Companies Books

Here is a standout presentation of the ins and outs of contemporary Spanish. Examples of idiomatic usage are generously supplied, but fine points do not get in the way of the basics. Altogether an exemplary text--well-orgnized, lucid, and thorough.

When a Spanish teacher reccommended this book to me, I was reluctant to purchase yet another grammar book. However, this book is extremely detailed and is great for the advanced student. It is more than any college textbook. Keep in mind it is a book of explanations and not a book of exercises, but it does answer a lot of questions that an advanced undergraduate, or first-year grad student has.

If you are beyond the beginners level, then this is the equivalent to a Grammar bible. everything you need is in this book. Contrary to the opinion of a previous reviewer, I HIGHLY recommend that any SERIOUS student read this book in its entirety. I did it and probably will do so again.

This book about Spanish grammar is very comprehensive, but I don't recommend it to beginners. This book is aimed at advanced students. The explanations are a bit technical, but the author provides "real world" examples on how each piece of grammar is used. When I say "real wordl," I refer to the newspaper articles or the speeches the author cites.

I especially like the chapter on the subjunctive. This book provides an entire chapter to it, very important. Although, I don't like how the information is organized.

For beginning Spanish students, I don't recommend this book at all. It is too advanced. I recommend "Side by Side English & Spanish Grammar." I used it when I started studying Spanish, and it taught me a great deal of Spanish grammar.

Brandon Simpson

If you were stuck on a desert island teaching Spanish for the next year, this would be the one book to have with you. There is no close second. Even if you are not the geeky, I-love-grammar type, this is the kind of book that you open to check one little detail and 45 minutes later you find yourself still poring over other bits of information. The authors' style is completely professional, but unlike so many other volumes of Spanish grammar they manage to keep explanations interesting and clear.

I just wanted some good vegetarian dish ideas. This book impressed the heck out of me when it showed you how to make your own tofu, soy milk and other vegetarian stuff. Though I am not a vegetarian, I am amazed with the details on how to make some of the stuff. Oh yeah, and the recipes seem to be easy enough to follow! :)

I am new to vegetarian eating. I have been looking for ways to make some of the foundation items in a veggie lifestyle. this book tells you how to make tofu, soymilk, seitan (or gluten), etc. I was grateful to read how to make them. I know many people would just prefer to buy the ingredients at the store, but there are some of us out there that want to learn how to make the items. It will involve more of my time to make the food, but it will cost much less than to buy it from the store.

I definitely don't use all the recipes in here and frankly some are just weird like Roberta's Really Good Soup (even though it's kinda good). It's a great reference guide for tofu and certain vegan substitutes. Try the French toast recipe or the chocolate tofu pie! Super-Good!

A good book to add to the shelf. Needs some updating to reflect the vast variety of vegan items now available in supermarkets.

There are two main categories of vegan food, I think -- well, surely there are more, but there's two common in western pop culture. There's the vegan food you like to eat with your non-vegetarian friends, to change their minds: veggie burgers that look like meat, salad dressings where you'd never suspect the cream was tofu, and classy, restaurant-ready fare that seems so 'normal' your friends say things like "I guess the days of lentil loaf and bean sprouts are over!" And then there's this stuff.

And this is the truly good stuff. The people on The Farm, I don't know how they did it... a great mail-order business, Ina May's pioneering work in midwifery (Ina May's Guide to Childbirth), and a cookbook that helped push forward the vegan movement way back in 1975. These people had a huge cultural effect for one little hippy commune. Anyway, on to the food:

If you read the New Farm Vegetarian Cookbook from cover to cover (which, unlike most cookbooks, you can) you'll learn how to:
- prepare beans
- make TVP meatballs
- make tortillas, bake bread, pizza dough
- sprout seeds
- make knishes
- make gluten
- prepare soymilk
- skim yuba from cooking soymilk
- make tempeh from scratch (fascinating; looks very difficult)

The food prep instructions and recipes in the New Farm Vegetarian Cookbook make up a vegan 101 I wouldn't have been willing to read and absorb until fairly recently. It'll be popular with you if you're (1) already health-minded, (2) value non-processed foods enough to do the work, (3) organized food-wise, and willing to do things like leave the beans to soak the night before. There are some quick recipes, but if you're more of a ten-minute cook I'd recommend instead you get How It All Vegan! or (even simpler) the Soy, Not Oi! cook-zine.

Recipes in the Farm book include Soysage, Tofu Onion Quiche, Gluten Roast, Tempeh Sauerbraten, Millet And Peas, Granola and many other hippie classics plus lots of other great soups, spreads, main dishes, desserts, breads, and a small section about pregnancy and having kids as a vegan.

I just made their macaroni and 'cheese' made with nutritional yeast (Nutritional Yeast, Shaker (Red Star), 5 oz._; a product I've never used much of before but which features in this book prominently. It was much, much better than the OK (but more convenient) boxed stuff Roads End Organics sells: Road's End Organics Dairy-Free Pasta Shells & Chreese, Cheddar Style, 6.5-Ounce Boxes (Pack of 12). I was glad the recipe worked out because I'd been kind of daunted by nutritional yeast for awhile.

After the utility of this book I think I most appreciate the earnestness. Lentil loaf is good. Do not be ashamed! The Farm cooks also understand you don't want to support the corporate food giants, get your B12 from a pill or fortified anything, or buy a soy product you can't describe the manufacture of. If How It All Vegan is high school, the Farm Cookbook is college. The photograps of commune cooks stirring the baked beans in their mumus are also great.

One more point -- if you were to wholeheartedly adopt these recipes and food lifestyle as the book lays out, you would save a lot of money. (You can tell the Farm folks cooked for economy when they warn you to watch out for added mercury if you buy your soybeans at an animal-feed supply store.) The way most vegans and vegetarians in the west eat today doesn't represent much in the way of savings, because our processed foods, even if they're made of cheap ingredients, cost quite a bit. (Think of Yves slices, or commercial fake parmesan.) These people made awesome food at home from the cheapest, most straightforward and whole foods available. That's cool. Thank you hippies.

I had an original post WWII copy of this book and gave it away when I moved from W.Va..... Boy, was that ever a mistake!!!! I needed a copy for an event here honoring the Veterans, and so I was very pleased to see this one in print..... Bill looks at war from the dogface's perspective, and I'm quite sure there's a Bill Mauldin in Iraq somewhere.... but he's tied to the Internet and I'm not sure if we'll get good pen and ink sketches outta him now..... Bill had the way of seeing the ironic, the humerous, and the just plain sorry, in the average G.I.'s battle to survive....... I'd recommend it to school teachers for a look at WWII (AND I'd hustle up some of the last survivors... that first hand look isn't going to be with us much longer).............the Students would actuall LEARN something useful!!!

I am very satisfied with my purchase.The book itself is a pleasure to look at.The drawings are just as funny as I found them as a kid.The writing itself is new to me,but superb.It will allways be among my favourit books.Again marvellous

Indispensable depiction of the face of the Second World War. War and the pity of war. The humour is in the pity.

It's a gift, the ability to draw, to have perspective, to create, to be able to portray human misery as humor, for a reader to see the image and words and turn to laughter. Bill Mauldin had this gift that gained prominence in a time of war where talents rise to their greatest heights or sink to their lowest depths.

Truth is portrayed in humor or the humor isn't funny. Sergeant Bill Mauldin, an infantryman, barely twenty, and serving in Italy picks up a pencil and anything he can draw on, and begins to sketch two characters named Willy and Joe, two, brave, disheveled, irreverent, likeable and crusty infantry soldiers that give meaning to the names infantrymen were referred to as: ground-pounders, dogfaces, legs, and grunts. Mauldin portrays their grim and grimy existence with fatalistic pictures and captions--or grunts. One called "Breakfast in Bed" finds one of them waking up under a cow's utters, or the one where both are in a rain-filled foxhole and Willie touches Joe's shoulder saying, "Joe, yesterday ya saved my life an' I swore I'd pay ya back. Here's my last pair o' dry socks," or with rain pelting down on a scrawny dog facing the opening of their make-shift shelter, one of them says: "Let'im in. I wanna see a critter I kin feel sorry fer." My all-time favorite is a drunk German staggering toward a hidden Willie and Joe, holding a bottle of schnapps, unaware that he is wandering into American lines: "Don't startle `im, Joe. It's almost full."

These cartoons show the comradeship that soldiers developed for each other that would last a lifetime. Each man knew each other better than his own family or spouse ever would, and they could see the good and the bad in everything. They would carry a wounded lieutenant back to safety because he wasn't a "salutin' demon," or curse the Germans as vile, evil Nazis for scuttling a large keg of cognac before their retreat. These soldiers were miserable without being despondent. They were scared without being cowardly. They complained about their predicaments, but carried out their mission as American soldiers always do--attacking silently. The viewer cannot help but feeling empathy and admiration for soldiers who sometimes spent thirty months "in the line."

Mauldin goes further than just making us laugh at the miserable existence of two men trying to stay alive. His real success is that his humor defines the very best and most humane in the human character when it is engaged in its most destructive behavior. It is also timeless. Seventy years later, civilians and servicemen can still see the gallows humor in Willie and Joe's death-defying predicaments.

"Up Front" is Mauldin's account, of what he was doing when he created a particular drawing, why he made sure to include medics, engineers, chaplains, and even Tommies. The writing is matter of fact, well-written, and interesting, but without fascination. That was saved for the cartoons. The author is explaining each one in his text. It's the drawings and the captions that make this book a winner and a conversation piece.

Bill Mauldin died January 22, 2003. Willie and Joe occupying a foxhole filled with water and several cubic feet of complaints, live on.

Think about this the next time you put on a pair of dry socks, and marvel at the simple pleasure of just how good they feel.



May 26, 2008 Memorial Day (observed)

In Memory of the Fallen and all our Gold Star Mothers--especially today.

Of course, this is not a novel. It's a collection of cartoons as they appeared in the Armed Services newspaper Stars and Stripes. The cartoon began to appear in 1944 as the invasion of Europe was underway and millions of Allied troops were fighting their way through Italy and France and into the heart of the third reich.
After a few false starts, Mauldin settled on two characters, Willie and Joe-infantry men. Willie and Joe (who were barely distinguishable from each other) were concerned with all the things that veterans said concerned them during the war. Lousy food was as much of a concern as enemy artillery, fear of cold, wet feet as annoying as the fear of death.
The cartoons, and Mauldin's self-effacing recollections together form a kind of narrative that is at once immensely personal and deeply historical. Mauldin was a pioneer. It was ten years before Cornelius Ryan The Longest Day: The Classic Epic of D-Dayturned personal narratives into history and almost forty before Ken Burns came along.The War - A Film By Ken Burns and Lynn Novick
Mauldin was, in effect, the only war reporter who was relatively uncensored. Since his cartoons carried no strategic information, his only worry was the military's possible perception that he might be lowering troop morale with his swipes at the brass and the rear-echelon. Fortunately, some American sensibility that 'it's good to laugh at the boss even if the boss is us' prevailed.

Up Front was one of the few books that my parents kept by their bedside. This is the book that helped the post-war generation remember the war as it was fought by the men who did the hard work. A quiet masterpiece.

Lynn Hoffman, author of bang BANG: A Novel

This is a really sweet book! My 9 year old daughter really enjoys it. My 6 year old son could care less right now. But if I talk to him about the meaning, he then understands it more and asks some really smart questions!

The story is about how we (the children) are a big part of earth. How everything is a part of us. Everywhere we look on earth and above is what we are made up of... kinda cool. I really liked it!

If you have a universal outlook on spirituality- you will love this book! My children beam after we read it. They feel special, loved, secure... all the things we want for our kids. There is not ONE THING scary or negative in this book. It voids the polarity idea. It is fantastic.

This is a wonderful book. I have a four year old son who has owned this book since before he was three. He loves and understands it, probably more so than many adults. It is the favorite book for my husband and son to read together.

If you like this book you will love "Child of Fairy, Child of Earth". Both books have beautiful verse, illustrations and messages.

This book is beautifully inspiring and a needed aid in nuturing spirituality in children, I love it as much as my 3-year-old.

This is by far one of my most favorite children's books. "I am part of all I see, and all I see is part of me." Those first two pages sum it up.

The illustrations are warm, gentle, and beautiful. If you look closely you can see little elves and fairies hiding in the forest. My girls love to try and find them while we are reading.

I have given this book as a gift many times and it is always well received.

Thank you Chara for creating such a wonderful book for our evolving little ones (and their parents)!

The space race of the 1960's was a crossroads in time that will never be repeated.

Walt Cunningham had a crow's nest view of that period. As a member of Apollo 7, the first Apollo mission and the first successful flight after the catastrophic Apollo 1 fire that almost disbanded the space program, he was able to see the inner workings of the American space program. He has recorded this unique perspective in "The All-American Boys."

"The All-American Boys" is a rare document of what really happened in the early days of the space program. In my opinion, most other astronaut memoirs are cleaned up versions of the truth--all "flag waving" and "ballyhoo." One gets a sense in the All-American Boys that the space race is being presented warts and all, including the social and political quirks of being an astronaut.

This version is an unabridged audiobook of Walt's book, which was first published in 1977 but thoroughly updated for this version. It covers Mercury/Gemini/Apollo but also shuttle/MIR/ISS. Walt himself narrates the audiobook, which is a great bonus. His pleasant narration makes the 22 discs go by very quickly

Unlike most other astronaut memoirs, you get your money's worth with this book. Highly recommended.

Col. Cunninghams's audio CD version of The All American Boys is, simply put a great listen! Having read the hardback, I thought that there would be little to gain in buying the CD version, but I was wrong. His carefully spoken rendition has laugh-out-loud moments, and his tough but thorough thought provoking commentary on the space race, NASA, the Russian's, the International Space Station, and the future of man's involvement in space is a must have. I don't know why, but hearing it 'first person' and in the spoken words of someone who was there, and who made this history, is a remarkable thing. Can't recommend it highly enough.

Absolutely Fantastic!
Walt's voice resonates through you as he recounts his life experiences before, during and after his NASA years. This is a wonderful way to learn about Americas Space Program from the ground up.
Whether you have read the AABoys or not, nothing matches hearing this incredible story with the true life passion only the author and main character, Walter Cunningham, can convey.
A great joy, and true and exciting find! A must have for anyone interested in space history and space exploration. What fun it was to replay parts to hear the subtle inflections in Walt's voice just to gain a greater insight into how this space hero must have felt during the space race years, through to the changes that are on the horizon today.
A most favorite addition to my space collection!

I got the title of this review from Apollo 11 astronaut Mike Collins who described fellow astronaut Walt Cunningham this way. Only a few people have flown in space, and so we would expect astronaut auto-biographies to talk about this, but unfortunately, only Mike Collins book "Carrying the Fire" does it. After reading a few other autobiographies I finally came to the conclusion that it is not really worth the time and money to get their books, with them spending most of the pages discussing petty jealousies, practical jokes, celebrity golf tournaments, and their success or failure in the world of business.. Thus, I was somewhat reluctant to purchase Cunningham's, but the reviews convinced me to give it a try. Fortunately, it was worth it. Cunningham does share the flaw of the others in that he also doesn't describe his Apollo 7 flight in any detail, but the uniquness of his book is that he does give an interesting perspective on the American space program, and his fellow astronauts, not seen in the other autobiographies.
Part of the reason is, as Collins pointed out, that Cunningham received a rigorous scientific education and was involved in scientific research before going to work for NASA. This gave him a greater ability to objectively judge the qualities of his fellow astronauts.
The original Mercury astronauts were good pilots, but one of the most important qualitites that they were chosen for was ability to stand immense stress, because at that time, it was not known how spaceflight
would affect the astronauts, physically or mentally. After Project Mercury proved the stresses were not as bad a feared, new generations of astronauts were chosen who had better education, better ability to understand the increasingly complex Gemini and Apollo spacecraft and a greater appreciation of the importance of the exploration of space in a scientific sense, something the Mercury astronauts did not have so much.
Cunningham also shows that the grind of training took a toll on the Mercury astronauts, and he says frankly that the commander of his Apollo 7 mission, Wally Schirra, who flew outstanding missions in both Mercury and Gemini (piloting the first rendezvous mission with another vehicle) didn't really have his heart in his Apollo mission and it negatively influenced his performance. Schirra repeatedly lost his temper during the mission which gave his whole crew a bad reputation leading to both Donn Eisele and Cunningham being banned from further flights (everyone admits Cunningham got an unfair rap in this). Cunningham also frankly points out that although the crew indeed proved that Apollo spacecraft was flight worthy, they didn't really accomplish nearly as much as they could have during their relatively long-duration flight in a scientific sense.
Other interesting things I learned from this book was that, starting with the two-man Gemini flights, the Mission Commander was the astronaut who controlled the abort initiation sequence, so he had to be significantly better, and management required more confidence in him than in the other astronauts who flew along, and in borderline situations, he had to have the best "feel" for how the flight was going and the spacecraft was performing.
One surprising thing Cunningham reveals was the most astronauts felt that
in the Gemini 8 mission (first docking of a manned spacecraft), astronauts Neil Armstrong and Dave Scott made a serious mistake leading to their spacecraft to spin out of control. Fortunately, they got it back under control and made an emergency reentry. Most histories of the space program say it was a mechanical glitch and that Armstrong's cool response gave Deke Slayton the confidence in him to assign him to be the commander of the first landing on the Moon.
Cunningham feels that ultimately, although all the astronauts were talented and qualified, the flight crews were chose based on Slayton's
feelings of friendship
for the fellow (although it should be pointed out that the great success of the space program shows that Slayton did generally pick the best to fly) and this was more important than ability, physical fitness or other objective considerations. Famous examples was Slayton giving Alan Shepard the Apollo 14 mission without him having served as a back-up crewmember on a previous mission. Although Shepard did an excellent job landing the Lunar Module very close to the desired target, his subsequent performance during the lunar EVA left a lot to be desired and much possible scientific gain was lost. Another example was Gene Cernan crashing his helicopter while he was ogling sunbathing girls. Many people
thought this would wash him out of his Apollo 17 command position, but Slayton covered up for him (it should be pointed out that Cernan did an outstanding job both piloting and carrying out his scientific duties on that flight).

Finally, although he wrote the book before the Space Shuttle first flew,
he points out that many of the astronauts felt too many compromises were made in designing it and that it wasn't safe. Cunningham points out that fighter pilots and astronauts find taking life-endangering risks to be exhilirating IF THE RISK IS NOT TOO GREAT. However, they oppose taking foolhardy risks, and not a few astronauts felt the Shuttle fit into that
category. Subsequent history has unfortunately shows that was the case, and the new Orion spacecraft is going back to an Apollo-like design and getting away from the "space-plane" concept.
All-in-all, I found the book a good read and a pleasant reminder of the
glory days of the manned space program that led to man walking on the moon.

This guy is one opinionated s.o.b. - but this book is all the better for it. Because Walt Cunningham is aware of his limitations, and has the virtue of being right in his strongly-held opinions.

I'd recommend this book even for those not interested in space flight. To see the cut-throat office politics behind a smooth veneer... it's something that relates so much to many walks of life. The fact that it is told here in the golden age of space flight makes it all the better. Wow! A great book.

After reading a short story in Reading class, my daughters became very curious about the Titanic. This book is a good overview of the ship and the voyage.

this is a good book for kids who are intersted in titanic.my nephew love this book,buys every book he can find on it.

This book is very great for kids who want to get a good glimpse on the inside of the ship and see what the interior actually might have looked like back then.

I have it sitting above my head on my book shelf among a couple of other titanic books.

I definately recgomend this book for any one and not just children.

My seven year old nephew was enthralled by this book. The amazing illustrations fill every page with a wealth of detail for both adults and kids. The story line is excellent too--it follows two families, the Goldsmiths and the Carters, one in first class, one in third, as they make their way across the Atlantic. The book doesn't gloss over the fact that many died, but has just enough detail to hold kids' interest without being scary. A real find.

My 7 year old son has become fanatical about all thing related to the Titanic. I was thrilled to find there are so many good books out there for children of his age, this particular book is no exception. Great copy, wonderful pictures. He reads this one over and over again.

Absolutely delightful! Jeanne Carley takes an already super-cute pet, and makes it even cuter! How DOES she do it? Simply amazing, especially when you consider how energetic and wiggly ferrets are. Excellent quality and superb creativity, a must-have for every ferret lover.

I have been ordering Jeanne Carley's Ferret Calendar for years now; my ferrets have both passed (and someday I will get new ones, once my daughter is a little older), but I will keep ordering two calendars each year: one for me and one for my sister over in Europe, who eagerly awaits the calendar each Christmas.
Jeanne takes the most wonderful, unique pictures. Having had ferrets, I know how hard it is to take good pictures, let alone great ones!

love the calander buy them every year for xmas gifts. my ferrets are gone now, but at least i get to have memorys.

I bought Jeanne's calendar the first year it came out...and have ever since! I write this with one of my ferrets curled up in my lap admiring yet another beautiful product. Jeanne really knows how to capture ferrets at their best. I wish mine always looked that sweet and charming...!

(I'm mildly surprised that no one has used that title for a review.)

I've been hooked on Jeanne Carley's ferret calendars for years. They always go up in my work space, and they always go on my Christmas gift list. The little fur-critters come off looking so natural. There is a certain amount of photoshopping, but it's minimal and pretty difficult to detect.

The 2006 Ferret Babies calendar is up to Ms. Carley's usual high standards. She obviously loves her chosen subjects, and such sweet subjects they are!

Highly recommended for ferret lovers, calendar lovers, and lovers of fine photography.

I've been getting this calendar for years now -- my kids especially love seeing what new kitty awaits them each day (plus, after the pages are removed I often use the reverse to write notes to the kids - they like getting a note with a cute cat on the reverse - and it's some vague form of recycling.)

The blurbs that accompany each photo are sometimes informative...mostly basic stuff that a cat owner should already know, but occasionally a new trivial tidbit is tossed my way. I tend to prefer the pages that use the space to tell about the pet pictured.

All-in-all, it's a great gift for a cat owner or cat lover.

It's fun to see what's next on the page-a-day calendar. The pictures and stories are a treat to start the day. This is the third year of having this calendar, and it never ceases to be fun and/or sweet.

I didn't personally see the calendar, but it was shipped out promptly to the person I sent it to, and they were extremely pleased with it! The ease of ordering and having you ship out was a big factor in ordering from Amazon!

Appreciate it!

Marly Sipos

When you have the Page a day calendar, you do get a humourous Photographed cat with a brief write up up of its history or personality, it is well produced and of good-quality I can recommend this product for a good start of any day

At my house we love this calendar. Not only do we get introduced to cute kitties, we find out interesting facts and information each day. We wouldn't dream of going through the year without it!

As 1st generation Russian I was pleasantly surprised by this book. Variety of dishes is delightful. There is something for every occasion, from deserts to dinner dishes and breakfasts. Some of the favorites like pelmeni and sirniki I remember from my childhood.

However, I do have 3 Big problems with this book:
1 - most of the recipies here are NOT for traditional Russian dishes. Former Soviet Union nations like Georgia and Armenia have really tasty food but it is very different from the type of things ethnic Russians eat. If you're looking specifically for Russian dishes, this book doesn't give that many options.

2 - this book is for cooks with A LOT OF TIME ON THEIR HANDS! Busy Russian women just don't spend all day to make borscht from two dozen ingredients. If you don't have all day to cook, you will get pretty frustrated with huge ingredient lists.

3 - many recipies require ingredients that aren't easily found in grocery stores. If you don't live in a major city where there many ethnic and specialty grocery stores, be aware, you may have to improvise or order things on-line

You can really tell the effort that the authors of this cookbook took to research thoroughly all the various cuisines of Russia. They spent three years researching and traveled halfway around the world, interviewing, tasting, cooking. It really shows.

I wish everyone else gave that kind of effort in writing every book written. The quality of world literature would skyrocket.

If you have even a passing interest in Russia, or food, or cooking, or even history, look no farther. This book will entertain you.

As a cookbook, though, be advised: This isn't "Russian Cooking for Dummies". Russian dishes frequently require hard to find ingredients, specialized hardware, lots of time, and a great deal of culinary skill. I consider myself a good amateur chef, and I dare not try the more complex recipes provided. Russian women evidently have lots of time to prepare meals and have a great deal of experience and skill.

If you have never read a cookbook just for fun, that's about to change. You won't regret it.

As a family of emigrants from Russia living in the US, we've been exposed to Soviet cooking all of our lives. This book has a pleasant collection of recipes coming from all over the former USSR, and it is indeed a great reference for someone who enjoys cooking and has a lot of free time to do it. However, we find that most of the recipes are over-complicated. We make "kotlety" and "bortsch" quite often, and we have tried the recipes listed in this cookbook for testing. The results were good enough, but not much better than the usual, if at all. The recipes also required much more time and attention to detail than we are used to in making these dishes, and that extra effort didn't seem to pay off. Not a good reference for someone who's into Russian cooking on a day-to-day basis.

This is a book that I really really wanted to like, but which has some irritating quirks of format, editing, and omission that could have been avoided with some better editing.

STRENGTHS:
* Unlike all too many books out there, the author(s) went to the commendable effort of discussing the regional differences in cuisine amongst the many countries that used to comprise the USSR, and they provide recipes for each in separate chapters. Major kudos for that. I wish that other all-in-one type books on Chinese, Italian, Indian, and (to a lesser degree) American cuisine were as diligent. Such nuances add clarity and focus to one's comprehension of foreign cuisines.

WEAKNESSES:

* First of all, the title is a little off. This is a book about SOVIET cooking, because it covers many regions within what (at the time it first came out) was still the USSR (of which Russia is was only one country among many).

* FORMAT/LAYOUT: I think the publisher went a bit overboard in trying to stretch the page count to make the book appear far more encyclopedic than it actually is. Through a combination of recipe headings printed in oversize fonts, wasteful margins, a plethora of useless sidepanels that add little of value, and overly generous line spacing, the publisher managed to stretch this book to 659 pages. If they'd used the same layout and font size used by Julia Child, this book would probably be well under 250. A page count of 659, in order to cover 400 recipes, most of them fairly modest in length and complexity, represents a lot of needlessly wasted paper, and it reduces the book's readability. The New Joy of Cooking, for instance, has almost 4x as many recipes in roughly the same page count. In this book, a recipe that SHOULD be less than 1 page is stretched out to 2 or 3.

* TABLE OF CONTENTS: There doesn't seem to be a convenient list of recipes anywhere in the book - there's only the table of contents (which merely overviews each chapter in general terms), and the index (which is arranged by searchable ingredients).

* GAPS: Despite the commendable efforts by the authors to cover many of the provinces of the old USSR, there are still some gaps - some small, some gaping. Some of the smaller gaps involve having dedicated too little space to pickled dishes (only 17 pages), and dressed cold salads (19 pages), both of which are FAR more prominent and commonplace in working-class Soviet cuisine that the book would have you believe. A particularly glaring gap is a total void regarding caviar. All that you'll find in this book is 3-4 call outs for cooked or smoked sturgeon meat, and 2 recipes that call for salmon roe, even though the caspian is the virtual culinary homeland of sturgeon caviar. A book on russian cuisine that omits caviar is lie a book on American cuisine that omits apple pie. At least the authors covered borsht and infused vodka.

In my opinion, this book would benefit from some fairly substantial re-editing and layout optimization to refine its focus, eliminate wasted space, improve indexing, and fill in some culinary gaps.

This is THE cookbook for spoiled, Americanized Russians who never paid any attention to what went on in the kitchen because their mothers were such great cooks. Turns out we didn't need to...

This book is one of the best books about the fire service I have ever read. I hung onto each and every word. It was though I was there sometimes.

During the tumultuous period of the 60s when author Dennis Smith wrote Report From Engine Company 82, the book was a cry for help from exhausted, frustrated men. Men who cleaned up in the aftermath of other exhausted and frustrated inhabitants of a society stretched to the breaking point.

As I type this, a younger firefighter in a comfortable, air-conditioned fire station among a population that by-and-large respects my profession, it's easy to forget the sacrifice of our past brothers who unceasingly fought fires, city hall and the population they served, until they had forged the modern fire service.

It's an important book for new firefighters to learn how the iron men of old did the job. And for the general reader it's a testament to both a volatile period in our nation's history, and to the timeless strength and courage by which good men have always worked to keep back the chaos of barbarism and destruction.

I spent 10 years in the fire service in both engine and truck companys. While I have many memories and stories to tell, the author, Dennis Smith, sums up the life of a fire fighter in an urban environment about as well as can be possibly told. Trying to balance the unpleasantries and sadness against the satisfaction of saving a life or helping a family overcome one of life's most agonizing moments is very well portrayed in this book. This is what a fire fighter's life is about folks. There is no other book that I can remember that tells it any better than this. If you're thinking of a career in a big city fire department or for that matter, if you're even thinking of becoming a volunteer fire fighter this book is a must!

I first read this book 20+ years ago, when I was under 20 years of age myself but streetwise from being the "wheels" (with a driver's license and a car) for various escapades all over Chicago in my raucous, hard-partying and utterly politically incorrect youth. Many aspects of "Report From Engine Co. 82" stuck with me through the years, and I've re-read it several times. Now I'm 40 and an ER RN in a Chicago hospital where we see more than our share of the extraordinarily dysfunctional lives of the people who live in poverty in the neighborhoods that surround our hospital -- the type of job and environment Smith portrays so well in "Report From Engine Co. 82."

"Report From Engine Co. 82." tells truths about the nearly inescapable poverty and illiteracy of people scraping by in lives that are marginalized in every possible way because they don't -- can't -- really care for themselves appropriately because they don't even know how. Poverty isn't what it used to be -- but it's still as screwed up as it was in Smith's first book. Most of our ER visits aren't really emergencies, just as most of the calls Company 82 responded to weren't emergencies, either. Nowadays, people call 911; when "Report" was written, that 911 system didn't exist yet. But not much has changed since then, in terms of what the firefighters/paramedics respond to and bring to the ER.

Most of the "emergencies" he sees are not emergencies. The non-emergencies, combined with the real emergencies, portray the dangerous and unthinking way poor people live through a combination of lack of resources, lack of experience with the "straight" world, lack of common sense, and minute-by-minute survival thinking. Most of these emergencies and non-emergencies are easily prevented -- if people had common sense, proper parenting, and a normal instinct for self-preservation.

These qualities, however, are surprisingly hard to come by in poverty, and this is what Smith dramatizes. The heroin overdoses. The stupid kids doing stupid things because they are constantly left unattended and to their own devices. Kids who shoot themselves in the thigh or foot -- or worse -- "playing" with guns. Fires that kill children because space heaters provide the heat slumlords refuse to provide in their code-violating buildings. The incipient hatred and distrust poor minority neighborhoods have of the white emergency personnel and firefighters who respond to their calls. The huge cultural gaps that make true communication and understanding so difficult -- even when you're both the same race and both speaking English.

What Smith accurately portrays is the way poverty-stricken people "live in the now" -- people whose entire lives are spent with no real financial or material stability or security. These are people for whom the concept of saving money for the future is impossible, either as a concept or a reality. People for whom making an appointment days or weeks in the future, and actually remembering to get to the appointment, is nearly impossible. Their main mode of thought is: what do I need to do now, what do I want to do now, what do I need or want to do in the next five minutes. This inability to think about and plan for the future is endemic, as is the inability to prioritize that which really matters -- one suspects because most of these people realize on some level they have no future that truly matters to the rest of society, and they're incapable of living as the rest of the "straight" world lives because they never have, didn't grow up with it, and don't know the language of living that life, let alone the mindset.

These are the people and children who have no insurance, no health care, no glasses when their vision is bad, no braces or dental care when their teeth are bad; who never use birth control (to prevent pregnancy OR to prevent disease transmission). People who don't understand why it's inappropriate to come to the ER with an upper respiratory infection and get pissed off when they wait hours for care while higher priority, higher-acuity patients (in respiratory distress, cardiac arrest, heart attacks, asthma attacks, and overdose, etc.) are taken before they are.

Conversely, these are also the people who shun health care until they are so sick they can no longer avoid it, and discover they have cancer... Cancer that could have been prevented or at least treated, often saving their lives, had they ever had regular health care -- but who are now consigned to an inevitable death they will blame on the healthcare providers who couldn't save them because they were at a stage beyond saving or treating in any way other than palliative.

Smith's New York is NOT the New York of Sex And The City. This is the New York of the infants whose welfare mothers don't immunize them, but have the latest, most expensive coats and boots because conspicuous consumption is how they live: you show how much money you have by wearing all that your money has bought you (rather than doing the far less glamorous but sensible things more responsible people, whose children were WANTED rather than accidental, do). The New York of the kids having kids who have kids, all of whom have never known proper parenting, nutrition, or health care. The overdoses. The children who come in with accidental poisonings or burns from household chemicals because no one was watching them. The attempted suicides with anything and everything -- cold medicine, knives, guns, illegal drugs. The kids raised by siblings because the parent is completely incapable, if they're even around, with or without the additional problems of substance use/abuse, addiction, or domestic abuse. The families which are largely single-parent families -- and where the parental figure may be an elder sibling, aunt or cousin who cares more for the children than their biological parent(s) does or is capable of doing.

This is also the world of the terrified illegal immigrants who wait so long to call for help because they're afraid of INS (now ICE) and deportation; by the time they do, they're often too sick to save. The penniless old people whose pensions don't cover their living expenses and who don't call for help because they're terrified of being discharged from the hospital to a nursing home and losing what little autonomy and material security they have left. The fractured families (with utterly dysfunctional dynamics) who interfere with the paramedics' jobs -- as well as the tight-knit families who are rich only in love for one another. The people who refuse help they desperately need because they fear and distrust the paramedics and firemen trying to help them, and because their healthcare illiteracy is such that they have no idea what is necessary to save their lives, and so refuse or avoid medical treatment that could stop problems in stages when they're still treatable. The mothers who speak no English, who superstitiously fear that emergency treatment will kill their children, yet who are so desperate to save their babies, they don't know what else to do, because all home remedies have now failed. The endless numbers of people who let their prescriptions run out or try to save money by taking less than the prescribed doses and then have severe health problems that wouldn't happen if they bought and took their meds as prescribed -- but who, for multiple reasons, can't and/or don't. The people who beg not to be brought to the hospital because "people DIE in the hospital" -- people who don't understand that their neighbors and family members who died in the hospital, died because they waited far too long to call for help, and were therefore were beyond saving when they finally got to a hospital.

Anyone who works in public service as a fireman, cop, nurse, social worker, or psych intake worker in a big city -- and in poverty-stricken, crime- and drug-infested suburbs and rural communities -- can relate to Smith's book. For everyone who majored in something else, this book opens a door and exposes the lives of people you don't even know exist, people you don't acknowledge when you're forced to share a bus or train with them during rush hour (or who you intentionally avoid by driving in your own car, despite the expense of gas, insurance, and time spent on the commute): the people who don't work, or the people who work wage-slave jobs like janitor, maid, fast-food worker, security guard, who can barely pay their bills or care for their children with what little they make -- or who blow it all on liquor and/or drugs and/or gambling (or all three) to escape the miserable hopelessness of their lives. The kids who have the latest "stuff" -- whether it's the shiny ten speed bicycles Smith writes about, or today's video games and cell phone/mp3 player/cameras -- but whose parents can't or won't give them what they really need: breakfast, lunch, dinner, and a stable environment from which to emerge every day to deal with the life-endangering risks of walking to and attending public schools that do little more than babysit and warehouse kids whose futures include teen pregnancy (and the late-term, life-threatening miscarriages that go with total lack of prenatal care, with or without drug use), repeated incarceration, and shorter-than-average lifespans due to the daily likelihood of violence in their communities and their lives.

Smith's portrayal of this kind of poverty is not pretty but it is not unsympathetic -- there are glimpses of beauty and hope, mostly in the young women and children who haven't yet been ruined by their surroundings. Smith tempers it all with a matter-of-fact acceptance that although it is his job to care for these people, he may never really understand them because he's now too removed from that life, and he takes on faith that they possess human qualities they often fail to demonstrate. But some do show their humanity, and those are the people he does it for.

Smith does an excellent job of portraying the paradox that the job of these firefighters and paramedics is to help and save these people, which by its nature includes finding them WORTH helping and saving, at the same time as they move and live as far away from these neighborhoods and the associated poverty, crime and drug problems as they possibly can. This is not merely a racial difference. There are plenty of black and Latino paramedics, cops, firefighters, nurses and doctors who straddle the gulf (some might say 'minefield') between their class and the class of the people they help, in circumstances that are at best trying and at worst nearly impossible to help them transcend for any sustained length of time.

Smith portrays the sympathetic detachment required to know that this is what you do, all day, every day you work, with only the hope that one or two out of ten people will actually genuinely and sincerely thank you for what you do or have done for them -- which is that elusive reward you get, one that can make it all seem worth it when it happens -- and to hope that when you show up and give this of yourself on every shift, there might be one kid or teen who sees what you're doing, who still has enough time ahead of them to see this glimpse into another world... A world it is just *barely* possible for them to enter given enough determination, education, mentoring and drive, and sadly also given enough instinct to discard much of what they learn in their families about how they THINK the world works, versus how the world REALLY works for the more educated and better-off people who run it.

The fact that Smith can show all this without denigrating an entire class of people -- does, in fact, portray them with humanity and the grace one occasionally sees in these circumstances -- is because he also recognizes that he is not that far removed from the kind of poverty he sees on the job (he grew up poor, too). He recognizes and accepts that he is that kid who admired firemen as a boy and saw a different world -- he is that kid who made the leap to the next class up, to the working class and blue collar as opposed to poverty-stricken. He understands the dysfunction -- the drinking, the drugs, the abuse -- that occurs in the neighborhoods Co. 82 responds to because it occurred in his neighborhood, his family, his poverty, while he was growing up.

This understanding that few "get out" -- and that he was one of the lucky few -- underscores with sympathy his otherwise stark portrayal of the job of a NYC fireman in the 70s when NYC was not a desirable place to live and people did their best to escape "the city" as soon as their financial circumstances permitted it.

The uncensored version of this book (which is the one I've read multiple times) also shows the bizarre split someone who works as a fireman/paramedic, nurse, or doctor must negotiate within themselves -- the intimate knowledge you have of the bodies of the people you must save, which is merely part of your job but which you can't really talk about to any family member or lover who isn't in one of these fields. I don't mean merely intimacy with people's genitals -- though there is that, such as the way the Smith describes heroin overdoses getting icebags put under their testicles (negative stimulus, designed to bring unresponsive, unconscious people back to responsiveness and consciousness). I mean the intimacy of seeing people stripped of their modesty and dignity, voluntarily (prostitutes) or involuntarily (the terribly sick), whose personal space and body integrity you must necessarily invade, often in less-than-respectful or diplomatic ways because there is no time for those niceties when someone is dying and you're trying to save them. People who don't work in these fields can never really understand how you can be unaffected by the nudity, exposure and/or intimate knowledge you have of these total strangers, and the disinterest or casual attitude with which you greet what would shock most everyone else.

And, of course, you're not unaffected by this knowledge. Sometimes you're disturbed, or someone or something sticks in your mind -- the things you've seen or had to do -- and is recalled in inappropriate moments with your loved ones. You're not unaffected, you're just emotionally calloused or you compartmentalize it, in order to repeatedly perpetrate and endure this violation of the boundaries between strangers and its inherent power imbalance: you, as the emergency personnel, never have to reveal any of these intimacies to your patients... but they must necessarily, willingly or not, reveal them to you. This includes the mentally ill and the hopelessly drug-addled or dopesick (or both, combined) -- sometimes the most disturbing intimacy of all: the insides of their heads and their distorted, sometimes frighteningly unhinged, perceptions of the world around them.

Before anyone decides to dedicate their lives to becoming a firefighter, they would be wise to start their research here. Some 30+ years after it was first published, this book still shows remarkable insight into the lives, struggles, and emotions of a professional firefighter. When I started on the road to becoming a firefighter, being a volunteer and reading Dennis Smith books asserted in my mind that my life would be wasted doing anything else. For others, this may convince you that the job is not for you. It isn't for everyone. Either way, this is a very enjoyable read and worth the time and money for anyone, not just firemen and wannabe's.