair both at home and abroad, the flickers of hope that she clung to during the darkest times and how (true to the reality of a hopeful young woman) the very worst thing that can happen is ultimately to let down yourself and to let down your loved ones is stark and amazing. The scene where she loses the trust and the good standing with her grand mother is heart-breaking and yet could happen to any teenage girl anywhere in the world. That it's depicted in basic drawings doesn't detract from the power of the moment in the least.

And not that graphic novels these days have any trouble being seen as legitimate art, but Persepolis certainly puts a nail in the coffin of the arguments made by detractors.

Trust this book for it's emotion, for it's personal honesty, for it's attempts to always find something good even under the most extreme circumstances. It is not a history book. It is a personal history book. And it is one that deserves applause.

In the chapter "The Shabbat", set before she leaves for Austria in 1984, Marjane describes how Iraqi Scud missiles start raining down on Tehran, killing her Jewish childhood friend and neighbor, Neda. However, according to Jane's Intelligence Review and other sources, no missiles reached Tehran before Iraq's Al-Husayn missile programme in February 1988. Why would she lie about this?

As an aspiring cartoonist with my own cast of characters on my Captain Cockle website I found this book an excellent and yet simple guide to creating characters that leap out of the page. The inclusion of guest cartoonists, many of them very famous in their own fields, is a great idea and adds depth to the book. If you have a limited budget and are confused by the huge variety of "how to" books on cartooning, I would strongly recommend this one as an essential starting point.

This a great book for the beginning character artist. I often have a hard time drawing cartoon characters but this book always helps me out. Covers everything from personality to color, from exaggerated to semi-realistic. Highly recommend!

Nice book , a lot of ideas , examples. Very good choice for beginners. My students loved it.

This is a great book to take your drawings to the next step. I've been frustrated that my characters lacked that certain special 'something' to make them pop from regular ol' dry drawings to likable, engaging characters. This book illustrates simple examples of a line here, a curve there, to push it up a notch. I really enjoyed the suggestions, and this book has been very helpful. myspace/kris10cartoons

I am a student studying animation, and I purchased this book for my character design class. I really love this book, it is quite usefull, and my two roommates reference it as well! One is an illustrator, and one is a video game designer. Useful to anyone and everyone...

Mann...this was my very first manga. Without this i would never have been into anime or manga. Actually Animerica Extra was my first actual manga preview of Fushigi Yugi. All thanks to my uncle Goku. Really that is his name. Meaning 5th son. But weird part is my grandparents only had 3 boys in the family out of 7. So maybe he was the fifth child born? But Fushigi Yugi is a wonderful book to start if you are just starting to like manga. It is perfect. It has fantasy creatures, humans with either super powers or just super human abilities, revengeful people, and a forbidden romance that could and should never be, but is. But all in all this is a perfect book by Yu Watase. Her best work ever besides Alice 19th and the forever gorgeous book ZETTAI KARESHI!....that is all...

Wow. If you don't have this manga, then there's something wrong with you! Whether or not you're a fan of the Tv series, Fushigi Yugi is a must have for the anime fan. Yu Watase knows how exactly to blend comedy with drama, so you can have emotional trama and kick [butt]fighting, turning into a laugh-a-minute when one of the charactes does something stupid. I particularily like the "Fushigi Auki, The Malicious Play" parodies done by the author every so often, taking a section of one of the chapters and turning it into a farce. GET THIS MANGA it is well worth your dollars.

Yu Watase, Fushigi Yugi: Disciple (Viz, 2000)

The third book in the Fushigi Yugi series dips a bit at first, but quickly roars back to become ever better than before. Miaka and the celestial warriors are basically wandering about waiting to find the next celestial warrior, and they find him in Chichiri, the mystical "cat-guy" whose powers complement the others quite nicely. All of this is well and good, and covers roughly the first half of the book (though we do get more background on Tamahome as well), which is readable, but nothing special. The second half, on the other hand, is all that and a bag of oysters, as Miaka and the crew find out there's a rival priestess and reveal her identity.

Lots of fun. *** ½

Some good news to fans- a new celeestial warrior appears, Chichiri. He trained under the watchful eye of Tai-Yi Jun { I can just imagine spending three years with her... that face
-_-}. And because of that, he learned some cool moves like how to freeze people {no da! ^-^}.

And a turning-point character shows up- Yui, Miaka's best friend. She has a thing for the celestial warrior Tamahome.

In the previous book, Yui goes missing, so Miaka goes back through the Universe of the Four Gods so Miaka could find Yui. She goes to the kingdom Qu- Dong, where she believes Yui might be, followed closely by Tamahome. The good news is Miaka finds Yui. At first Yui wants yo go back to Hong Nan with Miaka and Tamahome, but a conversation they have makes her want to reconsider.

Wanna read the bad news? I'm not telling you anymore than this.

Highly Recommended.

This is volume three in Fushigi Yuugi, a wonderful series. Miaka and Tamahome are a great couple with a wonderful love story. Their love story is very touching in this voloume. Tamahome tells Miaka his feelings and they become boyfriend and girlfriend. As they become a couple, their love is so sweet and touching. When Miaka leaves, Tamahome finds her and hugs her and tells her his feelings. When she leaves to head to a new nation, Tamahome finds her and asks her why she left. Tamahome kisses her and Miaka and Tamahome's love is very touching and romantic. Yui watches this and sees Miaka and Tamahome kissing. When she confronts Miaka about it, Miaka finds a new side to someone she knew. When Miaka discovers the truth of what happened to her, she makes a decision. Tamahome sees her and notices that Miaka is acting differently. He asks her about it- but she isn't sure how to tell him what she must do. Tamahome kisses her and finds out the truth from her. Tamahome tells Miaka that he will always protect her and they hug. This volume has lots of romantic moments between Miaka and Tamahome and they become a couple in this volume. This is a great volume.

And rediscovered. I never really knew there was alot more to elfquest than those first five or so. Can't really remember the number offhand.

My original collection had somehow been lost over time, so I just rebought all of them, and then some. I got lost again in a beautifully created other world. Great art, epic story, what more can one ask for.

This newly coloured version of the original elfquest is stunning and well worth the money. Elfquest has always had that knack of catching readers attention of all ages. It is a remarkable story elegantly illustrated and written by Wendy and Richard Pini.

Though, I have to say as a collector, the original colouring done when the comics were released under the Father Tree Press name are much more satisfying. The digitally coloured Archives are stunning and beautiful but to me take away from the character of the hand coloured versions.

A plus from the archives-Contains the story "the Heart's Way". Also, contains an introduction by Mercades Lackey and an Afterword by the Pini's.

It's not a story. It's an Experience! Truly AMAZING work, graphicly as well. WOW

Elfquest has been my favorite literary work since I was introduced to it in 1983 at age 14 (matched only by "The Count of Monte Cristo" in my list of favorites). If you love fantasy, you will love Elfquest.

Being an artist myself, the wonderful art by Wendy Pini has always been just as important and valuable to me as the wonderful story. The Starblaze editions colored with watercolors and printed in the 1980s were my first introduction to EQ. I have always been perfectly happy with the Starblaze volumes, but I wanted to get an Archive volume out of curiosity. And I do think the coloring of the new Archives edition (done in Photoshop by Wendy Pini) is superior to that of the Starblaze edition. Everything 'pops' and often looks like it's in 3D. It also is more accessible to a modern audience which is used to Photoshop-based comics.

The lettering is also much cleaner and more elegant, and some awkward or 'amateurish' wordings were fixed. And the paper is so lush and nice-feeling it's a sensory delight as well. I am very glad I bought this edition and will be re-reading this edition of Elfquest exclusively from now on!

I only have two small complaints about the Archives. One is the size: the original EQ comics were 8.5 x 11 and these have been reduced to the 'standard' comic size of 6.5 x 10. That's a big reduction, especially for someone like me who loves just staring at Wendy Pini's beautiful artwork.

The other is that in Archives Volume 1, an extra story is inserted at the end called "The Heart's Way," an extremely minor side story which was originally published in 1998 in "Elfquest the First 20 Years." I wish this story hadn't been included in the Archives because it doesn't mesh with the rest of the volume. It was written 20 years after the original series; the story is (IMHO) just plain DUMB; and the artwork, although by Wendy, doesn't 'match' and is looser. And unlike the rest of Archives 1, it's not appropriate for children because of its heavy sexual content. The Pinis never claimed EQ was for kids in the first place, and of course it's their right to write stories that are not appropriate for kids. But it's a bit annoying that a book that is pretty much PG throughout has an "epilogue" that is NC-17. Knowing the Pinis' fierce dedication to "hippie" values (pacifism, tolerance and free love) I wonder if it was perhaps included as a way for them to say, "In your face, all you Puritan prudes!" Anyway, for all those reasons, to me the insertion of this story was not only unnecessary but annoying. So I had a simple solution: I got an Exacto blade and cut those pages out, and secured pp. 175 and 192 together with photo mounting tape. ...ah, much better! ; )

Arriving on a strange and primitive world, the elfin High Ones quickly find themselves set upon by the cruel and brutal humans, and driven from their home. It is now many years later, and their descendents, the Wolfriders, are still trying to survive on this deadly world. This is the story of their struggle, their joys and sorrows, their finding a new home, and all that befalls them - both good and ill.

In 1978, Wendy and Richard Pini started self-publishing the Elfquest saga in comic book form. The rest, as they say, is history! This graphic novel contains the first five issues of Elfquest, and is quite an entertaining read. I really enjoyed the story (I love stories of elves and magic!), and thought that the illustration work was quite excellent. Some people have criticized the coloring, but I thought that it was quite good, a little bright like older comics, but that is what it is.

Now, there is one thing to consider before buying this book for younger readers. The Elfquest cycle includes some sexuality, and final story in this book includes a main male character dallying with *three* females. So, you might want to bear that in mind.

But, that said, I did find this to be a fun and very entertaining read! I give this book two thumbs up!

Second Slice, The Art of Olivia is two books in one...sort of...about ¾ of the book is displays Olivia's paintings in portrait format. Flip it over, and the rest of the book is in landscape format...a flip book for adults! Olivia's second slice is every bit as filling and delectable as the first offering featuring 124 pages with 140 paintings in full color. Each of the two sections provides a detailed index with the name of the piece, size of the original painting, materials used, the name of the model, as well as Olivia's own commentary on her works. These comments are often as entertaining to read, as the paintings are to view.

The models used in this edition include Pamela Anderson, Rhonda Shear, Bettie Page, Julie Strain, and Sandra Taylor. The paintings of the saucy Julie Strain are some of my favorites in the book. With her long, kinky black hair, ample curves, and playfully wicked smile, Strain made a wonderful pin-up queen for the 1990's, when most of these pieces were completed.

Olivia experiments with many forms of style and color, which make for some of her most striking and exotic work to date. This is well displayed in "Zebra Lady III" as the nude, striped model (Rhonda Rydell) blends into and almost disappears into the striped backdrop. While not necessarily known for darker, gothic works, Olivia clearly shows she can compete with the best in that genre with works such as the female vampire on display in "Things that Go Bump in the Night" and the winged, horned "Banshee" which serves as one of the book' covers.

Flipping to the landscape side, the buxom blonde bombshell Shear is captivating in the painting entitled "Pomeranians" as she finds herself lying on the ground, covered in a wrap made out of those furry, little dogs.

Second Slice is another gorgeous collection of Olivia's works, all from the 80's and 90's. It is filled with gorgeous women and bold, sassy, and exotic colors and settings. Olivia continues to prove why she is at the top of her game.

Reviewed by Tim Janson

Olivia was one of my favorite artist, and in my collection of Illustrations books she can't be absent. This new collection of paintings shows her skills to mold all kind of techniques.
A must have release.

Olivia is the Vargas of our time. As Vargas took the reigns from Petty, Olivia has done the same, and Just like Vargas went beyond Petty in terms of realism, and delicate beauty, Olivia De Berardinis has taken cheesecake to a whole new level. Every pose, expression, and little bit of body language is put to use. Every Shot is beyond what a glamor photographer would dream of. Utter Perfection on so many levels. There is definitely some of her art that pays tribute to Petty, and Vargas among other legends of pinup in many of her pieces in most of her books. This one is a collection that spans many realms, and genres as would only be appropriate in our day. (Frank Frazetta influence spans the universe) There are no pieces that are over the top goriffic, or Horrific works like Clevenger, but there is some definite influence from Fantasy art in a portion of this book. The cover of this book was also a cover on Heavy Metal Magazine of which Olivia did many covers for in the past. This book is like an homage to the beauty of the feminine and female form, as is all of her work. Mouthwatering is the only description I can give it. If your looking for extreme fantasy, or horrific, gorrific works go for Clevenger. But if you want to see the beauty of the female form that can only be described as: like looking into the eyes of an angel". Olivia's books will do you no wrong. This one is no exception.

For any female who has ever been embarassed by the pictures of the other publications that are not so tasteful in showing a nude female this is a book to check out. I myself grew up with a feeling of nakedness is not beautiful and felt that way until I was about 18. When one day someone showed Olivia pictures to me and opened my mind allowing me to see the real beauty of the female form. It is beyond words and as a young woman it allowed me to feel better about myself. As a reminder to myself of the beauty she brings out in a woman I have small tattoo of Heatseeker just below my waist.

Who better to draw women than a woman? Olivia De Barardinis is the undisputed queen of cheesecake art, that wonderful if ill-defined blend of sensuality, sexuality, humor, and glamor.

Although her style covers a wide range, each illustration depicts a lone model. Based on Olivia's notes at the end of the book, it sounds as if each woman's presence is just too big to share a page with any other. Each time Olivia paints, she captures something unique to the model, so two models might confuse the directness of the image. Other visual elements appear in her work often enough to form a recognizable ensemble: happily erotic poses, improbably high heels, and lingerie ranging from antique to futuristic fanatasy. Various of the paintings here show other influences, including Bettie Page, Klimt, Marilyn Monroe, Erte, and generations of other sensualists.

Olivia uses the last few pages to add notes describing the paintings. The text identifies each one by title (if any), year, medium, and usually the name of the model. In many cases, Olivia says a bit more about the woman depicted, the inspiration for the image, or something else to help the reader enjoy the picture - as if help were needed. Then, the last two pages let her talk about the creative process in each of her media, including watercolor, gouache, acrylic, and her trademark oil. I recommend this to anyone fascinated by Olivia's voluptuous, vivacious vamps and vixens.

-- wiredweird

In Not Between Brother author David Marion Wilkinson relates the epic story of Texas spanning the years from 1816 to 1861. Wilkinson uses the life story of his primary protagonist, Remy Fuqua, to tell the Anglo, Tejano, and to some extent the Mexican parts of the tale. On the other side, Wilkinson puts the reader into a virtual alternate universe by following the life a Comanche warrior named Kills White Bear. The lives of Remy and Kills White Bear become inextricably bound together through a series of unfortunate incidents that are mostly fueled by their mutual desire for vengeance. Indeed, the book closes with one final tragic encounter between them.

On the larger stage of history, Wilkinson's book tells the story of Texas (or Tejas) from its days as part of the Spanish colonial empire, through its Mexican statehood, its days as an independent republic, and its annexation to the United States. The book closes as secession fever strikes and the state legislature withdraws Texas from the Union over the objections of its governor, Sam Houston.

Fuqua wants to ranch and by hard work and fortuitous marriage achieves an extraordinary level of success. All the more bitter, then is his struggle against the Mexican government, The Texas Republic, and Confederate Texas to keep what he has built. The eternal struggle, however, is between the Comanche, especially the Penatekas led by Kills White Bear, and the Anglos and Tejanos. The Comanche fiercely defended their hunting grounds and with some degree of success on the sparsely settled Texas plains. Both sides fought viciously - it injury to the truth to romanticize it. In addition to their sheer numbers and technological advantages, the whites brought diseases that no amount of courage or tenacity could resist. On the whole, the Comanche chose to resist, seemingly beyond all reason, rather than submit.

Wilkinson sprinkles his tale with historical characters such as Sam Houston, Buffalo Hump, Santa Anna, Juan Seguin, Indian agent Robert Neighbors, and Captain Jack Hay of the Texas Rangers. Wilkinson also puts the reader in the midst of historic events such as the Alamo (necessarily told second-hand to Remy), the Battle of San Jacinto where Houston won his fame and Texas its independence, and the Council House Fight, where the army's ham-handed handling of treaty negotiations led to a massacre of Penateka chiefs and warriors, which in turn led to the slaughter of captive whites and touched off a major round of Comanche raids.

The one negative review of this book asserted that the author is no McMurtry or' Mitchner' (sic - presumably the reviewer meant James Michener) - a range of literary skills nearly as large as the Texas plains, in the eyes of this reader. Wilkinson does not reach the heights that McMurtry can, but exceeds Michener in developing real characters in an historical setting (as opposed to the rather simplistic characterizations in Michener's `Texas'.

Highly recommended for fans of historical fiction and the American West. The insights into the Comanche and Tejano side of the story set Wilkinson's book apart.

This is one of the very best western epics I've had the pleasure to read.
Laced with historical characters and important moments in Texan history, this book will keep you reading until your eyes droop. I am now a huge fan of this author and have moved on to other of his books. I don't know if it's possible someone would want to make a film of Not Between Brothers but I surely wish they would. This book is a cracker.

Having received this book as a gift several years ago, I am now sorry it took me so long to get around to reading it. I assure you that once you start reading Not Between Brothers, you will find it hard to put down.
Others have rehashed the story in their reviews to some degree or another, so I'll try not to do that here. Author Wilkinson does an excellent job developing both the characters and his story. There's a surprise at nearly every turn, although the reader somehow knows that chief protagonist Remy Fuqua is going to survive.
This is not just a story of a titanic clash of cultures, it is a story of hard men and women in a harsh land, where nearly every day brings an often life-threatening challenge. It is written in an heroic fashion that reminds me sometimes of Michener and sometimes of Fraser (of the Flashman series), but nearly always in a way that keeps the reader wondering what's coming next. Wilkinson writes a balanced story with a great understanding of the points of view of all the cultures that once claimed Texas as theirs.
Those who know the parts of Texas where this story takes place will almost literally be able to visualize it, to taste it and to smell it. Those who don't know Texas will come away with a pretty good picture of its geography and climate. And everyone will come away with a greater knowledge of the forces that shaped Texas and made it what it is today.
This is said to be Wilkinson's first novel and he's done a heck of a job researching and writing it. His command of the language is impressive as is his attention to detail. I found only one major factual error about a third of the way through probably missed in the proofreading( see if you can find it too). There are also a couple of times where I was able to guess why a particular incident occurs ahead of it being explained, but most of the time the reader is left in breathless anticipation of what's to come.
Despite a few missteps and a weak final chapter after the dramatic and surprising climax, my overall impression of Not Between Brothers is that I have just read an epic blockbuster. A blurb on the cover claims that it was a finalist for the Spur Award for best novel of the West in 1996. Well, if some other book beat this one, I'll have to read it and see why, because Not Between Brothers is one of the finest books about Texas or the West I have read in years!

Being a native Texan and a former history I found this to be an
interesting book.The book tells of Remy Fuqua moving to Texas to
start his life.Once in Texas he marries Beatrice the daughter of
wealthy Mexican parents.Together they have three children.His
wife and two of his sons are seized by a feirce Comanche chief by
the name of Kills White Bear.Remy rescues his wife and one of his sons.Once home Beatrice has a child that has been fathered by Kills White Bear.Remy rides with Sam Houston and does battle
with Mexican bandits and the Comanche Indians.He later has a
confrontation with Kills White Bear.A very well written fiction
book that sounds like actual history.Read this book.You will have
a better grasp of the early days of Texas.

Texas is a huge state with a rich multicultural heritage. It takes a real tour de force, such as David Marion Wilkinson's "Not Between Brothers" to do it justice. In this epic view of Texas history, Wilkinson uses fictional characters Remy Fuqua and Comanche Indian Kills White Bear to tell the story of life on the frontier between the years 1816 and 1861. Remy is a Scotch-Irish orphan who grows up in Louisiana and is permanently scarred by his unhappy childhood. He carries a "never-say-die" attitude and a quick temper throughout his life. Kills White Bear is a Comanche warrior who nurtures a hatred for the white people whose diseases rob him of many of his loved ones. Remy and his cousin move to Texas where they negotiate a piece of land from Stephen F. Austin. Remy meets and falls in love with a beautiful, wealthy Mexican woman, and this causes problems for both of them throughout the rest of their lives. Remy and Kills Bear's lives weave their separate paths until at last they intersect, with predictable dire consequences for both of them. Wilkinson's wonderful prose and unforgettable characters make for an excellent read. He weaves in a lot of history and the reader is treated to up-close looks at Stephen F. Austin, Sam Houston, Jim Bowie, and others who are painted in wonderful shades of gray and who are not made to look like saints. For anyone who enjoys historical fiction or who has an interest in Texas, this is highly recommended reading.

This book does a great job of enhancing the experience of watching The Dark Crystal. Objects that are only seen for an instant or merely in the background are explained in detail in this beautiful collection. My only complaint? There's lots of white space on some of the pages, which makes it feel like less of a guide to an ancient world and more like a textbook.

Even so, highly recommended for fans of the movie, faerie stuff in general, or just great artwork.

Brian Froud, the creator of the Dark Crystal, is a Genius.

This book is a small Bible.

Well written, and with images so refined it makes you wonder if it is all "human" made.

All your questions about the Dark Crystal will be answered.
The information contained in the book seems almost sacred,
as for the capacity for the human mind to understand it all,
that is yet to be proven...

This book is an amazing tome for anyone who grew up in adoration of The Dark Crystal. Brian Froud's illustrations and concepts are gorgeous and so incredibly creative. This book is delivered as a history of the World in which the film takes place. It is narrated by Aughra, "...the first and last," who witnessed thousands of years of creation and destruction. She monitors the cyclical suns, a spectator of the conjunctions that bring the wise urSkeks, and their division a thousand years later into the cruel Skeksis and the mystical urRu. Aughra alone knows the long history of the crystal and throughout the pages, describes life throughout the ages. There are so many subtleties that the book describes that I can't wait to watch the film again, knowing the significance of the shapes of rocks, the intricate details of the clothes the characters wear, and the elaborate symbolism peppered throughout. The art is gorgeous and the insights into the World of the Dark Crystal shed a new light on the film and its philosophy. Bravo!

A must have for any Dark Crystal fan. It contains detailed pictures, decriptios of the various races, and a breif overveiw of how the world works. It also contains some history on the making of the movie, and a copy of the orginal movie idea. Even if you don't like the movie, it would be hard not to appreciate level of detail that went into this imaginary world.

Overall: An excellent book, which I highly recomend.

I didn't grow up with "The Dark Crystal" like most others who bought this book. I watched it for the first time in 2007. While I found the movie charming, it didn't leave much of an impression. Still, I was fascinated with just how so powerfully so many people love this movie. The film has such a following that a sequel is on the way after 25 years. So, I bought this book to see what it was I was missing. This book is mostly written from the point of view of Aughra, one of the main characters in the film. The art is fantastic but what I adored was the mythology I found within these pages. In this book is a vivid history of the world of the Dark Crystal, complete with philosophical and religious ideas that have a strong connection to the events of the film. If you wish to understand the films themes and events better, there is no better book than this. A MUST for all fans of "The Dark Crystal"